welcome back to another video it's
Thursday so that means it's time real
quick we have a new upload schedule
black stream is every Tuesday tutorials
every Thursday and dogs every weekend
today I'm going to be showing you how to
make a strap
[Music]
mmm catch it
oh I just got asked to make a trim
tutorial you guys want to see one go so
I was listening around and I came across
this song by dirty audio and d'Oro and
I've been a really big fan of the oral
for a very long time since his name was
tonic I really like that style of house
music and I like how they made it into
trap so today we're gonna kind of make
our own version of that I did bring up
the track on our on our project just to
have it for reference let's get right
into it to make this beat we're gonna be
using my hybrid bass sample pack
shoutouts to everybody who's been buying
it I seriously cannot thank you enough
do you want to let you guys know I
didn't mention this earlier but I'm
gonna be doing constant updates to this
pack so if you do decide to buy it
every time I add something new to it
you'll get an email with an updated link
with the new stuff in the pack and that
will keep going until I release volume 2
which who knows when it's gonna be
because it took me months to finish this
one so anyway let's make this beat
okay so there's like a little slight
thing that happens right before the the
it's the clap it's like a sweep so we're
just gonna make our own just by taking
part of this clap and fading out the end
put it and bring it in reversing it put
it right there I got a wanted to
see dirty audience on D in San Diego he
had some free tickets and I didn't win
and yeah I really wanted to meet
this guy he's awesome alright so now
we're gonna add an 808 of course we're
gonna use an 808 for my pack
yeah so we know that then the root no 8c
so we're gonna set that to e ma'am and
let's make a melody but we're gonna
process this a little more so that we
can get a little bit more I want to call
it crunch
[Music]
all right so you see how that kept going
we're gonna create an envelope for that
so just turn on the envelope and yeah
we're gonna make a little delay and
attack with some tension so that it
doesn't get messed up and blend it into
the other kick all right so I like this
thick but I also don't what I'm gonna do
is fade it out maybe around here and
then bring it in and yeah I kind of want
it to be a little shorter but still have
its full like body I guess actually fade
out a little bit more kind of actually
matching the kick I can see on the other
waveform there so whenever I feel like
my kicks are missing a little punch I
like to grab a hi-hat or any sort of hat
and kind of just put it there
very very faintly they're like the
sharpest one that I can find pitch it up
maybe so it just kind of fills that high
end of the kick and giving it more I
don't know what you would call it but it
helps so let me put that across that
whole so it definitely helps it
what I'm gonna do is put the Pogo up so
it's even higher all right that sounds
pretty good
now let's process this cake a little
more so that we can get that it's like a
it's like a rumble but it's not
like a like a type I don't know how
to describe that sound if anybody knows
what the word I'm looking for it
leave it in the comments anyway so
definitely gonna achieve that with some
distortion on we're gonna use the basic
basic distortion from FL Studio so you
know what I think the default mm was
what I'm looking for it a little bit
right
[Music]
okay that's definitely what I'm looking
for now we're gonna grab this EQ kind of
boost up the low-end
now I'm not exactly a hundred percent
sure about this but I did hear get'r
mention something about losing some of
your bass when you distort it too much
so that's why I kind of raise it up
again whenever I just stored it
[Music]
we're gonna keep it like that for now I
like it now what we did earlier with the
bass here with the envelope could be on
point okay it could definitely be on
point but it could also not be just to
be a hundred percent sure we are
actually gonna do it with the fruity
balance and then we're gonna put this
here and in create an automation clip
this is basically just the volume
control so that kind of clears the way
for the kicks for my new producers out
there there is a lot of frequencies in
every sound and when you're making a
song you don't want too many of the same
frequencies because they will fight each
other think of it as a plate
okay a plate of food if you put too much
rice it might start
falling off but it won't even fit in the
plate first of all and it would just not
be good because you how are you gonna
eat ten cups of rice with one slice of
chicken you know what I mean like you
need an even amount of everything and
yeah that was my way of
explaining this so yeah makes make space
and in this case we're making space for
our kick by removing the bass
frequencies from the 808
[Music]
now it's the fun part which is the since
so we're gonna do this with some we're
gonna make this from scratch a I feel
like it's a simple simple scent and for
some reason I get the feeling that we
