MAN 1 [OVER PA]: Good morning, Presage employees.
We hope you're all ready for our exciting team-building retreat.
Please enjoy your breakfast... ...and then make your way to the bus,
which will leave shortly. Hey, Sam,
when I said, ''WouId you put breakfast together for the retreat?''...
...I meant, Iike, some staIe doughnuts, some coffee.
But this is amazing.
Thanks, man. Just remember that when you see my saIes report for Iast month.
Oh, I saw it Iast night.
Shit. Has Dennis seen it?
Not yet.
Look, you just need to make a decision, you know?
Are you gonna be ''chef'' or are you gonna be ''saIes guy''?
I'm saying that as your friend because, as your boss, I'm ready to fire your ass.
-As your friend, I appreciate that advice. -Good.
lnside my baby's room HoId on, man, I'II be right back.
SAM: MoIIy. Your ticket's canceIed.
TeII me that's a mistake.
I was gonna teII you after this weekend.
Uh, teII me what?
That I don't think it's such a good idea.
What, the trip? It's my brother's wedding.
What's going on here?
We shouId taIk about this Iater. Let's just--
What, pretend Iike I didn't see this for the next two days? No, Iet's taIk about this.
It's not working out, Sam.
We're not working out.
Hey.
Hey. Oh, it's, uh, Candice, right?
-Not funny. -Oh--
Okay, sorry, this is not a vacation. Okay, this is a business retreat.
So we're gonna be aII business for the next two days.
Sorry.
I Iove you, but doesn't change the fact that you're stiII an intern.
Oh, um, but that 12:30 curfew tonight? You shouId pIan on breaking that.
Why?
For the naked team-buiIding.
[IN AUSTRALIAN ACCENT] Hey, OIivia.
Don't forget these.
Oh, yeah. I keep trying to.
-Hmm. -I Iike it. It's very Lisa Loeb.
Oh, weII, you know...
...I'd rather be very OIivia.
We got a gig on Sunday.
Yeah, I'II be there.
Morning, Peter.
-Looking good. -Uh, hi.
OIivia. Have you sIept with every hipster in town yet?
Candice. Do you actuaIIy get paid for this internship...
...or does Daddy just increase your aIIowance?
You know, if you wanna get rid of that baby fat, you shouId try the gym.
They have these workout machines that you use on your back.
You're good at that.
Sweetie, it's not fat.
They're caIIed tits.
You're not Iooking so hot there, MoII-face.
Gee, thanks.
Did you try the IittIe jam-bread whatever your boyfriend made?
I gotta teII you, he's a pre-- Uh-oh, that's what it is, is it? Did I touch a nerve?
-Just Ieave me aIone, Isaac. -Hey, MoII? MoII? Look at me.
If you ever need anyone to taIk to...
[CELL PHONE RINGING] ...I've been toId I'm a good Iistener by a Iot of Iadies. Shh, wait.
TeII me this is Kimber from Iast Tuesday. Wait, I'm sorry, which Kimber is--?
Hey, Iet's sit next to each other on the bus.
No, no, I remember you. You were, Iike, a bigger gaI, right?
You know what you shouId do? You shouId apoIogize.
-Why? -Doesn't matter.
Never matters. ''I'm sorry, because I--''
Oh, shit.
Hey, Stan, how's it going?
Uh, it's Sam, sir.
Did you just correct me?
SAM [STAMMERS]: No.
Look at me.
-What's my name? -Dennis.
Look away.
AII set, Pete?
Yes, sir. Yeah, we're just waiting on Nathan.
What's the one thing we can't recycIe, Pete?
Wasted time, sir.
ExactIy. I wanna be on the road in 90 seconds.
Uh, weII, I just saw his car, so I'II go track him down.
Way to show some initiative, Stan.
It's gonna be a good day.
SAM: Hey, guys. MAN 1 : Hey, man.
SAM: What's up, bud?
MAN: Why you riding Nate so hard, man?
ROY: You know, I'm just trying to make sense of it here.
Three weeks ago they brought you in as assistant pIant manager...
-...and now you got a day off? -It's not a day off. It's a re-- Re--
Re-- Re-what? Retarded?
It's a retreat.
NATHAN: I don't wanna go. I'm just foIIowing orders.
-So if you don't Iike it, then you can-- ROY: I can what? What? I can what?
Nathan, hey. Come on, man, we're aII waiting for you.
-Yeah, okay. -Now, hoId on. What you gonna say?
What you gonna say?
I got 15 years on you here. You got, what, four years in some cIassroom upstate?
Listen, if you think I'm gonna sit here--
Not a good idea, Roy. Not a good idea, man.
We're fine for the day.
Why do you Iet him get away with that?
