03 Poltergeist III - Horror 1988 English
[ LIQUID DRIPPING ]
[ SQUEAKING ]
[ KANE CHUCKLES ]
[ THUNDER CLAPPING ]
Morning. Morning.
[ ELECTRONIC VOICE ON TOY ] Can you spell "Parakeet"?
Parakeet.
B-I-R-D.
[ REPEATING ] B-I-R-D.
Wrong. Try again. Wrong?
Wrong, Aunt Trish. Try again.
What's for breakfast?
My turn, huh? Mmm-hmm.
Darlin', Donna has locked herself in our bathroom.
Would you get her the hell out of there, please?
My favourite role, the wicked stepmother.
Absolutely.
It's kind of chilly in here this morning, huh?
Yeah. I'll check it out. You makin' breakfast?
Aunt Trish said it's my turn.
Shh with that "Aunt Trish" stuff.
I have been begging you since you got here not to call her that.
It's been a month already.
Bruce, old habits die hard, you know.
[ LAUGHS ] Right, they do.
My mom always calls her Trish.
My grandma always called her Trish.
But Aunt Pat hates it. She thinks it's declasse.
DecIasse?
Call her Pat, will you?
I'll try. You wanna help me make breakfast?
Yeah, I'd love to. Come on.
What does "declasse" mean?
Come on. I heard Mom and Pop called last night.
[ CAROL ANNE ] Yeah, they did.
[ PAT ] Donna?
Donna? We're gonna be... Just a second, Pat.
We're gonna be late again,
and you still have to use my eyeliner, which I have.
Here. Thanks.
You look great.
Now remember, less is more.
Okay. We got eggs, sausage, bacon, dill pickles. What'll it be?
Toast'ems.
Oh, no! Not again.
I cook. You set the table.
Done.
A masterpiece.
A veritable Picasso.
No! He would have put your nose over here.
Can I borrow this?
You look like an Eskimo.
Well, I'm a California person.
I'm not used to wearing all this stuff.
Listen, surfer girl, the week before you got here,
the temperature got above zero for about six minutes.
If it's this cold inside,
you're gonna appreciate all those things when you get outside.
Doesn't it ever get warm in Chicago?
You are gonna regret that remark come August, young lady.
August? I'm supposed to go home before August.
If I had my way, I'd keep you here forever.
Pat? What are you gonna wear tonight?
Oh, I got...
Last year's salary.
It wasn't that expensive.
Ah! Oh, yeah?
And what are you gonna wear, Dad?
My tux.
The one you wore to your wedding?
Yeah, the one I wore to my wedding.
You know, fashion's never been your father's thing.
It's a year old, dear.
I think he looks handsome in his wedding pictures.
There you are. The voice of sanity.
I agree.
Handsome, but conservative.
I agree.
Wait a minute, wait a minute, you're on my side, remember?
[ SCOFFS ] A woman's entitled to change her mind.
[ ELEVATOR BELL DINGS ]
Uh, no, thanks. We'll take the next one.
[ SIGHS ] Okay.
Who's driving me to work? Me.
Let's go.
[ ELEVATOR BELL DINGS ]
All aboard!
Thank you, my lady.
Vroom! Fasten your seat belts.
You better be careful, honey.
Remember what happened to Narcissus.
Nar who?
Greek mythology.
He was a guy who loved looking at his reflection so much in a pond,
he fell in and drowned.
Only a boy could be that clumsy.
You got that right. [ BRUCE ] Hey!
[ ELEVATOR CREAKING ]
[ EERIE LAUGHTER ]
What's wrong?
Well, every new building has its problems.
But we'll get those problems before they get us, right? Huh?
Right?
Right.
[ ELEVATOR BELL DINGS ]
[ PEOPLE CHATTERING ]
[ ELEVATOR BELL DINGS ]
Hold it, please!
[ GLASS SHATTERING ]
[ CREAKING ]
[ ELEVATOR BELL DINGS ]
Bye, honey.
Have a good day.
Thanks for the lift.
Bye, Dad.
Morning, there, Gene. How you doing?
Morning, Bruce. Mornin'.
Morning, Mr. Gardner. Morning, Bill.
What's with the heat, anyway?
I don't know. I'm checkin' it now.
Probably got a thermo on the fritz.
Well, get it fixed and have somebody check out freight elevator 15.
Got a bit of a stutter in it.
15? Sure.
Morning.
[ ELEVATOR BELL DINGS ]
Helen!
Wait up!
Helen!
[ PAT ] Helen! Helen!
Great! I don't have to go to that creepy school today.
Oh, no.
Come on, we'll cut 'em off at the pass.
[ MAN ON PA ] Our 50 elevators... Excuse me!
Will be carrying approximateIy... [ DONNA ] Watch out, please.
12,000 passengers a day...
Carol Anne, come on, hurry up.
Swiftly and conveniently, to our many shops, offices...
Hold on, guys, I'm coming! Wait! Donna!
Condominiums, and restaurants.
Come on!
[ DONNA ] Come on!
[ MAN ON PA ] WeIcome, ladies and gentIemen,
to a gIimpse of the future.
Oh, hi. How are you? [ MAN ] Taxi!
Fine.
[ WOMAN ] Oh, I'm so glad.
It's hotter than hell out here.
There they are!
Helen!
Look. There's that snot Donna and her yucky little cousin.
They're late again.