can achieve that with one oscillator
using I can't ass kick this waveform
just has that sound and before we
actually get into the sound design let
me create a melody one of the main
reasons where I wanted to do this
tutorial is I was really into house
music when I barely started making music
and tonic now known as deorro
made something called I think like Dutch
house I think that's what it was called
at the time and had this really really
interesting pattern
well not interesting but uh it
a pattern that took me a while to like
really get down because I didn't know
much about music so it actually is very
simple so the way it worked you would
have a note that was a semi large next
to a very short note see that little
done it done
like that you hear in dutch house and
they would switch it up to so instead of
having a long one first and then would
have a short one first and then the long
one and they would just so that was the
the really cool pattern that was in
dutch house and is still used for today
if you guys did not know that there you
go if you want to make dutch house
that's basically the pattern
honestly I don't really think there's
much sound design in this track just
look at your slide notes to do that
we're gonna put mono not legato and then
turn up departamento oh make sure
you put always alright so we'll add
another filter just to make it a little
bit more complex and not just a
you know so let's just and let's add a
phaser into it as well so I get that
bullpen sound bucket flip TT that bitch
[Music]
that's here with the bass it that
sounds pretty cool
let's sidechain it before we sidechain
though let's put some reverb and
I'm not sure actually it probably is
happening there is probably some reverb
automation in the track I just don't
remember and I don't feel like checking
but we are gonna do some reverb
automation so basically I'm putting on a
reverb leaving it at the basic you know
settings and we're gonna automate this
wet knob I kind of got to ahead of
myself so I should have sight you in
before that so let me just create the
automation clip really quick cuz I'm
already here and now we're gonna make
the sidechain Channel what the that
I just do insert one I could use the
same 808 sidechain automation that we
did earlier but I'm just gonna make a
separate one then I just like putting
this all the way up and then that does
make it louder so I make sure to down
turn down my fader here and put it on
every kick we're actually gonna put some
reverb from the actual synthesizer
itself so let's just add some reverb
here
what happens if we added some of this
there's this little this little clique
in the beginning of the sound and let's
kind of get rid of that by just turning
up the attack a little bit there's like
it's a little bit too sharp for what I
was going for so I'm just gonna actually
it's just a lot higher I don't know
where the I'm so low it's I try to
bend Plus this thing to marry it let's
married actually let's put a little
envelope type deal on here down here I
think it needs to be a little bit more
vocally we're gonna definitely do that
with the phaser and I think the part I
meant is just a little bit too high
let's put this on me this Melody's also
ass so let's make a better one
you know what it is - I think there's
definitely some pate automation on that
track and that's probably why I'm not
getting that same energy so let's put
this up and down twelve semitones and
create an automation clip for the main
global pitch Bend and we're just gonna
put it right here oh we are going to
just
[Music]
you know what I think maybe when I took
off that attack I lost some energies
better yeah there we go that's that was
it
[Music]
alright on that don't we're gonna put
actually we're gonna put it all the way
down because I don't want to go like
that and then bring up the reverb let's
bring this up a little bit like that I
think this whole thing just sounds good
with a lot of reverb I think that's just
what it's missing I want to get it a
little bit raspier you know what can
work let's just add some sausage
fattener and I just realized it's not
side-chaining so that makes a
lot of sense
every single time guys every single time
on tutorials I forget to sidechain I
never forget on my drives so there's
this little little you hear that a
little right and I actually happen to
have made one exactly like that for my
back so we can use that here mine is
just a lot fatter than that one
[Music]
we need some sort of I want to say like
it's some sort of resi type so let's
just take the sound that we've already
made and just with it a lot how it
already sounds cool let's just put some
diode on it and let's just put it on
dude it let's make sure that we
don't have any low-end frequency
with us right now because there might be
[Music]
there's this like reverb that's coming
in from the from the thing but it
actually sounds kind of cool you know
what I think this needs some
delay some well the little delay effect
not actual delay so we're gonna use our
handy-dandy effect over here and put it
will turn off bypass and put with the
