DINGER.
DINGER, WAKE UP FOR A MINUTE. I GOTTA TALK TO YOU, BUDDY.
LOOK, BOBBY, I'M ASLEEP.
I'M SOUND ASLEEP, BOBBY.
I'M DREAMING.
APACHE WOMEN, MAI TAIS,
VANNA WHITE AND A WHIP.
I'M IN LOVE.
THAT COULD BE A PROBLEM.
I DON'T THINK YOU UNDERSTAND.
NO, NO, I DO UNDERSTAND. I REALLY DO.
WHICH HAND IS IT THIS WEEK, POWELL?
YOU'RE IN LOVE WITH LAINIE?
LAINIE? LAINIE DIAMOND?
I CAN'T BELIEVE WHAT I'M HEARING HERE, BOBBY.
ARE WE TALKING ABOUT JOEL'S LAINIE?
HOLD ON, ARE WE TALKING ABOUT LAINIE...
THE ONE THAT LOOKS GREAT IN A LEOTARD LAINIE?
YEAH, GREAT, SHE LOOKS FABULOUS IN A LEOTARD.
SHE'S JOEL'S. YOU HAVE ANY IDEA WHO JOEL IS...
JOEL, JOEL, PSYCHO JOEL?
JOEL'S GONNA KILL ME.
JOEL'S GONNA WALK IN HERE
AND KILL BOTH OF US AT THE SAME TIME.
HE DIDN'T MEAN ANYTHING ABOUT LAINIE. JUST RELAX. JUST RELAX.
ARE YOU DONE WITH YOUR INDIAN MATING RITUAL YET?
YOU KNOW, WHY DOES EVERYTHING YOU HAVE TO SAY...
WHY DOES IT HAVE TO REVOLVE AROUND SEX?
WHY? WHY ARE YOU SO PERVERTED?
IT HAS NOTHING TO DO WITH SEX.
IT HAS TO DO WITH THE FACT
THAT I AM TOTALLY IN LOVE WITH...
NO, NO. LOOK, DON'T SAY HER NAME, ALL RIGHT?
DON'T THINK ABOUT HER. DON'T TALK ABOUT HER.
GET HER OUT OF YOUR HEAD.
- OKAY. - OKAY?
- OKAY. - YOU PROMISE?
- PROMISE. - OKAY.
OKAY.
- LAINIE, LAINIE, LAINIE. - NO, NO.
- NO! - HEH!
WHAT WAS THAT "HEH" SOUND, BOBBY?
HEH! THAT'S THE WAY I LAUGH.
YOU KNOW... HEH!
WHAT THE HELL IS "HEH"? WHY CAN'T YOU LAUGH LIKE A MAN?
- Bobby: READY? - Dinger: NO.
- LET'S GO. - ALL RIGHT.
Bobby: ONE, TWO, TOO-DOO-DOO.
♪ OH, OUR LIFE IS TOUGH ♪
♪ MONEY NEVER SEEMS TO BE ENOUGH ♪
♪ AND IF I COULD HAVE, OH, JUST ONE THING ♪
♪ HOLY GOD, I WISH YOU COULD SING ♪
NO, NO, KEEP GOING. GIVE ME MORE THAN THAT.
I'M FLUNKING EVERY GRADE IN SCHOOL.
MARVELOUS. SO AM I.
- PENNILESS. - GIVE ME SOMETHING BETTER THAN THAT.
OKAY, UH,
MY PARENTS DON'T EVEN TALK TO ME.
YEAH? WELL, AT LEAST YOUR MOM DIDN'T RUN OVER
YOUR LEG IN HER VOLVO, RIGHT? MINE DID.
YEAH, BUT, SEE, MY MOM DOESN'T GO INTO SPASTICATED SEIZURES
- EVERY ONCE AND AGAIN. - THAT'S RUDE, MISTER.
- A DOGFIGHT? - YEAH.
- YEAH? YEAH? - YEAH. YEAH.
ALL RIGHT.
HEY, BOBBY, MAN, THANKS FOR LETTING ME CRASH.
NO PROBLEM.
- GOOD NIGHT. - GOOD NIGHT.
♪ STARS ♪
♪ SHINING BRIGHT ABOVE YOU ♪
♪ NIGHT BREEZES ♪
♪ SEEM TO WHISPER ♪
♪ "I LOVE YOU" ♪
♪ BIRDS SINGING ♪
♪ IN THE SYCAMORE TREE ♪
♪ DREAM A LITTLE DREAM ♪
♪ OF ME ♪
♪ SAY NIGHTY-NIGHT ♪
♪ AND KISS ME ♪
♪ JUST HOLD ME TIGHT ♪
♪ TELL ME YOU'LL MISS ME ♪
♪ WHILE I'M ALONE ♪
♪ AND BLUE AS CAN BE ♪
♪ DREAM A LITTLE DREAM ♪
♪ OF ME ♪
♪ STARS FADING ♪
♪ BUT I LINGER ON, DEAR ♪
♪ STILL CRAVING ♪
♪ YOUR KISS ♪
♪ I'M LONGING ♪
♪ TO LINGER TILL DAWN, DEAR ♪
♪ JUST SAYING THIS ♪
♪ SWEET DREAMS ♪
♪ TILL SUNBEAMS FIND YOU ♪
♪ SWEET DREAMS ♪
♪ THAT LEAVE ALL WORRIES ♪
♪ BEHIND YOU ♪
♪ BUT IN YOUR DREAMS ♪
♪ WHATEVER THEY BE ♪
♪ DREAM A LITTLE DREAM ♪
♪ OF ME ♪
♪ DREAM A DREAM ♪
♪ OF ME ♪
♪ DREAM A LITTLE DREAM ♪
♪ OF ME ♪
GOOD MORNING.
GENA,
I HAD THIS FANTASTIC...
DREAM. YOU ALWAYS HAVE A DREAM.
I DON'T WANT TO HEAR ABOUT YOUR CRAZY DREAM RIGHT NOW, OKAY?
IT WAS ABOUT THE OLD GUY THAT... YOU KNOW, FROM THE SHORTCUT...
THE SHORTCUT WE TAKE EVERY DAY TO SCHOOL.
WELL, HE WAS IN IT.
BOBBY, THAT'S JUST STUPID.
Man: GENA, IT WAS IMPORTANT.
"THERE ARE NONE SO BLIND AS THOSE WHO WILL NOT SEE"...
JEREMIAH 20.
Gena: HURRY UP, OR YOU'LL BE WORKING ON A DREAM THEORY
OF AN OLD MAN SURVIVING A PUNCH IN THE NOSE.
WE HAVE A GUEST COMING THIS MORNING.
Man: IKE IS NOT A GUEST. HE'S A DEPENDENT.
I'M NOT SEEING ANYBODY TILL I'VE DONE MY MEDITATION.
YOU CAN GO DOWNSTAIRS AND TELL HIM THAT.
- HEY. - CHILL OUT, MAN.
WHY DID YOU MARRY ME?
BECAUSE I SAW THE OTHER HALF OF ME.
I LOVE YOU.
I LOVE YOU TOO.
Gena: I'LL SEE YOU DOWNSTAIRS.
♪ I STUDY NUCLEAR SCIENCE ♪
♪ I LOVE MY CLASSES ♪
♪ I GOT A CRAZY TEACHER, HE WEARS DARK GLASSES ♪
♪ THINGS ARE GOING GREAT ♪
♪ AND THEY'RE ONLY GETTING BETTER ♪
♪ I'M DOING ALL RIGHT ♪
♪ GETTING GOOD GRADES ♪
♪ THE FUTURE'S SO BRIGHT ♪
♪ I'VE GOT TO WEAR SHADES ♪
♪ I'VE GOT A JOB WAITING FOR MY GRADUATION ♪
♪ 50 THOU A YEAR WILL BUY A LOT OF BEER ♪
♪ THINGS ARE GOING GREAT ♪
♪ AND THEY'RE ONLY GETTING BETTER ♪
♪ I'M DOING ALL RIGHT, GETTING GOOD GRADES ♪
♪ THE FUTURE'S SO BRIGHT ♪
♪ I'VE GOT TO WEAR SHADES ♪
PERFECTION.
♪ Fairy tales can come true ♪
♪ It can happen to you ♪
♪ If you're young at heart... ♪
BOO.
OH, IKE.
HI.
'MORNING.
WHERE'S THE NAUGHTY BOY?
IN HIS ROOM.
YOU'RE GONNA HAVE THAT TALK WITH HIM?
YEAH, BUT DON'T EXPECT ANY MIRACLES.
LOOK, PLEASE DON'T... DON'T LET HIM KNOW THAT I PUT YOU UP TO IT.
DEAR HEART, RELAX.
WHY DON'T YOU JUST FORGET ABOUT THAT CRAZY OLD COOT ANYWAY
AND LET ME TAKE YOU AWAY FROM ALL THIS?
DON'T START RAPPING.
YOU GUYS SUCK AS RAPPERS.
STOP RAPPING. IT'S OUT. IT HAPPENED A LONG TIME AGO.
♪ Don't you know that it's worth ♪
♪ Every treasure on earth ♪
♪ To be young at heart? ♪
OH, GOD, HERE THEY COME.
OH, DON'T STEP ON THE FLOWERS.
OH, SHIT. I STEPPED ON THE FLOWERS.
♪ AND THE OTHERS, THEY THINK WE'RE SO COOL ♪
♪ WE'RE THE COOLEST GANG YOU EVER CAN... ♪
♪ GO, MAUREEN ♪
♪ GO, GO, GO, MAUREEN ♪
DAMN IT.
HOW MANY TIMES HAVE I TOLD YOU
- THIS IS PRIVATE PROPERTY? - EVERY DAY, SIR.
WELL, THEN WHY DON'T YOU GO ANOTHER WAY?
"FOOLISH CONSISTENCY IS THE HOBGOBLIN OF LITTLE MINDS"...
EMERSON, 1841.
YEAH, LIKE EMERSON, LAKE & PALMER. I'VE HEARD OF THEM.
OH, STAY OFF THE GRASS. LOOK WHAT YOU'RE DOING TO MY LAWN.
YOU DON'T HAVE TO THANK US, SIR. IT WAS OUR PLEASURE.
"THANK YOU" NEVER ENTERED MY MIND.
YOU KNOW, YOU ARE DISTURBING MY WORK.
OH, WELL, I'LL TELL YOU WHAT, SIR...
WE'RE VERY SORRY.
- AND THIS WILL NEVER HAPPEN AGAIN. - NEVER, EVER.
- NEVER. - NEVER.
THAT'S WHAT YOU ALWAYS SAY.
- YOU DO? - I DON'T.
BUT I'LL TELL YOU WHAT... THIS WILL BE THE LAST TIME...
- OH. - WHOA.
- OH, MY GOD. - OH, MY GOD.
THERE'S THE CRIMSON TIDE.
♪ You can laugh when your dreams... ♪
- OH, SHIT. - ♪ Fall apart at the seams... ♪
Gena: WELL, YOU'RE AS BIG A BABY AS THEY ARE.
THEY'RE CHILDREN. THEY HAVE AN EXCUSE.
WHAT'S YOURS?
Ike: I TOLD YOU 1,000 TIMES, COLEMAN...
Coleman: "PUT UP A FENCE." I KNOW.
AND I'VE TOLD YOU 1,000 TIMES IT'S...
Together: ...THE PRINCIPLE... THEY'VE GOT TO LEARN RESPECT.
- Marge: HI, KIDS. - Gena: HI, MARGE.
- WHAT HAPPENED TO YOU, IKE? - DON'T ASK. I'M EMBARRASSED ENOUGH.
I GUESS YOU COULD SAY HE'S KIND OF RED IN THE FACE, YUCK-YUCK.
YEAH, WELL, YOU'RE GONNA BE RED IN THE FACE
WHEN YOU GET THE BILL FOR MY NEW JOGGING SUIT, YUCK-YUCK.
MARGE, HELP US.
OKAY, THAT'S DANISH AND COFFEE FOR IKE,
BACON AND EGGS FOR MRS. ETTINGER.
AND WHAT WILL YOU HAVE, BAD BOY OVER HERE?
THE USUAL... A CHICKEN SALAD SANDWICH
ON SEVEN-GRAIN TOAST. HOLD THE CHICKEN...
I KNOW, I KNOW, BETWEEN MY KNEES.
I CAN'T TAKE ANY MORE OF THIS.
YOU WANT YOUR RAW SQUASH OR NOT?
AS WE ALL KNOW, RAW SQUASH IS EXCELLENT FOR...
IF YOU MAKE ONE REFERENCE TO BODILY FUNCTIONS
DURING THIS MEAL, I'M GONNA PUKE ALL OVER THE TABLE.
WELL, SERIOUSLY, COLEMAN,
YOU GOTTA SEE IT THROUGH GENA'S EYES.
I MEAN, YOU GO IN THAT ROOM FOR HOURS
AND MEDITATE, OR WHATEVER THE HELL YOU DO,
AND THEN YOU COME OUT AND START TALKING LIKE A...
...CRAZY MAN, HUH? IS THAT WHAT SHE SAID?
SHE HOPES YOU'RE CRAZY.
CRAZY CAN BE CURED. IF IT'S THE OTHER,
THEN THERE'S NOTHING ANYBODY CAN DO ANYWAY.
LOOK, I'M NOT GETTING SENILE
AND I'M NOT CRAZY EITHER.
WELL, WHAT'S SHE WORRIED ABOUT?
THERE MUST BE SOME REASONABLE EXPLANATION FOR ALL THIS.
IKE,
I AM CONDUCTING
A SCIENTIFIC EXPERIMENT.
NOBODY KNOWS WHAT DREAMS REALLY ARE.
NOW IF I CAN FIND THE POINT
WHERE THEY INTERSECT WITH REALITY
AND ENTER ONE CONSCIOUSLY,
IF I COULD REALLY ENTER
THE DREAM STATE,
WELL, WHO KNOWS? MAYBE I COULD LIVE FOREVER.
WELL, JUST BE CAREFUL WHAT YOU WISH FOR, COLEMAN.
STOP WISHING FOR IT, PAL.
NO, NO, NO, COME ON, STOP LOOKING AT HER.
WANT TO GET YOUR ASS KICKED?
- Bobby: NO. - THEN STOP LOOKING.
Ike: OH, I CAN'T LOOK AT THIS.
Gena: DOES ANY OF THIS MAKE ANY SENSE TO YOU?
Ike: WELL, I THINK HE BELIEVES WHAT HE SAYS.
AND I CERTAINLY ADMIRE HIS CONVICTION.
IT'S NOTHING TO WORRY ABOUT.
I THINK HE'S GOING TO ASK ME TO DO IT WITH HIM.
THEN I'D WORRY.
DO ME A FAVOR...
DON'T WORRY.
ALL RIGHT, IT'S YOUR SCALP.
YOU KNOW, THE ONLY HAIR YOU LOSE
YOU PULL OUT YOURSELF, COLEMAN.
YOU'RE TUGGING. WHAT'S BOTHERING YOU?
SOMETHING'S ALWAYS BOTHERING YOU
WHEN YOU PULL AT YOUR LIP.
YOU KNOW, WHEN TWO PEOPLE
LIVE TOGETHER FOR 36 YEARS,
THEY DESERVE TO KNOW WHAT THEY CAN EXPECT FROM ONE ANOTHER.
THAT'S TRUE.
YOU ALWAYS SAID YOU LIKED ADVENTURE.
OH, BUT THAT WAS TRIPS TO PENNSYLVANIA, NEW JERSEY.
I'M NOT SO SURE ABOUT THIS.
OH, THEN WHY DID YOU
PLAY THAT LITTLE GAME WITH ME TONIGHT?
BECAUSE YOU WANTED TO PACIFY A FOOLISH OLD MAN?
I DON'T KNOW.
I LOVE YOU, DEAR WOMAN.
AND I WANT US TO BE TOGETHER IN THIS LIFE
AS LONG AS NATURE PERMITS.
THAT'S WHY.
WHAT'S WHY?
BECAUSE YOU'RE A CHARMER.
WHAT ARE YOU THINKING ABOUT?
OH, DON'T YOU DARE.
TO HELL WITH IT. LET THE GAMES BEGIN.
Bobby: ONE, TWO, A-ONE, TWO, THREE, AND...
Together: ♪ I'M GONNA WAIT ♪
♪ TILL THE MIDNIGHT HOUR, YEAH ♪
♪ WHEN THERE'S NOBODY LEFT AROUND... ♪
Bobby: THERE'S NOBODY ELSE AROUND... NOBODY.
Together: ♪ I'M GONNA WAIT TILL THE MIDNIGHT HOUR ♪
♪ THE MIDNIGHT HOUR... ♪
♪ NOW I CAN REMEMBER ♪
♪ THE DRESS THAT YOU WORE ♪
♪ BUT I NEVER REALLY UNDERSTOOD ♪
♪ WHAT ALL THE TEARS WERE FOR ♪
♪ AND YOU LOOKED SO YOUNG ♪
♪ ON THAT SWEET SUMMER MORNING ♪
♪ AND I THOUGHT THAT YOU WOULD STAY THE SAME ♪
♪ THE WAY YOU WERE BEFORE ♪
♪ I GUESS THOSE DAYS ARE OVER ♪
♪ AND WE CAN NEVER GET THEM BACK ♪
♪ 'CAUSE TIME RUNS WILD ♪
♪ TIME RUNS FREE ♪
♪ TIME RUNS WILD LIKE THE CHILD ♪
♪ THAT'S LIVING INSIDE OF ME ♪
♪ OH, NOW I GUESS WE JUST GOT OLDER ♪
♪ I GUESS WE JUST LOST TRACK ♪
♪ 'CAUSE TIME RUNS WILD ♪
♪ TIME RUNS FREE ♪
♪ TIME RUNS WILD LIKE THE CHILD ♪
♪ THAT'S LIVING INSIDE OF ME ♪
♪ HEY, TIME RUNS WILD ♪
♪ TIME RUNS FREE ♪
♪ TIME RUNS WILD LIKE THE CHILD ♪
♪ THAT'S LIVING INSIDE OF ME... ♪
LOOK, MAN, I'M BORED.
FORGET BOBBY AND DINGER. LET'S GO.
HEY, WOULD YOU RELAX? THEY'LL BE HERE, ALL RIGHT?
PARENTAL BULLSHIT.
LOOK WHO IT IS.
MUST BE BAND PRACTICE, HUH?
WHAT'S THE MATTER? YOU BOYS FORGET YOUR FLUTES?
- MAN, CHECK OUT THE TITS ON THAT ONE. - HEY, THAT'S MY GIRLFRIEND.
YEAH, I KNOW, JOEL. WHAT DO YOU THINK ABOUT THAT?
- OH, I THINK YOU'RE AN ASSHOLE, DUMAS. - THAT'S IT, MAN.
HEY, CHILL OUT, MAN. TIME AND PLACE.
NOT IN FRONT OF THE LADIES.
OKAY.
DON'T FORGET TO WRITE, OKAY, JOEL?
NICE JACKET.
♪ TIME RUNS WILD ♪
♪ TIME RUNS FREE ♪
♪ TIME RUNS WILD LIKE THE CHILD... ♪
YO, KELLER, MAN, WAIT UP. I CAN ONLY LIMP SO FAST.
YEAH, WELL, YOUR MOM BROKE YOUR LEG. YOU DEAL WITH IT.
OH, OH, THAT HURTS.
RAGGING ON MY MADRE, DUDE.
WHAT WAS THAT ALL ABOUT?
NOTHING NOW.
MAYBE A LITTLE SOMETHING LATER.
COME ON.
♪ I'M LONGING TO LINGER TILL DAWN, DEAR ♪
♪ JUST SAYING THIS ♪
♪ SWEET DREAMS TILL SUNBEAMS FIND YOU... ♪
♪ SWEET DREAMS THAT LEAVE ALL WORRIES BEHIND... ♪
COLEMAN.
IT'S TWO BLOCKS.
IT'S A MIRACLE WE MADE IT HOME.
OH, THAT'S THE LAST TIME
I EVER HAVE A DRINK AS LONG AS I LIVE.
THAT'S EASY FOR YOU TO SAY.
NO, IT'S NOT. THEY'RE ASSHOLES.
DON'T WORRY ABOUT THEM.
WE'LL CATCH YOU GUYS LATER.
WHOA, I SAID LATER, DEREK.
SO, BOBBY, YOUR PARENTS GIVING YOU SHIT AGAIN OR WHAT?
YEAH, WELL, YOU KNOW,
WE ALL GOT A JOB TO DO.
THEY DO THEIRS. I DO MINE.
YEP, I KNOW WHAT YOU'RE SAYING, PAL.
THIS THING'S HANDED DOWN FROM GENERATION TO GENERATION.
IT'S LIKE THIS TRADITIONAL THING, I THINK.
YOU THINK? WELL, THERE'S A NEW ONE FOR YOU.
COME ON, JUST HELP ME FOR A LITTLE WHILE.
YOU DID SO WELL THE FIRST TIME.
OH, COLEMAN, DON'T SPOIL IT.
WE HAD SUCH A WONDERFUL DAY.
MY HEAD IS SPINNING.
THAT'S JUST PERFECT... NO INHIBITIONS.
ALL RIGHT, PROMISE ME, IF I DO THIS,
THAT YOU'LL NEVER BRING IT UP EVER AGAIN.
OKAY, I PROMISE.
YOU PROMISE? WHY SHOULD I?
'CAUSE I LOVE YOU.
I LOVE YOU TOO, BUT I'M STILL COLD OUT HERE.
WHY CAN'T WE DO THIS INSIDE?
BECAUSE WE'RE CLOSER TO NATURE.
NOW FEEL THE ENERGY OF THE EARTH COME UP...
...THROUGH YOUR LEGS AND ARMS.
IT FEELS SO GOOD.
BE LIKE THE ROOTS OF A TREE.
YOU BE LIKE A ROOT.
I FEEL LIKE A SAP.
JUST RELAX.
STOP TELLING ME TO RELAX.
OKAY, I WON'T.
LET IT FLOW THROUGH YOU.
EXTEND OUT TO MEET IT.
STOP TALKING AND CLOSE YOUR EYES.
COLEMAN, IT'S WORKING.
- NO, IT'S NOT, JOEL. - RELAX.
STOP IT.
COME ON. COME ON, GENIUS.
COME ON, LET'S GO. COME ON, GOOD BOY.
I'VE GOT WORK TO DO. I'VE GOT WORK TO DO. LET'S GO. RUN.
RUN. GO WITH IT. RUN.
WHY AM I RUNNING? I HAVE A BROKEN LEG.
♪ WE WERE BORN ♪
♪ BEFORE THE WIND ♪
♪ ALSO YOUNGER THAN THE SUN ♪
♪ 'ERE THE BONNIE BOAT WAS WON ♪
♪ AS WE SAILED INTO THE MYSTIC ♪
♪ HARK NOW, HEAR THE SAILORS CRY ♪
♪ SMELL THE SEA ♪
♪ AND FEEL THE SKY ♪
♪ LET YOUR SOUL AND SPIRIT FLY ♪
♪ INTO THE MYSTIC ♪
♪ AND WHEN THAT FOGHORN BLOWS ♪
♪ I WILL BE COMING HOME ♪
♪ MM MM ♪
♪ AND WHEN THAT FOGHORN WHISTLE BLOWS ♪
♪ I GOTTA HEAR IT ♪
♪ I DON'T HAVE TO FEAR IT ♪
♪ AND I ♪
♪ WANT TO ROCK YOUR GYPSY SOUL ♪
♪ JUST LIKE WAY BACK IN THE DAYS OF OLD ♪
♪ AND TOGETHER WE WILL FLOAT ♪
♪ INTO THE MYSTIC ♪
♪ COME ON, GIRL ♪
♪ TOO LATE TO STOP NOW ♪
WHERE AM I?
OH, GREAT. TELL HIM HE'S HOME, KIT.
WHO ARE YOU? WHO'S HE?
WHO'S SHE? WHERE AM I?
OH, MY LORD, HE'S GOT AMNESIA.
HEY, BOBBY, IT'S ME... DINGER.
DON'T YOU KNOW ME?
- WHERE'S GENA? - WHO'S GENA?
MAYBE HE HAS A GIRLFRIEND.
NO, MA'AM, HE DOES HAVE A GIRLFRIEND. HER NAME IS SHELLEY.
- HE HAS A GIRLFRIEND. - NO, HE DOESN'T HAVE ANY GIRLFRIEND.
I WOULD KNOW ABOUT IT. HE'S ON DRUGS.
DON'T LOOK AT ME, SIR. I'M TOTALLY CLEAN.
WHAT... WHAT'S GOING ON?
HE'S MOVING.
YOU'D THINK I CAN SEE THAT.
OH, MY GOD, WHERE IS SHE?
WHERE IS WHO SHE?
WHERE'S SHELLEY SHE OR WHERE IS LAINIE SHE?
- WHO THE HELL IS LAINIE? - LAINIE'S JOEL'S GIRLFRIEND, SIR.
- WHO'S JOEL? - WOW, THIS IS WORSE THAN I THOUGHT.
I DIDN'T EVEN KNOW HE WAS DATING.