Cool it, Marcie.
Hi, Donna.
Scott.
Sorry, Helen.
It's okay. Your turn on Monday.
You get two fun-filled weeks to pilot the Enterprise.
Two weeks?
Two kids, two weeks, just like me.
Come on, Mom. We're gonna be late.
Okay.
Bye.
[ THUNDER CLAPPlNG ]
[ EERlE LAUGHTER ]
[ THUNDER CRASHlNG ]
[ MAN ON PA ] In fact, we like to think we are a city.
A safe, efficient metropoIis
that will take us into the 21st century.
[ BOY ] No way.
[ GIRL 1 ] I like it.
[ GIRL 2 ] Ugly?
[ MAN ON PA ] Welcome, ladies and gentIemen...
[ WOMAN ] Uh, one minute.
Good morning.
Tell him I'm here.
Hi, Mary. Hi.
[ BOTH SPEAKING JAPANESE ]
Did you forget to pay the heating bill? It's freezing in here.
I know, it's strange. It's warmer outside.
Why are they moving the Tods?
Takamitsu doesn't want them intermingling with his work, darling.
Oh, yeah? Is he gonna be responsible
for $26,000 worth of postmodern neo-abstraction?
[ LAUGHS ] Well, you're the one who gave him carte blanche.
Is everything set with the caterers? Yes.
The brochures, the music? Yes, yes.
Everything is set. Calm down, go sit down and relax.
Nothing is gonna go wrong.
Okay.
Hey, not over there!
[ MAN 1 ] That's where he told us to put it.
[ MAN 2 ] Take it easy.
[ MAN 3 ] Watch it!
It's okay. We got it.
No problem here.
Okay, whoo!
Nothings gonna go wrong, huh?
[ KANE ] Patricia.
Oh, Trish.
[ LAUGHlNG ]
Carol Anne.
[ LAUGHlNG ]
So, are you coming to my party tonight?
I don't think so.
How come?
She can't come to our party tonight.
She has to stay upstairs and take care of Carol Anne.
'Cause her mother's having her own party tonight.
I heard her mother tell Mom.
It's my party, not ours.
Listen, mouth, Pat's not my mother.
And if I wanted to come to your brother's party, I could.
[ CREAKING ]
Hey, Bruce. You got a second?
Yeah, what's up, Nate?
Come here, let me show you somethin'.
Okay.
All right. Where we goin'?
What? Somebody broke the mirror. Replace it.
Oh, not just this panel.
Every panel from the concourse all the way up to the top.
Hey, Nathan.
Bill. Mr. Gardner.
You guys have to see this.
[ CHATTERING ]
[ BRUCE ] Ice.
Now, how the hell could that happen?
Kind of hoped you'd tell us, Mr. Gardner.
Sally, call the heating and air conditioning contractor,
and tell Stan to get down to my office
with a schematic for the ventilation system. Pronto.
SALLY ON WALKY-TALKY: Yes, sir, Mr. Gardner.
How come you go to the Seaton school for weirdos?
It's for smart kids, not weirdos.
Yeah, that's why you don't go there, mouth!
Martin!
There she is.
Yeah, okay.
[ GIRLS LAUGHING ]
Thank you, Mrs. Moyer.
Boo! Seen any ghosts lately?
Leave her alone.
You a cop or somethin'?
Hey, watch it, you little ass hole!
Scott! Shut the door!
[ ROARS ]
You're so declasse.
[ SCOFFS ]
[ ROARING ]
[ CHILDREN LAUGHING ]
Damn.
Carol Anne.
Yeah, I know.
The kids have started teasing her.
I was hoping we could keep her ghosts in my closet.
This doesn't make my job any easier.
That's why you get the big bucks, Doc.
Funny, Deborah.
You could call in an exorcist.
Funnier.
Donna! I'm really sorry you're not comin' to the party.
I kind of hoped you...
You were.
[ SARCASTICALLY ] Oh, Scott! My knight in shining acne.
[ HELEN ] Marcie, shut up and leave them alone.
Maybe we could catch a movie tomorrow night.
Maybe. Call me.
Excuse me. Thanks.
He's still panting.
You know, I wish Dusty would, like, pant that for me, you know.
Jeff's constantly in heat.
I practically have to muzzle him every night.
It's a real drag.
Maybe he could, like, give Dusty ideas?
[ SIGHS ] I don't know if you could handle it.
Well, it'd be totally radical to try.
Get a grip, girls.
[ SIGHS ]
[ CLASSlCAL MUSlC PLAYlNG ]
This is the Second Piano Concerto by Chopin.
I'll bet all of you probably think
this was written by some old geezer who looked like Dr. Seaton, hmm?
[ ALL CHUCKLE ]
[ ON SPEAKER ] WeII, it wasn't.
In fact, Freddy Chopin composed this
when he was only 19 years old.
And he'd already written a lot.
He'd been playing by ear and making up tunes since he was six.
At eight, he had written his first of several polonaises.
And at the ripe old age of 12,
he was asked to play for the Czar of Russia.
Pretty scary, huh?
Even for an old-timer of 12.
[ SPEAKER SWITCHES OFF ]
But in a school like this, where we're dealing
with gifted children with emotional problems,
what we have to do is open them up.
So, we try to make them aware of the fact
that other famous child prodigies shared similar problems.
It makes them comfortable to know they're not that different.
