Motherfucking cocksucker. Motherfucking shit fucker!
What am I doing? What am I doing?
I don't know what I'm doing. I'm doing the best that I can.
I know that's all I can ask of myself.
But is that good enough? Is my work doing any good?
Is anybody paying attention? Is it hopeless to try and change things?
The African guy's a sign, right? Because if he isn't...
then nothing in this world makes any sense to me.
I'm fucked. Maybe I should quit. Don't quit.
Maybe I should just fucking quit. Don't fucking quit.
I don't know what the fuck I'm supposed to fucking do anymore.
Fucker. Fuck! Shit!
I'm glad we saved a piece of this marsh.
I know it's small, but at least it's something.
Don't stop fighting.
We're going to save a lot more of this place.
To celebrate, I have a poem I'd like to read.
"Nobody sits like this rock sits.
"You rock, rock. The rock just sits and is.
You show us how to just sit here, and that's what we need."
Yeah, we did it.
- Any press come? - Yeah, local paper's here. What's wrong?
Nothing. It's just I have an appointment to check out this African guy.
- What African guy? - Exactly. What African guy?
Come on.
Hello. Albert Markovski. I have a 1::00 appointment.
Sorry, I'm late. This place is like a maze.
Have a seat. We'll be right with you.
Why don't you just tell me what your situation is.
Look, I'm not really sure I know exactly what you guys do here, all right?
Well, we, uh... We'll investigate and solve your case.
- How? - If you sign a contract, we'll follow you.
- You'll spy? - Yes.
- On me? - Yes.
- Will you be spying on me in the bathroom? - Yes.
- In the bathroom? - Yes.
- Why? - There's nothing too small.
You know when police find the slightest bit of D.N.A. And build a case?
If we might see you... you floss or masturbate...
that could be the key to your entire reality.
- So I'm hiring you to spy on me. - That's right.
So we can figure out your situation and resolve your crisis.
In addition, my associate will approach your case from a different angle.
What do you mean a different angle? What does that mean?
Regarding your perception of reality. He'll tell you about that.
- Who sent you here? - Nobody. I found your card.
- Where? - In some fancy restaurant that I'd never been to before.
I didn't have the proper attire. So they let me borrow a suitjacket.
I reached into my pocket, and there was your card.
The weird thing is I always have a jacket.
- But not that day? - No.
- Brad Stand. - Hey.
- Kind of a coincidence. - Yes, exactly. My case is a coincidence.
- About the restaurant and thejacket? - No, no. That-That's...
I'm talking about a big coincidence. It involves one man.
It's a three-parter. Okay. Ready?
First part.
I went to a place called Schottinger's photo archives.
I was there getting stills of early Bob Dylan.
In comes this tall African guy. He's like 18 years old or something.
You know, he's in there getting photos of Morris Chestnut...
Shaquille O'Neal, Jim Carrey.
He's an autograph hound. Kind of guy likes to get...
glossies of famous people and get them signed.
Two weeks later, I see the same African guy.
He's working as a doorman at my friend's building.
Oh, my God!
- Who's your friend? - Jay Wendorff. But it's not his apartment.
- It's his girlfriend's. - What's her name?
Uh, Kelly. Kelly Coulter. So, okay, that's two.
One time at Schottinger's photo archive...
second time as the doorman.
Third, I see this man, he's in a van at the mall.
- What are you doing at the mall? - I'm working.
I'm making a statement for the open spaces.
Yeah, he's back. You crazy bastard.
You don't plant no tree in this parking lot!
I gotta come take that tree, remove it and let traffic through.
You'rejust creatin' more work for me.
- They're not always meaningful. - Yeah, it's meaningful.
- Meaningful how? - That's what I want you to find out.
- About your life. - Yeah, about my life.
And about the whole thing. About the universe, you know? The big one.
I mean, should I keep doing what I'm doing? Is it hopeless?
Mr. Markovski, we see a lot of people in here...
who claim they want to know the ultimate truth about reality.
They want to peer under the surface at the big everything...
but this can be a very painful process full of surprises.
It can dismantle the world as you know it.
That's why most people prefer to remain on the surface of things.
Maybe you should go home. Let sleeping dogs lie.
Take it easy. What do you say?
I say don't give me the brush-off. Please.
I want to know. This is big.
- Have you ever transcended space and time? - Yes. No.
Uh, time not space. No, I don't know what you're talking about.
I take it you don't make very much money, Mr. Markovski.
Is that gonna be a problem? Are you expensive, what you do?
We have a sliding scale. Some of our clients pay $30 a week.
Some of our wealthy clients pay several thousand a week.
I can't believe you guys actually exist. How long have you been doing this?
- Seventeen years, 352 cases. - That's crazy.
I'm gonna have to ask you to please steer clear of my office...
because my work situation is a little shaky, all right?
You want us to stay away from your job?
Yeah. If you come snooping around my office...
it could make me look unstable and it could hurt me.
I want you to meet my colleague.
- Bernard? - Uh-huh.
- This is Mr. Markovski. - Hi.
- He's going to have to be pro bono. - Okay. Sounds good.
Thank you very much for taking on my case.
- Oh, you're welcome. You're welcome. - Hold on.
- He hasn't signed a contract. - Let's do this and then we'll get to the contract.
- It's too much too soon. - It's always too much too soon. That's the nature of the beast.
- Approach, patience, finesse. - Will you stop?
- Come on. - We need to start with his specifics, Bernard.
We need to go past logic though. Come on. Let's go.
- Give me a kiss. Come on. - Okay.
Will you tell me where we're having dinner tonight?
- Korean barbecue. - Really?
Okay, let's get started.
Is this part of my investigation?
Yes. Say this blanket represents all the matter and energy in the universe, okay?
You, me, everything.
Nothing has been left out, all right? All the particles, everything.
- What's outside this blanket? - More blankets. That's the point.
- Blanket's everything. - Exactly. This is everything.
Let's just say that this is me, all right?
And I'm, what, 60-odd years old and I'm wearing a gray suit.
Blah, blah, blah. And let's say over here, this is you.
And, you're... I don't know, you're 21. You got dark hair, etc.
And over here, this is Vivian, my wife and colleague.
Then over here, this is the Eiffel tower, right? It's Paris.
And this is a war. And this is, uh, a museum.
And this is a disease. And this is an orgasm.
And this is a hamburger.
- Everything is the same even if it's different. - Exactly.
But our everyday mind forgets this. We think everything is separate.
Limited. I'm over here. You're over there. Which is true.
But it's not the whole truth because we're all connected.
Because we... are connected.
- Sure. Sure. Sure. Sure. - Okay?
- Yeah. - All right, now, we need to learn...
how to see the blanket truth all the time.
Right in the everyday stuff. And that's what this is for.
- Why? - Why what?
Why do I need to learn how to see the blanket thing all the time in the everyday stuff?
You wouldn't want to miss out on the big picture, would you?
- Uh-uh. - That's partly why you're here, right?
And this is it. I'm talking about it right now.
It will take a while for you to get it, you know?
But... it will help you.
- How? - When you get the blanket thing you can relax...
because everything you could ever want or be, you already have and are.
- That sound pretty good? - That sounds very good.
- All right, get in. - You want me to get in?
- So, get in here? - Yeah.
- What's going to happen to me in there? - Oh, hey, you're gonna see.
You'll find out.
The purpose of this suit, Mr. Markovski, is to help shut down...
your everyday perceptions and give up your usual identity...
that you think separates you from everything.
This room, this street...
this town, this country, this economy...
this history, this planet.
Your body, your senses, yourjob.
Everything that you identify with.
Hey, man. How's it going? You're an asshole.
We will fucking destroy you, deary.
Got Shaquille O'Neal. I like Shaq.
Hey.
- Brad Stand. - Hey, how are you?
So what's the Open Spaces take on that?
Well, I think you guys can definitely rebuild in areas...
that are already run-down instead of tearing up new land.
- New land. New land. - We're open to that.
That's who we are at Open Spaces. We can't throw that away.
We're not asking you to throw that away. I'm not gonna bullshit you, right?
Part of this is we took a beating in the press for all our growth.
Opening so many stores in such a short time.
So if we work with you and your Open Spaces Coalition...
is that gonna help the Huckabees image?
Yes. Does it help me? Yes.
Do I benefit from getting some great P.R. For Huckabees when we need it? Absolutely.
But do I care about saving the open spaces? Yes, I do.
Don't look at me. What's wrong with you?
Beat it, you little pussy.
- What's wrong with you? - Pussy. - You're an asshole.
- How are you? Okay? You doing okay?
I thought you said that was going to relax me.
Eventually, but you have to practice at home. Okay?
You got a lot of layers in there, don't you? Huh? All right?
- Yeah. - Okay.
How am I supposed to practice at home? I don't have one of these.
It doesn't matter. What you can do... It...
Just use an eye mask or shut your eyes, okay?
Oh.
Um, hi. What should I be doing?
Whatever you normally do.
I wanted to thank you for what you did with the oak tree.
I played in that tree when I was little. I thought we had a chance...
but they chopped it to pieces.
Hi. I have some questions...
about power lines over the playground where my daughter goes to school.
Please call me. I'm Marjorie at 96...
- Hey, we got to talk, man. - Hey, what's going on? Where is everybody?
- Brad moved the meeting. - He what?
- To Huckabees corporate. - Listen. Okay. I want you to do this.
I want you to get me the national office on the phone right now.
Call Orrin Spence and tell him that Brad is trying to hijack my coalition.
- This should've gone to the other chapter a week ago. - I want those flyers...
- outta the parking lot. - It's a free country. The poems work.
- Oh, you are pissing people off. - Oh, no, I'm not.
- Yeah, you really are. You're pissing people... - No, I'm not.
If my poems had gone out with the Shania mailing, it'd be a different story.
You know what? You're not leading this coalition anymore.
- I am the coalition. I wrote the charter. - Uh-huh. Not for long.
- Tell him it's important. - I'm not going to any meeting at Huckabees.
- I can't get 'em. - Can you just keep trying? Just keep trying.
Orrin Spence. Brad cannot do this to us, all right?
- How can she get you out of the charter, man? - She can't!
This is my work situation, the one I was telling you about. It's a little...
I'll describe it later to you if we could just...
- Don't worry, Albert. We're gonna knock that meeting on its ass. - Copy these and get these out.
You're fighting suburban sprawl and this fellow, Brad Stand, and you have had a falling out.
Remember, I told you not to come by my work?
Oh, yes, I remember. Now, tell me, did the coalition inspire the poetry?
- Or did the poetry inspire the coalition? - This is looking weird.
- Can we schedule a time when you can come by? - This thread of your...
This has nothing to do with my coincidence. My coincidence has to do with an African man.
Viv! Viv! Mr. Corn is having a crisis. You better talk to him. Mr. Corn, crisis.
- Tommy, what is it? - I got a serious situation here.
- Tell me what's happening. - She wants to talk about my work situation.
- I want to know about my coincidences. - What's happening now?
This is what's happening now. She's spying...
- Talking about the blanket. - I don't want to do the blanket right now.
Like this.
Wait a minute. Whoa. What's going on?
I need facts, Bernard, to piece together a theory.
No time for infinity? Gotta piece together a theory?
- This isn't cool. - What? What?
Listen, you go visit Mr. Corn. His wife is leaving him.
I think I've got a really hot lead, Bernard.
Albert, the universe is an infinite sphere whose center is everywhere...
and whose circumference is nowhere.
Well, how can the center be everywhere if...
- She just dove into the back of Angela's car. - You gotta keep using the method.
I gotta check on... on, uh, Mr. Corn right now, okay?
That method works. Don't forget to use it, all right?
Mmm. Mmm! Mm.
Jimbo, everything on this lawn goes.
The microwave, the coffee grinder.
Baby! Baby, come on.
Don't do this, please.
Hey, don't do this.
- You don't need anyone. - That's not true. I need you guys.
If nothing matters, how can I matter?
I don't know if nothingness matters or somethingness matters.
I'm trying to figure that out and I want you to help me.
Somethingness, nothingness. You know what?
L-l-l... You figure it out. Let go! Let go of me!
Okay, uh, hold on now. Tell me what happened. Okay?
She won't stay and share this with me.
- T-Tell me what that is. - It's important to me. I see it so clearly.
- Yeah? - You use petroleum, you're a murderer. That's a fact.
- Yes, yes, yes. - Murderer. A murderer?
One... killin' the ozone and all the creatures that it's hurting?
- Calm down. - Two... killing Arabs in oil- producing dictatorships...
where everybody is poor... that is cruelty and it's inhumane.
- You've talked to me about this. - So if this world is temporary...
- Yeah. - Identity is an illusion...
- Yeah. - Then everything is meaningless and it doesn't matter if you...
- No. It... - That's got me very confused.
No, it matters. It matters. It matters. Look, Tommy.
See, this is the universe. And that's our galaxy over here.
- What universe? - What universe? This. Tommy, come on.
Come on. There's dust and gas there.
- Yeah? - There's us over here...
and good and bad luck in the middle.
- That's chaos. That's my "B." - This doesn't sound like you.
- No, Vauban talks about space. - Where'd you get that book?
- You sent it to me. - No, no. We would never give you this book.
- You didn't send this? - Caterine Vauban's full of shit. What is she doing here?
God, she never leaves Paris. This is insane.
- This is a pretty good book. You should read this. - What?
She says nothing's connected, doesn't matter what you do...
you can drive a car, you can burn up gas...
- Yeah? - Which would explain the way things actually are...
where people do destructive things like it doesn't matter.
Tommy, Tommy, everything is connected and everything matters.
There's not an atom in our bodies...
that has not been forged in the furnace of the sun.
- Now, isn't that cool? Huh? - Yes.
- That's a cool thing, isn't it? - But...
But what? You tell me where she contradicts that.
- Oh, right here. - Where? Where?
- There... - Where?
"Less than 5% of the cosmos is composed of the same elements that compose human life."
- You know... - There you go. That means we're all alone...
and we're miserable and isolated.
Molly, if you... Listen. If you...
If you leave him before he gets done dismantling...
he will never make it to the other side, okay?
You know what? I'm done with the dismantling.
- You don't want to ask these questions? - No! I want to live my life!
What is that life, baby? What are we part of? Who are we?
Look at this. Do you know where these come from?
- Yeah, my closet. - Indonesia.
- The store. - Baby, this is the truth, okay?
Little girls like you, they have to work in dark factories...
where they go blind for $1.60 a month just to make Mommy her pretty shoes.
- Can you imagine that, Caitlin? - I don't want the children to work in factories!
Don't listen, honey. Daddy is crazy.
Daddy's not crazy, baby. The world is crazy.
- It's important to ask questions. - Don't let them go blind!
Mommy doesn't ask 'cause Mommy doesn't care.
- Don't stop asking questions, baby. - Damn you!
- How dare you! - Skippy, put her in the car, will ya?
- "Less than 5% of the cosmos... - Give me the teddy!
Is composed of the same elements that compose human life."
- What does that matter? - You should be asking these questions, Skip.
Guys, give him a break. His therapist is down here to help him out.
Excuse me. What did you call me?
- You're his therapist? - No, I'm... not his therapist.
We need to talk 'cause this book is making a lot of sense to me and I want...
And what is Caterine Vauban doing in the United States?
What the hell are you talking about?
No, no, wait. This is really good.
You think that's funny? I got a story for you.
- It's only four months old. - Wait. Wait. Listen. Listen. Listen to the master, all right?
I'm with Shania. We're opening a megastore down by the loop.
Shania's there promoting her apparel, right?
It's 4:00 and she's starving. So I order a ton of tuna fish sandwiches, no mayo.
Stop it!
Tick, tick, tick, tick, tick.
Shania hates mayo, all right? And she can't eat chicken salad.
That's no joke, all right? We gave it to her once, she threw up in the limo.
- She's vomiting all over the limo. - The lady hates chicken salad.
So I bring out a bunch of tuna fish sandwiches. She still doesn't believe me.
I say, "Shania, I'm allergic to mayo."
- Which, by the way, is a lie. - He loves mayo! He loves it.
Shania still doesn't believe me so I eat two of the sandwiches in front of her to prove it.
So she eats one and a half sandwiches. One and a half sandwiches...
before she realizes... it's chicken salad.
- And she actually likes it. - She did not vomit.
He made her change her mind. And that's what they want upstairs in corporate, okay?
Excuse me? Can I help you?
- Shh. Shh. Shh. - Excuse me?
Yes, I'm here for the Open Spaces meeting with Brad Stand.
Okay, well, then you are in the wrong area entirely. Come on.
- I'll show you where to go. - You're very, very helpful. Thanks a lot.
There's no reason for you to be up here. This is an executive private floor.
It's for... Come on. Let's pick it up. Heel to toe.
Unless you're an executive or an executive's assistant...
or someone who is a...
No. No, ma'am. Shania has no song for you. Let's move it along this way.
You're supposed to be on another floor. Security is very tight in this building.
Or at least I thought it was very tight in this building.
Of course, every now and then we get somebody...
who gets off on the wrong floor.
And then people flitting about...
At Huckabees, the everything store.
Let me try that one more time.
L... l... Okay.
Tops and mops. 50% off all women's shirts and hair products.
This week only. At Huckabees, the everything store.
Uh, Dawn, can we do it one more time?
I think we can do it better.
- I suck, Daryl. I really sucked. - You're doing great, Dawn.
- I can't do this. I can't do it. - Don't give me that face.
I don't know what's wrong with me.
Your voice is the trademark voice of Huckabees.
Oh, there she is! You're one sneaky lady.
I was almost in the elevators. We're going now.
Let's move it along. There we go. I'll show you where you need to go.
Moved my meeting to the Huckabees corporation.
I saved this rock. I'm going to save this place.
They're not gonna save this place.
Rat-fucking-bastard Brad Stand.
Corporate prick bastard. Oh, motherfucking dickhead.
"Betrayed" by Albert Markovski.
Is it possible for anybody in this world to work together to make it better?
I don't think so.
It was Albert's vision. This whole thing was Albert's vision.
- Tell me about Brad. - Albert let him in, which was a mistake.
- Fuck! - He has been enormously helpful...
He dropped Albert's poems from the benefit. And the mailing.
Settle down. Someone tell me about the woods and the marsh.
MaryJane, this is your story. Why don't you do it?
My great grandfather owned the woods and the marsh.
We deeded them over to the municipality in 1972.
In perpetuity for the public.
- Tell me why. - We just wanted to share this beautiful place.
And now the town is looking at subclauses.
- All of the sudden wants yet another mall...
and houses on this beautiful marsh.
- So we're fighting it. - We are fighting it.
- We have to save the marsh. - Sorry I'm late, guys.
I got the photo of the wetlands right here!
It looks beautiful!
Here's the marsh and woods we're going to save.
This photo says good times and peace.
Shania's right here. No silly poetry.
Let the beauty speak for itself.
This is where the littlejack-in-the-pulpits live.
An image is always better. You've gotta reach people quick.
They don't understand poems. They don't want to hear poems. They have no time for them.
They think too much. Open Spaces T's for everyone. MaryJane.
- Extra small for your grandson, right? - You shouldn't have.
Open Spaces T's and here is the schedule for the benefit.
First up, cocktails. Then, MaryJane...
you introduce the marsh video, background story, animals, plants and stuff.
Angela, you speak. Marty speaks for Huckabees. I speak. Then Shania sings.
Shania Twain entertains us.
- Hi, have we met? - No. Vivian Jaffe.
- Brad Stand. - She's a perspective from...
Albert Markovski.
- Sorry, that's not gonna work. - What's the matter with that?
- How are you connected? - Through an investigation.
I worry about that guy. He alienates people. What kind of investigation?
Existential. I'd like to ask a few questions if you don't mind.
Actually we do. We do because we've got to meet, and we're a little late.
Sounds kind of interesting though. Have you got a card?
- Yes. - I don't mean to give you a hard time.
