Oh 哦
Hey 嘿
hello and welcome to this really fun tutorial by promotion 您好，欢迎来到这个非常有趣的推广教程
Because today i'm going to show you you can drive this car 因为今天我要告诉你你能开这辆车
without any license 却没有执照
such as follow me into after effects 比如跟我进去后的效果
so In here 所以在这里
As always, let's build this whole thing from scratch 像往常一样，让我们从头开始
So let me quickly tell you what we are going to do today 所以让我来告诉你我们今天要做什么
because it's not just 因为它不仅仅是
that one effect that sells the shop later on 后来把商店卖出去的那个效果
but we have to do a lot of steps to make this shot really look 但是我们要做很多步骤才能让这张照片看起来很真实
So trust a quick as you have also seen in my last story 所以相信我，就像你在我上一个故事里看到的一样
where I showed you some behind the scenes from some of my professional commercial work 在那里我向你们展示了一些我的专业商业作品的幕后故事
Doing the same thing here 在这里做同样的事
because over the last decade or so 因为在过去的十年里
i've worked on many film sets and I have done a lot of 我拍过很多电影也拍了很多
green screen can't driving scenes 绿屏不能驱动场景
What you're seeing here is some behind the scenes shots of the set of the film 你在这里看到的是电影场景的一些幕后镜头
Taxi, which was starring peter dinghso 出租车，彼得丁索主演
You can see how everything was done in a professional way 你可以看到一切都是如何以专业的方式做的
And you can also see the before and after 你还可以看到之前和之后
And you see what kind of details you need to create 你可以看到你需要创造什么样的细节
those kinds of shots 像这样的镜头
And this is really important because we want to do the same thing 这很重要，因为我们想做同样的事情
But of course with a lower budget, therefore 不过，预算当然会更低
we want to create a foreground 我们要创造一个前景
Then we want to create a background 然后我们想创建一个背景
of course we need to create reflections and, also a third 当然我们需要创造反思，也是第三个
layer. And as the last step, we want to add some details 层。 作为最后一步，我们想补充一些细节
For example 例如
we want to reduce the original reflections that are on the 我们想减少的原始反映是对
car finish already 已经有车了
And i'm also going to show you a cool way of creating this car that it's bouncing on the street 我还将向你们展示一种创造这辆车的很酷的方法，它在街上颠簸
so Now let's start 所以现在我们开始吧
creating the foreground 创造前景
So the green screen 所以绿幕
scene and here is a really important thing that you always need to be aware of 这是一个非常重要的事情你总是需要注意的
so This is actually a small scene 这是一个很小的场景
from behind the scenes clip where we shot for hbo in romania. The message is really important 从幕后片段，我们拍摄的hbo在罗马。 这个信息真的很重要
Today we are shooting the big car scene in front of the 今天我们要拍摄的是
queen's cream scc my job for that is basically to be here Queen's cream Scc我的工作就是来这里
to look that the shot later on looks like it has been shot for real 看一下这张照片，看起来是真的
so Therefore I shot 所以我就开枪了
this 这个
foreground 前景
Let me just bring it out here onto the new compositions I can 让我把它带到我能找到的新曲子上
and call it our main comp and hit 称之为我们的主要竞争和打击
okay and As you can see, this is the shot that 如你所见，这就是那个镜头
that I used later on. And you see that it's filmed 后来我用过的。 你可以看到它被拍摄了下来
pretty static from a tripod 三角架上的静电干扰
You can see a little bit of movement over here but 你能看到这里有一点移动但是
This is just 只是
me 我
sitting in the car and the car bouncing a little bit 坐在车里，车有点颠簸
What you can also see is that I just had a green screen that fits 你还可以看到，我刚刚有一个绿色的屏幕，适合
on those parts and not 在那些部分而不是
in the back window, but that's totally fine because we 在后窗，但那完全没问题，因为我们
only need a green screen 只需要一个绿色屏幕
where we need it 在我们需要的地方
and That means we only need it where something is happening 这意味着我们只在有事情发生的时候需要它
And I wanted to make sure 我想确认一下
that the green screen is in front of my face 绿色的屏幕就在我的面前
of course but also on the front shield 当然也在前面的盾牌上
because we have a lot 因为我们有很多
of reflections in here 反射在这里
And this is one advice that I learned during all my shots 这是我在拍摄过程中学到的一条建议
on set 准备好了
that it's always best to bring the windows all the way down between the camera and the subject 最好的办法就是把窗户一直放在镜头和拍摄对象之间
In this case 在这种情况下
Me 我
and have the windows up between, the subject 把窗户打开，拍摄对象
and the green screen 以及绿幕
And the only reason why I also brought down 也是我把.带下来的原因
the window between me 我之间的窗户
and The green screen in the back is that we had so much sunshine and sunlight 后面的绿色屏幕显示我们有太多的阳光和阳光