WELL, SHE'S A VERY NICE GIRL, MA'AM.
OH, MY GOD. I'M HIM.
SHIT!
HELP!
DINGLES, GO AFTER HIM.
IT'S DINGER, SIR. I CAN'T. I HAVE A BROKEN LEG.
WOULD YOU MOVE?
HE'S DATING.
OH, NO MILK, NO COOKIES... NOTHING.
♪ WHERE IS SHE? ♪
♪ I'VE BEEN LOOKING ♪
♪ NIGHT AND DAWN... ♪
WHAT ARE YOU DOING OVER THERE, YOU ROTTEN LITTLE BUTT WAD?
HEY, JACK, IT'S ME... COLE...
GET OUT OF HERE, YOU LITTLE SCUMBAG, OR I'M GONNA CALL YOUR PARENTS.
WHERE THE HELL CAN HE BE?
IF SOMETHING HAPPENS TO HIM, KIT, I'M JUST...
GUS, DO YOU THINK HE KNOWS WHO WE ARE?
OF COURSE HE KNOWS WHO WE... WELL, ON THE OTHER HAND...
YOU KNOW, WE'LL GET HIM THE BEST HELP MONEY CAN BUY.
WE SHOULD HAVE DONE IT YEARS AGO.
- BOBBY. - MOM?
HEY, IT'S A START.
CAN I GO TO SLEEP NOW, PLEASE?
HE MUST HAVE HAD A VERY TRYING DAY.
WHERE IS MY BEDROOM?
THAT'S WHAT I THOUGHT.
♪ WHERE IS SHE? ♪
THAT WAS AMAZING.
WHAT HAPPENED?
GENA,
WHERE WERE YOU?
WITH YOU.
ALWAYS.
BUT I COULDN'T FIND YOU.
YOU DIDN'T KNOW WHERE TO LOOK.
Bobby: COLEMAN.
HEY, POPS, WELCOME TO DREAMLAND,
WHERE YOU GET TO LIVE MY LIFE.
HERE I AM, OVER HERE. DON'T YOU SEE ME?
- YOU. - ME.
YOU.
ME.
THIS WASN'T SUPPOSED TO HAPPEN.
HEY, I WAS JUST MINDING MY OWN BUSINESS.
SOME SHORTCUTS ARE NOT WORTH IT THESE DAYS.
YOU'RE TELLING ME.
GET OUT OF HERE AND DON'T COME BACK.
HEY, JACK, IT'S ME... COLEMAN.
I THINK HE WAS TALKING TO ME.
- NOW YOU STAY OUT OF THIS. - LOOK WHO'S TALKING.
COLEMAN, IS THAT YOU?
WELL, WE'VE ESTABLISHED OUR BASIC QUESTION.
YOU... ME.
YOU DON'T SEEM TO HAVE ANY OF THE ANSWERS.
WHAT DO YOUKNOW ABOUT ALL OF THIS?
SHIT, I'M JUST CAUGHT IN A DREAM.
AND I DON'T EVEN THINK IT'S MINE.
WELL, IT CERTAINLY ISN'T MINE.
WELL, I'M NOT THE ONE WHO WAS DICKING AROUND WITH REALITY, PAL.
I DON'T CARE ABOUT YOU. I JUST WANT MY WIFE BACK.
OH, YOU MEAN THAT SWEET, LOVELY OLD LADY WAS YOUR WIFE?
- THEN YOU'VE SEEN HER? - OH, YEAH, I SAW HER A FEW MINUTES AGO.
SHE WAS PACKING SOME THINGS UP.
PACKING? WHAT? WHY?
WELL, YOU KNOW,
YOU ARE THE BRAINS AROUND HERE, POPS,
BUT LET ME TELL YOU SOMETHING JUST TO CLUE YOU IN...
WHEN YOU PACK, LEAVING USUALLY TENDS TO FOLLOW.
- TAKE ME TO HER. - OH, I CAN'T,
BECAUSE PART OF HER IS WHERE YOU ARE.
WELL, WHERE AM I?
I DON'T KNOW.
BUT WHEREVER YOU ARE,
WAKE UP SOON, BECAUSE I'M GONNA BE LATE FOR SCHOOL.
OH, YEAH, POPS, IF YOU DON'T FIND GENA SOON,
YOU'RE GONNA LOSE HER FOREVER. HEH!
♪ GOT THE LOOK, GOT THE STYLE ♪
♪ GOT ALL THE MOVES THAT DRIVE WOMEN WILD... ♪
NO.
THIS WOULD LOOK BETTER ON IKE.
WHERE THE HELL DOES THIS KID SHOP?
WHAT...?
AT LEAST HE'S GOT A GOOD BODY.
OKAY, WHAT DO WE HAVE HERE? A DUCK.
MAYBE A LITTLE BIT TOO FLASHY.
WHY DO THEY HAVE LITTLE CEREAL BOWLS
ROLLED UP AT THE END OF THEIR SLEEVES?
WHAT THE HELL IS THIS THING...?
♪ I FIGURED OUT HOW TO GET MY THRILL ♪
- ♪ IF YOU WANT TO KNOCK THEM DEAD... ♪ - AT LEAST I'M NOT THIN.
♪ YOU'VE GOT TO DRESS TO KILL ♪
YOU GUYS AREN'T GONNA EAT THAT, ARE YOU?
IS HE OKAY?
ASK HIM IF HE WANTS A POP-TART.
Dinger: YO, BOBBY, LET'S GO.
TELL HIM DINGER IS HERE.
I'M SORRY, WHAT'S YOUR NAME?
- GUS. - GUS. AND...
- MOM. - MOM.
GUS AND MOM. WELL, I'LL SEE YOU GUYS LATER.
GUS, I'M GONNA CALL DR. JORDAN
AND HAVE HIS HEAD... HAVE HIM LOOK HIM OVER.
I DON'T KNOW. AT LEAST HE'S FINALLY APPRECIATING THE TIE I GOT HIM.
OKAY, OKAY.
JUST THE WAY I LIKE IT.
- OH. OH. THE RUG. - THAT'S ALL RIGHT. THAT'S ALL RIGHT.
WHAT DID YOU DO, RUN OUT OF MOUSSE?
YOU'RE DINGER, RIGHT?
RIGHT. ME... DINGER.
YOU... BOBBY.
ME LOOK COOL. YOU LOOK LIKE SHIT, PAL.
IT'S OKAY, THOUGH. IT'S OKAY.
WE'LL MAKE IT A FASHION STATEMENT.
OH, LISTEN, I'VE GOT SOME THINGS TO DO.
I'LL MEET YOU AT SCHOOL.
BOBBY, ISN'T THERE ANY FILM LEFT IN YOUR CAMERA, DUDE?
LOOK, YOU CANNOT CUT ANY MORE CLASSES.
BOBBY, YOU'RE ALREADY ON THE BOYS' V.P. MOST-WANTED LIST.
YOU GOTTA GO TO SCHOOL. IT'S A DIRTY JOB.
SOMEONE'S GOTTA DO IT, OKAY?
SCHOOL, YOU KNOW, SCHOOL?
OKAY.
HEY, BUDDY, SCHOOL'S THAT WAY,
YONDER.
"WE TRAFFIC IN MOCKERY"...
YEATS, 1928.
OKAY, SURE. IT'S OKAY, PAL.
I KNOW, I KNOW. I'VE BEEN THERE.
TAKE A DEEP BREATH. SHH, IT'S OKAY.
IT'S ALL RIGHT. I'M HERE. I'M WITH YOU.
YOU'RE OKAY. YOU'RE SECURE.
♪ THAT'S GREAT, IT STARTS WITH AN EARTHQUAKE ♪
♪ BIRDS AND SNAKES, AN AEROPLANE ♪
♪ LENNY BRUCE IS NOT AFRAID... ♪
THAT'S NOT FUNNY, YOU KNOW.
YOU SHOULD BE PREPARED. YOU NEED A GOOD EDUCATION.
OH, PREPARE THIS.
HEY, HOW MANY TIMES HAVE I TOLD YOU
THAT THIS IS PRIVATE PROPERTY?
BOBBY, YOU'RE STARTING TO SOUND LIKE THAT OLD MAN. COME ON.
OH, SORRY, I... I JUST WANT TO SHOW SOME PROPER RESPECT.
OKAY, SURE. WHAM!
HEY. GOD, YOU DON'T HAVE TO SMASH THE FLOWERS.
BOBBY, WE ALWAYS SMASH THE FLOWERS.
IT'S A TRADITION WITH US, PAL.
GOD DAMN, YOU'RE UPTIGHT. WHEN WAS THE LAST TIME YOU'VE BEEN LAID?
THE OLD MAN... HE'S GONE.
GOOD. MAYBE HE'S GONE FOREVER AND EVER.
- WOULD YOU SHUT UP? - RELAX.
♪ YOU VITRIOLIC, PATRIOTIC, SLAM, FIGHT ♪
♪ BRIGHT LIGHT, FEELING PRETTY PSYCHED... ♪
- WHAT? - ♪ IT'S THE END OF THE WORLD AS WE KNOW IT... ♪
- OH, MY GOD. - COME ON. WHAT THE HELL IS THIS?
- WELL, A PRETTY CALM DAY. - ♪ IT'S THE END OF THE WORLD AS WE KNOW IT... ♪
AT LEAST TODAY IT'S CALM. IT'S A PRETTY CALM DAY. IT'S NICE.
IT'S A JUNGLE. THEY'RE ANIMALS.
- ♪ I FEEL FINE... - Bobby: I THINK I'M GONNA BE NAUSEOUS.
- Girl: HEY, WATCH OUT. - Dinger: WHAT'S WRONG?
- WHERE'S THE LAVATORY? - THE LAVA-WHAT?
- THE LAVATORY. WHERE'S THE LAVATORY? - OH, YEAH, YEAH.
UH, IT'S UP THERE... THE BATHROOM, RIGHT?
OBVIOUSLY.
WELL, WHEN SOME PEOPLE GOTTA GO, THEY GOTTA GO.
♪ IT'S THE END OF THE WORLD AS WE KNOW IT ♪
♪ IT'S THE END OF THE WORLD AS WE KNOW IT... ♪
HEY, KELLER.
HEY, ASSHOLE,
I HEARD ABOUT YOU BANGING LAINIE LAST NIGHT.
HELLO, KELLER.
KELLER.
YOU BRAIN-DEAD, MAN?
I BEG YOUR PARDON?
OH, HE'S BEGGING. HE'S BEGGING.
WHAT ARE YOU BEGGING FOR, BOBBY?
ARE YOU LOOKING FOR A PIECE OF ASS, KELLER?
- THAT IS A SHARP TIE YOU GOT THERE, TONTO. - THANK YOU.
HEY, BACK OFF, DUMASS.
THAT'S DUMAS, JOEL.
- YOU KNOW THAT'S FRENCH? - RIGHT.
YOU MEAN DUMBASS. IT MIGHT BE A FOREIGN OBJECT, BUT IT AIN'T FRENCH.
BOO.
I WILL REMEMBER THAT, LITTLE MAN.
HEY, I'M SORRY, GUYS. I DIDN'T MEAN ANYTHING.
IT'S THE ONLY TIE I HAVE. I LIKE THE TIE.
- ARE YOU ALL RIGHT? - YEAH, I'M FINE. THANK YOU.
WHAT DID YOU GUYS LEAVE ME IN THERE FOR? I COULD HAVE GOT MY ASS KICKED.
I DIDN'T, THOUGH. I WAS BRILLIANT.
WHAA! 'CAUSE I DID MY KUNG FU SHIT.
I NEED A STIFF DRINK.
HEY, WANT TO WATCH WHERE THE HELL YOU'RE GOING?
LAST NIGHT YOU HURT LAINIE. DO IT AGAIN AND I'LL HURT YOU.
- YOU GOT IT? HUH? - YEAH.
- THE LEAST YOU CAN DO IS APOLOGIZE, ALL RIGHT? - I'M SORRY.
AND IF YOU'VE GOT ANY MOUSSE,
- I WANT YOU TO USE IT. - OKAY.
- ALL RIGHT. - ALL RIGHT. THAT WAY?
- APOLOGIZE. - THAT WAY?
ALL RIGHT, THERE SHE IS. GO APOLOGIZE.
HER?
UM, EXCUSE ME.
IT'S YOU.
YEAH, MAY I SPEAK WITH YOU, PLEASE?
- WHAT HAPPENED? - I'M NOT SURE.
NEITHER AM I.
DO YOU KNOW WHO I AM?
I HOPE SO. GOD, I HOPE SO.
ME TOO.
GENA, IT ISYOU.
- I'M SO SORRY ABOUT THE ACCIDENT. - WHO'S GENA?
SO I FIGURED YOU'D BUMP INTO EACH OTHER SOONER OR LATER.
I'VE GOT TO TALK TO YOU RIGHT NOW.
WHAT?
NOW HOW ARE YOU GONNA GET US OUT OF THIS?
I'M A WRECK. I HAD TO GO ALONG WITH YOU AND YOU HAD TO GET ME INVOLVED.
I'LL GET US OUT OF IT, I SWEAR, JUST AS LONG AS WE HAVE EACH OTHER.
NO, NO, NO, THIS ISN'T THE TIME.
BUT, GENA, I'M SO HAPPY YOU FOUND ME.
GENA? WHO IS GENA?
WHY DON'T YOU HAVE HER DO YOUR HOMEWORK?
AND SHE CAN GET IN TROUBLE
AND YOU CAN TAKE HER TO THE DANCE ON SATURDAY.
SOME ACCIDENTS AREN'T ACCIDENTS. THEY'RE BAD KARMA, OKAY?
GOD PUNISHES PEOPLE, AND DON'T FORGET THAT.
WAIT A MINUTE.
HEY, BUDDY, RELAX. THERE'S PLENTY OF TIME FOR THAT KIND OF STUFF.
- LET'S GO TO CLASS. COME ON. - SHIT.
JOEL, BUDDY, CLASS.
HELLO, BOYS. DON'T SAY HELLO, BOBBY.
PISSING THEM ALL OFF TODAY, HUH, BOB?
JESUS.
Man: 'MORNING. SIT DOWN, PLEASE.
BOBBY, YOU'RE IN MY SEAT. GET UP. YOU'RE EMBARRASSING ME.
GET UP. EVERYONE'S WATCHING US. GET UP.
BOBBY, GET AWAY FROM ME. I JUST DROPPED MY CANE.
YOUR SEAT'S THREE BACK. GO, GO, YOU'RE MESSING UP. GO, GO.
WHY IS HE BEING SUCH A DWEEB TODAY?
I DON'T KNOW, MAN, BUT HE'S MY DWEEB.
HE'S A VERY WEIRD DWEEB.
ZERO IS A SIGNIFICANT DIGIT,
FOR IT HAS MEANING.
THE LAST DIGIT WRITTEN DOWN FOR ANY MEASUREMENT
IS THE UNCERTAIN DIGIT.
ALL NONZERO DIGITS IN A MEASUREMENT
ARE SIGNIFICANT.
ZEROS ARE OFTEN...
- MR. KELLER. - WHAT?
- SIT DOWN. - I CAN'T RIGHT NOW. I GOTTA GO.
SIT DOWN.
SIR, THIS IS MY I.O.U. HOMEWORK. I OWE YOU HOMEWORK, SIR.
- THANK YOU, DINGER. - A LOT OF HOMEWORK, SIR.
- THANKS. - THANK YOU, SIR.
FIRST, YOU WERE LATE.
NUMBER TWO, THIS WOULD MAKE A DECENT HALFTIME SCORE.
THAT'S ABOUT IT. AND YOU'RE NOT STUPID.
SO WHAT SEEMS TO BE YOUR PROBLEM?
I'M NOT SURE, SIR, BUT I CAN IMPROVE.
YEAH, AND HOW WILL YOU DO THAT?
S.A.T.s ARE SATURDAY.
WELL, I MUST TRY HARDER. I MUST APPLY MYSELF.
I MUST REALIZE THAT "IGNORANCE IS THE ONLY SLAVERY"...
ROBERT GREEN INGERSOLL, 1876.
♪ IT'S THE END OF THE WORLD AS WE KNOW IT ♪
♪ IT'S THE END OF THE WORLD ♪
♪ AS WE KNOW IT... ♪
KELLER, IT'S REALLY WEIRD WHEN YOU CAN'T REMEMBER
YOUR OWN LOCKER COMBINATION.
YEAH.
THERE MUST BE A LOT OF THINGS YOU DON'T REMEMBER, RIGHT?
LOOK, I MAY NOT BE A GENIUS, BUT I'M DOING ALL RIGHT IN SCHOOL,
WHICH IS MORE THAN I CAN SAY FOR SOME PEOPLE.
- THAT'S NOT WHAT I MEANT. - WHAT DO YOU MEAN?
HOW LONG HAVE YOU BEEN TUGGING YOUR LIP?
I DON'T TUG ON MY LIP.
- YOU JUST DID. - SO WHAT?
BOBBY, LOOK, YOU'RE BEING REALLY WEIRD...
I MEAN, WEIRDER THAN USUAL, AND THAT'S PRETTY WEIRD.
I JUST WANT TO TALK TO YOU FOR A MINUTE.
LOOK, I'M GONNA BE LATE.
NICE COAT.
NICE COAT? WELL, MAYBE LATER.
YEAH, OKAY, MAYBE AFTER SCHOOL.
LOOK, CHILL OUT A LITTLE BIT, OKAY? I GOTTA GO.
OKAY, LET'S GO UP FOR SOME COMMANDO.
THAT'S RIGHT, MESSING WITH RAMBO'S LITTLE BROTHER.
THAT'S RIGHT. OH, DUST, PAL, DUST... FIRST MISTAKE.
NICE TEETH.
DUDE... OW.
WHY SIT IN GEEK FIELD, BOBBY?
JUST A LITTLE QUESTION.
A REFRESHING CHANGE OF PACE, DINGER?
ALL RIGHT, ACCEPTABLE. IT'S GOOD. IT'S GOOD.
IT'S NOT ONE OF YOUR BEST, BUT IT'S OKAY, PAL.
THEN AGAIN, WHERE WOULD BOBBY KELLER BE
WITHOUT A CYNICAL EAT-SHIT-AND-DIE ATTITUDE
AND SARCASM THAT SHOULD BE REGISTERED AS A LETHAL WEAPON?
YOU WOULDN'T WANT TO KNOW.
WHERE ARE YOU THINKING ABOUT GOING, HARD-ON?
I'M GOING TO HAVE LUNCH OVER THERE.
AMNESIA STRIKES AT WILL.
YOU KNOW, I SHOULD START CHARGING YOU A PSYCHIATRIC FEE, MAN.
BOBBY, WE ARE NOT SUPPOSED TO GO EAT WITH THE GORGEOUS WOMEN...
YOU KNOW, WOMEN? WE'RE ON PROBATION.
YOU KNOW, BOBBY, PROBATION... MEN IN CAGES, BOYS IN BONDAGE.
I THINK BOBBY'S SEEING SOMEONE ELSE. THAT'S WHAT I THINK...
- SOME GIRL NAMED GENA. - LUCKY BREAK, IF YOU ASK ME.
NO, IT ISN'T, BECAUSE I REALLY LOVE HIM.
YOU KNOW, I MEAN, HE'S WEIRD THIS MORNING, BUT...
YEAH, LOOKS LIKE HE KNOWS IT TOO. HE EXILED HIMSELF TO SLUGVILLE.
- DID YOU SEE HIM WITH THE GEEKS? - YEAH, I DID.
- LAINIE. - HUH?
WHAT WERE YOU TALKING ABOUT THIS MORNING?
UM, HOMEWORK.
NO. WRONG. HUH-UH. I DO HIS HOMEWORK.
WELL, TENSION.
- HEY, GIRLS. - HI, GUYS.
HEY, WHOA, JOEL, WHAT DO YOU GOT IN THERE?
- LET ME HAVE ONE OF THOSE. LET ME HAVE TWO OF THEM. - OKAY.
ANYTHING ELSE ON THERE? ALL RIGHT, THANKS A LOT.
WHAT ARE YOU GUYS DOING IN DORKVILLE?
- WOW, SPEAK OF THE DEVIL. - WHAT DO YOU MEAN BY THAT, DINGER?
NOTHING. ME AND BOBBY WERE JUST TALKING ABOUT EVIL THINGS,
AND YOU GUYS HAPPENED TO SHOW UP. NOTHING AT ALL.
I'M NOT IN THE MOOD FOR THIS SHIT, DINGER.
WHAT IS WRONG WITH EVERYBODY NOWADAYS?
I MEAN, ISN'T THERE ANY LOVE LEFT IN OUR UNIVERSE, HUH?
Together: SHUT UP, DINGER.
OH, SHUT UP, DINGER? REAL MATURE.
- REALLY, REALLY, REALLY MATURE. - BYE, DINGER.
HEY, BOB, SORRY ABOUT THIS MORNING. I'M JUST A LITTLE UPTIGHT.
HEY, THAT'S QUITE ALL RIGHT.
YOU'RE NOT GONNA CONSUME THAT, ARE YOU?
DON'T YOU REALIZE ALL THE CHOLESTEROL AND FAT...?
I'M SORRY. I LIKE BAD BOYS.
♪ I SCREAM, YOU RUN ♪
♪ THIS LOVE'S A HOT GUN ♪
♪ YOU SAY YOU'RE THROUGH ♪
♪ BUT I KNOW IT'S NOT TRUE ♪
♪ DON'T BE SO SURE ♪
♪ THAT YOU DON'T NEED ME ♪
♪ THIS TIME YOU'LL TAKE THE FALL ♪
♪ BABY, BELIEVE ME ♪
♪ YOU'D BETTER WAIT ♪
♪ YOU'LL BE LONELY WHEN I'M GONE ♪
♪ YOU'D BETTER WAIT ♪
♪ YOU'LL BE SAD AND LOST WHEN YOU FIND OUT ♪
♪ YOU WERE WRONG ♪
♪ DON'T CRY, DON'T WEEP ♪
♪ GOOD LOVE DON'T COME CHEAP ♪
♪ JUST GO, AND YOU'LL SEE ♪
♪ THAT I SAID WHAT I MEAN... ♪
HI, KELLER.
I GUESS I'M NOT A GOOD DANCER ANYMORE.
LAINIE, LISTEN, I GOTTA TALK TO YOU ABOUT WHAT HAPPENED LAST NIGHT.
YEAH, WE GOTTA STOP MEETING LIKE THAT.
NO, LAINIE, PLEASE,
YOU GOTTA LISTEN TO ME. THIS IS IMPORTANT.
LOOK, IT'S OVER. NO BIG TRAGEDY.
I'M NOT SO SURE ABOUT THAT.
LOOK, I GOTTA GO TAKE A SHOWER.
IF YOU REALLY NEED TO TALK TO ME, COME BY MY HOUSE LATER.
YOU ALWAYS SEEM TO FIND ME, DON'T YOU?
WHAT ARE FRIENDS FOR, HUH?
BEST FRIENDS, RIGHT?
RIGHT ON, MAN.
SINCE I'M YOUR BEST FRIEND, I'VE GOT A QUESTION FOR YOU.
AND WHAT MIGHT THAT BE?
THAT MIGHT BE, ROBERT,
WHAT'S GOING ON WITH YOU AND MISS DIAMOND, HUH?
WE'RE JUST FRIENDS.
THAT'S GOOD, YOU KNOW, BECAUSE JOEL IS REALLY, REALLY CRAZY
ABOUT THAT YOUNG LADY.
YOU KNOW, HE'S ALSO A LITTLE BIT ON THE EDGE
WHEN IT COMES TO HER, YOU KNOW WHAT I MEAN?
SO IF YOU WANT TO STAY HEALTHY,
TAKE A LOT, A LOT OF FLINTSTONES VITAMINS
AND STAY AWAY FROM LAINIE, OKAY, PLEASE?
OKAY, I'LL KEEP THAT IN MIND.
THANK YOU.
LISTEN, I'VE GOT SOME THINGS I HAVE TO DO.
OKAY, LET'S GO DO THEM TOGETHER, BE A TEAM.
NO, YOU DON'T UNDERSTAND.
I GOTTA BE ALONE FOR A WHILE.
SURE.
NO PROBLEM.
NO SKIN OFF MY BACK. I CAN HANG.
JUST ANOTHER BORING DAY IN THE COURT FOR ME, THAT'S ALL.
YEP, THAT'S ALL THAT IS FOR ME.
LIFE.
MY DAUGHTER TELLS ME THERE'S SOME URGENCY TO YOUR VISIT.
WHAT'VE YOU GOT FOR ME THIS TIME?
WATER BALLOONS?
IKE, AM I GLAD TO SEE YOU.
WELL, I'M HAPPY TO SEE YOU TOO.
AH, BUT YOU'RE GONNA BE EVEN HAPPIER TO SEE ME
IN A MINUTE.
WELL, I CAN ONLY GET SO HAPPY, AND THEN I PEAK.
LET'S SIT DOWN.
IKE, LISTEN TO ME.
YOU'RE GONNA HAVE TO LISTEN TO WHAT I'M ABOUT TO TELL YOU.
IT'S THE ABSOLUTE TRUTH, BUT YOU'VE GOT TO BELIEVE ME, OKAY?