Existential? Is that like a therapy?
Okay, let's go, sneaky lady. Let's step it outside.
I told you to stay away from my work situation!
To solve your coincidence, we have to put it into context. Brad Stand seems very important.
So you come by Huckabees corporate and say you're my fucking existential detectives?
- I'm lucky if I last another day! - We can solve your case sooner if you're straight with us.
I'm being straight with you. Brad smeared me...
and took the coalition in a different direction.
- That's straight. - At Schottinger's photo archive where you met Mr. Nimieri...
Who's Mr... Who's that?
- The African guy. - That's the African guy from my coincidence.
- This is what I wanna talk about. - It wasn't your first time at Schottinger's, was it?
- Did I say it was? - You did. You agree it wasn't?
Sure. It wasn't my first time. Big deal.
It was more like a regular thing with you. And you weren't finding a still of Bob Dylan.
You were planting photos of yourself in the archive.
- What are you getting at? - Why would you do something like that?
To be noticed. Maybe urgently.
- Maybe, yeah. - Uh-huh.
How did that affect things with Brad at the coalition?
How did it affect things at the coalition? I don't know.
You know, it was a drag. It really was a drag.
Because I wanted my poems to go out with the fund-raiser mailing. Brad didn't.
He was all obsessed with Shania and Pete Sampras.
Not what we were really supposed to be focusing on... hurt.
You planted photos of yourself and your poems at Schottinger's. Brad didn't respect you.
- No, he didn't. - And yet you brought him into the open spaces coalition.
- Why is that? - I needed the sponsor to take my cause to another level.
That's why. Why else would I do it?
- Like we said. To be noticed. - This is absurd. Show me my folder.
- No. That is not productive. - At the photo archive, you spent a lot of time...
Iooking at old Jessica Lange bathing suit stills, why?
That's only because Lange comes before Markovski.
I was putting my head shots under Markovski, and then "L" is right before it.
I might've looked at a little bit of Lange on the way out. What's the big deal?
- Albert, baby, come on. - What, is it a crime? Is it a crime to look at Lange?
- Have you ever been in love? - What kind of question is that?
- Do you even believe in love? - Or do you only have fantasy relationships...
because anything else would be too painful?
Bernard, excuse me. But I'm making some progress here.
So am I, darling. So am I.
Oh, no, no. I'm not going in that thing. Every time I go in there...
it's all hating faces that I have to chop up with a machete.
And then they multiply. And we're going to address that right now.
- Okay? - I'll leave it to you.
Come on. You can't retreat. Back into the fray, Albert. Let's go.
I'm in your corner.
Okay, Albert, I want you to melt your usual identity like you did before.
Stop looking at me.
I said stop looking at me.
- Dawn is gonna love doing spots for the open spaces. - Who's Dawn?
Miss Huckabees. Dawn.
- She loves your poems. The one about the rock. - Nobody sits like this rock sits.
That's the one. She loves poems. She loves forests, meadows, getting outside.
We'll just throw theJet Skis on the trailer and head to the mountains.
Wait, you guys... You go with MissHuckabees?
- She was doing some print work for us... - Albert? Albert?
Forget Brad. Come back to me. Where are you? Where are you?
Albert. Picture a tree in a field.
Good. Now put someone you respect in the tree.
- Hey, dickweed. - Still Brad Stand.
- Add someone else. - Like who?
You know, someone who can understand things. Someone who can help you.
- Who's your guide? - Well, I use Magritte, a Belgian surrealist.
- I got someone. - Who is it?
Mrs. Schirmir. She was my high school English teacher. She helped me.
- All right, good. - He pushed her out of the tree.
Okay, Mrs. Schirmir has a vacuum cleaner, Albert, that sucks up fear.
Now she's going to send you rays of security and complete acceptance.
He chopped her head off!
Hold on. Hold on. Hold on. You're doing well.
Now, don't give up now. Didn't she vacuum a lot?
But then he vacuumed her. I had to chop him up with a machete.
Okay, Albert. I can let you in on a couple of secrets.
One, your mind is always occupied on something...
so it may as well be something helpful like Mrs. Schirmir and her vacuum cleaner.
Two, there is no such thing as you and me.
So then there's just nothing?
Three, there's no such thing as nothing.
There is no remainder in the mathematics of infinity.
There's only the blanket.
I thought I understood the blanket. Now I'm not sure.
Flags and bags! Huckabees says, "Happy birthday, Mr. President."
50% off all knapsacks and pocketbooks.
Oh, say, can you see how good this looks?
Let freedom ring. At Huckabees...
the everything store.
"Huckabees cornucopia of stuff we all want.
"But what happened to the gazelles? Were they squashed...
under the CD department?"
- Hey, Albert, how's it goin'? - What are you doing here, Brad?
I met Brad when I was investigating you.
He called with his own existential conundrum. That's all.
- I'm really glad I found out about these people. - That's bullshit.
He doesn't care about things like this.
Bring me the African guy. Where's that African guy?
- Dude, what're you talking about? - Why does he get to write poetry?
There's no gazelles in North America. Just so you know.
And that building squashing nature is my imagery. You don't write poetry.
Everyone's intake procedure is different.
I asked Brad to write a poem.
And it wasn't enough that you came to my coalition...
now you have to come here and do... Okay, okay.
All right, that's good.
We're the same, Brad. It's all the blanket.
There you go. Give it a shot.
- That is wonderful, Albert. - Oh, honey, he's got it.
How are things at the coalition, Brad?
Great. Much smoother.
Great, I look forward to coming back and working with you.
I don't think that's going to happen, my friend.
I'm still in the charter. I built the coalition from scratch.
Yeah. Yeah. Well, I don't want to cramp you here.
That's what you mean to do! That's exactly what you mean to do!
- What? - What? - What?
You see what he's doing? Tell them what you're doing.
- What? - He's come here to conquer you like he conquered my coalition.
And now he's here today to unnerve me so that when Orrin comes to town, I will blow it.
- That's what you mean to do. - Albert, please!
- Oh, my God, Brad. You're killing me. - What are you talking about?
What am I talking... Okay, when Orrin comes, I'll blow it.
I'll get kicked out, and then he can do whatever he wants with the coalition.
- Who's Orrin? - Orrin is the Open Spaces national director.
He's coming to review our charter.
I hope this isn't about Dawn. He has a crush on my girlfriend.
- That's crazy! - Why do you stare at her?
She's a model!
- I'm going home. - Oh, no! Albert, please. Stay with us for mancala hour.
I'm gonna have a fucking ball at mancala hour, aren't I?
Maybe Albert should meet his other.
What? Tommy? No, that's a bad idea right now.
Yes, a dicey move. Maybe even dangerous, but potentially inspired.
Bernard, give them both a connection.
Maybe, but Tommy's in a bad direction. It could spread to Albert.
You said Tommy was gonna be fine. What are you leaving out?
Nothing. Give him his other. It's an inspired idea. It's groovy.
The connection will come back to us, Bernard.
- It all comes around. Like you say, take the long view. - Long view.
- What's the other? - We're going to find out right now. Shh.
There was a drought.
There was no crop.
No olives.
No soul of life.
No rabbit in the oven.
We mashed locusts and made bread.
I have no idea what you guys are talking about.
I thought we were going to talk about petroleum.
Mrs. Echevarria visits us once a year from Spain.
She's sort of a little treat for our clients.
A kind of spiritual petit four.
Something that would be useful for you to be accustomed to.
- Yeah, a real treat. - You have received your answer.
Senorita, the petroleum situation was not created by nature...
like the drought or the olives or any of that.
It was created by people, and this is the facts.
It was created by people who act like nothing's happening...
- and that's causing all the problems. - No, no, Tommy.
- One question only. Uno. - Okay.
- Here's the question... - No, no. I think...
You've had your question and the answer, Tommy, please. Senora is tired.
Senorita, why do people only ask themselves deep questions...
when something really bad happens?
Then they forget all about it after. Right?
How come people are self-destructive?
And third, I refuse to use petroleum...
but there's no way I can stop its use in my lifetime, is there?
Jimmy Carter would have a great electric car by now.
I could have a Cadillac Escalade, and it would be electric.
- I wouldn't have to ride on my bicycle. - That is three questions.
I paid my money and I want a fucking answer. So just give me a second.
I know, dear boy. We wanted you to meet Albert.
- I thought you said next week. - It turns out he can use a connection sooner than later.
Tommy has been working with us since that...
The big September thing. He's going to be your other.
- What is it exactly? - Like a buddy system I think.
When we dismantle, it can get kind of rough. And it helps...
to have a friend going through the same.
Do you drive a car?
A bike. Sometimes I take the bus.
Good. That's good. I like that. I can see why they put us together.
- Tommy Corn. - Albert Markovski.
- I'll be your other. - Join us for mancala hour.
- Come. Come. Gracias, senora.
- What's happening with your case? - I don't know.
- What do you mean? - They won't let me see my coincidence file.
You want them to solve a coincidence? That's why you came here?
- Yeah, that's why I came here. - Who's the girl?
The face of Huckabees.
- Tops and mops? - That's her.
- I doubt your coincidence is meaningful. - Why?
I have a book by a French thinker named Caterine Vauban.
She says the same thing they say here about dismantling your reality to see the big picture.
- What's the difference? - Here, they say everything's connected in the blanket.
Vauban says nothing's connected. It's all random and cruel. It doesn't matter what you do.
That's nihilism, Tommy!
They find it threatening. But it is very convincing.
You know, my ex-girl won't let me see my daughter.
She's brainwashing her not to think or feel.
- What kind of reality is that? - Not this one.
Exactly. I think you shouldjust look in your file if you want to.
- How am I gonna look at my file? - You wanna see your file?
I'll distract them. You slip in for it.
Act naturally. Here comes your boy.
Hey, you play mancala?
Didn't know you were interested in existential issues, Brad.
Why? 'Cause I'm a dumb sales executive instead of a sensitive artist like you?
No, I just never heard you talk about it. That's all.
Why do you think I joined the Open Spaces Coalition, man?
- I thought you cared about the issues. - I do.
Obviously you had a different agenda, didn't you?
- What books do you read? - What books do I read?
PhilJackson's Sacred Hoops.
Really. I read the galleys when it arrived at Huckabees, and you know what?
Seriously, that book's got some good questions. You should read it.
Isn't it sports questions in that book?
No, wise ass. PhilJackson's a smart guy. All right, come on.
It was an honest question, Brad.
Felt a little hostile. I feel the same thing from him.
- Who the hell are you? - Who the hell are you?
You wanna go? Get out of here man.
Hey, don't be a jerk, buddy. Come on. Don't be a...
- That's funny! He pushed him! - It is not funny!
- Hey, he assaulted me, man. He tried to attack me. - Hey!
- I tried to... You're dancing with my girl. - Yeah.
- You wanna dance? - No, I don't wanna dance.
- Look at me. Come on. - What?
- You want to go at him, right? - Yeah.
No, I don't want to go. He grabbed my girl.
All right, you guys wanna have a go at each other, right?
You wanna have a go at each other.
You want to go backwards?
The reptiles have been eating each other for years.
You want to be back on all fours? Right? Primitive?
Come on! That's spirit you wanna keep for the battles inside.
- What are you doing? - I, um...
Bernard... The dismantling thing with the whole... You know, all the poetry stuff...
But I got it. It's no big deal. Because I got it now, okay?
Every relationship is possible, guys. Brothers, husbands, child.
Security breach. He broke into his file.
- What did you do, Albert?
This is my investigation now!
You think you know what you're doing? You haven't even begun...
to dismantle your identity or your fear.
Albert's gotta do what he's gotta do. Anybody think they know better?
- Want to take a shot? - It's my coincidence.
Nobody? Yeah, nobody.
Sorry I grabbed you.
- Reptilian. - Man, come on.
- Hey, is that him there? - Yeah, that's him.
- Hey. - My goodness, it is you.
Yeah, it's me Albert. How are you? This is my friend Tommy.
Hey. Tommy Corn. How are you?
- This is the fourth coincidence? - No, I came here on purpose.
I was wondering about our coincidences and what they mean.
We were just wondering if we spent time, maybe try to understand it.
- Perhaps you can be my guests for dinner. - That would be great, huh?
- Yeah, that'd be great. - Wait here. I must ask my mom.
Guys, guys! My ball! My ball!
Thy will be done on earth as it is in heaven.
Give us this day our daily bread and forgive us our trespasses...
as we forgive those who trespass against us.
And lead us not into temptation but deliver us from evil.
For thine is the kingdom, the power and the glory. Forever and ever, Amen.
Amen.
Steven, how'd you end up working as a doorman?
It is our immigration agreement. We must work.
The building supervisor hired Steven as a member of our congregation.
- He was so skinny. - Skeleton man from Africa. Skeleton man...
- What did we say about that? - I don't want to hear it again. It'll be no Internet tonight.
Didn't know what a can opener was. He opened cans with a big knife like at the camp.
There aren't lions roaming here but there were in Sudan, and the orphan boys got chased.
- And one time, a big alligator bit his friend's head off. - It was a crocodile.
He wanted to know where all the meat comes from since he didn't see any cows.
Guys, that's enough!
Albert, what brought you to the philosophical club?
You mean the existential detectives?
- Sounds like a support group. - Why can't he use a church?
Sometimes people have additional questions to be answered.
- Like what? - Well, um, for instance...
If the forms of this world die, which is more real...
the me that dies or the me that's infinite?
Can I trust my habitual mind or do I need to learn to look beneath those things?
Sounds like we got a philosopher.
We don't have to ask those kinds of questions, do we, Mom?
- No, honey. - What happened to the cat, Albert?
H-How'd you know about my cat?
- The cat was killed by curiosity. - Right. That cat.
- What do you do? - I'm the director of the Open Spaces Coalition.
- We fight suburban sprawl. - What's suburban sprawl?
Ask Steven. He could have used a little suburban sprawl in Sudan.
Excuse me, Dad?
Industry, houses, jobs, restaurants, medicine...
You can preserve a lot of open spaces and have jobs for people with...
- I beg your pardon, Albert. I wasn't finished. - Sorry, sir.
Clothes, videos, toys, cheeseburgers, cars, a functioning economy.
You can still have a functioning economy and preserve open spaces with a little planning.
- Yeah. - Socialism. Complete disaster.
- Theodore Roosevelt was a socialist? And Yeats? - Theodore Roosevelt...
Henry David Thoreau, Robinson Jeffers, the National Geographic Society, all socialists?
- You're talking about socialism. - No, I'm not. I'm talking about...
not covering every square inch with houses and strip malls...
until you can't remember what happens when you stand in a meadow at dusk.
- What happens in the meadow at dusk? - Everything.
- Nothing! - Everything!
- It's beautiful. - It's beautiful.
I work for an electrical engineering firm, son.
We do a lot of commercial and residential contracts.
If development stops, so does my paycheck.
Then Steven couldn't be here as our guest, could he? So your ideas hurt Steven.
I'm not hurting Steven. That's an outrageous accusation.
- Don't use that tone of voice in my house. - I think you started that tone.
And I think it's entirely possible for your engineering firm to have jobs for people...
preserve open spaces, have contracts, do the...
Whoa.
- What's he doing? - Why's he closing his eyes?
Cricket, I don't know.
- Do you have a job, Tom? - I'm a firefighter.
Oh, God bless you. A hero.
I'm not a hero. We'd all be heroes if we quit using petroleum though.
- Excuse me? - Say you're Christians living byJesus' principles. Are you?
Jesus is never mad at us if we live with him in our hearts.
I hate to break it to you, but he is. He most definitely is.
All right. That's enough. Steven, I don't know what this is about. Why they're here...
- Sorry, Mom. Sorry, Dad. I did not know. - Stevo, I'm so disappointed.
It's all right. Look, he's sad. He's sad.
I'm sorry, Stevo. My bad. You didn't know.
- You should be ashamed of yourself. - I should be what?
- You should be ashamed of yourself. - Why should I be ashamed?
- You're a hypocrite. - I'm a what?
You're misleading these children. 'Cause you're the destroyer, man.
- How am I the destroyer? - I saw that S.U. V. Out there.
My car's the destroyer? You wanna know how many miles per gallon I get?
Steven, I need to ask a question. It's why I came here.
Why are autographs so important to you?
It is a pastime with this family which they have taught me.
- Which I can now carry on. - It's just for fun.
For entertainment. No games at the table, please.
Yes. 260. And I've reached the omega level.
Destroyer. Destroyer. Destroyer.
God gave us oil! He gave it to us! How can God's gift be bad?
He gave you a brain too and you messed that up pretty good...
I want you sons of bitches out of my house now.
If Hitler were alive, he'd tell you not to think about oil.
You're the Hitler! We took a Sudanese refugee into our home!
You did. But how did Sudan happen, ma'am?
Could it possibly be related to dictatorships...
that we support for some stupid reason?
- You shut up! You get out. - You shut up. Come on. Let's get out of here.
- Later, Steve. - God bless you.
- Wow. - What's going on in there?
- Crazy. - I can't believe them.
- Hi, guys. - Oh, Christ.
You guys get anything good in there? You didn't, did you?
You hesitated over the mention of a cat. What does that mean?
- It means nothing. Just like my coincidence. - Cat seemed to hit a nerve.
Yeah, I had a cat once. You caught me. You're amazing.
The method worked. I saw it. It seemed to calm you down, right?
What method? Come on with that method.
That's a tranquilizer so people don't get pissed...
about the painful, ugly truth... you know it.
No, Tommy. It penetrates a unified infinity of everything.
We're not in infinity. We're in the suburbs.
Infinity is everywhere. That's what makes it infinity.
Okay, how does this connect? Mr. Nimieri's an orphan from Sudan...
who was chased by soldiers and crocodiles.
- How does the love glow fit into that, man? - It's connected.
Albert and Mr. Nimieri share a great deal. It's just that...
- Oh! Oh, my God. - What's she doing here?
That's Caterine.
- This is worse than I thought. - Oh, it's much worse.
The meeting's going down at Huckabees right now. Let's go.
- Hey, everybody. Calm down.
The national office recognizes the charter.
We're here today to give the director a chance to even the keel.
- So just give him a break. - Thank you, Orrin.
- Okay, first director now. Silence. - Excuse me.
First, I would like to apologize for my part of the fight...
that I had with Brad Stand a little while ago over the poems...
that did not go out with the Shania mailing.
- Where's Brad? - Brad. Brad. Brad. It's all Brad, Brad.
The big benefit's coming up with Brad...
and Brad's running it and it's going to go great.
So, look, we're overlooking our core issues.
- Brad is not here. - So to get us back on track...
I have a new poem I'd like to read.
Point of order, please. Apoint of order.
I want to discuss this strategy of poems, which are getting us nowhere.
Excuse me, ma'am. Ma'am. Poems are amazing, okay?
They will help you and your mind transform.
Who the hell are you?
I'm with Albert. It will help you...
to transform your mind into thinking differently.
- You guys need this, okay? This is great. - Where's Brad?
This is called "An Open Meadow."
"An open meadow, an open marsh in a cloudless sky.
- Boring. - A crane flies."
- Oh, Brad's here! - Look what I got you, MaryJane.
- Oh, is that for my grandson? - It most certainly is.
I'm talking here. Come on. Shit.
You know what? Let me just finish reading my poem...
and then we'll review our strategy, okay?
- Good job, Albert. - Can it be taped?
Excuse me, Brad. I would like to finish reading my poem, please. Thank you.
- Relax. Not doing your poem. - Don't give me the relax thing, Brad.
Let him read the poem, man. He was in the middle of it.
That man is not in our coalition. He has no right to be here and no right to speak.
No, ma'am, I'm not a member, but I am a local firefighter.
He's a great firefighter and exactly who we want on our side.
I don't know who these men are. They're not members of our coalition.
They're working on the benefit. They're bringing a lot of support for our cause.