that the green was too much washed out 绿色被冲掉太多了
So this was just to get the key a bit better 所以这只是为了让钥匙更好一点
But let me tell you something 但是让我告诉你
If you're having like night time scenes and for those shots for taxi, like 80% of the shots for night time 如果你有喜欢的夜间场景和出租车拍摄，喜欢的80%的夜间拍摄
you really need 你真的需要
the reflections 思考
in that window to sell the shot 在橱窗里卖这张照片
So no windows So no windows
between camera and the actor 在镜头和演员之间
but windows 但是窗户
between actor and green screen, perfect 在演员和绿幕之间，完美
Another thing that I have tested just precompose those 我测试过的另一件事就是预编这些
And let me bring out the other footage and as you see 让我拿出另一段录像，正如你看到的
it's called 400 iso shaky 它被称为400 iso shattery
or shake footage because that was one of the takes where I tried out 或者因为那是我试过的镜头之一
If it looks better 如果它看起来更好
if the car is shaking 如果车在摇晃
and you can see here how we did that 你们可以看到我们是怎么做到的
and In the end, we didn't use that chart 最后，我们没有使用那个图表
Maybe that would look a little bit more realistic in the end 也许到最后会看起来更真实一点
but I decided not to do it, because 但我决定不做因为
then we would have to go into tracking the window over here 那我们就得在这里追踪窗户了
and also the rotor would be a little bit 而且转子也会有一点
more advanced on the windows 更先进的窗户
But if this would be a professional shot 但如果这是一次专业的拍摄
I would recommend to do that on set to give it that 我建议你在片场就这么做
extra detail level extra detail level
But also 但也
this shot, I tried to shoot with 400 is o and 这张照片，我试着用400拍是0
the other one with 100 iso and if you don't know what that means, this 另一个有100个iso如果你不知道那是什么意思，这个
basically means the higher the iso the more sensitive your camera reacts to light 基本上意味着iso越高，你的相机对光的反应就越灵敏
so the higher you push your eyes 所以你的眼睛看得越远
all the brighter the image gets 图像变得越亮
but also the more grain it gets 但也会得到更多的谷物
and This is super important because the more grain you get 这非常重要，因为你得到的谷物越多
the harder it will get to key the shot 它就越难将球击中
so If I turn that on and off 所以如果我打开和关闭
you won't see that much of a difference 你看不出有什么区别
But if I go close to maybe over here 但如果我靠近这里
because this is this is kind of still 因为这是一种静止
you can see the difference 你能看出区别
No grain 不能吃谷物
a lot of grain 很多粮食
no grain, a lot of grain. And this is just 没有粮食，很多粮食。 但这只是
cranked up to 400 提高到400
so I would always recommend to try to shoot 所以我总是建议你试着开枪
with the lowest iso settings possible when shooting green screen. of course So let's just delete the 400 iso 用最低的iso设置拍摄绿色屏幕时可能的。当然，让我们删除400 iso
shaky clip and 晃动的夹子和
concentrate on this one 把注意力集中在这个上面
so Now you've seen how we have created the foreground 现在你已经看到我们是如何创造前景的了
meaning the shooting of the foreground 意味着前景的拍摄
now let's 现在让我们
key out before ground 落地前先按钥匙
So I just bring out the killer effect drag and drop it onto the footage 所以我就拿出杀手效果把它拖到录像里
and just click on a green color 只需点击绿色即可
That is 那就是
somehow close to my body 以某种方式接近我的身体
because that's the color that we wanna get rid of the most 因为那是我们最想摆脱的颜色
And by default, this looks already pretty good 默认情况下，这看起来已经很不错了
but we can tweak it 不过，我们可以调整一下
Normally you would go into the screen met and just 通常你会进入屏幕遇到和公正
play with the clip black 播放黑色剪辑
and clip white 剪白头发
And you could definitely do that 你完全可以做到
but let's just bring it back to 100 但是让我们回到100
I just look at the other channel and you can see that by hitting out+4 at the same time, or you can go down here 我只是看着另一个频道，你可以看到同时击出+4，或者你可以从这里下去
where you have your colors and go to the alpha channel 在那里你有自己的颜色然后去阿尔法通道
And now I click on the green color that I pick and just track and slide it 现在我点击绿色的颜色，我选择，只是跟踪和幻灯片
Until I find something that I think looks convincing 直到我找到我认为有说服力的东西
And what i'm looking for at the moment is I want to have lots of reflections in the wind shield 我现在所寻找的是我想在挡风玻璃上有很多的反射
but I want to have a soft edge 但我想有一个柔软的边缘
around my hair 在我头发周围
okay Something like this looks fine to me 好吧我觉得这样挺好
And another thing that i'm doing right now, is i 我现在正在做的另一件事是
don't wanna see the final result 我不想看到最终结果
but the intermediate result 但中间结果
that means we still have the green tone in it 这意味着我们仍然有绿色的基调
