so let's kick things off with their opening keynote Tatiana Zoba trained as
an architect but after 12 years working in architecture and design she brought
her passion for technology and creativity to autodesk through her
fascination with exploring digitalization of reality she's come to
lead the development of autodesk momento which helps everyone from architects to
archaeologists use digitization of captured reality to express their work
she's going to talk about how digitizing reality affects the way we create learn
and teach someone please welcome to China numbers / China this is the common
reading it's probably the most intelligent bird on the planet and it's
having a lot of fun lately in it basically the ratings are now 5x times
more than $MONEY days to be the population is exploding and they started
to wipe out the desert tortoise these are pictures that we're seeing a lot of
California in the last decades
nobody has recorded this predatory Act nobody knows what to do and they're
taking the baby tortoises which is very sad because now in the last days they
have attacked so much that we're down to one generation of tortoises if you're
going to this generation that's it
we don't have any more desert tortoises so we're gonna do about it
we're responsible this is happening because reading abundance throw garbage
the Ravens eat our garbage and they have lots of business and they started this
is not because they're hungry they're having fun
so two people called the pavilion woman who is actually an expert in tortoises
and think shows from hardshell legs came to this ingenious idea
their solution is to make a fake were a technical Tortoise and the means to
place taking a tortoise in the desert and then
nor the radiance and not order to record harder instead but actually to teach the
rails multi-purpose anymore teacher even the most intelligent burning the planet
so how we do it
so this is really started to digitize tortoises remember the Raven is most
intelligent burden the planet they cannot before but just any kind of
replica it needs to look and feel like a tortoise and then retreating from this
fake tortoises we can be added and we put this center of pressure sensors so
that when a raven attacks it sprays out the biodegradable not little spray but a
spray that all that is like a pepper spray for people so the reasons we hate
it and then after a couple of times attacking and being sprayed
they'll probably say I'm not going after that thing anymore but also want to
create Roberts out of this tortoises and input the camera etc and that's why they
open the kickstarter campaign our last projects like this because the exactly
leverage technology trends toward your treatments that we have done in the last
ticket which is number one accessible and affordable scissors every single
camera on your phone or any camera that you can buy for a couple of hundred
dollars now is a super high resolution sensor so we can make this beautiful to
the digital replicas just out of photos second we're in an age where software is
not only able to do stuff but he started to make software that really makes it
easy to do stuff
the trend is easy application thanks actually printing they can actually
produce this louis and finally we have also easy robotics for the robotics and
the last thing is they tap into the crowd through the kickstarter campaign
and to the online platforms they're able to find these projects from the crowd
this is why is routed from architecture to technology
was Al after work with mac things and make software and make solutions so that
we can enable small players like Bill and like to play a big game to really
make a change in the world
let me tell you some other stores couple of years ago on a tree branch i met the
guys standing next to a beautiful big horse sculpture I said oh my god of
course is how do you do this and he said oh well I use your wanted to the catch
application took photos of the horse and made this make the sculpture with the
MakerBot this is the MakerBot MakerBot makes these small little plastic agony
thing is and this was a gorgeous big beautiful sculpture he said oh well yeah
i do it will make about because that's what they have i speak in many parts
bring them out to them together and then i apply these materials because i would
like the sculptures to really look as beautiful as in real life in the
meantime she graduated to a memento to a professional high end solution and doing
this because he loves art and she loves to interpret the stories about where
objects come from so she's going around the museum's going around places we can
find art he kept to sit with them
photography and then makes this beautiful sculptures that he then
applies materials so that they look like bondage look like gold they look like
bronze and actually they don't look like Ross he is reusing an old method of lost
wax casting and he's doing bronze sculptures while using the 3d print out
in elastics cussing process and he's going further than that
this is a story of there was a story about what was Venus de Milo doing with
her arms because they're broken we don't know and Lady Virginia post-roll ask for
a consultation we can start the hands and from other artifacts found out that
she was spinning at red so he's trying to do it
check his website they're beautiful artifacts he's super generous he shares
every single tree model for you to download and museums are now interested
to start looking into this
