This programme contains some strong language
I'm after workers, not shirkers. Winners, not whingers.
Lord Sugar is on the hunt for a brand-new business partner.
Just to make it perfectly clear.
Make me money, and don't piss me off.
Fighting it out for his funding...
..16 ambitious entrepreneurs.
This was absolute garbage.
You don't know what you're bloody well doing. It was bloody chaos!
Let's go! SHE SCREAMS
It's a deal worth fighting for.
You took a step back...
I didn't step back, you pushed me back!
16 candidates.
Action! Just do it.
Stop there. Please listen to me.
What the hell have they been doing?
12 tough weeks.
If it's an issue, why would you walk off?
Why are you still talking?
One life-changing opportunity.
You're fired. You're fired.
You couldn't give away a Prosecco on a hen night.
You're fired.
Previously...
You'll be setting up your very own urban gardening business.
..Tom was head gardener...
Reduced to clear! Lavender, £2 a pop.
..but his push to prune prices...
I'm a little bit nervous that we haven't got enough stuff.
Me too. ..left his team dead and buried.
I would say I'm disappointed in the work.
Kayode watered down the numbers...
If we look at this whole thing holistically,
about the two hours' work, I think 300 max.
..and got that sinking feeling.
I was worried it was a little bit too cheap. Really?
I was quite the opposite, you know.
On the other team, Daniel's urban jungle...
Best tropical rooftop in London.
..failed to hit the mark.
Logistically, it's a complete nightmare. OK.
For Jackie and Khadija, turf wars...
You need to cooperate. I have. You said 50, I said yes. Let's go.
..and dirty dealings.
Girls, I'll give you 135 and that's absolutely the best I'm doing.
I just want you out my shop now.
But in the boardroom -
their team was top of the tree.
Well, you won.
On the losing team, Sabrina drooped.
I'm not sure whether you have the experience that I'm looking for.
Tom was nearly potted.
You failed miserably.
But it was Kayode...
I don't think you have what I'm looking for.
..who was rooted out.
It is with regret, Kayode, that you're fired.
Now, nine remain to fight for the chance to become
Lord Sugar's business partner.
PHONE RINGS
4:30am.
Hello? Good morning.
Lord Sugar would like you to make your way
to the Kelvingrove Art Gallery and Museum in Glasgow.
Please pack an overnight bag.
The cars will be leaving in 30 minutes.
Guys, we're going to Glasgow!
What? Ooh!
THEY LAUGH
Are you ready to get beat this week? Yeah? What happened last week?
THEY LAUGH
I survived!
Second PM challenge where I lost, and I'm still here.
Camilla, do your best Scottish accent.
EXAGGERATED SCOTTISH ACCENT: I'm a Scottish millionaire!
SHE LAUGHS
I don't know why they'd take us to Glasgow.
It's got to be something related to Scotland, obviously.
I mean, what's the things in Scotland?
They do deep-fried chocolate bars.
They do them in Middlesbrough.
THEY LAUGH
They don't do those in London!
Glasgow.
Scotland's largest city
and a major player in the modern art market.
In the West End, and home to 22 themed galleries...
..Kelvingrove Art Gallery and Museum.
Good morning.
I'm sorry I can't be with you today, but I've been called away
on some very urgent business.
This building you're standing in is home to one of Europe's
greatest art collections.
Now, the global art market is worth a massive £47 billion,
and art dealers are an important part of this lucrative sector.
So, for your next task, I want you to sell the collections
of some up and coming contemporary artists.
You'll need to choose an artist to represent
and then sell their work at your very own gallery event tomorrow.
I've also arranged for each team to meet a corporate client
who's looking to purchase a new piece of art for their business.
The team that generates the most amount of money will win,
and on the losing team at least one of you will be fired.
Good luck, and I'll see you back in this boardroom in a few days.
Two days to make money from contemporary art.
Pick the right person to represent,
and commission on sales could see the teams cash in.
First choice...
So, does anyone here know anything about art,
have any kind of background?
..who to put in charge.
I have absolutely no experience in art.
I did an A-level in art,
but this type of art's completely different to what I did at A-level.
My dad's an artist, my sister's an artist,
so I come from the background,
even though I chose not to go down that route.
I love art, I visit art galleries.
I think I kind of understand the overall market,
so I would love to be project manager, if you'll all support me.
100%. I'm more than happy. Amazing, OK. Without a doubt.
We're now on week eight, and it's about time
that I took the reins again.
I don't want to watch somebody else making mistakes.
I want to be in charge of this one and I want to lead us to victory.
On the other team...
Not trying to oversell it, but I minored in fine art.
..framing her credentials...
I actually did a bit of post-modern impressionism.
..sponsorship consultant Jackie.
My dream job would be to be an art dealer.
I'm just going to throw it out there, I think Jackie should...
I would love to! I second that motion. Cool.
So, in terms of team split, I kind of was thinking
two people for the art meeting.
I would certainly like to get involved in the selection of the artists.
That's where I have the most value in this team.
Daniel and I will stay with the art side, if you guys can head up the client meeting.
Sarah, I think you're best placed as sub team leader,
just because of your background in corporate,
and I think that's important in terms of understanding what they're looking for. Yeah.
I was thinking, Tom, if you would like to come with me
and we will together form the art team.
And then, ladies, if you will be on the sub team,
I think, Sian, it'd be great if you were sub team leader,
just with that creativity. I think it'd make a great team.
Is it not worth splitting up the two people
with the most amount of experience in art?
It's only going to work if we work together.
You know, there's equal responsibility.
All right, guys. Let's go do this, come on.
11am.
Today, half of each team will pick out artists with potential.
So, I'm quite keen with trying to get a high margin for ourselves.
How about this - if I go in and just do the opening, and then you
can deal with the closing financials commission? Sure.
I'm happy with that.
The rest will meet a corporate client in the market to buy big.
We need to use this opportunity
to get as much information from them as possible.
Do you think that the approach needs to be different,
cos obviously they're Glaswegians?
I don't have a direct experience with Glaswegians.
I mean, a lot of people say the further up north you get,
the friendlier you are. Yeah! I'll back that up!
THEY LAUGH
Central Glasgow.
For half of each team, a choice of artists to represent.
I'm Jackie. Hi, Jackie. Nice to meet you.
First for Jackie and Daniel, line drawing artist Sophie Morgan.
So, I was paralysed when I was 18 in a car crash, and after I left
hospital I learned a technique called blind drawing,
where you close your eyes and you draw. That's amazing.