so This is with the green tone. Let me 所以这是绿色调的。 我来吧
take a screen, grab here 做个掩护，抓住这里
and This is the final result 这就是最终的结果
and you can see that we just get a little bit more detail when we don't let key 你可以看到，我们只是得到了更多的细节，当我们不让钥匙
do this for correction 这样做是为了纠正错误
So let's go back to the intermediate result and take care of the green tones 所以让我们回到中间结果，注意绿色音调
Later 以后再说
So now let's create some masks for the back windows 所以现在让我们为后窗制作一些面具
just hit the g button and mask out 只要按一下g键就可以了
Everything 一切
and Now i'm setting all of those to subtract 现在我要把所有这些都减去
and of course You can take more time on doing that 当然你可以花更多的时间去做
Let's check our transparency 我们检查一下透明度
by clicking on this button here 点击这里的按钮
Htc HTC
this is really looking nice, and I don't even care too much 看上去很不错，我一点都不介意
about the semi transparent parts in here, because later on 关于这里的半透明部分，因为后来
when we put like reflections over it 当我们把它像倒影
and the moving background behind it 以及它背后的移动背景
this will look as if the light will hit 这看起来就像光将击中
And there's something going on there 一定发生了什么事
which will also make it look more convincing 也会让它看起来更有说服力
Now we have created our foreground 现在我们创造了我们的前景
Now let's take a look at the background 现在让我们来看看背景
so I have a background over here that I have shot 所以我在这里有我拍摄的背景
by the way 顺便说一下
i've shot the foreground as well as the background with the black magic 我用黑魔法拍摄了前景和背景
pocket cinema camera 袖珍电影摄像机
For k 代表k
and if you want to learn more about my equipment and what I used and 如果你想知道更多关于我的设备和我用过的东西
for example, the green screen that I used for that shot 例如，我在拍摄时使用的绿色屏幕
i've listed all of this down and description below 我已经列出了所有这些和下面的描述
also like my heart where my recording software for these tutorials and 也喜欢我的心，我的录音软件为这些教程和
all that stuff 所有的那些东西
So just check that out in the description below 所以看看下面的描述就知道了
What i've done here 我在这里所做的
I set on the back seat of the car had the windows of course open. And just 我坐在汽车后座上，当然车窗是开着的。 只是
from this one hand held, because what I found is that it's 从这只手中，因为我发现它是
better to shoot those plates hand held 最好拍那些手持的盘子
If you can, depending on the car, the car is shaking a lot 如果可以的话，根据汽车的不同，汽车摇晃得很厉害
and It does those 它就是这样做的
micro shakes micro shakes
even if you just 即使你只是
turn on the engine of your car and have a camera mounted to the hood 打开你的汽车发动机和有一个摄像头安装到引擎盖
it will also start shaking on a really high frequency 它也会开始以非常高的频率振动
What I found, it's best to have the camera handheld 据我所知，最好把相机拿在手上
because your hand is compensating all those bounces and even better would be on a gamble 因为你的手正在补偿所有的反弹，更好的将是一场赌博
of course For a lot of production 当然是为了大量的生产
you can't really do that because I had shooting days where we 你不能这么做，因为我拍电影的时候
we're filming like 8 hours a day, just plates 我们一天拍8个小时，只有盘子
But for shots like this, handheld is totally perfect 但对于这样的镜头，手持完全是完美的
And this is 这个是
this looks like at the moment 现在看起来是这样的
So 所以
You definitely have to work on that a little bit 你一定要在这点上下功夫
Or in other words, we 换句话说，我们
let after effects do the work 让事后效果来做这项工作
because i'll just click on the warp stabilizer effect 因为我只需要点击翘曲稳定效果
And by the way, can also right click on your footage, go to 顺便说一下，也可以右键点击你的镜头
track and stabilize and click on the warp stabilizer 跟踪和稳定和点击经纱稳定器
And the warp stabilizer is really perfect for those kinds 曲速稳定器非常适合这种情况
of shots 一枪一弹
By default, we have smooth motion and a smoothness of 50% 默认情况下，运动平滑，平滑度为50%
which is totally fine 完全没问题
You can also see the percentages and how long it takes 您还可以看到百分比和需要多长时间
If you have a longer clip and you wanna work while it's still analyzing 如果你有一个较长的剪辑，你想工作，而它仍在分析
you can go down to the advanced settings, click on height 你可以进入高级设置，点击高度
the warning banner, and then you can just 警告横幅，然后你就可以
continue working while you're actually analyzing and solving, but it's already stabilized and 在实际分析和解决问题时继续工作，但是已经稳定下来了
This was real time 这是实时的
So 所以
really really fast. And let's check out the result 实在是太快了。 让我们来看看结果
This is really cool 这真是太酷了
Let's just bring out a ruler by hitting control r 让我们通过敲击控制r来拿出一个尺子