No choice. He's the union rep.
I fire him and suddenIy I've got a factory fuII of Roys.
But I'II win him over, even if it kiIIs me.
What about you? When are they gonna offer you that permanent gig at the restaurant?
-They aIready did. -Dude, that's great.
SAM: I don't know, man.
I mean, they wanna send me to the fIagship restaurant in Paris...
...for who knows how Iong? CouId be six months, couId be a year.
I just thought I'd be Ieaving too much behind.
AIthough now I'm not so sure.
WeII, Iook, if you do go to Paris, do me a favor.
-What's that? -Take Roy with you.
Aw, heII, no.
NATHAN: Hey, Sam.
You coming?
Yeah.
MAN [ON TV]: Get ready for a new adventure at 180 Corporate Consulting.
For the next two days, you will be tested, both physically and mentally...
...to help you reach your true potential...
...through working as part of your corporate team.
This weekend, a professional will guide you to achieving better results....
What are those for?
Oh, it's, um, just something I do to reIax me. And for Iuck.
Gymnasts are worse than basebaII pIayers at this kind of thing.
She's superstitious.
Hey, Katrina, how you doing?
Nah, just this stupid retreat thing with the idiots from the office.
No, no, no, not you, sir. Them.
HoId on a sec, Iet me go somepIace a IittIe more private.
BaId's the new bIack, sir. BaId's the new bIack.
Yeah, no, hang on a sec, babe. Just gonna head on back to my private office.
WORKER: The right-hand side!
Ow. Damn it.
MAN [ON TV]: For management, the valuable skills necessary...
...for being a good leader will be cultivated through a variety--
WORKER 1 : We'II tie it off from the far side. WORKER 2: Oh, whoa!
WORKER 3: Whoa, what the heII?
-Peter, did you feeI that? -What?
Something's wrong.
WORKER 4: Look out!
SAM: MoIIy, come on. -Candice.
WORKER 4: Go! WORKER 5: Go, go!
Candice! Candice!
CANDICE: Peter!
Peter! Peter!
PETER: No, Candice! Aah!
No!
Peter! Come on, Peter, Iet's go!
MoIIy, come on!
What the fuck?!
SAM: Oh, no! No! No!
Come on, Iet's go! Let's go!
OLIVIA: Oh, shit!
SAM: Over here! See the raiIing?
You can do this. Let's go.
Let's go. Do it!
You can do it. Don't Iook down!
Good. Good.
MAN 1 : Run!
OLIVIA: HeIp me!
-Sam! -OIivia!
OIivia!
OLIVIA: Sam! -I'm right here. I'm right here. Okay.
MAN 2: It's coming Ioose!
SAM: Do you feeI it? AII right. MOLLY: OIivia, come on.
SAM: It's okay, it's safe. Now you've just gotta foIIow this to MoIIy's voice, aII right?
Come towards me. Come on, you're aImost there! Come on.
Come on.
-Come on. Come on! -MoIIy.
No! No!
-Aah! -OIivia!
NATHAN: Sam! Wait for us!
Oh, my God!
Sam!
Aah! Sam, be carefuI!
PETER: Sam!
Peter! Hurry!
Sam! Sam!
Sam!
MOLLY: HoId on!
Come on, come on.
Sam, hoId on!
MOLLY: No! Peter!
Ow. Damn it.
MAN [ON TV]: --as well as define controls and procedures.
We will help you build a culture of corporate ethics by defining--
MAN [ON TV]: --risk management process.
We aII gotta get off.
What are you taIking about?
-The bridge is gonna coIIapse. -What?
-We're aII gonna die. -What the heII is going on?
We're aII gonna die if we don't get off this bridge now!
Stan, reIax, it's just some construction.
MoIIy, pIease. PIease, God, foIIow me.
Open the door.
This is a major IiabiIity issue. If something happens to them, it's on us, you get that?
-Yeah. -Then go get that.
Yeah. Yeah, yeah, aII right.
Hey, Sam? MoIIy?
SAM: Peter, pIease, just foIIow. PETER: Come on!
Okay, everybody just caIm down.
-I'm gonna go heIp. -PIease don't.
PETER: Hey, guys, come on!
SAM: Let's go!
PETER: Sam, just get back on the bus. We can taIk about it.
MoIIy, Sam, come on, guys.
Did he seem weird to you when he got on the bus?
No, he was fine. It's Iike he just snapped.
-What's going on?
-What the heII is going on out here?
DENNIS: We shouId, uh....
ISAAC: HoIy shit!
DENNIS: Get off the bus!
SAM: Come on!
How did you know?
MAN: That's the big question here.
How did you know?
It says right here in your statement:
''I saw it coIIapse. I knew it wouId happen.''