That's probably one of the most inspiring things I've ever heard.
You can certainly draw better with your eyes closed than I ever could with my eyes open.
Eyes open, yeah. No, definitely.
I think it would be easy to sell.
For a lot of people, it'll seem too minimal.
I would be tempted not to go with that. I agree.
Next up...
Nice to meet you. Hey, Daniel. Lovely to meet you.
..sculptor Solveig Einarsdottir.
How many Gummi Bears are in this?
Oh, you'd have to count!
THEY LAUGH
That's amazing. I'm really drawn to this piece.
This looks amazing.
It's inspired by nature and the parallels kind of there between.
So almost open for interpretation... Yes. ..from whoever's viewing it.
I think that's excellent. Yeah, I could certainly buy into that
myself, and I certainly see those messages coming forward also.
There is certainly a fine line between interpretation and blagging.
A fine line I'm probably treading very dangerously at the moment!
But that's art for you. It's what you've got to do.
I really liked her.
But in terms of mass appeal, I think if someone's got a house or flat,
could you really have a big structure with a duck with his arse
in the air? Do you know what? I agree.
Wow, what lovely bits of work.
First stop for the other team...
I put on paint in a way to describe what I want to say.
..oil painter Eleanor Carlingford.
There's a real deep meaning, isn't there?
To me, feelings and emotions are deep.
Focused on the figures - Jasmine and Tom.
I'd really like to get an understanding as to the price range.
This size of painting is £1,960.
OK. And these ones are 950.
OK. We were looking at around the 40-50% commission.
Is that OK? 50%?
Which half of the painting did you paint?
THEY LAUGH
OK. So I'd like to offer you 35%.
OK. I'm sure we could work with that.
That's great, good to know.
She was very stern on the commission... Yeah.
..and how she went into it on the fact that she'd done these paintings.
She'd created it. Do you think we could've pushed her to 40?
She knows what she wants. Yeah.
Next, Sophie's line drawings.
Hi, Sophie, I'm Jasmine. Hi, Jasmine.
Great to meet you. Hey, I'm Tom. Hi, Tom.
For Jasmine, a chance to take the lead.
So, is that how you would sell them, in the frames?
These are different price points,
if they're framed or if they're unframed.
OK, so what are those... And do you... Sorry. Have you...
What are those price points?
Sorry, you carry on, Jasmine. OK. Sorry.
What are the price points? Yes, what are those price points?
OK, so they range from 290 and then they go up to 350.
We would be looking... And... ..at really selling...
..on the...
..if you'd work with us on that... Yeah.
..then we will definitely work hard... On...
..to get you sold out tomorrow. And we'll speak again soon.
Thank you, hopefully see you soon. Thank you, bye.
Yeah, bit different working with Jasmine.
I did get a little bit frustrated, I must admit, when I tried to talk.
I literally had to just try and speak over her,
so she just needs to know it's a two-way thing.
I felt sometimes maybe just let me edge in there and...
Sorry, am I jumping over you, Tom? You were...
You were just... Speaking a little bit...in a good way...
Yeah, yeah. ..but you need to just to allow me in a little bit more.
OK. But next time when you go onto the numbers...
Yeah? ..I'll take over, OK? You pick up from there.
Cool. Perfect.
Team. Team. Let's go. Let's go.
Lunchtime...
Hi, I'm Khadija, nice to meet you.
I'm Gilad Tiefenbrun, I'm the managing director.
..looking to invest in art for their showroom...
So, the Linn Home is where we bring prestigious clients
from all around the world to show them what we make.
..high-end sound system brand, Linn.
People come here and imagine what it is like to have
one of our systems in their home.
So, maybe you'd like to listen to a bit of music? Oh, please!
That would be nice. I'll take a few notes.
CLASSICAL MUSIC PLAYS
Very good systems. Mmm.
Is it surround sound?
So, in terms of where we're going to put the art,
you wouldn't want anything that's going to block the view
of the wonderful sound system you've got there,
so nothing that's going to be in this space.
Have you got any objections to...
MUSIC DROWNS HER SPEECH
Let's enjoy the music!
Very nice. Have you objection...
Is it ending?
Did you have a budget in mind?
We do. So, a maximum of £4,000 across as many pieces
as you think appropriate.
What kind of artwork are you more swaying towards?
We are looking for a piece or pieces that reflect three key pillars -
innovation, provenance and experience.
Provenance and experience. Experience.
The client's brand is all about very high quality speakers.
The client was very clear about what its ethos is.
However, I am not sure the team actually grasped
any of those key messages.
It's lovely to meet you.
Yes. Pleased to meet you. See you! Bye.
Getting to grips with their corporate client...
SHE SQUEALS
..events website Itison...
We've created something really quite special.
Very innovative. Yes.
..Sabrina and Sian.
You've got some amazing pieces already but,
you know, we could really bring in a piece that jumps out.
You know, looking around, we want a statement piece somewhere
that, you know, really links to everything else,
but is also unique in itself.
I think, I mean, we're... It's a really fun, dynamic office.
Fun people, fun space.
Do you have a specific budget in mind?
If something really wowed us, we'd go up to, probably, 4,000.
It was an absolute pleasure to meet you both here today.
Thanks, guys. Looking forward to seeing what you show us. Yeah.
Sian and Sabrina saw immediately that this was a fun environment
and they really took part.
They understood what the client's looking for.
I think they built a really nice rapport.
MOBILE PHONE RINGS
Hi, guys. Hi, Jasmine. How you doing?
Yeah, we're doing really well, thank you.
How did you girls get on with the corporate client?
Great, it was great. We got some really good feedback.
The place is super cool, like, it's really, really trendy.
They just wanted us to capture the essence of their brand,
so they wanted it to be all about things being inspiring and cool.
This sounds like a brand that isn't afraid to make
an arty, creative statement.
They have a budget of four grand.
Guys, we've got to wrap this up so we've got to shoot. Yep.
But we'll bear that in mind. Thank you.
Thanks for being clear on it, OK?
All right. See you later.
MOBILE PHONE RINGS
Hi, ladies. Hey, guys.
So, we've just been to see the corporate client.
The colour theme throughout, it's quite neutral colours.
They have three pillars -
innovation, provenance and experience.
That's what they are all about.
What would your interpretation of that be?
So, innovation, that was obviously,
like, something out there... Innovative. ..being cool.
Do we know what provenance means?
I think it's like... So provenance, so provoked... I don't know.