because i'm 因为我
feeling that it is a little bit off 感觉有点不对劲
the horizon line 地平线
so Let's click on the clip, hit r for rotation 所以让我们点击剪辑，点击r进行旋转
Just rotated a little bit 只是旋转了一下
so What i've prepared for this tutorial 所以我为这个教程准备的
I have just rendered out the stabilized version so that we can just work a little bit 我刚刚渲染出了稳定版本，这样我们就可以稍微工作了
faster. He, but it's the same shot 更快。 他，但是是同一个镜头
okay We have created our foreground 好我们创造了前景
We have created our background 我们创造了我们的背景
Now, let's bring both of them together 现在，让我们把他们两个聚在一起
by just bringing in our bg 只需把我们的bg
and let's play this back 让我们来回放一下
okay We are getting somewhere 好了，我们有进展了
so How do we place our background 那么我们如何放置我们的背景
Where exactly does the horizon need to be 地平线到底应该在哪里
well We can easily find that out by defining the horizon 我们可以很容易地通过定义地平线来发现它
let's just bring out a new layer, call it horizon 让我们拿出一个新的层次，叫它地平线
disable it 关掉它
hit g to get our 打g得到我们的
pen tool and then just draw lines around 然后用钢笔工具在周围画线
straight lines 直线
in our car 在我们的车里
So this window line here may be around the radio 所以这条窗户线可能在收音机周围
And maybe 或许
once more to the edge of the window 再一次走到窗户的边缘
the other edge should be somewhere here 另一边应该在这里的某个地方
and You see all the vanishing points 你看到所有的消失点
they meet in one point. And this is our horizon. Let's 他们在一点上相遇。 这是我们的地平线。 我们
bring out a ruler again. And 再拿把尺子出来。 以及
okay almost right, just bring this down a little bit 好吧，差不多了，把这个放低一点
and i'm just doing this pretty rough 我只是在做些很粗暴的事
What you can also do is you can key frame your background 您还可以做的是您可以关键帧您的背景
and Again, i'm just doing this really really rough 再一次，我只是在做一些非常粗糙的事情
so that our horizon stays about in the same position 使我们的地平线保持在相同的位置
Here, we are it doesn't really look nice 我们在这里，看起来不太好
because 因为
our background 我们的背景
his way, too much contrast 他的方式，太多的对比
But how can we actually check that 但我们如何能真正检查
well That's pretty easy because we have some reference material already 这很简单，因为我们已经有一些参考资料了
You remember, this is our original footage, and you see 你记得吗，这是我们的原始录像，你看
this is how bright the background is 这是多么明亮的背景
so Let's make a new layer 让我们做一个新的图层
call it white and just 称它为白色和公正
click on one 点击其中一个
of the white spots and it's almost completely white 几乎完全是白色的
And i'll just bring this white layer up here 我就把这层白布拿上来
Let's do it once again 我们再来一次吧
This time we call the layer 这一次我们称它为图层
the black layer and click on one of the darkest parts here in the background 在黑色层和点击最黑暗的部分在这里的背景
And isn't that just insane 这不是很疯狂吗
This is our brightest and darkest part of the background 这是我们背景中最亮和最暗的部分
I bet you wouldn't have guessed that. So 我敢打赌你不会猜到的。 所以
let's quickly click on both of the layers, right 让我们快速点击这两层，右
Click them and make them a guide layer a guide layer 单击它们并使它们成为向导层
Doesn't render when you render it out 不会在你渲染的时候渲染出来
so You have it in the frame visible all the time 所以你一直把它放在可见的框架里
but it simply won't render 但它就是不能再现
And i'm also going to lock this 我还要把这个锁起来
disable our reference 使我们的参照物失效
And now let's bring out a levels effect and bring it on to our background. And now 现在让我们提出一个层次的影响，并把它对我们的背景。 现在
we can play with this over here. We have the brightest part 我们可以在这里玩。 我们有最精彩的部分
So let's just play with this until 所以我们就一直玩到
unlock those and bring the white somewhere around here and the black 打开那些，把白色的和黑色的拿过来
somewhere around here 就在这附近
or maybe even better here in the front where we really have black values and back in the levels effect 或者也许在前面更好，我们真正有黑色的价值，在水平的影响回来
The white 白色的
is looking pretty good 看上去很不错
and the black is obviously way too dark 很明显黑色太暗了
And what helps for that is if you create a new adjustment layer 如果你创建了一个新的调整层
and just make everything black and white 把一切都搞得黑白分明
okay you see something like this 好吧，你看到这样的东西
This is our black layer, and this is our background 这是我们的黑层，这是背景
so Somewhere around here looks fine and check it 所以这里的某个地方看起来很好，检查一下
Now you see 现在你看到了
we still have to bring some red into our background blacks 我们还得在背景中加入一些红色元素
so going to the red 所以我要去红色的地方
