ALL RIGHT,
I'LL HELP YOU BUY BACK THE FARM.
BUT YOU GOT TO HELP ME FIRST.
YOU KNOW, ALL I MEANT BY THAT ABOUT THE TREE IS
IT'S JUST DRIED OUT,
AND IT COULD START A FUCKING FIRE.
YOU KNOW HOW THAT STUFF GOES.
IT WASN'T LIKE I WAS TRYING TO IGNORE YOU
OR SOMETHING LIKE THAT. I WAS JUST, YOU KNOW,
I WAS TALKING ABOUT PRACTICAL SHIT TO YOU
IS ALL IT WAS.
Hank: YEAH, WE GOT THAT WHITE CARPET.
HONEY?
OH. OH, HEY.
HEY, SARAH.
HEY, JACOB.
I TAKE MY SHOES OFF FOR YOU THERE, SEE?
THANK YOU.
OH, UH...
IT'S A NICE SHIRT.
TA-DA! HA HA.
HERE, LET ME DO THAT.
[WHISPERING] HEY, I GOTTA PEE.
YEAH, GO AHEAD.
HI, BABY.
HEY. YOU BROUGHT HIM HERE?
WELL, YEAH. I INVITED HIM FOR DINNER.
OH. OH! OH, GOOD.
GOOD, GOOD.
OK.
SO HE'S GONNA DO IT?
I HAD TO PROMISE HIM THE FARM.
YOU WHAT? WAIT, I THOUGHT YOU SAID--
WE AGREED THAT YOU WERE GONNA SAY SOMETHING.
WHERE'S HE SUPPOSED TO GO, SARAH, HUH?
I MEAN, WHAT'S HE GONNA DO,
DRIVE AWAY?
I DON'T KNOW, HONEY. I DON'T KNOW,
BUT IF HE STAYS, WE GET CAUGHT.
I KNOW, I KNOW. IT'S JUST--
IT'S JUST A MATTER OF TIME BEFORE HE SCREWS UP.
I KNOW. THAT'S NOT WHAT I'M SAYING.
I JUST...
I JUST WISH HE COULD, THAT'S ALL.
[LAUGHTER] [LAUGHTER]
NO, NO, YOU REMEMBER WHAT SHE DID?
SHE WAS SO FREAKED OUT THAT SHE CALLED
THE VOLUNTEER FIRE DEPARTMENT,
AND THEN, REMEMBER, THEY CAME OUT...
OH, YEAH, THERE WAS ALL OF DAD'S BUDDIES--
ALL HIS DRINKIN' BUDDIES.
YEAH, YEAH.
THAT'S--THAT'S ALL THE VOLUNTEER FIRE DEPARTMENT WAS,
WAS GUYS HE KNEW, YOU KNOW?
SO THEY SHOW UP--
AND HE'S SITTING THERE IN THE KITCHEN
WITH THAT ICE PACK ON HIS FACE.
THAT'S RIDICULOUS. HE FELT LIKE AN IDIOT,
'CAUSE THEY'RE ALL GATHERED IN THERE
LIKE THERE'S SOME HUGE MURDER GOING DOWN, YOU KNOW?
[BABY CRIES]
SHH, SHH.
[BABY CRIES]
OK.
[BABY CRIES]
WELL, BACK ON CALL.
HEY, HOW ABOUT SOME MORE WINE?
YOU GOT A FULL GLASS HERE.
WHAT'S IT LIKE, A WALKIE-TALKIE, SARAH,
KIND OF LIKE A BABY WALKIE-TALKIE?
YEAH, YEAH. IT'S KINDA COOL.
REMEMBER, WE HAD THAT THING WE DID
WITH THEM LITTLE WALKIE-TALKIES?
OH, YEAH.
YOU GOT THAT KIT FOR CHRISTMAS.
REMEMBER THAT?
YEAH.
YOU KNOW, IT'S WEIRD.
I THINK--I THINK ABOUT THAT STUFF.
I THINK IT'S KINDA WEIRD--
YOU REMEMBER EVERYTHING, TOO, DON'T YOU?
WELL, YEAH. I WAS ALWAYS--
I WAS ALWAYS TALKING TO DAD.
I KNOW YOU WERE.
I WAS ALWAYS FIGURING OUT WHAT'S GOING ON, YOU KNOW?
I WAS ALWAYS NERVOUS ABOUT SHIT, YOU KNOW, I GUESS.
BUT I TELL YOU WHAT, HE'S A...
IF HE--IF HE HAD THE STILL
LIKE WE GOT GOIN' ON RIGHT NOW, YOU KNOW?
HE WOULD--HE WOULD--HE WOULD HAVE DONE THE SAME THING.
I DON'T KNOW, I DON'T KNOW.
I GUESS SO.
I MEAN, 'CAUSE THAT'S WHAT HE--
HE ALWAYS WANTED TO GET EVERYTHING SET UP, YOU KNOW.
I MEAN, HE ALWAYS WANTED TO HAVE ENOUGH
TO JUST TAKE CARE OF THINGS AND RELAX, YOU KNOW.
YEAH.
HE NEVER QUITE HAD THAT,
SO I THINK HE'D A DONE IT.
BUT, UH, I TELL YOU WHAT, HE'D STILL--
I GUARANTEE YOU, IF HE'D HAD THIS,
HE'D STILL BE HERE. HE'D NEVER HAVE DONE THAT.
DONE WHAT?
KILLED HISSELF, YOU KNOW.
IT JUST WOULDN'T HAVE HAPPENED.
WHAT?
WHAT ARE YOU TALKING ABOUT?
HANK, DAD KILLED HIMSELF, YOU KNOW THAT?
WHAT? WHAT ARE YOU TALKING ABOUT?
COME ON, WHAT ARE YOU TALKING ABOUT?
THEY WERE DRUNK, THEY HAD A WRECK.
THAT'S OUT ON JACK'S SPUR ROAD.
THAT'S LIKE THAT RAMP IS--
WHERE HE WENT EVERY DAY?
YOU AIN'T GONNA ROLL AWAY ON A RAMP LIKE THAT.
HE'D BE ON THAT THING 8,000 TIMES A YEAR, YOU KNOW.
YOU THINK ALL OF A SUDDEN HE FORGOT HIS WAY?
GOOD GRIEF!
HE FIGURED THAT, YOU KNOW, ALL THAT INSURANCE MONEY,
IT'D BE, YOU KNOW, IT'D TAKE CARE OF THE WHOLE--
THE WHOLE DEAL THAT HE WANTED TO, YOU KNOW--
WHAT? NO, NO. WHAT? WHAT? WAIT--
YOU KNOW THAT, HANK.
I MEAN, THINK ABOUT IT.
Lou: I GUESS WHAT I'M TRYING TO SAY IS,
WELL, MAYBE I MISJUDGED YOU, HANK.
'CAUSE, I MEAN, YOU'RE A BIT MORE,
WELL, I DON'T KNOW,
LET'S--LET'S SAY...
SERIOUS--HA HA HA-- THAN A GUY LIKE ME,
AND, YOU KNOW, MAYBE SOMETIMES
YOU CAN COME ACROSS
LIKE YOU SORT OF GOT A STICK UP YOUR ASS.
I--I--I MEAN TO--
TO SOMEONE WHO DOESN'T REALLY KNOW YOU,
TO--TO SOMEONE WHO--
WHO CAN'T GET BENEATH THAT FIRST IMPRESSION.
AND, OK, OK, MAYBE...
MAYBE SOMETIMES,
WELL...
I CAN COME OFF A LITTLE BIT LIKE AN ASSHOLE.
YOU THINK? NO, COME ON.
YEAH. OH, NO, NO, NO! NO.