These kids are about to find out that Chopin was almost crippled by shyness
and used his music to overcome it.
Excuse me, Dr. Seaton. That little blonde girl
keeps staring at the mirror as if she sees us.
[ SNICKERS ] Do you think she can?
[ MAN ] No.
But you think she's staring straight at you?
Yeah.
That seems to be one of her dubious talents,
making people believe things.
Has she ever...
Let's talk in the hall.
[ SEATON ] She's a very interesting case, our Carol Anne.
Reasonably well-balanced, extremely intelligent,
IQ well into the 150s,
and one hell of an imagination.
[ MAN ] Most bright kids do.
True, but even the brightest ones
allow adults to intimidate them back to reality.
"Hey, Dad, there's a purple cow in our yard."
[ IN DEEP VOICE ] "What, are you nuts? Get out of here."
But Carol Anne's different than most of our other little geniuses.
She seems to be able to project her imagination,
convince others that the purple cow in the yard is real.
Apparently, she actually convinced an entire neighbourhood
that it was haunted.
Yep, there's a talent.
You think she's able to create some sort of mass hysteria?
No, not really. It's more like mass hypnosis.
As I work with her... Try to work with her, the child's impossible.
The more I'm convinced she actually might be capable of inducing mass hypnosis.
Have you put her under?
Only once. It was terrifying.
[ MAN ] For her? For both of us.
I started to experience what she was seeing.
[ MUSlC PLAYlNG ]
[ PEOPLE CHATTERING ]
Tangina.
My God.
He found her.
Oh!
He found her.
I'm sorry. Stay, finish your tea.
I've got to go.
Mommy, where are you? I can't see you! Where are you?
He's after me, Mommy! He's after me! I'm scared!
Yes, I am running! I'm running, Mommy!
I can't find you! He's getting closer!
Who?
The man! The ugly man!
Shh, I've got you, Carol Anne. You're safe. Shh.
You're in your room in Cuesta Verde. You're safe.
Every thing's calm.
[ SHUSHING ]
[ SIGHS ]
[ SHUDDERS ]
Carol Anne,
tell me about what's just happened.
The man wanted me to lead him into the light.
It's so cold there. I heard them talking.
He said it was my daddy's fault 'cause of the houses,
the houses my daddy built on their graves.
He said I had to lead 'em into the light.
Into the light!
Why do you have to lead them, Carol Anne?
I was born in that house.
Robbie! Robbie! The tree's eating Robbie!
Sleep.
I'm going to count to three, Carol Anne.
And when I snap my fingers, you will awaken.
You will not remember any of this.
One, two, three...
How do you feel?
Okay.
Carol Anne, one word.
How do you feel deep down inside?
One word.
I don't know.
Well, lonely, maybe.
Lonely, huh?
Sure, why not?
It gets lonely being away from home, doesn't it?
Yeah. Aunt Tri... Pat.
Pat and Bruce and Donna are real nice,
but I miss my mom and dad.
And even my brother.
[ CHUCKLES ]
That's very good.
What?
They way you made me look in the mirror.
[ ON SPEAKER ] l didn't make you Iook at anything.
That's what he meant. Manipulation.
What were you looking at that made me turn?
Nothing.
Carol Anne, you were looking at something.
I don't wanna talk about it.
When you talk about things that bother you, they go away.
No, if you talk about things, they happen.
Who told you that?
[ CRASHlNG ]
Go away!
[ EERlE LAUGHTER ]
Are you all right?
Yeah, yeah, yeah.
[ WOMAN ] What happened? What broke the mirror?
A little demonstration in mass hypnosis.
She made me believe I saw a coffee mug fly off my desk into the mirror,
while giving you a suggestion to smash it.
Beautiful sight, isn't it?
Mmm-hmm.
Did I ever tell you how to make a little girl laugh?
I never did, huh?
Well, it takes a lot of practice.
First thing you got to do
is tickle right here under the ribs.
[ SIGHS ]
Hey, don't worry about that seven years' bad luck stuff. That's old wives' tales.
I didn't break it.
Hey, I believe you. But I'll tell you a secret.
If that old nerd were my doctor, I would have done it.
I didn't. He did.
Dr. Seaton?
No.
I don't wanna talk about it, okay?
Okay.
See you, slugger.
How's Carol Anne?
I don't know.
[ SIGHS ]
How would you feel if some quack told you you had supernatural powers?
Do you remember that guy that was on all the talk shows?
What was his name? He was from Israel or someplace.
He used to bend keys, fix watches,
took Polaroids of himself in the dark. Maybe Carol Anne...
Pat, please. Not you, too.
Give the kid a break, will you, please?
First your crazy brother-in-law uses her as a scapegoat
for those $250,000 collapsible homes he built...
Oh, Steven didn't...
Steven and your sister have put that poor thing through hell
with those weirdo psychics and witch doctors.
"Weirdo psychics and witch doctors?"
Come on!
Pat, darling,
you are the only sane person in your family. Please.
Don't let that pompous-ass shrink tell you
she's Carrie or Houdini
or some damn thing like that.
Look, Bruce, nobody really knows
what happened there this afternoon.
Maybe we shouldn't leave the girls here alone tonight.
Yeah, well, maybe we should just forget the opening altogether, huh?
Don't be stupid.
All right, all right. We're both bein' stupid.
You've got opening night jitters and I got a building falling apart.