YOU HAVE TO USE ALL YOUR FACULTIES.
YOU HAVE TO BE WILLING TO SUSPEND YOUR NORMAL PATTERNS OF THINKING.
YOU'VE GOT TO BELIEVE IN WHAT I'M ABOUT TO SAY.
YOU'RE NOT WORKING WITH THE YOUNG REPUBLICANS, ARE YOU?
OH, THIS IS INEFFECTIVE.
IKE, COME HERE. COME HERE.
LOOK AT ME.
IKE,
IT'S ME... YOUR BEST FRIEND
COLEMAN.
COME AGAIN?
GENA AND I TRIED THE EXPERIMENT,
BUT IT DIDN'T WORK. SOMETHING HAPPENED,
I DON'T KNOW WHAT, BUT I GOT TRAPPED IN THIS BODY
AND I CAN'T GET OUT.
CALL THE HOUSE.
I'M NOT THERE. I'M HERE.
AND I HAD THIS DREAM. IT WAS...
NOW WAIT A MINUTE. YOU HAVEN'T DONE ANYTHING
TO MY FRIENDS, HAVE YOU?
OH, GOD, YOU'RE NOT LISTENING TO ME.
I'M TIRED.
I'VE HAD A LONG DAY AT SCHOOL.
WHERE'S COLEMAN?
HE PUT YOU UP TO THIS, DIDN'T HE?
IKE, REMEMBER WHAT OSCAR WILDE SAID
ABOUT A CYNIC, 1892?
"NONE OF THIS IS FOLDEROL."
WOULD I KNOW THIS? WATCH.
COLEMAN COULD HAVE SHOWED YOU THAT.
OKAY, OKAY, OKAY.
REMEMBER THAT STORY YOU TOLD ME ABOUT THE TWO DANCING FILIPINO GIRLS
ON YOUR FIRST SHORE LEAVE IN MANILA?
I NEVER BELIEVED YOU, RIGHT?
- IT'S A TRUE STORY. - IKE, I'M WILLING TO BELIEVE YOU,
BUT YOU'VE GOT TO BE WILLING TO BELIEVE ME.
SMUDGE. CAREFUL, HE BITES.
SMUDGE, SMUDGE, COME HERE, COME HERE.
COME HERE, COME HERE, COME HERE, COME HERE.
- HI, SHEILA. - HOW DID YOU KNOW MY NAME?
I TOLD HIM.
OH. YOU KNOW, IT'S AMAZING.
THAT DOG HATES EVERYBODY.
EXCEPT COLEMAN.
- DON'T YOU THINK YOU'RE OVERREACTING? - NO, I DON'T.
WHY DO YOU ALWAYS THINK YOU'RE SUPPOSED TO GIVE IN TO A MAN?
LOOK WHERE IT GOT YOU.
I DIDN'T DO SO BADLY. WHAT'S WRONG WITH ALL THIS?
MOM, YOU DID EVERYTHING TO PLEASE DADDY.
SO WHAT DID HE DO? HE TOOK YOU FOR GRANTED
AND LEFT YOU FOR SOMEBODY ELSE.
APPARENTLY IT WASN'T ENOUGH.
I COULD HAVE BEEN A LITTLE WARMER.
ALL I KNOW IS JOEL'S ONE OF THE FEW BOYS IN THIS TOWN WITH A REAL FUTURE.
HIS PARENTS ARE DOING QUITE WELL.
HE'S A LITTLE ROUGH AROUND THE EDGES,
BUT HE'S SMART AND HE'LL GO ON TO COLLEGE.
MOM, I'M IN HIGH SCHOOL.
SO JOEL'S TERRIFIC, BUT IS THAT ANY REASON TO...?
TO WHAT? DON'T PUT WORDS IN MY MOUTH.
NO, JUST THOUGHTS IN MY HEAD.
DON'T TURN YOUR BACK ON ME, YOUNG LADY.
- HI, KELLER. - HELLO, LAINIE.
DO YOU HAVE TIME TO TALK?
WELL, BOBBY,
IT'S A SHAME YOU DIDN'T KNOCK SOME SENSE INTO HER.
HI, MISS DIAMOND.
BOBBY, I'M NOT IN A VERY GOOD MOOD.
IN THAT CASE, MAYBE YOU SHOULD COME BACK
WHEN HER TEENAGE YEARS ARE OVER.
WHERE DO YOU THINK YOU'RE GOING?
TO RUN AWAY FROM HOME AND BECOME A PROSTITUTE.
OH, THEN THIS MUST BE YOUR...
MOTHER, DON'T.
BYE, MISS DIAMOND.
HEY, I WANT TO THANK YOU FOR DOING THIS.
ANYTHING TO GET AWAY FROM MY MOTHER.
GEE, THANKS. I'M FLATTERED.
THAT WAS SARCASTIC?
NO, I'M JUST TRYING TO BE MYSELF.
I THOUGHT YOU SAID YOU WANTED TO TALK.
COME ON, I WANT TO SHOW YOU SOMETHING.
♪ WHERE IS SHE? WHERE IS SHE? ♪
♪ I'VE BEEN LOOKING ♪
♪ NIGHT AND DAWN... ♪
WHAT ARE WE DOING?
WE'RE GOING INSIDE THE HOUSE.
I'M NOT GOING IN THERE.
WHY NOT? COME ON. THERE'S NOBODY HOME.
BOBBY, ARE YOU GONNA HIT ME AGAIN?
NO, I'M NOT GONNA HIT YOU AGAIN.
COME ON.
NO WAY.
CHICKEN.
♪ WHERE IS SHE? ♪
♪ I'VE BEEN SEARCHING ♪
♪ ON AND ON ♪
- WHAT ARE YOU DOING? - GETTING SOME REAL FOOD.
EWW, BOBBY, THAT'S COLD TOFU.
MM, I KNOW. IT'S SO GOOD. WANT SOME?
NO. WHAT ARE WE DOING HERE?
AND WHY DO YOU HAVE THE KEY?
I'M WATCHING THE HOUSE FOR THE OLD PEOPLE,
YOU KNOW, FEEDING THEIR DOG AND STUFF.
THEY ASKED ME TO, WHILE THEY'RE OUT OF TOWN.
BESIDES, I THINK IT'S A NICE PLACE TO COME,
TO GET AWAY FROM MY PARENTS. I THINK IT'S NEAT.
I THINK IT SMELLS LIKE OLD PEOPLE.
Lainie: IT'S SPOOKY.
SPOOKY? WHERE DO YOU SEE SPOOKY?
NOW COME IN HERE. I WANT TO SHOW YOU SOMETHING.
- IT'S IMPORTANT. - OKAY, OKAY.
WELL, THE OLD GUY ALWAYS HAS SOME NONSENSE WRITTEN HERE.
THAT'S SWEET.
YEAH, YOU'RE RIGHT. IT IS SWEET.
BUT IT'S USUALLY A BUNCH OF BULLSHIT
ABOUT ENERGY AND YOUTH.
SEEMS HARMLESS.
♪ Fairy tales can come true... ♪
- I LOVE THIS SONG. - ♪ It can happen to you...
YEAH.
- I KNOW. - ♪ If you're young at heart... ♪
I CAN'T REMEMBER WHERE I'VE HEARD IT.
DANCE WITH ME.
♪ For it's hard, you will find ♪
♪ To be narrow of mind ♪
♪ If you're young at heart... ♪
SHE'S VERY BEAUTIFUL.
MM, SO ARE YOU.
♪ With impossible schemes ♪
♪ You can laugh when your dreams ♪
♪ Fall apart at the seams... ♪
LAINIE.
GOOD GOING, COLEMAN.
HELLO.
OH, HI, JOEL.
I REALLY CAN'T TALK RIGHT NOW, OKAY?
GOOD NIGHT. SWEET DREAMS.
OH, NO, IT'S YOU.
YOU WERE EXPECTING MAYBE FREDDY KRUEGER?
WHO'S FREDDY KRUEGER?
IT'S BEFORE YOUR TIME.
LISTEN, WHY DON'T YOU DO ME A FAVOR
AND STAY OUT OF MY LIFE, ALL RIGHT, POPS?
NOTHING WOULD GIVE ME GREATER PLEASURE.
WHERE'S GENA? AND DON'T CALL ME "POPS."
GENA'S IN THE HOUSE, POPS.
DON'T TRY THE DOOR. IT'S LOCKED.
- I'VE GOT A KEY. - IT'S NOT GONNA WORK.
THIS IS A DREAM.
YOU WANT TO SEE HER... GO LOOK IN THE WINDOW.
GENA.
GENA, GENA.
WHY DOESN'T SHE REMEMBER ME?
WELL, THE WAY I SEE IT IS THAT SHE WASN'T
AS INTO THIS LITTLE EXPERIMENT AS YOU WERE.
YOU WOULDN'T BY ANY CHANCE KNOW HOW TO SWITCH US BACK?
ABSOLUTELY.
AS A MATTER OF FACT, IT JUST SO HAPPENS
TO BE ONE OF THE VERY FIRST THINGS THAT I LEARNED ABOUT.
WELL, THEN LET'S DO IT NOW.
- HUH-UH. - WHAT DO YOU MEAN, HUH-UH?
WELL, WHICH ONE DON'T YOU UNDERSTAND... HUH OR UH?
THE WHOLE IDEA.
YOU SEE, I LIKE IT HERE.
IT'S... WELL, IT'S DREAMY.
IF YOU CATCH MY DRIFT. HA HA.
DON'T YOU WANT TO GET BACK TO YOUR OWN LIFE?
NO, I DON'T, AS A MATTER OF FACT.
SEE, YOU DON'T UNDERSTAND.
MY PARENTS HATE ME. I'M FLUNKING EVERY GRADE IN SCHOOL.
DUMAS WANTS TO KICK MY ASS. AND IF JOEL FOUND OUT
HOW I FEEL ABOUT LAINIE, HE'D WANT TO KICK MY ASS TOO.
"SHOW ME A MAN WHO HAS ENJOYED HIS SCHOOL DAYS
AND I'LL SHOW YOU A BULLY AND A BORE"...
ROBERT MORLEY, 1958.
UP YOURS AND THE HORSE YOU RODE IN ON.
THAT ISN'T A HORSE. THAT'S A SHEEP.
WHERE DID IT COME FROM?
A SHEEP? I DON'T KNOW.
BUT THIS IS YOUR SICK DREAM,
AND I'LL TELL YOU ONE THING... YOU HAVE SOME
DEEP-SEATED PSYCHOLOGICAL PROBLEMS, MAN.
AND BY THE WAY, I'M NOT GOING BACK.
WHAT IF I FIXED EVERYTHING?
OH, AND HOW ARE YOU GONNA DO THAT, POPS?
DON'T CALL ME "POPS."
I CAN DO IT.
I'VE GOT TO.
WELL, YOU'D BETTER WORK FAST,
BECAUSE THEY'RE WORKING FAST.
- NOT AS FAST AS I CAN. - ALL RIGHT, FINE.
BUT JUST DON'T LET JOEL FIND OUT ABOUT IT,
OR HE'S GONNA "TEAR YOUR PLAYHOUSE DOWN"...
PAUL YOUNG, 1986. SEE HOW ANNOYING THAT IS?
ANYWAY, YOU GOTTA DO ME SOME THINGS.
YOU GOTTA STOP EATING THE TOFU SHIT,
BECAUSE THE TOFU SHIT IS DRIVING ME CRAZY.
IT'S MAKING ME REALLY NAUSEOUS.
AND, YOU KNOW, YOU GOTTA STOP TELLING PEOPLE WHAT TO EAT.
IT'S JUST NOT LIKE ME. HOW OFTEN DO YOU SEE ME
TELLING PEOPLE WHAT TO EAT? I DON'T DO IT.
OKAY, SOMETHING ELSE... THERE'S SOME HOME MOVIES DOWNSTAIRS.
WATCH THEM. LEARN HOW TO SPEAK LIKE A NORMAL PERSON.
I DON'T TALK LIKE THAT. OH, ALSO SOME MOUSSE...
THERE'S SOME MOUSSE IN THE BATHROOM. YOU GOTTA USE THE MOUSSE.
YOU GOTTA DO SOMETHING WITH MY HAIR. MY HAIR LOOKS LIKE SHIT.
I NEVER HAVE MY HAIR LOOK LIKE SHIT. THEY'RE GONNA KNOW SOMETHING'S UP,
SOMETHING'S WEIRD HERE. ALL RIGHT, OH, ONE LAST THING...
WAKE UP.
OR "YOU'RE GONNA LOSE THAT GIRL"... BEATLES, 1965. HEH.
"BOBBY'S 16th BIRTHDAY."
HEY, BABE,
I JUST WANTED TO FILL YOU IN REGARDING LAST NIGHT:
I WANTED TO TELL YOU THAT I WAS NOT A COOL DUDE, RIGHT?
AND ALSO, LIKE, I WAS TOTALLY UNCHILLED
AND, YOU KNOW, I SHOULD REALLY CHILL OUT SOME MORE. RIGHT? RIGHT?
WHY CAN'T YOU SPEAK LIKE A NORMAL PERSON?
YOU KNOW WHAT? THEY DON'T HAVE A DOG.
THEY NEVER HAD A DOG. I DON'T APPRECIATE YOU HITTING ON ME
AND I DON'T THINK YOUR BEST FRIEND WOULD EITHER. SO WHY DON'T YOU GO AWAY?
LAINIE, I DON'T THINK YOU SEE WHAT I'M TRYING TO DO HERE.
I JUST WANT TO BE FRIENDS WITH YOU.
I WANT YOU TO GET TO KNOW ME AS A PERSON.
ALL YOU KNOW ME IS, IS KELLER.
I THOUGHT I KNEW YOU, BOBBY, OKAY?
AND I DO LIKE YOU, BUT NOT IN THAT WAY.
OKAY, FINE.
WILL YOU DO ME A FAVOR AND MEET ME AFTER SCHOOL IN A PUBLIC PLACE?
I DON'T THINK SO, OKAY?
OKAY.
♪ I'VE GOT DREAMS ♪
♪ DREAMS ♪
♪ TO REMEMBER ♪
♪ I'VE GOT DREAMS ♪
♪ DREAMS... ♪
AREN'T YOU GONNA SAY SOMETHING STUPID, KELLER?
WHY DO YOU ALWAYS BOTHER ME? I DON'T EVEN KNOW YOU.
HOW DUMB DO YOU THINK I AM?
THAT'S A PRETTY LEADING QUESTION. HOW DUMB ARE YOU?
HUT!
♪ ANOTHER MAN'S ARMS HOLDING YOU TIGHT ♪
♪ NOBODY KNOWS WHAT I FEEL INSIDE ♪
♪ ALL I KNOW, I WALKED AWAY AND CRIED ♪
♪ I'VE GOT DREAMS ♪
♪ DREAMS ♪
♪ TO REMEMBER ♪
♪ LISTEN TO ME ♪
♪ I'VE GOT DREAMS, ROUGH DREAMS ♪
♪ DREAMS TO REMEMBER... ♪
Cheerleaders: FIGHT, FIGHT, FIGHT!
HEY, HEY, BACK UP, DUMBASS.
ANYBODY ELSE?
YEAH.
ME.
BREAK IT UP, GUYS. KELLER.
COME HERE.
HEY, WHAT YOU GOT?
BY THE TIME I FINISH DOING LAPS,
I'LL BE IN GRADUATE SCHOOL, DUDE.
RAZOR-SHARP, KELLER, RAZOR-SHARP.
HEY, WHERE DID YOU LEARN TO FIGHT LIKE THAT?
UH, KUNG FU THEATER, DUDE.
- DUDE, STOP SAYING "DUDE," ALL RIGHT? - OKAY.
- HAVE YOU POONED SHELLEY YET? - POONED?
YOU KNOW, SLEPT WITH HER.
OH, YEAH, THAT... I DON'T THINK SO.
LOOK, MAN, I HEAR YOU.
I MEAN, NOW BETWEEN ME AND YOU,
IT'S LIKE LAINIE'S NOT BEING TOO COOPERATIVE LATELY.
WELL, MAYBE I'M NOT THE RIGHT GUY TO TALK TO ABOUT THIS.
WHO AM I GONNA TALK TO... DINGER?
UM, OKAY,
WELL, MAYBE YOU'RE NOT HER TYPE.
I'M EVERY GIRL'S TYPE.
I MEAN, JESUS, EVEN HER MOTHER LIKES ME.
IT'S DRIVING ME CRAZY, YOU KNOW.
IT'S LIKE I CAN'T UNDERSTAND.
ANY OTHER GIRL IN THE CLASS... BOOM.
BUT LAINIE... I CAN'T FIGURE HER OUT.
LISTEN, WHY DON'T YOU JUST LEAVE HER ALONE?
I MEAN, WHY CAN'T YOU JUST POON ANOTHER GIRL?
I MEAN, YOU DON'T CARE FOR HER AND YOU DON'T UNDERSTAND HER.
WHAT'S GOTTEN INTO YOU, KELLER, HUH?
IF WE WEREN'T FRIENDS FOR SO LONG, I'D KNOCK YOU OUT.
YOU UNDERSTAND THAT?
YEAH, YEAH, I UNDERSTAND THAT.
SORRY. IT JUST HURT.
OKAY.
- ALL RIGHT? - ALL RIGHT.
- SORRY. - DUDE.
DUDE.
♪ Stars fading ♪
♪ But I linger on ♪
♪ Still craving ♪
♪ Your kiss ♪
♪ And I'm longing ♪
♪ To linger ♪
♪ Till dawn ♪
♪ So dream ♪
♪ A little dream ♪
♪ Of me ♪
HEY!
♪ Oh, yeah ♪
♪ Stars shining bright above you ♪
♪ Night breezes seem to whisper ♪
♪ "I love you" ♪
♪ Birds singing in the sycamore tree ♪
♪ Dream a little dream of me ♪
♪ Just say good night and kiss me ♪
♪ Just hold me tight and tell me ♪
♪ You'll miss me ♪
♪ While I'm alone and blue as can be ♪
♪ Dream a little dream of me ♪
♪ Stars fading, but I linger on ♪
♪ Still craving your kiss ♪
♪ And I'm longing to linger till dawn ♪
♪ Just saying this ♪
♪ Sweet dreams till sunbeams find you ♪
♪ Sweet dreams that leave all worries behind you ♪
♪ But in your dreams, whatever they be ♪
♪ Dream a little dream of me, yeah ♪
♪ Stars fading, but I linger on ♪
♪ Still craving your kiss ♪
♪ And I'm longing to linger till dawn ♪
♪ Just saying this ♪
♪ Sweet dreams till sunbeams find you ♪
♪ Sweet dreams that leave all worries behind you ♪
♪ But in your dreams, whatever they be ♪
♪ Dream a little dream of me ♪
YOU'RE CRAZY. DID YOU KNOW THAT?
AND I'M ALSO CUTE TOO, AREN'T I?
SO WILL YOU COME GO WITH ME?
DO I HAVE A CHOICE?
NO.
SO HOW DO YOU WANT TO START THIS?
HAVE YOU EVER BEEN HERE BEFORE?
OF COURSE NOT. WE'RE THE ONLY ONES HERE UNDER 50.
WHAT IS IT WITH YOU AND OLD PEOPLE ANYWAY?
I'M GONNA TELL YOU THE TRUTH ABOUT THAT.
WELL, THAT'LL BE A FIRST.
HOW DO YOU KNOW? WE HARDLY EVER TALK TO EACH OTHER.
YOU KNOW WHAT? I'M SORRY. THAT'S NOT FAIR.
NO, YOU'RE RIGHT. WE NEVER DID TALK TO EACH OTHER BEFORE.
ALL OF A SUDDEN YOU'VE CHANGED.
WHY?
IT'S NOT IMPORTANT. LISTEN,
SOMETHING HAPPENED TO THOSE OLD PEOPLE.
WHAT DO YOU MEAN? WHERE ARE THEY ANYWAY?
I DON'T KNOW. EVER SINCE YOU AND I HAD OUR ACCIDENT,
THEY HAVEN'T BEEN THERE.
IT'S LIKE THEY'RE GONE. AND I'M REALLY WORRIED ABOUT THEM.
THAT'S PRETTY WEIRD, HUH?
YEAH, LIKE YOU.
WHAT ARE YOU GONNA HAVE? I HAVEN'T GOT ALL DAY.
HI, MARGE. LADIES FIRST.
DO YOU HAVE A RAW VEGETABLE PLATE?
WHAT MADE YOU ORDER THAT?
I'M ON A DIET. DO YOU?
ALL I'VE GOT IS THE REST OF THE SQUASH WE KEEP FOR MR. ETTINGER.
YOU WANT SOME SEVEN-GRAIN BREAD WITH THAT?
WE'VE GOT LOTS OF THAT TOO.
OKAY, LISTEN, IF I TAKE YOU SOMEPLACE ELSE
WHERE NOTHING WEIRD HAPPENS,
WILL YOU COME WITH ME?
- PUBLIC OR PRIVATE? - YOUR CHOICE.
♪ OH, 'CAUSE I WAS YOUNG AND EAGER TO SEE ♪
♪ WHAT LIFE WAS ALL ABOUT ♪
♪ OH, NOW I GUESS WE JUST GOT OLDER ♪
♪ I GUESS WE JUST LOST TRACK ♪
♪ 'CAUSE TIME RUNS WILD ♪
♪ TIME RUNS FREE ♪
♪ TIME RUNS WILD LIKE THE CHILD ♪
♪ THAT'S LIVING INSIDE OF ME ♪
♪ HEY, TIME RUNS WILD ♪
♪ TIME RUNS FREE ♪
♪ TIME RUNS WILD LIKE THE CHILD ♪
♪ THAT'S LIVING INSIDE OF ME ♪
♪ OH, IN THE DARK OF NIGHT I PRAY ♪
♪ WELL, DID I THROW MY YOUTH AWAY ♪
♪ ON A DREAM I'LL NEVER REALIZE... ♪
SO MY DAD LEFT
AND MY BROTHER CHOSE TO LIVE WITH HIM...
MALE BONDING AND THAT STUFF.
NOW IT'S JUST ME AND MY MOM.
AND YOU'VE MET HER.
ANYWAY, JOEL GAVE ME A LOT OF ATTENTION
WHEN I NEEDED IT.
WHY AM I TELLING YOU MY LIFE'S STORY?
BECAUSE I'M A GOOD LISTENER.
YEAH, YOU ARE.
SO YOUR DAD LET YOU BORROW HIS CAR?
I THINK IT'S NEAT.
YEAH. NOW WHAT ABOUT JOEL?
DO YOU LOVE HIM?
I'M IN HIGH SCHOOL. WHO CARES?
- YOU DIDN'T ANSWER MY QUESTION. - I'M JUST A KID.
YOU STILL DIDN'T ANSWER MY QUESTION.
WHAT ELSE DO I HAVE TO DO?
KISS.
I FEEL SO SAFE WITH YOU.
I FEEL LIKE I CAN TELL YOU ANYTHING.
I KNOW.
WHY?
BECAUSE WE'RE THEM.
WE'RE WHO?
WE'RE THE OLD COUPLE. YOU'RE GENA AND I'M COLEMAN.
WHY ARE YOU DOING THIS? YOU'RE SPOILING EVERYTHING.
IT'S THE TRUTH. YOU'VE GOT TO HEAR ME, PLEASE.
I DON'T WANT TO HEAR YOU. I'M STARTING TO LIKE YOU. I DON'T WANT TO HEAR THIS.
- BUT YOU'VE GOT TO. IT'S THE TRUTH. - BOBBY.
- LISTEN TO ME. - WHY ARE YOU DOING THIS?
- YOU WERE RIDING YOUR BIKE AND I WAS RUNNING, OKAY? - OH, MY GOD.
- AND... - BOBBY KELLER, YOU'RE A JERK...
A REAL JERK.
NO, LAINIE, I'M JUST DOING THIS
BECAUSE I WANTED TO LIVE A LONGER LIFE WITH YOU.
COME ON. GENA, COME BACK.
MY FAULT. YOU ARE IN THE WRONG PLACE, BOBBY BOY.
OH, MY GOD.
SO NOW IT'S JUST YOU AND ME AND MY BOYS.
- LAINIE! - BOBBY!
I DON'T GIVE A SHIT ABOUT THAT.
AND I DON'T GIVE A SHIT ABOUT YOU.
STOP IT!
STOP IT. STOP IT. YOU'RE KILLING HIM.
NAH,
I THINK I'D RATHER JACK OFF.
AND YOU...
YOU'RE GONNA LOOK REALLY GOOD FOR THE DANCE, CUPCAKE.
BOBBY.
LET'S GO, DUDE.
BOBBY, ARE YOU OKAY?
ARE YOU OKAY?
OH, MY GOD.
WELL, THANK YOU FOR A FRIGHTENING,
CONFUSING, STRANGE AND DANGEROUS TIME.
WHAT MORE COULD A GIRL ASK FOR?
I FEEL LIKE I SHOULD APOLOGIZE TO YOU,
BUT I TOLD THE TRUTH.
BOBBY, I REALLY LIKE YOU,
BUT I CAN'T BELIEVE A STORY LIKE THIS. IT'S JUST NOT FAIR.