what does this mean for me his story is a little bit more interesting for
something else
he started to receive orders for life-size 3d portraitures for real
people who leave today
this apparently is one of the biggest venture capitalists in LA and he order
it or I think friends of his ordered his sculpture so Ozma captured his head made
the the statue and then put his head on a stick towards 0 because it's always
say you meant today do not exercise enough so these funny is very
interesting because Gosnell loves art using many traditional methods but he's
kind of invented a new form of art that is enabled by technology there's another
artist he is to work with us his name is Craig bar she loves working with his
hands
despite the fact that his hind technologies he loves clay he loves
using his hands which he is doing and he started creating his creature and then
the same method he started taking pictures and then put those pictures in
memento to create a high-definition 3d replica of this creature that he created
and then knowing other high-end software like Maya continue developing this
creature then use matte box to apply details just describing over the surface
etc and finally he arrives to an artifact that is gorgeous
it was actually not prevent thinking to use the traditional method of working
while creating a high-definition digital model of something that you can then
using filming game or can bring back in real life between printing it so the
line between the analog in the digital world is luring we we start with analog
we digitize it with go back to analog or we go further to a new digital reality
the next story is about slightly from the Hydrans he is the marine biologist
interested in researching corals and its benefit the calls are super important
for us they save us from hurricanes and tsunamis
and they host biodiversity similar to the rain forest there is no scientific
method of how to research them and he found out he found that out and then he
was thinking how can i use your text researching the corals are shrinking or
growing if they're healthy or not so he found out about the new digitization
methods and set up shop he bought an underwater camera and started capturing
Carroll's underwater the idea for him was to create high-definition 3d
replicas three digital models of the corals if you see those are the
positions of the camera how he was swimming around and capturing and he's
creating these 3d digital models for a couple of reasons number one he wants to
create a digital archive of the current state of the corals but he wants to go
back in the same spot the same corals capture them again and then combine them
and tell tell the difference compared them until the difference between the
two states of the corals so he can tell if the shrinking growing he was in the
Maldives before linea he's going again and he's comparing the two states and
he's the first one in the world to do that obviously because the monster 3d
digital models now he can 3d print them and also work on researching the corals
without having to take them out of them of the ocean his side is called the
hydrants and you can go again and enjoy these corals some of us like me who is
scared of diving can see actually how they look like and how beautiful they
are maybe we can get a little bit more cautious about what we do with the
planet warm again the ocean warming so slide my mind is developing new type of
scientific research enabled by technology the crochet species a
research director at the lawrence whole science & u c---berkeley she works with
two things with very small things and she's researching card to educate blind
kids and this is a water bear i love this thing about if you know what it is
it's a microscopic organism
that leaves in water so she asked them a local sculptor to sculpt the water
bearing a much much expanded sighs and then we digitized it and the idea was
that we truly printed it out of a robbery material so that the kids can
touch it and feel how it is but this is interesting because not even we can see
it so for her
it's the value of a tactile application of tactile experience in education is
the topic that she wants to research what is this is very interesting to them
the next story is about the famous leaky family there are three generations of
fossil hunters that operate in tanzania and kenya and in the last six decades
they have uncovered cars fossils of the first humans of the first animals of the
first tools and they six decades they have gathered thousands of fossils that
are unfortunately this thing in the Museum of my Robin were not many
scientists or teachers or science officinalis go
so this is a problem for them for a long time hard to go beyond the few academic
papers for National Geographic articles and how to offer this wealth of
knowledge then they they have created to the whole world so we came to Ted and
that Ted we had a photo booth that people were sent on there for the camera
to take photos of your head and office on your head appears magically the 3d on
the screen and Louise was like what is dead we explain it to her and she said
oh I am much better use for your technology so she went on a mission and
started digitizing this is her in very modest environment just the camera on
the tripod started to take photos and learned the process of photogrammetry
and today with my mentor she's creating she's digitizing on
daily basis with a very small thing her entire collection just to show you this