That sounds premeditated to me.
No, no, no. That's not what I meant.
I had a vision.
Okay. A vision.
Psychic phenomena, ghosts, Bigfoot.
You actuaIIy beIieve in that stuff?
I don't know.
I'II teII you what I beIieve:
There's an answer for everything.
There's an answer for why you knew to warn everyone...
...the bridge was going to coIIapse, and minutes Iater, it did.
I toId you, I saw it coming. I don't know how.
I just did.
And no one eIse did?
Like I said, it just came out of nowhere.
Did Sam have issues with authority?
Did he ever demonstrate any sort of extremist behavior?
No.
Wait. ''Extremist behavior''?
You mean Iike a terrorist?
You see him taIk to anyone that morning? On a ceII phone, pay phone?
Just his girIfriend.
His ex-girIfriend, I mean. MoIIy.
-But that was in person. -MoIIy.
Ex.
BLOCK: TeII me about the breakup.
Was he upset? ScaIe of 1 to 10.
It's personaI.
You must have been pissed, right? Getting dumped Iike that.
What does that have to do with anything?
I'm just trying to get aII the pieces of the puzzIe together...
...before I start moving them around, making them fit.
Look, I just had a hunch that something bad was gonna happen. That's it.
Excuse me.
Forensics came back with the anaIysis.
-And? -They're chaIking it up to high winds...
...and structuraI damage from the construction.
''High winds''?
AGENT: Yeah. Send everyone home.
You're free to go.
I have a feeIing we'II be seeing each other again.
CaII it a hunch.
WOMAN [ON TV]: Authorities are calling the North Bay Bridge collapse...
...a freak act of nature...
...citing a highway improvement project that may have weakened the superstructure.
Among the survivors were eight empIoyees of Presage Paper...
...on their way to a business retreat.
The other 1 7 empIoyees were kiIIed in the coIIapse.
And aIthough they've been branded the ''Iucky eight''...
...the surviving empIoyees now face an uncertain future.
NATHAN: Hey, guys.
MOLLY: Hey.
PETER: Hey.
Anybody know when this thing's supposed to start?
When Dennis gets here, I guess.
That agent stiII hounding you?
No. You heard the news, it was naturaI causes.
Yeah, more Iike supernaturaI.
How you hoIding up? I tried caIIing.
No, yeah, I saw. I was just tired.
ISAAC: So?
How did you expIain it?
I didn't.
I couIdn't.
Sam, there had to be a reason.
Heh. That is exactIy what the agent kept saying.
Whatever answer you're Iooking for, I don't have it.
Yeah, Sam's right. It doesn't matter how it happened.
We shouId aII just put it behind us and be gratefuI we're stiII aIive.
DefiniteIy beats the aIternative, right?
DENNIS: l look out at the faces today...
...and I see famiIy members, friends.
But the peopIe that Ieft us on the bridge that day, they were more than that.
PeopIe Iike Jennifer AIcott...
...Chris BoyIan...
...David BuckIer.
Maybe you worked next to them.
Maybe you worked for them.
But we aII worked with them, huh?
Who can forget Trevor Winn's smiIe?
Or Isaac PaImer.
Did he just say my name?
-That's not funny. -I know, I'm sorry.
I just get weird with tragedies. I'm sorry.
[WHISPERS] I see dead peopIe.
Guys.
Death...
...doesn't Iike to be cheated.
Excuse me?
What's that supposed to mean?
You aII just be carefuI now.
PETER: Okay. Thanks for the advice!
Creepy guy.
COOK: How's that foie gras, Sam? Waiting on you.
COOK 1 : Thanks.
COOK 2: Got my dessert?
What's the matter with it?
Said it was fIat. No fIavor.
-Do they want something eIse? MIKE: Yeah.
The check.
Let me taste it.
The customer is an asshoIe. The bourguignon is good.
MOLLY: HoId on.
You mind if I come in?
Yeah. Sure.
Thanks.
I thought you'd be working tonight.
Yeah. You know, I worked the first shift, but...
...there was something eIse I needed to do.
-Can I...? -Oh.
Yeah. Sure, go ahead.
Thank you.
Listen....
When everything started going down on that bridge...
...the onIy thing I thought about was you.
Getting you to safety.
You are the onIy thing I care about, MoIIy.
Whatever's wrong, I can fix it.
You haven't done anything wrong.
Then, what? What is it?
Paris.
We taIked about that.
I'm not going to uproot my Iife, Ieave you, for that job.
But it's the onIy thing you've ever dreamed of.
Life is too short, Sam.
You have to go after what you Iove.
I am.
You shouId take the job.
Go to Paris.
-Hey. CANDICE: Hey.
What's the matter?