YOU'RE RIGHT. YOU'RE RIGHT. IT ISN'T FAIR.
YOU SHOULD LET YOUR MOTHER TAKE A LOOK AT THAT EYE.
LISTEN, CAN YOU DO ME A FAVOR?
WHEN YOU DREAM TONIGHT, REMEMBER IT FOR ME.
WHY? AM I GONNA DREAM THAT WE'RE MARRIED?
I DON'T KNOW. I DON'T KNOW.
MAYBE I'M CRAZY. MAYBE YOU'RE RIGHT.
AND IF I AM, I NEED SOME SERIOUS HELP.
BUT IF I'M NOT,
YOU'VE GOT TO REMEMBER THIS DREAM, PLEASE.
JUST DO IT FOR ME, PLEASE.
PLEASE.
I GOTTA GO. I'LL SEE YOU TOMORROW.
DEAD MEAT. DEAD MEAT.
WE'RE GONNA KILL DUMAS FOR THIS.
- HEY, BE CAREFUL. - DON'T TOUCH ME.
- HI, MISS DIAMOND. - WELL, IF YOU AREN'T A SIGHT FOR SORE EYES.
YOU KNOW WHAT THEY SAY... OUT OF SIGHT, OUT OF MIND.
THANK YOU, MOTHER. WE'LL BE FINE.
YOU CAN GO NOW.
BOBBY, YOU KNOW, JOEL'S GONNA FIND OUT
ABOUT YOU AND LAINIE MONDAY MORNING AT SCHOOL.
HEY, I TRIED TO WARN YOU. DID YOU LISTEN? NO.
YEAH, WELL, HOPEFULLY I WON'T BE IN SCHOOL MONDAY.
THAT'S A REAL GOOD IDEA, PAL... REAL GOOD.
BOBBY, LET ME ASK YOU A QUESTION.
DO YOU REALLY, HONESTLY KNOW WHAT YOU'RE DOING?
NO, NO, NO, WAIT, WAIT, WAIT.
FORGET I ASKED. YOU OBVIOUSLY DON'T.
YOU KEEP PROVING IT TO ME.
LISTEN, DINGER,
I JUST WANT TO SAY THAT, YOU KNOW,
I APPRECIATE US BEING FRIENDS AND EVERYTHING
AND YOU HELPING ME THROUGH THIS.
I GOT IT. YOU WANT MONEY.
THAT'S WHAT YOU WANT, RIGHT... MONEY?
NO, NO, NOT AT ALL.
I JUST WANTED TO LET YOU KNOW
I APPRECIATE YOU BEING MY FRIEND.
BOBBY.
YEAH?
DUDE, ARE YOU TURNING FAG ON ME OR WHAT? WHAT'S HAPPENING?
WHAT'S WRONG?
WHERE WERE YOU?
AT THE GYM. I'M WORKING ON SOMETHING.
OH, YEAH? I WENT THERE LOOKING FOR YOU, LAINIE.
OH.
LOOK, LISTEN, I'M TRYING TO BE COOL ABOUT THIS, ALL RIGHT?
BUT YOU'RE DOING SOMETHING BEHIND MY BACK.
DO I HAVE TO FIND OUT FOR MYSELF?
I DON'T KNOW. I DON'T WANT TO DO THIS TO YOU.
IT'S JUST... I JUST DON'T KNOW ABOUT ANYTHING ANYMORE.
WHAT DO YOU WANT ME TO DO... WAIT ON YOU TO FIGURE THINGS OUT?
I MEAN, GOD DAMN IT, LAINIE!
I'M SORRY, JOEL.
I JUST CAN'T TALK ABOUT THIS RIGHT NOW.
LOOK, I'LL MEET YOU TOMORROW AT THE DANCE, OKAY?
I'LL BE READY THEN. I PROMISE.
GREAT. GREAT. WELL, LISTEN, YOU'D BETTER STRAIGHTEN YOUR ACT OUT BY THEN,
'CAUSE I'M NOT GONNA WAIT AROUND FOR YOU TO GROW UP.
NOW COME HERE.
ALL RIGHT, GOOD.
SO WHAT DID YOU TELL GARSON AND SHEILA?
WELL, I TOLD THEM I'D SIGNED UP AT THE BRIDGE CLUB
TO BE A SURROGATE GRANDFATHER
FOR KIDS THAT DON'T HAVE ONE...
YOU KNOW, BIG GRANDPAS OF AMERICA.
DO YOU FIND IT AMUSING?
OH, I THINK IT'S GREAT, ACTUALLY.
WELL, THERE'S NOTHING FUNNY ABOUT THIS, COLEMAN.
OH, THAT'S NOT TRUE.
AS A MATTER OF FACT, THERE'S A LOT OF FUNNY THINGS ABOUT THIS.
FOR INSTANCE, I HAPPEN TO BE DATING MY BEST FRIEND'S GIRLFRIEND;
I'VE GOTTEN IN TWO FIGHTS IN TWO DAYS.
I MEAN, LOOK AT MY FACE. THIS IS RIDICULOUS.
JUST LOOKS LIKE A BAD CASE OF ACNE TO ME.
THAT WAS A GOOD ONE, IKE.
I'M IMPRESSED. I'M VERY IMPRESSED.
BUT SERIOUSLY, NOW I GOTTA GO HOME
AND GET SHIT FROM MY PARENTS FOR BEING LATE AGAIN.
AND THE TEACHING AT THAT SCHOOL
HAS DECLINED FASTER THAN THE WESTERN CIVILIZATION.
IT'S RIDICULOUS. THEY DON'T TEACH YOU ANYTHING YOU NEED TO KNOW ANYMORE.
THEY TEACH YOU NOTHING THAT'S SPIRITUAL OR UPLIFTING.
NOT AS EASY AS YOU THOUGHT, HUH?
HEY, WILL YOU DO ME A FAVOR, PAL?
CUT ME SOME SLACK.
- CUT YOU SOME SLACK? - YEAH.
- LAINIE. - NOT NOW, MOTHER.
DON'T YOU THINK YOU SHOULD TELL HIM?
TELL HIM WHAT? THERE'S NOTHING TO TELL.
I THINK YOU'RE MAKING A BIG MISTAKE.
WHAT'S HAPPENING TO YOU, LAINIE?
AND DON'T WORRY ABOUT THE CAR. I'LL GET THAT FIXED.
COLEMAN.
YEAH?
HAVE YOU FIGURED OUT HOW YOU'RE GONNA GET BACK YET?
I GUESS I'M GONNA HAVE TO REPEAT THE EXPERIMENT.
IT'LL WORK. DON'T WORRY.
THANK YOU FOR EVERYTHING.
WHAT ARE BIG GRANDPAS FOR?
I MEAN, WHAT THE HELL DOES HE STUDY?
YOU GOTTA... YOU GOTTA TELL HIM
THAT IF HE FLUNKS THAT S.A.T. TEST, THAT WE'RE GONNA BE...
GUS, YOU CAN'T FLUNK THAT KIND OF A TEST.
HE'LL FIND A WAY. COME ON.
I MEAN, IT'S ALWAYS SOMETHING.
IF HE DOESN'T GET INTO COLLEGE...
- LOOK AT THIS. - OH.
CAN YOU IMAGINE WHAT HE'S DONE NOW?
ASK HIM IF THE POLICE ARE VERY FAR BEHIND HIM.
IT'S THOSE NO-GOOD FRIENDS OF HIS.
THE POLICE ARE NOT BEHIND ME. AND IT'S NOT MY FRIENDS, OKAY?
MY FRIENDS WOULDN'T BEAT ME UP LIKE THIS.
ASK HIM IF I'M GONNA GET SUED.
CHECK OUT IF HE'S GOT ANY TEETH LEFT.
I CAN'T AFFORD THE DENTAL BILLS.
YOU KNOW, IT'S NO WONDER I'M SO SCREWED UP.
I MEAN, LOOK AT YOU GUYS. YOU DON'T EVEN TALK TO ME.
I'M YOUR SON, REMEMBER?
WHY DON'T YOU EVER GIVE ME THE BENEFIT OF A DOUBT?
YOU DON'T EVEN ASK ME IF ANYTHING'S WRONG.
YOU DON'T EVEN ASK ME IF I'M HURT.
I MEAN, WHAT'S THE MATTER WITH YOU?
YOU DON'T UNDERSTAND WHAT IT'S LIKE
TO BE A KID IN TODAY'S SOCIETY.
I'M TRYING MY HARDEST.
I'M SORRY. I'M SORRY I SCREAMED.
IT'S JUST REALLY UPSETTING.
I TRY TO DO EVERYTHING I CAN.
AND I'M STUDYING HARD.
AND I'M GONNA DO GOOD ON MY S.A.T.s ON SATURDAY. I'M GOING TO.
YEAH, SURE.
I MEAN, I'M WORKING REALLY HARD.
I JUST NEED YOU TO HELP ME.
I CANNOT DO THIS WITHOUT YOU.
OKAY.
GOOD NIGHT. GOOD NIGHT, GUS
AND KIT.
GOOD NIGHT.
GOOD NIGHT, HONEY.
WHEN DID HE START CALLING US GUS AND KIT?
♪ I NEVER WANT TO SEE YOU LONELY ♪
♪ AGAIN ♪
♪ 'CAUSE I KNOW ♪
♪ LIFE IS TO LOVE FOREVER ♪
♪ WHEN I SEE YOU STANDING ♪
♪ ALL ALONE IN THE WIND ♪
♪ I BELIEVE WE CAN FLY ♪
♪ SO HIGH ABOVE ♪
♪ YOU KNOW I ALWAYS ASK ♪
♪ FOR MORE EMOTION ♪
♪ OH ♪
♪ WHENEVER THERE'S A NIGHT YOU NEED LOVE ♪
♪ CALL MY NAME AND TO YOU I'LL RUN ♪
♪ FEELING IN A HEART, WILD AND YOUNG ♪
♪ PASSION MAKING TWO INTO ONE ♪
♪ WHENEVER THERE'S A NIGHT YOU NEED LOVE ♪
♪ I WILL MAKE IT SHINE ♪
♪ LIKE THE SUN ♪
♪ SOMETIMES I REACH TO TOUCH YOU ♪
♪ AGAIN ♪
♪ AND I KNOW THE SPIRIT WILL LIVE ♪
♪ FOREVER ♪
♪ NOW I WANT YOU ♪
♪ AS MY LOVER AND MY FRIEND ♪
♪ 'CAUSE I KNOW... ♪
- BOBBY? - YOU RANG?
YOU KNOW, YOU SHOULD TAKE BETTER CARE OF ME.
NOBODY'S HERE.
NO, THEY'RE ALL PACKED UP AND READY TO GO.
YOU'VE GOT TO SHOW ME HOW TO MAKE THE SWITCH.
NO WAY.
BUT WE'RE GETTING THINGS STRAIGHTENED OUT.
I'M GONNA GET YOU INTO COLLEGE.
YOU'LL HAVE A FUTURE.
AND LAINIE'S A TERRIFIC GIRL. EVERYTHING'S GOING FINE.
YOU DON'T THINK THAT I SEE THE WAY YOU'VE SCREWED THINGS UP?
YOU SCREWED MY LIFE UP WORSE THAN I DID.
YOU JUST DO NOT UNDERSTAND WHAT IT'S LIKE
TO GO THROUGH LIFE IN TODAY'S WORLD WITH A KID'S EMOTION.
YEAN, YOU'RE RIGHT. MAYBE I DON'T.
I MAKE A LOUSY KID.
I'M TOO CAUTIOUS. I LACK SPONTANEITY.
I WOULDN'T DARE TO HANG MY ASS OUT OF A WINDOW AND MOON A LOT OF STRANGERS
OR THROW UP IN THE BACKSEAT OF A CAR.
IT'S YOUR LIFE. YOU HAVE TO LIVE IT.
NOT ANYMORE, THANKS TO YOU.
WHERE'S GENA?
I SAW HER IN THE HOUSE A FEW MINUTES AGO,
TAKING CARE OF SOME LAST-MINUTE THINGS.
GENA'S TRYING TO TELL LAINIE WHAT HAPPENED.
I STILL HAVE A CHANCE.
NOT WITHOUT ME, YOU DON'T.
AND YOU WON'T EVEN HELP ME?
I CAN'T. YOU DON'T UNDERSTAND.
IT'S NOT GONNA BE IN MY BEST INTERESTS TO HELP YOU.
I CAN DO ONE THING... I CAN GIVE YOU A HINT.
OKAY, FIRST OF ALL, IT HAS NOTHING TO DO
WITH STATES AND SYSTEMS AND ALL THAT SHIT.
SECONDLY, IT HAS NOTHING TO DO WITH PHYSICS.
AND ALSO, IF YOU WEREN'T SO DAMNED SMART,
YOU WOULD HAVE FIGURED THIS WHOLE THING OUT TWO DREAMS AGO.
THAT'S ALL I CAN SAY, POPS.
HEY,
AREN'T YOU GONNA TELL ME NOT TO CALL YOU "POPS"?
WHEW. WOW.
I GUESS THAT'S IT.
I'LL SEE YOU LATER. I'M HISTORY.
KEEP DREAMING.
LAST DAY, POPS. GOOD LUCK.
HEH!
ALL RIGHT, PENCILS UP.
GOOD MORNING.
WELCOME TO THE SCHOLASTIC APTITUDE TEST.
REMEMBER DURING THE TEST
TO REMAIN IN YOUR SEATS
AND LET THERE BE ABSOLUTELY NO TALKING.
THIS TEST IS TO DETERMINE YOUR ABILITY
TO GET INTO COLLEGE.
SOME OF YOU I DON'T THINK WILL MAKE IT.
IT IS NOW 10:07.
YOU HAVE UNTIL 1:07.
AND YOU MAY OPEN YOUR TEST BOOKS...
NOW!
HEY, MR. PATTISON, LISTEN.
SOME OF THE QUESTIONS IN THE TEST WERE WRONG ON THEIR FACE,
SO I WENT AHEAD AND CORRECTED THEM.
THEY'RE IN THE TEXTBOOK, SO TAKE A LOOK, OKAY?
THANKS.
HEY, I ADMIT I DREAMED ABOUT THE OLD COUPLE LAST NIGHT.
WHAT AM I SUPPOSED TO DO ABOUT IT?
I MEAN, THIS DOESN'T MEAN YOU'RE RIGHT, YOU KNOW.
AND HOW DO YOU EXPLAIN THE DREAM?
A STRONG POWER OF SUGGESTION PLANTED IN A TENDER YOUNG MIND
BY A CLEVER YOUNG MAN WITH A NOVEL APPROACH TO STEALING HIS FRIEND'S GIRL.
YEAH, WELL, THAT'S NOT AT ALL WHAT I'M DOING, BUT IS IT WORKING?
IN A WAY. THIS IS A BIZARRE COURTSHIP.
YES, IT'S VERY STRANGE.
BUT LET'S PUT ALL THAT ASIDE. LET'S GET BACK TO THE ARGUING.
WHAT AM I GONNA DO WITH YOU?
I WOULD SAY WE SHOULD GET MARRIED,
BUT WE CAN'T, 'CAUSE WE ALREADY ARE.
OKAY, I'M NOT SAYING I BELIEVE YOU,
BUT COME HERE AND KISS ME.
BOO.
SCARED YOU, HUH?
LOOK, MINE IS NOT THE QUESTION;
MINE IS ONLY A WARNING FOR YOU TWO.
JOEL IS VERY CLOSE BEHIND.
LOOK, IN THAT DREAM, SHE WAS REALLY REAL.
SHE SAID I COULDN'T FALL ASLEEP OR WE'D LOSE THEM FOREVER...
LIKE OZ OR SOMETHING.
- WHAT ELSE DID SHE SAY? - SHE SAID THAT SHE REALLY LOVES YOU.
LAINIE, THAT WAS A SECRET. GOD.
EXCUSE ME. SHELLEY.
- WOMEN ARE NUTS. - YOU'RE TELLING ME.
HEY, ASSHOLE.
- HEY, HEY. - JOEL, JOEL.
THE POOR GUY IS MY BUDDY. NOW IT'S BETWEEN ME AND YOU.
WHAT ARE YOU DOING, JOEL? WHAT ARE YOU DOING?
STOP IT, JOEL. THAT'S ENOUGH.
HEY, I'M DOING THIS FOR YOU, ALL RIGHT?
I DON'T NEED IT, ALL RIGHT?
I DIDN'T NEED IT LAST NIGHT.
DINGER DIDN'T NEED IT THE OTHER DAY ON THE FOOTBALL FIELD.
AND NONE OF US NEED IT NOW. THAT'S ENOUGH OF THIS SHIT.
ALL RIGHT, ALL RIGHT, I'M SORRY. I'M SORRY ABOUT THAT.
HEY, ALL RIGHT, ALL RIGHT.
- HEY, YOU. - THAT'S FOR ME.
- YOU, OUT OF HERE. YOU, INSIDE. - I DIDN'T DO ANYTHING.
- YOU, COME WITH ME. - I CAN'T. COME ON.
- LET'S GO. - I CAN'T GO.
Dinger: WHY ME? WHY ALWAYS ME?
WOW, I ALWAYS THOUGHT "S.A.T." MEANT
"SATURDAY AFTERNOON TEST." WHAT IS UP?
OH, IT'S YOU.
YEAH, IS LAINIE HOME?
NOPE.
DO YOU KNOW WHERE SHE'S AT?
I THOUGHT MAYBE SHE WAS WITH YOU,
SO I GUESS THINGS COULD BE WORSE.
YOU DON'T CARE MUCH FOR ME, DO YOU?
WHAT'S NOT TO LIKE?
I'LL BE SURE TO TELL HER YOU CAME BY.
LATELY WHERE YOU FIND THAT KELLER BOY,
YOU FIND MY DAUGHTER.
NOW WE LIKE YOU A LOT, JOEL.
WE'D LIKE TO SEE YOU IN THE FAMILY.
♪ WHERE IS SHE? WHERE IS SHE? ♪
♪ I KEEP WAITING ♪
♪ FOR A CALL ♪
♪ WHERE IS SHE? WHERE IS SHE? ♪
FOR SOME REASON, I'M JEALOUS OF HER.
I'M NOT SURE I BELIEVE I AM WHO YOU SAY I AM
OR IF I JUST WANT YOU TO WANT ME MORE.
I THINK WHAT SHE WAS TRYING TO TELL US
IS THAT WE CAN'T FALL ASLEEP TONIGHT
OR WE COULD LOSE THEM FOREVER.
BOBBY, I'M AS ANXIOUS TO MATURE AS THE NEXT GIRL,
BUT I'M NOT LOOKING TO RUSH IT QUITE THAT MUCH.
I DON'T THINK YOU GET IT.
THERE'S REALLY NO RISK.
BOBBY AND LAINIE WILL ALWAYS EXIST.
WILL I STILL LIKE YOU...
I MEAN, AFTER, YOU KNOW...?
I HOPE SO.
I DON'T KNOW.
I DON'T WANT TO LOSE YOU, BOBBY.
I DON'T WANT TO LOSE ME EITHER.
COME ON, YOU ALWAYS SAID YOU LIKED ADVENTURE.
YEAH, I KNOW,
BUT I'M NOT SO SURE ABOUT THIS.
PLEASE.
I NEED YOU TO DO THIS WITH ME.
OKAY.
I'LL DO THIS WITH YOU IF YOU PROMISE ME
THAT AFTER THIS YOU'LL NEVER BRING IT UP AGAIN.
OKAY, I PROMISE.
SWEETHEART,
- JOEL WAS HERE LOOKING FOR YOU. - GREAT.
BOBBY, PLEASE, LET'S NOT CAUSE A SCENE TONIGHT, OKAY?
I'LL GO WITH JOEL AND YOU GO WITH SHELLEY.
WE CAN DEAL WITH ALL THAT LATER.
BUT I NEED TO BE ALONE WITH YOU TONIGHT.
I TOLD HIM I DIDN'T KNOW WHERE YOU WERE.
I GOTTA GO.
LOOK, WE'LL BE ALONE AFTER THE DANCE, OKAY?
OKAY.
BOBBY.
YO.
TELL HIM HOW NICE HE LOOKS.
NO, YOU TELL HIM HOW NICE HE LOOKS.
NO, TELL HIM WHAT YOU TOLD ME.
OH.
UM, SON,
BOBBY,
I JUST WANT TO TELL YOU
THAT WHAT YOU SAID LAST NIGHT
MADE US DO A LOT OF THINKING.
YOU WERE RIGHT.
WE DON'T LISTEN TO YOUR PROBLEMS.
THANK YOU.
TELL HIM WE'LL TRY TO DO A BETTER JOB.
UM, YOU HEARD WHAT YOUR FATHER SAID.
YEAH, I HEARD HIM. LISTEN, MOM,
COULD YOU TELL DAD
THAT I LOVE HIM AND I LOVE YOU TOO
AND I'M GONNA MISS YOU BOTH
IN A WEIRD SORT OF WAY? I MEAN THAT.
I GOT A DANCE TO GO TO.
I GOTTA GO.
WHEN HE COMES BACK,
WILL YOU ASK HIM WHAT HE MEANT BY THAT?
THIS IS TERRIFIC.
I KNOW YOU LIKE IT CRUNCHY.
HEY, WHAT, ARE YOU NUTS, MAN?
- SHUT UP. - JOEL.
HEY, BOBBY.
HEY, KELLER, MAN, WHERE'S LAINIE?
LOOKING FOR YOU.
I THINK YOU SHOULD TALK TO ME. COME HERE, PLEASE.
WHAT WAS THAT ALL ABOUT?
I DON'T KNOW, BUT HE'S GETTING REALLY TRASHED.
THEY'LL WORK IT OUT.
LOOK, IT'S NOT WHAT YOU THINK. EVER SINCE THE ACCIDENT...
HEY, THERE ARE NO ACCIDENTS. IS THAT WHY YOU'VE BEEN SO FRIGID, HUH?
NOW YOU OWE ME.
- STOP IT, JOEL. - HEY, FUCK YOU.
- WHY CAN'T I EVEN SAY IT, HUH? - YOU KNOW, JOEL, JUST HIT ME.
IT HAS NOTHING TO DO WITH BOBBY. IT WAS YOU,
WHAT YOU WANTED. YOU DON'T GIVE A SHIT ABOUT ME.
WELL, I DO. AND I WANT OUT.
NO GODDAMN WAY. YOU'RE MINE.
GET OFF.
- HEY! - WHAT THE HELL ARE YOU DOING, MAN?
- ARE YOU OKAY? - GET HER OUT OF HERE, GO.
COME ON, COME ON, LET'S GO.
- WATCH OUT! - Dinger: GO.
- RELAX, MAN. - I'M ALL RIGHT. I'M ALL RIGHT.
SHIT.
JOEL, JOEL.
HEY, PRETTY BOY, WHAT'S HAPPENING?
FAGGOT.
COME ON, LAINIE.
OH, GEE, I'M SORRY ABOUT THAT, JOEL.
YOU KNOW, I SHOULDN'T HAVE TOLD YOU I SAW THEM TOGETHER.
I GUESS I'M NOT A VERY GOOD FRIEND.
HEY, FAGGOT, YOU'RE DEAD. YOU'RE GODDAMN DEAD.
ME AND MY FRIENDS ARE HAVING A LITTLE PARTY TONIGHT AT THE BRIDGE.
AND I THINK YOU AND YOU AND ALL YOUR LITTLE FAGGOT FRIENDS OUGHT TO BE THERE.
- YOU'RE NOT SO TOUGH NOW, ARE YOU, JOEL? - FAGGOT.
LISTEN TO ME. LISTEN TO ME, ALL RIGHT?
THEY'RE SHIT. THEY'RE NOTHING... NOTHING, ALL RIGHT?
ALL RIGHT, ALL RIGHT, ALL RIGHT.
ALL RIGHT, MAN.
OH.
♪ You can go to extremes ♪
♪ With impossible schemes ♪
♪ You can laugh when your dreams ♪
♪ Fall apart at the seams ♪
♪ And life gets more exciting ♪
♪ With each passing day ♪
♪ And love is either in your heart ♪
♪ Or on its way ♪
♪ Don't you know that it's worth ♪
♪ Every treasure on earth ♪
♪ To be young ♪
♪ At heart? ♪
♪ For as rich as you are ♪
♪ It's much better by far ♪
♪ To be young at heart ♪
♪ And if you should survive ♪
♪ To 105 ♪
♪ Look at all you'll derive ♪
♪ Out of being alive ♪
♪ And here is the best part ♪
♪ You had a head start ♪
♪ If you are among the very ♪
♪ Young ♪
♪ At heart ♪
WOW.
SHIT'S GETTING WEIRD.
ME... DINGER,
THIS UNBELIEVABLY LOOKING GUY, SITTING OUT HERE,
FREEZING MY ASS OFF
IN SOME BUTT-UGLY RED MUSTANG.
WELL, WHAT TIME IS IT?
I DON'T HAVE A WATCH. I NEVER HAD A WATCH.
WHY DID I LOOK AT MY WRIST?
HAD A DANCE, DANCING PERFECTLY
WITH A HOT CHICK.