is the photo and down there is the 3d model the difference today is almost
invisible it's really beautiful high-quality 3d replica so instead of
having a website where we have a picture and text and it's boring after three
minutes and we have to create an interactive site where you can either
explorer a leg which is actually the living Lake Turkana i was there in april
where they also think the fossils on this website they can explore
interactively entry d to digitize the artifact if you're a scientist you can
research by scientific name you can research is a Dominator animal a tool
their toes to compare we are working now on a timeline of with we want to tell
the story of the human of us how short on the planet we are given how far away
the big bank and the planet existed without us and what does that mean to
what we do the planet today was also sharing the models on the website you
can download them so that teachers can download moments actually printing or
cardboard patterns to make cardboard replicas with this day is that it's cool
instead of saying hey open page 54 and learn how different was the Neanderthal
from the African guide cetera the kids can just 3d printer may discard replicas
and actually compare and see how it is have fun and learn
so yes science can be fun because technology neighborhood today so i think
this can lead us the new form of Education couple of years ago ill north
and Sofia Hagman from the Mediterranean museum sweden were tasked to build a new
exhibition about the Egyptian civilization and invited to technology
companies to help them make something new so introspective focused on touch
experiences and as we were given the body of print of
the prettiness value and we do meet well we first put him in an MRI scanner and
then we did photogrammetry basically took photos of the oldest of the two
sarcophagus as well as the cartridge and then we basically arrived to a treaty
digital replica of the entire mommy in the sarcophagus
so we got the body the carton aged wants to forget the other significant
basically we got a trigger digital replica of the entire thing
so what did you do with it basically introspective will do this beautiful
interactive table that stands in front of the glass behind which the dusting
mommy's sleeping in the museum again and get closer you can attach you can
explore here you can digitally unwrap the mommy you can slice through you can
see the vertebral of the mummified body you can look into the pearls if you know
how to read hieroglyphs you can and basically this is a real interactive
experience much better than money behind the glass and because it was 3d we were
able to treat the Prince the sarcophagus and assemble them as Russian babushka
dolls and one thing that was interesting when we did the cat scan of the money we
found hundred twenty hidden artifacts under the weapons of the mommy so
because they are digitized we could 3d print them actually printed the negative
for me the negative and then casted the treaty the this Adler and this amulet in
bronze
needless to say the experience is amazing i was there any of the opening
and always say usually museums you see the kids dragging their parents come on
is boring let's go home
this is the opposite the parents could not get the kids out of the museum
because for dances but again it's a play but they learn while playing and that's
what technology enables today the last project is the Smithsonian a Smithsonian
is the biggest collection of museums in the world they have about 19 museums
with hundred thirty-seven
alien objects if you go through science museums this is what you see two percent
of the artifacts there is no space there is not enough room so it's not only
wanted to solve that problem how can they give the entire collection to those
who come and also we'll never make it through DC or New York they also wanted
to solve the problem of how to start becoming attractive to the 21st century
kids who think that museums are boring dust institutions so they learned about
digitization methods they actually heard about them but they had to learn it on
their own they started microscopy scanning for the renergie surface laser
scanners start scanners etc can learn on the fly and they did something amazing
they started digitizing the collection at that point we met and we decided to
make something together that is an amazing project called Smithsonian x3d
it's an online tool that enables you to explore the artifacts to learn about
them an online tool that enables curators to tell the story in a 21st
century way so we had a couple of agreements it has to be high-quality
visualization browser no download of plugins you go anybody goes anybody
concede we didn't want the judges to look like in second life really wanted
them to look like in real life then we added some tools different visualization
modes for the curators comparison measurement slicing sectioning allowing
the curators to define hot hot zones or hotspots and then to create tours that
you can actually follow yourself but you can also interact at any point because
they're not videos they're interactive exploratory spaces so this is one of the
life masks of Abraham Lincoln this is the tour you can change visual mode you
can make also artifacts with it if you're a teacher you can say that the
students here download the digital moment and let's check how big he was
and the leg and stuff like that we work with the curator who had the cosmic can
