welcome to part 5 of this FL Studio 12 tutorial on how to make it go chop Traktor Scratch
so the server part where we finally start working on a drop
bar as I said I would do in the last episode
I did some stuff off screen porch its it's stuff that I've recovered in a
previous episodes but
its kinda cool so al gore over after
I started working on the drop so after all that sand on Aug over what I did and
least you know kind of quickly explain what's going on there what's different
about this track now
but the intro so let's get to the base
and experimentation yeah
as always I'm gonna go ahead and play
what we got from last story or any what I
added to it off-screen up
up
up so I change the biggest of
an I had a little bit the stuff and I felt a little pissed off
we'll talk about that later so first of all I'm gonna go ahead to my area here
with the drop begins I'm going to highlight it to focus on our region and
I'm gonna stop bringing them some drums
so I definitely want to use the kick again and the snare
and the closed hi-hat some gonna copy
some other stuff and paste and bring it over to
a beginning of the drop d
from gonna keep the
drumline quite similar to ours and the interest
preserve the groove we had before and
this people bill here d
d d
I'm just gonna go ahead and play back from an earlier part just so I can get a
feel love
what it should drop into up
some definitely feeling
some kind of easy wobbly kinda thing and I'm just gonna mess around with the
couple sounds and
couple different rhythms
bring down the pitch in our look for wave table that sounds pretty badass
wall mall be wall while so this phase section to some pretty cool stuff
more wall wall wall more all
all all
all
all me me
me the wall the wall the wall
more
wall wall all all all
all
wall
wall wall wall wall block Mopar
walpole all all more more wall
more
all wall
all
more all p
pulled all
the
wall all all
it's another sound starting to take shape early so
up before I continue with this I'm gonna go ahead and ruin
little bit MIDI too so I can start to get a groove going
amor de pretty happy with the sound but it definitely
can still galop I'm just gonna keep working on
tryna make victory
for
all I'll bring in
a second filter
the
alright so after messing around with that
for quite a bit finally found some positions for the bill for lobster
I'm happy with at made the sound quite beefy so
to keep messing around some MIDI and some speeds
tried me slump
the Sun sounds pretty cool when you spread it all over
with some unisons some course the first
stuff and me little bit wider
I'll pry yeltsin's used
spread 0 sounds pretty cool and
to clean it up a little bit I'm gonna put an offer on the samples volume
love mean we have table Matt Conner
removes the mud weird bottom indeed sound from the beginning of
they'll oppose at the bottom some strange
saddam gonna clone
these a instances of massive I'm gonna change their life boat speeds ovum
and I'm gonna mess around with some brews before I
change individual sounds
did
good
so on cool thing the change on all of these is a
the phase for the offer in the way buffets lubbers
bowled them out but they love it was affecting the phase lobby changes
the sound drastically just change occurs between the different styles already
miss sound like complete themselves
so the thing about this is to just keep messing around until you have some
you're really happy about sums gonna keep doing a
now though no I'm gonna keep this sounds I'm gonna go ahead name these things
now 30 min a mixer
so I got some that I'm kinda cool with for now I'll
is gonna already so some chords on top
vermont gonna use the exact same sounds
on top space I'm I'm just did not look that's on top here from now
and youth really information to work with and
to keep working on this drop and make it sound like it's
part of the song and if it's something to go off
I want to bring in elements from the rest to the song to from the intro to
kind of
tie at the drop and the rest is a song together a little bit more
on those two have a cruise
don't work together
so I'm just gonna do single bits
I'm gonna continue this corporation here
to the next priest at least
nomina switched up over here
meet this pattern unique in all users up
Tomica to cool but spent
but first
I must engage the mono
ago trip
gonna fix the speed
it sounds pretty cool for now
was gonna copy and paste this so I can
change some stuff up afterwards and so I can just keep going with the
and I'm gonna bring in this white noise I think
Liverpool burr and internal plaster
was a little bit too out there
so on
bring another sound in this
gap that we have here times can use a square me
me
adding this kinda helm follow-up to the pitch will give a punch
the Sun sounds a little weird since we have impose processed
any the other cells or this one also brought the way they come out of a
massive
so it sounds a little strange but this one will make more sense than excerpts
I'm gonna grab some will sparks from earlier times critical segment you know
mind cool the coal power this pattern
atoms can have a apostles so definitely some pretty cool when I automate
the reverb tale so I'm gonna put a free balance on it and that way I can control
the volume over
icons are made the volume over here and
so that way no reverb role play after the slow highlighted section here
and shoot some pretty pretty good
just like and stay there
I think Oh
the that square base over here too
so I'm gonna file your place these
super soft sounds over it will not replace umber change from
just for this drop second so copy the MIDI and I'm going to insert a new
massive
and I'm gonna try to make it sound a little organi
and different than the other one
who
boo
me me
me
all
yet
all
all me I
so bear with me on this cause this organ he wave table just going to be part of a
layer
animal aired up with a saw good
I think I should
transpose these notes here from this court's up
a doctor think that also know a bit better
least this way it doesn't
interfere as much with the base cuz it's not in the same
part the frequency spectra Lisa spreads or upper
so gotta work with the sound of it though
so are the problem I just realize is the
this automation here for the clip is on
the group love over key sounds
I just ordered I gotta fix that someone's going to cover those
and figure out a different way of doing this arm was gonna move
all this other stuff up and put balance on their
and link the volume on the balance to the same automation clip
and I'll just keep this automation clip appear and
should work
that's not too shabby right
works for noms you know some are high and so for here
and copy in pastes
again it's not a crime
some gonna solo and highlight
this pluck thing from earlier some gonna recorder and
Anderson and I think I'll just make it a lot easier to work with