I thought provenance was in relation to, like,
the province that you're from.
OK, so nobody knows. So, that's everything, so good luck!
Bye! Bye-bye, bye.
DANIEL ON PHONE: Oh, my God! He was like, "Oh, my God!"
I sense a bitchy comment coming on, Daniel! Oh, my God!
He was about to go in on us for a bitch.
It's their problem if they didn't listen to what we had to say.
Mmm-hmm.
Do you know how...
I mean, I love that they told us "innovation, experience, provenance"
and they don't even know what provenance means.
The fact that they needed to bring it up,
"It's important you need to know these three things."
"What's the third thing?" "Oh, I don't know."
4pm... How are you? Hi. Hello. I'm Jackie. Hi, Jackie. Hi.
..last chance for lifestyle brand owner Daniel...
Personally, I find them quite captivating.
My eye is initially drawn to this one here.
..to lay on the charm.
It almost seems quite dark and sinister from one perspective,
but then when you keep looking at it, it's got this kind
of brightness that emits from kind of the centre of the picture.
Can I ask what your personal take on this one is?
I could only reiterate what you've just said. OK.
Wow. So we're very much on the same wavelength. Absolutely.
What I'd like to propose is a 40% commission.
Agreed. Amazing. That's good.
It's a win-win. Thank you very much, take care, Eleanor.
Really good to meet you both.
So, decision time.
Well, I think the corporate client would buy pieces from Solveig.
I'm not 100% convinced they would buy them from Eleanor.
If it was just purely on sales to the public,
where would you go with it?
I think Eleanor has more appeal.
I think she'll sell more.
Cool. Let's roll. Agreed.
We wanted to go with something that will appeal to
all of the people at the event tomorrow,
so we need to take tonight to sleep on it
and figure out how exactly we're going to sell artwork
that isn't totally to brief to the corporate client.
Hey, I'm Tom. Hi, Tom. Lovely to meet you.
Solveig. Nice to meet you.
At Tom and Jasmine's last meeting...
Wow. Wow.
These are different.
It's straight to the bottom line with sculptor Solveig.
I'd be really interested to see how you price each bit of art.
This is 1,600. Yeah.
The Home Sweet Home is 1,200. Great.
The duck is 800. Yeah, that's great.
So we are looking at 35% commission.
Could be doable, yes. Thank you very much.
Thank you. Cheers, bye-bye.
My personal favourite was the line drawings.
We could easily sell a lot of those,
but it doesn't fit that corporate brief at all.
I'd feel more confident in selling the last artist's work.
We know that our corporate client would be really interested in
some of those pieces... Yeah.
..and so we've got an active audience
that's ready to shop tomorrow. Agreed.
Choosing the sculptures does mean that we are putting our eggs
all in one basket.
If we can't sell to the corporate client then,
yes, it does put me at risk, it puts my team at risk.
If there's ever a time to go big or go home,
now is that time.
Paintings picked, sculptures selected,
tomorrow - showtime.
9am...
Obviously we've got a gallery opening today.
Is this the look you are channelling? What can I say?
I mean, you just epitomise the art world.
I'm trying to blend art together... Yeah.
..into an individual. And you are that individual.
And I am that individual.
I mean, our clients are in for a treat.
Central Glasgow...
So, this is it.
..for Sarah Ann, Camilla and Khadija...
Oh!
..first peek at their paintings.
What are your thoughts?
What are your initial thoughts?
I'm trying to work them out.
It might be a bit out there.
Obviously it's very, very abstract, very modern and also very high-end.
Because it's so abstract, I am worried, because you obviously
have to look at it and kind of understand it. Yeah.
It's going to be a difficult sell for the corporate client.
I think they've maybe lost sight of the brief and they've picked
something that they like.
They've gone for a very risky choice on this front,
and I am a little bit worried, to be honest.
For the other team... Very cool!
Oh, I love the owl! There you go.
I love this!
..contemporary sculptures.
So this picture, Home Sweet Home...
Our clients will love that.
First decision of the day...
I was actually thinking that we should leave the teams
as they are.
..who will run the gift shop and who will sell the art?
Tom and I have met with the artist, we understand the back story,
and I think selling these pieces, because they're so unique,
it wouldn't make sense for us to change that at the moment.
Yeah, great. OK, cool, perfect.
So in terms of team split, I think if you guys are happy,
we will keep the teams as it is.
You're quite comfortable with the art,
and you guys are kind of good with the merchandise.
Let's sell as much as we can for as high as we can.
I think we should price below the average.
I think actually if we do well on that,
that could make us win the task.
Yeah. So let's go high.
11:30am...
We could put the kind of slightly lairy one into the corner.
Yeah, yeah. And the other big one in this one.
Yeah. I wouldn't say lairy, but, yeah.
Half an hour till selling can start.
I think in terms of the totes, around £25.
Yep, definitely. Tote, 25.
I'm thinking cushion, £45.
And T-shirts? 25 to 30.
I want to almost place the parrot in the middle there,
so that there's a natural central eyeline that goes
all the way through.
And we're going to do a washing line here so we can put
the tea towels up there.
I'll crack on and start doing some printing.
You start setting up.
Why don't we start with the tote bag? Because the...
We've got all these other products too, Sabrina, so we can't just... Yeah, sorry.
Can I just finish... I'm just going to start with this.
You just deal with the room. Right. Will do.
Do you want me to do anything here?
No. No?
No. You just keep going.
Shall we maybe just... Yeah.
Do you want to just finish off doing what you're doing?
I'll play around with this.
She does what she wants, doesn't she, Sabrina?
I said to her, you start getting the room ready.
I've not seen one product with a price on.
The room is half finished.
She's not listening to anything I've told her to do.
Midday, doors open.
Hello. Hello, everybody.
I think always let them look and then hit them up.
Teams have four hours to make money from merchandise and earn commission
from art sales.
It's very different, it's handmade, it's very unique,
it has a direct relevance.
Attempting to scoop up an early deal on her sculptures, Jasmine.
The presentation value is very high.
They're stunning.
It's an investment in contemporary art at the end of the day.
OK. Done. Shall we?
Brilliant. Amazing.
I'm delighted that one of the ice cream plaques has sold.
It's a relief, if anything else, because I was super nervous
whether any of these pieces would shift at all.
It was amazing to be able to make the first sale of the day,
so very happy about that.
Hi, there.
How you guys doing?
Trying to match paintings to punters...
So, if there's something you've got your eye on,
we can put an amber sticker on it and put it as a hold.