Exactly, and we really needed my sister
pressuring us into taking her kid
like we needed a hole in the head.
I really don't mind a house full of beautiful women.
The more the merrier.
Yeah, then hire us a maid.
Swedish? About 24?
Five feet two? Talk about pressure.
Will you go get dressed?
What did I say? What did I say?
Hi, sweetie. Can I have a good night kiss?
Ah.
Mmm.
All set.
Have a good night's sleep.
Good night. Night.
Be right with you.
[ MUSlC PLAYlNG ON STEREO ]
She's got the hots for him. I'm serious.
No, I see her every single day.
Look for her at the beginning of the day. I'm dead serious.
She follows him all the time.
Will you...
Yeah, well...
Will you do me a favour?
Hmm?
No ghost stories tonight, all right?
Gotcha.
Yeah? Yeah.
Okay. Good night.
Bye.
My dad. I don't know what he's talking about.
Not bad at all.
Forget it.
However, after the opening...
Sandy, I know it's gonna be a great party, but I can't come.
No, I'm brat-sitting. She's not even a relative.
Well, she's sort of a relative, but not really.
Yeah, well, if Scott wants to call me from the party,
I might talk to him.
[ LAUGHS ]
Okay.
Bye.
What you doin'?
Eavesdroppin'.
Why don't you go to Martin's party?
You know I can't.
I'll cover for you. They'll never know.
If I get caught, we'll both get in trouble.
I can take the heat.
Listen, Carol Anne, I didn't mean what I said to Sandy on the phone.
Oh, I don't mind being "sort of a relative,"
as long as we're friends.
Good.
[ CONTEMPORARY lNSTRUMENTAL MUSlC PLAYlNG ]
[ PEOPLE CHATTERING ]
Takamitsu, there are some people over here I'd like you to meet.
Hey, looks like the show is a success, darling.
Pat, Bruce! Like the art. Love the sushi.
It's nice to see you.
Excuse me. Pat, come here, I gotta talk to you.
Hello, Mary.
Uh, Bruce, you tryin' to save money on the heat here?
Oh, I wish that were the case. You know, new equipment.
Tryin' to work out the bugs and all that.
Good to see you.
Hey, you look great.
Anne Klein II.
Remember, less is more.
[ KNOCK ON DOOR ]
Hey, you look great.
Look, maybe I ought to stay home with you tonight.
Just go already. I'll be fine.
How come you're taking your dad's passkey?
I'm gonna use the emergency stairs
so nobody sees me in the elevator.
You got Martin's number, right?
Yes. I won't stay long.
Have fun.
Okay.
Bye. Be good.
I will.
[ DOOR CREAKING ]
[ DOOR SLAMS ]
[ POP MUSlC PLAYlNG ]
Hi. Hi.
What's the matter? Is the stereo broken?
[ SCOFFS ] No, it's my parents.
I thought they weren't going to be home.
Tell me about it. My father's not feeling well,
and my mom says if she can hear the party,
the party's over.
I thought you couldn't come.
Couldn't stay away from hot Scott, huh?
Marcie, back to your cage. It's feeding time.
Psst.
50 bucks, and she's history.
You're on.
Hi, Donna.
Scott.
[ DONNA ] Hey, there, hi, there, ho, there.
I can't believe I risked getting into trouble for this.
I bet we could find some trouble.
Your parents aren't home.
Yeah, sounds great. How many bedrooms you got?
[ ALL LAUGH ] Shut up, Jeff.
Carol Anne's up there.
Is there something open down in the galleria?
Uh, forget it. Didn't bring my fake ID.
[ ALL SNICKERING ]
What?
That's where my stepmother's having a party. I can't go down there.
You're a real killjoy tonight, aren't you?
Hey, isn't there a pool somewhere in this building?
It's locked at night.
But...
[ ELECTRONIC VOICE ON TOY ] G-O-R-I-L-L-A.
That is correct.
Can you spell "Pheasant"?
P-H...
[ KANE ] Carol Anne.
Carol Anne.
[ LAUGHlNG ]
Carol Anne.
[ YELLS ]
[ KANE ] We're back!
[ [ CAROL ANNE ] SCREAMING ]
Leave me alone!
[ KANE ] I've got you!
Let go of me!
[ KANE ] You can't get away. I've got you.
[ SCREAMING ]
[ KANE ] You can't get away!
[ WHOOSHlNG ] You can't get away now.
You can't get away.
Carol Anne.
We need you.
Come here, Carol Anne.
[ LAUGHlNG ]
Closer.
You can't get away.
I've got you!
[ TANGINA ] Break the mirror.
Break the mirror.
[ KANE ] I've got you!
No!
[ SCREAMlNG ]
[ RINGING ]
Hello?
Dr. Seaton?
Who is this?
Carol Anne needs your help.
Kane found her, and it's all your fault.
Carol Anne, are you on this line?
This is one of your little pranks?
Hello?
Dr. Seaton?
Hello?
Who was that? A pest.
[ PHONE DIALING ]
Bruce Gardner, please, on Michigan Avenue.
My little pest from the west, playing her little tricks.
Thank you.
[ PHONE DIALING ]
[ FEEDBACK WHlNlNG ]
Ah! Jesus Christ!
What did that?
It's not a what, it's a who.
And I'm gonna nip that little prank right in the bud.
Where are you going?
To that art gallery opening we decided not to go to.