I KNOW WHAT I'M TALKING ABOUT.
BUT FUCK IT. HA HA.
YEAH.
IT'S ALL IN THE PAST, RIGHT?
WHAT DO YOU SAY?
COME ON.
SOUNDS GOOD TO ME.
HELL, YES. LIVE AND LET LIVE.
LIVE AND LET LIVE.
I GOTTA TAKE A LEAK.
DON'T LOOK AT ME LIKE THAT.
WHOO!
JERK!
WHAT, YOU THINK THAT'S FUNNY?
AHH!
AHH, WHAT, HUH? I'M ASKING YOU,
YOU THINK IT'S FUNNY TRIPPING A GUY
ON THE WAY TO THE FUCKING CAN?
LOOK, BUDDY--
OH, DON'T BUDDY ME! WHAT THE--
SEE, THAT RIGHT HERE IS MY BUDDY.
THIS GUY RIGHT HERE IS MY BUDDY.
YOU'RE NOT MY FUCKING BUDDY, HUH, YOU GOT IT?
COME ON UP HERE. COME ON UP HERE.
I'LL KILL--COME ON!
COME ON. COME ON.
IT'S NOT WORTH IT.
COME ON OUT HERE, RIGHT OUT IN FRONT.
I'LL PAINT YOU UP AND DOWN THE FUCKING SIDEWALK,
MOTHERFUCKER!
YEAH, YEAH.
OH, SHUT THE FUCK UP, RAY!
GET OUT, ASSHOLE!
YOU KNOW WHAT? YOU-- YOU SHIT IN ONE HAND.
YOU BETTER GET THE FUCK OUT OF HERE!
[LAUGHTER] [LAUGHTER]
Lou: SO, LISTEN, IF YOU GOT TO PEE,
PEE OUT HERE.
Lou: SO--SO ANYWAY,
THIS ONE GUY, SEE, HE STEPS FORWARD
AND HE SAYS, UH,
HE SAYS, "YOU KNOW WHAT?
"THE GUY WAS OK
"UNTIL WE TWISTED HIS HEAD BACK AROUND,
AND THEN HE JUST FUCKING DIED ON US."
YOU GET IT?
GET IT?
HEY, I GOT ONE.
AH, SHIT.
THIS OLD DRUNK WAS TELLING JOKES
TO HIS 2 DRUNK FRIENDS,
AND HE WAS KEEPING UP HIS WIFE,
WHO, UNLIKE HIM, HAD A JOB TO GO TO IN THE MORNING.
SO, SEE, SHE GETS SO FUCKING FED UP,
SHE COMES DOWNSTAIRS AND SHE SAYS,
"IF HE DOESN'T SHUT UP,
"HE'S GONNA HAVE TO FIND SOME OTHER PLACE
TO LIVE RENT-FREE."
DO YOU GET THAT ONE?
NO, LISTEN, BABE--
GET IT, GUYS?
HEY, BABY, COME ON, NOW.
WE'RE JUST DRINKING.
COME ON, WHAT ARE YOU WAITING FOR?
I DON'T WANT TO BE HERE ALL NIGHT?
LET'S GET THIS OVER WITH.
I WON'T DO IT, HANK.
WHAT?
IT'S NOT FAIR.
WE HAD A DEAL.
IT'S NOT RIGHT.
AH, DUMMY UP.
BETTER JUST KEEP IT DOWN A LITTLE BIT.
DON'T SAY ANYTHING.
OH, SHIT, OH, SHIT, OH, SHIT.
YOU KNOW HOW IT IS.
WHAT THE FUCK'S WRONG WITH YOU, HANK?
DO YOU SEE THIS?
YOU SEE THE WAY THIS BOY DRINKS?
YOU SEE HANK TAKE A DRINK OF THAT WHISKEY?
IT'S LIKE--IT'S LIKE...
HA HA HA HA.
LIKE--LIKE IN, YOU KNOW, LIKE--
WHAT IS IT LIKE--
LIKE SOME KIND OF COMMERCIAL--
HA HA HA HA.
FOR PREPARATION H OF THE MOUTH?
LIKE HE LIVES ON PRIMROSE LANE?
YOU LOOK LIKE
SOME GODDAMN BIRD OR SOMETHING.
YOU GONNA START PLAYING BIG BROTHER NOW,
TEACH ME HOW TO DRINK MY WHISKEY?
HA HA HA HA.
DID YOU EVER SEE ANYBODY DRINK LIKE THAT BEFORE?
NO, TO TELL YOU THE TRUTH,
I DON'T BELIEVE I'VE EVER SEEN
ANYBODY DRINK LIKE THAT BEFORE.
I DON'T--I DON'T DRINK LIKE THAT,
MY DAD DIDN'T DRINK LIKE THAT.
UH-OH.
YOU KNOW, WE DON'T HAVE ONE THING IN COMMON,
ME AND HIM,
EXCEPT MAYBE OUR LAST NAME.
YOU'RE MORE LIKE A BROTHER TO ME
THAN HE IS.
OH! HA HA HA.
DO--DO HIM CROSSING THE FIELD.
HA HA HA HA. DO IT.
HE WON'T CARE. COME ON,
YOU DON'T CARE, DO YOU, HANK, HUH?
CROSSING THE FIELD?
UH, CROSSING THE FIELD.
Lou: GET UP, GET UP!
DO LIKE YOU DID THAT NIGHT,
THE SNOW, HE HAD...
IT'S JUST LIKE, UH, SAY, WHAT WAS IT?
OK.
AND--AND--THE WAY IT STARTS OUT
LIKE HE'S WALKING ACROSS, LIKE, THAT FUCKING, LIKE, UH,
LIKE HE'S A QUAIL OR SOME SHIT.
HEY! HA HA HA HA.
HA HA HA HA.
HEY, GUYS, COME ON, YOU KNOW--
HEY, WAIT UP, WAIT UP.
WAIT FOR ME.
I--I--I'M NOT DRESSED RIGHT.
YOU'RE ONLY WEARING YOUR PISSY LITTLE LOAFERS.
YOU KNOW?
HA HA HA HA HA.
DO HIM WHEN-- DO HIM WHEN
THE CROW FLIES OUT
AND--AND PECKS HIM IN THE HEAD.
THAT'S GOOD.
NO, THAT'S FUCKED UP.
IT'S LIKE-- THAT WAS LIKE...
HA HA HA HA.
YOU KNOW...
THE FUCKING THING WASN'T ELECTRIC, SHIT.
HA HA HA HA.
YOU KNOW,
WE SHOULDN'T-- WE SHOULDN'T EVER
LET HIM KEEP THAT MONEY.
HA HA HA HA.
NO, I'M NOT SHITTING.
WE SHOULDN'T--WE SHOULDN'T HAVE DONE THAT.
WE SHOULD HAVE NEVER LET HIM KEEP THAT MONEY.
LOOK HOW HE'S LOOKING AT US,
LIKE HE'S FUCKING BETTER AND EVERYTHING.
LIKE--LIKE--LIKE YOU OWN US OR SOMETHING.
I THINK WE'VE ALL HAD TOO MUCH TO DRINK.
LET'S CALL IT A NIGHT.
YOU'RE GONNA KEEP THE MONEY AND SHIT, YOU KNOW.
LET'S ALL GO HOME.
THAT'S WHAT--THAT'S WHAT YOU WANTED, WASN'T IT, HANK?
YOU WANTED ME TO PICK SIDES.
ISN'T THAT WHAT YOU SAID?
WHAT ARE YOU TALKING ABOUT?
YEAH, YOU KNOW--YOU KNOW-- YOU KNOW WHAT--
YOU KNOW WHAT HE'S GOING TO DO?