From Jackie, a reserved approach.
Do you like it? I do, actually.
Shall we put a reserved sticker on it?
Do you know what, we've only been open for ten minutes
and we've already reserved three paintings. Really?
I definitely would recommend jumping on it.
Jackie has got a few things on reserve and that's more
to encourage clients to show they're really doing well
and hurry up and buy.
But the truth of the matter is, until it's sold, it's not sold
and therefore they've got nothing.
If you want this one, we are more than happy to give it to you,
but you have limited time.
I'm not prepared to be rushed into buying.
Don't you worry, take your time.
In Jackie's gallery gift shop...
What prices are we looking at?
For the T-shirts, £30. Ooh!
..high prices...
Do you think a T-shirt's something you'd like?
Not today.
..low sales.
I'm wondering about the bag. How much are they?
The tote bags, £25.
SHE LAUGHS
I'll go along with it so far, you wouldn't pay £25!
Enlighten me, what price would you...
Well, something like that from Waitrose is about £5.
Ah, but place a nice piece of art on your bag,
obviously £25, then, it's an absolute bargain.
For something like that, you would pay about £5.
OK. All right.
Really enjoy your day.
Jackie said we need to price the items high.
I feel as though they're a bit too high,
that we might be out pricing ourselves from the market,
so I'm essentially losing out on sales with customers.
On the other team...
If there's anything takes your fancy, we literally can print it while you wait up here.
..manning the merchandise stand alone...
Where the hell's Sabrina?
..Sian.
This is the owl that we're representing. Uh-huh.
We've got some really beautiful and sturdy tote bags,
they're all organic cotton. Yeah.
And very machine washable as well, so they're very durable.
It's, yeah, very good.
Sabrina is very enthusiastic
but sometimes that borders over to unprofessional.
In front of £1,600 pieces of art,
she's waving tea towels and bags into people's faces.
Yes, she wants to help make the sale, but actually
she is hindering the art team, not helping them.
Sabrina, were you selling a tea towel there or the owl?
While you were busy, I was showing her some merchandise.
If you're there with a tea towel in front of a £1,600 piece of artwork,
it's just not the right look.
I agree. Sabrina, you've been a bit all over the place today.
Our roles are in here.
Let's just keep it simple - if you guys are up here, we are down there.
Perfect. Brilliant. OK. OK.
Good luck, guys. Shall we go?
2pm.
What do you think about the works of art?
Pushing the oil paintings...
It's almost a journey which for me just continually moves
and it kind of tracks through a kind of emotional kind of place.
Yeah. So, yeah.
..Daniel takes the artistic approach.
I love the contrast in colour between the kind of deeper tones,
which kind of dominate the middle almost,
but then it's got the vibrancy of the human characters coming through.
They're very challenging in the sense they invite you in,
they draw and they cause you to question,
you know, each other and yourself and your own interpretations.
I think mine and Jackie's selling styles differ in the sense
that she knows what she's talking about
and I haven't got a fucking clue.
I'm more enchanted by the colours in this one.
And also with the human character,
I think it's quite remarkable in that sense.
But the people seem to be loving it.
I'm just going to keep rolling with it.
So, are we going to go for it?
Yeah, I think...
If, if, if I can get a free bag.
Right, I need to ask my boss.
Can we get a free tote bag?
Well, because it's for Daniel, yes, of course.
There we go.
Done, excellent. Sold. Thank you very much. Thank you.
Across town...
I can do two for 30. OK. Yeah? OK, perfect.
..as merchandise sales pick up...
There you go, ladies.
Thank you so much.
..for Tom...
A bit different, I know.
I can see you raising your eyebrows.
..sculpture sales at a standstill.
Naturally, you look at this and you think,
what is going on?
Why? Where is it? You know, where's it going?
You know, where's it going to end?
And that is a similar theme throughout everything here.
So, ladies, is it something that you may be thinking
about purchasing?
Are you not keen? No.
Oh, no!
It's been a bit frustrating working with Tom today.
I just don't think he's really grasped that selling
is about being able to schmooze clients.
I don't think Tom's really done very well on that front.
You know, mixing in the sweets with the fact it says it
brings in that fun, humorous element.
I do really like it. Yeah?
I don't think I'm going to buy it today. No? No.
No? That's fine, no worries at all.
On the other team...
Take a look at our T-shirts.
We've got some T-shirts here.
As modelled by me.
..trying to maximise sales on merchandise...
We can do you a print right in front of you while you wait.
..Khadija and Camilla.
The theme is kind of identity.
We've got these two images which we're printing
on T-shirts, tote bags.
But we've also got cushion covers.
All of her pieces are sold within Glasgow and we are trying
to kind of push them as like movable art pieces.
I just wanted to have a look at those last couple of pictures and then come back. Yeah, yeah.
If you come directly and see me, my name is Khadija,
but just say K.
I don't think Camilla should be jumping in on people's sales.
I went to speak to a customer,
she went straight over and spoke to them.
Camilla's desperation to get some sales in her own name
is actually becoming a bit disruptive.
So, shall we do this in some kind of order because obviously we both
went over to talk to them at the same time?
Yeah, no, that's fine. Shall we do it like that?
It's just because I made eye contact with them first,
so it made logical sense to go over to them.
One hour till galleries close.
We've been in here a long time. Yeah.
We haven't made a lot of money. Exactly.
For project manager Jasmine, a change in strategy.
Please focus on shifting as much of that stock as you can outside.
It's not going to happen in here.
And you 100% don't want us to stay here so we can welcome the client,
we've got a strong rapport.
I don't think you will be pivotal to us selling to that corporate client.
I think it's really important that myself and Sian stay here
because we've built a strong rapport with the client.
We're confident if they come through the door, we will sell to them.
In the meantime, you guys are going to have to go out.
Sabrina has been a little bit difficult to manage today.
And Sabrina really needs to work as a team player
instead of trying to sell work that she does not understand,
and doesn't have the knowledge to be able to sell.
Hi, Jenny, I'm Jasmine.
I know you met with both Sian and Sabrina.
Sian and Sabrina aren't here?
They are, they are. They're literally just heading out.
We actually picked out this particular piece.
She's called Tutu.
Why specifically the owl?
Sian and Sabrina mentioned that you've got kind
of other sort of...
Is it wildlife or different types of birds, potentially,
that would be able to fit in quite nicely with that theme?
So you have this...
Not quite, no. Not quite.
There is a tree. There is a tree.