I don't know. I'm not ready. I don't feeI ready.
It's been reaIIy hard to concentrate after everything.
Yeah? Are you sure?
Yeah.
Because this is the Iast practice before the championship.
And it's your Iast practice of your coIIege career.
CANDICE: I know, but....
I think you got this.
-ReaIIy? PETER: Yeah.
I mean, you Iove it out there.
Okay. You're right.
And besides, coach wouId kiII me. Heh.
Yeah.
Here.
Thanks.
Come here.
Bye.
PETER: You got this.
MAN 1 : You have to get a IittIe more speed. You gotta hit that foIIow-up.
GIRL 1 : I'm sore from the back extensions. GIRL 2: ReaIIy?
Okay, seriousIy, this is stupid. They've gotta make it cooIer or we're gonna pass out.
They're working on it.
CANDICE: WeII, they shouId have it fixed by now.
[BEEPING]
COACH: Come on, Candice. You're up.
PETER: Come on, Candice. You got this.
COACH: Candice, now.
MAN 1 : ReaIIy strong vaIue on this.
GIRL 3: Hey, coach! How was that?
MAN 1 : I wanna see you guys run the routine aII the way through once.
-That's good. -Whew.
MAN 1 : AII right, Janine next. Let's go.
Let's go, Iadies, and drink water.
That's it.
Every time, Candice.
-There you go. -Thanks.
COACH: NiceIy done, Candice.
Okay, go to bars.
WOMAN: Come on. Hit the fIoor. You can do it.
PETER: Go hard this time, Candice.
Let's be aggressive.
COACH: Here we go, Candice. Stay Ioose.
MAN 2: Okay, Porter, it's your turn.
Stay focused.
MAN 3: Good.
COACH: Looking good, Candice.
[GIRLS SCREAMING] Candice? Candice?!
GIRL 4: Oh, what happened? MAN 1 : Don't touch her.
COACH: Someone caII 91 1.
Candice?
Peter.
I came as soon as I heard.
She was doing great.
She was aImost finished with her routine and then....
Why did it happen?
This doesn't make any sense.
I don't know, man.
I'm sorry. I'm so sorry, Peter.
Let's just go, Sam.
Hey.
How's it going?
It's weird.
Being here, I mean.
It's just so quiet.
Yeah, weII, Dennis had aII the caIIs rerouted to corporate.
Yeah, weII, it's depressing.
HoIy crap. Did you guys get your bereavement pay yet?
Hey, what's he doing here?
I think he just needed the distraction.
Yeah.
Yeah, that's a bummer about Candice.
Guess we aII shouId have seen that coming.
What?
You see the crazy shit those gymnasts do. I'm surprised it doesn't happen more often.
MAN [OVER SPEAKERPHONE]: Once you've handled the e-mail...
...you'll need to deactivate all the key cards of the deceased employees.
lnstructions are in your binder.
WeII, shouIdn't that be the job of the faciIity manager?
The facility manager's dead.
Dennis, you want me to fly someone up there?
No, no, I got it.
Aw, Debbie.
You were so naughty.
Fuck it.
Robert, my man.
Shit.
You shouIdn't have, buddy.
Hey, man, what are you doing up here?
Had to get off the factory fIoor, man. Roy's driving me crazy.
So, uh, who wants one?
Where'd you get these?
I stoIe it out of Roy's truck. Ha, ha. It's good, right? Ha, ha.
I got something better.
OLIVIA: Ooh, nice one.
Yeah, count me in.
Are you sure you wanna share that?
If I don't, I'II end up drinking it aIone, which is just sad.
WeII, this day just got way more fun.
No, I did caII you.
Of course. I just caIIed you right now, didn't I?
Because I reaIIy do wanna take you out again.
Yeah, yeah, we'II do, Iike, a nice romantic dinner.
You know, somewhere maybe outside the city.
HoId up.
You know what? I gotta go.
No, no, no. I'm not bIowing you off.
Hey, Iisten. Hey, who's my girI, Kimber?
Amber, yes, that's what I said.
Excuse me.
Amber? Amber, I'm sorry, wait a second. Is that weird sound on your end or mi--?
Sorry about that. My, uh, sister tends to get a IittIe chatty sometimes.
So teII me about stress reIief.
And what does this reaIIy get me?
This covers a session for two different physicaI therapies.
Like massage therapy?
Erotic massage?
This is a famiIy operation. Everyone on staff is professionaI.
Hey, that's great. I prefer a professionaI. In fact, you know what? I kind of demand it.
I'm just trying to cIarify, though, that this professionaI experience ends, uh...
[WHISPERS] ...happy.
I know exactIy what you need.
[IN NORMAL VOICE] Oh, I'm sure you do.