okay Now i'm hiding my guide layers here and let's have a look 好了，现在我把我的导航图层藏在这里，让我们看看
with 与
without with without 无与无
pretty good, just over did that a little bit 很不错，只是有点过头了
and Now, what i've done once, I made it correct 现在，我曾经做过的，我改正了
and Now I make it look 现在我让它看起来
up to what I want to have in the shot 以达到我想要的效果
so This is what we have. Now 这就是我们所拥有的。 现在
Let's just quickly get rid of the green tones in the 让我们尽快摆脱绿色的色调在
foreground and we can do that by you and saturation go to greens and 前景和我们可以做到这一点你和饱和去绿色和
just drag them down 把他们拉下来
A small detail 很小的细节
But as I told you 但正如我告诉你的
all the details will make up the final shot 所有的细节将构成最后的镜头
So next 所以下一个
thing that I wanna do is I want to duplicate the foreground 我想要做的就是复制前景
because I wanna 因为我想
have more reflections 会有更多的思考
And basically 基本上
I create a second key for more details, all this, the window 我为更多的细节创建了第二个键，所有这些，窗口
and bring it beneath everything 把它放在所有东西的下面
reset the key light and make another version of it to just have more reflections. And I can really 重新设置键灯，使另一个版本的它只是有更多的反射。 我真的可以
overdo it here. You see 太过分了。 你看
Hit okay 打得好
and Now i'm just going to mask out that front shield 现在我要遮住前面的盾牌
You see this is with and without the window way better 你看有窗户和没有窗户要好得多
Now 现在
Next thing that we have to do is 接下来我们要做的是
we need to bring some texture back to our windows, because 我们需要在窗户上恢复一些质感，因为
the only window that we can see at the moment is the front 我们现在唯一能看到的就是前面的窗户
window. Let me just quickly tell you how we do that 车窗。 我来告诉你该怎么做
I have a dirt texture here, and that is semi transparent 我有一个污垢纹理这里，这是半透明的
texture with some dirt and some, I don't know 一些泥土和一些，我不知道
raindrops and mysterious stuff. And i'll just show you 雨滴和神秘的东西。 我就让你看看
how we bring that into our shot 我们是怎么做到的
and Afterwards 后来
i'm going to show you how I created this okay super easy 我来给你演示一下我是如何创造出这个超级简单的
take order texture 采取有序的纹理
and bring it behind the window 把它带到窗户后面
Now we just mask out that window here 现在我们把窗户遮在外面
bring it down again and do the same 把它拿下来，然后做同样的事
for the back windows 后面的窗户
Now let's concentrate on that window over here 现在让我们把注意力放在那边的窗户上
and we just want to change the blending mode so that it looks more convincing 我们只是想改变混合模式，使它看起来更有说服力
Maybe to something like add 可能是像加法之类的
So this is with and without and you can play with the transparency now 所以这是有和没有和你可以发挥的透明度现在
with 与
and without 以及没有
now you really feel that there's something going on 现在你真的觉得发生了什么事
because there is actually something going on for the other 因为另一个人确实有问题
texture 质地
Let's just try another planning mode if something else would work better. And 让我们尝试另一种规划模式，如果有其他更好的工作。 以及
I would always recommend you try out as many as possible and then choose the one that works best for you 我总是建议你尝试尽可能多的然后选择一个最适合你的
Maybe overly is the one that's working for you that works pretty good over here 或许在这里为你工作的人工作得很好
So maybe let's just try that also for our front 所以我们还是从前面试试吧
Texture overlay, also a pretty interesting 纹理叠加,也很有趣
look This is with 听着这是和
And 以及
without 无
windows 窗户
perfect. We have two more windows in the front 完美。 前面还有两扇窗户
so Let's just bring this one out, once again 所以让我们把这个拿出来，再一次
bring it above everything 把它放在最上面
And now i'm just creating a mask for the window 现在我只是在为窗户创造一个面具
because 因为
later on i'm using that also for our reflections 稍后我也会用它来思考
So let's create a new layer and call it met 因此，让我们创建一个新的层，并将其称为met
hide it for now 暂时藏起来
Create a shape where 创造一个形状
our window should be 我们的窗户应该是
And feather it a little bit 再加一点羽毛
okay so This is 好了，这是
the met for our window 我们的窗户
Let's also create the back window, also feather this 让我们也创建后窗，也羽毛这
5 pixels 5个像素
and Now, let's 现在，让我们
enable our dirt texture again 再次启用我们的污垢纹理
and use the mat as an alphabet 把垫子当成字母表
so You 所以你
can just go to the track, tap 就可以直接进入赛道，轻拍
over here 在这里
and select the arthur met from the layer met 并从图层中选择亚瑟会
Now we have third textures just on the windows 现在我们有第三个纹理只在窗户上
Again, we go to the overlay setting 再一次，我们进入覆盖设置
which we found looks nicest 我们发现的是最好的
I'm also going down with the transparency here 我也会把透明度放在这里