put that one in the world and the buddha head there
sorry everybody tells the story of the Buddha but it was so shallow and beat
another time that the curator could not really read the left and when you showed
him that wants to do the building was digitized we can not only make it look
like it used to look but we can get you in deep in there
this was unbelievable for the curator he said I'm sold
this is it you can check this out as well just type Smithsonian extra d and
you can explore it on your own obviously again because the models were in 3d the
scientists and researchers are using them to research instead of holding the
original artifacts but also for education since onian I think created
what is a sample of the future of museums the latest new york times last
week actually I was talking about how many museums so now starting to do the
same and exploring their ways so three digital models have a long life all
these digital artifacts can be put in online to teach in the classroom can be
put on augmented reality virtual reality oculus three solutions you can use them
in games in films but you can also create big physical replicas in the real
world
a couple of years ago we made the product called 123 make which all of
these cardboard patterns cabin models are done with we made for kids we wanted
kids to be able to build puzzles on their own
the software is super-smart you put any model either model or captured and you
say i want to do before this small i want that pic of a cardboard or water
acrylic and then it slices automatically for you you can define the direction of
slicing but it creates automatically this vector pattern that if you need to
decide to change the size if we change it again without the problem without
calculating anything he just does it for you and we made this instruction sets as
well there's six seven techniques different techniques of how to translate
3d digital model into physical artifact this is another technique is interlocked
let's say this was this
anger table stand and then you can see how many parking parts you want but you
get you get noticed of these vector patterns that you can plug into a laser
cutter or about do them on paper and then you can lay them over like when
you're sewing to pack them so I'm with your kids so I lots of anymore said that
time our CEO is a designer or so he made a bench out of marble and then we made
out of cardboard but they made it out for clearly can turn that super
beautiful then i made this little chair the dentist said why not make it real
size then I mean it's real size but look at this chair is the same digital model
but interpreted with yet another technique and wanted to really make so
why am i showing you all of this because when i went to the Smithsonian and spoke
with the curator of these noguchi sculpture that this big heavy expensive
and his lights that they constantly need to maintain their very scared and
they're looking at how can we make something that can help us be less
nervous about doing this so a friend a colleague of mine and myself we did this
one-on-one crate for that sculpture using the same wanted to be made but we
just made a negative and for seventy dollars and into ours who made an exact
negative for that one sculpture decision because couple thousand dollars has to
be done from give some henny now we made this life thing that can be used for
packaging for storing or for maintenance so it's interesting when you make
technology that you make it for one thing but then it turns out into
something else yet people find use of technology the way they want them
ok so i showed you all these different professionals trying to leverage the
latest state to push their professions to the limit
they make it sound easy actually when we started to work with them about two
years ago it was not easy at all they needed five six different software that
we've never done four artists the scientists and researchers
archaeologists they were done for hire people for engineers for super high and
filmmakers etc so this is just one
generous diagram there were many more much more complicated diagrams that
includes 10 other solutions solutions that they need to know about by get
trained that are just simply too complex
the other thing that they realized very soon as that woman is nice something
this mouse it can be a hundred kilobytes but when you capture that same Mouse
with photos laser skin i might be you know 1b and polygons if you want high
resolution no engine no software in the world could handle the amount of data
that we were generating the 3d models from capture and we're just getting an
hour lash of reality capture data from the sensors it's just coming towards us
so he said okay two problems one is ability you know we have to scale this
process
another one is what we do this huge models so we decided to make a new
product called or less momentum and we worked with professionals who want
high-quality results but have almost no kid on computer expertise because he
wanted to make sure that they can use it we were designing for that but we're
listening to high and filmmakers set the people who already use technologies like
that to learn from them what they do today and how can we make it easy and
this was meant to us it's all in one tool that covers the entire process from
in putting it from reality from photos or structure like scanners laser
scanners it creates a high-definition 3d mesh that we then have unbelievably easy