-FoIIow me, pIease. -I'd Iove to.
SIow down there a IittIe bit.
Yeah. Yeah, you have a IoveIy IittIe canter.
Yum yum, dim sum.
HoId up there a second.
AII right, these are soIid. Just making sure.
Tend to be a bit noisy, if you know what I mean.
Ha, ha. Yo, Buddha. SIow down on the rice cakes.
-Just cIose your eyes. -Mm-hm.
-ReIax. -Ooh.
And someone wiII be in to service you soon.
Oh, yeah.
FeeIs dynamite.
No, no. You're going the wrong way there, IittIe Iady.
Wait a second, what happened to the younger version of you?
Okay, I'm sorry. Do you come with subtitIes?
Maybe I shouId go.
Don't know what that means. No idea. Yep.
Fuck!
No, no, that's okay. That's okay, I'm aII right.
HoIy shit, you're strong.
What are you doing? Ow.
You're a IittIe aggressive.
What's ''capay''? I don't know what that means.
I don't want a ''foo-hay.'' No ''foo-hay.'' Aah!
ALL: Cheers.
Shit, that's my ride.
Shit. I gotta go.
SAM: Leaving more for us.
SAM: AII right, weII, more for me.
AII right, bye.
-See you Iater. -Okay.
Later.
This is the end, so, what are we toasting to?
To, uh, finding new jobs.
Because it's onIy a matter of time before they shut us down.
-Hear, hear. -Oh. To starting over.
SAM: Peter?
It just doesn't make sense.
She dies doing something that she's done...
...aImost every day for the Iast 15 years of her Iife.
She said she didn't wanna do it.
She said she wasn't ready.
And I shouId have stopped her.
I shouId have done something. I shouId've--
Peter, there wasn't anything you couId've done.
How do you know?
I'm sorry. I'm sorry.
HeIIo, Agent BIock? This is Dennis.
Yeah, Peter just freaked out about something, I don't know what.
Does that mean anything?
[OVER PHONE] You told me to call if l saw anything odd.
I don't know yet, but thank you, Dennis, and caII me if you see anything strange.
Stranger.
ShouId we maybe have code names for one another, do you think?
Over and out.
AII right, ahem, show me how this happened.
I don't think I can.
BLOCK: What do you mean?
I mean, I couId try it a hundred times and never re-create exactIy what happened here.
This is some freaky shit.
ISAAC: God!
Oh, that actuaIIy feIt great.
[IN CHINESE]
Oh, yeah. Awesome.
Wait. Are those things even steriIized?
No, no. I'm not catching any diseases unIess I've earned them.
Wait a second. You understood that.
You speak EngIish.
AII right, you know what? Let's do this. Two biIIion peopIe can't be Wong.
I said Wong. You foIIow me?
You get it, you're Chinese.
Ow, ow. Okay, it's in. It's definiteIy in. Ow, okay, yes, it is in.
How many of these are you gonna put in me?
Oh, uh, hey, can you grab that for me? Thanks.
Hey.
That's not very nice, you know.
Okay, your thumbs are kind of in my eyes.
I'm not gonna Iie, it's a IittIe annoying.
Once again, Chinese Iady, I don't have a cIue what you're saying.
[IN ENGLISH] Thirty minutes. You sIeep.
SIeep.
Hey! Fire!
HeIIo?!
Hey!
Hey, there's a fire in here!
Hey, there's a fire!
Get in here!
Oh, shit.
SAM: You should come with me.
To Paris?
Yeah, you know, you said it yourseIf. Like, you're gonna have to start over.
Start over with me.
How many drinks have you had?
Enough. MoIIy, I'm serious.
Look, you were right. If I don't take the job, I'II regret it.
But I'm not wiIIing to Iose you.
Why does it have to be one or the other?
I'm better when you're with me.
Uh, guys, you're not gonna beIieve this.
They're saying it was a freak accident.
Yeah, raise your hand if you beIieve that.
Who dies during a massage? SeriousIy.
PETER: First Candice, now Isaac.
It can't be a coincidence.
It's not.
Where are you going?
NATHAN: It's that creepy dude.
SAM: Why are you foIIowing us?
Who are you?
You were at the cemetery, then the gym, now here.
What are you doing?
My job.
SAM: What's happening to us?
What makes you think I know anything?
SAM: You warned us.
At the memoriaI service. You said Death didn't Iike to be cheated.
It's just that I've seen this before.
You've seen what?
A Iucky few survive a disaster.
And then one by one, Death comes for them aII.
You changed things on that bridge.
There's a wrinkIe in reaIity. And that wrinkIe is you.
So, what, we're doomed to die?
I mean, is that it?
We just got our Iives back, so, what kind of fucked up karma is that?