- Conflict is an illusion. - Shut up, Brad.
Hey, Albert, that's not the way a director behaves.
Why are you guys wasting all your time fighting each other?
I mean, come on. Serious. Put the egos aside for a second, guys, please.
Deal with this issues, okay. We have a deadly petroleum situation, not to mention...
- Shut up! Shut...
- Cystic Fibrosis. Civil war in Africa.
Toxic fish. You have children in your own community going to prison.
Father Flavin doesn't have the money to help them.
Ma'am, listen to me.
This is exactly the unfocused, idealistic approach...
- by Mr. Markovski that's killing us dead.
Killing us dead. Our mission has nothing to do...
with this nut's petroleum fixation.
- What did you just call me? - Cystic toxic what?
America wants to drive cars, right? I have a B.M.W. S.U.V.
And I like driving it. I'm sorry.
Excuse me. You got to give me a chance, all right?
- This is my meeting. I'm the director. - We gave you a chance.
- You're out of the charter. - He can't be out of the charter. He is the charter.
- I wrote it. - Marty, call security. I think you should call...
- I move to vote. - Second!
All in favor of Brad becoming the new leader of the coalition, say aye.
- Aye! - Hey, come on.
- That's bullshit. - Congratulations.
Be strong. Be strong 'cause you're going to be back.
Don't worry about those people. They don't appreciate you.
Albert, what happened in there is reality.
It's cruelty and it's chaos. The detectives are wrong. What were you trying to do?
You were trying to do a good thing, right? Well, look what happened.
I'm going to the other side, Albert. I seriously suggest...
you consider coming with me... as my other.
- Albert... - You're wrong!
- You're full of shit. You guys got nothing to offer, man. - Tommy, no...
- This is the money right now. Yes? - No!
You know how hurt you feel? This is the perfect opportunity to dismantle now.
- Stay away from me! - Stop! Look! Listen! Throughout infinity...
your energy recycles into every possible relation...
to everyone else's energy, even Brad's.
You've been predator and prey with him.
Friends, enemies, brother, sister, mother, child.
I give and I give and I give...
and he takes and he takes and he takes.
- Mama. - All right, baby. All right.
- Yahhh! - It's a romantic fantasy.
And you left that part out, okay?
When you were taking my cash. I want it back.
Yeah, and if I wasn't pro bono, I'd want my money back too.
Send it to my ex for my kids.
- Hey, sign your bike out. Sign your bike out! - Tommy, come on!
Go! I'll block for you.
Cocksucker! Motherfucking bitch ass motherfucking cocksucker!
You're all a bunch of big babies!
Maybe I should just quit. I mean, what's the point of life anyway?
I can answer these questions for you.
You can? Because I don't think the other guys are doing such a hot job.
Believe me, I can.
You're the writer Tommy's into?
Are you unhappy with their work?
Yeah, I'm ready to cross over to your side.
- Tell me about your case. - Well, you seem to be following me pretty closely.
- Why don't you tell me about it? - You are miserable.
Obsessed with your strange coincidence.
Yeah. Yeah, but they just want to talk about Brad Stand.
They betrayed you, as he did.
- That's right. - Betrayal embodies the universal truth you seek.
What truth?
Cruelty, manipulation...
meaninglessness.
Yeah.
- Did they follow you? - No. I lost them on Route 4.
- Thanks for helping me out back there. - No problem.
Glad you're here, Albert. This is the place to be.
Once you realize the universe sucks, you got nothing to lose.
- That's what gives you la force. - The force?
- La force. It's French for strength. - La force.
You guys got a method here?
Yeah. Deconstruct your mind to the blackness, okay?
Just accept it for what it is. Nothing.
There's no glowing guys, no infinite mothers. None of that bullshit.
My coincidence is meaningless, isn't it?
Think, Albert. Have you betrayed yourself?
Wait a second. What are we doing here?
- I don't want to go to this building. Stop! - Trust her, Albert.
- This is for you. - Oh, thank you.
- Hey, hey, hey. What did she give you? - No, stay away from me.
- I don't want to talk to you. - Thanks, Steven.
- Well, this is a rare occasion. - Where is she?
- Who? - Caterine.
- Who's Caterine? - The woman who's spying on me. Where is she?
I don't think this is funny.
Oh, God, here we go again. What's happening?
He's just making a joke on me.
- Are you making fun of your mother? - No.
Why can't you get along with her?
- So, how's your poetry job? - I got fired from it.
Oh, couldn't even hold down a poetry job.
- Brenda, what the hell did you do? - I didn't touch it.
Bullshit! I have this programmed on my favorite stations on a timer.
Can I please have some time with my son?
I want to show him an article I have here on marketing internship. You see this?
- That's great, Mom. It's right up my alley. - But it is. It's a new hot...
- I sent this to you. Why don't you ever listen to me... - Have you seen this system?
State of the art. We got speakers all through the house.
- But listen to this.
- It'll be easier to talk now.
- Where did she come from? - What's going on?
- See, I wasn't making a joke. - What's her name?
I would like to discuss some curious findings.
- Who is this lady? - I found here in your apartment...
a rather troubling piece of evidence.
- What evidence? - Do you recognize the handwriting, Mr. Markovski...
- excuse me, Mr. Silver? - This is silly. Let's go.
No.
- I wanna go. - Could you please read the date for me?
"November 17, 1989." Albert was nine. This is his journal.
Would you mind reading this out loud?
- No. - Please.
This stuff doesn't matter. Let's go.
Oh, my God.
"I came home from school. Mom was in the kitchen with a strange lady.
"Mom told me to go back to my room. I thought I was in trouble.
"She closed my door and said, 'Purree got hit by a car and killed.'
"And then she took me back to the lady in the kitchen...
"and told me to spell words to show how I'm a good speller.
"I said I had to go to the bathroom.
"I climbed out the window. I went down the block.
"I saw Barney playing punch ball. He said I look sad.
"I told him what happened to my cat. He said, 'That's sad.'
"Then I cried, but I tried not to show. Some of the kids laughed.
Barney said he cried when his dog died. And the kids stopped laughing."
His cat died. He was sad. What's your point?
- Nothing strikes you as odd? - See? It's nothing. Let's go.
These things happen.
Oui. C'est vrai. The universe is cruel.
But tell me this, Mrs. Silver, this lady you gave the coffee to...
Was Helen's sister. I don't remember her name. I met her the once.
Was there some painful thing about this stranger...
that required your immediate attention?
No. Helen wasn't home, so I offered her sister a cup of coffee.
But you agree that Purree meant a great deal to Albert?
You can't make a federal case out of the cat.
Answer the question, please.
I don't know much about the cat. I traveled a lot for work.
We're not talking about this anymore. It's embarrassing me.
- Precisely the point. - What?
You were embarrassed for feeling sad about the death of your cat.
It's painful enough to feel sad, but on top of it...
to feel embarrassed for feeling, that is the killer.
How is that my fault? I didn't tell him to be embarrassed.
But you did. It was more important to have a cup of coffee...
with a perfect stranger than to talk to Albert...
- about what for a small boy is a large tragedy. - This is ridiculous.
He climbed out his window, a criminal in his own house.
- Why? - I don't know.
- I think you do. - I don't.
- Yes, you do. - Oh, stop it!
- I think you should go. - No, I will not go.
Albert has a place here, a place you have denied.
This is my home. I can tell him what I want.
- Yes, your home is a lie. - What does that mean? I gave my life to this selfish bas...
So he could be an ornament to you, not a person.
God, what are you, a bitch?
You're a bitch. How many kids do you have, bitch?
Listen. Listen. This is your mother.
- You asked me to come up here? - What does the doorman have to do with this?
He was orphaned by civil war. You were orphaned by indifference.
This is but one part of your puzzle. Do you see?
Oh, now the timer's all fucked up. Brenda!
Gee, is it that hard? Go ahead and do it.
- All I'm gonna do is listen... - I spent what? I spent $2,000 on this?
I wanna listen to a radio!
Thanks. We'll meet you later by the rock.
I'm sorry, man. I need, like, a minute to figure this out.
- She had to get you to see. - See what?
You were trained to betray yourself right here.
That's why you betrayed yourself by going to Brad.
Why didn't you figure this out? Why didn't you bring me here?
Because you lied to us. You told us that the African guy...
was the... the doorman at your friend's building, not at your parents' building.
You encrypted the truth. That's how good you are at betraying yourself.
- Right. - I told you that he wasn't ready for infinity.
- Don't start with that magic blanket bullshit, okay? - It's not magic.
It's just the way things are. You and me and the air are actually tiny particles...
that are swirling around together.
- Look right here. You see? - Okay. But look at the cracks...
between these particles and the cracks we fall through, the holes of nothingness.
- Exactly. Because that's what I just experienced upstairs. - Look closer.
There are tiny particles connecting the larger cubes.
Yeah, and then tinier cracks between the connections.
- And even tinier connections. - And even tinier cracks.
Yeah, but if you look close enough, you can't tell where my nose ends...
and space begins, because they're unified.
- See? - So what? You can't see any of this anyway!
- Do you see anything? - No.
But I want to debate this particle cube thing.
You live all the time with things you can't see. You can't see electricity, can you?
- You can't see radio waves, but you accept them. - Trust.
- Fuck trust! - You better stay away from Caterine, Albert...
'cause she's gonna lead you down the path of darkness.
She was our prize graduate student till she went astray.
I think that I am gonna stay with her, the cracks, the pain, the nothingness...
because that's more real to me, that's what I feel.
- Word. - Okay. We're not sweatin' it.
- No, we're gonna work with Brad. - It'll all come back to you...
- and interconnection. - Brad? Are you kidding me?
I'm gonna work on that prick, and it's all gonna come back to pain and no connection!
- No. - It's on.
- We'll see.
We'll see.
Ooh, damn.
Come on.
Oh, shit. Fuck.
Oh, look at this. Kafka.
- He's planting garbage for us. - Kafka.
- Look at that. So fishy.
Ooh, she found his poem.
Oh, this is good. I was hoping for a break like this.
- Don't go in my den. - Whoa. Whoa.
- I'm not unhappy to be with you! - Let me see this!
"Putting on a show. Can't say no.
Inside I'm drowning, sighing and frowning."
That doesn't sound very happy to me. Does it sound very happy to you?
I only wrote "frowning" to rhyme with "drowning."
- Then why did you need "drowning"? - To rhyme with "frowning."
- There... There's nothing in it. - What does that mean? Look!
And why do they have to go through our yard and go through the garbage?
- What is he doing? Stop that.
Why is he sniffing my blouse?
Perspiration levels indicate stress, and that's kind of high.
Brad signed a rather comprehensive contract...
allowing unfettered access to your home.
Well, it's my home too, and I didn't sign anything.
You're going to have to work that out with Brad.
The mortgage is in his name, and you're not married.
- Are these from this year?
Last year. We went to Saint Bart's.
- What about this year? - We didn't take a trip this year.
- How come? - Too busy. A lot of work.
- Too busy to go have fun? - Hon... Honey, why are you involved with this?
- You don't believe in therapy. - No, see, I don't see this as therapy.
I'm proactive. These people are action oriented.
It's like the company retreats at Hilton Head. Remember?
- No, hey. Get out of there. Hey! Hey! - No. Now, unfettered access.
- Remember last year, the trust thing? The paragliding? - A quick look at your label.
- It's just like that. - No, it's not like that! This is...
Actually it is. No, it is. Everything will end up nice.
It seemed like they were helping Albert. They can help me.
Help the Open Spaces. Help Huckabees.
- What are you talking about? - He did mention that in his application...
that he felt exhausted from having to constantly charm everyone...
but doesn't see any alternative because...
"You need to get people to like you to be successful to get things done in this world."
- End quote. - Duh. Brad likes to be charming. It comes naturally.
I only put those things in the garbage as a joke.
- Yeah, see? That's funny. - Back door way to charm.
That's joking as a disguised request for approval.
That's saying, "Joke," but really love me.
- Joke, love me. - Ms. Campbell, how have you felt about being pretty?
- Oh, please. I don't think of myself as being that pretty.
Yes, that's changed at Huckabees, but, you know...
I was never the pretty girl.
- Really? - No.
I just have to keep up with this gorgeous hottie.
- How's the sex? - How is the sex?
- The sex? - Come on, guys. Come on. That's private.
- That's gross. - A preliminary surveillance...
indicates it's been infrequent and short... eight to nine minutes...
- typically. - Surveillance? You watched us?
- No, just listened. - So, your surveillance is wrong.
Yeah. It's quantity, not quality.
- What? - She meant quality, not quantity.
- I know. I was onlyjoking. - Were you joking...
- when you said quantity and not quality? - In regards to sex?
- We're not gonna discuss this. - We're private about...
- our seven minutes of heaven. - It's longer than that.
Eight minutes of heaven! It's not quality, it's quantity!
- You oughta see her after a couple margaritas. - Oh, my God! I'm crying.
- Honey... - What is it?
Why did you have to write this poem? How come we can't discuss these things ourselves?
Where is this relationship going, huh?
Why is marriage and kids so important? There's an overpopulation problem.
- Whoa.
- That came out of left field. - All right.
Why is having children the ultimate performance for successful people? Why?
Well, it doesn't have to be a performance.
You know, we don't have to have kids.
We could just, you know, think about it, or not.
Could just be ourselves, Jet Skiing, whatever.
This is not why I hired you.
Then why did you hire them?
Well, I have a meeting.
Oh. There it is.
- Would you like some tea? - With a little lemon.
So, I've never really done anything like this before.
Um, where... where would we start?
Now. Now.
- Did you get it? - Yeah.
I did. I felt it.
It's hard to describe.
Very, very good. Your turn.
Now.
- Not so hard. - Sorry.
Now. Now. Now.
Now!
Did you get it?
Yeah, you stop thinking.
Yes. It's fantastic.
It's like I'm here, but I'm not...
So, I'm not here. It-It's just...
l... l... I don't know. Do it one more time.
It's like I'm a rock or a dish of mold.
I'm whatever else is around. So I'm free to just exist.
This is the answer. We just have to be this all day, every day.
- That's the answer. - Yes.
- Do it again. Do it again. - Now.
Careful, my young students...
you cannot stay in this state all day.
- Why not? - Yeah, why not?
It is inevitable that you are drawn back into human drama.
Desire, suffering... everything that exists in this imperfect world.
- Shit. - So we get drawn back into human drama...
and how important we think that is.
Then we do crazy stuff. We have to go back to the ball...
so we can get the freedom of being like a... like a dish of mold.
Yes. And then back to the drama, the suffering.
- It's kind of a crappy deal. - C'est exactement a.
An absurd theatrical we must play out, back and forth...
from pure being to human suffering.
But isn't the drama and suffering less if we do the ball thing every day?
Don't call it "the ball thing." Call it "pure being."
Doesn't the pure being, ball thing make the day-to-day suffering easier?
- Yeah. - No, it doesn't.
You're wrong. We're gonna do this every day.
- We'll show you. It'll make it easier. - I'll prove it to you.
Human drama is inevitable.
Suffering cannot be diminished. You cannot escape, Tommy.
You'll see. Existence is a cruel joke...
that entices in a form of desire.
- Absurd theater of desire. - I know, buddy, it hurts. It's painful.
- Wait here. - Where you goin'?
To meditate on desire and suffering.
- Can I come? - No.
Okay.
I'll see you in a little bit. We'll do more, um, pure being? Pain...
I hope so.
Don't fucking leave me.
You look ugly! No, no, no.
- Hold up. - No. No.
- No, go back inside. - Can I have my car keys?
You can't keep coming to work if you dress like that.
Me and Daryl made some spots Marty's gonna love.
These are the best tops around.
Last time, last year, not so good.
But now, this is the truth.
Marty's gonna hate them, Dawn.
- He's gonna hate them. - There's glass between us.
You can't deal with my infinite nature, can you?
That is so not true. Wait, what does that even mean?
We've talked about your intimacy problem. What's the core of it?
Intimacy is combo of infinites.
I'm definitely gonna have an intimacy problem with you if you keep dressing like that.
- Well, it's only been a week. - One day is too much.
The people at the office are freaking out.
You could get free, Brad, but you think you have to be Superman in control.
And that means you are the source instead of part of the infinite.
- And that makes it too hard for us, baby. - Stop talking to me like that.
- You hired the detectives. - You don't have to listen to every word they say.
- How am I supposed to know which parts to listen to? - I'll tell you.
- No, that's confusing.
- Take that off. Take it off. - No. Can I have my car keys, please?
- Give me my glasses. - No.
- Give me my glasses. - You give me my car keys.
- No. - Yes.
You stay at home. Till you dress normal...
you don't come to work.
Trees and bees...
- Hey, Daryl, where are you? - Hi, honey.
- Dawn, this is Heather. - Hey, I'm Heather.
- Let's do it. - Let's make a commercial.
- I'm a really big fan of yours. - Well, thanks.
- It's so weird to meet my voice. - Welcome to the family.
What? This script only has my lines, and I don't see another character here.
- I told you, you are the trademark voice of Huckabees. - So...
- Right. So what's the problem? - She's the voice.
- I'm the face. - Go, Heather.
- Girl, you could... - Yeah, yeah.
All this, and brains too.
Son of a bitch, Daryl!
They want me back in a bikini?
- Dawn, please. - Wake up, pretty girl.
- The joke's on you! The joke is on you! - Ow! Ow!
- No, stop. - Don't look at me. I just want to be left alone.
I'm sick of this. I'm sick of you all looking at me.
Look at me. Please, please, please, everybody.
Everybody look at me now. I am so pretty. I am so pretty. Look at me.
Everybody just wants to be me. I'm pretty.
- Shania's on the stage. We've got the executives here... - That's great.
Working their way back to the, uh, lesser donators.
Right. Well, when we did the Garth benefit in Dallas...
- we put the $10,000 donors up here. - Wow, Garth.
Was that Garth Garth, or Chris Garth?
- That's classic Garth. The best. - Classic Garth costs.
Yeah, so, when we did the Garth benefit in Dallas, that's what we...
Where's Marty? Where is he?
Have you even seen my commercials?
- Have you? I'm doing this for you. - Oh, my God.
- They're your detectives, and they gave me this truth. - Wow. Nutty.
Do you understand? There's glass between us!
Don't look at me like that!
- Hey, hey. Hey... - There you are, Marty.
- Why don't you like my spots? - Honey, this look is hurting you, and it's hurting Huckabees.
- This is myself. - Then you won't speak at the benefit as yourself.
- That is not Huckabees. - I am still Huckabees.
- Not in that bonnet. - It's in my eyes, Marty.
It's like that story of the cave.
What in God's name is happening to you?
We trusted you. We took care of you. We made you into a national icon.
Pulled you out of a mall. Eh, you've been given everything by Huckabees.
- Fuck-a-bees! - Ooh.
- Wow, wow, wow. - Bradley, there's board members here.
- She's knocking on the glass... - That's not gonna look too good for a new corporate guy.
- What? I got corporate? - You got corporate.
- I got corporate? - Yeah, you got corporate. Now go and contain her.
All right? She said, "Fuck-a-bees."
- Yeah. - She said fuck...
What are you doing?
What are you doing to us?
I'm in my tree. I'm talking to the Dixie Chicks...
and they're making me feel better.
Well, I think the Dixie Chicks would like you to know that I just got promoted.
- What? - V.P. For public affairs.
I got corporate, Dawn.
I'm sorry you had to go through all this. It's for the greater good.
I went to the detectives to shake Albert out of the coalition.
- I admit that. - This doesn't make sense.
Sweetheart, you're mixing yourself up.
Listen, you're mixing it all up.
- Wait a second. - Huh.
Do you even care about the marsh and the woods?
Yes, I care about the marsh and the woods. Albert was not gonna save 'em his way.
You don't go through the back door with a poem and a bonnet.
You go through the front door with a tie, and you own the marsh and the woods.