delay setting with the high tempo and
then this thing right here let's
just put it on its own channel and make
sure to chain because I don't think we
have anything but just uh yeah just a
reverb yeah what's that if anything this
one can use like we can use a phaser
it's gonna be different every time but
it okay so I want that but just not
that much it's good enough it's not
exactly like the track that we're trying
to redo which I knew that we weren't
gonna do um but uh sounds cool
[Music]
let's actually take out this base here
and try to just use the base from from
that to fill it up so that's crabby
sausage fattener we're gonna remove the
the reverb from this and I'm gonna erase
this a lot higher let's clone this and
then put another note down here this
one's gonna be kind of like our drop
know except it's not gonna have any low
in yeah I like that but um lower Stern
on the portamento a lot cuz I think it's
too high we need some noise alright so
we're gonna get this simple white noise
here from my pack and that what we're
gonna do with this noise we're gonna
actually get it in a way like that I
don't want to mess with that volume you
can also use the level adjustment
[Music]
because I'm gonna take it out for the
first drop now we're gonna put in the
dates all right that sounds kind of cool
actually want to put this lower might
sound better when I sound worse but now
let's with this melody cuz
I feel like it could be better
we're gonna do a lot of a pitch
automation on this thing let me copy and
paste the 50 valley so that we can
always just come back to the original
note
[Music]
okay for this last one actually we're
not going to do the same wop wop let's
do something different and this is a D
and our song is on D sharp so we can
just trace that up a hundred what if I
put it here maybe you like it create
some tension wow that sounds really good
okay let me make this unique and
actually lower down this one to go down
and also put it on this iron I want to
say that's pretty nice I also
noticed that there's these chants in
there they're very faint but they're
there for this second second part of the
drop let's lower it down an octave
because I really liked how it sounded on
a lower octave like the the same
[Music]
you know this kind of sounds like
ricca-san a little bit - if I were to
race up the effect or delay or maybe
mess with the tempo with some automation
I would be able to get that Reiki sans
style so I might even put that in the
title so that I can't get more views
I'll probably put in that on the title I
want to say I'm pretty happy with this
so we're gonna end the video with this
let's just make it really loud like
always
our ignorant loudness settings which is
the saturation - one decibel this is a
huge tip guys because to be honest I
have the hardest time making loud
because I and I still probably don't do
it right but this is just the fastest
easiest way to do it
so saturation negative one ceiling all
the way up in your game as much as you
want just don't get too crazy because
then it could get a little bit too
distorted and it sounds like ass
[Music]
so that would be it let's see let's see
let's see so I got some sleep and I
realized I wasn't really happy with a
drop I feel like it could be better so
let's make it better we're gonna start
off by actually using the low octave one
first we're gonna change this melody a
little bit we're gonna make a little
longer more consistent you know what I
think it is I think that there is maybe
an OTT after the reverb that's making
the reverb really loud could be
wrong but I also could be right so let's
give it a out let's be right please
[Music]
let's mess a little bit more with the
sound design by adding another
oscillator I said that we were only
gonna use one but let's just see what
happens
[Music]
looky that actually already sounds
cooler
[Music]
it is little bubble up is has way too
much river so we'll make that
unique cut the reverb out and also on
the end over here
[Music]
you know what where the is that
reverb coming from you hear all that
maybe it's coming from the serum
serum reverb we don't really want that
so let's do this let's do this let's put
the web webs on this one yeah the witch
is for our base which hopefully still
sounds decent and we're gonna grab our
this automation here and we're
gonna mute this volume from this synth
so I don't want to take off that reverb
I'll take it off right now just to see
how it sounds but the reason why I don't
want to fully take it off it's because I
think it sounds pretty good as is
[Music]
whoopsie
[Music]
so this first little inch I was editing
the video and I heard that earlier I put
some diode on it I think it was and it
sounded pretty cool so I'm gonna put it
back on it turn that on
[Music]
how come this one has reverb just to
clean it up we're gonna grab this
joint and create an automation
clip for that one as well for the volume
so grab this create automation clip and
just cut it off right there sounds
pretty good Lana to make this one go up
in an octave
[Music]
Wow wow that sounds really cool so you
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you