tools to clean it up to fix it and then optimize it and prepare it either for
digital workflows for flan game air here tell a story teach with it online or to
make physical replicas cnc machines 3d printing etc and then back to show it
online to sell it online or to create interactive experiences online so the
first thing that we need to do is to
create actually a new software engineer that can handle this a lot of really
dated is coming towards us we created a mr. McGee engine for those among you who
are actually in this world you appreciated a message in that can
generate and edit and pleasurably work with 2 plus B and polygon data which is
unheard of
second thing is we want to be agnostic to the input we can digitize the analog
world around us today with photos with such a light scanners with the laser
scanners the third thing is this is a software we made it super super clean
and it will remain clean this is one thing when people see to see how can
make anything meaningful if it's so simple
well actually that is for me the challenge of software today it doesn't
have to be complicated to do something smart and I believe that there is
software that makes you feel stupid that prevents that enables you is not a good
software and my team and myself have focused just on making this process
really fast and we enabled i call them 24 the shop like post-processing where
you can very easily clean up the environment fix the models we have mesh
editing tools to fix some of the problems we have some smart tools about
how can you make a two million polygons there's small but he had beautiful when
you put it in oculus rift headset there are 3d print because they cannot handle
this big models the different visual modes when working with sliding we
actually made this comparison future so that you can compare two states either
of the same object over time are compared to states of something designed
or captured something to be printed to see how well was it reprinted also the
software we have a native 3d printing environment which were very proud of and
this week actually tomorrow and your world comes out that will be the first
absolutely high-resolution 3d printing in the world just explain the many
printers out there
big small but they all have a
very very low cap on how big political number of polygons model day they can
read even a half-a-million-dollar 3d printer the most client forces need to
downsize the momentum models at least a thousand times in order to print it
that's crazy why did I create this beautiful models if I have to downsize
them so much
so we made it possible with our other the scanner printer for momentum to give
it directly the slices and generate up to 10 microns unbelievable level of
quality on small scale and 33 million mesh polygon mesh for example was
prepared in one minute
this is where the main very environmentally is that we can once
created those huge models reduce their size they made them and then big the
normal occlusion diffuse may be displacing my cetera et cetera in order
to look beautiful even when they're tiny and about working with people like
losing for example she always needs to make presentations and she wanted to
make these sexy videos that show how it switches from triangular mesh wire frame
to texture etc which he doesn't know my other tools will in a mental one click
you can make even a beautiful videos like this there is also viewer where you
can publish your models online and you can show them off and you can let others
learn from that at this point i plan to do like them or because every software
company tells you this is super easy and then when you try it yourself
nothing works this is the win victory and let me show you when i switch the
video mode two triangular mesh just want to show you the level of detail is many
women as men and women to actually see the triangles earlier this was possible
with laser scanners nobody can believe that this is captured with the sony
pocket camera this is what we are really spoiled today with an amazing amazing
technology just to show you this model is 32 million polygons face
for those of you who care about those things and don't know what i'm talking
about but basically this is the what today's technology can do but let me not
to get ahead of myself and show you how do you start when you started so if an
object like let's say somebody's head or a museum artifacts you place it at
different methods of digitization in this moment i'll show you for the
grandma tree basically you start taking pictures all around it imagine you have
a brush and you're basically with the photo painting whatever you're capturing
and make sure you take for this from all around from down from up mean if you
want the level of detail you can have photos there's some tricks about the
photos they have to be sharp no shells no flesh no depth of field the blurry
artistic photos we need boring photos to the sharp without shadows and need to
know and now you have your photos in this day I want to create 3d from photos
so you click here it asks you where are your photos are your machine or on the
on the web on on some drugs or h-60 account you cake and here for those from
garuda a sculpture that these in singapore that colleagues of mine have
taken with them a really normal camera so now the photos are loading and this
is not interesting thing when the photos are holding your last chance to see if
your finger was in front of the camera if a dog passed by some photos of blurry