That's how you're gonna save 'em.
- Let's celebrate. - Mm-hmm.
- You want some new clothes? - Yeah.
- I'll get you whatever you want. What do you need? - I don't know.
- Pedicure? - Yeah, but do I have to be pretty all the time?
Well, you know, you have a choice.
But, no, it's not a choice. I do have to be pretty.
Well, I'm pretty sure the Dixie Chicks would want you to spread your love...
here where you can at Huckabees.
Right. That's good.
You know what? You got Albert fired.
Stay positive. Bermuda. Jet Skis. Pi a coladas. All right?
- Yeah. - When you leave the office, will you go through the back door?
Okay? 'Cause you don't look so good today.
Okay. Okay.
- Okay? - Mm-hmm.
Hey, Tom, Tom.
Go for it, man.
The woods are hopeless. Don't waste your time. They will be destroyed.
So will the marsh. It is a losing game...
mankind has played for more than a century.
Sadness is what you are. Do not deny it.
The universe is a lonely place, a painful place.
This is what we can share between us, period.
Whoa!
H'yah!
What are you doing?
You told me you were done with this stupid method.
- Why can't I do it? - Because it is a fantasy.
- Do you want to lead a fake life? - You don't have to get so threatened.
- I can mix your thing with their thing. - No, you can't!
- Why not? - Because they are completely different.
And theirs is a lie. For the last time, forget the tree fantasy.
And as for Brad, you must do to him for real...
what he did to you, and...
You ditched me. First my family, and now you guys.
- She's my teacher too, Albert. - And she's still your teacher, Tom.
No. It's all different now.
I thought we were a platonic trio, not some sick sex dance.
You said that was bullshit.
Learn from this, Tommy. Painful truth.
I warned you... human drama.
Is that why you're doing this, to teach me?
- Yeah, is that why you're doing this, to teach him? - Of course it is.
There are unique moments when two people share the deep sorrow of existence.
All right. That's what I wanted to hear.
- How can you believe that bullshit? - T-Tom... Tom, I'm sorry.
This just happened. I've never done anything like this before.
- We could still be... You can still be my other, right? - Shut up, Albert.
I brought you here. I wanted to share la force with you, and you ruined it.
- You fell in love. - Do not defile it with clich .
- It is unnameable. - Yeah? Well, I reject unnameable!
It leaves me out!
Where is your pure being now, Tommy? I told you.
I'm just gonna accept my loneliness.
And I'm gonna go to an even darker place of nothingness.
From an even farther, more extreme nothingness on my own!
- Who needs you guys? - Ahh, sublime.
Hey, welcome. You like my new office?
- Let's start with the method. - Let's start with the method.
- We'd like to discuss... - We'd like to discuss...
- Okay. What are you doing? - Okay. What are you doing?
- What are you doing? - I'm jokin' around, guys.
But seriously, I want to quit the process with you.
Nothing personal. I appreciate what you've done for me, but I'm over it.
- You can't quit until the case is over. - Ah, I can fire you.
- No, you can't. - No, you can't.
- Sure I can. - No, you can't.
Paragraph 201. "Neither client nor detective...
"may terminate case prior to resolution as defined by paragraph 314, subclause 'D'...
- which states..." - That's not binding.
- Oh, it's binding. - I'll find a lawyer.
- Oh? - Or maybe even go to the FBI. How about that?
- Go ahead. - Oh, I will. I'm not kidding.
No, Brad, this is how it works. You go to the police.
You... You tell them that you went to the existential detectives.
They ask why. You say, "For personal reasons."
Or, maybe you wanted to work the politics at your corporation...
- by rattling Albert Markovski. - I never told you that.
- Well, give us a little credit. - The police go to Huckabees.
They talk to them. The board learns that rising star, Brad Stand...
has weird existential issues.
- Or he fakes them. - Which is odd.
Which is worse. And your girlfriend, the voice of Huckabees...
- is dressing like an Amish bag lady. - Okay, I get it.
You know, Brad, suddenly your star isn't rising anymore. It's sinking.
- Okay. I said I get it, Bernie. Relax. - Passive-aggressive.
- Shut up. - Aggressive-aggressive.
- Does Dawn want to quit? - Dawn's into this crap for real...
which is the stupidest thing I've ever seen in my life.
Shall we get back to the case?
All right. What you got on me? Nothin'.
Our staff did a little field work in, uh, Cleveland.
- What? Talk to my family? - Mommy and daddy look awesome.
- So do you. But this guy. - Wha... Ah, he doesn't look too good.
- You bastards. - He doesn't look too good, does he, Brad?
How could you do this?
Ooh.
Mm-hmm.
Are you kidding me? He weighs 250. He t... He talks about geckos all the time.
- What's the point? - I thought he was a sweet, sensitive young man.
Oh, excuse me. You... You spoke to my fat, sad brother?
- Yes, Brad, on the phone. - Indeed, I did, at length.
Well, if he's so sensitive, why doesn't he lose 70 pounds and stop talking about geckos.
- Maybe he'll find some friends. - Well, your brother feels that you're ashamed ofhim.
Are you sympathetic to him?
- Are you kidding me? I gave him a car. - Mm-hmm.
- I send him shirts. - Mm-hmm.
L... Look.
Here, guys. Geckos.
And I keep 'em.
I'm a pretty good older brother.
He wishes you would listen to him more.
About what, geckos?
L... I don't have all the answers.
But maybe he should listen to me more and learn a little.
You have several stories that you like to tell over and over and over.
Ohh. Oh-ho. That's not... Come on. That's a lie.
- L... I'm not boring like him. - Like the mayonnaise story. The mayo story.
May 18, sales meeting.
Shania's there, you know, promoting her apparel, right?
- It's 4:00. She's starving.
She hates mayonnaise, right? Allergic to it.
So I order a ton of tuna fish sandwiches. Back then that's all she's eating.
Tuna fish. No mayo, darling.
June 5, driving range.
Nojoke. We gave her a chicken salad sandwich once...
she threw up in the back of the limo.
June 30, the lake.
Shania's there promoting her apparel, right?
It's 4::00, and she's starving. She's a busy lady.
I order a ton of tuna fish sandwiches. That's all she's eating back then, tuna fish.
July 9, Flight 27 to Chicago.
Shania's there promoting her apparel, right? It's 4::00. She's starving.
The lady hates chicken salad. Gave it to her once, she threw up.
- August 17, conference call. - Shania's there promoting her apparel, right?
No mayo. She hates it. And she cannot eat chicken salad. That's nojoke.
September 3, in traffic, your cell phone.
Shania's there promoting her apparel, right? Back then that's all she's eating, tuna fish.
No mayo. I eat two of the sandwiches in front ofher.
She now eats one and a half. Now she believes me.
She eats one and a half sandwiches before she realizes it's chicken salad.
Why do you think that you tell the mayo story so much?
- I don't know. Why? - It's propaganda.
- For mayonnaise? - For you.
Specifically, you're so impressive because you know Shania.
And you're so strong, because you pull one on her.
- You're a funny guy, a good guy. - Keeping everyone laughing...
so that maybe, quote, you don't get depressed.
Well, what's so great about depression?
Nothing. Unless it holds the key...
to something you compulsively avoid...
so it will never be examined or felt...
hence your behavior becomes repetitive like the story.
- Like the story. - Like the story.
- Like the story. Like the story. - Like the story.
Shut up.
All right. I don't have to tell stories.
What do you think would happen if you didn't tell the stories?
- Are you being yourself? - How am I not myself?
- "How am I not myself?" - Myself.
- "How am I not myself?"
- How am I not myself? - "How am I not myself?"
How am I not myself?
How am I not myself? How am I not myself?
- How am I not myself? - Bradley?
She's starving. She's a busy lady.
I order a ton of tuna fish sandwiches. That's all she was eating back then, tuna fish.
- No mayo... - Hey, Bradley, how do you like the corporate men's room?
Freakin'awesome, man.
- Hey, Brad, you want to hear something funny?
The Dundalee Cups are blowin'out in the Sunbelt franchises.
How's that for super weird? That's a good thing to bring to the table today.
Right? You arejust what the doctor ordered, my friend.
- Right? - Right on.
Well, let's go, dude. I'm gonna introduce you to the board of directors, my friend.
- John, what did Legal say? - Jerry?
- We have a legal problem. - Well, I disagree.
Give him the Salmon Stripper, call it the Bass Basher. They don't read English anyway.
- Just call it "Tuna Tornado." - There you go. Legal can cover that.
Speaking of Shania and tuna, Brad has the most incredible story.
- Go ahead, Brad. - There's a Bass Basher in Japan? What's that about?
- Well, we've got a trademark issue in Japan. - You got a legal problem?
L-Let's hear the Shania story. I mean, that's what they wanna hear.
- Yeah, come on, tell the Shania story. - Come on, Brad.
I don't want to tell that story.
- What? - I don't want to tell that story, Marty.
Come on. You and Shania are downtown in the loop in Chicago.
You're opening up the store. Shania, she all of a sudden, she gets...
- She gets... - Hungry.
- Really hungry. Right. And so, you order... - Tuna sandwiches.
- Yeah, tuna fish. - I thought she was a vegetarian.
You order tuna fish, okay, but you realize that she's allergic to...
- Marty, no. - She's allergic... Yes.
Come on. She's allergic to what?
Why don't you and me go outside and have a... have a talk? Come on.
- I'll be back in five. - Five minutes?
- Is he gonna put a bonnet on? - Be right back.
What the fuck was that?
Fuck!
- You're gonna get on the truck like everybody else. - Get on the bike.
- Truck! Truck! - Bike.
Engine Company 54, stand by.
- I'm free as a bird!
You're just sittin' in your gas guzzlers.
- So long, suckers!
Where are you guys? I'm at the fire, man.
- Here we are. - Pull it down.
Creation, destruction. Creation, destruction.
Oh, ho-ho-ho, no. Oh, no!
Everything. My life.
Why?
- Oh, Brad, look at yourself. - My life.
- You're sitting in a big pile of shit. - Brad, it's okay. Believe me.
Nothing's okay.
Nothing's okay, so it's okay.
You think it's bad, right...
'cause your house is burning and you might have lost yourjob?
I gotta go... I gotta go to a benefit.
Don't... Don't tell anybody.
No, tell everybody. I don't care. Tell everybody!
- Oh, maybe not. - Wait a second.
Oh, no, please, don't tell anybody.
You didn't see me cry.
Nobody sees that picture!
- Nobody sees that picture! Why did you do that? - No, no, no, no.
We didn't do this. We would never do something like this.
- Never. Oh, maybe sometimes. We didn't do this. - Never.
Who the hell is that lady with the camera?
- See-See... See, this isn't our thing. - That is her thing.
We wouldn't do it like that.
Why did you do that to me?
All right. I'm gonna go to the benefit.
Screw all you bastards.
- Brad! - Brad!
- Brad, we didn't do this. - She did it, Brad.
Yes, I did.
That fire was a bitch-ass thing to do.
No, it liberated you from the Brad.
Or did it bond me to Brad in the insanity of pain...
until I saw that I'm Brad and he's me?
- Yes. - No.
Come on. You guys work together, don't you?
- We don't work together at all. - Really? It's not like some secret deal...
where she picks up where you leave off, and then we come back to you?
- There is no secret deal. - Well, there should be, 'cause that's the way it works.
You're too dark, and you're not dark enough. You three were close, right?
Maybe too close. Then it went sour and propelled you into one extreme...
and you into another extreme.
So, voil ! Two overlapping, fractured philosophies...
were born out of that one pain.
Albert!
Wow. What happened to him?
I don't know.
Hi. Welcome to the Omni Hotel. Uh, we don't... We don't check bikes, sir.
- Yeah, treat it like it's a car. - It... It's not a car. It's my job.
Tenth floor.
Welcome to the Huckabees Open Spaces gala event.
Huckabees pledges to...
- Davy, come on. - Mr. Stand, you're not on the list.
- Let's talk to Marty. - What are you calling me Mr. Stand for?
- Let me in. Marty, I'm me. I made it. - Marty, will you let Brad in?
Brad, shh. Keep him out.
- Has everybody lost their minds? - What is this shit? Come on.
- I put this together. I put this together! - I know it's tough.
Josh, I put this together.
Shania.
Shania!
- It's the new Miss Huckabees. - Sorry. I thought you were Shania.
Can I get your autograph, please?
These are still the old pictures.
This is a collector's item for sure. Thank you so much.
- What's this, Dawn? - Do you love me?
- I think so. - With the bonnet?
Uh... N...
It's over, Brad.
I had a fire and almost died, and he came.
And he almost died 'cause he cares about the same things.
- And that shows there's no nothing, even when you die. - It's okay.
And he likes the bonnet.
Excuse me. We have a V.I.P. Function here.
I need to ask you guys to leave, please.
The gentleman behind the bush, you have to leave, please.
One world. One store. Huckabees, the everything store.
Shopping, nature, together.
- Did they let you in to the benefit? - I didn't even try to get in.
Brad, I thought about chopping your head off with a machete many times.
I thought about hacking you up with an ax, Albert...
and smashing your face in with a baseball bat.
Eighteenth floor.
- You going up? - We're going down.
- Uh, no, I think you're going up. - Right you are. Come on in.
Ma'am.
- Oh... Uh. - MaryJane!
- Oh, at last. - How could you?
- How could you do that to us, you liar? - This is a win for us. Come on.
A Dexicorp mall in my grandfather's forest is not exactly a win.
And they've already started surveying to... to start construction.
- We saved the marsh. - By giving them the woods.
Are we going up or what?
All you did was make Huckabees look good. That's all you did.
Albert, how can you be calm? Did you hear what Brad did?
- I'm dealing with it. - Sit with me and Shania. You'll see this is a win for us.
- Shania doesn't give a shit! - Oh, Shania cares.
- Let's go! - Shania doesn't give a shit!
- We saved the marsh... - Fuck him!
- So you sold out the woods? - This new mall is going to be very eco-friendly.
I saved half the trees. Did I sell out the woods?
I don't know. I tried to do some good. You know, I saved half of'em.
- Brad, I torched yourJet Skis.
- And my house? - No, just yourJet Skis.
It spread to the house. I'm sorry.
Thirty-sixth floor.
- You guys going down?
Good.
Who is that? You or me?
Give me...
- Ow!
Give me that!
Hit the alarm.
- You're only smashing yourself, Brad! - Yeah.
And now I'm smashing myself!
Now I'm smashing myself!
- Stop it! - Twenty-first floor.
Shania.
Brad, do you realize when they destroy the woods...
- No, let me explain. - The average temperature of the marsh rises five degrees?
- The entire food chain is degraded, starting with frogs. - Let me explain.
Let me explain. Okay, but we saved half the woods.
I'm a vegetarian, Brad. I eat tofu tuna.
With the mayo, and you liked it!
Shania, I'm Albert. I used to run the Open Spaces Coalition.
- She knew my name. See? - So what if she knew your name?
I was only joking, man. Come on.
Yeah, okay, I'm caught up in that shit.
- So am I. That's how I bought into you. - Eighteenth floor.
Albert, we owe you an apology. We should've stayed with you.
Thanks, Angela. See you at the meeting on Tuesday.
We're gonna stop those bulldozers.
- Oh, my goodness. - I don't have a job.
I don't even know who I am.
That's exactly how I felt.
Try this lady.
Ah, here he comes!
- Oh, boy. - The man-poet who banged France's dark lady of philosophy.
The parking lot crusader of truth...
who turned his back on his other like a cold-blooded gangsta.
I know.
- You hurt my feelings. - I'm sorry.
- But you had to do it anyway, didn't ya? - She's a very powerful person.
- And I haven't been with a lot of women. - Obviously.
And she used me to teach us about the inevitability of human drama.
So? Is that where you get off the ride?
Hell no.
I didn't think so.
- Looks like you saw some truth. - Looks like you saw some truth.
- What'd you see? - Well, the interconnection thing is definitely for real.
- It is! I didn't think it was. - I can't believe it. It's so fantastic!
- That's amazing. - I know.
But it's also nothing special.
Yeah, because it grows from the manure of human trouble.
You see, the detectives, they just wanted to gloss right over that.
But in fact, no manure, no magic.
- Did you hear some of that? - Some of it sounds pretty good.
I think...
I think this case is closed.
Is it ever really closed?
Hmm.
- What are you doing tomorrow? - I was thinking about chaining myself to a bulldozer.
- Do you want to come? - What time?
Mm, 1:00, 1:30.
Sounds good. Should I bring my own chains?
We always do.
***NewMov字幕翻译小组制作*** 制作人：bubi&nowadays
-------------------------- 本字幕所有权益归制作人所有 纯属翻译爱好者交流学习使用 谢绝它用,否则一切后果自负 --------------------------
操你妈的混帐东西 操你妈的干死你
我这是做什么呢 我这是做什么呢
都不知道我在做什么 我在尽自己最大努力
我所能做的也只有这些了
这样做就够了吗 这有什么好处呢
有人注意我了吗 试着改变什么是不是毫无希望呢
那个黑人就是个信号, 不是吗 如果他不是...
那么这个世界对我毫无意义
我被暗算了, 也许我应该辞职 还不行
他妈的也许真该辞职 操,不能辞职
他妈的真不知道还能做些什么
妈的, 我操! 操
很高兴我们拯救了这片湿地
虽然还很小, 但也是湿地
斗争不能停止
更多的湿地等着我们去拯救
我想朗诵一首诗以示祝贺
磐石危坐自非凡
推之不动气等闲
千难坚毅真本色 万等众生偏向前
好极了, 我们就这样的
-有记者来吗 -有, 我是市报社的, 怎么了
没什么, 我有个约会要 去找一下那个非洲小伙儿
-哪个非洲小伙儿 -没错, 哪个非洲小伙儿呢
这儿
你好, 我是艾伯特 马科维奇 本来约好了1:00见面的
很抱歉, 我来晚了 可这地方象迷宫一样
请坐, 等会儿就安排你见面
为什么不告诉我你现在的处境呢
噢, 你们在这儿到底做些什么 我还不是很清楚, 知道吗
呃, 我们, 唔-- 我们调查解决你的问题
-怎么调查呢 -如果你签了合同, 我们就会跟踪你
-象间谍一样吗 -是的
-要偷窥我吗 -是的
-我去洗手间你们也要看吗 -是的
-在洗手间里吗 -是的
-为什么 -没有什么所谓的小事
知道警察找到一丁点儿 DNA就可以破案吗
如果我们可以看到-- 你性幻想或者自慰...
也许那就是解决你 所有实际问题的关键
-就是说我雇你们监视我了 -没错
那样我们就可以找出你的问题所在 帮你渡过危机
还有, 我的同事将会 从另一个角度介入你的个案
你说从另一个角度 什么意思呢
是关于你对现实的超感觉力的 他会和你谈这一点的
-谁让你来这儿的 -没人, 我找到了你的名片
-在哪儿找到的 -一个奇怪的旅馆里,以前我从没去过那儿
我当时没有合适的礼服 他们就给我借了件短上衣
我把手伸进口袋里 拿出来一看是你的名片
奇怪的是我总是穿着夹克的
-但那天却没有穿 -是的
-布拉德 斯坦德 -你好
-多少有些巧合 -是的, 没错, 我的问题就是巧合
-旅馆和夹克吗 -不, 不, 那-那是--
我要说的是个大巧合 是关于一个男人的
一共有三部分 好的, 准备好了吗
第一部分
我去过一个叫斯特汀格的照片档案馆的地方
我要找些鲍勃 迪兰的早期作品
这个高个子非洲小伙儿进来了 他有18, 9岁的样子
知道吗, 他去那儿找 莫里斯 契斯特纳的照片的...
沙奎尔 奥尼尔, 吉姆 凯利
他是个签名收集狂, 就是...