Put dinner on a low flame.
And don't forget the cilantro.
[ CAROL ANNE ] Hello, Mrs. Moyer? This is Carol Anne.
Is Donna there?
Are you sure?
Okay, and thank you.
[ ELEVATOR BELL DINGS ]
[ GIRLS GIGGLING ]
Shh!
Okay, guys, there's a camera in the hallway.
We'll go in twos. I'll tell you when to go.
Run under the camera and stand against the door.
You ready?
Go.
Ah!
Ready?
Go.
Get ready.
Let's go.
Hurry up! Ah!
Shh!
Watch the camera.
When the red light goes off, then go into the locker rooms.
There's always suits on the clothes lines.
Who needs a suit?
You do.
Come on.
[ KANE ] Carol Anne.
Carol Anne.
Carol Anne!
[ ELEVATOR BELL DINGS ]
Come to me, Carol Anne.
We need you.
Carol Anne. Carol Anne!
Carol Anne!
[ ALARM BLARING ]
[ BEEPING ]
Sam, the stairway alarm just went off on 70.
SAM ON WALKY-TALKY: Anything on the monitor?
It looks like that camera ain't workin' either.
Better go check it out.
Come on.
Okay, we knock on the door,
tell Burt we saw some creepy guy walkin' on 67.
And as soon as he leaves, we'll go in.
He's coming out.
Where's he going?
He just got in the elevator.
Wait.
Okay, let's go. Okay.
What are you gonna do?
I'm gonna run the videotape back two hours,
then I'm gonna change the monitor from camera to VCR.
Then when he comes back in,
he'll be watching two hours of videotape on the monitor.
Okay, let's go.
Have you got a key for that?
Yeah. Why?
Beer.
I'm not gonna steal... I got money.
No.
Yes.
No, I... Yes.
No. Yes.
No.
Yes?
[ SIGHS ]
[ KANE ] Carol Anne.
I'm your friend, Carol Anne.
Carol Anne.
Carol Anne!
Carol Anne.
Carol Anne, Carol Anne.
[ EXPLOSIVE RUMBLING ]
Carol Anne.
Carol Anne!
Carol Anne.
We need you to Iead us into the light.
Carol Anne.
Lead us into the light.
Carol Anne.
Carol Anne!
[ lNDlSTlNCT WHlSPERlNG ]
[ WHISPERING ] Come on. Let's go.
[ CHUCKLING SOFTLY ]
Shh!
Come on.
[ BAG POPPING ]
[ BOTH LAUGHING ]
Come on.
Wanna see real panic?
[ GlRL CHATTERlNG ]
[ SHRlEKS ]
JEFF Pretty impressive.
[ CLEARS THROAT ]
This is the poIice. We have you surrounded.
Come out with your hands up and your pants down.
[ CLEARS THROAT ] Hello, this is your camp director.
Jeff, quit pissing in the pooI.
JEFF Scott had a girl and Donna was her name
[ LAUGHING ]
ALL: Oh, Donna.
Oh, Donna.
[ ALL LAUGHlNG ]
[ JEFF ] Can we try that again, pIease?
Oh, shit.
[ KANE ] Carol Anne.
Don't be afraid.
We won't harm you.
We love you.
You are the onIy angeI
who can lead us into the light.
We wouId never hurt you.
Never.
Don't run away from me.
We need you, Carol Anne.
Lead us into the light.
[ lNDlSTlNCT WHlSPERlNG ]
Carol Anne.
Carol Anne!
[ [ CAROL ANNE ] SCREAMING ]
Let go of me! Let go of me! Help!
[ ELEVATOR BELL DINGS ]
Carol Anne?
[ CAROL ANNE ] Donna! Help!
Help me!
Donna! Quick!
Help me! Donna!
Help!
Holy shit.
Donna, help!
Carol Anne! Donna, help me!
Carol Anne!
Help me! Carol Anne!
Donna, help me! [ DONNA ] Carol Anne!
Please help me! Grab on to me!
Donna, pull!
[ SHRIEKING ]
[ SCOTT ] Pull her! I got her! I got her! Help me.
Carol Anne! [ SCOTT ] Come on, pull! Hold on!
Carol Anne.
[ [ CAROL ANNE ] SCREAMS ]
[ SCOTT ] Hold on to her! Hold on to her!
Hold on to me!
Pull!
Pull! Hang on! Hold on!
[ SCREAMS ]
Scott!
Oh!
[ SOBBING ]
[ SCREAMING ]
Donna!
[ SCREAMING ]
[ PEOPLE LAUGHING ]
[ PEOPLE CHATTERING ]
[ SOFT lNSTRUMENTAL MUSlC PLAYlNG ]
[ TAKAMITSU SHOUTING ]
[ CLEARS THROAT ]
Smoking more now and enjoying it less?
Thinking more and enjoying it less.
Pat, there's something wrong. I...
Tell me about it.
Takamitsu offended everyone he talked to tonight.
Excuse me, Mr. Gardner. Just got a call.
There's a bunch of kids partying up in the pool
who claim they're guests of your daughter.
Excuse me.
[ BRUCE ] Okay,
so you all left the party together and they let you in here,
went to the security room to turn off the camera,
and then where did they go?
I don't know where Scott and Donna went.
We didn't hurt anything. All we were doing was swimmin'.
Where was Carol Anne through all this?
Not with us.