I think we should go over, you can put it on me if Jasmine disagrees.
I just think it would be really nice to say hello.
Jasmine's just told us she wants us to go out.
What do you want to do? We're wasting time now.
I want us to pack up and go out.
That's what Jasmine wanted us to do. OK.
OK, so, what do you see?
Is that Gummi Bears? Yeah, it is Gummi Bears.
Feel free to have a closer look if you like, Jenny.
It is fun.
If you'd led us to this one first... First.
..I'd have gone, well done.
Shall we go and have a chat about it? Yeah, let's have a quick chat.
We'll come back to you. We'll have a walk and a chat.
While corporate clients confer...
Anna, you're back! Hey. I knew you'd be back.
THEY LAUGH
..a returning customer.
I do really like it. Aw, Anna. Yeah.
So if it's still available I'd like to buy it.
It's available, Anna. Yeah. And it's yours.
Brilliant. Do you know what?
You've actually come at the perfect time because we've got a client eyeing this up.
So I'm going to be so delighted telling them this is now sold.
Across Glasgow...
Welcome to the gallery. I'm Jackie. Hi. Daniel. Lovely to meet you.
..sounding out the luxury hi-fi company...
So we are featuring Eleanor.
..Jackie pushes paintings.
All of her body of art kind of explores identity, anonymity...
How do you feel this piece of art
fits in with the ethos of the company?
I... Sorry, yeah, go on.
I kind of actually think art is a reflection of a person.
It's about interpretation -
the experience of sound is subjective.
Actually, it's the reverse of that,
because with precision-engineered music systems,
it's about taking the subjectivity away and making it objectively
a higher quality listening experience.
That's fair.
If we are imagining that where people sit and listen
to our flagship system, I'm a little concerned.
I don't think we will be buying today. OK.
The corporate client had a budget of £4,000 to spend.
This was an important piece of business.
They were not impressed at all with the artwork.
It didn't fit in properly.
They didn't buy.
5pm...
Hi. Hey, guys. How are you doing?
Have you had enough time or do you need a little bit more?
Yeah, we are just, we're going back and forth
because we really like both.
We might have some news for you
that will make that decision a little bit easier. OK.
Somebody's just bought that.
Oh, that's disappointing.
Yeah. They literally just came in and bought it. Oh.
I'm so sorry. I feel really bad now.
Our impression was that we had a choice between the two.
Yes, I'm really sorry, folks. OK.
It's also a shame Sian and Sabrina aren't here
to have met the brief fully and presented as art consultants to us.
Yeah. OK. We'll just grab them and just be two ticks.
I think it would be good to hear their perspective why this is right for us.
Yeah, absolutely, absolutely.
Hey, so, basically, the people that you met yesterday,
the corporate client, they want to get an understanding
as to kind of why you've gone with this choice.
If we just pop over here, that would be great.
They were a bit annoyed because we sold the painting
whilst they were considering it, so that's sold now,
so it's only the owl that's available to them, OK, so just be aware of that.
Hello, guys. Hi. How are you doing?
Nice to see you. I'm good. How are you doing? Good, yeah.
Really good, thanks.
We spoke with our guys yesterday and we relayed the idea of the fact
that all your pieces are meaningful and mean something.
It links to the brand.
We really like the idea of the nature linking in
with the tree, it's about growth.
You know, it's something that makes you think but it's quite trendy
and fitting with the vibe that was already in the office.
I think you have articulated better.
We'll take it. Amazing.
Fabulous. Thank you, guys.
Thank you so much. Thanks very much. Thank you. Cheers.
The corporate clients at first had said they were a bit disappointed
that we weren't there, you know,
and discussing the products with them.
Jasmine could have potentially lost that sale
but luckily I managed to close that deal.
Half an hour till galleries close.
I just think here you haven't got the footfall that you're going
to get out on the streets. Yeah, I agree.
Do you guys want to take all of this amazing merch
out into the land of Glasgow?
Yeah. Sell in bulk.
Sell as much as you can.
One last push for sales.
If you'd like to choose two for 40,
you can treat both your lovely ladies.
I could do that, yeah. No problem.
29.99 each or I could do you two for £30. Yeah?
How about the ice cream and hot dog?
Are you not keen? No.
Oh, no. They're very bland.
Go, go, go, go, go, go. Gift shop.
What your best price you can do on these tea towels?
£4. £4?!
Three for 18.
A nice, even number. OK, that's a deal.
Deal? Perfect.
We liked that. I know.
Why don't you grab two? Let's go for two!
Thank you very much.
So that is £158, then, please.
And that's a total of 150 for all 15 items.
We'd love to sell you the piece today.
Let's say we ring this up from here. Right, OK, sold. Fabulous.
Thank you so much.
Exhibitions over.
Good end to the day. I mean...
Solid.
Everybody has worked so hard.
I'm so proud of everyone.
Let's go back to London. Let's have a hug.
Come on, let's hug it out. Let's hug it out.
Oh. Hey, well done, guys.
Today didn't go as well as I thought it would go.
It was a risky move going for this artist.
Hopefully we've won.
If not, I think that there needs to be a few answers
based around that.
We actually sold a £950 painting in the last one minute.
Well done. Yeah, it was a hard sell.
Bad news is the corporate client didn't make a purchase. Oh.
He just didn't feel like the artwork really reflected
his three pillars and what the space was really going to represent.
I am so disappointed with Daniel and Jackie.
They've not managed to get anything from the corporate client.
We had £4,000 almost in the bag.
It was within touching distance.
Ugh! I'm literally in shock.
I can't believe it.
Tonight, commissions counted.
Tomorrow in the boardroom, a critical review.
You can all go through to the boardroom now.
Well, this task is all about selling art.
You set up your own gallery and, on top of that,
I've laid on a corporate client for you to sell a piece...
Well, hopefully to sell a piece of art to.
Yes. Yeah.
So I think I'll start with Collaborative.
OK?
Now, Jackie, you jumped in and you said,
"I want to be the project manager on this task."
Is that right? Very much so.
I minored in visual arts. Minored?
Yeah. And you sold a painting of your own for 20,000 or something.
Yeah, in Canadian terms.
I assume it was something typically understated
like a massive statue of yourself.
Yeah, of course. That would be... Who wouldn't want that?
Yeah.
So then you two go off and see the artists, right?
Is that right? Yeah, yeah.
Daniel and I have very similar personalities
and we both kind of discussed,
let's definitely stay away from the numbers.
Let's get to know the artists. Let's get to know the work.