找一大堆名人的照片 然后让他们签上名字
两周后, 我又见到了 这个非洲小伙儿
他在我朋友住的地方当门童
哦, 上帝啊
-你朋友是谁呢 -杰 文德福, 但那公寓不是他的
-是他女友的 -女友的名字是...
唔, 叫凯莉, 凯莉 考特 那么, 好吧, 那是第二部分
一次是在斯特汀格的照片档案馆里...
第二次是作为一个门卫
第三次见他是在商业街 他坐在一个小货车内
-你在商业街做什么呢 -我在工作
我在做旷野宣言
是的, 他回来了, 你他妈的疯了
停车场不能载树
那棵树交给我好了 我把它砍了恢复交通
你只是在给我找活儿
-不是什么都有意义的 -不, 这意义深远
-什么深远意义 -我正想你帮我找出这一点呢
-关于你的生命 -是的, 关于我的生命
关于整体, 整个宇宙的 知道吗, 这是个大问题
我是说, 我应该继续下去吗 会不会毫无希望呢
马科维奇先生, 这儿的很多人都...
想知道现实的终极真理
他们想透过表面穷究至理...
却发现这是一个痛苦的过程 其间充满了意外
那样将会把你熟知的世界 搞的支离破碎
那也是多数人流于肤浅的原因
也许你应该回家去 不要再自寻烦恼了
不要放在心上, 你说呢
不要这么打发我, 求你了
我想知道 这是大事
-你有没有做过穿梭时空的旅行呢 -有过, 没有
唔, 时间不是空间 不, 我不知道你在说什么
我接了, 可你没有多少钱, 马科维奇先生
这也成问题吗 你要价很高吗, 你做什么呢
我们的收费高低不等 有些顾客每周30美元
有些每周要几千美元
真不敢相信你们的存在 干这一行有多少年了呢
-从业17年, 处理个案352件 -真是不可思议
我有个要求 请你们不要介入我的工作好吗
因为我现在岌岌可危
你想我们不影响你的工作
是的, 如果你们总在我办公室里窥探...
就会使我的地位不稳而伤害我的
我想你来见见我的同事
-伯纳德? -啊-哈
-这是马科维奇先生 -你好
-他要无偿服务 -好的, 听起来很不错
谢谢你帮我解难
-哦, 不客气, 不用客气 -等等
-他还没有签合同呢 -做完了这个再签一样的
-还为时尚早 -你总是这么说, 这是本性使然
-不是的, 要讲究方法, 耐心, 策略 -不要说了好吗
-来吧 -我们需要根据他的具体问题具体分析, 伯纳德
但我们也需要复习下逻辑 好了, 就这样吧
-吻我, 来嘛 -好的
我们去哪儿吃晚饭呢
-去吃韩国烤肉 -真的吗
好的, 我们开始吧
这是调查的一部分吗
是的. 假定这个毯子代表了 宇宙中的一切物质和能量好吗
包括你, 我, 一切的一切
什么都代表了, 可以吗 所有的微粒, 一切都在内
-那毯子外面是什么呢 -更多的毯子. 这点儿很重要
-毯子是一切 -是的. 这就是一切
比如说这就是我, 明白吗
是的是我, 看啊 我60多了穿着灰色的西服
哈哈, 废话 假设这儿就是你
你呢-- 我不太清楚 你21了, 长着黑色的头发什么的
看那儿, 这是薇薇安 我的妻子兼同事
下面是那儿, 看见埃菲尔铁塔了吗 这就是巴黎了
这儿是场战争 这儿呢, 唔, 是个博物馆
这是种疾病 这是个器官
这是个汉堡包
-万物纵然不同却又相同 -没错
但日常中我们却忘了这一点 我们以为事物是分离的有限的
我在此岸, 你在彼岸 谁是谁非呢
实际上可不是这样 我们是联系在一起的
因为我们...是相互联系的
-是, 是, 是 -对吗
-是的 -好吧, 下面, 我们需要学习...
怎样才总能看清毯子里的真相
一切都在日常的琐事中 这就是我们所要找的答案
-为什么 -什么为什么
为什么我要学习如何看清日常 生活琐事上的毯子里的真相呢
你想知道万物的真实情景, 是吗
-嗯-嗯 -你来这儿的部分原因也在于此, 是吗
这就对了, 我马上就来谈论这个问题
弄明白真相要花些时间, 知道吗
但是... 这会对你有所帮助的
-怎么搞 -一旦有所覆盖你就可以放松...
因为无论你要什么就有什么 你想什么就是什么
-听起来很不错是吗 -是很不错
-好吧, 进去 -你要我进去吗
-那么说要躺进去了吗 -是的
-进去以后会发生什么事呢 -哦, 嗨, 进去后你就知道了
你会知道的
马科维奇先生, 这套衣服的目的...
是帮你关闭日常的感官功能
以及抛弃使你和万物分离的躯体
这房间 这街道...
这个城镇, 这个国家 这个经济...
这个历史 这个行星
你的躯体, 你的感觉, 你的工作
你所知道的一切
你好伙计, 现在怎么样了呢 你真是头蠢驴
我们要毁了你, 宝贝儿
这是沙奎尔 奥尼尔, 我喜欢大鲨鱼
嗨
-布拉德 斯坦德 -嗨, 你好吗
你的旷野计划怎么样了
呃, 我觉得你们一定可以 在耗尽的土地上重建...
而不用去破坏新的土地
-新大陆, 新大陆 -我们承认这一点
是我们在这片土地上 不能对点儿这置之不理
我们不是说要置之不理 也不想对你胡说, 不是吗
部分原因是我们在报社下了功夫 都是为了我们自己的发展
在如此短的时间内开了这么多家店
所以如果我和你 以及你的旷野联盟一起工作...
难道不会对哈克比的形象有所帮助吗
当然是的 对我自己有帮助吗? 有的
需要的时候我为哈克比争取些大客户 不是会对我有所裨益吗? 当然会的
我是否在意对旷野的拯救呢 肯定的, 我在意
不要看着我 你怎么了
快啊, 你个小东西
-你怎么了啊 -小猫咪 -你真下流
你怎么样了? 还好吗? 你没事吧
好像你刚才说过这会使我放松的
最终会的, 但是你要在家里多练习, 好吗
你看到很多层是吗? 唔? 还好吗
-是的 -好吧
我在家里怎么练习呢 没有这种设备
没关系 你可以-- 它--
戴眼罩或者闭上眼也可以, 知道了吗
哦
呃, 嗨, 我该怎么做呢
平时怎么做就怎么做
本想感谢你为我的橡树做的一切
我小时候在那树上玩 本以为我们有机会...
可他们已经把它砍成了一段段的
你好, 我有些问题...
是关于游乐场上的电线的 我女儿上学时要从那里过
请给我回电话 我是玛乔里, 电话是96--
-嗨, 伙计, 我们应该谈谈 -嗨, 怎么了? 人都上到哪儿去了
-布拉德把会议地点改了 -他怎么了
-改到哈克比公司去了 -听着, 好吧, 我想你做件事
马上给我接通国家办公室的电话
找奥林 思朋斯告诉他 布拉德正要劫持我的联合会
-这个一周前就应该搞完的 -快把这破车...
-开出停车场去 -这是个自由的国度, 唯有诗歌才起作用
-哦, 你真让人讨厌 -哦, 不, 我不讨人厌
-是的, 真的, 你让人厌烦-- -不, 我不烦人
如果我的诗歌和西娜亚一起寄出 结果将会截然不同
知道吗, 这个联合会再也不归你领导了
-我自己就是联合会, 我申请的特许权 -喔-喔, 不会太久的
-告诉他这很重要 -我不会参加在哈克比举行的任何会议的
-联系不上他们 -不能一直试下去吗? 试下去啊
告诉奥林 思朋斯不能让布拉德 这样对我我们, 明白吗
-伙计,她怎么能把你从组织里排挤出去呢 -她做不到
这就是那天告诉你的我工作的形势 有点儿--
如果可以的话回头我再和你详谈
-艾伯特, 别担心, 到时候我们去大闹一场 -把这些复印一下发出去
你不但要和城市蔓延做斗争还要和 布拉德 斯坦德做斗争, 现在又被解散了
记得吗, 我告诉过你 不要来插手我的工作
哦, 是的, 我记得 告诉我是联合会激发了诗性吗
-或者是写诗激发了在联合会的热情呢 -这看起来有些奇怪了
-对于你什么时候过来能不能约定个日期 -那关于你生活的主线--
这和我的巧遇毫无关系 那是和一个非洲高个子男人的事
薇薇! 薇薇! 科恩...先生遇到麻烦了 你最好和他谈谈; 科恩...先生, 很急
-汤米, 怎么了 -我这儿的情况很严重
-告诉我发生了什么事好吗 -她想和我谈谈工作形势
-可我想知道关于我的巧遇的事 -此刻发生了什么呢
现在正说这事呢 她正在监视--
-想想那个毯子吧 -我现在不想谈论毯子的事
象这样
等等, 哇 在做什么呢
伯纳德, 我需要事实为理论佐证
没有时间遐想吗 看到理论的一些片段了吗
-这一点儿都不酷 -什么? 你说什么呢
听着, 你去找科恩先生 他妻子正要离他而去
伯纳德, 要知道做领导真辛苦
艾伯特, 宇宙无限大 处处都可以做中心...
边界你却找不到
呃, 怎么可以处处为中心呢--
-她是跳进安吉拉车的后座去的 -艾伯特, 你要不断尝试这种方法
我得马上过去看看-- 唔, 科恩先生, 就这样好吗
这办法很有效 不要忘了使用好吗
金宝, 草坪上的所有东西都带走
微波炉, 咖啡搅拌器...
宝贝! 宝贝儿, 好了
不要这么做, 求求你了
嗨, 不要这么做
-你谁也不需要 -不是那样的, 我需要你们
如果什么都不重要 你又怎么会需要我们呢
我不知道到底是什么都不重要 还是有些事情重要
我很想搞明白 希望你能帮帮我
有些事情, 没有事情 你知道什么啊
我-我-我-- 你说说看 放开我! 让我走
好的, 唔, 现在停一下 告诉我怎么回事好吗
她不愿留下来和我分享这种体会
-告-告诉我这是什么 -这对我很重要, 我看的很清楚
-是吗 -你用汽油, 你就是个杀人犯, 这是事实
-是的, 是的, 是的 -杀人犯... 怎么会是杀人犯呢
其一-- 破坏臭氧层是不是 使所有的生物受害呢
-冷静点儿 -其二-- 伤害了出产石油的独裁国家里的阿拉伯人...
那儿的人民都很贫穷-- 这太残酷了, 太不人道了
-你跟我说过的 -所以如果这个世界是暂时的...
-是的啊 -本体就是虚幻的...
-是的 -那一切都毫无意义也都不重要了--
-不是的-- -这让我迷惑不解
不, 重要, 很重要, 很重要 你看, 汤米
看, 这就是宇宙, 我们的星系就在这儿
-哪个宇宙 -哪个宇宙? 这个, 汤米, 你看
好吧, 那儿是尘埃和气体
-是吗 -我们就在这儿...
其间是好运和歹运
-一片混乱 -这可不象你啊
-是的, 波旁谈论了空间 -这本书你从哪儿搞的
-你给我的 -不, 不可能, 我怎么会给你这种书呢
-不是你给我的吗 -凯瑟琳 波旁是狗屎, 她来这儿干什么呢
天啊, 她可从没有离开过巴黎, 真是疯了
-这本书真的很不错, 你应该看看 -什么
她说无论你做什么 一切都是孤立的...
你可以开汽车 你可以烧汽油...
-怎么了 -这样就可以揭示事物的真实面目了...
人们肆无忌惮的破坏东西却什么也没发生
汤米, 汤米, 一切都是相互联系的 什么事情都很重要
我们身体里的每一个原子...
都经过太阳这个大熔炉冶炼过
-看, 是不是很酷呢? 唔 -是的
-这很酷, 不是吗 -但是--
但是什么 告诉我她怎么反驳这一点的
-哦, 就在这儿 -哪儿? 哪儿呢
-这儿-- -哪儿呢
"人体由宇宙中不到5%的元素构成"
-你知道-- -你看, 这就是说我们都是独立的...
不幸的孤立着
懦夫, 如果你-- 听我说, 如果你--
如果你在他崩溃之前离开...
可能他永远也恢复不过来, 知道吗
你知道吗? 我已经崩溃了
-你不想去思考这些问题吗 -不想! 我只想好好过日子
那叫什么日子啊, 亲爱的 我们是什么的一部分呢? 我们是谁呢
看这个, 知道从哪儿来的吗
-知道, 我的衣柜 -印度尼西亚
-商店 -亲爱的, 这才是事实, 知道吗
象你这样的小女孩不得不 在黑暗的工厂里拼命的工作...
眼睛都瞎了每月却只挣1.60美元 都是为你妈妈生产她这漂亮的鞋子
-你能想象的到吗, 凯特琳 -我不想让孩子们在工厂里工作
不要听他的, 宝贝儿 爸爸疯了
爸爸没有疯, 宝贝儿 是这个世界疯了
-去思考问题很重要 -不要让她们的眼睛瞎了
妈咪不管不问 因为妈咪毫不关心
-不要停止思考, 宝贝儿 -该死的你
-让你这样 -斯奇普, 送她到车上去好吗
-"人体由... -把特迪熊给我
宇宙中不到5%的元素构成"
-那又怎么了 -斯奇普, 你应该思考这些问题
伙计们, 让他放松一下 医疗师已经来帮他了
对不起, 你刚刚叫我什么
-你不是他的医疗师吗 -不, 我是--不是他的医疗师
我想和你谈谈这本书 它对我启发很大, 我想--
凯瑟琳 波旁在美国干了些什么啊
你到底在说什么啊
不, 不, 等等, 这真的很好玩
你们觉得那好笑吗 我这儿有个故事
-它只有四个月大 -静静, 静静, 听, 听头儿的好吗
我和西娜亚在一起 我们在会车线那儿开了家大商店
西娜亚在那儿搞服装促销是吗
4点的时候她饿坏了 我给她叫了一份金枪鱼三明治, 没鱼子酱
住嘴
嘀, 嘀 嘀, 嘀, 嘀
西娜亚讨厌鱼子酱是吗 而且她还不能吃鸡肉色拉
那可不是开玩笑是吗 我们给她吃过, 她都吐在了轿车里
-轿车里吐得到处都是 -她讨厌鸡肉色拉
所以我给她买了一袋金枪鱼三明治 可她不信任我
我说, "西娜亚, 我对鱼子酱过敏"
-顺便说一下, 这是句谎话 -他喜欢鱼子酱! 他喜欢的
西娜亚还是不相信 我就当着她的面吃了两份证明给她看
结果她吃了一份半三明治 一份半三明治的...
已经吃下去了... 她才意识到吃的是鸡肉色拉三明治
-实际上她喜欢鸡肉色拉 -她没有呕吐
他改变了她的观念 这正是他们想让公司高层所做的
怎么了? 要我帮忙吗
-嘘, 嘘, 嘘 -对不起
没事, 我是来和布拉德 斯坦德开旷野会议的
噢, 那你走错地方了, 跟我来
-我告诉你怎么走 -谢谢, 你真热心, 麻烦你了
你没有理由到这儿来 这一层是经理专用的
这是-- 来啊 拿点儿这个, 快一点儿
除非你是经理或者经理助理...
或者你是--
不, 不, 夫人, 西娜亚不是闲聊的 我们从这边走
你应该到另外一层去 这栋大楼里的安全措施很严
至少我认为很严的
当然时不时的...
总有人会走错
可随后很快就离开了--
这里是哈克比, 您所要的她都有
我们再来一遍
我-- 我-- 好了
应有尽有 所有女士衬衣及护发产品半价优惠
只限于本周噢 这里是哈克比, 您所要的她都有
哦, 该死, 我们能再来一边吗
我觉得可以做的更好...
-我够了, 达里尔, 真的够了 -你做的很好, 道恩
-不行, 我做不了 -不要给我脸色看
我不知道自己怎么了
你的声音就是哈克比的标志
哦, 你在这儿啊 鬼鬼祟祟的可不好
我刚才都快上电梯了 我们得走了
快一点儿, 我们走了 我带你过去
把我的会搞到哈克比公司去开
是我拯救了这片湿地 是我要拯救这片土地
不是他们
操他个婊子养的布拉德 斯坦德
公司安插的畜生 哦, 操你妈的蠢材
"遭遇背叛" 作者: 艾伯特 马科维奇
有没有可能大家携起手来 使这个世界更美好呢
我不这么认为
这是艾伯特的观点 整个都是艾伯特的观点
-和我谈谈布拉德 -艾伯特让他加入进来真是个错误
-操 -他对我们的帮助很大--
他从我们的福利中摈弃了艾伯特的诗 当然也不用寄邮件了
安顿下来 谁来给我讲讲树林和湿地的事
玛丽简, 你的故事 为什么你不讲讲呢
这片树林和湿地是我曾祖父的
1972年为了大家
我们把它永久的捐给了市政府
-为什么呢 -我们想和大家分享这美丽的风景
可现在市里面却不想这么干了
他们突然说要在湿地上...
建一条林荫道 两边盖上房子
-所以我们要为此斗争 -和他们做斗争
-我们必须拯救湿地 -大家好, 很抱歉我来晚了
我带来了湿地的照片
真漂亮
这就是我们要拯救的树林和湿地
这幅照片体现了安静的美好时光
西娜亚就在这儿 而不是什么愚蠢的诗歌
让美丽不言而喻吧
印度天南星在此生长
图像总是要好一些 那样可以更快地深入人心
世人不理解诗, 他们也不想听诗歌朗诵 大家都没有时间
他们要思考的太多了 旷野体恤, 人人都有, 玛丽简
-特小号的给你小孙子准备的 -你本不必这么做的
体恤都有了 下面是福利的安排
首先, 确定是场鸡尾酒会 其次, 玛丽简...
你介绍湿地的录像 背景故事, 动植物等等
安吉拉, 你先发言, 随后马蒂代表哈克比发言, 接着我发言, 最后 西娜亚 唱首歌
西娜亚 特文为我们唱歌助兴
-嗨, 我认识你吗 -不, 我是薇薇安 嘉菲
-我叫布拉德 斯坦德 -她是个探子--
艾伯特 马科维奇派来的
-抱歉, 那样没有用 -怎么回事呢
-你们怎么扯上关系的呢 -通过一项调查
我很为那个家伙担心, 他不合群 什么调查呢
我是在做存在与否的调查 如果不介意我想问几个问题
实际上我们介意, 因为要开会了 现在都有点儿晚了呢
但好像很有趣 你有名片吗
-有 -我不想你难为
是关于存在吗 好像是在治疗啊
好了, 鬼魅女郎, 走了 我们出去吧
我告诉过你离我的工作远点儿
为了解决你的巧遇, 必须把它放在 上下文中考虑, 布拉德 斯坦德看起来很重要
那么说你真的跑到哈克比公司 告诉他们你是我的存在与否的侦探了
-能活到明天就算我幸运了 -如果你坦诚一些, 问题可以更快地解决
我对你们一直很坦诚 布拉德诬陷了我...
他领着联合会走向了另一条路
-这还不坦诚吗 -在斯特汀格的照片档案馆中你遇到了尼米亚里--
谁是-- 谁是谁啊
-那个非洲小伙子 -就是我巧遇的那个非洲小伙子
-这才是我想谈的问题 -你不是第一次去斯特汀格的店里,是吗
-我说过是第一次吗 -说过了, 你同意那不是你第一次去吗
是的, 那不是我第一次去 也成问题吗
好像你经常去那儿 而且你也不是在找鲍勃 迪兰的画儿
你是去往里面放你自己的照片
-你在说什么 -你为什么要这样做呢
引人注意吗 也许很渴望
-也许, 是的 -啊- 哈
那怎么会影响到联合会的布拉德呢
怎么会影响到联合会呢 我不知道
要知道, 我很疲惫 那真是拖累
因为我想把自己的诗歌和募捐的 邮件一起寄出去, 布拉德不这么想
他完全沉迷于西娜亚和彼得 桑普拉斯之中
而忽略了我们应该注意的焦点--伤害
你把自己的照片和诗歌塞入了 斯特汀格的店里, 所以布拉德鄙视你
-不, 不是的 -他要挟你加入了旷野联合会
-为什么那样做呢 -我需要别人的赞助使自己的事业更进一步
这就是原因 别的还能为了什么呢
-我们刚才说过了, 为了引人注意 -真是荒唐, 让我看看自己的文件夹
-不行, 这可没多余的 -在照片档案馆里, 你花了很多时间...