HE'S GONNA--HE'S GONNA CRAWL INTO CARL'S OFFICE
LIKE--LIKE, ON HIS BELLY LIKE A FUCKING SNAKE.
HE'S GONNA END UP CONFESSING.
YOU KNOW WHAT, YOU'RE RIGHT.
I BET YOU WOULD RAT ON US JUST TO GET OFF THE HOOK,
NOW, WOULDN'T YA?
TAKE--TAKE ME HOME, MAN. LET'S GO.
I DON'T WANT TO STAY HERE.
I GOTTA GET HOME.
NO, HUH, YOU KNOW WHAT? WAIT.
COME ON, TAKE HOME.
UH, NO! WE GOT--WE GOT SOMETHING ELSE FOR YOU, HANK.
I TELL YOU WHAT? LET'S DO THIS.
LET'S DO--LET'S DO MORE PLAYACTING,
AND LET'S DO IT WHERE HE--
WHERE HANK CONFESSES, OK,
TO CARL, ALL RIGHT? THIS IS GONNA BE COOL.
YOU BE--AND YOU BE HANK AND I'LL BE CARL. NO.
NO, YOU DO--YOU DO IT.
YOU GO OUT AND BE HANK,
LIKE YOU'D KNOCK ON CARL'S DOOR.
I CAN'T DO ANYTHING LIKE HIM.
BUT WHEN YOU'RE FUCKED UP, YOU'RE FUNNY AS SHIT.
COME ON, DO IT.
OK.
AND YOU'RE KNOCKING ON THE DOOR--
OK.
AND I'M, LIKE, SITTING HERE DOING PAPERWORK
AND DUMB ASS COMES IN, OK?
DUMB ASS COMES IN WITH HIS TAIL BETWEEN HIS LEGS, OK?
OK, HERE, I'M COMING IN.
YOU READY?
Jacob: OK.
HELLO?
CARL...
IT'S HANK MITCHELL.
WELL, HEY, HANK, HOW YOU DOING?
HEY, HOW YOU DOING?
Jacob: SIT--SIT DOWN.
I NEED TO TALK TO YOU.
YEAH, OK, WHAT ABOUT?
[SIGHS]
IT'S ABOUT DWIGHT STEPHANSON.
YEAH?
HE DIDN'T DIE IN AN ACCIDENT.
WHAT ARE YOU TALKING ABOUT?
NO, NO, I KILLED HIM.
Jacob: YOU KILLED DWIGHT STEPHANSON?
THAT'S RIGHT.
I SUFFOCATED HIM WITH HIS OWN SCARF,
AND THEN I JUST SHOVED HIM OFF THE BRIDGE
INTO ANDERS CREEK.
I MADE IT LOOK LIKE AN ACCIDENT.
WELL, WHY WOULD YOU DO SOMETHING LIKE THAT?
THAT--THAT'S OK. WE DON'T REALLY WANT TO HEAR THAT.
$4 1/2 MILLION
IS WORTH A HELL OF A LOT MORE TO ME
THAN SOME OLD MAN'S LIFE.
ALL RIGHT, THAT'S ENOUGH.
I'M UP TO THE PART WHERE YOU'RE GONNA AGREE
TO TESTIFY AGAINST US, OK?
CAN I JUST DO THAT?
COME ON--
Lou's voice: I KILLED HIM.
Jacob's voice: YOU KILLED DWIGHT STEPHANSON?
Lou's voice: THAT'S RIGHT.
I SUFFOCATED HIM WITH HIS OWN SCARF,
AND THEN I JUST SHOVED HIM OFF THE BRIDGE
INTO ANDERS CREEK. [TAPE STOPS]
YOU TAPED THIS?
Lou's voice: I MADE IT LOOK LIKE AN ACCIDENT.
[TAPE STOPS]
WELL, WHY WOULD YOU DO THAT, HANK?
IT'S YOUR CONFESSION.
IT'S YOU SAYING HOW YOU KILLED DWIGHT STEPHANSON.
NOBODY'S GOING TO BELIEVE THAT.
I MEAN--I MEAN, IT'S OBVIOUS
I'M JUST KIDDING AROUND ON THERE,
ISN'T IT, JACOB?
WHY--WHY WOULD ANYBODY BELIEVE IT?
I MEAN, LET'S JUST THINK ABOUT THIS.
IF--IF YOU AND I
BOTH GO INTO CARL'S OFFICE TOMORROW AFTERNOON
AND WE BOTH CLAIM THE OTHER KILLED DWIGHT STEPHANSON,
WHO--WHO DO YOU THINK HE'S GONNA BELIEVE, HUH? YOU?
A 40-YEAR-OLD UNEMPLOYED HIGH SCHOOL DROPOUT,
WHO'S PROUD WHEN PEOPLE CALL HIM THE TOWN DRUNK, OR ME?
I'VE GOT A JOB.
I DON'T GET DRUNK AND--AND--AND--AND
SCREAM OBSCENITIES AT MY WIFE IN PUBLIC.
I DON'T PASS OUT ON OTHER PEOPLE'S DOORWAYS.
I WONDER WHO HE'S GONNA BELIEVE?
YEAH.
NOW WE'RE ALL BACK IN THE SAME BOAT AGAIN,
ISN'T THAT RIGHT, JACOB?
Hank: YOU SEEM TO HAVE FORGOT
WE'RE ALL IN THIS TOGETHER.
YEAH, THAT'S RIGHT. YEAH, THAT'S ALL--
THAT'S ALL IT IS, LOU.
Hank: THAT'S ALL IT IS.
YOU KNOW, IT'S NOT TO HURT YOU.
THAT--THAT'S WHAT HANK SAID.
IT'S JUST SO YOU DON'T HURT HIM.
Hank: THAT'S RIGHT.
Jacob: AND--AND--AND IT'S LIKE--
IT'S JUST IN CASE YOU CONFESS OR--
WAIT A MINUTE.
ARE YOU--ARE YOU TELLING ME
YOU KNEW ABOUT THIS, JACOB?
TAKE IT EASY.
Lou: YOU SAYING YOU KNEW ABOUT THIS?
HE ISN'T GOING TO USE IT, UNLESS, UH--
IS THAT WHAT--
IS THAT WHAT YOU'RE SAYING HERE, JACOB?
THAT--THAT--THAT YOU TWO WORKED TOGETHER?
I--HE SAID HE'D HELP ME BUY BACK THE FARM, LOU.
OH!
OH! HA HA HA.
SO THAT'S COOL, RIGHT?
SHIT!
COME ON, LET'S GO.
HEY, LOU, LOU, PLEASE DON'T BE PISSED OFF.
YOU KNOW, HE WAS-- WE WERE JUST GONNA--
HE'LL COOL DOWN, HANK.
MOVE, MOVE, MOVE!
LET'S GO.
DON'T MOVE!
WHAT THE HELL ARE YOU DOING?
YOU GIVE ME THAT TAPE!
GODDAMN, PUT DOWN THE GUN!
NO! NO, YOU'RE NOT LEAVING HERE
UNTIL I GET THAT FUCKING TAPE!
OK, OK, JUST SETTLE DOWN.
HEY, LOU, LEAVE HIM ALONE.
Lou: OR WHAT?
WHAT, ARE YOU GONNA SHOOT ME, JAKE, HUH?
JUST LEAVE--JUST LEAVE HIM ALONE.
NO, YOU STABBED ME IN THE BACK,
RIGHT HERE IN MY OWN HOUSE!
Nancy: LOU?
WHAT'S GOING ON?
Jacob: COME ON, LOU, PLEASE!
YOU KNOW I NEED THAT MONEY.