when we're just developing features that will tell you you're too strong contrast
or they're too blurry do not work out etc but once everything is fine
all you need to do is say create model you get the name and that's pretty much
it you click start and now what's happening her is that the software is
sending these photos to the cloud the cloud to process them why do we use the
part of the cloud promises two things one is it fast
the first thing is actually he don't need a strong machine i don't have to
have some space shuttle machine to do this which I would have if it is really
happening on the desktop so that we will scale will enable whoever wants to do
this to do is of course we have a minimum system requirements but they are
hundreds of what you would need to have in if you really have to process it
locally and the second thing is speaking the cloud promises speed today you're
not getting the speed that you will be getting because we're not you're
distributing meaning that when we upload the photos we still use one server
amazon to process but we're working on distribution where we would use 10
service at the same time and office on you getting your results in couple of
minutes at the moment it takes couple of hours you will receive an email telling
you your mom is ready it will show up here with a blue dot to download and
let's say that I open what the email told me that is ready and get this and
this is the first thing that people say your software does not work because i
was taking pictures of these gorgeous culture and this is what I got
well of course you got that because actually the photos didn't know where to
stop
so your sculptures beautiful it's here they just the photo took the environment
as well we have a crop feature that I'm actually when you popular photos you can
say i want to crop it will crop around the model but it will still have a lot
of stuff around it needs to be killed
so the first thing I'll do is ok I want to clean up the environment
I'll just reorient we have different methods of selection
let's say i'll just say I'm really interested in this thing and now i can
either invert the selection and click it or right-click i'll say delete
everything that was not selected and the software this is a again couple of
million polygon mesh it is super fast so then the next thing is we'll have big is
this the damage is not know how big this is the next thing would be to tell it
how do you taste said I know from here to here that it is 10 centimeters and
that's what i'll do i'll set it in the right scale now some users like slide
puts a ruler also here for
targets for downloads if you put them in a scene we can actually calculate the
scale for you automatically but this is how you can do it as well
the next thing is and whether I've been working many software how do you arrive
to really complicated software is when you say oh it's this and let's producing
software and you have to be very disciplined if you want to keep a
software business simple and we decided that we will only put tools that are
only relevant to create high-definition 3d usable models from any capture usable
for printing for seeing or for this meeting and baking 4a games and stuff so
the first thing i always say i ask that you orient the model where is this guy
i'm not asking XYZ or something
just show me where the skies up so that when later I slicer make videos it's in
the correct position if it was not you can just use this simple tool to
reoriented ok then almost every for the gravity model have a hole underneath of
course because you're not under the earth to capture it right so that was
the next thing that we saw that almost on every model people have to do it so
we created a tool called slice and feel and if you oriented your model correctly
to be already powerful so you just say i want to slice let's say up to here and i
can decide to slide the upper part of lower part and decided i want to feel
automatically yes because if i want to be printed
I cannot print as you're taking a surface with a hole underneath so
instead of asking you all find a way to fill the hole etc which is due slice
clean up and feel for you automatically and depending on the size of the model
it might take 20-30 seconds but it will do something that you didn't have to
have any knowledge and it is super predictable
while this is working the software works on Windows and Mac the Mac version is
actually at the moment
oh I sliced the other part but you get the idea so let me show you quickly
couple more things ok and let's say hours and proud to show you that this
was my very first reconstruction but they ever did and then you nothing about
photogrammetry my camera was can 100's and I did this horse in the gardens by
syphilis in a garden of a friend of mine so let's get on this thing so i'll
switch to the last mold and I'll do this you remember this from for the shopper
any loss of selection
ok ok sorry did i trick media and there seemed to be something here and just
switching triangular mark and let's say i would like to clean this up because
actually want to print the head which I hid somewhere here but I don't see it
not so when i do is you see what's happening
I've selected something else as well and this happens very often so he said we'll
build a tool that helps you just the situation which is totally it is called
isolated and now it's super easy for me to say
actually I was only interested in this part