查看杰西卡 兰格的泳装图片, 为什么呢
只因为兰格在马科维奇之前啊
我的照片在马科维奇名录下 字母"L" 正好在这之前
可能那样我确实多看了几眼兰格 这有什么大不了的呢
-艾伯特, 孩子, 好了 -怎么了, 那样就犯罪了吗? 看看兰格就有罪吗
-你有没有恋爱过 -怎么这么问
-你相信爱情吗 -或者你只是暗恋过别人...
因为其他的事情太痛苦
伯纳德, 很抱歉 但我这儿刚有进展
亲爱的, 我也是 我也刚有进展了
噢, 不, 不, 我不想进去了 每次进去的时候...
我都看见令人憎恶的脸 然后我就用斧头砍啊砍的
结果越砍越多 这次要记下来都有谁的脸
-好吗 -那就交给你吧
来吧, 你不能退缩 艾伯特, 进到袋子里去, 我们开始了
我在你旁边
好的, 艾伯特, 象以前一样 忘掉你世俗的躯体吧
不要盯着我看
我说过了不要盯着我看
-道恩会喜欢为旷野联盟拍照宣传的 -道恩是谁
哈克比小姐 道恩
-她喜欢你的诗歌, 特别是那首关于岩石的 -磐石危坐自非凡吗
就是这首, 她喜欢诗歌 她喜欢森林, 草地, 远足
我们就要带上汽船 开着拖车去山里露营了
等等, 你们两个-- 你和哈克比小姐一起吗
-她当时正为我们的印刷品拍照-- -艾伯特? 艾伯特
忘了布拉德, 回到我这儿来 你在哪儿呢? 你在哪儿呢
艾伯特, 想象旷野里有棵树
很好, 把你尊敬的人放到树上去
-嗨, 傻瓜 -还是布拉德 斯坦德
-加些别人上去 -比如说谁呢
一个理解力很强的人 一个可以帮助你的人
-你会选谁呢 -呃, 我选玛格丽特, 一个比利时的超现实主义者
-有了 -是谁呢
习默夫人... 我高中的英文老师... 她帮过我
-好吧, 很好 -他把她从树上推下去了
没关系, 习默夫人有个真空吸尘器 艾伯特, 那可以用来吸走恐惧...
现在她准备向你发射安全 和完全接受的辐射波了
他把她的头砍掉了
坚持, 坚持, 坚持 你做的很好
听着, 现在不要放弃 她是不是吸走了很多恐惧呢
但是后来他又把她吸走了 我不得不用斧头砍他
好的, 艾伯特, 我可以给你讲几个秘密
第一, 你总想着什么事情...
所以你也可以总想着习默夫人 和她的吸尘器等对你有帮助的事
第二, 你我都是虚无的
那不就什么都没有了吗
第三, 没有"什么都没有"这种东西
无限之外没有剩余
这儿只有毯子
本以为我理解了毯子的 可现在我不确定了
旗子和背包! 哈克比说 "生日快乐, 总统先生"
所有的背包及口袋书半价
哦, 看这儿, 你觉得怎么样呢
就让自由将我们笼罩
一切尽在哈克比...
哈克比的宙斯神哺育之角人人渴望
但那些瞪羚呢 它们是不是...
被压扁在CD之下呢
-嗨, 艾伯特, 你还好吗 -布拉德, 你来这儿做什么
我调查你的时候遇到了布拉德
他打电话讲了自己的存在危机 就是这样的
-真的很高兴能找到这些人 -胡说八道
他根本不关心这些事情
我要见那个非洲小伙儿 他在哪儿呢
-伙计, 你在说什么啊 -他为什么要写诗呢
北美洲没有瞪羚 你知道的真少
大厦压扁了自然只是我的想象 你不会作诗的
每个人的认知过程都不一样
是我要求布拉德写首诗的
你加入我的联合会还不够...
现在你又跑到这儿来-- 好的, 好的
好吧, 那很好
我们都一样, 布拉德 一切都只是毯子
你说话啊 带他过去吧
-你说的很好, 艾伯特 -噢, 宝贝儿, 他明白了
联合会怎么样了, 布拉德
很好, 顺利多了
太好了, 我期待着回去和你一起战斗
朋友, 那不太可能
我还是其中的成员之一... 是我把联合会从草纸变成了现实
是的, 是的, 我可不想你在这儿痉挛
你就是这么想的 你正想我这样呢
-什么 -什么 -什么
你们看见他在做什么了吧 告诉他们你在做什么
-什么 -他是来征服你们的就像征服我的联合会一样
他今天来就是想让我失去勇气的 那样当奥林来了以后, 我就可能把事情搞砸了
-你就是这么打算的 -艾伯特, 求你了
-哦, 上帝啊, 布拉德, 你要杀了我吗 -你说什么呢
说什么-- 好吧, 奥林 来的时候, 我会搞砸的
到时候我被踢出联合会 他就可以为所欲为了
-奥林是谁 -奥林是旷野联盟的全国主席
他就要来审查我们的特许申请了
但愿这不是因为道恩 他迷上了我的女朋友
-真奇怪 -你为什么盯着她看呢
她是个模特
-我要回去 -哦, 不! 艾伯特, 等等, 和我们一起聚会吧...
聚会的时候要跳舞是吗
也许艾伯特应该和搭档联系一下
什么? 汤米? 不, 目前那是个坏主意
是的, 一个不确定的举动, 甚至很危险 但是富有潜在的鼓动性
伯纳德, 给他们都做做通灵联结
也许, 但是汤米的形势不妙 也许会影响到艾伯特的
你说过汤米会好转的 你忘了吗
没什么, 让他和搭档联系一下好了 这个主意很鼓舞人, 真是妙极了
联系会回到我们身上的, 伯纳德
-总是会回来的, 正如你所说的, 眼光放长远些 -长镜头
-谁是搭档呢 -马上你就会知道的, 嘘
那儿发生了一场干旱
那儿没有庄稼
没有橄榄树
没有灵魂
炉子里没有兔子
我们把蝗虫挤碎了做面包
知道你们在说些什么
本以为我们会谈论石油的
艾维察太太来自西班牙 一年来这儿一次
她是我们提供给客户的小服务之一
一种精神甜点
一旦习惯对你将会很有帮助
-是啊, 真是款待啊 -已经给你答案了
太太, 石油的问题不是自然造成的...
不像干旱或者橄榄树等其他的东西那样
是由人造成的 这就是事实
是由那些无所顾忌的人造成的...
-由此引发了很多问题 -不, 不, 汤米
-只能问一个问题, 不行 -好吧
-问题是-- -不, 不, 我想--
你已经问过了而且已经给你答案了 汤米, 够了, 太太累了
太太, 为什么人们在危急的时候...
才会思考一些深刻的问题
事后却又忘得一干二净呢, 不是吗
人们怎么会自我毁灭呢
第三, 我拒绝使用石油...
但我这辈子也没办法阻止石油的使用是吗
吉米 卡特现在也会有辆伟大的电车的
我可以买辆凯迪拉克 如果它能用电的话
-我不是非要骑自行车不可 -那是三个问题了
妈的我付了钱就是要答案的 给我一秒钟好不好
我知道, 小伙子 也许你该见见艾伯特
-你不是说下周吗 -你们越早联系越好
九月事件以后--
汤米就和我们一起了 以后他就是你的搭档了
-这到底是怎么回事 -就像个交友系统
当我们崩溃的时候, 一切都很艰难 相似的经历...
会对我们有所帮助
你开车吗
自行车 有时候乘公交车
很好, 那很好, 我喜欢 可以理解为什么他们让我们在一起了
-我是汤米 科恩 -我是艾伯特 马科维奇
-我是你的搭档了 -一起去聚会吧
来吧, 来吧, 谢谢, 太太
-你是怎么回事呢 -我不知道
-什么意思呢 -他们不让我看自己巧遇的文件
你想让他们解决巧遇的问题吗 这就是你来这儿的原因吗
-是的, 这就是我来这儿的原因 -那个女孩儿是谁呢
哈克比的形象代言人
-应有尽有 -就是她
-我怀疑你的巧遇很有意义 -为什么
我有本法国思想家凯瑟琳 波旁写的书
她说要摆脱现实去看看真相 这和他们所说的一样
-不同点儿呢 -在这儿, 他们说毯子里一切都是联系的
波旁说万物都是孤立的,一切都是 随机的残酷的, 你做什么都不重要
汤米, 那是虚无主义
他们说那很危险 但却很有说服力
知道吗, 前任女友不让我看自己的女儿
她正在给她洗脑 使我女儿不去体会思考
-这是什么样的现实啊 -不是这个
是的, 如果愿意你应该审视下自己的生活
-我怎么才能看到自己的文件呢 -想看自己的文件吗
我吸引他们的注意力 你趁机溜进去看看
自然点儿 你的伙计来了
嗨, 你也来聚会了啊
布拉德, 真没想到你对存在问题干兴趣
为什么呢? 因为我是个不会说话的销售经理 而不象你一样是位敏感的艺术家吗
不是, 只是我从没听你说过 仅此而已
伙计, 你觉得我加入旷野联盟为了什么呢
-我原来以为你关心这个问题 -我关心
很明显你别有用心, 不是吗
-你念的什么经呢 -我念的什么经
菲尔杰克逊的《神圣的呼声》
真的, 他们在哈克比办展览的时候 我看过那书, 知道吗
书里认真地提出了些很好的问题 你真应该看看
书里说的是不是体育问题呢
不, 自以为是的驴子 菲尔杰克逊是个聪明人, 好吧, 够了
布拉德, 是个诚实与否的问题
他有些敌意 我也感觉到了
-你又是谁呢 -你又是谁呢
你想来吗 走吧伙计
嗨, 不要拉她, 伙计 好了, 不要这么--
-真有趣! 他推了他 -这可不是有趣
-嗨, 伙计, 他袭击我, 他试图攻击我 -嗨
-我试图-- 你在和我妹妹跳舞 -是的
-你想跳舞吗 -不, 我不想跳舞
-看着我, 来啊 -什么
-你想和他打架是吗 -是的
不, 我不想和他打 可他搂我的女友
好了, 你们两个人都想打对方, 是吗
两个人都想打对方...
你们想退化回去吗
长期以来爬行动物相互捕食
你们想退化成四条腿的动物吗 不是吗? 不原始吗
说啊! 内心的争斗还要保留多久呢
-你在干什么呢 -我, 唔--
伯纳德-- 整体支离破碎后的东西-- 你看, 都是些诗歌之类的--
但是我已经找到了, 没什么大不了的 因为我已经找到了, 知道吗
小伙子们, 任何一种关系都有可能 兄弟, 丈夫, 孩子
安全警报 他偷了文件
艾伯特, 你都做了些什么
现在我可以自己调查了
你知道自己都干了些什么吗 一切还都没有开始呢...
你需要摆脱自己的肉体 或者解除自己的恐惧
艾伯特可以想干什么就干什么了 谁说自己知道的更多呢
-想来试试吗 -是我的巧遇
没有人吗 是的, 没有人来
抱歉我刚刚那么抓你
-爬行动物 -伙计, 走了
-嗨, 他是在这儿吗 -是的, 就是他
-嗨 -天啊, 怎么会是你
是的, 是我艾伯特, 你还好吗 这是我朋友汤米
你好, 我是汤米 科恩 你好吗
-这是第四次巧遇吗 -不, 我这次是特地来找你的
只是一直对我们的巧遇好奇 想知道这意味着什么
我们一直都奇怪自己是否虚度了时光 也许在试着理解它
-也许你们可以一起来吃晚饭 -那太好了, 是吗
-是的, 太棒了 -在这儿等等, 我要先问问妈妈
伙计们, 伙计们 球, 球
远在天上的父啊
感谢你赐予我们每日的食物 并宽恕我们的罪过...
是你让我们会象你一样宽恕别人的罪过
是你领着我们摆脱贪欲远离邪恶
万能的主啊, 你就是我们的一切 你的荣光永永远远照耀我们, 阿门
阿门
斯蒂文, 你怎么不做门童了呢
我们移民必须工作的公约
大楼管理员吸收斯蒂文加入了公理会
-他瘦的皮包骨头 -来自非洲的骷髅, 骷髅人--
-我们原来怎么说的呢 -我再也不想听到这件事了, 今天晚上不准上网了
他不知道什么是罐头起子 他用野营时的大刀子开罐头
这儿没有狮子到处蹓达可苏丹有 那儿的孤儿被追的到处跑
-有一次, 一只短吻鳄把他朋友的脑袋咬了下来 -是一只大鳄鱼
因为没见过牛他想知道哪儿来这么多肉呢
孩子们, 够了
艾伯特, 你为什么参加哲学俱乐部呢
你是说那个哲学侦探吗
-听起来像是个有帮助的团体 -他为什么不能用起子呢
有时候人们会有些附加的问题要问
-比如说呢 -呃, 嗯, 比如--
如果这种形式的世界消亡了 死了的我以及永生的我...
哪一个更真实呢
我是该相信自己的习惯思维呢 还是该学着透过现象看本质呢
好像来了一位哲学家...
妈妈, 我们可以不去想这些问题, 是吗
-是的, 宝贝儿 -艾伯特, 你的猫怎么样了
你怎么知道我的猫的
-好奇杀死猫啊 -没错, 那是猫
-你是做什么的呢 -我是旷野联盟的主管
-我们向城市蔓延宣战 -什么叫城市蔓延呢
问斯蒂文, 也许他从 苏丹的城市蔓延中受益了
爸爸, 你说什么
工业, 房屋, 工作, 旅馆, 医药--
给人们提供工作机会的同时 你可以保留很多旷野的--
-艾伯特, 很抱歉, 我还没说完呢 -抱歉, 先生
服装, 录像机, 玩具, 汉堡包, 汽车 一个稳健的经济
通过计划你可以在保证 经济稳步增长的同时保留旷野的
-是的 -社会主义, 完全是场灾难
-西奥朵 罗斯福是个社会主义者吗? 叶芝呢 - 西奥朵 罗斯福--
亨利 大卫 卢梭, 罗宾斯 杰弗斯 国家地理协会都是社会主义者吗
-你谈的是社会主义 -不, 不是的, 我谈的是...
不要每寸土地都建成了房屋商店
你会忘了草地上的黄昏什么样的
-草地上的黄昏什么样的呢 -什么都有
-什么都没有 -什么都有
-很美的 -是很美的
孩子, 我在一家电力工程公司上班
我们做了很多和住宅有关的商业合同
如果发展停止了 我的工资也没了
那么斯蒂文就不能象客人一样住在这儿了不是吗 所以你的想法伤害了斯蒂文
我没有伤害斯蒂文 那是无理的指责
-不要在我家里用那种语气和我说话 -是你先用这种语气的
我相信工程公司完全可以既给工人工作...
又可以保留些旷野, 那--
-他在做什么 -他闭上眼干什么
唧唧, 我不知道
-汤姆, 你有工作吗 -我是个消防员
哦, 上帝保佑你, 你是个英雄
我不是英雄, 如果大家都不用石油了 那我们才都是英雄呢
-你说什么 -据说你们基督徒根据耶稣的教义生活, 是吗
如果心里有主 耶稣就永远不会生我们的气
很抱歉我要打碎他, 但就是他, 一定是他
好了, 够了, 斯蒂文, 我不知道这是怎么回事 他们来这儿干什么--
-对不起, 妈妈, 对不起, 爸爸, 我不知道 -斯蒂文, 我很失望
没关系 看, 他伤心了, 他难过了
很抱歉, 斯蒂文 上帝啊, 你竟然不知道
-你应该为自己感到耻辱 -我应该怎么了
-你应该为自己感到耻辱 -我为什么要感到耻辱
-你是个伪君子 -我是个什么
你是在误导孩子们 因为你就是破坏者
-我怎么是破坏者呢 -我在外面看见了你的车
我的汽车是破坏者吗 想知道我一加仑跑多远吗
斯蒂文, 我有个问题要问 这是我来这儿的原因
为什么亲笔签名对你那么重要呢
他们告诉我这是家庭生活的一种消遣
-现在我可以继续下去了 -只是娱乐而已
为了娱乐, 吃饭时不能打游戏
是的, 260 我到欧米嘎级了
破坏者...破坏者...破坏者...
上帝给了我们石油! 是他给我们的 上帝的礼物怎么会不好呢
他还给你个大脑 可你把它搞的一团糟--
我要求你们这两个婊子养的滚出去
如果希特勒活着 他会告诉你不要想石油的
你就是希特勒 我们收留了一个苏丹难民在自己家里
是啊, 但是夫人, 苏丹怎么会有难民呢
会不会和我们基于可笑的原因而...
支持的独裁政府有关呢
-闭嘴! 你出去 -你闭嘴, 走了, 我们走吧
-回见, 斯蒂文 -上帝保佑你
-哇 -里面怎么了啊
-疯了 -真不敢相信他们
-嗨, 小伙子们 -噢, 上帝啊
来这儿是不是好受些呢 没有好转, 不是吗
刚才提到猫的时候你犹豫了 那是怎么了呢
-没什么, 就像巧遇一样 -猫好像触动了你的神经
是的, 我曾经养过一只猫 你问对了, 真了不起
这方法起作用了, 我看到了 好像它使你平静了, 是吗
什么方法 说说你的方法
那是安眠药, 所以人们就不会为...
痛苦, 丑陋的真相烦恼了-- 你知道的
不, 汤米, 它伸入了一个由 万物组成的一个无限的空间里去
我们不是在无限中 我们是在街道中
无限无处不在 那就是使它无限的原因
好吧, 告诉我这是怎么联系的呢 尼穆瑞先生是个来自苏丹的孤儿
他被士兵和鳄鱼追赶过
-那阳光普照的爱哪儿去了呢, 伙计 -是联系的
艾伯特和尼穆瑞先生有很多相似之处 只是--
-哦! 哦, 上帝啊 -她在这儿做什么呢
是凯瑟琳
-比我想象的更糟 -哦, 糟的多
哈克比马上就要开会了, 我们走
嗨, 大家好, 请安静
国家办公室通过了给你们的特许
我们这次来是给你们主管一个缓和的机会的
-所以大家请静静 -谢谢你, 奥林
-好的, 现在主管先来, 安静 -抱歉
首先, 我先就我和 布拉德 斯坦德的争斗道歉...
不久以前因为我想把诗歌和西娜亚的宣传一起寄出...
我和布拉德 斯坦德发生了些分歧
-布拉德在哪儿呢 -布拉德, 布拉德, 布拉德, 都是布拉德, 布拉德
布拉德带来了很多好处...
他正在处理中 我们的获益将会更多
但是, 我们因此忽视了自己的核心工作
-布拉德不在这儿 -所以要把我们的工作拉回正规上去...
我做了首新诗, 想给大家朗诵一下
请有条理些 理清思路好吧...
诗歌方针值得商榷 这样毫无益处
抱歉, 夫人, 夫人 诗很了不起, 知道吗
它会转变你和你的观念
你又是谁呢
我和艾伯特一起的 它会帮你转变观念...