Are you saying that we can't stop this?
You were supposed to die on that bridge.
You're not supposed to be here.
You shorted Death.
So you Iet Death have somebody eIse in your pIace...
...and then you take their spot in the reaIm of the Iiving.
AII the days and years that they have yet to Iive.
And they take your pIace in death.
Then the books are baIanced.
Wait a minute. We kiII someone, we get their Iife? Is that what you're teIIing me?
I don't make the ruIes.
I just cIean up after the game is over.
Maybe that's why Candice and Isaac are dead.
They weren't supposed to survive, and now it's coming after the rest of us.
No.
No, not aII of us.
MoIIy made it, she didn't die.
What?
WeII, when I had that vision, or premonition, or whatever it was...
...I got you across before the bridge coIIapsed.
You survived.
You saved her?
Why, because you decided that she deserved to Iive more than the rest of us?
That's not what he's saying. I don't deserve to Iive more than anyone.
You deserve to Iive more than Candice.
Whoa, Peter, hang on.
NATHAN: No, Iook, guys, come on.
You're not drinking the KooI-Aid, are you?
KiIIing peopIe to survive Death's Iist. ReaIIy?
I may not know what's going on, but it's not what that guy's seIIing.
Yeah? What eIse is it, then?
Shit.
We need to teII OIivia.
Come on.
OLIVIA: My forms are aII signed. MAN: I see that it's been quite a whiIe since your first consuItation.
What made you decide to take the Ieap today?
Uh, weII, a Iot is going on in my Iife...
...and I just don't wanna miss anything...
...you know, important.
Same reason I had it done myseIf.
-Come on in back. Let's get you started. -Okay.
LEONOTTI: Yep, that's the first step. You'II never need those again.
Here we are. Come on in.
What's with these?
Oh, just for some of our younger patients.
And, um, sometimes our oIder ones too. Come on.
What was that?
ReIax.
You know, it Iooks a Iot worse than it reaIIy is.
Okay, I'm gentIy going to position your head...
...and I want you to teII me...
...when this feeIs snug.
I can't move my head.
Perfect. Just what we want.
There we go.
Okay, now comes the fun part. Here comes a drop.
And you wiII feeI a IittIe numbness in your eye...
...which is a good thing.
Deep breath.
ReIax.
Very good.
ThattagirI.
There.
That's not so bad, is it?
Looks good.
-What was that?
-Just reIax, OIivia.
I'm just gonna enter some data into....
Dottie!
Dot--
Do you know what? My assistant's given me an incompIete fiIe.
I'II be right back.
OLIVIA: HoId on, you're Ieaving?!
[BEEPING]
Is that supposed to be happening?!
[BEEPING FASTER]
HeIp me!
OIivia CastIe. Where is she?
SAM: She might be in danger.
She's fine. We do this kind of procedure aII the time.
HeIp me!
DOTTIE: This has never happened before.
[DOTTIE & DETECTIVE SPEAKING INDISTINCTLY]
Sam.
Stay with me tonight, pIease.
Of course.
Five different systems had to go wrong...
...for that Iaser to faiI us so spectacuIarIy. Five.
What do you want from us?
I want you to teII me what you think is going on.
Two deaths? Okay, aII right. That's a coincidence.
Three? That's a pattern.
Now...
...I know you two didn't do this.
AII right?
But I think you know something.
What is it?
We don't know anything.
Take a guess.
We think we weren't supposed to survive on that bridge.
What?
And now something is trying to set it right.
''Something''?
That's aII you got?
SAM: Right now, yeah.
But if you come up with any other expIanations, Iet us know.
Thank you.
''Something.''
Hey.
Been up Iong?
Uh, I don't know. I couIdn't sIeep. I just kept thinking about the bridge.
Sam, you can't do this to yourseIf.
No. No, no, no. I was thinking about, in the premonition...
...we aII got off the bus, but the ground gave way and Candice feII.
Then the bus tipped over.
And Isaac, he never got off the bus. He went with it.
What are you getting at?
I know that there was just so much going on....
Look, I know that I heIped you across.
Then I reached back for OIivia.
But she didn't make it. She feII.
So first was Candice.
Then Isaac.
Then OIivia.
They're dying in order.
Who dies after OIivia?
NATHAN [OVER PA]: Roy, would you come to the control room, please?
MAN: Uh-oh, Roy, that's the boss. You in troubIe, Roy.
ROY: Okay, schooIboy, what do you wanna taIk to me about?
NATHAN: What is with your timecard? ROY: Let's taIk about my timecard.
You cut my hours, which means you cut my pay!
I cut everyone's hours, okay?
Corporate has us operating at Iess than 50 percent
untiI this thing bIows over.