SHE WANTED ME. I KNOW SHE WANTED ME.
WELL, EVERY GIRL WANTS ME.
I SHOULD BE IN HAWAII DRINKING A PINA COLADA,
LOOKING AT SOME HAWAII CHICK.
"HELLO, HONEY."
OH, HERE COMES ASSHOLE.
WHAT DID YOU GET IN THERE, MAN?
GOT A LITTLE MORE OF THIS
AND THIS.
WHAT ARE YOU... WHAT ARE YOU GONNA DO WITH THAT, JOEL?
I'M GONNA DRINK IT.
I KNOW YOU'RE GONNA DRINK THAT.
WHAT ARE YOU GONNA DO WITH THE GUN, JOEL... THE GUN?
HEY, I'M GONNA JOIN THE PARTY AT THE BRIDGE, MAN,
AND THE FIRST GUY THAT PISSES ME OFF
GETS A LITTLE SURPRISE.
JOEL, COME ON, MAN. DON'T YOU THINK THAT YOU'RE TAKING THIS THING
- A LITTLE TOO FAR? - GET OUT OF THE CAR.
HEY, LOOK, I'M NOT TRYING TO START SHIT WITH YOU.
I'M YOUR FRIEND, JOEL. I DON'T WANT TO SEE YOU GO TO JAIL...
YOU KNOW, JAIL, BEHIND BARS.
HEY, HE HUMILIATED ME, MAN, ALL RIGHT?
RIGHT? I'M NOT GONNA LET THIS SHIT SLIDE.
LOOK, MAN, I'M NOT GONNA BE RESPONSIBLE FOR THIS.
LOOK, IF I HAVE TO, I'LL STOP YOU.
HEY, NOBODY'S GONNA STOP ME AGAIN, ALL RIGHT?
NOW GET OUT! OUT!
- I'M NOT GONNA GET OUT OF THE CAR. - GET OUT. GET THE HELL OUT.
- DON'T, MAN. - OUT. OUT.
JOEL, MAN, WHAT ARE YOU...? HEY, MAN.
JOEL, COME ON, MAN.
WOW, WHAT A GODDAMN PSYCHO.
- SHELLEY. - HI. WHERE'S LAINIE?
SHE'S AT THE DANCE WITH JOEL.
NAH. NO, SHE LEFT. JOEL HIT HER AND SHE LEFT.
- WHAT? WHY? - JOEL HIT HER?
- YEAH. - WHAT HAPPENED?
I DON'T KNOW. ALL I KNOW IS SHE'S WITH BOBBY
AND IT'S PRETTY MUCH ALL HIS FAULT.
I FEEL SILLY.
COME ON. COME ON.
YOU PROMISED ME YOU'D DO THIS. JUST TRUST ME.
- OKAY. - TRUST ME.
♪ HEY, SHOUT SUMMERTIME BLUES ♪
♪ JIMMY DEAN ♪
♪ HEY, KIDS, ROCK AND ROLL ♪
♪ ROCK ON, OOH, MY SOUL ♪
♪ HEY, KIDS, BOOGIE TOO ♪
♪ DID YOU? ♪
♪ HEY, SHOUT SUMMERTIME BLUES ♪
♪ JUMP UP AND DOWN IN MY BLUE SUEDE SHOES ♪
♪ HEY, KIDS, ROCK AND ROLL ♪
♪ ROCK ON ♪
- WHAT ARE YOU MORONS DOING? - WHAT?
- KELLER, WHERE'S THE CAR? COME ON, WE GOTTA GO NOW. - NOT NOW.
WHAT DO YOU MEAN, NOT NOW, BOBBY? YOU STARTED THIS.
- STARTED WHAT? - JOEL'S GOING AFTER DUMAS.
HE'S A BIG BOY. HE CAN TAKE CARE OF HIMSELF.
I'VE GOT THINGS TO DO.
OH, YOU HAVE THINGS TO DO?
GREAT, SO I SHIT ON A FRIEND FOR YOU?
FOR WHAT, BOBBY? SO YOU CAN WALK AWAY?
HE'S GOT A GUN. HE'S GONNA KILL HIM.
WE GOTTA GO. I'LL TALK TO HIM.
ALL RIGHT, LISTEN, LAINIE, YOU STAY HERE. I'LL BE BACK.
NO, I'M COMING WITH YOU.
♪ AND WHERE DO WE GO FROM HERE? ♪
♪ WHICH IS THE WAY THAT'S CLEAR? ♪
WAIT A MINUTE. THERE SHE IS.
- LAINIE, GET IN. YOU'RE GOING HOME. - NO, MOTHER.
I SAID, GET IN THE CAR. I'VE ALREADY HEARD ABOUT THAT FIGHT YOU WERE IN.
GET AWAY FROM HER. YOUNG MAN, I DON'T WANT YOU TO SEE MY DAUGHTER ANYMORE.
- LAINIE, GET IN THE CAR. - RON, COULD YOU...?
- HEY, STAY BACK. - LET GO OF ME.
ALL RIGHT, LISTEN, LAINIE,
GO HOME WITH THEM. DON'T CAUSE A SCENE.
I'M GONNA BE BY THE HOUSE LATER ON.
NO, BOBBY, YOU WON'T BE COMING BY LATER.
I'LL BE BY.
DON'T FALL ASLEEP.
BE CAREFUL.
Ron: COME ON, LAINIE, LET'S GO.
♪ ROCK ON ♪
♪ ROCK ON... ♪
YO, DUMAS. HEY, DUMAS.
JOEL, JOEL.
ARE YOU HERE ALONE, JOEL?
YEAH, I AM.
NOW I THOUGHT YOU WERE SMARTER THAN THAT.
I AM.
GUN!
HEY! YO!
WAIT A SECOND, BOYS. MAN, IT'S A PARTY.
WHO'S GOT THE CHIPS?
LAINIE, IF THAT BOY COMES, I DON'T WANT YOU TALKING TO HIM.
YOU DON'T SAY.
DAMN IT, I'M TIRED OF THIS ATTITUDE.
I'M SERIOUSLY CONSIDERING MOVING US TO ANOTHER TOWN.
THESE KIDS, AND ESPECIALLY THAT BOY,
ARE NOTHING BUT A BAD INFLUENCE.
I MEAN, LOOK AT THAT FIGHT YOU HAD AT THE DANCE.
NOW WHY DID YOU HAVE TO PROVOKE JOEL LIKE THAT?
YEAH, I PROVOKED JOEL.
I WOULDN'T LET HIM SCREW ME STANDING UP ON THE DANCE FLOOR.
I SHOULD BE COMMITTED FOR THAT.
MOTHER, PLEASE. I'D LOVE TO SEE YOU MOVE AWAY.
DAMN IT, LAINIE, NOT IN FRONT OF RON.
OH, AND ANOTHER THING, RON...
I DON'T WANT YOU AND MY MOTHER SEEING EACH OTHER ANYMORE.
WHAT'S THAT?
GIVE IT TO HER?
I'M REALLY SORRY, LAINIE.
IF THAT'S WHAT YOU REALLY THINK, WE'LL RESPECT YOUR WISHES.
COME ON, HELP ME DRINK THIS THING.
THAT WAY I CAN GET OUT OF HERE QUICKER
AND YOU CAN TOLERATE ME A LOT EASIER TILL I GO.
I'M SORRY FOR BEING SO OBNOXIOUS.
IT ISN'T YOU. IT'S JUST
SHE'S SO RELENTLESS.
YEAH, I KNOW, BUT YOU GOTTA REMEMBER
SHE MEANS WELL.
JOEL, WE'RE HERE.
DON'T DO ANYTHING.
JOEL, I SAID I WAS SORRY.
WHAT ELSE? WHAT?
HEY, YOU GUYS CAN SPLIT. I'M HAVING A LOT OF FUN DOING THIS SHIT.
COME ON, MAN, PUT THE GUN DOWN.
JUST COME WITH US. WE'RE YOUR FRIENDS.
DINGER, IF YOU WERE MY FRIEND, YOU WOULD HAVE COME WITH ME.
COME ON, MAN, YOU PUSHED ME OUT OF THE CAR.
LOOK, JOEL, I HATE DUMAS TOO, BUT YOU CAN'T KILL HIM.
LISTEN TO THEM, MAN. THEY'RE YOUR FRIENDS.
ALL RIGHT, THIS WHOLE THING IS WAY OUT OF CONTROL.
HEY, KELLER, YOU'RE NOT VERY HIGH ON MY LIST RIGHT NOW, ALL RIGHT?
BOBBY, LET US TALK TO HIM, MAN. BACK OFF.
NO, YOU BACK OFF.
ALL RIGHT, WHAT ARE WE ALL DOING HERE, GUYS?
WHAT ARE WE ALL HERE FOR?
BECAUSE I KICKED DUMAS'S ASS?
SO WHAT? BIG DEAL.
HE KICKED MINE BACK. EVEN IS EVEN.
FAIR IS FAIR.
YOU GUYS DON'T SEEM TO UNDERSTAND SOMETHING.
I HAVE BEEN LIVING MY LIFE
DAY BY DAY FOR SO LONG
THAT I CAN'T EVEN REMEMBER WHY I HATE DUMAS
OR LIKE DINGER.
20 YEARS FROM NOW, I'M GONNA BE SITTING BACK
AND I'M GONNA BE THINKING OF MY SCHOOL FRIENDS
AND I'M GONNA THINK OF DUMAS.
DUMAS WAS AN ASSHOLE, BUT SO WHAT?
WE WERE STILL FRIENDS IN SCHOOL.
AREN'T I RIGHT? AREN'T WE FRIENDS?
LET ME GET THIS STRAIGHT, MAN:
YOU GO AND STEAL MY GIRLFRIEND
AND TELL ME WHO MY FRIENDS ARE, HUH?
ALL RIGHT,
I DIDN'T STEAL YOUR GIRL, OKAY?
I KNOW THAT IT HURTS. I KNOW THAT.
BUT THAT'S OKAY. IT'S SUPPOSED TO HURT.
LIFE IS TOO SHORT, GUYS.
YOU TURN AROUND, ONE SECOND...
BAM! IT'S OVER.
I MEAN, YOU SPEND TOO MUCH TIME
THINKING ABOUT THE THINGS THAT YOU DON'T HAVE
AND MISSING THE THINGS THAT YOU DO.
WHY DO WE HAVE TO TAKE SOMETHING SO FAR
THAT IT CAN'T BE TAKEN BACK?
I'LL TELL YOU WHY. BECAUSE WE'RE YOUNG.
AND WHEN YOU'RE YOUNG, EVERY LITTLE THING
SEEMS SO BIG.
JOEL, YOU'VE GOT A GUN.
DO YOU UNDERSTAND THAT? YOU'VE GOT A GUN, JOEL.
YOU'RE GONNA SHOOT DUMAS.
AND YOU'RE LUCKY IT'S NOT POINTED AT YOU, MAN, ALL RIGHT?
OH, REALLY?
YEAH, REALLY.
SO YOU'RE TELLING ME
THAT YOU'RE SO PISSED OFF AT ME
THAT THIS POOR BASTARD IS GONNA DIE BECAUSE OF IT?
WELL, MAYBE THAT GUN ISPOINTED IN THE WRONG DIRECTION.
KELLER, MAN, SHUT UP.
NO. COME ON, WHY DON'T WE ALL JUST MAKE THIS REAL BAD?
COME ON, LET'S SEE HOW FAR WE CAN TAKE IT.
WHY DON'T WE DO THAT RIGHT NOW?
WHY DON'T YOU SHOOT DUMAS IN THE EYE?
OR BETTER YET,
MAYBE THIS WILL MAKE YOU FEEL GOOD.
WHY DON'T YOU ALL BEAT THE SHIT OUT OF ME?
COME ON, IT'LL MAKE YOU FEEL GOOD.
YOU GUYS MAKE ME SICK.
I'M GONNA GO DOWN BY MY CAR
AND I'M GONNA DRINK A BEER.
IF ANY OF YOU ASSHOLES WOULD CARE TO JOIN ME,
FEEL FREE.
HEY, COME ON, JOEL, MAN.
JOEL, COME ON.
IT'S NOT WORTH IT, MAN.
IT'S NOT WORTH IT.
♪ STAND UP AND TAKE IT ♪
♪ IT'S ALL I CAN DO ♪
♪ AM I THE WORSE ♪
♪ FOR TRYING? ♪
♪ NEITHER USELESS NOR IMPROVED ♪
♪ WITH MY HEART WIDE OPEN ♪
♪ SOMETIMES I FEEL SO SMALL ♪
♪ I'VE GOT MY HOPES UP ♪
♪ PLEASE DON'T LET ME FALL ♪
♪ DREAMS COME TRUE ♪
♪ SAY THEY DO, SAY THEY DO ♪
♪ SAY THEY DO ♪
♪ DREAMS COME TRUE ♪
♪ SAY THEY DO, SAY THEY DO ♪
♪ AND I'LL STAND UP AND TAKE IT ♪
♪ OH, YES, I WILL ♪
♪ STAND UP AND TAKE IT... ♪
♪ SHOOT AT THE MOON ♪
♪ BLIND FAITH OR HALLUCINATION ♪
♪ HOW DO YOU TELL BETWEEN THE TWO? ♪
WHAT THE HELL DO YOU WANT?
MISS DIAMOND, I GOTTA SEE LAINIE RIGHT AWAY.
SHE WAS VERY UPSET, BOBBY. SHE'S RESTING.
RESTING? NO, SHE CAN'T REST. PLEASE DON'T LET HER GO TO SLEEP.
EITHER YOU LEAVE OR I'M CALLING THE POLICE.
- NO, I'VE GOT TO SEE HER. - BACK UP, PAL.
NO. NO.
YOU'RE RIGHT. YOU'RE RIGHT.
I'M SORRY. I'M WAY OUT OF CONTROL.
I'VE HAD A BAD NIGHT. I'M SORRY.
♪ SAY THEY DO, SAY THEY DO ♪
♪ SAY THEY DO ♪
♪ DREAMS COME TRUE ♪
♪ SAY THEY DO, SAY THEY DO ♪
♪ AND I'LL STAND UP AND TAKE IT ♪
♪ OH, YES, I WILL ♪
♪ YES, I WILL ♪
♪ I'M GONNA STAND UP ♪
♪ AND TAKE IT... ♪
NO! NO!
WAKE UP.
LAINIE, YOU CAN'T SLEEP. WAKE UP.
GENA!
LAINIE, LAINIE, WAKE UP.
LAINIE.
LAINIE, WAKE UP.
NO! NO! NO!
OH, MY GOD. GET HIM OFF. GET HIM OFF.
- NO! - JESUS CHRIST.
NO, NO, NO.
WHAT DID HE DO TO YOU?
BASTARD!
GENA.
♪ I'VE GOT DREAMS ♪
♪ DREAMS ♪
♪ TO REMEMBER ♪
♪ I'VE GOT DREAMS ♪
♪ DREAMS ♪
♪ TO REMEMBER ♪
♪ HONEY, I SAW YOU THERE LAST NIGHT ♪
♪ ANOTHER MAN'S ARMS HOLDING YOU TIGHT ♪
♪ NOBODY KNOWS WHAT I FEEL INSIDE ♪
♪ ALL I KNOW, I WALKED AWAY AND CRIED ♪
♪ I'VE GOT DREAMS ♪
♪ DREAMS ♪
♪ TO REMEMBER ♪
♪ LISTEN TO ME ♪
♪ I'VE GOT DREAMS, ROUGH DREAMS ♪
♪ DREAMS TO REMEMBER ♪
♪ I KNOW YOU SAID ♪
♪ HE WAS JUST A FRIEND ♪
♪ BUT I SAW HIM KISS YOU AGAIN AND AGAIN ♪
♪ THESE EYES OF MINE ♪
♪ THEY DON'T FOOL ME ♪
♪ WHY DID HE HOLD YOU SO TENDERLY? ♪
♪ I'VE GOT DREAMS ♪
♪ DREAMS ♪
♪ TO REMEMBER ♪
♪ LISTEN, HONEY, I'VE GOT DREAMS ♪
♪ ROUGH DREAMS ♪
♪ DREAMS TO REMEMBER ♪
♪ I STILL WANT YOU TO STAY ♪
♪ I STILL LOVE YOU ANYWAY ♪
♪ I DON'T WANT YOU TO EVER LEAVE... ♪
Bobby: ATTENTION, POPS.
YOUR RIDE IS SLOWLY COMING TO AN END.
PLEASE REMAIN SEATED.
AND REMEMBER, FAITH ISN'T SOMETHING YOU FIND.
IT'S SOMETHING YOU HAVE.
AND YOU KNOW THAT STUFF I TOLD YOU
ABOUT LOSING GENA AND ALL THAT?
WELL, I MADE IT UP.
SORRY, BUT IT DID MAKE FOR A GREAT STORY.
HEH!
♪ Now I can remember ♪
♪ The dress that you wore ♪
♪ But I never really understood ♪
♪ What all the tears were for ♪
♪ And you looked so young ♪
♪ On that sweet summer morning ♪
♪ And I thought that you would stay the same ♪
♪ The way you were before... ♪
A COOKIE?
I BROUGHT YOU YOUR TEA, BUT YOU LOOKED LIKE
YOU WERE HAVING SUCH A LOVELY NAP.
IS SOMETHING WRONG?
YOU REALLY DON'T KNOW, DO YOU?
COLEMAN, ARE YOU OKAY?
I'M SORRY I'M A LITTLE OUT OF IT.
I LOVE YOU, THOUGH.
OH, COLEY,
I LOVE YOU TOO.
ARE YOU GONNA TELL ME ABOUT YOUR INCREDIBLE DREAM?
NO, NO DREAM.
WHAT'S WITH THE MUSIC?
I DON'T KNOW.
I JUST FELT LIKE LISTENING TO THIS.
YOU'RE ACTING SO STRANGE.
WHY DON'T YOU GO MEDITATE?
I DON'T THINK SO.
I THINK I'LL GO WORK IN THE GARDEN.
IT'S TIME FOR ME TO RELAX.
I'VE EARNED IT.
I JUST WANT TO ENJOY
LIFE WITH YOU.
YOU ARE THE SWEETEST MAN.
♪ Time runs free ♪
♪ Time runs wild like the child ♪
♪ That's living inside of me ♪
COLEMAN.
WELL, HOW?
FAITH.
I PLANTED SOME NEW BULBS TODAY.
- OH, I KNOW. THANK YOU. - YEAH.
- OH, DEAR. - WHAT?
IT'S OKAY. GO ON THROUGH.
YOU'RE WELCOME TO USE THE PROPERTY.
THANK YOU VERY MUCH,
BUT WE'LL GO AROUND.
NO, PLEASE.
NO, THAT'S ALL RIGHT.
MAYBE ANOTHER DAY.
THE INVITATION'S OPEN, ANYTIME.
WELL, THANK YOU,
BUT HAVE A NICE DAY.
YOU TOO, BOBBY.
