Shoes also have thickness and a direction they follow.
It's better to keep these in mind while drawing.
It's especially helpful to distinguish
between the toe cap and the instep.
Draw hair while considering symmetry.
I'll zoom in a bit to draw the face.
The shape of the nose can vary depending on the style.
When you draw thinking about the planes and symmetry,
it can help you find the correct position.
Hold it like this.
There's no need to draw all the complex wrinkles here.
I'm talking about the wrinkles that come in and out.
There's a space created when you bend your upper body.
Just make sure to indicate those.
But you need to follow this surface.
These are the parts that go in and come out.
The key is to capture them as if you're following these surfaces.
Like this.
Similarly, lower the opacity a bit.
I'll zoom in a bit again.
Define the face line.
There's a space that goes into the ear.
Express the darkness here.
There are parts where curvature can be added or is needed.
Compared to the original linear sketch,
it's better to add a bit more curvature.
I'll zoom in a bit more.
About this much.
Draw the eyes roughly.
Make the upper eyelid slightly more voluminous.
I'm going to draw the hair.
Check the photo.
Since the hair is short, I'll just outline it slightly.
No need to precisely separate
the part connecting to the scalp.
There are parts that feel connected or have a gradient.
You can leave them open in the drawing.
Rather than leaving these parts open.
It's better to close them even if they slightly overlap.
For baby eye fat or wrinkles.
It's good to draw them with slightly thin lines.
There are overlapping or touching parts.
You can just darken them, right?
Draw this in.
Moving on to the silhouette of wrinkles.
Add significant wrinkles.
Wrinkles that clearly go in and out.
It's good to leave these parts with a light line.
That way, you can slightly enhance the form in the overall drawing.
Make even the subtle parts feel like a mass.
Draw so that the mass going in and out is shown.
Adding curvature differences to touching parts makes it more 3D.
For other parts with curved outlines,
pay a bit more attention here.
Draw it like this.
As if there's a reason for things coming out and going in like this.
Draw the mass with a light line.
Draw the hidden parts like this too.
It's okay to draw with overlapped lines like this.
These are parts with a bit of muscle.
Use overlapped lines here.
Then you can emphasize the effect a bit more strongly.
This part is receiving a bit of light from the side.
It's receiving very weak lighting.
You can divide these parts like this.
These parts.
These can be seen as core shadows that preserve form,
though they're subtle.
It's good to include these when studying.
Subtly, of course.
I'm not saying to make them bold.
Add them with light overlapped lines.
You don't have to match the tone of every shade in detail.
You can feel a sense of three-dimensionality
through these core shadows.
Indicate the parts where bones protrude
in the fist with light lines.
In a way, the thumb is slightly behind.
There's the back of the hand,
it goes over and then the thumb comes out.
It's better to cover this up.
It's better to emphasize that it's a bit
further back than drawing it all at once.
Right?
Hold it like this.
About what's coming out or going in,
if it gives even a slight hint, it's good to include it.
That's especially good in drawing.
Of course, it has to be correct.
If it's wrong, it's a complete loss.
That is.
It's a part where you need to develop
a more three-dimensional sense.
There were methods of drawing
by directly observing with your eyes.
Even in everyday life, while looking at silhouettes.
Think about preserving the form.
Even when you simply go out and live your daily life.
Think about drawing this form as a picture.
In what order should I draw?
Which parts should I emphasize?
Are there parts that should or shouldn't be drawn?
Keep thinking about drawing these things with your eyes.
That's very important.
It's great when drawing with your eyes becomes a habit.
It will feel like you're continuously gaining experience.
Even if you don't draw directly.
Of course, it's not the same experience as drawing directly.
But I think it provides sufficient practice.
I just got reminded of when I drew diligently.
There's a method that helped me improve a lot.
Among various practices,
drawing with my eyes was very important.
Drawing with your eyes.
It doesn't cost money.
And it doesn't take a lot of time.
So it's good to always observe.
Things you missed in your daily lives.
They can help you draw better than you think.
That's something to keep in mind.
So you could say that
frequent observation improves drawing skills.
I've almost finished drawing now.
There are these decorative elements.
Parts that are hidden by depth.
Or things like darkening core shadows.
Keep these in mind as much as possible.
And then draw.
You don't necessarily have to make your drawing identical.
Look at your drawing as a whole like this.
Check if the shape of your drawing is correct, incorrect, or awkward.
It's good to determine this within the drawing.
Not just comparing with the photo.
Check if it's right or wrong in your drawing.
It's okay if it's a bit different from the photo.
Then, look at it again in a reduced size.
The face is also receiving light, right?
If you express it too strong,
it can ruin the impression
or look like a pattern.
So draw with light and thin lines.
Create the core shadow.
It doesn't have to be connected like this.
Just make sure you can see the feeling.
Like this.
Let's look at it again in its original size.
It would be nice to add a bit more contrast to these parts.
These are the parts.
Find and check the parts where contrast would be beneficial.
The silhouette is a bit weak, right?
If there's a strong line inside while the silhouette is weak,
it loses strength.
The silhouette should be somewhat firmly established.
Like this.
This part is thin too, right?
Make it solid.
The knee feels a bit exaggerated.
But the straight feeling helps with the sense of form.
There are slight wrinkles in these parts too.
These are wrinkles caused by volume.
Add those feelings.
Let's finish up like this.
Today, we looked at the concept of form and ways to enhance it.
This is how to understand form more deeply.
There's human body anatomy I mentioned earlier.
There are principles of perspective and camera lenses.
It's good to consider these together
and perceive and draw pictures spatially.
But it's hard to understand everything at once.
So try to understand them one by one.
That's how you gradually improve the quality of your drawing.
So, we talked about form from the most basic aspects.
Say you have the basics of preserving form.
Then you can use human body proportions,
anatomy, perspective, and depiction.
This can enhance the quality of your drawing.
On the other hand in a sketch with weak form,
no matter what you express, it will only be superficial.
Rather than practicing aimlessly,
take note of this on your monitor or desk.
Continuously check your drawings.
I recommend habitually checking
if there were any issues in this process.
Next time, we'll practice lines and planes.
Thank you.