PLEASE, LOU, LEAVE HIM ALONE.
NO, LET ME DO IT! I NEED IT TOMORROW.
YOU KNOW, THEY'RE GONNA-- THEY'RE GONNA TAKE MY TRUCK.
PUT THE GUN--PUT THE GUN DOWN, LOU!
YOU SAID HE'S GOT A JOB. IT'S YOU AND ME, BUDDY.
WE'RE THE ONES--
WE'RE THE ONES WHO NEEDS IT.
HE JUST WANTS IT!
OK, OK, OK.
Jacob: OH, LOU, PUT IT DOWN.
NO! NOW, SHUT UP!
Jacob: PLEASE, LOU.
SHUT UP!
PLEASE, LOU, COME ON, MAN,
LOU, PLEASE, DON'T DO THAT.
DO YOU THINK HE'S YOUR FRIEND, HUH?
LOU, PUT IT DOWN!
HE DOESN'T GIVE A FUCK ABOUT YOU, DO YA?
COME ON, LOU, LET'S ALL SETTLE DOWN.
WE'LL TALK IT THROUGH.
COME ON--AAH!
JESUS!
THAT WAS AN INSINUATION.
LOU, FOR GOD'S SAKES.
PUT THE GUN DOWN, BABY.
LOU!
THIS--
THIS IS THE REAL THING.
LOU, NO!
NO, LOU, DON'T IT!
PUT IT DOWN!
AAH!
OH, GOD!
OH, MY GOD!
OH, MY BABY!
OH, MY GOD!
OH, MY BABY!
HANK, PLEASE STAY OUT HERE AND TALK TO ME.
DON'T--DON'T--
TELL ME WHAT'S GOING ON, HANK?
[NANCY SOBBING]
OH, MY GOD!
IT'S OK, NANCY.
CALL 911!
CALL--CALL THE COPS!
CALL 911. WE GOT TO DECIDE--
WE GOT TO DECIDE WHAT WE'RE GONNA SAY.
WHAT?
YOU SAW WHAT HAPPENED. IT WAS AN ACCIDENT.
YOU KILLED HIM.
HE GOT DRUNK, HE WENT CRAZY.
YOU KILLED HIM FOR THE MONEY.
NO, NO! YOU KILLED HIM FOR THE MONEY.
YOU CAN HAVE HIS SHARE.
YOU CAN HAVE IT.
YOU FUCKING THINK I LIKE JUST MONEY?!
GET!
YOU STAY OUT!
SETTLE DOWN.
GET OUT!
STOP IT!
WHAT ARE YOU DOING?
STOP IT! STOP IT!
TAKE IT EASY.
PLEASE! OH, MY GOD!
PLEASE!
NO. NO, I WASN'T GOING TO.
PLEASE!
NO, NO, NO, NO, I'M NOT GONNA--I WASN'T GONNA--
NO, YOU SAW WHAT HAPPENED. IT WAS SELF-DEFENSE.
NO, WAIT!
LET'S JUST TALK, OK?
FIGURE THIS OUT?
COME ON, WE GOTTA, OK?
AAH!
NO!
HANK.
HELLO, YES. THERE-- THERE'S BEEN A SHOOTING.
H-HANK MITCHELL.
I'M AT LOU CHAMBERS' PLACE,
COUNTY ROAD 27, JUST PAST THE BURNT ROAD.
THEY'RE BOTH...
THEY'RE BOTH DEAD!
OH...OH, GOD!
OH, GOD, PLEASE HURRY!
JACOB?
HEY, WHAT ARE YOU DOING?
HUH?
WHAT, ARE YOU GOING TO BE OK?
COME ON, WE CAN MAKE THIS WORK.
WE DON'T HAVE MUCH TIME.
NOW, LISTEN TO WHAT I HAVE TO SAY
VERY CAREFULLY, OK?
THEY WERE FIGHTING, OK?
THEY WERE BOTH DRUNK.
AND LOU STARTED PUSHING NANCY AROUND.
WHEN WE TRIED TO STOP HIM, HE GOT REALLY PISSED OFF,
AND--AND HE GRABBED HIS SHOTGUN.
AND SHE RAN IN THE KITCHEN AND GOT HER PISTOL.
YOU RAN OUT TO YOUR TRUCK AND GOT YOUR RIFLE,
BUT BY THE TIME WE GOT BACK TO THE HOUSE,
IT WAS TOO LATE. HE'D ALREADY SHOT HER.
H-HE...
HE WAS SHOOTING UP THE WHOLE PLACE.
THE CEILINGS, THE WALLS, EVERYTHING.
WHEN WE STEPPED IN THE DOORWAY,
HE SHOT AT ME, BUT HE MISSED.
SO HE AIMED THE SHOTGUN AT MY CHEST,
AND JUST BEFORE HE PULLED THE TRIGGER...
YOU KILLED HIM.
YOU SAVED MY LIFE.
SEE?
IT WAS SELF-DEFENSE.
COME ON, JACOB.
I NEED TO HEAR YOU SAY IT.
THEY WERE FIGHTING.
LOU GOT REALLY MAD.
HE SHOT THE WALLS, HE SHOT THE CEILING.
[SIREN APPROACHING]
THEN WHAT DID WE DO?
WE RAN OUT TO THE TRUCK.
YOU RAN OUTSIDE WITH JACOB,
'CAUSE, UH...
JACOB SAID, UH...
HE RAN OUT TO GET HIS RIFLE ON HIS OWN.
HE SAID, UH...
SEE, HE SAID, UH,
"LOU RAN YOU OUT OF THE HOUSE
AFTER HE SHOT NANCY."
JACOB SAID THAT?
HUH...
WELL, I SUPPOSE...
I CAN SEE
HOW IT MIGHT'VE SEEMED THAT WAY TO HIM.
BECAUSE...
HE DID...HE DID GO OUT TO THE TRUCK ALONE.
I FOLLOWED HIM, BUT...
THEN, WHEN I HEARD THE SHOT...
AND NANCY GOT KILLED...
I TURNED BACK TOWARD THE HOUSE...
I WAS ON THE PORCH.
WH-WHEN LOU STARTED OUTSIDE...
AND THAT'S WHEN I TURNED TO RUN OUT INTO THE YARD.
SO...
I GUESS...
I--I CAN SEE
HOW IT MIGHT'VE SEEMED THAT WAY TO JACOB,
THAT I WAS RUNNING OUTSIDE.
YEAH.
GO HOME, HANK. WE'LL, UH...
I THINK WE GOT
WHAT WE NEED FOR RIGHT NOW.
[BELL TOLLS]
"MAY THEY REST IN PEACE."
Group, together: MAY THEY REST IN PEACE.
"AND MAY THEIR SOULS
"AND THE SOULS OF ALL THE FAITHFUL DEPARTED,
"THROUGH THE MERCY OF GOD,
REST IN PEACE."
AMEN. AMEN. AMEN.
IN THE NAME OF THE FATHER, THE SON,
AND THE HOLY SPIRIT...
[BABY WHIMPERING]
HEY.
RTS]
OH, I THINK THE LITTLE BABY'S READY TO COME OUT.
MAYBE SHE'S GETTING A LITTLE COLD.
[BABY-TALKING]
WHOA...
YEAH...
[CRIES]
SHH...
[KNOCK ON DOOR]
[KNOCK KNOCK]
SHH...
WHO COULD THAT BE?
Tom: IT'S CARL.
HEY, CARL.
I HOPE I DIDN'T WAKE YOU, HANK.
I SAW A LIGHT WAS STILL ON.
OH, NO, NO.
JUST, YOU KNOW, GETTING READY FOR BED.