ok and now i'm bringing bad desolation and super i have a clay model that i can
already to the print
well yeah I have holes here to the printer was not like that but let's say
I don't know about that and they go and they say pretty print this
it's alive to check if this is printable so I said okay check and done it's
checking for inverting normal 0 thickness surfaces double messages
spikes tunnels 3d printers don't like many things that you don't need to know
about we did not want to expose all of that he could talk to scientists and
researchers it tells me okay cannot print SI y can you show me it says well
yeah one whole another hole at third hole no good and now i can ask the
software to fix it itself or I can do it myself
this is something that can call swings snorkeled I've is a concept in the
software where we want the same software to enable those who don't know much
swing and a ton of the distant listen software does it really
or snorkel a little bit if you want to treat some parameters or for those who
are experts and no we're looking for
they can dive we give them the deep controls in this case i'll say you know
what I want you to swim
I mean I want the software to fix this and say fix all holes now of course the
software will do the best that it can but we did perfectly
maybe not why did a good job but maybe I'm not very happy with this edges here
so for that we have another 2 which is a kind of farm sculpting tool that will
just enable you
you know depending on where your mistake was just a little bit brush it up and
fix it okay and then let's say we're ready to print
now we fixed it we can skip the check so check it again it was between
opportunity that has many different printers that it shows you the better of
the printer it can help you understand how big can you print within that
printer we orient easily and this is what I was telling you layer thickness
down to 10 microns for the Ember meaning i don't have to make this model smaller
in number of problems to print it
so along any different software you just done the all-in-one software for those
who are high-end professional just to show you if I wanted to explore this
model from one . 200 200 thousand polymers I can decimate it easily to
something much smaller but if i click on three big textures it enables me to
remake the displacement normal and occlusion map which means translated for
you who don't understand that if i put in a little Street and it has to be 200
polymers it was to look as beautiful as you see it here and not as origami
because it has mass only limited number of problems there are many many smart
tools to show you i'll just show one more two more actually and
and our rap let's say there was a hole here and then just switch this when I
have a tool that is super smart at the moment you approach yourself to hole it
will recognize the whole you selected and then just fill the hole we also have
a bridge tool that enables you very often people when they take capture a
heads of statues so for real people don't forget taking that photos from the
top
so let me show you an example when you forget to take photos you get something
like this it is not very pretty
will two things I don't be interpolated who have them confidence in it slide it
to show you this was inserted and software and this was what you really
captured so if you don't want to insert you will not be you will not do them so
let's say we're going to get rid of that horrible thing here and just to show you
another smart tool so let's say this is something you did you think about to
take enough pictures okay so how do we fix this weekend is really smart to
again specific just for the situation and i will just make down the brush
smaller and what I'll do is I'll select down one triangle here and one triangle
here and say i would like to build a bridge so the software has a will to
build a bridge that is smooth and understands the curvature between the
polygons that you captured and then makes that or flat if that is what you
wanted and now i can using the smart tool or just by by using selection go
around the whole pizza
sorry i have an edge here on the podium that is very difficult for the mouse and
then again they feel whole and fix problems like this another think i
mentioned it's super easy to make
really smart videos we can make automatic turntables and you can preview
them if it is exactly what you wanted but we can make a video like I showed
you at the beginning that switches from one visual mode to another and though
you can control the camera with couple of clicks without knowing any keyframe
animations or any stuff like that for that switch to keep friends and we will
say okay this is my first frame make a keyframe then I switch to this mode make
a key friend then I want to see it from this side but in this mode make a key
from etcetera etcetera you take expert and that's it
you created a phenomenal video this obviously can be applied this method and
it doesn't matter if it's from laser scans from photos or from start
satellite scanners this can be applied on any scale with beautiful drawn
captures with gopro that resulting in a building this one actually is a very
special case that is a combination with the laser scan and photogrammetry
actually . laser scanned photos combined together in one digital model without
any projected or anything
it is a unique technology to work on and that were very proud of that your son
see come out laser scanners and besides they make sure pages etc for the