Okay. Thanks, guys. Take the kids back to 56E.
I'll have a talk with the parents later.
Right, Mr. Gardner. Come on!
Great. My parents are going to ground me till I'm 40.
Hey, it'll give you time to study.
You might pass something besides Auto Shop this year.
[ LAUGHS SARCASTICALLY ]
Donna.
Scott?
Donna.
They... Scott!
They... They got Donna.
Who? Who's got Donna?
They got Donna and...
What're you saying? And they got Carol Anne.
Who's got Carol Anne? They got 'em.
Who, damn it, who?
[ DOOR OPENS ]
[ SCOTT SOBBING ]
What happened?
He just came up through the ice.
What ice?
The ice in the...
Pool.
[ SOBS ]
She's gotten to you, too. It's a suggestion, Mr. Gardner.
A posthypnotic suggestion.
They got 'em. They got Donna and they got Carol Anne.
They got them both.
They've got 'em.
They got 'em.
[ ELEVATOR BELL DINGS ]
[ CREAKING ]
[ CAROL ANNE ] Aunt Trish, help me!
Help!
Aunt Trish, help me, please!
Help me!
Carol Anne? Carol Anne!
[ CAROL ANNE ] Aunt Trish, please! Help me!
[ KANE ] She's mine!
Bruce!
[ CAROL ANNE ] Aunt Trish!
Please help me!
[ GASPING ] Help me!
Bruce! [ CAROL ANNE ] Help me!
Hang on, I'm pullin'.
Hang on. I'm pullin'.
[ SCREAMING ]
[ CRACKING ]
[ CAROL ANNE ] Help me!
Aunt Trish, help!
[ PAT ] Carol Anne, hold on!
I've got you.
I've got you, Carol Anne. Hold on!
[ CAROL ANNE ] Help!
[ GRUNTING ]
[ CAROL ANNE ] Help me!
[ PAT ] Hold on, Carol Anne! We've got you!
[ CAROL ANNE ] Get me out of here!
Pull!
Grab hold of her! Grab hold of her! I've got her.
I've got both of you! Pull!
Don't let go! Pull! [ PAT ] Hold on.
[ GRUNTING ]
[ TANGINA ] Get away!
That's not Carol Anne!
[ KANE ] Damn you!
[ GASPS ]
[ TANGINA ] Stay back.
Stay back. He's got the girls and now he wants you.
What are you talking about?
The preacher Kane.
He knows that as long as there's someone
on this side that loves them, you can get them back.
How did you know that wasn't Carol Anne?
What surprised me, dear,
is that you didn't.
Who the hell are you?
I'm one of your brother-in-law's
weirdo psychics.
Shh.
Carol Anne and Donna are not in that room.
Well, some god-damn thing is.
Oh, yes.
Anger, rage,
evil, they are in that room.
Can you feel the cold?
He's devouring the heat,
the energy.
He's gathering his strength.
We must find the girls before he becomes too strong.
If Donna and Carol Anne aren't in that room,
then where are they?
The other side.
Before we can find the girls,
we must find out where they entered.
Where did Dr. Rasputin
take Scott?
[ KNOCK ON DOOR ] [ WOMAN ] Excuse me, Dr. Seaton?
[ SCOTT SHIVERING ]
Excuse us.
Do your stuff.
[ SOBBING ]
Okay, Scott,
I want you to look at the light.
Look at the light.
[ PHONE RINGING ]
Security.
Burt, this is Gardner.
Could you get your guys together, please?
My daughter and niece are roaming the building somewhere,
and I'd like them found as soon as possible, okay?
What?
Oh, damn it.
Yeah, okay.
Terrific.
[ SIGHS ] First, the heating, then the electrical problems.
Now the security monitors.
Oh, Bruce, this is really happening, isn't it?
Depends on who you want to believe.
[ SIGHS ]
Tweedledum or tweedle-dumber.
Scott,
you and Donna are at the swimming pool.
[ SEATON ] You're leaving.
Where are you going?
The security room.
We saw Carol Anne on the monitor.
Which monitor?
She was in the garage.
The puddle.
Hands came out of the puddle!
They grabbed us, the hands!
[ GASPS ]
Keep her away from me!
Shh.
What puddle?
What puddle, Scott?
What puddle?
The... In the garage.
In the garage.
In the garage!
[ FOOTSTEPS APPROACHING ]
They're between dimensions,
behind reflections,
behind mirrors, stealing images.
Carol Anne.
Carol Anne!
[ CAROL ANNE ] The light! The light!
It's so cold. The light, it's so coId!
Carol Anne,
listen to me.
Find your way back to your room.
You must go back to your room.
He won't let me.
I'm so cold!
Find Donna and go back to your room. Run, Carol Anne, run!
Enough. Stop this stupid sideshow.
Oh, it's a great act.
Carol Anne creates the fire and you feed it.
You made this happen.
You made her talk about him, you made her remember him.
He was lost. You brought him here.
Ludicrous.
It's your choice.
Tweedledum
or tweedle-dumber.
Tell us what to do.
Pray that Carol Anne heard me and listens.
We must get up there as fast as we can.
[ SEATON ] This is stupid, idiotic!
What's the matter with you people?
Can't you see that Carol Anne's behind this?
She's making us believe this is happening.
It's... It's all a hypnotic...
It's about as stupid and idiotic
as you hypnotizing that coffee cup through the mirror.