but I also promised you to show you how I created that dirt map 但我也答应你让你看看我是怎么画出这张地图的
so Just quick and dirty, we make a new composition 所以我们快速而又肮脏地做了一个新的构图
call it our dirt hit, okay 把它叫做我们的秘密袭击，好吧
Create a new layer, make it black for now 创建一个新的层，使它现在是黑色的
but the color doesn't really matter and apply a fractal 但颜色并不重要，而是应用了分形
noise to it. And I just going to scale this up 噪音太大了。 我只需要把它放大
and I'm just going to bring down the opacity a little bit 我要把不透明性降低一点
so This is the overall variation within the dirt 这就是污垢内部的整体变化
so I'm just duplicating that 所以我只是复制一下
And beneath, I wanna bring out this smear effect 在下面，我想展示这种污迹效应
So let's reset it 所以我们重新设定一下
and set it to, you guessed it smi 把它设定为，你猜对了
Let's also scale this up 让我们也把它放大
Now we enable the other version again 现在我们再次启用另一个版本
set it to something like multiply 把它设置成乘法
Then I created one small black layer 然后我创造了一个小黑层
went to the pen tool and just created 使用钢笔工具创建
some 一些
that's 那是
feather all of them a little bit 把所有的羽毛都用一点
and As a last step, I created a white, solid 作为最后一步，我创造了一个白色的
and just went to the rectangle tool created like lines 然后进入创建像线条一样的矩形工具
and Then I went to the lips to 然后我走到唇边
and I blurred it 我把它模糊了
and also went down with the transparency a lot 同时也伴随着透明度的下降
And again, this is already semi transparent 再说一次，这已经是半透明了
so When you bring that on top of something 所以当你把它放在某件东西上面
it will already look really cool 它看起来已经很酷了
At the end you have something really unique 最后你会得到一些很特别的东西
okay back in our main camp 回到我们的营地
Let's add the reflections and the reflections. I simply used 让我们添加反射和反射。 我只是用
my stabilized background again 我的背景又稳定了
And now I just scaled it up a lot, repositioned it 现在我只是放大了很多，重新定位了一下
and said it's 他说那是
to 至
screen 屏幕
and bring down the opacity 降低不透明度
Now you can see that the highlight or the brighter parts really 现在你可以看到高亮或者更亮的部分
blend over my face 抹在我的脸上
And for a normal reflection, the brighter parts blend over 对于正常的反射，较亮的部分混合
But the darker parts you could basically see through 但是你能看穿的更黑暗的部分
So let's just try to create that 所以让我们试着创造它
But just keying out the darker parts of this reflection 不过，只是把反射的黑暗点划掉
So i'm going for the extract 所以我去拿提取物
tool, which seems to be tool that I use pretty often 工具，这似乎是我经常使用的工具
And then i'm just dragging away the black parts 然后我把黑色的部分拖走
just like so. And then i'm feathering this 就像这样。 然后我在享受这个
Now you can see what this is doing when I disable and enable it 现在您可以看到当我禁用和启用它时它在做什么
Wherever there was darker parts going over the reflection 在倒影上有深色部分的地方
I can now really 我真的可以
see through 看穿了
bring out the mat again 把垫子拿出来
By simply duplicating it 简单的复制它
and again, using it as an alpha mat 再一次，把它当作阿尔法垫子
so Now you see the reflections are only in the window 所以现在你看到的反射只是在窗口
so Really looking nice two more things that we can do here 看起来不错，我们还能做两件事
for our background 为了我们的背景
Let's just blur this a little bit because it's 我们稍微模糊一下，因为它是
in the distance. So I bring out the camera lens blur 在远处. 所以我拿出了相机镜头的模糊
And by default, this already blurs it 默认情况下，这已经模糊了它
by 5% 5%
Do the same for our reflections here 我们在这里的思考也是如此
Now we're already at the end of this tutorial 现在我们已经完成了这个教程
but I told you 但我告诉过你
we need to work a little bit more on the details 我们需要在细节上做更多的工作
and One thing that hopefully you already noticed is that 希望你已经注意到的一件事是
there are some distracting reflections in the paint of the car 汽车的漆面上有一些分散注意力的反光
so Let's work on those 所以让我们来解决这些问题
And therefore 因此
i'm duplicating my footage and I bring it to the top and quickly solo this 我在复制我的镜头，我把它的顶部，并迅速独奏这
Get rid of all the masks that I had done here and mask out that part 把我在这里做过的所有面具都拿掉，把那部分蒙掉
and Now what we can do is simply blow away the reflection with a 现在我们所能做的就是用一个
directional blur, for example 例如，方向模糊
and we want to blur it like really a lot 我们要把它弄得模糊起来
okay Now the reflections are gone, but they are blurring 好了，现在反射消失了，但是模糊了
above 以上
our mat 我们的垫子
So let's simply duplicate it again and use that as the mat 所以让我们简单的复制一次,然后用它作为垫子
and of course For the met 当然还有大都会艺术博物馆
we want to get rid of the blur perfect 我们要除掉完美侠影