And that came into play when we spoke to Solveig.
We really, really liked her art but it didn't have mass appeal.
And who did you go to next, then, after that?
Then we saw Eleanor. She's the one you ended up with, right?
She is, yeah. Yeah. I picked out a piece of art.
I gave my interpretation of it.
It turns out that's exactly how the artist intended it
to be interpreted, so I think we connected on an artistic level.
Yes, talking a load of Jackson Pollocks.
So, anyway, you go and see your corporate client
and I understand that this fellow started playing you music, yeah?
And I think you, Sarah Ann, start talking in the middle of it.
I did. I did speak, and then what I did is I kind of pulled it back
and asked him whether it was a surround-sound system,
to sort of engage with...
I think the point was you should just be quiet and admire the sound.
Of course it was.
The guy loves his product.
You're rabbiting on in the middle of his...
..of his sonata.
So then you get round to finding out what he wants.
The client in there wanted to feel relaxed.
It was quite a neutral palette throughout.
It was kind of very white...
He also mentioned the three pillars as well.
Yeah, he said it was innovation... Innovation...
..provenance and experience.
And did you understand those three bullets? We asked.
We asked for the interpretation of that... What it meant, yeah?
And they started giving us the definitions.
We were very clear in saying, do you understand?
Clear? What's clear?
We were very clear in asking, do you understand the brief?
Camilla then said, "Would you like me to summarise it back to you?"
And we said, "No, it's fine, we understand."
I think it could have been slightly more concise.
When you got there on day two, you didn't like the art, did you?
I wasn't too keen.
I didn't really like the colours and the abstract nature.
Yeah. It was too abstract.
I think we'd been quite clear on modern and content-free...
You don't think they fitted the brief of the...
I had slight concerns.
For me, I felt like they kind of went for the mass-market instead,
and it kind of ignored the corporate... Yeah, and we did.
That's absolutely what we did....
We did do that... ..and that was done on purpose. So we, we...
OK, so I'm waiting here in anticipation to hear
how well you did with the corporate guy, then, when he came.
Not well. Made sales of £80 to them.
Yeah, he had £4,000, right?
And you sold him nothing.
Yeah, relatively, given the circumstances, happy with that...
I hear you turned up there in a different kind of mode
and you had changed your hairstyle...
I didn't recognise you.
When you were talking about the wonderful brushstrokes,
some people might have been thinking they were talking about your hair.
Potentially, but I think it went down well. Yeah, all right.
Erm...
Let's move on now.
Jasmine, you love art, is that right?
I appreciate fine art but I was also aware of the business side
of this in terms of generating commission through sales,
so I put myself forward for the challenge. Right.
Tom, your sister and father are professional artists, is that right?
Yeah, my dad does it as a career.
My sister more of a hobby, it takes most of...
So you must have a bit of an insight into it, then?
A little bit. And, Sian, you studied art?
Is that right? Yeah. Yeah, I did, yeah.
So we've got quite a strong team here, quite an arty team.
And, Sabrina, your idea of dealing in art
is putting a photo of dinner on Instagram.
Is that right?
I have a new well-earned perspective of art after the task.
So, tell me, what did you do?
I decided that Tom and I would be in the art team
to go and visit artists.
So your first visit was to whom?
Eleanor.
Eleanor. Eleanor, yeah.
Me and Jasmine brainstormed on the way to the artist,
and I've got to be honest, Jasmine, the problem that I find when I work
with you, more than anyone that I've worked with,
is you'll say one thing... Mm-hmm.
..and when we go into a situation, that gets scrapped.
I felt that we had a clear strategy that we would...
Of the 15 minutes, we would spend... But we didn't.
We would spend five minutes talking about the art... Yeah.
..and then five minutes on the artist
and then five minutes on the pricing.
That's what we agreed, but it didn't happen, did it?
And there were many times where I tried to lead into that.
You asked for 50% commission, didn't you?
40 to 50%.
She asked which 50% of the paintings you did.
Yeah, I knew she'd veer more toward the 40,
and then we got 35, 5% less than that.
But looking at you, I'm looking at Damien Worst -
never mind Damien Hirst.
Anyway, you then spoke to your other team
in order to glean from them what the corporate client wanted.
So we said that we were looking for something very creative,
something out there but also a discovery theme within it.
So that led you to choose Solveig, then. Yes.
All right, good.
Day two, the corporate client came along, then, right?
Yeah. We took them straight to the star piece
that we, in our minds... Which was what?
The glittery owl.
And I think they liked the piece but they wanted to feel
a little bit more looked after, and as we really cared about them...
I agree and I 100... They wanted to see...
They wanted us to be there to be speaking to them... Yeah.
..and explain how we got from their brief to this. Yeah.
Can I just say, Lord Sugar, that the day two for me
has been the hardest day that I've had,
and I'm sorry to say, Sabrina, but it was really difficult
working with you because you just didn't listen to anything
that I told you to do. It was...
If I hadn't have stood up and gone against what you said about leaving
the premises, Sian, you wouldn't have made that big sale
at the end of the day. At the very beginning...
Please don't take credit for the sale that I made at the end
of the day, because you did the same thing... I'm not taking the sale,
No, but she's made a very good point. If you did leave
the premises, you wouldn't have been able to make the sale.
I appreciate that part, but it's really difficult to work
with someone who constantly tries to give an opposition.
Yeah, I was... As project manager, I felt the same,
that it was frustrating, cos I felt as if when a decision was made,
you would come in with an opposing view, not just to myself
but to the general consensus of the team. OK, OK.
Home Sweet Home... Mm-hmm.
..and the... And the owl, yeah? Mm-hmm.
This is what you were offering the corporate guy initially, OK?
That's right, yes. He wanted to choose. He then says...
He then says to you, "OK, let me think about it for a few minutes."
Yeah. Yeah?
At which point you sold the Home Sweet Home.
Yeah, it was a genuine blunder.
The last conversation I had with the client
that they had discounted the idea of having Home Sweet Home...
OK. I genuinely believed that.
Anyway, all right, let's find out how much commission we made, yeah?
So, Karren...
So, looking at their commission from the art
and from merchandising sales, Typhoon made a total of £1,325.49.
Right, yeah, OK. Claude?
Well, Collaborative failed to impress the corporate buyer,
but they did incredibly well selling to the public,
so, adding commissions from artwork to their merchandise,
they managed to sell a wonderful total of £3,499.76.
What a commission.
Commission. Wow.
Well, very good.
