Welcome to the first video where we will actually use both of our hands at the same time.
I hope your left hand wasn't at board so far because it completely stood idle on the keyboard, doing
absolutely nothing.
We will skip straight to the point right now and introduce you to three more cord extensions, which
can go hand to hand with the previous lesson where we didn't have the cords or seventh quartz.
And these are the following we have no cords.
They are known as Nona Quartz, where Nona means number nine 11th quartz known as undercooked quartz,
where undercut means No.
11.
Thirteenth courts there are known as three decade courts, where three Dacca means No.
13 to clear some things out when you count the skill degrees above one octave degrees are as following.
See is a perfect octave.
C Sharp is a minor ninth major 9th and some minor 10th.
B is a major 10th.
That is a perfect 11 f sharp and in a minute 11th or diminished 12th G is a perfect 12th.
G Sharp is another minute twelfth or a minus 13th eight is a major 13th or a diminished 14th.
B flat is a minor 14th.
B is a major 14th and.
Seta is a perfect double octave.
Well, before we continue, we need to add the following statement for these exchanges.
Each extension above the seventh chord, such as the ninth, 11th on or maybe 13th day, will leave
to contain all of the previous odd number extensions as well in that chord.
There are four types of these extensions for each of them.
Let's start off with the nine courts and let's explain their formulas.
The first one is a dominant ninth.
One is a seed.
Three is an E.
Five is a G.
Minor seventh is a B flat and D is that nine, right?
So one, three five.
Minus seven, nine.
We've left and the right, the next one is a major ninth.
One.
Seven, nine, three.
Right.
It sounds like this.
Next, we have a minor ninth, one minor third, five minor seventh and a nine to be fun and.
It sounds like this.
And the last one is a minor major ninth.
It's one minor third, five, seven and a nine.
Deep.
If you can play these chords with your right hand only for now, it's OK.
Your hand will stretch over time and you can play the first three tones of the chord with your left
hand and you can divide the rest for the right hand.
For example, a dominant nine would be like this.
See the.
The flat and the.
Or even better.
Next, we have a major nine.
These would be C e g.
The next one is a minor ninth.
It's one minor third five.
Five or seven and a nine?
And the last one is a minor major night, one, minor third, five.
Seven and nine.
So.
Now we will continue with the 11th courts, and this is where we actually need both of our hands as
these our courts, which have six of the first one.
The first one would be a dominant 11th and this would be played with the following notes c, d g.
Fled the.
One, three, five.
Right.
If we count with the scale of C major one two three four five six seven eight nine, this is the nine.
This is the tenth eleventh, right?
So.
Or.
The next one is a major 11th, the major 11th has the following dose one three five.
Seven nine.
11.
The next one is a minor 11th one while.
Five minus seven.
And then we have the last one, it's a minor major 11th one Final Four five seven nine 11.
The last one for this lesson is the thirteenth court, and we will use seven fingers for this one dominant
13th.
One three five.
By year, seven, nine, 11.
Thirteen.
Sounds a bit strange, right?
The next one is a major 13th.
So what, three, five seven.
Not.
11.
Thirteen.
The next one is a minor 13, what minor third, five, minor seven, nine, 11.
And the last one would be minor major, 13th, one major, sorry, minor third five.
Seven, nine, 11.
That would be it for this lesson, and I'll see you in a next one.