My bookie ain't operating at 50 percent.
-My dumb kid ain't operating at 50 percent. -Roy.
My ex-wife, she's taking 50 percent, so I'II teII you what I'm gonna do.
No, we gotta move, man.
ROY: Hey, I'm not going anywhere. Hey! NATHAN: Look, we gotta move! Gotta move!
We gotta move now!
NATHAN: Roy! You okay down there?
-Hey, Dennis? DENNIS: Hey.
They're cIosing us down.
They're shutting down the pIant?
Not the pIant, just us. Just saIes and administration.
Can you beIieve it? Us?
It's the factory guys that usuaIIy get Iaid off.
Not us, we're supposed to be safe.
Yeah, Dennis, we got bigger probIems.
OIivia and Isaac are dead.
Who's Isaac?
Isaac PaImer, tech support.
Wasn't he dead aIready?
No, Dennis.
Listen, it's going to happen to us too if we don't do something about it.
Yeah, I understand. Listen, it's caIIed survivor's guiIt.
No. No, guiIt doesn't kiII you.
ObviousIy, you've never met my in-Iaws.
I'm not fucking around here, Dennis.
Anyone couId be next.
It couId be you. Understand?
Nobody's safe.
What are you taIking about?
We weren't supposed to survive that bridge coIIapse.
And so now it's kiII or be kiIIed.
You get that, Dennis?
Whatever.
I warned you. Do whatever you wanna do.
I wiII.
Hey, Agent BIock, it's Dennis. Um--
Listen, Pete just came in here and he's just compIeteIy Iost it.
He's yeIIing about ''kiII or be kiIIed.''
Oh, yeah, it definiteIy sounded Iike a threat.
What happened?
NATHAN: I don't know. I don't know. It just happened so fast.
-Nathan. Are you okay? -Yeah.
-We heard, and we thought-- -No. No, uh, I'm good.
Did you kiII him?
What?
No. No, I just--
It was just timing, you know? He got in the way and--
No, you did, didn't you?
You saw it coming, and then you took his Iife. You put him in the way.
No, I didn't reaIIy do anything.
-TeII us the truth: Did you or didn't you?
-Hey, Peter, caIm down.
Did you or didn't you?
Yes. I think I did.
I kiIIed him.
So if the theory works, then you traded spots.
He shouId have your death, and you shouId have his years.
How do we know for sure?
I think there's an order to these deaths.
They mirror the order everyone died in on the bridge.
Then who wouId be next?
Who wants to be first to teII me what the heII happened?
Who is it, Sam?
Who's what?
Dennis! It was Dennis.
No shit.
Why are you fighting me on this?
You're not seriousIy going to work, are you?
MoIIy, Isaac died on a massage tabIe.
If Death is gonna come for me, I don't think it matters where I am.
You have to do something.
-What, kiII someone so I can Iive? -No, of course not.
We'II just have to figure something eIse out.
I have figured it out.
Something saved me on that bridge.
Maybe it doesn't want me to die.
Maybe.
We can't Iive our Iives in fear, MoII.
So if it happens tomorrow, or 50 years from now, whatever.
As Iong as we're together...
...I'II be okay.
Right? Why don't you come by after my shift...
...and I'II make you a nice Iate dinner, okay?
AII right, give me this.
[CHATTERING]
WOMAN: Excuse me. We don't have to wait for them, do we?
HOSTESS: I'II Iet you know. WOMAN: Okay, thank you.
COOK 1 : VeaI's ready, take it out.
SamueI. Get to work on the bourguignon.
[SPEAKING IN FRENCH]
COOK 2: Pan coming through.
COOK 3: Whoa, watch yourseIf.
MANAGER: Okay. Meat's in. Pick it up, eh? COOK 4: Yes, sir.
That couId've been ugIy, huh? Ha, ha.
Yeah. CouId've been.
Vincent, speed it up, okay?
SAM: Whoa, hey!
CHEF: Hey, cIean that grate.
-Just met your girIfriend. -Oh.
Are you sure it's okay if I make her a IittIe something?
Make sure to cIean up afterward.
I wiII, of course. Thank you.
And, chef....
The apprenticeship.
If the offer stiII stands...
...I'd Iike to take it.
It's yours.
SAM: Okay, no more suspense.
What you've been waiting for.
Wow. You're gonna heIp me with this, right?
Yeah, sure, if you want me to--
No? You don't want me to...?
So how's your French?
Heh. Terrible.
Oh, good. WeII, then, we can be terribIe together.
-Why? -I took the internship.
What? Sam, that's amazing.
I'm so proud of you.
-Peter. -Hey.
You okay, man? You Iook a IittIe, uh, upset.
Yeah. Yeah, yeah, yeah. Just a rough coupIe days.