So you've mastered this task and got it down to a fine art,
but now you need to draw on your own artistic skills.
You're going to be joining the chef Domenico Crolla
to create portraits on pizza.
Oh, fun.
Good luck and I'll see you all on the next task. Thank you.
OK.
Hey!
Oh, guys!
Well done.
I get the feeling you saw that coming, yeah? Yeah.
So go off and talk amongst yourselves, because when you come
back here I've got to decide which one of you
is leaving the process, OK? Off you go.
Ciao. Como esta?
How's this for a pizzagenic fellow?
Oh, my goodness! Oh, my God!
He's a bit cheesy, isn't he?
I found this task quite frustrating, working with Camilla.
She was trying to steal sales.
For me, that's just not professional.
I need nostrils, big nostrils.
Is that for me?
You cheeky little mare!
I think Khadija is playing a very, very dangerous game
and her true colours are on the cusp of being discovered.
I've got a feeling someone's going to get fired.
I think the face shape is there,
but, most importantly, the quiff.
The quiff!
I'm definitely the top salesman in this process.
My track record speaks for itself. I've shown a lot already.
There's definitely more still to come, though.
So, on to the next. Congratulations!
Salud!
I did feel that, Tom, you and I did really clash.
A lot of people, again, being honest with you,
have a problem working with you through past tasks...
Yeah. ..cos you try and dominate situations.
Yeah, I do dominate because I will go in and if I see something
is failing, then I will try to fix it...
And that was counter-productive for this whole task.
..instead of standing back. ..and why we lost. No, it wasn't, Tom.
For me there's one person that should be fired and that is Jasmine.
I knew that, through the way the task was managed and dealt with,
that it wasn't really setting us up for a win.
We were in charge of selling merchandise. Yeah.
Sabrina was too busy in your area...
Yeah, but I've made a lot more sales than you did.
But, Sabrina, I did 90% of the printing.
I'm really annoyed with Sabrina.
She never takes ownership of any thing she's ever done wrong.
She's very calculated. She knows what she's doing
and I think she definitely needs to go today.
You didn't listen to me. You didn't listen to Sian.
It's quite tough working with you and you're not a team player.
I'm not expecting to get a glowing report as a project manager
but, at the end of the day, I am not ready to go home yet
and I'm going to be putting up a fight in that boardroom.
PHONE RINGS
Can you send the candidates in, please?
Well, you've had some time to talk amongst yourselves.
You selected art,
it seems to me, to be targeted at your corporate client only...
Mm-hmm. ..and with no thought whatsoever
for other customers, right?
So, Lord Sugar, for me, that was really based on two factors.
The fact that we knew we had somebody coming to the gallery
with a budget and they were looking for a specific kind of art,
was not something that I was willing to just discount
for the local general public,
of which I didn't know what their taste in art would be.
I agree with Jasmine. And the second reason was that when we had the call
with the subteam at the end of the day to say,
"Are you telling me that this client that has a budget of £4,000,
"if we were to pick the right pieces,
"that they would be willing to spend that budget?"
I got an absolute unequivocal yes.
But I was the one who persuaded the team, for myself and Sian
to be there to actually speak to the corporate client.
And the reason why we got slated in the last task was because Tom
wasn't there for the corporate client.
Yeah, so you wanted the two people who built the rapport to leave.
I understand that, Sabrina...
But we did still sell to the corporate client.
Yeah, we did still sell, so that's not what we're discussing.
Sabrina, did you feel that you wanted to get involved
in trying to sell the art also? Erm, looking back, the...
Cos you told me earlier on
that you don't know your art from your elbow.
I feel like if you can sell, you can sell anything.
In terms of the tea towel, it was a mistake
bringing the tea towel onto the main floor.
On day two, I was asking you to make sure the place was finished.
I asked you to put prices on things. You didn't do either of those.
You were the one who said you were going to put prices on things.
Not me. I didn't say I was going to put prices on things. We had spells
where there was nobody around, so I was cracking on with the printing.
I have no idea what you were doing. I was tidying up and making sure the shop was ready.
It's not like I took a backseat and wasn't doing anything.
That's not my style. Sabrina, the problem with you is, though,
you always want to take credit for when things go right but when things go wrong it's never your fault.
I'm more than happy to take credit for when things go wrong... No, you're not.
But if you feel that the decision isn't correct
and you feel like it's not right, then I spoke up. You...
You actually put all of the stuff into the box ready to go and I said,
"Sian, you cannot go." Cos I listen to what people tell me to do
in certain situations.
I hadn't worked with Sabrina until three tasks ago,
and I really struggled.
I also struggled with you, working with you, Jasmine.
Everybody struggles with you, Sabrina.
You're saying that people don't, you know, work well with Sabrina,
but, Jasmine, that's been a re-occurring thing with you.
No, Tom, you're making it personal today. It has been.
Can you let me finish, please? That's not the truth.
We are here to discuss what our honest opinion is. Yeah, yeah.
But the thing is you're not a team player when it comes down to it.
You'll say something and it sounds great... OK, OK.
When you get in a situation, you switch things up and it frustrates people.
That's the exact feeling I have about Sabrina.
OK, Tom had that in-depth knowledge of the back story of the art
and the artist, and that's why I thought it would be good for him
to stay on the art team, and I hoped that you would be able
to use that to be able to sell to the public.
Tom had the background from his family
and I felt that he would be better at selling the art...
But that's got nothing to do with sales.
It's to do with the fact that my family is into art.
The reason that you chose... But you said your dad
sells it at exhibitions. You have experience of exhibitions.
Which is nothing to do with me. No, no, I didn't.
Yeah, but I've never been to an exhibition before.
And the reason that Jasmine chose me is because,
on past tasks, no matter what we've been selling, I've sold it well.
You didn't sell anything on this one.
I've adapted and, no, I didn't... Tom, the reason I chose you...
Because I was with Jasmine and that was my problem from the beginning.
Well, I mean, the only thing you drew on this thing was a blank.
I mean, you didn't sell anything, right?
You were a work of art yourself.
Unfortunately, it was still-life.
Anyway, Jasmine, pick two people
you're bringing back into this boardroom.
I think, Lord Sugar, that I stand by the product that we chose...
Just give me an answer.
Tom and Sabrina.
All right. Sian, go back to the house.
Thank you.
OK, you three people go outside.
I'm going to talk to Karren and Claude,
and we are going to decide
who is going to be staying in this process, OK?
Off you go.
What is it about Sabrina? What is it?