but now also we have worked on the color and that seems to be fine for now maybe all. So at a gaussian blur to it 但现在我们也有工作的颜色和似乎是罚款为现在也许所有的。 所以在高斯模糊的时候
to hide the streaks that we have created now with the directional blur 隐藏我们现在用方向模糊创建的条纹
Ok 好的
But now the problem is that the black line in between here also is blurred, directional and in, all directions 但现在的问题是，在这里之间的黑线也是模糊的，方向和在，所有的方向
wire, the gaussian blur. So 电线，高斯模糊。 所以
let's bring it up once more 我们再提一次吧
Duplicate it to the top 把它复制到顶部
Let's solo this 我们单干吧
and we don't want to have the directional blur 而且我们不想有方向模糊
and we don't want to have the gaussian blur 而且我们不想有高斯模糊
Now we only want to have the black part. And 现在我们只想拥有黑色的部分。 以及
yes, again, we are using the extract effect 是的，我们又一次使用了提取效果
and now we want to get rid of everything 现在我们想扔掉所有东西
But the black line 但是黑线
but it still looks a little bit 但看起来还是有点
Take even though the reflections are gone 即使反射消失了也要拍摄
But there should be reflections 但应该有一些思考
actually Actually 实际上
there should be the same reflections like in the window 应该有相同的反映像在窗口
Just a little bit different with a little offset 只是有点不一样，只是有点偏移
because the reflections are not hitting 因为反射没有击中
glass, but they are hitting paint 是玻璃，但它们会撞到油漆
Hey, why not to do that 嘿，为什么不这么做
We have the met already 我们已经见面了
So let's, bring it up 所以我们，提出来吧
and get our backgrounds stabilized 稳定我们的背景
up again and use it as a mat 再把它拿起来当垫子用
so This is what we have now 这就是我们现在所拥有的
and As I told you, if you just offset this a little bit 就像我告诉你的，如果你把这个抵消一点
maybe bring down the opacity, just give it some variation 可能会降低不透明度，只是给它一些变化
So this is really, really looking nice 所以这真的，真的很漂亮
Two more things that we need to do at first 我们首先需要做的另外两件事
I wanna add a glow to all of this 我想为这一切增添光彩
and This will make sense in just a few seconds 这在几秒钟内就会有意义
And then we work on the camera movement as well. As the 然后我们也研究摄像机的运动。 作为
wiggle for the shot 为投篮而摆动
And i'm going to show you a really handy trick for the wiggle 我要给你们演示一个非常方便的扭动技巧
But at first 但一开始
let's create a glow on top of everything and just apply stylized glow 让我们在一切之上创建一个辉光和应用程式化的辉光
and I'm also calling this globe 我也称这个地球为
And now for the threshold 现在轮到门槛了
i'll just tweak it until 我只要调整一下直到
only the brightest parts glow 只有最亮的部分会发光
so This is the sky, basically 这就是天空，基本上
And now i'm just going to increase the radius and make it look strange at the beginning. But 现在我要增加半径,使它在开始的时候看起来很奇怪。 但是
as we go further 我们越走越远
until like until like
400 400
It fills everything, but it's just too much 它填充了所有东西，但是太多了
so We just bring it down, maybe just.2 所以我们把它放下来，也许只是
So 所以
Just that you can see it 只是你可以看到
This is what this is doing 这就是我们在做的
and this will give it an interactive flight. I hope you 这将给它一个互动的飞行。 希望你
got the idea 我想到了
so What i'm going to do now, I could 所以我现在要做的是，我可以
either precompose all of this 或者预先组成所有这些
or i'm just using a main comp and dragging that onto a new composition 或者我只是在使用一个主合成，并拖动到一个新的组成
and go to 1/2 resolution for the composition as well 并且对于该合成也转到1/2分辨率
S S
the playback 回放
and Now I had s said a key frame, it p said a key frame 现在我说的是一个关键帧，它是关键帧
so This is scale and position hit you 这就是你所看到的比例和位置
to reveal both of the key frames, not just scaling this up 显示两个关键帧，而不仅仅是放大
so What i'm thinking at the moment 所以我现在的想法是
how could that shot have been filmed? So 镜头怎么会被拍下来？ 所以
the only way that this is doable is to film it 唯一可行的办法就是把它拍下来
from another car or from some other vehicle basically 从另一辆车或其他车辆
So that means 所以这意味着
that this car is next 下一辆就是这辆车
to the car that i'm driving 到我开的那辆车
So what i'm going to do is basically offset this 所以我要做的基本上是抵消这个
horizontally a little bit, because 有点水平，因为
the car wouldn't always hold up to my speed. And maybe 这辆车不能总是保持我的速度。 或许
it has this standard scaling 它有这样的标准比例
but At the end, it's just zooming in on me a little bit 但到最后，它只是在我身上放大一点点
so This is already looking pretty nice 看起来已经很不错了
and as a final 作为决赛
And last step, as I told you 最后一步，正如我告诉你的
i'm going to show you how you can create a realistic wiggle 我将向你展示如何创造一个真实的摆动
so Let's bring up a null object 那么让我们调出一个空对象
