OK congratulations you made it through a lot.
So I was a lot of lectures a lot of information.
And if you didn't retain everything don't worry about it.
You know you can always go back over it.
And right now we're actually going to be going into the quizzing section of this course and it should
help solidify some of these things that you might have forgotten.
So the quiz is going to be pretty hard.
I'm going to be playing different songs in playing showing you the chords like the letters the chords
and then asking you to figure out the Roman numerals and also try to articulate the concepts that are
being used in the song that we've talked about in the course.
OK.
So it's going to be pretty hard if you don't get it right.
Or you know you're not getting it quickly and then I show you the answer and you were totally lost.
Don't be discouraged at all this is meant to be very difficult.
And I mean we went over a ton of concepts in this course so don't don't worry about it if you didn't
retain everything and sort of treat this quiz as one just a test of your knowledge to kind of challenge
you but also to sort of reinforce and remember all these concepts that you might have forgotten as we've
gone through the course OK so our first song is Make You Feel My Love which was written by Bob Dylan
by a very popular cover of it recently was the cover by Adele.
It's gotten a lot of radio airplay and it's just been a very popular cover.
So this song is written in B-flat.
And as you can see here the chords are B flat F over a a flat E flat E-flat minor B flat.
C 7 f sus and then B flat.
So going to play that song for you now and then you can pause the video write down your analysis write
down the Roman numerals what you think it is and then unpause video and I'll give you the answer.
OK here we go.
OK see composite video now and write down your analysis.
OK so here's the analysis for Make You Feel My Love.
So this song is written in B-flat So we know the first quarter is the one chord.
And then after that you have an F over a.
So is the bass note and you know in the key of B flat A is seventh scale degree.
Right.
So what we have here is a very common slash chord right.
We have the five over the seventh scale degree so that's an over because that is the three.
The third note of five.
But it's a seven scale degree and then the A-flat there that's not in the key of B-flat.
That is the flat seven chord.
Right.
So and then after that flat seven chord we have a four chord.
We know that the flat seven can be used sort of as a pre-kid it's before four chord or five chord.
So this is kind of fits there with the flat 7 and before chord.
And also we have a descending line going on because we have the B-flat chord which has a B-flat in the
bass.
Then we have an effort which is half step lower just in the bass.
And then we haven't A-flat in the bass are going B-flat a flat or 1 or 8 8 1 or 8.
Same thing 8 7 flat 7 creates this nice line cliche baseline cliche right.
And then we go for and then we have after a four we have four minor or E-flat minor that's are modal
interchange chord right.
The most popular modal interchange chord for four and then you know we always go for four minor and
then one right.
That's always the common thing when using a for minor you always fall up by one
and then hear that C-7 right.
It's a dominant 7 and we know it's not the primary dominant 7 right because the primary dominant 7 for
B-flat would be seven.
Right.
That's the five chord in the key of B-flat.
So when you see a dominant seven like that immediately you should think oh that's secondary dominant.
So what is what is C-7 the secondary dominant.
Well you just check five notes below C or five letters right.
So if you go backwards in the alphabet B-flat a g f so f..
So it's the five of f.
So it's the five seven or five because f is five and B flat right
and then that's an F F sus chord right.
So it's 5 7 sus and then which is our turn around chord and then we go to one.
So a lot of concepts all packed in to just eight measures.
Of course you have you know we talked about we have the slash chords right in measure 2 with the F over
a.
We have our flat seven modal interchange chord going to the four.
We have four minor modal interchange chord.
We have our secondary dominant the five seven or five going to the five seven and then which resolves
then to the homecourt back to the 1.
So a lot of cool things going on here.
If you didn't get all of that.
No worries.
Just review this lesson to really make sure you capture it.
Now what's going on.
And that's it for this quiz.
I'll see in the next one.
Thanks.