I HATE LIKE HELL TO HAVE TO DO THIS TO YOU, HANK.
I WAS, UH...
DRIVING OUT BY LOU CHAMBERS' PLACE, AND, UH,
I SAW YOUR BROTHER'S TRUCK
PARKED OUT IN THE MIDDLE OF THE ROAD.
I COULD BARELY SQUEEZE AROUND IT.
I FOUND HIM INSIDE THE HOUSE
PASSED OUT IN AN ARMCHAIR.
OH. NO, WELL, I APPRECIATE YOU BRINGING HIM HERE.
I--I MEAN, I HOPE IT WASN'T TOO MUCH...
I KNOW YOU GUYS HAD A REAL ROUGH TIME.
JUST...HAVE A TALK WITH HIM, OK?
AND I'LL TRY TO KEEP AN EYE ON HIM, TOO.
COME ON, WHAT THE HELL WERE YOU THINKING ABOUT?
HUH?
THAT'S THE LAST PLACE IN THE WORLD
YOU OUGHTA BE.
GOD, I JUST ABOUT HAD A HEART ATTACK
WHEN CARL KNOCKED ON THE DOOR.
WE GOTTA BE CAREFUL.
CAN'T TAKE ANY CHANCES.
GET YOURSELF OVER.
THERE WE GO.
COMFORTABLE?
ONLY I DON'T THINK I SHOULD BE HERE
IN THE BABY'S ROOM.
IT'S--IT'S CLEAN IN HERE.
[BABY CRYING]
WHAT? IT'S OK. THE BABY SLEEPS WITH US.
HEY, YOU REMEMBER THIS?
EVERYTHING GOES TO SLEEP.
YOUR HEAD GOES TO SLEEP.
REMEMBER WHEN DAD USED TO DO THAT?
YOUR HEAD GOES TO SLEEP.
YOUR SHOULDERS GO TO SLEEP.
YOUR ARMS GO TO SLEEP.
YOUR BACK GOES TO SLEEP.
HANK, DO YOU EVER FEEL EVIL?
I DO.
I FEEL EVIL.
YOU KNOW, MAYBE I CAN GET A FAMILY OF MY OWN NOW.
I MEAN, WITH THE MONEY AND ALL.
WHY? DON'T YOU THINK SOMEBODY WOULD MARRY ME
IF I'M RICH?
YOU DON'T NEED MONEY FOR THAT.
HANK.
HEY, COME ON.
WHAT ABOUT...
WHAT WAS HER NAME?
CARRIE RICHARDS?
SHE LIKED YOU
EVEN THOUGH YOU WERE BROKE-DICK.
OH, HER. YEAH.
THAT WAS A WHOLE DIFFERENT DEAL.
THAT WAS...
HER--HER FRIENDS,
THEY PITCHED IN 100 BUCKS ALTOGETHER
AND BETTED HER
THAT SHE WOULDN'T GO STEADY WITH ME FOR A MONTH.
JESUS, JACOB.
I...
I THOUGHT YOU GUYS HAD A THING.
I DON'T KNOW. IT...
IT WEREN'T THAT BAD.
I MEAN, ACTUALLY, IT WAS KIND OF COOL.
WE USED TO WALK AROUND TOGETHER A LOT, YOU KNOW.
TAKE WALKS, YOU KNOW?
AND, UH, WE TALKED ABOUT ALL KINDA COOL STUFF.
I HELD HANDS WITH HER ONE TIME.
WE WERE WALKING AROUND,
BUT MY HAND SWEATED SO MUCH SHE KINDA HAD TO LET IT GO.
I WAS NERVOUS, I GUESS.
BUT IT WAS COOL.
WHEN THE MONTH WAS OVER, SHE, UH...
YOU KNOW, KINDA WOULD SAY HI TO ME SOMETIMES
IN THE HALLWAY WHEN I'D SEE HER.
SHE DIDN'T HAVE TO DO THAT.
THAT WAS COOL OF HER.
GOD, HANK, YOU KNOW, I'VE NEVER--
I'VE NEVER EVEN KISSED A GIRL BEFORE.
AND YOU KNOW WHAT?
IF BEING RICH WILL CHANGE THAT,
I'M ALL FOR IT.
I DON'T CARE.
I JUST WANNA FEEL IT, YOU KNOW?
I JUST WANNA KNOW WHAT PEOPLE DO, YOU KNOW?
I DON'T CARE IF IT'S 'CAUSE OF THE MONEY.
HANK?
I'M GONNA BE HAPPY NOW, RIGHT?
SURE YOU ARE.
WE ALL ARE.
YEAH, THAT'S RIGHT.
WE ALL ARE.
YOU KNOW WHAT?
I'M GONNA, YOU KNOW, BUY BACK THE FARM,
YOU KNOW?
AND HAVE, UH...
AND HAVE A LOT OF KIDS,
'CAUSE I'LL MEET THIS NICE GIRL
AND SHE'LL BE REALLY COOL TO ME
AND BE REALLY NICE.
JUST NORMAL, A NORMAL WOMAN, YOU KNOW.
AND, UH...
AND THEN YOU AND SARAH WILL COME OVER
AND BRING AMANDA,
AND WE'LL ALL SIT AROUND AND TELL STORIES AND STUFF.
WE'LL DRINK ON THE PORCH
LIKE DAD AND UNCLE TED USED TO DO.
YOU KNOW?
YEAH.
HE NOD OFF ON YOU, JACK?
HEY, CARL.
GETTIN' A BIT THIN UP TOP THERE, HANK.
DON'T YOU HAVE ANY CRIMES TO SOLVE?
MAYBE.
THINK YOU COULD TRACK DOWN JACOB,
BRING HIM BY MY OFFICE TOMORROW AFTERNOON?
SURE. WHAT FOR?
MAN FROM THE FBI'S GONNA BE DRIVING THROUGH.
THOUGHT YOU TWO MIGHT BE ABLE TO HELP HIM OUT.
SEEMS THEY'RE LOOKING FOR A LOST PLANE.
HUH.
SEE YA ABOUT 3:00.
YOU BET.
Hank: MAYBE WE SHOULD JUST LEAVE.
TAKE THE MONEY AND THE BABY
AND JUST LEAVE THE COUNTRY.
STOP IT, HANK.
YOU'LL GO IN THERE
AND YOU'LL SEE WHAT HE KNOWS.
IF ANYTHING LOOKS BAD,
WE CAN ALWAYS MOVE THE MONEY.
IT'S STILL THE ONLY THING TYING US TO ANYTHING.
THE CONNECTIONS ARE JUST UNDER THE SURFACE.
SARAH, I MEAN, THINK ABOUT IT.
IT WOULDN'T BE THAT HARD
FOR SOMEBODY TO JUST PUT IT ALL TOGETHER.
THERE'S THE PLANE AND...
AND STEPHANSON.
THERE'S LOU AND NANCY.
YOU'VE GOTTA REMEMBER HOW PEOPLE SEE YOU.
YOU'RE JUST A NORMAL GUY,
A NICE, SWEET, NORMAL GUY.
THEY'RE GONNA KNOW.
NO, THEY WON'T.
NOBODY WOULD EVER BELIEVE
THAT YOU'D BE CAPABLE OF DOING WHAT YOU'VE DONE.
Hank: WELL, IT WAS SNOWIN' PRETTY HARD,
SO WE'RE NOT REALLY SURE,
BUT IT SOUNDED KINDA LIKE
AN ENGINE CUTTIN' ON AND OFF.
BUT THAT WAS IT.
WE DIDN'T HEAR ANYTHING MORE.
NO...NO CRASH.
NO ENGINE.
NOTHING.