That's good.
He'll try to trick you. He'll try to separate you.
Don't let him.
Your love, your bond,
your caring for these two children, is our most valuable weapon.
Let me take the chances.
What's that?
Some sort of mystical amulet?
A tool of your trade?
It was a gift.
From a good friend.
A powerful medicine man who walked among the spirits
and returned.
There's power here.
I only pray it is enough.
[ ELEVATOR BELL DINGS ]
Because Kane still thinks he needs her.
He was insane when he lived,
and now, in death,
that insanity
has become the beast.
He wants Carol Anne now,
before she grows up.
Youth is a strong life force.
Innocence is pure life force.
We lose strength as we lose our innocence.
You see, innocence is the only gift we're given in life.
All else must be fought for.
In that gift is purity.
In that purity
lies strength.
That's a lot of crap that doesn't mean anything.
Shut up, Seaton.
Unlock it.
[ ELECTRONIC VOICE ] Can you spell "Gorilla"?
G-O...
Carol Anne?
R-I-L-L-A.
That is correct. Now try "Pheasant."
[ BRUCE ] Look at the mirror. P-H...
E-A...
S-A...
N-T.
That is correct. Can you spell "Parakeet"?
Carol Anne?
B-I-R-D.
Carol Anne?
Wrong. Try again.
[ TANGINA ] Come back to this side, Carol Anne.
Come through the mirror.
We want you to come join us.
We miss you.
You can come back through the mirror, Carol Anne.
Please, Carol Anne, come back through the mirror.
Come back to this side, sweetie.
Carol Anne?
Come to me, Carol Anne. Don't be frightened.
Don't be afraid, sweetie. Come to us.
Won't you join us, Carol Anne?
Carol Anne?
Carol Anne, come here!
No!
[ KANE ] Tangina!
[ SQUELCHING ]
[ SCREAMING ]
Seaton, don't just stand there!
Get over here, for Christ's sake!
[ SCREAMING ]
[ DONNA SOBBING ]
I got you, baby. It's okay, it's okay.
[ PANTING ] There you go.
Carol Anne! I got you. You're all right.
Carol Anne! Where is she?
Carol Anne's drowning! She's drowning!
Where? Where?
Carol Anne!
Donna... Carol Anne!
You're safe now.
Carol Anne!
Where? Carol Anne!
Where is she? Darlin'...
She's drowning!
What does it matter anymore?
Who the hell god-damn cares?
[ GASPING ] Baby...
Carol Anne! Take care of her for a minute, please.
Carol Anne!
Shh. It's okay.
[ DONNA ] Carol Anne's drowning! She's drowning.
Baby, you've got to get a hold of yourself.
I can't deal with this anymore.
Bruce, I love you and Donna. That's our family.
Let's get out of here.
Let Dr. Seaton deal with Carol Anne.
Baby, she's your niece.
I don't care.
I can't take these sick little games anymore.
I never should have let Steven and Diane send her to us.
Carol Anne! Bruce!
Bruce, please!
Carol Anne!
Bruce!
[ ALARM BLARING ]
Dad! Dad!
Relax, Donna. Relax.
You're safe.
You're just having a bad dream.
We're all having a bad dream.
Where's my dad? I want my dad.
Lie here and relax and I'll go get your dad.
[ SEATON ] Mr. Gardner? Mrs. Gardner?
Hello?
Carol Anne.
[ ELEVATOR BELL DINGS ]
[ GASPS ]
[ SEATON SCREAMING ]
[ THUDDING ]
[ ELEVATOR BELL DINGS ]
[ BOTH LAUGHING ]
[ DONNA ] And they thought it was her.
[ BOTH LAUGHING ]
Carol Anne?
Carol Anne!
[ PAT ] Bruce!
Bruce?
[ PANTING ]
Carol Anne?
Carol Anne!
Bruce!
I saw her.
You think you saw her.
I saw her, damn it.
Your daughter's upstairs, a shivering, emotional wreck.
Then you run out on me to chase after that evil little brat again.
Don't you understand? Don't you see what she's doing?
It's just like Dr. Seaton said.
Nothing Seaton said explains what happened tonight.
Come on.
[ CAROL ANNE ] The man! The ugly man!
[ WATER DRIPPING ]
[ DOOR OPENING ]
Remember what Tangina said.
[ SQUEALING ]
Open!
[ RATTLING ]
[ BUBBLING ]
Help! Help us!
Help us!
[ GASPING ]
[ BANGING ] Oh, God!
[ BRUCE ] Help!
[ PAT ] Help!
Help!
[ TANGINA ] Outside in!
[ PAT ] Help! Help us!
Help! Help!
[ SOBBING ]
Outside in!
[ THUNDER CRASHlNG ]
[ BOTH PANTING ]
Tangina gave this to me.
[ LAUGHING ] She gave this to us!
She's trying to save us.
She's trying to bring us through this!
It's a lie!
It's not true, any of this! Oh, baby.
It's not true. You're a liar!
This... None of it's true. You're a liar.
She's trying to get us through, Pat.
She's trying to save our lives! You're a liar.
Just hold on, Pat. Just hold on.
Just hold on, baby.
Just hold on.
[ ENGINE STARTING ]
[ GASPS ]
[ ENGINE STARTING ]
[ TIRES SCREECHING ]
[ GRUNTING ]
[ [ PAT SHRIEKS ]
[ ENGINES REVVING ]
No!