and and I really warm need this little automation for the reverb tailhook so I
can just chopper
and I'm gonna do that for a few different sections from reporter
sons gonna recorders
and dry getting and replace it with the mini clip
now name it and give it their own
its own effects law
now I'm gonna make it really wide and 2
do that I'm gonna use wide mouth which is free
to free Weidner as early supporters
has to for two sliders so the sole make a nice and quiet in terms of the stereo
image
now my next step is to record
part of this baseline for the build-up so I'm gonna
solo all the base without the square base
and I'm in the recorder interest in like it did with the other thing
so now I can
bring it into the build-up which is pretty cool because it'll
hold me tight together the buildup and the drop a lover
and it won't be so random
bar in also wall are feels hard
and it'll still have a nice contrast because there's already filtering going
on at this track
right before the build-up so it's not as strong in your face and so
actually drops and arm also gonna
take away or you almost off on a
and filtered and into the build-up so
blonde nicely ho
named I'm gonna send it into the effects mixer and I'm gonna send it through with
the
group's also citations in every arms can use a
or sniper when he's a high pass filter
tako and bottom nominees
a another filter
use this low-pass filter filter I like the way
basis sound when they get filtered in with your pass filters
and especially when you don't bring it in all the way and then just
have the full thing hit you in the drop I think that sounds pretty cool
so many do that
use wide mouth again
the affords because no
control and stuff love these middle the cords
really nice a wide angle some very nice I'm gonna make you serve this sample
again
I'm gonna put it over here and the same thing in the second phrase
and temple record some
the from parts for what's left over cause we have these are the gaps and
stormy start Philip so let's do that
was gonna keep using this little to hear that
switch between the freezers to find something that fits
okay well
so we here's what I'm going with so same thing again so lower
and record through edison I think that sounds pretty nice
Sam's gonna drag it in here again
and replace it with the many versions
so much need to send 'em
to this same affects love here so I can
X and the same way
Sol possibly lay the sound with something else in the future
and now right or in some other formal stuff
it's definitely getting there does that stuff from the store and they get a
feeling and
stylist undertake on its own little
mentality of the truck its its growing up the strike
it's reaching teenage years
was an ex parte no take some open hi hats maybe
to add some excitement
yeah pretty excited
it's like a six-overtime not too shabby
so copy and paste again ex parte
definitely all about makin are cool little
a transitions and making things unique and adding variety
so those parts pretty important because we have made a range sounds but we have
no subs
and summers pretty important for drop special in this college honor
some gonna make this pattern merged together
and so be the first sequence
and then I can add individual subs for each cell
so I'm just gonna start by
cloning the first such and I'll name it something the
makes we recognize that it's a particular sounds
sup
and I'm gonna link it to a new affects law
and biz school be that affects lot for all the drop-sides
so
I want a sub to keep the shade of
over for
me
so what i'll do is i'll just turn off all that affects all the other way if
tables
everything else will be of except for the first wave shape
first wave also where I mean
geez and it'll just be a straight sine wave
nothing else and all little Martelly is the
value the ample to with the same exact over 40
I'm gonna make sure that it's just one voice since
not spread our doesn't have any unison on either
anything like that and all restore by a gay and all
be a nice and strong sup number do the same thing
arm actually was gonna copy the Saab
and what i'll do is I'll copy and paste the
for rates for the different subs and
pretty much make one sub copy
for each something amusing except for the square wave
so I have three subs in massive
and each one of them has two from of those streets corresponding to the other
sounds and the drop
and I've copy and paste that the MIDI so they do the same thing
now one reason I don't need to make a sump
orders square bases people's this crevice
love what's going on has quite a bit the sub already so
there's not much I need to do for
so now I just need to make sure that I for high pass filter on
up of other bases on the job so
way there's not going to be anything that's going to be a person with the
Saban
make it some weird it'll be nice and clean
and some like it's one with the sub source check out this bomb India
see what that sounds like why
so that's a not too shabby for now not too bad
so this is the part where I go over what I did off-camera to enhance the
intro so let's do that
so for the beginning a Prada pretty love filter on the 2nd PUC
with k effects and also add a little bit over
a crushing sound to it and a buncha reverb and delay after
and I thought the somber kinda cool power comes and
reforms and everything up
sorry layered the
me and leave here with another sound that's very similar
I just wave wider and way more poorest
and I put this pitch attack on the main sound itself from
the last apps ODP and this just makes it sound a little
on year up
as just a high pass filter for the transition to make them interesting
outside chopped off the pace for this parameter
surprise it didn't do that for I against me to do with the rep
whatever sons or their own and I made these
to second plot lines up
ago ok and this last part of the build up well after the break down
and arm here
automated some reverb
on the male lead so after
this section goes up to evolve into k goes up
and which is kinda extends into the breakdown and here we have
a sub drop I made a massive really supporters over for
making a pitch go down and the
also kinda add to this transition and to the breakdown
and I thought so nice so that's what I do
so as usual I'm gonna go ahead and play the truck without talking to learn
afterwards I'm gonna comment on what's coming up in the next episode
and what I think should be added and changed and
my thoughts on the whole matter
up
okay so the next video stuff really going to focus a lot on processing the
sounds and maybe
love more sound design for new sounds and
processing knows by definitely wanna focus as well
on are just adding some more variation
to wear as so to keep it more interesting and make the drop not just
repeat itself
and upright be a lot of shopping going on gonna see if I can make you some
some cool percussion sounds what up
so stay tuned for that thanks for watchin go on