ANYTHING YOU WANT TO ADD TO THAT, JACOB?
NO.
I CAN'T THINK OF ANYTHING.
THAT'S ABOUT IT.
IT WAS PROBABLY A SNOWMOBILE OR SOMETHING.
YOU KNOW?
WELL, GUESS THAT'S IT, GUYS.
THANKS FOR COMIN'.
MY PLEASURE, CARL.
GOOD TO SEE YOU, CARL.
NICE TO HAVE MET YOU. I'LL TALK TO YOU LATER.
DO YOU THINK YOU COULD TAKE US OUT THERE?
TO THE NATURE PRESERVE?
HAVE TO GO IN THE MORNING, I GUESS,
AFTER THE STORM PASSES.
C-CAN YOU TELL US WHAT THIS IS ALL ABOUT?
LOOKIN' FOR A PLANE.
Sarah: THERE'S NO WAY
IT'S FROM THE ARMORED CAR ROBBERY.
THIS ISN'T A GUESS, HONEY.
THE GUY FROM THE FBI TOLD ME.
[TIMER DINGS]
IT DOESN'T MAKE SENSE.
THE KIDNAPPING MADE SENSE.
HE'S LOOKING FOR A PLANE FULL OF MONEY.
I MEAN, HOW MANY OF THOSE CAN THERE BE AROUND HERE?
IT WAS HUNDRED-DOLLAR BILLS, HANK.
IF IT WAS AN ARMORED CAR ROBBERY,
THERE'D BE OTHER DENOMINATIONS.
THERE'D BE 50s AND 20s AND 10s.
WELL, CONGRATULATIONS, SARAH.
I GUESS YOU KNOW MORE THAN THE FBI.
HANK?
DID HE SHOW YOU HIS BADGE?
WHY WOULD HE SHOW ME HIS BADGE?
WAIT.
IT'S HIM, ISN'T IT?
IT'S THE OLDER ONE-- VERNON.
HE'S LOOKING FOR HIS BROTHER.
I GUY I MET TODAY WAS SKINNER.
HE DIDN'T HAVE A BEARD.
WELL, MAYBE HE LOST WEIGHT. MAYBE HE SHAVED.
WELL, THAT DOESN'T MAKE A DIFFERENCE, DOES IT?
I MEAN, NO MATTER WHO HE IS,
I STILL HAVE TO TAKE HIM TO THE PLANE.
WELL, IF WE THINK IT'S HIM, YOU SHOULDN'T GO.
WHY NOT?
BECAUSE HE'S GONNA SHOOT ALL 3 OF YOU, HANK.
AS SOON AS HE SEES THE PLANE.
THAT'S WHY HE WANTS YOU TO GO,
SO HE CAN GET RID OF THE WITNESSES.
BUT IF HE'S REALLY FROM THE FBI,
AND I DON'T SHOW UP,
IT'S GONNA LOOK SUSPICIOUS AS HELL.
I'LL CALL THE FBI IN THE MORNING.
I'LL ASK FOR AN AGENT BAXTER.
THAT WON'T WORK. I'M MEETING HIM AT 9:00.
THEY WON'T BE OPEN BEFORE THAT.
YOU CAN STALL THEM FOR A BIT.
AND, UH, I'LL CALL FROM HERE,
AND THEN I'LL CALL YOU AT CARL'S OFFICE.
AND WHAT IF THERE'S NO AGENT BAXTER?
THEN WHAT?
WELL, THEN YOU WON'T GO.
YOU CAN TELL CARL THAT THE BABY'S SICK
AND...AND THAT YOU HAVE TO COME HOME.
WHAT ABOUT JACOB?
SAY HE'S HUNG OVER.
CARL WOULD BELIEVE THAT.
WHOEVER THE GUY IS,
YOU DON'T WANT JACOB THERE.
IT SOUNDS LIKE A B.S. EXCUSE.
HANK, WHAT DO YOU WANT?
WELL-- WHAT DO YOU WANT?
DO YOU WANT TO JUST WALK OUT THERE
AND GET SHOT BY THIS GUY?
NO, I DON'T WANNA WALK OUT THERE
AND GET SHOT!
WELL, I'M TRYING TO COME UP WITH A PLAN.
A PLAN? LIKE THE ONE
TO TAKE THE MONEY BACK TO THE PLANE,
AND WE END UP KILLING STEPHANSON?
OR MAYBE THE ONE WHERE WE TAPE LOU,
AND 2 MORE PEOPLE END UP DEAD.
IS THAT THE SORT OF PLAN YOU'RE THINKING OF?
WELL, I'VE GOT A PLAN!
I'M TAKING THE MONEY BACK RIGHT NOW--
ALL OF IT.
HANK. NO!
I'M GONNA PUT IT BACK,
AND EVERYTHING'S GONNA BE
JUST LIKE IT USED TO BE.
[BABY CRYING]
Hank: THAT MONEY, GOD DAMN IT!
FUCKIN' MONEY!
IS THAT WHAT YOU THINK?
IS THAT WHAT YOU THINK YOU WANT?
WALKING OFF TO THE FEED STORE EVERY MORNING
FOR THE NEXT 30 YEARS,
WAITING FOR TOM BUTLER TO RETIRE OR DIE
SO YOU CAN FINALLY GET A RAISE?
AND WHAT ABOUT AMANDA?
DO YOU THINK SHE'S GONNA LIKE GROWING UP
IN SOMEBODY ELSE'S HAND-ME-DOWN CLOTHES?
PLAYING WITH SOME KID'S OLD TOYS
BECAUSE WE CAN NEVER AFFORD TO BUY HER ANYTHING NEW?
DON'T SAY ANY MORE.
AND ME.
WHAT ABOUT ME?
SPENDING THE REST OF MY LIFE, 8 HOURS A DAY,
WITH A FAKE SMILE PLASTERED ON MY FACE
CHECKING OUT BOOKS.
AND THEN COMING HOME TO COOK DINNER FOR YOU--
THE SAME MEALS OVER AND OVER AGAIN,
WHATEVER THE WEEK'S COUPONS WILL ALLOW.
ONLY GOING OUT TO RESTAURANTS
FOR SPECIAL OCCASIONS--
BIRTHDAYS OR ANNIVERSARIES.
AND EVEN THEN HAVING TO WATCH WHAT WE ORDER--
SKIPPING THE APPETIZER,
COMING HOME FOR DESSERT.
YOU THINK THAT'S GONNA MAKE ME HAPPY?
THAT'S ENOUGH.
NO, NO. I HAVEN'T DONE JACOB YET.
IT'S BACK TO THE WELFARE OFFICE FOR JACOB.
THE OCCASIONAL ODD JOB.
BUT WITH LOU GONE NOW...
JUST HIMSELF AND HIS DOG
ALL ALONE IN THAT FILTHY APARTMENT.
HOW LONG DO YOU GIVE HIM, HANK?
STOP IT!
SOUNDS WONDERFUL, DOESN'T IT?
EVERYTHING JUST LIKE IT USED TO BE.
[TELEPHONE RINGING ON OTHER END]
Man: FEDERAL BUREAU OF INVESTIGATION.
I WOULD LIKE TO SPEAK TO...
IS THERE AN AGENT NEIL BAXTER THERE?
WELL, IF JACOB CAN'T MAKE IT,
THAT JUST LEAVES MORE OF LINDA'S
HOMEMADE BREAKFAST TREATS TO GO AROUND.
HANK, GO AHEAD. HAVE ONE OF THOSE.
HELP YOURSELF.
THAT'S HER OWN SPECIAL CREATION THERE--
DEEP-FRIED DIETETIC DONUTS...