♪ AND IF YOU SHOULD SURVIVE ♪
♪ TO 105 ♪
♪ THINK OF ALL YOU DERIVE ♪
♪ OUT OF BEING ALIVE ♪
♪ AND HERE IS THE BEST PART ♪
♪ YOU'VE HAD A HEAD START ♪
♪ IF YOU ARE AMONG ♪
♪ THE VERY YOUNG ♪
♪ AT HEART ♪
♪ STARS SHINING BRIGHT ABOVE YOU ♪
♪ AND NIGHT BREEZES SEEM TO WHISPER ♪
♪ "I LOVE YOU" ♪
♪ BIRDS SINGING IN THE SYCAMORE TREE ♪
♪ DREAM A LITTLE DREAM OF ME ♪
♪ SAY NIGHTY-NIGHT AND KISS ME ♪
♪ JUST HOLD ME TIGHT ♪
♪ TELL ME YOU'LL MISS ME ♪
♪ WHILE I'M ALONE AND BLUE AS CAN BE ♪
♪ DREAM A LITTLE DREAM OF ME ♪
♪ STARS FADING ♪
♪ BUT I LINGER ON ♪
♪ STILL CRAVING YOUR KISS ♪
♪ I'M LONGING TO LINGER ♪
♪ TILL DAWN ♪
♪ JUST SAYING THIS, SAY IT ♪
♪ SWEET DREAMS TILL SUNBEAMS FIND YOU ♪
♪ SWEET DREAMS THAT LEAVE ALL WORRIES ♪
♪ BEHIND YOU ♪
♪ BUT IN YOUR DREAMS, WHATEVER THEY BE ♪
♪ DREAM A LITTLE DREAM OF ME, YEAH ♪
♪ STARS FADING ♪
♪ BUT I LINGER ON, DEAR ♪
♪ CRAVING YOUR KISS ♪
♪ I'M LONGING TO LINGER ♪
♪ TILL DAWN, DEAR ♪
♪ JUST SAYING THIS ♪
♪ SWEET DREAMS TILL SUNBEAMS FIND YOU ♪
♪ SWEET DREAMS THAT LEAVE ALL WORRIES ♪
♪ BEHIND YOU ♪
♪ BUT IN YOUR DREAMS, WHATEVER THEY BE ♪
♪ DREAM A LITTLE DREAM OF ME, YEAH ♪
♪ DREAM A LITTLE DREAM ♪
♪ OF ME, YEAH ♪
♪ DREAM A LITTLE DREAM OF ME, YEAH ♪
♪ DREAM A LITTLE DREAM ♪
♪ OF ME ♪
♪ DOO DOO DOO DOO DOO DOO ♪
♪ DREAM A LITTLE DREAM OF ME... ♪
♪ YEAH, YEAH, YEAH, YEAH, YEAH, YEAH, YEAH, YEAH... ♪
♪ OH, YEAH ♪
♪ STARS SHINING BRIGHT ABOVE YOU ♪
♪ NIGHT BREEZES SEEM TO WHISPER ♪
♪ "I LOVE YOU" ♪
♪ BIRDS SINGING IN THE SYCAMORE TREE ♪
♪ DREAM A LITTLE DREAM OF ME ♪
♪ JUST SAY GOOD NIGHT AND KISS ME ♪
♪ JUST HOLD ME TIGHT ♪
♪ AND TELL ME YOU'LL MISS ME ♪
♪ WHILE I'M ALONE AND BLUE AS CAN BE ♪
♪ DREAM A LITTLE DREAM OF ME ♪
♪ STARS FADING ♪
♪ BUT I LINGER ON ♪
♪ STILL CRAVING YOUR KISS ♪
♪ AND I'M LONGING TO LINGER ♪
♪ TILL DAWN ♪
♪ JUST SAYING THIS ♪
♪ SWEET DREAMS TILL SUNBEAMS FIND YOU ♪
♪ SWEET DREAMS THAT LEAVE ALL WORRIES ♪
♪ BEHIND YOU ♪
♪ BUT IN YOUR DREAMS, WHATEVER THEY BE ♪
♪ DREAM A LITTLE DREAM OF ME, YEAH ♪
♪ STARS FADING ♪
♪ BUT I LINGER ON ♪
♪ STILL CRAVING YOUR KISS ♪
♪ AND I'M LONGING TO LINGER ♪
♪ TILL DAWN ♪
♪ JUST SAYING THIS ♪
♪ SWEET DREAMS TILL SUNBEAMS FIND YOU ♪
♪ SWEET DREAMS THAT LEAVE ALL WORRIES ♪
♪ BEHIND YOU ♪
♪ BUT IN YOUR DREAMS, WHATEVER THEY BE ♪
♪ DREAM A LITTLE DREAM OF ME ♪
♪ STILL CRAVING ♪
♪ YOUR KISS ♪
♪ AND I'M LONGING ♪
♪ TO LINGER TILL DAWN ♪
♪ SO DREAM ♪
♪ A LITTLE DREAM ♪
♪ OF ME ♪
丁格。
丁格，醒醒一會兒。我要和你談談，夥計。
聽著，鮑比，我睡著了。
我睡著了，鮑比。
我在做夢。
阿帕奇女人，麥泰斯，
瓦娜·懷特和鞭子。
我戀愛了。
那可能是個問題。
我想你不明白。
不，不，我明白。我真的很喜歡。
鮑威爾，這周是哪只手？
你愛上萊尼了？
萊尼？萊妮·戴蒙德？
我真不敢相信我聽到的，鮑比。
我們是在說喬爾的萊尼嗎？
等等，我們是不是在說萊尼。。。
穿緊身連衣褲好看的那個？
是啊，太好了，她穿緊身衣真漂亮。
她是喬爾的。你知道喬爾是誰嗎。。。
喬爾，喬爾，神經病喬爾？
喬爾要殺了我。
喬爾要進來了
同時殺了我們兩個。
他對萊尼沒有任何惡意。放鬆點。放鬆點。
你的印度交配儀式結束了嗎？
你知道，為什麼你要說的一切。。。
為什麼它必須圍繞性而轉？
為什麼？你為什麼這麼變態？
與性無關。
這與事實有關
我完全愛上了。。。
不，不。聽著，別說她的名字，好嗎？
別想她。別提她。
把她從你腦子里弄出來。
-好的。-可以？
-好的。-你保證？
-保證。-可以。
可以。
-萊尼，萊尼，萊尼不，不。
-不嘿！
“嘿”是什麼聲音，鮑比？
嘿！我就是這樣笑的。
你知道的。。。嘿！
“嘿”是什麼意思？你為什麼不能像男人一樣笑呢？
-鮑比：準備好了嗎丁格：沒有。
-我們走。-好吧。
鮑比：一，二，太-嘟嘟-嘟嘟了。
♪ 哦，我們的生活很艱難♪
♪ 錢似乎永遠不够♪
♪ 如果我能，哦，只有一件事♪
♪ 上帝啊，我希望你能唱歌♪
不，不，繼續。給我更多。
我在學校每個年級都不及格。
不可思議的。我也是。
-身無分文。-給我點更好的。
好吧，呃，
我父母甚至不和我說話。
是啊？好吧，至少你媽媽沒有撞倒你
你的腿在她的沃爾沃裏，對吧？是我的。
是的，但是，看，我媽媽不會抽搐的
-一次又一次。-太粗魯了，先生。
-鬥狗是啊。
-是嗎？是嗎？-是啊。是啊。
好吧。
嘿，鮑比，夥計，謝謝你讓我撞車。
沒問題。
-晚安。-晚安。
♪ 星星♪
♪ 在你頭頂閃耀♪
♪ 晚風♪
♪ 似乎在耳語♪
♪ "“我愛你”♪
♪ 鳥兒在歌唱♪
♪ 在梧桐樹上♪
♪ 做個小夢♪
♪ 對我來說♪
♪ 說晚安♪
♪ 吻我♪
♪ 抱緊我♪
♪ 告訴我你會想我的♪
♪ 當我一個人的時候♪
♪ 盡可能的藍♪
♪ 做個小夢♪
♪ 對我來說♪
♪ 星光漸暗♪
♪ 但我會繼續，親愛的♪
♪ 仍然渴望♪
♪ 你的吻♪
♪ 我渴望♪
♪ 逗留到黎明，親愛的♪
♪ 只是說說而已♪
♪ 甜美的夢♪
♪ 直到陽光找到你♪
♪ 甜美的夢♪
♪ 所有的煩惱♪
♪ 在你身後♪
♪ 但在你的夢裏♪
♪ 不管是什麼♪
♪ 做個小夢♪
♪ 對我來說♪
♪ 做個夢♪
♪ 對我來說♪
♪ 做個小夢♪
♪ 對我來說♪
早上好。
吉娜，
我有個很棒的。。。
夢想。你總是有一個夢想。
我現在不想聽你做瘋狂的夢，好嗎？
是關於那個老傢伙。。。你知道，從捷徑。。。
我們每天上學的捷徑。
他也在裡面。
鮑比，那太蠢了。
男人：吉娜，這很重要。
“沒有比看不見的人更瞎的了”。。。
耶利米書20章。
吉娜：快點，不然你就要搞夢境理論了
一個老人挨了一拳還活著。
今天早上有客人來了。
男：艾克不是客人。他是個依賴者。
在我冥想完之前我是不會和任何人見面的。
你可以下樓去告訴他。
-嘿。-冷靜點，夥計。
你為什麼嫁給我？
因為我看到了我的另一半。
我愛你。
我也愛你。
吉娜：我們樓下見。
♪ 我學核科學♪
♪ 我喜歡我的課♪
♪ 我有個瘋狂的老師，他戴墨鏡♪
♪ 一切都很順利♪
♪ 他們只會越來越好♪
♪ 我很好♪
♪ 取得好成績♪
♪ 未來是如此光明♪
♪ 我得戴墨鏡♪
♪ 我有一份工作等著畢業♪
♪ 每年5萬英鎊就能買很多啤酒♪
♪ 一切都很順利♪
♪ 他們只會越來越好♪
♪ 我做得很好，成績很好♪
♪ 未來是如此光明♪
♪ 我得戴墨鏡♪
完美。
♪ 童話可以成真♪
♪ 你也可能會這樣♪
♪ 如果你還年輕。。。♪
喝倒采。
哦，艾克。
你好。
“早上好。
那個淘氣的男孩在哪裡？
在他的房間裏。
你要和他談談嗎？
是啊，但別指望會有奇迹。
聽著，請不要。。。別讓他知道是我讓你幹的。
親愛的，放鬆。
你為什麼不忘了那個瘋子
讓我帶你遠離這一切？
不要開始說唱。
你們這些說唱歌手真爛。
停止說唱。出去了。這是很久以前的事了。
♪ 你難道不知道這是值得的嗎♪
♪ 地球上所有的寶藏♪
♪ 內心年輕？♪
哦，天哪，他們來了。
哦，別踩在花上。
哦，該死。我踩在花上。
♪ 其他人認為我們很酷♪
♪ 我們是你見過的最酷的幫派。。。♪
♪ 去吧，莫林♪
♪ 走，走，走，莫林♪
該死的。
我告訴你多少次了
-這是私人財產每天，先生。
好吧，那你為什麼不換條路走呢？
“愚蠢的一致性是小頭腦的妖精”。。。
愛默生，1841年。
是的，就像愛默生，萊克和帕爾默。我聽說過他們。
哦，離草地遠點。看看你對我的草坪做了什麼。
你不用謝我們，先生。這是我們的榮幸。
“謝謝”從未進入我的腦海。
你知道，你打擾了我的工作。
哦，好吧，我告訴你，先生。。。
我們非常抱歉。
-這種事永遠不會再發生了。-永遠，永遠。
-從來沒有。-從未。
你總是這麼說。
-是嗎？-我不。
但我告訴你。。。這將是最後一次。。。
-哦。-哇哦。
-哦，天哪。-哦，天哪。
這是赤潮。
♪ 當你的夢想。。。♪
-哦，該死。-♪ 在接縫處分開。。。♪
吉娜：嗯，你和他們一樣大。
他們是孩子。他們有藉口。
你的是什麼？
艾克：我告訴過你1000次了，科爾曼。。。
科爾曼：“豎起籬笆。”我知道。
我已經告訴你1000次了。。。
一起：…原則。。。他們必須學會尊重。
-瑪姬：嗨，孩子們吉娜：嗨，瑪姬。
-你怎麼了，艾克別問了。我已經够尷尬的了。
我想你可以說他臉有點紅，噁心。
是啊，你會臉紅的
當你收到我新慢跑服的帳單時，真噁心。
瑪姬，幫幫我們。
好吧，那是丹麥菜和艾克的咖啡，
給埃廷格家後的熏肉和雞蛋。
你要吃什麼，壞小子？
通常。。。雞肉沙拉三明治
在七粒吐司上。拿著雞。。。
我知道，我知道，在我的膝蓋之間。
我受不了了。
你要不要生南瓜？
眾所周知，生南瓜非常適合。。。
如果你提到身體機能
吃飯的時候，我會吐得滿滿的。
說真的，科爾曼，
你得從吉娜的眼睛裏看出來。
我是說，你在那個房間裏呆了幾個小時
打坐，或者不管你做什麼，
然後你出來說話就像。。。
…瘋子？她是這麼說的嗎？
她希望你瘋了。
瘋狂是可以治癒的。如果是另一個，
那就沒人能做什麼了。
聽著，我沒有變老
我也沒瘋。
她擔心什麼？
這一切一定有合理的解釋。
艾克，
我在指揮
科學實驗。
沒有人知道夢想到底是什麼。
如果我能找到重點
它們與現實相交的地方
有意識地進入其中，
如果我真的能進去
夢想的狀態，
誰知道呢？也許我可以永生。
好吧，小心你的願望，科爾曼。
別指望了，夥計。
不，不，不，別再看她了。
想被踢屁股嗎？
-鮑比：不。-那就別看了。
艾克：噢，我不能看這個。
吉娜：這些對你有意義嗎？
艾克：嗯，我想他相信他說的話。
我當然欽佩他的信念。
沒什麼好擔心的。
我想他會讓我和他一起做的。
那我就擔心了。
幫我一個忙。。。
別擔心。
好吧，是你的頭皮。
你知道，你唯一失去的頭髮
你自己退出吧，科爾曼。
你在拉扯。你怎麼了？
總有什麼事困擾著你
當你拉你的嘴唇。
當兩個人
一起生活了36年，
他們應該知道他們能從彼此那裡得到什麼。
那是真的。
你總是說你喜歡冒險。
哦，但那是去賓夕法尼亞州、新澤西州的旅行。
我不太確定。
哦，那你為什麼
今晚和我玩那個小遊戲？
因為你想安撫一個愚蠢的老人？
我不知道。
我愛你，親愛的女人。
我希望我們這輩子在一起
只要自然允許。
這就是為什麼。
為什麼？
因為你很有魅力。
你在想什麼？
哦，你不敢。
見鬼去吧。讓比賽開始吧。
鮑比：一，二，一，二，三，還有。。。
一起：♪ 我要等等♪
♪ 直到午夜，是的♪
♪ 當周圍沒人的時候。。。♪
鮑比：周圍沒有其他人。。。沒有人。
一起：♪ 我要等到午夜♪
♪ 午夜時分。。。♪
♪ 現在我想起來了♪
♪ 你穿的那件衣服♪
♪ 但我從未真正理解♪
♪ 所有的眼淚都是為了什麼♪
♪ 你看起來很年輕♪
♪ 在那個甜蜜的夏日早晨♪
♪ 我以為你會保持原樣♪
♪ 你以前的樣子♪
♪ 我想那些日子已經過去了♪
♪ 我們再也找不回來了♪
♪ '因為時光飛逝♪
♪ 時間是自由的♪
♪ 時間像孩子一樣狂奔♪
♪ 生活在我的內心♪
♪ 哦，現在我想我們只是變老了♪
♪ 我想我們只是迷路了♪
♪ '因為時光飛逝♪
♪ 時間是自由的♪
♪ 時間像孩子一樣狂奔♪
♪ 生活在我的內心♪
♪ 嘿，時光飛逝♪
♪ 時間是自由的♪
♪ 時間像孩子一樣狂奔♪
♪ 生活在我的內心。。。♪
聽著，夥計，我很無聊。
忘了鮑比和丁格吧。走吧。
嘿，你能放鬆一下嗎？他們會來的，好嗎？
父母的胡說八道。
看看是誰。
一定是樂團練習吧？
怎麼了？你們忘了吹笛子？
-夥計，看看那一個的乳頭嘿，那是我女朋友。
是的，我知道，喬爾。你覺得怎麼樣？
-哦，我覺得你是個混蛋，大仲馬就這樣，夥計。
嘿，冷靜點，夥計。時間和地點。
不是在女士們面前。
可以。
別忘了寫信，好嗎，喬爾？
漂亮的夾克。
♪ 時光飛逝♪
♪ 時間是自由的♪
♪ 時間像孩子一樣狂奔。。。♪
嘿，凱勒，夥計，等等。我只能跛得這麼快。
是啊，你媽媽把你的腿摔斷了。你來處理。
噢，噢，好痛。
對我的馬德雷大發雷霆，夥計。
那是怎麼回事？
現在什麼都沒有。
也許晚一點。
來吧。
♪ 親愛的，我想一直呆到天亮♪
♪ 只是說說而已♪
♪ 甜蜜的夢直到陽光找到你。。。♪
♪ 把所有煩惱拋在腦後的甜蜜夢。。。♪
科爾曼。
有兩個街區。
我們能回家真是個奇迹。
哦，那是最後一次了
我有生之年都喝過酒。
你說起來容易。
不，不是。他們是混蛋。
別擔心他們。
我們待會兒會抓到你們的。
喔，我後來說了，德里克。
那麼，鮑比，你父母又給你拉屎了還是怎麼了？
是的，你知道，
我們都有工作要做。
他們做他們的。我做我的。
是的，我知道你在說什麼，夥計。
這東西世代相傳。
我想這就像是傳統的東西。
你覺得呢？嗯，有一個新的給你。
來吧，幫我一下。
你第一次做得很好。
哦，科爾曼，別搞砸了。
我們度過了美好的一天。
我的頭在轉。
太完美了。。。沒有抑制。
好吧，答應我，如果我這麼做，
你再也不會提起了。
好吧，我保證。
你保證？我為什麼要這麼做？
因為我愛你。
我也愛你，但我在外面還是很冷。
為什麼我們不能在裡面做？
因為我們更接近大自然。
現在感覺地球的能量上來了。。。
…通過你的腿和胳膊。
感覺真好。
像樹根一樣。
你就像根一樣。
我覺得自己像個笨蛋。
放鬆點。
別再叫我放鬆了。
好吧，我不會的。
讓它流過你。
伸出手來迎接它。
別說了，閉上眼睛。
科爾曼，成功了。
-不，不是的，喬爾放鬆。
住手。
來吧。來吧，天才。
快點，我們走。來吧，好孩子。
我有工作要做。我有工作要做。走吧。快跑。
快跑。隨它去吧。快跑。
我為什麼要跑？我的腿斷了。
♪ 我們出生了♪
♪ 在風之前♪
♪ 也比太陽年輕♪
♪ '在那艘漂亮的船贏之前♪
♪ 當我們駛入神秘世界♪
♪ 聽著，聽水手們的哭聲♪
♪ 聞聞大海的味道♪
♪ 感受天空♪
♪ 讓你的靈魂和靈魂飛翔♪
♪ 進入神秘世界♪
♪ 當霧號吹響的時候♪
♪ 我要回家了♪
♪ 毫米毫米♪
♪ 當霧號吹響的時候♪
♪ 我得聽聽♪
♪ 我不必害怕♪
♪ 我呢♪
♪ 想震撼你的吉普賽靈魂嗎♪
♪ 就像以前一樣♪
♪ 我們一起漂浮♪
♪ 進入神秘世界♪
♪ 來吧，靚女♪
♪ 現在停下來太晚了♪
我在哪？
哦，太好了。告訴他他回來了，基特。
你是誰？他是誰？
她是誰？我在哪？
哦，天哪，他得了健忘症。
嘿，鮑比，是我。。。丁格。
你不認識我嗎？
-吉娜在哪？-吉娜是誰？
也許他有女朋友。
不，夫人，他確實有女朋友。她叫雪萊。
-他有女朋友。-不，他沒有女朋友。
我會知道的。他吸毒了。
別看我，先生。我很乾淨。
什麼。。。發生什麼事？
他在搬家。
你以為我能看出來。
哦，天哪，她在哪？
她在哪？
雪萊在哪？萊妮在哪？
-萊尼到底是誰萊尼是喬爾的女朋友，先生。
-喬爾是誰？-哇，這比我想像的還要糟。
我甚至不知道他在約會。
她是個很好的女孩，女士。
哦，天哪。我就是他。
倒楣！
救命啊！
丁格斯，去追他。
是丁格，先生。我不能。我的腿斷了。
你能搬走嗎？
他在約會。
哦，沒有牛奶，沒有餅乾。。。沒有什麼。
♪ 她在哪？♪
♪ 我一直在找♪
♪ 黑夜和黎明。。。♪
你在那兒幹什麼，你這個爛屁股？
嘿，傑克，是我。。。科爾。。。
離開這裡，你這個小混蛋，否則我就給你父母打電話。
他到底在哪裡？
如果他出事了，基特，我只是。。。
格斯，你覺得他知道我們是誰嗎？
他當然知道我們。。。另一方面。。。
你知道，我們會給他錢能買到的最好的幫助。
我們早就該這麼做了。
-鮑比媽媽？
嘿，這是個開始。
我現在可以睡覺了嗎？
他今天一定很辛苦。
我的臥室在哪裡？
我就是這麼想的。
♪ 她在哪？♪
太棒了。
發生什麼事了？
吉娜，
你在哪裡？
與你。
總是。
但我找不到你。
你不知道該去哪裡找。
鮑比：科爾曼。
嘿，爸爸，歡迎來到夢境，
在那裡你可以過我的生活。
我在這兒，在這兒。你沒看見我嗎？
-你。-我。
你。
我。
這本不該發生的。
嘿，我只是在管自己的事。
現在有些捷徑不值得。
你在告訴我。
離開這裡，別回來。
嘿，傑克，是我。。。科爾曼。
我想他是在和我說話。
-現在你別插手這件事。-看誰在說話。
科爾曼，是你嗎？
好吧，我們已經確定了我們的基本問題。
你。。。我。
你似乎沒有任何答案。
你對這一切瞭解多少？
媽的，我只是在做夢。
我甚至不認為它是我的。
當然不是我的。
好吧，我不是那個和現實扯上關係的人，夥計。
我不在乎你。我只想我妻子回來。
哦，你是說那個可愛的老太太是你的妻子？
-那你見過她了哦，是的，我幾分鐘前見過她。
她在收拾東西。
包裝？什麼？為什麼？
嗯，你知道，
你是這裡的大腦，爸爸，
但是讓我告訴你一些事情只是給你一個提示。。。
當你收拾行李時，通常會跟著離開。
-帶我去見她。-哦，我不能，
因為她的一部分就是你所在的地方。
我在哪？
我不知道。
但不管你在哪裡，
快點起床，因為我上學要遲到了。
哦，是的，爸爸，如果你不儘快找到吉娜，
你會永遠失去她。嘿！
♪ 有造型，有風格♪
♪ 所有讓女人瘋狂的動作。。。♪
不。
穿在艾克身上會更好看。
這孩子到底在哪買東西？
什麼。。。？
至少他身體不錯。
好吧，我們這裡有什麼？一隻鴨子。
可能有點太浮華了。
為什麼他們有小麥片碗
卷起袖子？
這到底是什麼東西。。。？
♪ 我想辦法讓自己興奮起來♪
-♪ 如果你想把他們打死。。。♪ - 至少我不瘦。
♪ 你得穿衣服才能殺人♪
你們不會吃的吧？
他沒事吧？
問他要不要來個餡餅。
丁格：喲，鮑比，我們走。
告訴他丁格來了。
對不起，你叫什麼名字？
-格斯格斯。還有。。。
-媽媽。-媽媽。
格斯和媽媽。好吧，回頭見。
格斯，我要打電話給喬丹醫生
他的頭。。。讓他檢查一下。
我不知道。至少他終於感激我給他的領帶了。
好吧，好吧。
就像我喜歡的那樣。
-哦。哦。地毯。-沒關係。沒關係。
你做了什麼，沒有慕斯了？
你是迪格，對吧？
正確的。我。。。丁格。
你。。。警詧。
我看起來很酷。你看起來糟透了，夥計。
不過，沒關係。沒事的。
我們會讓它成為時尚宣言。
哦，聽著，我有些事要做。
我們學校見。
鮑比，你的相機裏沒剩下膠捲嗎，夥計？
聽著，你不能再蹺課了。
鮑比，你已經在男孩的V.P.頭號通緝犯名單上了。
你得去上學。這是一項骯髒的工作。
總得有人做，好嗎？
學校，你知道，學校？
可以。
嘿，夥計，學校在那邊，
那邊。
“我們在嘲笑交通”。。。
葉慈，1928年。
好的，當然。沒事的，夥計。
我知道，我知道。我去過那裡。
深呼吸。噓，沒事的。
沒事的。我在這裡。我支持你。
你沒事的。你很安全。
♪ 太好了，從地震開始♪
♪ 鳥和蛇，飛機♪
♪ 倫尼·布魯斯並不害怕。。。♪
一點都不好笑。
你應該做好準備。你需要良好的教育。
哦，準備這個。
嘿，我告訴你多少次了
這是私人財產？
鮑比，你開始像那個老頭子了。來吧。
哦，對不起，我。。。我只是想表示一些適當的尊重。
好的，當然。哇！
嘿。天哪，你不必砸花。
鮑比，我們總是砸花。