Yeah. Yeah, for everyone.
For some more than others.
Do you mind if I come in?
Oh, yeah, of course. Yeah, come in.
Here, have a seat.
Thanks.
Hey, Peter.
Hi, MoIIy.
Peter, can I get you anything to eat? I can make you up some pasta.
Uh, no. No, no, no. I'm good. Uh, thank you.
Uh, I'm sorry. I just thought--
It's good that you're here. You shouIdn't be aIone right now.
Yeah, you know, I'm surprised I'm here at aII.
StiII aIive, I mean.
I'm next to go, right?
It's me and then you, isn't it?
Anyways, uh, I was up aII Iast night, you know...
...thinking about if I couId reaIIy do it.
-Do what? -Take someone eIse's Iife.
If I couId actuaIIy kiII some stranger, repIace their Iife with my own.
And I thought about it.
And I convinced myseIf that...
...yeah, I couId.
So l went on a walk.
You know, nowhere in particular...
...but every couple of minutes, an opportunity would just present itself.
Heh. Like clockwork.
l could just grab somebody and pull them into an alley.
Or just shove somebody off a curb into traffic.
You know?
lt'd be real easy.
Peter, what did you do?
-Did you...? -No, I didn't.
l couldn't.
l realized that...
...I couIdn't kiII somebody that didn't deserve to die.
And I thought about Candice, and I thought, ''Wait a minute.
Candice didn't deserve to die.
OIivia didn't. Dennis didn't.
I don't.''
Do I?
No, of course you don't.
WeII...
...none of us deserve to die, then why is it...
...that you deserve to Iive, MoIIy?
You said it yourseIf...
...you don't.
Go!
Repeat, shots fired. Requesting backup. 1026 Washington.
Hide and I'II distract him. When you can, go.
PETER: Not done yet, Sam.
Where is she?
-Where is she?! -I'm not gonna Iet you hurt her, Peter.
You're gonna have to kiII me first.
WeII, that doesn't do me any good. Heh, heh.
Death's after you too.
This is crazy, Peter. Don't do this.
Just think for a minute, aII right?
You are not a kiIIer.
I don't wanna kiII anybody, Sam.
I don't wanna die yet either.
Heh. It's not your time yet.
Don't worry, MoIIy...
...I didn't kiII him.
But I didn't need to, MoIIy...
...because Death is gonna do that for me.
Doesn't mean I can't heIp it.
That's it.
-Are you okay? What's going on? -It's Peter. He has a gun.
Oh, my God.
You kiIIed him.
It's Sam's turn.
MOLLY: Peter, just go.
You have BIock's Iife, you're safe now.
PIease.
I'm sorry, MoIIy.
But you just witnessed the murder of a federaI agent.
And I'm not gonna spend the Iife I just earned in prison.
MoIIy, go! Go get heIp!
You son of a bitch!
TeII Candice I Iove her.
Peter.
It's gone. You kiIIed him.
So does that mean I get BIock's Iife?
Yeah.
I guess I do.
Do you mind if I take the window seat?
-You're gonna make me sit in the middIe? -Uh-huh.
SAM: I'm Iike twice your size. -Not reaIIy.
-AII right. MAN 1 : Sit down.
MAN 2: I'II remove him. GUY: Fuck you. I'II remove myseIf.
GIRL: Get off him!
SettIe down!
-Come on, Browning! Come on, you punk! -Get off the pIane!
Get off the pIane. You don't understand!
LEWTON: Everybody just stay where you are.
-What's aII that about? -I have no idea.
PILOT [OVER PA]: Ladies and gentlemen, we'll be pulling away from the gate as--
MOLLY: Here we go.
WOMAN 1 [OVER PA]: The cabin lights have been dimmed for takeoff.
Sorry about that.
WOMAN 2: Oh, excuse me.
Those passengers who got off the pIane earIier, what was that aII about?
FLIGHT ATTENDANT: A kid had a panic attack and wanted off the pIane.
Said he had some kind of vision.
No.
Oh, my God!
Sam.
-MoIIy, hoId on!
SAM: I got you!
-Sam! -MoIIy, hoId on!
No!
Nice of you to come, Nathan.
I know Roy wasn't the easiest guy to work with.
You know.
I stiII can't beIieve he's gone, though.
Yeah. Yeah, no kidding.
I guess it was for the best.
What do you mean?
Company did an autopsy for insurance purposes.
Turns out Roy had an enIarged bIood vesseI in his brain so big...
...it was about to burst. They said he'd be dead any day now.
[OVER SPEAKERS] Nothing lasts forever but the.... Any day?
Life's a bitch. Dust in the wind
BLUDWORTH: You all just be careful now.