AND SO INEDIBLE,
YOU WON'T BE ABLE TO GET ENOUGH OF IT DOWN
TO BE BAD FOR YOU.
HEY, THIS GUY, UH...
YOU KNOW, THIS GUY BAXTER,
HOW YOU HIS BADGE OR ANYTHING?
BADGE?
YEAH. THIS IS KINDA STUPID,
BUT, YOU KNOW, I ALWAYS WONDERED
IF THEY LOOK LIKE THEY DO IN THE MOVIES.
YEAH? HOW'S THAT?
WELL, YOU KNOW,
KINDA BRIGHT AND SILVER WITH A BIG "FBI"
STAMPED ACROSS THE CENTER.
NOT REALLY.
HE SHOWED YOU HIS?
WELL, NO, BUT I'VE SEEN THEM BEFORE.
I WONDER WHERE HE IS.
WELL, YOU KNOW, I BET HE'D SHOW IT TO YOU
IF YOU JUST ASK HIM THAT.
HELL, HE MIGHT EVEN LET YOU HOLD HIS GUN
IF YOU ASK HIM REAL NICE.
[TELEPHONE RINGS]
YOU KNOW WHAT,
LATER ON, I COULD TAKE YOU FOR A RIDE IN MY TRUCK
AND MAKE THE LIGHTS FLASH FOR YOU.
YEAH?
CARL ? YES.
IT'S SARAH. HI.
I'M LOOKING FOR HANK. IS HE THERE?
YES, MA'AM. YOU FOUND HIM.
HE'S STANDING RIGHT HERE.
HE'S TRYING TO AVOID EATING
ONE OF MY WIFE'S HOMEMADE DONUTS.
HOW'S THE BABY?
WELL, SHE'S NOT DOING SO GOOD.
THAT'S PART OF WHAT I'M CALLING TO TELL HIM ABOUT.
I'M SORRY TO HEAR--
WELL, YOU PROBABLY BETTER TELL HIM THAT YOURSELF, OK?
ALL RIGHT. YOU TAKE CARE.
THAT'S YOUR WIFE.
HI, HONEY.
IT'S HIM.
WHAT?
IT'S HIM, HANK. COME HOME.
YOU GOTTA GET OUT OF THERE.
HANK?
I GOTTA STAY.
WHAT DO YOU MEAN YOU GOTTA STAY?
WE AGREED THAT IF I CALLED YOU,
THAT YOU WERE GONNA COME HOME.
[WHISPERING] What about Carl?
I DON'T KNOW. TELL CARL...
TELL HIM TO GIVE THE GUY THE DIRECTIONS
AND THAT YOU TWO WILL MEET HIM THERE LATER--
[KNOCK ON DOOR]
EVERYBODY READY TO ROLL?
HANK, HE'S GONNA-
HE'S GONNA SHOOT YOU BOTH.
Carl: READY TO ROLL.
HANK?
YEAH.
HANK?
HUH. YEAH. WELL, THEY'RE WAITING FOR ME, BABY.
I GOTTA GO.
Baxter: CARL, HOW YOU DOIN'?
GOOD MORNING. HOW'D YOU SLEEP?
YOU COME HOME, OK? PLEASE, BABY.
SARAH.
OK.
WAIT, HANK.
YEAH, I'LL SEE YOU THEN.
HANK!
OK. YEAH. YEAH, I'LL SEE YOU THEN.
GOD DAMN IT! DON'T!
I LOVE YOU, TOO.
WAIT. HANK?
EVERYTHING OK?
OH, YEAH. YOU KNOW, JUST, UH...
SOME CONFUSION ABOUT THIS EVENING'S PLANS.
WHERE'S YOUR BROTHER?
OH, UH, JACOB WON'T BE JOINING US THIS MORNIN
IT SEEMS HE TIED ONE ON AGAIN LAST NIGHT.
READY WHEN YOU ARE, HANK.
GOOD. LET'S GO.
[MAKING SMALL TALK]
OH, NO. YOU SHOULD'VE ASKED ME.
OH, HEY.
I FORGOT MY HAT.
I'LL CATCH UP WITH YOU GUYS.
WELL, GO GET IT. IT'S COLD OUT THERE.
YOU SAW THAT TRUCK RIGHT AROUND THE CORNER,
DIDN'T YOU?
SHIT.
[HORN HONKS]
Carl: OH, THIS IS THE PLACE, HANK.
I'M PRETTY SURE OF IT.
LOOK. RIGHT THERE IS THAT, UH,
NATURE PRESERVE SIGN.
THAT'S WHERE YOU GUYS WERE.
I GUESS YOU'RE RIGHT,
BUT I THOUGHT IT WAS A LITTLE FURTHER DOWN,
JUST, YOU KNOW...
AND, YOU KNOW, IF IT WAS OFF OVER ON THAT SIDE,
THAT'S FARMLAND OVER THERE.
THOSE FARMERS PROBABLY WOULD HAVE FOUND IT BY NOW.
THE BEST BET'S GOTTA BE OVER HERE IN THE NATURE PRESERVE.
SO I THINK THE BEST IDEA IS EACH OF US TAKE
A DIFFERENT SECTION OF THE WOODS--
OH, GOOD FOR JACOB.
THIS WILL MAKE THINGS GO FASTER.
Carl: BRING YOUR RIFLE.
WE'LL TAKE A DIFFERENT SECTION OF THE WOODS.
IF YOU OR I FIND IT, BAXTER,
WE'LL JUST FIRE A COUPLE OF SHOTS INTO THE AIR.
AND, UH, HANK, HERE, YOU TAKE THAT WHISTLE.
AND IF YOU FIND IT, JUST BLOW IT LOUD AS YOU CAN.
WE'LL ALL COME RUNNING.
I THOUGHT YOU WEREN'T UP FOR THIS.
I TALKED TO SARAH.
WELL, I GOT UP, AND I FELT BETTER.
YOU'RE RIGHT. YOU DON'T LOOK GOOD.
SOMETHING WRONG?
OH, I JUST--
I HAD A ROUGH NIGHT.
Carl: WELL, LET'S GO, GUYS.
I'LL TAKE THE CENTER.
ALL RIGHT.
[CAWING]
[GUNSHOT]
Carl: HEY! HEY!
CARL.
[GUNSHOT]
[WHISTLE]
[GUNSHOT]
WAIT, CARL!
CARL!
GET OUTTA THERE! RUN!
HEY! HEY! I FOUND IT.
IT'S RIGHT DOWN HERE.
PULL YOUR GUN ON HIM.
MAKE HIM SHOW YOU HIS BADGE.
WHAT?
HE'S GOT A GUN!
HE'S NOT FBI. HE'S LYING.
HE'S GOT A GUN.
WHAT ARE YOU TALKING ABOUT?
JUST DO IT!
I GUESS YOU MIGHT AS WELL JUST SHOW HIM YOUR BADGE.
ALL RIGHT, ALL RIGHT.
IT'S OK, HANK. HE'S GONNA SHOW YOU HIS BADGE.
DON'T TURN YOUR BACK!
AAH!
WHERE'S MY MONEY?
WHERE IS IT?
[CHAMBER CLICKS]
IT'S IN THE PLANE.
THEN GO GET IT.
COME ON!
YOU WAITING FOR SOMETHING, GENIUS?
DO IT!
OK. OK.
Baxter: COME ON! TODAY!
OK. I'VE GOT IT.
WHERE THE FUCK IS THE REST--
SO YOU HAD A PIECE, HUH?
BUT YOU'RE NOT THE COLD-BLOODED TYPE,
ARE YOU, MR. MITCHELL?
LOOKS LIKE WE'RE BOTH GONNA HAVE
AN AWFUL LOT OF EXPLAINING TO DO.