這是我們的傳統，夥計。
媽的，你太緊張了。你上次上床是什麼時候？
那個老人。。。他走了。
很好。也許他永遠都不在了。
-你能閉嘴嗎放鬆。
♪ 你刻薄，愛國，猛擊，戰鬥♪
♪ 明亮的光線，感覺很精神。。。♪
-什麼？-♪ 這是我們所知道的世界末日。。。♪
-哦，天哪。-來吧。這到底是什麼？
-嗯，今天很平靜。-♪ 這是我們所知道的世界末日。。。♪
至少今天很平靜。今天很平靜。很好。
這是一片叢林。他們是動物。
-♪ 我感覺很好…-鮑比：我想我會想吐的。
-女孩：嘿，小心丁格：怎麼了？
-廁所在哪裡熔岩-什麼？
-廁所。廁所在哪裡哦，是的，是的。
呃，在上面。。。浴室，對吧？
很明顯。
好吧，當有人要走的時候，他們就得走。
♪ 這是我們所知道的世界末日♪
♪ 這是我們所知道的世界末日。。。♪
嘿，凱勒。
嘿，混蛋，
我聽說你昨晚和萊尼上床了。
你好，凱勒。
凱勒。
你腦死了，夥計？
請再說一遍？
哦，他在乞討。他在乞討。
你在乞求什麼，鮑比？
你在找屁股嗎，凱勒？
-你的領帶很鋒利，湯托謝謝您。
嘿，退後，笨蛋。
那是大仲馬，喬爾。
-你知道那是法語嗎正確的。
你是說笨蛋。可能是异物，但不是法國貨。
喝倒采。
我會記住的，小傢伙。
嘿，對不起，夥計們。我沒什麼意思。
這是我唯一的領帶。我喜歡這條領帶。
-你沒事吧是的，我很好。謝謝您。
你們把我留在那裡幹什麼？我會被踢屁股的。
不過，我沒有。我很聰明。
哇因為我做了我的功夫。
我需要一杯烈性飲料。
嘿，想看看你到底要去哪裡嗎？
昨晚你傷害了萊尼。再來一次，我會傷害你的。
-明白了嗎？嗯？-是啊。
-你至少可以道歉，好嗎我很抱歉。
如果你有慕斯，
-我要你用它。-可以。
-好吧。-好吧。那邊？
-道歉。-那邊？
好吧，她來了。去道歉吧。
她？
呃，不好意思。
是你。
是的，我可以和你談談嗎？
-發生什麼事了？-我不確定。
我也是。
你知道我是誰嗎？
希望如此。上帝，我希望如此。
我也是。
吉娜，是你。
-對於這次事故我很抱歉吉娜是誰？
所以我想你們遲早會碰面的。
我現在要和你談談。
什麼？
現在你要怎麼讓我們離開這裡？
我是個失敗者。我必須和你一起走，你必須讓我參與進來。
我發誓，只要我們有彼此，我會讓我們擺脫困境。
不，不，不，現在不是時候。
但是，吉娜，我很高興你找到了我。
吉娜？吉娜是誰？
你為什麼不讓她做作業呢？
她會惹上麻煩的
星期六你可以帶她去舞會。
有些事故不是事故。他們是報應，好嗎？
上帝懲罰人，別忘了這一點。
等一下。
嘿，夥計，放鬆。有足够的時間做那種事。
-我們去上課吧。來吧。-倒楣。
喬爾，夥計，同學們。
你好，孩子們。別打招呼，鮑比。
今天把他們都惹毛了，是嗎，鮑勃？
上帝啊。
男：早上好。請坐。
鮑比，你在我的座位上。起床。你讓我難堪。
起床。每個人都在看著我們。起床。
鮑比，離我遠點。我的手杖掉了。
你的座位靠後三層。快，快，你搞砸了。走，走。
他今天怎麼這麼笨？
我不知道，夥計，但他是我的笨蛋。
他是個很奇怪的笨蛋。
零是一個有效數字，
因為它有意義。
任何量測的最後一個數位
是不確定的數位。
量測中的所有非零數位
意義重大。
零通常是。。。
-凱勒先生什麼？
-坐下。-我現在不行。我得走了。
坐下來。
先生，這是我的I.O.U.工作。我欠你工作，先生。
-謝謝你，丁格很多家庭作業，先生。
-謝謝。-謝謝，先生。
首先，你遲到了。
第二，這將是一個不錯的半場得分。
就這樣。你也不傻。
你有什麼問題？
我不確定，先生，但我可以改進。
是的，那你怎麼做？
S.A.T.S是星期六。
嗯，我必須更加努力。我必須全力以赴。
我必須認識到“無知是唯一的奴隸”。。。
羅伯特·格林·英格索爾，1876年。
♪ 這是我們所知道的世界末日♪
♪ 這是世界末日♪
♪ 我們知道。。。♪
凱勒，你不記得的時候真的很奇怪
你自己的儲物櫃組合。
是啊。
一定有很多事你不記得了，對吧？
聽著，我可能不是天才，但我在學校表現不錯，
對某些人來說，這比我能說的還要多。
-我不是這個意思。-你什麼意思？
你扯嘴唇多久了？
我不拉扯我的嘴唇。
-你剛剛做到了。-那又怎麼樣？
鮑比，聽著，你真的很奇怪。。。
我的意思是，比平常更奇怪，這很奇怪。
我只想和你談一會兒。
聽著，我要遲到了。
漂亮的外套。
漂亮的外套？好吧，也許以後吧。
是的，好吧，也許放學後吧。
聽著，冷靜一點，好嗎？我得走了。
好吧，我們去找突擊隊員。
沒錯，和蘭博的弟弟鬧著玩。
這是正確的。哦，灰塵，夥計，灰塵。。。第一個錯誤。
漂亮的牙齒。
夥計。。。噢。
為什麼要坐在極客區，鮑比？
只是一個小問題。
一個令人耳目一新的變化，丁格？
好吧，可以接受。很好。很好。
這不是你最好的，但沒關係，夥計。
再說一遍，鮑比·凱勒會在哪裡
沒有一個憤世嫉俗的吃屎和死的態度
諷刺應該被登記為致命武器？
你不會想知道的。
你想去哪，硬漢？
我要去那邊吃午飯。
健忘症隨意發作。
你知道，我應該開始向你收取精神病治療費，夥計。
鮑比，我們不該和漂亮女人一起吃飯。。。
你知道嗎，女人？我們在試用期。
你知道，鮑比，緩刑。。。男人被關在籠子裏，男孩被束縛。
我想鮑比在和別人約會。我就是這麼想的。。。
-一個叫吉娜的女孩幸運的是，如果你問我的話。
不，不是，因為我真的愛他。
你知道，我是說，他今天早上很奇怪，但是。。。
是啊，看來他也知道。他流亡到斯拉格維爾。
-你看到他和怪人在一起了嗎是的，我做了。
-萊尼呵呵？
你今天早上在說什麼？
嗯，工作。
不，錯了。嗯-嗯。我做他的工作。
嗯，緊張。
-嘿，姑娘們。-嗨，夥計們。
嘿，哇，喬爾，你拿了什麼？
-給我一個。給我兩個可以。
上面還有什麼嗎？好的，非常感謝。
你們在多克維爾幹什麼？
-哇，說到魔鬼。-你這是什麼意思，丁格？
沒有什麼。我和鮑比只是在談論邪惡的事情，
你們碰巧出現了。什麼都沒有。
我沒心情聽這個，丁格。
現在每個人都怎麼了？
我是說，我們的宇宙裏沒有愛了嗎？
一起：閉嘴，丁格。
哦，閉嘴，丁格？真正的成熟。
-真的，真的，真的成熟。-再見，丁格。
嘿，鮑勃，今天早上的事很抱歉。我只是有點緊張。
嘿，沒關係。
你不會把它吃掉吧？
你不知道所有的膽固醇和脂肪。。。？
我很抱歉。我喜歡壞男孩。
♪ 我尖叫，你跑♪
♪ 這份愛是一把火槍♪
♪ 你說你完了♪
♪ 但我知道這不是真的♪
♪ 別那麼肯定♪
♪ 你不需要我♪
♪ 這次你要承擔責任♪
♪ 寶貝，相信我♪
♪ 你最好等一下♪
♪ 我不在的時候你會很孤獨♪
♪ 你最好等一下♪
♪ 當你發現的時候，你會感到悲傷和失落♪
♪ 你錯了♪
♪ 別哭，別哭♪
♪ 好的愛情不便宜♪
♪ 走吧，你會看到的♪
♪ 我說了我的意思。。。♪
嗨，凱勒。
我想我不再是個好舞者了。
萊尼，聽著，我得跟你談談昨晚發生的事。
是啊，我們不能再這樣見面了。
不，萊尼，求你了，
你得聽我說。這很重要。
聽著，結束了。沒有什麼大悲劇。
我不太確定。
聽著，我要去洗個澡。
如果你真的需要和我談談，晚點到我家來。
你好像總能找到我，不是嗎？
朋友是幹什麼的？
最好的朋友，對吧？
好的，夥計。
既然我是你最好的朋友，我有個問題要問你。
那可能是什麼？
也許吧，羅伯特，
你和戴蒙德小姐怎麼了？
我們只是朋友。
那很好，你知道，因為喬爾真的，真的瘋了
關於那位小姐。
你知道，他也有點緊張
說到她，你知道我的意思嗎？
所以如果你想保持健康，
吃很多，很多燧石維他命
離萊尼遠點，好嗎？
好吧，我會記住的。
謝謝您。
聽著，我有些事要做。
好吧，我們一起去做，成為一個團隊。
不，你不明白。
我得一個人呆一會兒。
當然。
沒問題。
我背上沒有皮。我可以掛了。
對我來說只是又一個無聊的一天而已。
是的，這就是我的全部。
生活。
我女兒告訴我你的來訪有急事。
這次你給我準備了什麼？
水氣球？
艾克，很高興見到你。
我也很高興見到你。
啊，但你見到我會更高興的
馬上。
好吧，我只能這麼高興，然後我達到頂峰。
我們坐下吧。
艾克，聽我說。
你得聽我說。
這絕對是事實，但你得相信我，好嗎？
你必須運用你所有的能力。
你必須願意暫停你正常的思維模式。
你要相信我要說的話。
你不是在和年輕的共和黨人合作吧？
哦，這是無效的。
艾克，過來。過來。
看看我。
艾克，
是我。。。你最好的朋友
科爾曼。
再來一次？
吉娜和我試過這個實驗，
但沒用。出事了，
我不知道是什麼，但我被困在這具屍體裏了
我不能出去。
給房子打電話。
我不在那裡。我在這裡。
我做了個夢。那是。。。
現在等一下。你什麼都沒做
給我的朋友們，是嗎？
哦，天哪，你不聽我的。
我累了。
我在學校度過了漫長的一天。
科爾曼在哪？
他讓你這麼做的，不是嗎？
艾克，還記得奧斯卡王爾德說過什麼嗎
關於一個憤世嫉俗的人，1892年？
“這些都不是福爾德羅。”
我會知道這個嗎？看。
科爾曼本可以給你看的。
好吧，好吧，好吧。
還記得你給我講的關於兩個跳舞的菲律賓女孩的故事嗎
你在馬尼拉的第一次岸上休假？
我從不相信你，對吧？
-這是一個真實的故事艾克，我願意相信你，
但你必須願意相信我。
汙跡。小心，他咬人了。
斯瑪吉，斯瑪吉，過來，過來。
過來，過來，過來，過來。
-嗨，希拉你怎麼知道我的名字？
我告訴他了。
哦。你知道，這太神奇了。
那條狗討厭所有人。
除了科爾曼。
-你不覺得你反應過度了嗎不，我沒有。
為什麼你總是認為你應該向一個男人屈服？
看看它把你帶到哪裡去了。
我做得並不差。這是怎麼回事？
媽媽，你做的一切都是為了取悅爸爸。
他做了什麼？他認為你是理所當然的
把你留給別人。
顯然這還不够。
我本來可以暖和一點的。
我只知道喬爾是鎮上為數不多的有前途的男孩之一。
他的父母做得很好。
他邊緣有點粗糙，
但他很聰明，會繼續上大學。
媽媽，我在上高中。
喬爾很棒，但這有什麼理由。。。？
為了什麼？別把話塞進我嘴裡。
不，只是腦子裏的想法。
別背對著我，小姐。
-嗨，凱勒你好，萊尼。
你有時間說話嗎？
好吧，鮑比，
很遺憾你沒有給她灌輸一些道理。
嗨，戴蒙德小姐。
鮑比，我心情不太好。
那樣的話，也許你應該回來
當她十幾歲的時候。
你想去哪兒？
離家出走成為妓女。
哦，那這一定是你的。。。
媽媽，不要。
再見，戴蒙德小姐。
嘿，謝謝你這麼做。
任何能離開我母親的東西。
哎呀，謝謝。我受寵若驚。
那是諷刺嗎？
不，我只是想做我自己。
我以為你說你想談談。
來吧，我想給你看些東西。
♪ 她在哪？她在哪？♪
♪ 我一直在找♪
♪ 黑夜和黎明。。。♪
我們在幹什麼？
我們要進去了。
我不進去。
為什麼不？來吧。沒人在家。
鮑比，你還要打我嗎？
不，我不會再打你了。
來吧。
不可能。
雞肉。
♪ 她在哪？♪
♪ 我一直在找♪
♪ 不停地♪
-你在幹什麼吃點真正的食物。
哦，鮑比，那是冷豆腐。
嗯，我知道。太好了。想要一些嗎？
不，我們在這裡幹什麼？
為什麼你有鑰匙？
我在為老人看房，
喂他們的狗什麼的。
他們讓我去，趁他們不在的時候。
另外，我覺得這是個好地方，
離開我父母。我覺得很整潔。
我覺得聞起來像是老人。
萊妮：太恐怖了。
幽靈般的？你在哪裡看到幽靈？
現在進來。我想給你看些東西。
-這很重要。-好吧，好吧。
嗯，老傢伙總是在這裡寫些廢話。
太好了。
是的，你說得對。它很甜。
但通常都是一派胡言
關於活力和青春。
似乎無害。
♪ 童話可以成真。。。♪
-我喜歡這首歌♪ 它可能發生在你身上。。。
是啊。
-我知道。-♪ 如果你還年輕。。。♪
我不記得在哪兒聽到的。
和我跳舞。
♪ 因為這很難，你會發現♪
♪ 心胸狹窄♪
♪ 如果你還年輕。。。♪
她很漂亮。
嗯，你也是。
♪ 不可能的計畫♪
♪ 當你做夢的時候你可以笑♪
♪ 在接縫處分開。。。♪
萊尼。
很好，科爾曼。
你好。
哦，嗨，喬爾。
我現在真的不能說話，好嗎？
晚安。甜美的夢。
哦，不，是你。
你以為是弗雷迪·克魯格？
弗雷迪·克魯格是誰？
在你的時間之前。
聽著，你為什麼不幫我個忙
別插手我的生活，好嗎，爸爸？
沒有什麼比這更讓我高興了。
吉娜在哪？別叫我“爸爸”
吉娜在屋裡，爸爸。
別試著開門。鎖上了。
-我有鑰匙。-這是行不通的。
這是一個夢。
你想見她。。。去看看窗戶。
吉娜。
吉娜，吉娜。
她怎麼不記得我了？
我看她不是
像你一樣投入這個小實驗。
你不知道怎麼把我們換回來嗎？
當然。
事實上，事情就是這樣發生的
成為我最先瞭解的事情之一。
好吧，那我們現在就開始吧。
-嗯-嗯。-你什麼意思？
好吧，哪一個你不明白。。。嗯還是呃？
整個想法。
你看，我喜歡這裡。
這是。。。好吧，這是夢幻般的。
如果你明白我的意思。哈哈。
你不想回到你自己的生活嗎？
不，事實上我沒有。
看，你不明白。
我父母恨我。我在學校每個年級都不及格。
大仲馬想揍我。如果喬爾發現了
我對萊尼的感覺，他也想踢我的屁股。
“讓我看看一個喜歡上學的人
我會讓你看到一個惡霸和一個無聊的“。。。
羅伯特·莫利，1958年。
把你和你騎的馬都騎上。
那不是馬。那是一隻羊。
它從哪裡來的？
一隻羊？我不知道。
但這是你病態的夢，
我告訴你一件事。。。你有一些
根深蒂固的心理問題，夥計。
順便說一句，我不會回去了。
如果我把一切都修好了呢？
哦，那你打算怎麼做，爸爸？
別叫我“爸爸”
我能做到。
我必須去。
你最好快點，
因為他們工作很快。
-不是我能做到的那麼快。-好吧，好吧。
但別讓喬爾知道，
否則他會“拆掉你的遊樂場”。。。
保羅·楊，1986年。你知道這有多煩人嗎？
不管怎樣，你得幫我做點事。
你別再吃豆腐屎了，
因為豆腐屎快把我逼瘋了。
我真的很噁心。
而且，你知道，你不能再告訴別人吃什麼了。
只是不像我。你多久見我一次
告訴人們吃什麼？我不這麼做。
好吧，還有別的。。。樓下有一些家庭電影。
看著他們。學會像正常人一樣說話。
我可不這麼說。哦，還有一些慕斯。。。
浴室裏有一些慕斯。你得用摩絲。
你得對我的頭髮做點什麼。我的頭髮看起來糟透了。
我從不讓我的頭髮看起來像屎。他們會知道發生了什麼事，
這裡有些奇怪。好吧，哦，最後一件事。。。
醒醒。
或者“你會失去那個女孩”。。。披頭士樂隊，1965。嘿。
“鮑比的16歲生日。”
嘿，寶貝，
我只是想告訴你昨晚的事：
我想告訴你我不是一個很酷的人，對吧？
而且，就像，我完全沒有被囚禁
而且，你知道，我真的應該再冷靜一下。正確的？正確的？
你為什麼不能像正常人一樣說話？
你知道嗎？他們沒有狗。
他們從來沒有養過狗。我不喜歡你打我
我想你最好的朋友也不會。那你為什麼不離開呢？
萊尼，我想你沒看到我在這裡想做什麼。
我只想和你做朋友。
我想讓你瞭解我這個人。
你只知道我是凱勒。
我以為我認識你，鮑比，好嗎？
我確實喜歡你，但不是那樣。
好吧，好吧。
你能幫我個忙，放學後在公共場所見我嗎？
我不這麼認為，好嗎？
可以。
♪ 我有夢想♪
♪ 夢想♪
♪ 記住♪
♪ 我有夢想♪
♪ 夢想。。。♪
你不想說些蠢話嗎，凱勒？
你為什麼總是打擾我？我都不認識你。
你覺得我有多蠢？
這是一個非常重要的問題。你有多蠢？
小屋！
♪ 另一個男人緊緊地摟著你♪
♪ 沒人知道我內心的感受♪
♪ 我只知道，我走開了，哭了♪
♪ 我有夢想♪
♪ 夢想♪
♪ 記住♪
♪ 聽我說♪
♪ 我有夢，粗糙的夢♪
♪ 要記住的夢。。。♪
啦啦隊：加油，加油，加油！
嘿，嘿，退後，笨蛋。
還有其他人嗎？
是啊。
我。
別吵了，夥計們。凱勒。
過來。
嘿，你有什麼發現？
等我跑完幾圈，
我要上研究生了，夥計。
鋒利的，凱勒，鋒利的。
嘿，你在哪兒學的那樣打架的？
呃，功夫劇院，夥計。
-夥計，別再說“夥計”了，好嗎可以。
-你用勺子舀雪萊了嗎？-調羹？
你知道，和她上床了。
哦，是的，那。。。我不這麼認為。
聽著，夥計，我聽到了。
我是說，現在在我和你之間，
好像萊尼最近不太合作。
好吧，也許我不是合適的人選。
我該和誰說話。。。丁格？
嗯，好吧，
也許你不是她喜歡的類型。
我是每個女孩都喜歡的類型。
我是說，天哪，連她媽媽都喜歡我。
你知道，我快瘋了。
好像我不明白。
班上其他女孩。。。繁榮。
但是萊尼。。。我搞不懂她。
聽著，你為什麼不離她遠點？
我是說，你為什麼不能再找個女孩？
我是說，你不關心她也不瞭解她。
你怎麼了，凱勒？
如果我們不是這麼久的朋友，我會把你打昏的。
你明白嗎？
是的，是的，我明白。
對不起的。只是很痛。
可以。
-好嗎？-好吧。
-抱歉。-夥計。
夥計。
♪ 星光漸暗♪
♪ 但我仍然留戀♪
♪ 仍然渴望♪
♪ 你的吻♪
♪ 我渴望♪
♪ 逗留♪
♪ 直到天亮♪
♪ 所以做夢吧♪
♪ 一個小小的夢♪
♪ 對我來說♪
嘿！
♪ 哦，是的♪
♪ 星星在你頭頂閃耀♪
♪ 夜風似乎在低語♪
♪ "“我愛你”♪
♪ 鳥兒在梧桐樹上歌唱♪
♪ 做個小夢吧♪
♪ 晚安，吻我♪
♪ 抱緊我告訴我♪
♪ 你會想我的♪
♪ 當我孤獨憂鬱的時候♪
♪ 做個小夢吧♪
♪ 星星漸漸消逝，但我依然留戀♪
♪ 仍然渴望你的吻♪
♪ 我渴望流連到天亮♪
♪ 只是說說而已♪
♪ 甜蜜的夢，直到陽光找到你♪
♪ 把所有煩惱拋在腦後的甜蜜夢♪
♪ 但在你的夢裏，不管是什麼♪
♪ 做個我的小夢，是嗎♪
♪ 星星漸漸消逝，但我依然留戀♪
♪ 仍然渴望你的吻♪
♪ 我渴望流連到天亮♪
♪ 只是說說而已♪
♪ 甜蜜的夢，直到陽光找到你♪
♪ 把所有煩惱拋在腦後的甜蜜夢♪
♪ 但在你的夢裏，不管是什麼♪
♪ 做個小夢吧♪
你瘋了。你知道嗎？
我也很可愛，不是嗎？
你願意和我一起去嗎？
我有選擇嗎？
不。
你想怎麼開始？
你以前來過這裡嗎？
當然不是。我們是這裡唯一50歲以下的人。
你和老人到底怎麼了？
我要告訴你真相。
好吧，那將是第一次。
你怎麼知道的？我們幾乎從不交談。
你知道嗎？我很抱歉。這不公平。
不，你說得對。我們以前從未交談過。
你突然變了。
為什麼？
這不重要。聽，
那些老人出事了。
你什麼意思？他們到底在哪裡？
我不知道。自從你和我出了事故，
他們沒有去過那裡。
好像他們走了。我真的很擔心他們。
很奇怪吧？
是啊，像你一樣。
你要吃什麼？我沒有一整天的時間。
嗨，瑪姬。女士優先。
有生蔬菜盤嗎？
是什麼讓你點的？
我在節食。你…嗎？
我只有剩下的壁球留給埃廷格先生。
你要七粒麵包嗎？
我們也有很多。
好吧，聽著，如果我帶你去別的地方
沒有什麼奇怪的事情發生，
你願意和我一起去嗎？
-公共還是私人你的選擇。
♪ 哦，因為那時我還年輕，渴望見到你♪
♪ 生活的意義♪
♪ 哦，現在我想我們只是變老了♪
♪ 我想我們只是迷路了♪
♪ '因為時光飛逝♪
♪ 時間是自由的♪
♪ 時間像孩子一樣狂奔♪
♪ 生活在我的內心♪
♪ 嘿，時光飛逝♪
♪ 時間是自由的♪
♪ 時間像孩子一樣狂奔♪
♪ 生活在我的內心♪
♪ 哦，在黑夜裏我祈禱♪
♪ 好吧，我是不是拋弃了青春♪
♪ 在一個我永遠無法實現的夢裏。。。♪
所以我爸爸離開了
我哥哥選擇和他住在一起。。。
男人之間的關係之類的。
現在只有我和我媽媽了。
你見過她。
不管怎樣，喬爾給了我很多關注
當我需要的時候。
為什麼我要告訴你我的人生故事？
因為我是個很好的傾聽者。
是的，你是。
所以你爸爸讓你借他的車？
我覺得很整潔。
是啊。那喬爾呢？
你愛他嗎？
我在上高中。誰在乎呢？
-你沒有回答我的問題我只是個孩子。
你還是沒回答我的問題。
我還要做什麼？
接吻。
和你在一起我感覺很安全。
我覺得我什麼都可以告訴你。
我知道。
為什麼？
因為我們是他們。
我們是誰？
我們是老夫妻了。你是吉娜，我是科爾曼。
你為什麼這麼做？你毀了一切。
這是事實。請你聽我說。
我不想聽你說。我開始喜歡你了。我不想聽這個。
-但你必須這麼做。這是事實。-警詧。
-聽我說。-你為什麼這麼做？
-你在騎自行車，我在跑步，好嗎哦，天哪。
-還有…-鮑比·凱勒，你是個混蛋。。。
真是個混蛋。
不，萊尼，我只是在做這個
因為我想和你一起長壽。
來吧。吉娜，回來。
是我的錯。你來錯地方了，鮑比。
哦，天哪。
所以現在只有你我和我的孩子們。
-萊尼！-警詧！
我才不管呢。
我才不管你呢。
住手！
住手。住手。你要殺了他。
不，
我想我還是走開為好。
和你。。。
你會很適合跳舞的，小紙杯。
警詧。
我們走，夥計。
鮑比，你沒事吧？
你沒事吧？
哦，天哪。
好吧，謝謝你的恐嚇，
混亂、奇怪和危險的時刻。
一個女孩還能要求什麼呢？
我覺得我應該向你道歉，
但我說的是實話。
鮑比，我真的很喜歡你，
但我不敢相信這樣的故事。這不公平。
你說得對。你說得對。這不公平。
你應該讓你媽媽看看那只眼睛。
聽著，你能幫我個忙嗎？
當你今晚做夢的時候，替我記住。
為什麼？我會夢見我們結婚嗎？
我不知道。我不知道。
也許我瘋了。也許你是對的。
如果我是，我需要一些真正的幫助。
但如果我不是，
請你記住這個夢。
請幫我做吧。
拜託。
我得走了。明天見。
死肉。死肉。
我們要為此殺了大仲馬。
-嘿，小心點。-別碰我。
-嗨，戴蒙德小姐好吧，如果你眼睛不痛的話。
你知道他們怎麼說。。。眼不見心不煩。
謝謝你，媽媽。我們會沒事的。
你現在可以走了。
鮑比，你知道，喬爾會發現的
關於你和萊尼星期一早上在學校的事。
嘿，我想警告你。你聽到了嗎？不。
好吧，希望我星期一不在學校。
真是個好主意，夥計。。。真的很好。
鮑比，我問你個問題。
你真的，真的知道你在做什麼嗎？
不，不，不，等等，等等，等等。
忘了我問過。你顯然沒有。
你一直在向我證明。
聽著，丁格，
我只想說，你知道，
我很感激我們成為朋友
你幫我渡過難關。
我得到了它。你想要錢。
這就是你想要的，對吧。。。錢？
不，不，一點也不。
我只是想讓你知道
我很感激你做我的朋友。
警詧。
是啊？
哥們，你是在對我發火還是怎麼了？發生什麼事了？
怎麼了？
你在哪裡？
在健身房。我在做點什麼。
哦，是嗎？我去那兒找你了，萊尼。
哦。
聽著，聽著，我想冷靜點，好嗎？
但你在我背後做什麼。
我必須自己去發現嗎？
我不知道。我不想這樣對你。
只是。。。我什麼都不知道了。
你想讓我怎麼做。。。等你把事情弄清楚？