I mean, why does she wind everybody up?
I think she's very enthusiastic
but sometimes that just boils over into annoying.
I think she's quite immature in her approach and she thinks
that she wants to do everything and that's going to help her
to win the task, and working as a team
is not something that's come easy to her.
And what it is about Jasmine, then?
There's that thing called entrepreneurial spirit.
Us three have it, we know what it is.
It's about working a business, finding an opportunity, adapting.
She is very corporate,
and that doesn't always suit itself to every task.
And Tom is lucky still to be here, I think.
I don't know whether he's past his sell by date or not, really.
It's not that he is not intelligent, or perhaps hasn't got
a good business brain, but I just feel, in this process,
he hasn't really made the most of it.
In this particular task, he did have the opportunity.
After all, his father is an artist, his sister does art.
We thought he would have brought more to the party
than it would appear that he has.
PHONE RINGS
Could you send the three of them in, please?
I believe that all of you
have been in this position three times, is that right?
Correct. That's right, Lord Sugar.
Doesn't say much, does it?
Jasmine, when I look at your CV,
you say your best business skills
is to simplify the complex.
Mm-hm.
What do you mean by simplify the complex?
I work in training and development, Lord Sugar,
for corporate businesses, and it could be systems training, etc,
and it's really about being able to on a high level
communicate what the overall message is,
and then go into the detail when people need that.
Very corporate. Very corporate, your demeanour.
Suited for working in a large company,
like you do, actually.
And the one that I plan...
..would like to set up with you, Lord Sugar.
Sabrina, you say here that you're struggling
when you're not in control, often takes on too much
as well as not being able to delegate.
I do love doing stuff.
I can't sit still for one minute,
and I'm constantly trying new things and trying to do different things.
Being young and enthusiastic is great,
but boiling over is difficult.
You mentioned me being young, yes, but I've been doing what I'm doing
for seven years, and actually leading...
Seven years? Did you have a national insurance number at 15?
I doubt it. Tom.
Yes. Last week, I decided that I'd let you stay in
because, you know, you are a businessman,
you've got a business.
And then this week, no sales at all.
What have you got to say about that?
Yeah, I think that this process is an opportunity
for me to show you all the skills that I have learned,
and that I can do stuff in a short time and learn new things.
But you're not proving anything to me, Tom.
You were that close to going last week,
and look what you've done this week, nothing.
Ultimately, I have not performed well in some tasks,
and I have on others.
I'm not going to lie to you, I'm accepting that.
To quote Andy Warhol,
he said everybody gets 15 minutes of glory.
I think you're on your 14th minute.
I'm someone that people can work with,
that everyone has worked with well in this process,
and Jasmine unfortunately isn't that.
Lord Sugar, I have come into this process
and consistently tried to prove to you that I will step up
when others don't want to.
I'm not somebody who's failed to win a task in my area
of specialism that I'm claiming to start a business with you with,
which is not what I can say for either Sabrina or Tom.
They both failed in the tasks that were tailor-made for them.
Not at all, Jasmine, actually.
With the sports event, with the body power and the gardening task.
I'm in tennis events, and sports is completely different.
And also, you've lost twice as project manager,
and your business plan is about training,
and you clearly can't cope with handling a team.
My business plan, Lord Sugar, is about consumer technology,
and it's about creating an app which I hope will become...
This is you, you can't get a word in, this is you.
It is, and it's frustrating...
I'm just answering the question.
A business is about bringing people together
and working as a unit in a process. That's not what you do.
A business is also about making money, Tom,
which isn't what you've done. Yeah, and it is what I've done.
Unlike you, I've created my business already
and I've proven that I can do that. OK.
Tom, yes, you've got a business, but what I can't ignore
is that you keep losing.
Ultimately, this process for me isn't a learning curve,
and I'm not here to take your money
and see if an idea in my head works out.
I've already done that.
I've sold my house so that I could use every penny
to make my business work.
I've created a company that my family can live off already,
and that isn't enough for me.
I'm obsessed with whatever I'm doing, I'm hungry for success,
and that's what I'm here to prove to you.
I've won three in a row and I've lost the past two.
The three that I did win...
Anyway, I'm going to summarise now, so I don't want any interruptions.
Jasmine, I think you're very corporate in the way you speak,
and the way you operate.
You claim to advise people how to conduct themselves in business,
and I think you should look at some of your own advice
from time to time.
Sabrina, people find you difficult to work with,
and I can't have a business partner that doesn't work with anybody
and listen to anybody.
Big risk for me, yeah.
And Tom, losing again.
Losing again, no sales.
You know...
I've got to make a decision today.
Erm...
Tom, I think, you know...
Because you've lost on the last two occasions,
you know, I have to say that it is...
It's given me a lot of concern.
Jasmine...
Bad choice of product, if you ask me.
You say all is fair in love and war, and business is a war.
Well...
..you've lost this war.
You're fired.
Thank you, Lord Sugar. Thank you.
Tom...
..you have saved yourself one more time.
One more time.
I know I might be nuts.
No, I'll prove to you...
No, just be quiet at the moment.
I know I might be nuts, but I'm telling you right now,
this is the last chance for you now.
The absolute last chance.
Do you understand me? Totally understand. Right.
You piped up just at the right time, to be honest, right,
because you were that close to going out that door there.
Young lady, go back to the house, you go back to the house also, OK?
Sorry.
No worries. I'm sure it's genuine.
Good luck, Tom.
It has been the most incredible experience.
Lord Sugar will continue to be my business hero,
and I will really regret not having that opportunity
to work with him.
I'd say that's probably one of the worst ones that I've been in.
It looked bad going in. Yeah.
So I do worry for Tom, and he's coming off the back of a loss
last week as well, so I do think he's on Lord Sugar's radar.
You guys, you guys...
Oh!
Come here.
That was the worst one I've been in.
That was absolutely brutal.
Like, literally I do not want to be in that situation again.
To be honest, I always thought you were going to come back,
but a bit of me was looking forward to being the only man in the house
with all these girls!
Now, eight candidates remain.
Lord Sugar's search for his next business partner continues.
Next time...
I've arranged for you to sell live
on one of the leading shopping channels tonight.
Oh, shit.
Your mic is live.
Lights...
Look how white my teeth are.
Smile, Daniel. Keep smiling.
..camera...
This is self-inflating.
It's not self-inflating.
This is the product that's going to revolutionise the future.
..and in the boardroom...
You had all the charm of a debt collector.
..action...
You're fired.