JUST ME.
JACOB?
HANK?
IT'S OK.
DON'T.
DON'T. DON'T.
MAYBE...
YOU'RE GONNA MESS IT UP.
MESS IT--MESS IT UP?
JUST LEAVE HIM BE.
OK.
YOU UNDERSTAND WHAT WE GOTTA SAY?
HUH?
WE'RE GONNA TELL THEM
THAT CARL LENT ME THE GUN TO SIGNAL
IF I FOUND THE PLANE.
THEN WHEN I SAW BAXTER SHOOT HIM...
WE CAN'T DO THIS, HANK.
WHAT DO YOU MEAN WE CAN'T?
WE'RE GONNA HAVE TO TELL ON OURSELVES.
NO, WE DON'T.
WE--WE CAN'T.
NO. NO.
NO. THIS IS GONNA WORK.
NOT ANYMORE.
YEAH.
YEAH, IT'S GONNA WORK.
IT'S PERFECT.
COME ON, JACOB.
WE JUST GOTTA GET THROUGH THE NEXT COUPLE OF HOURS,
AND THEN WE'RE HOME.
WE'RE HOME-FREE.
YOU WANNA BE HAPPY?
YOU WANT A WIFE AND KIDS?
ME AND YOU SITTING AROUND ON THE PORCH
DRINKING LATE AT NIGHT?
WELL, GOD DAMN IT,
THIS IS WHAT IT COSTS--
RIGHT HERE, RIGHT NOW.
COME ON.
LET'S GO OVER THIS AGAIN,
MAKE SURE WE HAVEN'T OVERLOOKED ANYTHING.
I WISH SOMEBODY ELSE HAD FOUND THAT MONEY.
WELL, THEY DIDN'T. NOW QUIT.
OK. BAXTER CAME DOWN HERE.
HE CAME UP BEHIND CARL.
I WAS OVER THERE.
YEAH, AND YOU WERE IN THE WOODS.
YEAH. YEAH.
YEAH. IT'S GONNA WORK.
IT'S GONNA WORK. YEAH.
W-WHAT ARE YOU DOING?
NOW PUT THIS BACK.
MAKE IT LOOK LIKE THE BAD GUY DID IT, HANK.
WHAT?
W-WE'RE ALMOST HOME.
I'M TIRED, HANK.
A-A-AND I DON'T CARE.
IT'S OK WITH ME.
I'M NOT--I'M NOT AFRAID.
NO, JACOB.
I'M NOT AFRAID. IT'S PERFECT.
STOP THAT, JACOB.
IT'S--IT'S PERFECT.
NO. NO.
COME ON, HANK. LET ME DO SOMETHING.
THIS IS-- THIS IS THE ONLY THING.
SEE, I DON'T WANNA SIT AROUND THE REST OF MY LIFE
THINKING ABOUT THIS SHIT. I CAN'T DO IT--
SIT ON THE PORCH AND DRINK.
I CAN'T DO IT, SO YOU'RE GONNA HAVE TO DO IT.
COUPLE MORE HOURS, WE'LL BE HOME.
YOU CAN DO THIS, AND IT'S GONNA BE PERFECT FOR YOU.
AND YOU GOT SOMETHING--
YOU GOT SOMETHING TO GO ON FOR, HANK, AND YOU KNOW IT.
I DON'T WANNA BE HERE.
NO.
NO. PLEASE, NO.
COME ON, HANK. LET ME DO SOMETHING.
YOU JUST TELL THE LITTLE GIRL THAT I--
THAT, YOU KNOW, THAT BEAR-- BEAR IS FROM ME.
YOU KNOW?
IF YOU LOVE ME, HANK, YOU'LL DO IT.
I'LL GIVE YOU A CHANCE. I WON'T LOOK AT YOU.
I WON'T LOOK AT YOU, HANK, BUT IF YOU DON'T DO IT...
THEN I'M GONNA DO IT,
AND THEN WE'RE GONNA BOTH GONNA BE FUCKED, AREN'T WE?
WE DON'T NEED TO BOTH BE FUCKED.
I'LL--I'LL DO IT, HANK, IF YOU DON'T. NO!
I'M TELLING YOU I WILL.
BOY, IT'S--IT'S FUNNY
ABOUT F-FINDING THIS FUCKING PLANE, WASN'T IT?
JACOB!
[SOBBING]
OH, JACOB!
TO SOMEONE WHO'S BEEN PROPERLY TRAINED,
THERE ARE MANY WAYS TO DETECT A LIAR.
THE SHIFTY EYES OF DETECTIVE NOVELS
HAVE A CERTAIN BASIS IN FACT.
A WOODEN OR STILTED TONE.
GESTURES THAT SEEM EITHER SLIGHTLY ROBOTIC
OR ELSE UNNECESSARILY EXPANSIVE.
DETAILS TEND TO BE VAGUE, SLIPPERY.
SOMETIMES THE SUSPECT WILL COVER HIS MOUTH
WITH HIS HAND WHEN HE SPEAKS.
DID YOU NOTICE ANYTHING LIKE THAT
IN THE GUY YOU SHOT TODAY?
HE WAS LYING TO YOU, MR. MITCHELL.
HE WASN'T FROM THE FBI.
HIS NAME WAS VERNON BOKOVSKY.
HIS BROTHER WAS IN THAT CRASHED PLANE
YOU FOUND OUT THERE TODAY.
BOKOVSKI AND HIS BROTHER
WERE THE GUYS WHO KIDNAPPED
THAT McMARTIN GIRL LAST NOVEMBER.
REMEMBER THE ONE THEY SHOT AND DUMPED IN THE LAKE?
4.4 MILLION IN RANSOM MONEY.
WANT TO TOUCH IT?
GO AHEAD. GO AHEAD.
[LAUGHS]
PRETTY HEFTY, HUH?
THAT'S ONLY PART OF IT.
WE'RE STILL TRACKING DOWN THE REST.
YEAH. IT'S JUST A MATTER OF TIME.
A MATTER OF TIME?
WELL--WELL, WE HAD THE MONEY FOR 2 HOURS
BEFORE THE KIDNAPPERS PICKED IT UP.
COULDN'T MARK IT.
WE WERE AFRAID THEY'D DETECT THE MARKINGS
AND KILL THE GIRL, SO, UM...
WE PUT TOGETHER A TASK FORCE OF 20 AGENTS,
AND THEY WROTE DOWN
AS MANY OF THE SERIAL NUMBERS AS THEY COULD.
WE MANAGED TO RECORD JUST
THAT'S 1 OUT OF 10 OF THE BILLS.
NOW IT'S SIMPLY A MATTER
OF WAITING FOR THE NUMBERS TO TURN UP.
CAN'T GO AROUND PASSING $100 BILLS
WITHOUT EVENTUALLY STICKING IN SOMEONE'S MEMORY.
Sarah: NO. NO.
NO, HANK. HANK! OH, HANK!
HANK, WE CAN RUN WITH IT.
WE COULD LEAVE THE COUNTRY.
WE COULD GO TO SOUTH AMERICA
OR TO AUSTRALIA OR SOMEPLACE FAR AWAY.
PLEASE, HANK!
AAH! AAH.
Hank: THERE ARE DAYS
WHEN I MANAGE NOT TO THINK OF ANYTHING AT ALL...
NOT THE MONEY...
OR THE MURDERS...
OR JACOB...
DAYS WHEN SARAH AND I
TRY TO PRETEND THAT WE'RE JUST LIKE EVERYONE ELSE...
AS IF NONE OF IT HAD EVER HAPPENED.
BUT THOSE DAYS ARE FEW AND FAR BETWEEN.