我是說，該死的，萊尼！
對不起，喬爾。
我現在不能談這個。
聽著，明天舞會上見，好嗎？
那我就準備好了。我保證。
偉大的。偉大的。好吧，聽著，那時候你最好把你的行為擺正，
因為我不會等你長大。
現在過來。
好的，很好。
你跟加森和希拉說了什麼？
我告訴他們我在橋牌俱樂部報名了
做代孕爺爺
對於沒有的孩子。。。
你知道，美國的大祖父母。
你覺得有趣嗎？
哦，實際上，我覺得很棒。
好吧，這沒什麼好笑的，科爾曼。
哦，那不是真的。
事實上，這裡面有很多有趣的事情。
例如，我碰巧和我最好朋友的女朋友約會；
我兩天打了兩架。
我是說，看看我的臉。這太荒謬了。
對我來說就像是一個嚴重的痤瘡病例。
很好，艾克。
我印象深刻。我印象深刻。
但說真的，現在我得回家了
我父母又遲到了，我真是受夠了。
那所學校的教學
比西方文明衰落得更快。
太可笑了。他們不再教你任何你需要知道的東西。
他們沒有教你什麼精神上的或令人振奮的東西。
不像你想的那麼容易，嗯？
嘿，能幫我個忙嗎，夥計？
讓我放鬆一下。
-讓你放鬆一下是啊。
-萊尼現在不行，媽媽。
你不覺得你應該告訴他嗎？
告訴他什麼？沒什麼好說的。
我覺得你犯了個大錯。
你怎麼了，萊尼？
別擔心那輛車。我會把它修好的。
科爾曼。
是啊？
你知道怎麼回去了嗎？
我想我得重複這個實驗。
會有用的。別擔心。
謝謝你所做的一切。
大爺爺是幹什麼的？
我是說，他到底在學什麼？
你得。。。你得告訴他
如果他考試不及格，我們就。。。
格斯，你不能不及格。
他會找到辦法的。來吧。
我的意思是，這總是很重要的。
如果他進不了大學。。。
-看看這個。-哦。
你能想像他現在做了什麼嗎？
問他警詧是否離他很遠。
是他那些不好的朋友。
警詧不在我後面。不是我的朋友，好嗎？
我的朋友不會這樣打我。
問他我會不會被起訴。
看看他還有沒有牙齒。
我付不起牙科費用。
你知道，怪不得我搞砸了。
我是說，看看你們。你甚至不和我說話。
我是你兒子，記得嗎？
你為什麼不給我一個懷疑的機會？
你甚至都沒問我是不是出了什麼事。
你甚至都沒問我是否受傷。
我是說，你怎麼了？
你不明白這是什麼感覺
在當今社會做一個孩子。
我正在盡我最大的努力。
我很抱歉。對不起，我尖叫了。
真讓人難過。
我盡我所能。
我在努力學習。
星期六我要好好表現我的S.A.T.S。我要去。
是的，當然。
我是說，我工作很努力。
我只需要你幫我。
沒有你我做不到。
可以。
晚安。晚安，格斯
和工具箱。
晚安。
晚安，親愛的。
他什麼時候開始叫我們格斯和基特的？
♪ 我不想看到你孤單♪
♪ 再一次♪
♪ '因為我知道♪
♪ 人生就是要愛到永遠♪
♪ 當我看到你站著♪
♪ 獨自在風中♪
♪ 我相信我們能飛♪
♪ 高高在上♪
♪ 你知道我總是問♪
♪ 為了更多的感情♪
♪ 哦♪
♪ 每當有一個夜晚你需要愛♪
♪ 叫我的名字，我就跑給你♪
♪ 心中的感覺，狂野而年輕♪
♪ 激情二合一♪
♪ 每當有一個夜晚你需要愛♪
♪ 我會讓它發光的♪
♪ 就像太陽♪
♪ 有時我伸手去摸你♪
♪ 再一次♪
♪ 我知道靈魂會活下來♪
♪ 永遠♪
♪ 現在我想要你♪
♪ 作為我的愛人和朋友♪
♪ '因為我知道。。。♪
-鮑比？-你打電話了？
你知道，你應該好好照顧我。
沒人在這裡。
不，他們都收拾好準備走了。
你得給我示範一下怎麼換。
不可能。
但我們正在把事情弄清楚。
我要送你上大學。
你會有未來的。
萊尼是個很棒的女孩。一切都很好。
你不覺得我看到你把事情搞砸了嗎？
你把我的生活搞得比我更糟。
你只是不明白它是什麼樣子
以一個孩子的情感經歷當今世界的生活。
是的，你說得對。也許我沒有。
我是個差勁的孩子。
我太謹慎了。我缺乏自發性。
我不敢把我的屁股吊在窗外，看到很多陌生人
或者在汽車後座嘔吐。
這是你的生活。你必須活下去。
不會了，多虧了你。
吉娜在哪？
幾分鐘前我在家裡看到她，
處理一些最後關頭的事情。
吉娜想告訴萊妮發生了什麼事。
我還有機會。
沒有我不行，你不行。
你甚至不幫我？
我不能。你不明白。
幫你不符合我的最大利益。
我可以做一件事。。。我可以給你一個提示。
好吧，首先，這和
國家和體制之類的。
第二，它與物理學無關。
而且，如果你不是那麼聰明，
你兩個夢前就知道了。
我只能說這些，爸爸。
嘿，
你不告訴我不要叫你“爸爸”嗎？
呼。真的。
我想就是這樣。
回頭見。我是歷史。
繼續做夢。
最後一天，爸爸。祝你好運。
嘿！
好了，把鉛筆拿起來。
早上好。
歡迎參加學業能力傾向測試。
考試時記得嗎
留在你的座位上
絕對不要說話。
這個測試是為了確定你的能力
去上大學。
你們中的一些人我不認為會成功。
現在是10點07分。
你得等到1:07。
你可以打開你的考試册。。。
現在！
嘿，帕蒂森先生，聽著。
考試中的一些問題在他們臉上是錯的，
所以我繼續糾正他們。
它們在教科書裏，你看一下，好嗎？
謝謝。
嘿，我承認我昨晚夢到那對老夫婦了。
我該怎麼辦？
我是說，這並不意味著你是對的。
你怎麼解釋這個夢？
一種强烈的建議力植根於一個幼小的心靈
一個聰明的年輕人用一種新穎的方法偷走了他朋友的女孩。
是的，好吧，那根本不是我要做的，但它有效嗎？
在某種程度上。這是一次奇怪的求愛。
是的，很奇怪。
但讓我們把這些放在一邊。讓我們回到爭論的話題。
我該拿你怎麼辦？
我想我們應該結婚，
但我們不能，因為我們已經是了。
好吧，我不是說我相信你，
但是過來吻我。
喝倒采。
嚇到你了？
聽著，我的不是問題；
我的只是對你們兩個的警告。
喬爾緊隨其後。
聽著，在那個夢裏，她是真的。
她說我睡不著，否則我們會永遠失去他們。。。
像奧茲什麼的。
-她還說了什麼她說她真的愛你。
萊尼，那是個秘密。上帝啊。
請原諒我。雪萊。
-女人是瘋子。-你在告訴我。
嘿，混蛋。
-嘿，嘿。-喬爾，喬爾。
那個可憐的傢伙是我的朋友。現在是你我之間的事了。
你在幹什麼，喬爾？你在做什麼？
住手，喬爾。夠了。
嘿，我這麼做是為了你，好嗎？
我不需要，好嗎？
我昨晚不需要。
前幾天在足球場上丁格不需要它。
我們現在都不需要了。這狗屎夠了。
好吧，好吧，對不起。對此我很抱歉。
嘿，好吧，好吧。
-嘿，你。-那是給我的。
-你，離開這裡。你，在裡面。-我什麼都沒做。
-你，跟我來我不能。來吧。
-我們走。-我不能去。
丁格：為什麼是我？為什麼總是我？
哇，我一直以為“S.A.T.”是指
“星期六下午考試。”怎麼了？
哦，是你。
是的，萊尼在家嗎？
不。
你知道她在哪兒嗎？
我以為她和你在一起，
所以我想事情可能會更糟。
你不太關心我，是嗎？
有什麼不喜歡的？
我一定會告訴她你來過。
最近在那裡你發現了那個凱勒男孩，
你去找我女兒。
現在我們很喜歡你，喬爾。
我們想在家裡見到你。
♪ 她在哪？她在哪？♪
♪ 我一直在等♪
♪ 打個電話♪
♪ 她在哪？她在哪？♪
不知為什麼，我嫉妒她。
我不確定我是否相信你說的我是誰
或者我只是想讓你更想要我。
我想她想告訴我們的是
我們今晚睡不著
否則我們會永遠失去他們。
鮑比，我和下一個女孩一樣渴望成熟，
但我不想太著急。
我想你不明白。
真的沒有風險。
鮑比和萊尼將永遠存在。
我還會喜歡你嗎。。。
我是說，之後，你知道。。。？
希望如此。
我不知道。
我不想失去你，鮑比。
我也不想失去我。
拜託，你總是說你喜歡冒險。
是的，我知道，
但我不太確定。
拜託。
我需要你和我一起做。
可以。
如果你答應我，我會和你一起做的
以後你再也不會提起了。
好吧，我保證。
親愛的，
-喬爾在這裡找你。-偉大的。
鮑比，求你了，今晚不要吵架，好嗎？
我和喬爾一起去，你和雪萊一起去。
我們可以以後再處理。
但今晚我需要和你單獨在一起。
我告訴他我不知道你在哪兒。
我得走了。
聽著，舞會結束後我們單獨在一起，好嗎？
可以。
警詧。
喲。
告訴他他看起來有多好。
不，你告訴他他看起來有多好。
不，告訴他你告訴我的。
哦。
呃，兒子，
警詧，
我只想告訴你
你昨晚就是這麼說的
讓我們思考了很多。
你是對的。
我們不聽你的問題。
謝謝您。
告訴他我們會努力做得更好。
嗯，你聽到你父親說的了。
是的，我聽到了。聽著，媽媽，
你能告訴爸爸嗎
我愛他，我也愛你
我會想念你們的
以一種奇怪的管道？我是認真的。
我要去跳舞。
我得走了。
當他回來的時候，
你能問他那是什麼意思嗎？
太棒了。
我知道你喜歡鬆脆的。
嘿，什麼，你瘋了嗎，夥計？
-閉嘴。-喬爾。
嘿，鮑比。
嘿，凱勒，夥計，萊尼在哪？
我在找你。
我想你應該和我談談。請過來。
那是怎麼回事？
我不知道，但他真的越來越糟了。
他們會解决的。
聽著，不是你想的那樣。自從事故發生後。。。
嘿，沒有意外。所以你才會這麼冷淡？
現在你欠我的。
-住手，喬爾嘿，去你媽的。
-為什麼我不能說呢你知道嗎，喬爾，打我一下。
這與鮑比無關。是你，
你想要什麼。你根本不在乎我。
嗯，我知道。我想出去。
不可能。你是我的。
下車。
-嘿！-你到底在幹什麼，夥計？
-你沒事吧把她弄出去，走。
快點，快點，我們走。
-當心！-丁格：走。
-放鬆點，夥計我沒事。我沒事。
倒楣。
喬爾，喬爾。
嘿，帥哥，發生什麼事了？
同志。
來吧，萊尼。
哦，天哪，我很抱歉，喬爾。
你知道，我不該告訴你我看到他們在一起。
我想我不是個好朋友。
嘿，基佬，你死定了。你死定了。
我和我的朋友今晚要在橋上開個小派對。
我覺得你和你還有你所有的同志朋友都應該在那裡。
-你現在不那麼堅強了，是嗎，喬爾同志。
聽我說。聽我說，好嗎？
他們是狗屎。他們什麼都不是。。。沒什麼，好嗎？
好吧，好吧，好吧。
好吧。好吧，夥計。
哦。
♪ 你可以走極端♪
♪ 不可能的計畫♪
♪ 當你做夢的時候你可以笑♪
♪ 在接縫處裂開♪
♪ 生活變得更加精彩♪
♪ 日復一日♪
♪ 愛不是在你心裡♪
♪ 或者在路上♪
♪ 你難道不知道這是值得的嗎♪
♪ 地球上所有的寶藏♪
♪ 年輕♪
♪ 在心裡？♪
♪ 像你這麼有錢♪
♪ 現在好多了♪
♪ 內心年輕♪
♪ 如果你能活下來♪
♪ 至105♪
♪ 看看你會得到什麼♪
♪ 不可能活著♪
♪ 這是最好的部分♪
♪ 你領先了♪
♪ 如果你是♪
♪ 年輕的♪
♪ 心裡♪
真的。
他媽的越來越奇怪了。
我。。。丁格爾，
這個長得難以置信的傢伙，坐在這裡，
凍得我屁滾尿流
穿著一輛醜陋的紅色野馬。
嗯，現在幾點了？
我沒有手錶。我從來沒有手錶。
為什麼我要看我的手腕？
跳了一支舞，跳得很完美
和一個辣妹在一起。
她想要我。我知道她想要我。
每個女孩都想要我。
我應該在夏威夷喝杯可樂，
看著夏威夷的小妞。
“你好，親愛的。”
哦，混蛋來了。
你在裡面得到了什麼，夥計？
還有一點
還有這個。
你是幹什麼的。。。喬爾，你打算怎麼辦？
我要喝了。
我知道你會喝的。
你拿槍怎麼辦，喬爾。。。槍？
嘿，我要去橋上參加派對了，夥計，
第一個讓我生氣的人
得到一個小小的驚喜。
喬爾，來吧，夥計。你不覺得你拿了這個東西嗎
-有點太遠了下車。
嘿，聽著，我不是想跟你拉屎。
我是你的朋友，喬爾。我不想看到你進監獄。。。
你知道，監獄，監獄。
嘿，他羞辱了我，夥計，好嗎？
正確的？我不會讓這狗屎溜走的。
聽著，夥計，我不會為此負責的。
聽著，如果有必要，我會封锁你。
嘿，沒人再封锁我了，好嗎？
現在出去！出去！
-我不會下車的。-走出。滾出去。
-別這樣，夥計。-出去。出去。
喬爾，夥計，你是什麼。。。？嘿，夥計。
喬爾，來吧，夥計。
哇，真他媽的神經病。
-雪萊你好。萊尼在哪？
她在和喬爾跳舞。
不。不，她走了。喬爾打了她，她就走了。
-什麼？為什麼？-喬爾打了她？
-是的。-發生什麼事了？
我不知道。我只知道她和鮑比在一起
幾乎都是他的錯。
我覺得很傻。
來吧。來吧。
你答應過我你會這麼做的。相信我。
-好的。-相信我。
♪ 嘿，喊夏天的布魯斯♪
♪ 吉米·迪恩♪
♪ 嘿，孩子們，搖滾樂♪
♪ 搖滾吧，哦，我的靈魂♪
♪ 嘿，孩子們，布吉也是♪
♪ 是嗎？♪
♪ 嘿，喊夏天的布魯斯♪
♪ 穿著我的藍色絨面皮鞋上下跳躍♪
♪ 嘿，孩子們，搖滾樂♪
♪ 搖滾樂♪
-你們這些白癡在幹什麼什麼？
-凱勒，車呢？快點，我們得走了。-不是現在。
什麼意思，現在不行，鮑比？是你開始的。
-開始什麼？-喬爾在追大仲馬。
他是個大男孩。他能照顧好自己。
我有事情要做。
哦，你有事要做？
太好了，我幫你找個朋友？
為了什麼，鮑比？所以你可以離開？
他有槍。他會殺了他的。
我們得走了。我會和他談談。
好吧，聽著，萊尼，你呆在這裡。我會回來的。
不，我和你一起去。
♪ 我們該怎麼辦？♪
♪ 哪條路是清楚的？♪
等一下。她來了。
-萊尼，上車。你要回家了。-不，媽媽。
我說，上車。我已經聽說過你打架的事了。
離她遠點。年輕人，我不想你再見到我女兒了。
-萊尼，上車。-羅恩，你能。。。？
-嘿，退後。-放開我。
好吧，聽著，萊尼，
和他們一起回家。別惹麻煩。
我稍後會在家裡。
不，鮑比，你以後不會來了。
我會過去的。
別睡著了。
小心。
羅恩：來吧，萊尼，我們走。
♪ 搖滾樂♪
♪ 搖滾樂。。。♪
喲，大仲馬。嘿，大仲馬。
喬爾，喬爾。
你一個人在這裡嗎，喬爾？
是的，我是。
我還以為你比我聰明呢。
我是。
槍！
嘿！喲！
等等，孩子們。夥計，這是個派對。
誰有籌碼？
萊尼，如果那個男孩來了，我不想你和他說話。
你不能說。
媽的，我受够這種態度了。
我在認真考慮把我們搬到另一個城鎮去。
這些孩子，尤其是那個男孩，
不過是個壞影響。
我是說，看看你在舞會上打架的場面。
你為什麼要這樣激怒喬爾？
是的，我激怒了喬爾。
我不會讓他在舞池裏把我搞砸的。
我應該為此付出代價。
媽媽，求你了。我很想看到你搬走。
該死，萊尼，別在羅恩面前。
哦，還有一件事，羅恩。。。
我不想你和我媽媽再見面了。
那是什麼？
把它給她？
我真的很抱歉，萊尼。
如果你真的這麼想，我們會尊重你的意願。
來，幫我喝這個。
這樣我可以更快離開這裡
在我走之前你可以更容易的容忍我。
我很抱歉這麼討厭。
不是你。只是
她太無情了。
是的，我知道，但你要記住
她是好意。
喬爾，我們到了。
什麼都不要做。
喬爾，我說了對不起。
還有什麼？什麼？
嘿，你們可以分開了。做這件事我很開心。
快點，夥計，把槍放下。
跟我們走吧。我們是你的朋友。
丁格，如果你是我的朋友，你會和我一起去的。
拜託，夥計，你把我推出車外。
聽著，喬爾，我也討厭大仲馬，但你不能殺了他。
聽他們說，夥計。他們是你的朋友。
好吧，整件事已經失控了。
嘿，凱勒，你現在在我的名單上不是很高，好嗎？
鮑比，讓我們和他談談，夥計。退後。
不，你退後。
好吧，夥計們，我們在這裡幹什麼？
我們都來幹什麼？
因為我踢了大仲馬的屁股？
那又怎麼樣？了不起的事。
他把我的踢了回去。偶數就是偶數。
公平就是公平。
你們好像不明白什麼。
我一直過著我的生活
一天一天這麼久
我都不記得我為什麼討厭大仲馬了
或者像丁格。
20年後，我會坐在後面
我會想到我的學校朋友
我會想到大仲馬。
大仲馬是個混蛋，那又怎樣？
我們在學校還是朋友。
我說得對嗎？我們不是朋友嗎？
讓我直說吧，夥計：
你去偷我女朋友
告訴我誰是我的朋友，嗯？
好吧，
我沒偷你的女孩，好嗎？
我知道很痛。我知道。
但沒關係。應該會痛的。
生命太短暫了，夥計們。
你轉身，一秒鐘。。。
砰！結束了。
我是說，你花了太多時間
想想你沒有的東西
錯過你所做的事。
為什麼我們要走這麼遠
不能收回？
我來告訴你原因。因為我們還年輕。
當你年輕的時候，每件小事
看起來太大了。
喬爾，你有槍。
你明白嗎？你有槍，喬爾。
你要開槍打大仲馬。
你很幸運它沒有指著你，夥計，好嗎？
哦，真的嗎？
是的，真的。
所以你是說
你對我很生氣
這個可憐的混蛋會囙此而死？
好吧，也許槍指向錯誤的方向。
凱勒，夥計，閉嘴。
不，來吧，我們為什麼不把事情搞得一團糟？
來吧，讓我們看看能走多遠。
為什麼我們現在不這樣做呢？
你為什麼不朝大仲馬的眼睛開槍？
或者更好，
也許這會讓你感覺很好。
你們為什麼不把我揍一頓？
來吧，這會讓你感覺很好的。
你們讓我噁心。
我要坐我的車下去
我要喝杯啤酒。
如果你們這些混蛋願意加入我，
放心吧。
嘿，來吧，喬爾，夥計。
喬爾，來吧。
這不值得，夥計。
這不值得。
♪ 站起來接受♪
♪ 我只能這麼做♪
♪ 我是不是更糟了♪
♪ 為了嘗試？♪
♪ 既不無用也不進步♪
♪ 敞開心扉♪
♪ 有時候我覺得自己很渺小♪
♪ 我已經滿懷希望了♪
♪ 請不要讓我跌倒♪
♪ 夢想成真♪
♪ 說他們願意，說他們願意♪
♪ 說是的♪
♪ 夢想成真♪
♪ 說他們願意，說他們願意♪
♪ 我會站起來接受的♪
♪ 哦，是的，我會的♪
♪ 站起來接受。。。♪
♪ 向月球射擊♪
♪ 盲目的信仰或幻覺♪
♪ 你怎麼區分這兩者？♪
你到底想要什麼？
戴蒙德小姐，我馬上要見萊妮。
她很難過，鮑比。她在休息。
休息？不，她不能休息。請不要讓她睡著。
要麼你走，要麼我報警。
-不，我要見她。-退後，夥計。
不，不。
你說得對。你說得對。
我很抱歉。我失控了。
我度過了一個糟糕的夜晚。我很抱歉。
♪ 說他們願意，說他們願意♪
♪ 說是的♪
♪ 夢想成真♪
♪ 說他們願意，說他們願意♪
♪ 我會站起來接受的♪
♪ 哦，是的，我會的♪
♪ 是的，我會的♪
♪ 我要站起來♪
♪ 拿著它。。。♪
不！不！
醒醒。
萊尼，你睡不著。醒醒。
吉娜！
萊尼，萊尼，醒醒。
萊尼。
萊尼，醒醒。
不！不！不！
哦，天哪。把他弄下來。把他弄下來。
-不上帝啊。
不，不，不。
他對你做了什麼？
混蛋！
吉娜。
♪ 我有夢想♪
♪ 夢想♪
♪ 記住♪
♪ 我有夢想♪
♪ 夢想♪
♪ 記住♪
♪ 親愛的，我昨晚在那兒看見你了♪
♪ 另一個男人緊緊地摟著你♪
♪ 沒人知道我內心的感受♪
♪ 我只知道，我走開了，哭了♪
♪ 我有夢想♪
♪ 夢想♪
♪ 記住♪
♪ 聽我說♪
♪ 我有夢，粗糙的夢♪
♪ 要記住的夢想♪
♪ 我知道你說過♪
♪ 他只是個朋友♪
♪ 但我看到他一次又一次地吻你♪
♪ 我的眼睛♪
♪ 他們騙不了我♪
♪ 他為什麼這麼溫柔地抱著你？♪
♪ 我有夢想♪
♪ 夢想♪
♪ 記住♪
♪ 聽著，親愛的，我有夢想♪
♪ 粗糙的夢♪
♪ 要記住的夢想♪
♪ 我還是希望你留下來♪
♪ 我還是愛你♪
♪ 我不想你離開。。。♪
鮑比：注意，爸爸。
你的旅程慢慢結束了。
請不要離開座位。
記住，信仰不是你能找到的東西。
這是你有的東西。
你知道我告訴你的那些事嗎
關於失去吉娜之類的事？
是我編的。
抱歉，但這確實是個好故事。
嘿！
♪ 現在我想起來了♪
♪ 你穿的那件衣服♪
♪ 但我從未真正理解♪
♪ 所有的眼淚都是為了什麼♪
♪ 你看起來很年輕♪
♪ 在那個甜蜜的夏日早晨♪
♪ 我以為你會保持原樣♪
♪ 你以前的樣子。。。♪
一塊餅乾？
我給你帶了茶，但你看起來
你睡得很好。
出什麼事了嗎？
你真的不知道，是嗎？
科爾曼，你沒事吧？
對不起，我有點不適應。
不過，我愛你。
哦，科利，
我也愛你。
你要告訴我你不可思議的夢想嗎？
不，沒有夢想。
音樂是怎麼回事？
我不知道。
我只是想聽聽這個。
你表現得很奇怪。
你為什麼不去冥想呢？
我不這麼認為。
我想我要去花園幹活了。
我該放鬆了。
這是我應得的。
我只想享受
和你一起生活。
你是最可愛的人。
♪ 時間是自由的♪
♪ 時間像孩子一樣狂奔♪
♪ 生活在我的內心♪
科爾曼。
好吧，怎麼做？
信仰。
我今天種了一些新球莖。
-哦，我知道。謝謝。-是啊。
-哦，親愛的。-什麼？
沒事的。繼續。
歡迎您使用該物業。
非常感謝你，
但我們會四處轉轉。
不，求你了。
不，沒關係。
也許改天吧。
請柬隨時開放。
好吧，謝謝你，
但是祝你有愉快的一天。
你也是，鮑比。
♪ 如果你能活下來♪
♪ 至105♪
♪ 想想你得到的一切♪
♪ 不可能活著♪
♪ 這是最好的部分♪
♪ 你已經領先了♪
♪ 如果你在♪
♪ 非常年輕的♪
♪ 心裡♪
♪ 星星在你頭頂閃耀♪
♪ 夜風似乎在低語♪
♪ "“我愛你”♪
♪ 鳥兒在梧桐樹上歌唱♪
♪ 做個小夢吧♪
♪ 說晚安，吻我♪
♪ 抱緊我♪
♪ 告訴我你會想我的♪
♪ 當我孤獨憂鬱的時候♪
♪ 做個小夢吧♪
♪ 星光漸暗♪
♪ 但我仍然留戀♪
♪ 仍然渴望你的吻♪
♪ 我渴望流連♪
♪ 直到天亮♪
♪ 說出來，說出來♪
♪ 甜蜜的夢，直到陽光找到你♪
♪ 留下所有煩惱的甜蜜夢♪
♪ 在你身後♪
♪ 但在你的夢裏，不管是什麼♪
♪ 做個我的小夢，是嗎♪
♪ 星光漸暗♪
♪ 但我會繼續，親愛的♪
♪ 渴望你的吻♪
♪ 我渴望流連♪
♪ 直到天亮，親愛的♪
♪ 只是說說而已♪
♪ 甜蜜的夢，直到陽光找到你♪
♪ 留下所有煩惱的甜蜜夢♪
♪ 在你身後♪
♪ 但在你的夢裏，不管是什麼♪
♪ 做個我的小夢，是嗎♪
♪ 做個小夢♪
♪ 對我來說，是的♪
♪ 做個我的小夢，是嗎♪
♪ 做個小夢♪
♪ 對我來說♪
♪ 嘟嘟嘟嘟嘟嘟嘟嘟♪
♪ 做個小小的夢。。。♪
♪ 耶，耶，耶，耶，耶，耶，耶，耶，耶。。。♪
♪ 哦，是的♪
♪ 星星在你頭頂閃耀♪
♪ 夜風似乎在低語♪
♪ "“我愛你”♪
♪ 鳥兒在梧桐樹上歌唱♪
♪ 做個小夢吧♪
♪ 晚安，吻我♪
♪ 抱緊我♪
♪ 告訴我你會想我的♪
♪ 當我孤獨憂鬱的時候♪
♪ 做個小夢吧♪
♪ 星光漸暗♪
♪ 但我仍然留戀♪
♪ 仍然渴望你的吻♪
♪ 我渴望流連♪
♪ 直到天亮♪
♪ 只是說說而已♪
♪ 甜蜜的夢，直到陽光找到你♪
♪ 留下所有煩惱的甜蜜夢♪
♪ 在你身後♪
♪ 但在你的夢裏，不管是什麼♪
♪ 做個我的小夢，是嗎♪
♪ 星光漸暗♪
♪ 但我仍然留戀♪
♪ 仍然渴望你的吻♪
♪ 我渴望流連♪
♪ 直到天亮♪
♪ 只是說說而已♪
♪ 甜蜜的夢，直到陽光找到你♪
♪ 留下所有煩惱的甜蜜夢♪
♪ 在你身後♪
♪ 但在你的夢裏，不管是什麼♪
♪ 做個小夢吧♪
♪ 仍然渴望♪
♪ 你的吻♪
♪ 我渴望♪
♪ 逗留到天亮♪
♪ 所以做夢吧♪
♪ 一個小小的夢♪
♪ 對我來說♪