使你的思维截然不同的
-你们需要它, 知道吗? 这很伟大的 -布拉德在哪儿呢
这首诗歌的名字是"一片开放的草地"
万里无云 一片开放的草地 一片空旷的湿地
-真烦啊 -一只大雁掠过
-哦, 布拉德来了 -玛丽简, 看我给你带什么来了
-哦, 是给我小孙子的吗 -当然是的了
知道吗, 我在这儿发言呢, 妈的
让我先朗诵完诗歌...
然后再讨论我们的策略好吗
-艾伯特, 干的漂亮 -能录音吗
抱歉, 布拉德, 我想朗诵完 自己的诗歌好吗, 谢谢
-放松, 不要朗诵什么诗歌了 -不要跟我说放松的事, 布拉德
让他朗诵完他的诗歌 都读了一半了
那个人不是联盟的 他没有权利在这儿也没有权利发言
是的, 夫人, 我不是你们中一员 但我是本地的消防员
他是一个伟大的消防员 正是我们要争取的对象
我不知道这些人都是谁 他们不是我们联盟的
他们为了我们的利益工作着 给我们的事业带来了很多支持
-冲突是幻觉 -闭嘴, 布拉德
嗨, 艾伯特, 作为主管不该这样
为什么要浪费时间相互争斗呢
我是说, 好了, 严肃点儿 先把自我放到一边去好吗
干点儿正事好吗, 我们的 石油问题很致命, 更不要说--
闭嘴! 闭--
胞囊纤维化, 非洲战争
有毒的鱼, 自己社区的孩子进了监狱
福里文的爸爸没有钱帮助他们
夫人, 听我说
这绝对是毫无目的, 理想主义的方法...
按照马科维奇先生说的去做 只能致我们于死地
致我们于死地 我们的任务和...
这个白痴说的石油毫无关系
-你刚才说我什么 -什么胞囊毒来着
美国需要汽车, 不是吗 我有一辆宝马的S.U.V
而且我喜欢开着它 真不好意思
抱歉, 你一定要给我次机会好吗
-这是我的会议, 我是主管 -我们已经给你机会了
-你被开除了 -你不能这样, 他是特许人
-我写的申请 -马蒂, 叫保安来, 你应该叫保安来了--
-我提议投票 -支持
同意布拉德成为联合会新领导的说"是"
-是 -嗨, 来啊
-真是胡说 -祝贺你
坚强点儿, 坚强点儿 因为你还要回来的
不用担心这些人 他们不欣赏你
艾伯特, 刚才发生的都是真实的
残酷而又混乱, 侦探们错了 你当时想做什么呢
你想做一件好事, 是吗 唔, 看看发生了什么
我想到彼岸去, 艾伯特 我很认真的建议...
你作为我的搭档... 和我一起过去
-艾伯特-- -你错了
-你们是狗屎, 什么都没给我们 -汤米, 不--
-现在是钱的问题, 是吗 -不
你知道自己有多伤痛吗 这是个解脱的绝好的机会
-离我远点儿 -停下! 看! 听! 通过无限...
你的能量通过任何可能的关联回收...
成任何人的能量, 甚至成为布拉德的能量
你是被捕食者或者是他的猎物
朋友, 敌人, 兄弟, 姐妹, 母亲, 孩子
我给, 我给, 我给...
他取, 他取, 他取
-妈妈 -吃吧, 宝贝儿, 吃吧
-啊 -真是个浪漫的幻想
把它忘了好吗
你当时收的钱 我现在想要回来
是的, 如果我不是义务的 我也要要回来的
给我的前妻养活我的孩子们好了
-嗨, 取车登记啊, 登记啊 - 汤米, 走了
冲! 我给你掩护
操你妈的混帐东西 操你妈的干死你
你真行!
也许我应该放弃 我是说, 什么是生活的真谛呢?
我能为你回答这个问题
你? 因为我不认为另一个做这样的刺激工作
相信我, 我能
你是 汤米的内心的作者?
你对他们的工作不满意吗?
对, 我准备投靠你了
- 告诉我你的案子 - 那么, 你与我似乎非常接近
- 为什么不是你告诉我? - 你真可怜
被你那离奇的巧合而困扰
对. 对, 但是他们只是想谈谈布拉德 斯坦德.
他们背叛了你 如他所为
- 没错 - 出卖包括你所追求的世界真理
什么真理?
残酷, 被操纵...
毫无意义
对
- 他们跟着你吗? - 没有. 我在4号路线甩了他们
- 谢谢你救我出来 - 不客气
很高兴你在这, 艾伯特 在该在的地方
一旦你觉得这个世界糟透了 你就没有什么可失去的了
- 这会给你力量 - 力量?
- 力量， 法文说法 - 力量
你们找到方法了?
对. 拆析你心中的黑暗, 好吗?
只要接受它 这没有什么的
没有什么热情的家伙永恒的母亲 都是胡说八道
我的巧合没有任何意 是不是?
想想, 艾伯特. 你有没有出卖自己?
等会儿 我们在干什么?
- 我不想去这里 停下! - 相信她, 艾伯特
- 这个给你 - 哦, 谢谢
- 嘿嘿嘿. 她给你什么了? - 不, 别靠近我
- 我不想跟你说话 - 谢谢, 斯蒂文.
- 那么, 真是个稀客 - 她在哪?
- 谁? - 凯瑟琳.
- 谁是凯瑟琳? - 那个暗中监视我的女人. 她在哪?
我不觉得这很有趣
哦, 天哪, 又来了 出什么事了?
他只是跟我开玩笑
- 你在跟你妈妈开玩笑吗? - 不
为什么你不能和她好好相处?
- 那么, 你的写诗的工作怎么样了? - 我被解雇了
哦, 甚至连这样的工作都保不住
- 布兰达, 你到底干了些什么? - 我可没碰
胡说! 我把它定时到我最喜欢的一个频道了
我能和我儿子待一会吗?
我要给他看看我写的这篇市场实习的文章 看到了吗?
- 很好, 妈妈. 正合我的胃口 - 但是的. 这是个新的热门--
- 我寄给你了. 为什么你从不听我的-- - 你看这个系统了吗?
艺术的境界 我们的房间中到处都是扬声器
听听这个
现在谈话容易些了
- 她从哪来的? - 出什么事了?
- 看, 我不是开玩笑的 - 她叫什么名字?
我想要讨论一些严重的发现
- 这位女士是? - 我在你的公寓找到...
更麻烦的一些证据
- 什么证据? - 你能认出这些字迹吗? 马科维奇先生--
- 不好意思, 休弗先生? - 真够傻的. 我们走
不
- 我要走 - 你能帮我念出这个日期吗?
"1989年11月17日." 艾伯特九岁, 这是他的日志
你介意大声地念出来吗?
- 不 - 请
这些东西不重要.. 我们走
哦, 我的天
"我从学校回家 妈妈和一位奇怪的阿姨在厨房
"妈妈让我回自己的房间 我以为我有麻烦了
"她关上我的房门对我说 '帕瑞被车撞死了'
"然后她把我带回到厨房那个阿姨那...
"然后叫我拼单词 炫耀我是拼词高手..
"我说我要去厕所
"我爬出窗户 沿着街区走下去
"我看到巴尼在玩击球 他说我看上去不开心
"我告诉他我的猫出事了 他说'太惨了'
"然后我哭了, 但我尽量忍着 有些孩子笑了
巴尼说他的狗死的时候他也哭了 然后孩子们不笑了"
他的猫死了. 他很难过 你什么意见?
- 没有什么奇怪的事情打动你吗? - 看? 没什么. 我们走
这些事情发生
没错 宇宙是残酷的
但是告诉我, 休弗太太, 你招待她咖啡的女士是--
是海伦的姐姐. 我不记得她的名字了 我见过她一次
有关这个陌生人是不是有些痛苦往事...
需要你马上关注?
不. 海伦不在家 所以我招待她姐姐一杯咖啡
但是你同意帕瑞对艾伯特来说很重要?
你不能对只猫的事情小题大做
请回答问题
我对那只猫所知不多 我因为工作经常出差
我们不再说这个了 我很尴尬
- 正是 - 什么?
你对你的猫死了而难过感到尴尬
够痛苦而感到难过了 但还不是极限...
该是凶手感到不安
那怎么是我的错? 我并没有让他难堪
但是你做了. 来杯咖啡...
与完全陌生的人 比和艾伯特谈话更重要...
- 对于一个小男孩来说的大悲剧 - 真是荒谬
他爬出他的窗户 罪犯在他的家里
- 为什么? - 我不知道.
- 我认为你知道 - 我不知道
- 不, 你知道 - 哦, 别说了!
- 我认为你该走了 - 不, 我不走
艾伯特在这有位置 你否认的位置
这是我的家 我可以告诉他我要什么
- 对, 你家是一个谎言 - 什么意思? 我把我的一生都献给这个自私的--
所以他应该是你的装饰品, 而不是一个人
天哪, 你算什么东西, 婊子?
你是个婊子 你有多少孩子, 婊子?
听. 听 这是你妈妈
- 你让我上来? - 看门人应该做什么?
他因为内战成为孤儿 你因为漠视成为孤儿
这是你疑惑的一部分 看到了?
哦, 现在定时器全乱套了. 布兰达!
天哪, 真有那么难吗? 来吧
- 我所想做的就是听-- - 我花了多少? 我花了2000块?
我想听收音机!
谢谢. 我们以后见
对不起, 伙计. 我需要, 嗯, 一些时间 去想清楚
- 她不得不让你了解 - 什么?
你被训练在这里显露自我
这就是为什么你去找布拉德显露自我的原因.
为什么你不了解? 为什么你不带我到这?
因为你像我们撒谎了 你告诉我们那个非洲人...
是-- 是你朋友家的看门人 而不是你父母
你将真相加密 对于显露自我这是多么好啊
- 没错 - 我告诉你他没有做好准备
- 别从魔毯的废话开始, 好吗? - 这不是魔法
这是事物存在的样子 你我还有空气实际上是很细微的颗粒...
它们彼此盘旋
- 看这. 你看到了没? - 好的. 不过看这些裂缝...
在这些粒子和裂缝之间是我们 虚无的空洞
- 没错. 因为这正是我刚刚在楼上经历的 - 靠近点看
那些微小颗粒连接着大一点的立方体
对, 更微小的裂缝存在于这些连接之间
- 甚至更微小的连接 - 甚至更微小的裂缝
对, 但如果你离得够近 你不能区分我的鼻子尖...
空间出现了 因为他们是统一的
- 看? - 那又怎么样? 你再也看不到这些了!
- 你看到什么? - 没有
但我想讨论这些粒子和立方的事情
你一直与你看不到的东西生活在一起 你看不到电, 对吧?
- 你看不到无线电波, 但你接受它们 - 相信
- 去他妈的相信! - 你最好离凯瑟琳远点, 艾伯特...
因为她准备领你走入黑暗
在她误入歧途之前 她是资优生
我想我要和她在一起 裂缝, 痛苦, 毫无意义...
因为这对我来说更真实 这是我的感受
- 诺言 - 好吧. 我们不做苦工了
- 不, 我们准备与布拉德共事 - 一切都将回到你这里...
- 还有互相联络 - 布拉德? 你说笑呢吧?
我准备研究那些痛苦回忆 一切痛苦与无连接都将重现!
- 不 - 已经开始了
我们等着瞧
噢, 该死
来吧
哦, 他妈的
哦, 看看这个. 卡夫卡
- 他在为我们制造垃圾 - 卡夫卡
- 看看那个. 太可疑了
哦, 她找到他的诗了
哦, 真好 我希望有这样的空闲
- 别进我的书房 - 哇哦. 哇哦
- 我和你在一起没有不开心! - 让我看看!
"假装 不能说不
内心深处我溺水了 叹息与皱眉"
这对我来讲听上去不怎么好 你呢?
我只是写下 "皱眉" 为了与"溺水" 押韵
- 那你为什么需要"溺水"? - 与"皱眉"押韵
- 那里-- 那里什么都没有 - 什么意思? 看!
那你为什么需要穿过我们的院子 和垃圾?
他在干什么? 停下
他为什么闻我的上衣?
排汗水平显示出压力 它们相当高
布拉德签了一份更全面的合同...
允许自由的进入你的家
那么, 这也是我的家 而我没有签任何东西
你准备和布拉德一起找出真相.
抵押是以他的名字 而你没有结婚
它们是从今年开始的吗?
去年.. 我们去了圣巴
- 那今年呢? - 我们今年没有旅行
- 为什么? - 太忙了. 一大堆工作
- 太忙了而不能享乐? - 亲-- 亲爱的, 你为什么卷进去了?
- 你不相信治疗 - 不, 看, 我不把它当作治疗
我是前因 这些人有导向的行动
就像公司在希尔顿总部的撤退 记得吗?
- 不, 嘿. 出去. 嘿! 嘿! - 不. 现在, 自由进入
- 记得去年吗, 有关信任的事情? 滑翔伞? - 扫一眼你的标签
- 就像那样 - 不, 不是的! 而是--
事实上是的 不, 它是的, 每件事都将完美收场
看上去他们在帮艾伯特 他们能帮我
帮助开放空间 帮助哈克比.
- 你在说什么? - 他在申请中提到了...
他对不断的讨好别人感到筋疲力尽了...
但没有看到任何的选择 因为--
"在这个世界里你需要让别人喜欢你而成功完成一切"
- 结束引用 - 哼. 布拉德喜欢这样, 天生的
我只把这些当作玩笑扔进垃圾里
- 是吗, 看? 真有意思 - 后门, 通向吸引力
那笑话就像是为了批准而提出的伪装请求
也就是说, "笑话 " 但是真的爱我
-笑话, 爱我 -坎贝尔小姐, 作为美女你感觉怎么样?
- 哦, 拜托. 我不认为 自己那么有姿色
是的, 哈克比改变了, 但是, 你知道...
我从不是什么窈窕淑女
- 真的? - 对
我只想和可爱的爱人在一起
- 性行为如何? - 性行为如何?
- 性行为? - 来吧, 伙计. 来吧. 这是私事
- 这真粗俗 - 初步的监视...
显示次数少时间短-- 八到九分钟...
- 典型地 - 监视? 你监视我们?
- 不, 只是听 - 所以, 你们的监视是错的
对. 是质量 而不是数量
- 什么? - 她是说质量而非数量
- 我知道. 我在说笑 - 你是开玩笑...
- 当你说质量而非数量的时候? - 关于性爱?
- 我们不谈这个了 - 这是私人的...
- 如在天堂的七分钟 - 比七分钟长
如在天堂的八分钟! 不是数量, 而是质量!
- 我应该在喝杯玛格丽塔酒之后再找她 - 哦, 天哪! 我要哭了
- 亲爱的-- - 这是什么?
为什么你要写这首诗? 为什么我们自己不能解决这些问题?
我们的关系要如何发展, 嗯?
为什么婚姻和孩子如此重要? 这世界已经人口过剩了
哇哦
- 这观点有些偏激 - 好吧
为什么生孩子是成功人士最终的事业? 为什么?
嗯, 并不一定是事业
你知道, 我们并不一定非要孩子不可
我们可以仅仅, 你知道 想一想, 或根本想都不想
只有我们自己 二人世界, 什么的
这不是我雇用你的理由
那么你为什么雇他们?
嗯, 我有个会议
哦. 来了
- 要喝茶吗? - 放一小片柠檬
那么, 我以前从来没有如此真正做过什么事
嗯, 从哪里-- 我们从哪里开始?
现在. 现在
- 你感觉到了吗? - 是的
是的. 我感觉到了
很难形容
非常, 非常好 到你了
现在
- 别那么用力 - 抱歉
现在. 现在. 现在
现在!
你明白吗?
对, 你别想了
好的 这真奇怪
就好像我在这 但我不--
所以, 我不在这 这-这只是--
我-- 我-- 我不知道 再来一遍
就像我是一块石头 或是盘子的模具
我是任何周围的什么 所以我只是自由的存在
这就是答案 我们一直如此, 每一天
- 这就是答案 - 对
- 再来一次, 再来一次 - 现在
小心点, 我的年轻学生...
你不能整天都是这种状态
- 为什么不? - 对, 为什么不?
你被拉回到人间是无法避免的
愿望, 痛苦-- 所有这一切都存在于 这个不完美的世界里
- 讨厌 - 所以我们被拉回人间...
而我们认为这是多么的重要
然后我们有了疯狂之举 我们要回到那快乐的时光...
所以我们有自由成为-- 成为碟子的模具
对. 然后回到现实, 痛苦
- 真是蹩脚的交易 - （法语）
荒谬的戏剧 我们必须演出, 来来回回...
从纯洁生命 到人的苦难
但如果每天我们都享受极乐 那么戏剧与痛苦能否减少?
别称之为"极乐" 称之为"纯洁生命"
难道这些纯洁生命, 极乐让每一日好过些?
- 对 - 不, 并没有
你错了 我们每天都在这么做
- 我们会做给你看. 会容易些的 - 我会证明给你看的
戏剧性事件是不可避免的
痛苦不能减少 你不能逃脱, 汤米.
你会看到的 存在是个残酷的玩笑...
那些诱惑以期望的形式
- 荒谬的戏剧性的期望 - 我知道, 伙计, 造成伤害. 充满痛苦
- 等会 - 你去哪?
去想想期望与痛苦
- 我能来吗? - 不行
好吧
我们一会见 我们讨论更多的, 嗯, 纯洁生命? 痛苦--
但愿如此
别他妈离开我
你真难看! 不, 不, 不
- 继续 - 不. 不
- 不, 回里面去 - 我能要我的车钥匙吗?
如果你穿成这样 我不能工作了
达里尔和我一起做运动调查 马蒂恋爱了
这些真是太棒了
上次, 去年 没这么好
但是现在, 这是真相
马蒂会恨他们的, 道恩.
- 他会恨他们的 - 我们之间隔着层玻璃
你不能解决我无穷的本能, 对吧?
并不是这样的 等等, 这到底什么意思?
我们讨论你们的亲密关系问题 核心是什么?
亲密是无穷的结合
我确实会有问题 如果你一直穿成这样
- 那么, 就一个星期 - 一天就已经足够了
办公室里的人都吓着了
你能获得自由, 布拉德, 但你认为 你要在控制之下成为超人
而这就意味着你不是无限的一部分 而是来源
- 而这对我们来说太难了, 宝贝 - 别这么跟我说话
- 你雇了侦探 - 你不需要听他们说的每一句话
- 我怎么知道哪些该听呢? - 我会告诉你
- 不, 乱套了
- 脱了它, 脱了它 - 不. 我能要我的车钥匙吗, 求你?
- 给我眼镜 - 不
- 给我眼镜 - 你给我车钥匙
- 不 - 给
你待在家里 直到你穿着正常...
你没有停止工作
树和蜜蜂--
- 嘿, 达里尔, 你在哪? - 嘿, 亲爱的
- 道恩, 这是希瑟.. - 嘿, 我是希瑟.
- 我们干吧 - 我们做个交易
- 我是你的铁杆支持者 - 嗯, 谢谢
- 与我的声音相遇很古怪 - 欢迎
什么? 这剧本只有我的字句 还有我没有看见别的角色
- 我告诉过你, 你是哈克比的招牌声音 - 所以--
- 对. 有什么问题? - 她是那声音
- 我是面容 - 来, 希瑟..
- 孩子, 你可以-- - 对, 对
所有这些 还有大脑
王八蛋, 达里尔!
他们希望我穿着比基尼回来?
- 道恩, 拜托 - 醒醒, 美女
- 我们耍你的! 我们耍你的! - 噢! 噢!
- 不, 停 - 别看我. 我只想静静
我受够了 我受够了你们都看着我
看我. 拜托 拜托, 拜托, 大家
现在每个人看着我. 我太美了 我太美了. 看我
每个人都想成为我 我很美丽
- 西娜亚在舞台上 让经理们站在这... - 太好了
按照捐款多少依次排列
对. 那么, 什么时候开始我们在达拉斯通过加瑟获利...