Who are you?
[ ENGINES REVVING ]
What do you want?
You!
Bruce!
[ CRASHING ]
[ VOlCE SCREAMlNG ]
[ THUNDER RUMBLlNG ]
[ WATER PATTERING ]
[ BOTH PANTING ]
It's not cold anymore.
She said we could do it!
She said we could beat 'em!
It's over, baby!
It's over, darlin'!
Oh, I want to believe that.
What? Oh, believe it!
[ PANTING ] Believe it!
It's finished and we did it together.
[ TIRES SCREECHING ]
Look at you.
You two are pitiful.
You know what? No, I don't wanna know. I understand these things.
Anyway, everybody went home. And it went fine. I locked up.
You two can read about it tomorrow in the society columns.
Newlyweds.
Oh! Donna's been lookin' for you. She called.
She and Carol Anne are upstairs with that shrink,
what's-his-name from the school.
Maybe, you ought to talk to him, honey.
He's probably never met anybody with a garage fetish.
Manana, y'all.
[ CAR ENGINE REVVING ]
[ ELEVATOR BELL DINGS ]
Oh, Mr. and Mrs. Stanley, how are you tonight?
I, uh... I have been doing some plumbing.
Sorry for the inconvenience.
What inconvenience? We didn't have a problem.
Well, if there was a problem, I'm really very sorry.
But the hot water's gonna be on very soon.
[ CHUCKLING ]
Well, I had to say somethin'. I mean, look at us.
I know. I didn't get much use out of last year's salary, huh?
I think you look great wet.
Well, you can lie like that anytime you want to.
I usually do.
I know.
I can't wait to get upstairs, stretch out in bed and...
Act normal.
Oh, getting upstairs sounds great.
What have you got in mind?
Packing up everything that belongs to that little brat
and sending her home to my sister.
It wasn't her fault.
[ lNDlSTlNCT WHlSPERlNG ]
[ KANE ] Yes, it is!
[ ELEVATOR ACCELERATING ]
[ MACHINERY WHINING ]
[ ELEVATOR SCREECHING ]
[ BOTH PANTING ]
[ ELEVATOR ACCELERATING ]
[ KANE LAUGHlNG ]
[ THUDDING ]
[ ELEVATOR BELL DINGS ]
[ BOTH PANTING ]
[ GRUNTING ]
[ BRUCE GRUNTING ]
[ SOBBING ]
[ GASPS ]
Oh, my God.
Outside in. What?
[ BRUCE ] Damn it, that's it! Outside in. That's what Tangina said.
He controls the inside, but not the outside.
We can still get to him. Come on!
[ WIND HOWLING ]
[ CREAKING ]
[ RATTLING ]
Don't look down.
[ METALLIC CREAKING ]
[ lNDlSTlNCT WHlSPERlNG ]
[ BOTH PANTING ]
All right, hold onto this.
No matter what happens, don't let go.
Okay.
[ GROWLlNG ]
Fuckin' son of a bitch.
[ GROWLlNG ]
Bruce!
Carol Anne!
Go away, Pat!
He doesn't want them! He only wants me!
You don't love me. You don't want me here!
My parents don't love me either.
They sent me away.
Kane loves me! Kane wants me!
Give me Tangina's necklace and you can have Bruce and Donna back.
They're your family.
I'll go with Kane.
Your mom and dad do love you!
They love you very much,
and I love you, too!
It's hard for me to show it sometimes,
but I do love you.
No! Save your family!
They're the ones who mean something to you, not me.
That's not true!
You are part of my family!
You and Donna are like my children.
I love you, Carol Anne, and I'll do anything to prove that!
You've got to believe me!
No! Go away!
Carol Anne!
[ KANE ] Go away!
[ SCREAMS ]
[ ELECTRICITY SPARKING ]
Bruce?
Bruce!
Donna?
Carol Anne?
Tangina!
Bruce!
[ SOBBING ] Oh, God!
[ KANE LAUGHlNG ]
Where are you, Kane?
Where have you taken my family?
I want them back!
[ KANE LAUGHlNG ]
Tangina said you can't take them
as long as someone here loves them.
[ KANE LAUGHlNG ]
I love them.
And I have this to protect me.
[ KANE LAUGHlNG MANlACALLY ]
[ THUNDER CLAPPlNG ]
[ SCREAMING ]
[ KANE ] The necklace!
[ GROANING ]
[ KANE ] Give me the necklace.
No!
The necklace!
No!
[ GASPlNG ]
[ SCREAMlNG ]
[ LAUGHlNG ]
[ TANGINA ] Kane!
Give her back her family.
You don't need them! You don't need Carol Anne!
I can lead you into the light!
I have the knowledge and the power!
[ THUNDER CRASHlNG ]
No! Tangina, don't!
Tell me how to use the necklace, so I can save all of you.
Thank you, Pat,
but this is the way it has to be.
Say goodbye to Carol Anne for me.
Tell her I'll always love her,
and that her nightmare is over.
Tangina!
[ THUNDER CLAPPlNG ]
[ SOBBING ] Tangina.
Tangina, wait!
Where are they?
[ BRUCE ] Pat.
Bruce.
[ THUNDER CRASHlNG ]
[ THUNDER RUMBLlNG ]
She did it.
She saved us.
[ KANE LAUGHlNG ]