and in that null object, we want to store our wiggle data 在null对象中，我们希望存储我们的wiggle数据
and I'm also going to create a new solid 我还将创造一个新的固体
and Maybe just make this 200 by 200 pixels 也许只需要做200 × 200像素
and make it red 把它变成红色
So you can see it and, i'll just parent this 所以你可以看到它，我只是家长这一点
to the north 在北方
so Now, uh wiggle 所以现在，呃摆动一下
what is a will a wiggle is a easy expression that lets you wiggle properties wiggle的意思是一个简单的表达式，它可以让你摆动属性
So that will make more sense in just a few seconds 所以这在几秒钟内会更有意义
When you click on the stopwatch here 当你点击这里的秒表
while holding down the old button 同时按下旧按钮
you can type in expressions 您可以键入表达式
and This has a cool autofield function 这有一个很酷的自动场功能
So when i'm typing in wiggle 所以当我输入wiggle
it'll already have it here 它已经在这里了
and When I enter, i'm already in between those brackets 当我进入时，我已经在那些括号之间了
And now I just have to define 现在我只需要定义
how much I want this to wiggle 我多么想让它摆动
So at first 所以一开始
i'm telling you how often this should happen and. This is 我告诉你这种事经常发生. 我是
per second. So once a second, maybe 每秒。 所以一秒钟一次，也许
and how much should it wiggle? Let's 它应该摆动多少？ 我们
just do it a lot. So you can see it like 50 pixels. So 多做几次就好。 所以你可以看到它有50个像素。 所以
i'm just showing you 我只是在给你看
the red square now. So once a second 现在到红场了。 所以每一秒
it goes about 50 pixels 它大约有50个像素
horizontally and vertically 水平和垂直
And it does it in a really fluid 它是在一个非常流畅的
and organic way 有机的方式
okay so But what do we want to have for our car 好吧，但是我们的车需要什么
We want to have the movement way way 我们要有运动的方式
faster because it's it's driving and the road. Isn't that 因为它是在开车和开车。 是不是
Even so it's really wiggling a lot 即便如此，它还是摆动了很多
so Let's 所以让我们
Increase the number 16×second 增加数字16 × 秒
okay This could be about, right? But 好这大概是，对吧？ 但是
the wiggle would just happen in up and down position 摆动只会发生在上下位置
because it wouldn't we all the way around, because 因为它不会让我们绕过去，因为
when the car is driving on a slightly uneven road 当汽车在稍微不平的路面上行驶时
it bounces up and down 它会上下跳动
in a really high frequency 以非常高的频率
so How can we do that 我们该怎么做
Because we want to have it just on the up and down so the y position 因为我们想让它就在上面和下面，所以是y的位置
and This is really, super easy. So let's just cut out 这真的非常简单。 所以我们就别说了
that expressions that we can pace it in later 我们以后可以用速度来表达
and We only want to have one of those two positions 我们只想要这两个位置中的一个
But how can we separate those positions 但我们如何将这些立场分开
And there's a really easy trick just click 这里有一个非常简单的小技巧
on the graph editor 在图形编辑器上
click on the position 点击位置
and There you have this 给你这个
Button that just separates the dimensions 只分隔尺寸的按钮
Boom. Now you have x and y 吊杆。 现在你有了x和y
so we can get rid of the graph editor 这样我们就可以不用图形编辑器了
click on the y position 按一下y位置
while holding down the old pattern 在保持旧模式的同时
and paste in our expression 把我们的表情贴上去
now you see, it's bouncing up and down 现在你看，它在上下跳动
but It's just too much 但实在是太多了
the frequency. It seems to be 频率。 似乎是这样
Yes, that could be 是的，有可能
That could be a really good amount 这可能是一个很好的数额
so Let's the red 所以我们来红色的
square and parent our main comp 使我们的主要利润最大化
to the North 去北方
Also, let's add 另外，我们再加一句
motion blur. And you know what 动态模糊。 你知道吗
For the sake of it, let's create an adjustment layer 为了它的缘故，让我们创建一个调整层
call it 就这么定了
crop 农作物
for the effects 为了效果
in presets 在预置中
We type in crop 我们输入农作物
bring it out and use a standard of 10% cropping 把它拿出来，并使用10%的种植标准
and Now, we have a really nice 现在，我们有了一个非常好的
Cinematic. Look 电影。 你看
and hey this is already the end of this tutorial 嘿，这个教程已经结束了
And if you like what you've seen 如果你喜欢你所看到的
and if you learn some tips and tricks here and there 如果你从这里那里学到一些技巧
just feel Free to click on the, but for my channel 只是觉得自由点击，但我的频道
because in that way 因为那样的话
I can do way more tutorials like this one 我可以做更多像这样的教程
And I really enjoy doing those and again, as I told you you 我真的很喜欢做这些，就像我告诉你的那样
find links to all the equipment that I used down in the description below 在下面的描述中找到我使用过的所有设备的链接
and Now, I wish a lot of fun driving without a license 现在，我希望有很多无照驾驶的乐趣
But with Green's queen, of course 但是有了格林女王，当然