- 我们捐了10,000美元 - 哇哦, 加瑟.
是加瑟 加瑟, 还是 克里丝 加瑟?
- 是第一流的加瑟. 最好的 - 第一流的加瑟花费
对, 所以, 什么时候开始我们在达拉斯通过加瑟获利... 这是我们--
马蒂在哪? 他在哪?
看过我的广告了吗?
- 你看了吗? 我为你做的 - 哦, 天哪
- 他们是你的侦探, 他们给我的真相 - 哇. 疯了
你明白吗? 我们之间有层玻璃!
别那样看我!
- 嘿, 嘿, 嘿-- - 你在这, 马蒂.
- 为什么不喜欢我的调查? - 亲爱的, 这表情伤害了你, 也伤害了哈克比.
- 这是我自己 - 那你自己不会指桑骂槐
- 那不是哈克比. - 我仍然是哈克比.
- 不在那个帽子下 - 在我眼中, 马蒂.
就像那洞穴的故事
你到底出了什么事?
我们信任你. 我们照顾你. 我们让你成为国家的偶像.
让你渡过难关 嗯, 你因为哈克比而得到一切
- 去他妈的! - 哦
- 哇哦, 哇哦, 哇哦 - 布拉德利, 这有一堆人
- 她在敲玻璃-- - 作为一个社团新成员可并不好
-什么? 我被吸收了? - 你被吸收了
- 我被吸收了? - 对, 你被吸收了. 现在去牵制她
好吗? 她说, "去他妈的"
- 对 - 她说去--
你在干吗?
你对我们做了什么?
我在困境中 我在和南部小鸡聊天...
这让我感觉好多了
那么, 我想南部小鸡想让你知道 我刚刚升职了
- 什么? - 公共事务副总裁
我被吸收了, 道恩.
我很抱歉你要经历这一切 会有好处的
我倒真谈年那里去让艾伯特摆脱联盟
- 我承认 - 没意思
甜心, 你把自己弄糊涂了
听着, 你把所有都搞乱了
- 等一会 - 嗯
你曾经担心过沼泽和森林吗?
是的, 我担心沼泽和森林 艾伯特不能以他的方式保护它们
你不是戴着帽子念着诗走过后门
你打着领带穿过前门 而且你拥有那沼泽和森林
这是你如何保护它们的方式
- 让我们庆祝 - 嗯-哈
- 你要些新衣服吗? - 好
- 我会给你你想要的, 你要什么? - 我不知道
- 修脚指甲? - 对, 但我需要一直如此美吗?
嗯, 你知道 你有选择
但是, 不, 这不是选择 我不得不美美的
那么, 我非常确定南部小妞要你用你的爱...
在这里, 在哈克比.
对. 没错
你知道吗? 你让艾伯特失业了
看开点. 百慕大游艇 冰镇果汁朗姆酒, 怎么样?
- 嗯 - 当你离开的时候, 能走后门吗?
好吗? 因为 你今天看上去不太好
好的. 好的
- 好吗? - 嗯
嘿, 汤姆, 汤姆.
加油, 伙计
森林没有希望了 别浪费时间了, 它会被毁坏的
还有沼泽 这是徒劳的...
人类已经做了超过一个世纪
你是悲伤的 别否认
宇宙是个孤单的地方 充满痛苦的地方
这是我们之间可以分享的 时间
哇哦!
呀!
你在干嘛?
你告诉我你用你的笨办法处理
- 为什么我不能做? - 因为这是白日做梦
- 你想过一种虚幻的生活? - 你不用这么不安
- 我能把你的事和他们的混在一起 - 不, 你不能!
- 为什么? - 因为他们是完全不同的
而它们是谎言. 最后一次 忘记那些树的幻想
至于布拉德, 你必须让他面对现实...
他对你做了什么, 还有--
你抛弃了我 现实我的家庭, 然后是你们
- 她也是我的老师, 艾伯特. - 而且她仍是你的老师, 汤姆
不. 现在完全不同了
我以为我们三个是帕拉图三人组 不是什么恶心的性爱舞蹈
你说过那是胡扯
学学吧, 汤米. 痛苦的真相
我警告过你--人间
这就是你为什么要这么做 为了教训我?
- 对, 这就是你为什么要这么做, 为了教训他? - 当然了
这是两个人分享沉痛的特殊瞬间
好吧. 这是我想听到的
- 你怎么会相信这些胡话? - 汤-汤姆-- 汤姆, 对不起
就是发生了 我以前从没做过这样的事情
- 我们仍然能够-- 你还能做我的另一个.对不对? - 闭嘴, 艾伯特.
我把你带来, 我想要与你分享力量 而你毁了它
- 你恋爱了 - 别用陈词滥调玷污它
- 真是难以形容 - 是吗? 那么, 我拒绝!
没有考虑我!
你的纯洁生命现在在哪, 汤米? 我告诉你
我准备接受我的孤独
而我要去一个更加黑暗的虚无空间
更深层的 自己的更纯粹的虚无!
- 谁需要你们? - 啊哈, 升华
嘿, 欢迎 你喜欢我的新办公室?
- 让我们从方法开始 - 让我们从方法开始
- 我们要开始讨论-- - 我们要开始讨论--
- 好吧. 你在干什么? - 好吧. 你在干什么?
- 你在干什么? - 我在开玩笑, 伙计们
但是说真的, 我想要退出了
无关私人. 我感谢你为我做的一切 但是我结束它
- 你在案子结束之前不能退出 - 啊, 我能解雇你
- 不, 你不能 - 不, 你不能
- 我当然可以 - 不, 你不能
201段 "客户和侦探都不能...
"根据314段D项子条款提前终止合同...
- 还强调--" - 这没有约束力
- 哦, 这有约束力 - 我会找个律师
- 哦? - 或者去联邦调查局. 怎么样?
- 继续 - 哦, 我会的. 我不是开玩笑的
不, 布拉德, 就是这样的 你去找警察
你-- 你告诉他们 你去找了侦探
他们问为什么 你说, "因为私人原因 "
或者, 也许你想 在你的公司玩政治...
- 通过与艾伯特 马科维奇聊天 - 我从没有告诉你这些
- 那么, 给我们一些信用 - 警察去了哈克比.
他们谈过了 员工们了解到新星布拉德 斯坦德...
有怪异的存在问题
- 或者, 他捏造的他们 - 很奇怪
很糟糕 还有你的女朋友, 哈克比的声音...
- 穿得像个阿门宗派的不修边幅的邋遢妇女 - 好吧, 我明白了
你知道, 布拉德, 忽然之间 你的星星不再升起. 陨落了
- 好吧. 我说我明白了, 伯尼. 放松 - 消极进攻型
- 闭嘴 - 进攻进攻型
- 道恩也想退出吗? - 道恩陷入了真实的谎言中...
我生命中见过的最蠢的事情
我们能回到这个案子吗?
好的 你发现我什么了? 没有
我们的人员做了些工作在, 嗯, 克利夫兰
- 什么? 与我的家人? - 妈妈爸爸看上去棒极了
- 你们也是. 但是这家伙 - 什-- 啊哈, 他看上去不太好
- 你们是坏蛋 - 他看上去不怎么样, 是不是, 布拉德?
你怎么能这么做?
你开玩笑? 他有250磅 他总是谈及壁虎
- 什么意思? - 我觉得他是个可爱的敏感的年轻人
哦, 不好意思. 你-- 你跟我的胖胖的忧郁的弟弟谈话了?
- 对, 布拉德, 电话上 - 没错, 我做了, 非常详细
嗯, 如果他有那么敏感, 为什么他不减去70磅体重 并停止谈论壁虎呢
- 也许他会找到些朋友 - 嗯, 你弟弟认为你觉得他很丢脸
你同意吗?
- 你说呢? 我给了他一辆车 - 呣
- 我给他衬衫 - 呣
我-- 看
这, 伙计们. 壁虎
我留着它们
我是个不错的哥哥
他希望你能多倾听他的心声
关于什么, 壁虎?
我-- 我没有所有的答案
但也许他应该听我多一些 并学着点
你有些故事你愿意一遍遍的讲..
哦. 哦-哦. 这不是-- 来吧. 这是个谎言
- 我-- 我不像他那么无趣 - 好像蛋黄酱的故事. 蛋黄酱的故事
5月18号, 销售会议
西娜亚在那, 你知道 展示她的服装, 对不对?
4点了. 她饿极了
她厌恶蛋黄酱, 对吧? 过敏
所以她点了大量的金枪鱼三明治 反之这就是所有她吃的东西
金枪鱼. 不要蛋黄酱, 亲爱的
6月5号, 开车
不是玩笑 我们给了她鸡肉沙拉三明治...
她在汽车后面吐了
6月30日, 湖边
西娜亚在那展示她的服装, 对不对?
4点钟了, 她饿极了 她是个大忙人
我点了很多金枪鱼三明治 这就是她吃的所有东西, 金枪鱼
7月9号, 27次航班飞往芝加哥
西娜亚在那展示她的服装, 对不对? 4点钟了, 她饿极了
她讨厌鸡肉沙拉 给过她一次. 她都吐了
- 8月17日, 电话会议 - 西娜亚在那展示她的服装, 对不对?
不要蛋黄酱. 她讨厌这个 而且她不能吃鸡肉沙拉, 不是开玩笑的
9月3号, 路上 你的手机
西娜亚在那展示她的服装, 对不对? 这就是她吃的所有东西, 金枪鱼
不要蛋黄酱. 我在她面前吃了两个三明治..
现在她吃了一个半 现在她相信我了
她吃了一个半三明治 直到她意识到是鸡肉沙拉
你认为你跟谁讲了这么多遍蛋黄酱的故事?
- 我不知道. 怎么了? - 这是宣传
- 为了蛋黄酱? - 为了你
很明显, 因为你认识西娜亚 所以你给人深刻印象
而你很强 因为你对她有影响
- 你是个有趣的家伙, 好家伙 - 让每个人开怀...
所以也许, 引用 你并不失望
那么, 消极有什么好的?
没有 除非把握机会...
你要避免的一些事情...
所以将不会被注意或感觉...
所以你的言行像这个故事一样重复
- 像这个故事 - 像这个故事
- 像这个故事. 像这个故事 - 像这个故事
闭嘴
好吧 我不需要讲故事
如果你不讲故事 你认为会发生什么?
- 你是你自己吗? - 我怎么不是自己?
- "我怎么不是自己?" - 我自己
- " 我怎么不是自己?"
- 我怎么不是自己? - "我怎么不是自己?"
我怎么不是自己?
我怎么不是自己? 我怎么不是自己?
- 我怎么不是自己? - 布拉德利?
她饿坏了 她是个大忙人
我点了很多金枪鱼三明治 这就是她吃的东西, 金枪鱼
- 没有蛋黄酱-- - 嘿, 布拉德利, 你喜欢合伙人的房间吗?
太好了, 伙计
嘿, 布拉德, 你想听些有意思的吗?
登得利公司在获取三拜特公司特许经营权 的事情上大败而归
真是很奇怪 可以提到今天的议事日程上
对吗? 医生就吩咐我要像你这样, 我的朋友
- 对吗? - 对极了
那么, 我们走吧, 老弟 我准备把你介绍给主管们
-约翰, 律师说了什么? -杰瑞?
- 我们有法律问题 - 嗯, 我不同意
给他“Salmon Stripper”（商标） 说是Bass Basher（商标） 他们反正不认识英文
- 就叫"金枪鱼龙卷风" - 不错. 法律能解决这个问题
说到西娜亚和金枪鱼 布拉德有个最不可思议的故事
- 来吧, 布拉德 - 日本有个Bass Basher? 那是什么?
- 嗯, 我们在日本有个商标 - 你有法律问题?
让-让我们听听西娜亚的故事. 我是说 这是他们想听的
- 对, 来吧, 讲讲西娜亚的故事 - 来吧, 布拉德
我不想讲了
- 什么? - 我不想讲那个故事了, 马蒂
来吧. 你和西娜亚来到芝加哥鲁普的市区
你准备商店开业 西娜亚, 她忽然之间, 她感到--
- 她感到-- - 饿了
- 真的饿了. 对. 然后你点了-- - 金枪鱼三明治
- 对, 金枪鱼 - 我以为她是素食者
你点了金枪鱼, 对吧 但你想起她过敏--
- 马蒂, 不 - 她有过敏史-- 是的
来吧 她对什么过敏?
为什么你和我不出去 出去谈谈呢? 来吧
- 我5分钟回来 - 5分钟?
- 他要戴个帽子? - 马上回来
他妈到底怎么了?
他妈的!
- 你准备像别人一样上车 - 骑自行车
- 汽车! 汽车! - 自行车
引擎公司54, 准备行动
- 我像鸟一样自由!
你们还在水罐里
再见, 笨蛋!
你们在哪? 我在火场, 伙计
- 我们到了 - 低点
创造, 毁灭 创造, 毁灭
哦, 哦-哦-哦, 不, 哦, 不!
每一件事. 我的生活
为什么?
- 哦, 布拉德, 看看你自己 - 我的生活
- 你在胡言乱语 - 布拉德, 没事的, 相信我
什么都不好
什么都不好, 所以就没事了
你觉得不好, 对吧...
因为你的房子着火了 你还有可能丢了工作?
我要去-- 我要去领救济金
别-- 别告诉别人
不, 告诉每个人 我不在乎. 告诉每个人!
- 哦, 也许别 - 等会
哦, 不, 拜托 别告诉别人
你没看到我哭
没人看照片!
- 没人看照片! 为什么这么做? - 不, 不, 不, 不
我们没做什么 我们从不会这样做
- 从不.. 哦, 也许有时候. 我们从不会这样做 - 从不..
这个照相的女人到底是谁?
- 看- 看-- 看, 这与我们无关 - 这是她的事
我们不会这么做
你为什么这么对我?
好吧. 我要领救济金
去你们这些混蛋
- 布拉德! - 布拉德!
- 布拉德, 我们没做 - 她干的, 布拉德
对, 我干的
这火真是缺德
不, 它让你摆脱布拉德
还是它让我与布拉德因疯狂的痛苦绑在一起...
直到我看到我是布拉德而他是我?
- 对 - 不
来吧 你们一起工作, 对不对?
- 我们根本不一起工作 - 真的? 这不像什么秘密交易...
你离开的地方她就出现 然后我们回到你这?
- 没有什么秘密交易 - 嗯, 应该有 因为这样才起作用
你们太黑暗了, 你还不够 你们三个走得很近, 对不对?
也许太近了. 然后变酸 推动你到一个极端...
而你到另一个极端
所以, 看! 两个重叠的断裂哲学体系...
从一个痛苦中诞生
艾伯特!
哇哦 他怎么了?
我不知道
嗨. 欢迎来到奥米尼旅馆 嗯, 我们不-- 不寄存自行车, 先生..
- 是吗, 就当它是汽车 - 它-- 它不是汽车. 这是我的工作
十层..
欢迎来到哈克比节日露天场地
哈克比保证--
- 戴维, 来吧 - 斯坦德先生, 你不在名单中
- 和马蒂谈谈吧 - 你为什么叫我斯坦德先生?
- 让我进去. 马蒂, 是我. 我做的 - 马蒂, 能让布拉德进去吗?
布拉德, 嘘 让他在外面
- 每个人都失去理智了吗? - 怎么回事? 来吧
- 我把他们组合到一起. 我把他们组合到一起! - 我知道这很难
我把他们组合到一起..
西娜亚.
西娜亚!
- 这是新的哈克比小姐 - 对不起. 我以为你是西娜亚.
我能要你的签名吗,求你?
这还是老照片
这肯定是收藏品, 非常感谢
- 这是什么, 道恩? - 你爱我吗?
- 我想是的 - 戴着帽子?
嗯-- 不--
完了, 布拉德
我困在火里，几乎快死了，然后他来了
然后他快死了 因为他担心同样的事情
- 然后显示了那不是没有什么, 甚至当我你死了 - 好吧
还有他喜欢这帽子
对不起 我们这有特别仪式
我需要请你们离开
树后面的先生 你也要走, 拜托
一个世界. 一个商场 哈克比, 有一切的商场
自然购物 一起..
- 他们给你救济金了吗? - 我甚至没试过
布拉德, 我多次想要用把刀把你的头砍下来
我想用把斧头砍你艾伯特...
还要用棒球棒打烂你的脸
十八层..
- 你向上? - 我们在向下
- 嗯, 不, 我想你向上 - 没错. 进来吧
夫人
- 哦-- 嗯 - 玛丽简!
- 哦, 最后 - 你怎么能?
- 你怎么能这样对我们, 你这个骗子? - 这是我们的胜利. 来吧
在我曾祖父森林中的商业街并不是真的胜利
他们已经开始测量了-- 开始建设
- 我们救了沼泽 - 因为我们付出了森林
我们要上去还是怎样?
所有你做的让哈克比看上去好的 这是你所做的一切
艾伯特, 你怎么能这么冷静? 你听到布拉德做了什么?
- 我在解决它 - 和我还有西娜亚坐坐, 你会看到这是我们的胜利
- 西娜亚不是不在乎的! - 哦, 西娜亚在乎
- 我们走! - 西娜亚不是不在乎的!
- 我们救了沼泽-- - 去他的!
- 所以你卖了森林? - 这商业街将不会妨碍生态环境
我救了一半的树 我卖了森林吗?
我不知道. 我想做点好事 你知道, 我救了一半
布拉德, 我点燃了你的游艇
- 还有我的房子? - 不, 只是游艇
它蔓延到房子 对不起
三十六层..
你们要下去?
好
他是谁? 你还是我?
给我--
噢!
给我那个!
撞警报
- 你只是毁了你自己, 布拉德! - 对
现在我要毁了我自己!
- 停手! - 二十一层..
西娜亚.
布拉德, 当他们毁掉森林时你有没有认识到--
- 不, 让我解释 - 沼泽的平均温度上升了5度?
- 整个食物链退化了, 从青蛙开始 - 让我解释
让我解释, 好吧, 但我们救了一半的森林
我是素食者, 布拉德 我吃豆腐
加上蛋黄酱 你喜欢的!
西娜亚, 我是艾伯特. 我曾经负责露天场所联盟
- 她知道我的名字. 看? - 那如果她知道你的名字呢?
我开玩笑的, 伙计 来吧
对, 好吧 我受到这事的吸引
- 我也是. 这就是我加入你 - 十八层..
艾伯特, 我们欠你一个道歉 我们不应该跟你一起
谢谢, 安吉拉. 周二会议上见
我们要阻止那些推土机
- 哦, 我的天哪 - 我没有工作
我什么不知道自己是谁
这正是我的感受
试试她
啊, 他来了!
- 哦, 孩子 - 那个与法国神秘哲学女郎欢爱的诗人
停车场 真相的改革者...
背弃自己的另一边变成冷血歹徒
我知道
- 你伤害了我的感情 - 对不起
- 但你不得不做, 是不是? - 她是个强人
- 我没有合很多女人相处过 - 很明显
她利用我教我们 必然的人间悲剧
所以? 是哪里你下来了?
不
我不这么想
- 看上去你看到了一些真相 - 看上去你看到了一些真相
- 你看到什么? - 嗯, 互相连接的事情非常真实
- 是的! 我原不这么想 - 我不能相信. 这太荒谬了!
- 真是有趣 - 我知道
但确实没有什么特别
对, 因为由人类的麻烦发展而来
你看, 侦探们 他们只想掩盖一切
但事实上 没有麻烦, 没有魔法
- 你听过吗? - 有些听上去很不错
我认为--
我认为这个案子结束了
真的永远结束了吗?
嗯
- 你明天干嘛? - 我想把我自己变成一个暴徒
- 你想来吗? - 什么时间?
嗯, 1 :00, 1 :30.
听上去不错 我必须带上自己的链子吗?
我们总是如此
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