parameter gives you gorgeous textures combined they make for the best result
this was a little bit because a huge model that you will get the idea of the
quality and they just wanted to show you something else that is not just an so
you can see this is the level of quality that you will be getting so this concept
of having a digital world being able to digitize it and then bring it back into
the real world we call it refix burn and then the other one what we saw it leaves
with Sonja is three pics learn and really
that this will impact the way we teach we learn we design in the future I see
artists and designers in the future being the originator of the master files
where they show them on the website this is what I designed you can buy my
product or you can buy the IP for my design and then you change the way you
wanted then maybe you changed it and now you have many more followers than me and
people to for your design and they buy it so i hope that we can make some kind
of a digital DNA that will track down for financial and social reputation
reasons the originator of the master designs of the master replicas i woke up
with this and I want to leave you with the video that we shot last month for a
conference called the future of storytelling that picks a little bit in
the future of what would this bring and when
I think that the divide between what's analog and digital starting to merge our
physical world is so unimaginable reaching extra in-depth but until they
recently our digital experiences for the most part have been limited to fled to
the impressions of reality today innovative technologies like 3d printing
WebGL virtual reality and augmented reality are already finding the ways we
can experience and recreate the world around us
so what do of this revolutionary technology in common they all require
high quality 3d digital months
what does it take to make a 3d digital model you can create a model from
scratch geometrically constructed by extruding and revolving with nerves
measure supplies and solids it's a laborious process requiring complex
software and high and knowledge
alternatively you can capture the analog world as it exists
this can be achieved with specialized 3d scanners that this type of hardware is
prohibitively expensive and also requires immense technical expertise
everyday technology is becoming more accessible and easier to use but the
difficulty of generating high quality 3d assets has kept his friend out of the
world of 3d until now a new process called photogrammetry utilizes
state-of-the-art algorithms to convert regular to the photos directly into 3d
with smart sensors that are now ubiquitous a new software that is
exceptionally easy to use anyone with access the modern smartphone or a camera
can now capture and create a high-quality ready to use 3d digital
model what stories can be told when we can hold digitize the world around us
for artists being able to easily capture modify and recreate physical assets
opens up the universe of possibilities
when we can sculpt any object environment or living thing in the
entire world becomes clay in our hands for marine biologist it's helping them
better understand the world ever changing ocean for the first time ever
using for the manager scientists can measure coral reef systems with
astonishing accuracy
not only does this enables the document the state of existing corals but with
repeated scanning we can actually observe ecological changes as they
happen over time the Buddha's of Bamiyan in Afghanistan the glorious statues
carved into a massive relief over a thousand years ago
in 2001 they were destroyed forever when they dynamited in an act of religious
extremes
like so many times our system and invaluable piece of human heritage
except this time we decided to search for the lost catches in a place that
previously nobody would have ever thought to look the web between Facebook
Flickr and google images there are thousands of photos of the Bamiyan
Buddhas taken factors to the decades and from almost every possible angle using
for the lavatory and hundreds of this crowd source images that thing was able
to digitally reconstruct the Bamiyan Buddhas in a gloriously detailed 3d
replica one which not celebrate story of humanity of all of us together
preserving a vital legacy for future generations in the near future we will
be able to digitize our entire planet exists in every moment this
four-dimensional impression of our world will enable future generations to
literally scroll back and see what was really going on in this particular part
of the world and that pipe digitize ourselves as well giving our
great-great-grandchildren the chance to see us the way we were when we were
there
by being able to better document our achievements as well as mistakes will
help new generations build a future for themselves that we can't even imagine
some stories are simply too weak to be told by one person or one group of
people from passive listeners to active participants will all have the power to
take initiative in this frontier of democratized caption creation were able
to connect . differently to find different meanings in the patterns that
emerge and consequently were able to begin asking better questions these news
stories can be experienced differently in all power ways across time and across
geography across cultures and most importantly these stories will mean so
much more to us because we were part of their creation in the first place