The autumn leaves are falling
and no doubt you're feeling the first tentacles of winter
creeping towards you as the evenings grow shorter.
But let this be of little concern, as you're gathering your kindling
and popping on your thermal underwear,
because now we give you 45 minutes of musical warmth.
My guest this week is a music legend,
part of the most successful girl group of all time,
with a dazzling solo career which has given her a myriad of
hit albums and number-one singles.
# I thought that we would just be friends
# Things will never be the same again
# It's just the beginning, it's not the end
# Things will never be the same again. #
My guest is Melanie C. Her first choice is Moloko.
# When you are ready I will surrender
# Take me and do as you will
# Have what you want Your way's always the best way
# I have succumbed to this passive sensation
# Peacefully falling away
# I am the zombie Your wish will command me
# Laugh as I fall to my knees
# Sing it back to me
# Sing it
# Bring it all back, sing it
# Can I control this empty delusion?
# Lost in the fire below
# When you come running your eyes will be ope-e-e-n
# And when you come back I'll be as you want me
# Only so eager to please
# My little song will keep you beside me
# Thinking your name as I sing
# Sing it back to me
# Bring it back
# Sing it back
# Bring it back
# Sing it back to me
# Bring it back
# Sing it back
# Bring it back
# Sing it back to me
# Can I control this empty delusion?
# Lost in the fire below
# And when you come back Your eyes will be ope-e-e-e-n
# Truth, do you hear me? Don't try to come near me
# So tired I sleep through the lie
# If you desire to lay here beside me
# Come to my sweet melody # Sing it back to me
# Come Back to me, back to me
# Come to my sweet melody
# Come
# Come to my sweet melody
# Sing it at ease
# Bring it all back
# Sing it
# Come to my sweet melody
# Bring it all back
# Come
Sing it
# Come to my sweet melody
# I'm coming Sing it back to me
# Bring it back
# Sing it back
# Bring it back, sing it back to me
# Bring it back
# Sing it back
# Bring it back, sing it back to me
# Bring it back
# Sing it back
# Bring it back, sing it back to me
# Bring it back
# Why don't you sing it back?
# Bring it back # Sing it back to me
# Sing it back, sing it back
# Sing it back to me
# Sing it back, sing it back
# Sing it back to me
# Bring it back to me
# Bring it back, back, back, back
# Back, back, back, back, back, back
# Back, back, back, back, back
# Back, back, back, back, back. #
CHEERING AND APPLAUSE
Thank you, Moloko.
Stay tuned to find out why
my special guest, Melanie C, chose that.
But first, let's welcome another iconic guest who is releasing
her first new music in over ten years.
The wonderful Mica Paris.
APPLAUSE
Welcome to my world, Mica. It's marvellous to have you here.
Marvellous to see you in EastEnders as well. Oh...!
Very hard to believe you as a villain,
but you are a brilliant villain.
Thank you very much.
I try, I try, but it is a bit... It's a different world.
Now, you've got a new record out.
What is this record and what inspired you to do it?
Well, it's called Gospel, the album,
and I have basically gone back to my roots, basically.
I've been literally running away from church my whole life
and now I've gone right back.
Run back?
Where was the church, where you were growing up? It was Lewisham.
I was raised in South London and my grandparents were ministers.
And this was what they always wanted me to do, was make a gospel album,
so I don't know what took me so long. So...
Nice. A record for Nan and Grandad.
What sort of songs have you got on there?
Well, it's called Gospel, but I kind of went for some other songs that
are really inspirational, you know, to me, that I grew up listening to.
I Want To Know What Love Is.
U2 - I Still Haven't Found What I'm Looking For,
Labi Siffre - Something Inside So Strong.
What a great songwriter. Yeah.
And gospel classics, like Precious Lord.
Well, let's talk about that one for a moment, because that song...
Some people might know it, some people might not,
but, in many ways, it's one of the most important songs
in American gospel music. That's right.
Thomas A Dorsey wrote this,
going from Georgia Tom, the bluesman, as he was. That's right.
And he played great blues music.
And then he had a horrible experience in his life,
and he's trying to get to his wife, she's very ill with his child
and it didn't work out well. So sad.
And he wrote this song, and then turned to writing gospel music
and he wrote Peace In The Valley and all this stuff.
This particular one, I think, was Martin Luther King's favourite song.
Yes. And Mahalia Jackson sang it at his funeral.
What a powerful song it is.
The thing is, in America, he is just seen as a living legend.
I mean, he is the godfather of gospel. Period.
So this is one of his finest moments.
Well, let's try and give it a go.
# Precious Lord
# Take my hand
# Lead me on
# Let me stand
# I am tired
# I am weak
# I am lo-o-one
# Through the storm
# Through the night
# Lead me on
# To the light
# Take my hand
# Precious Lord
# Lead me home
# When my way
# Grows drear
# Precious Lord
# Linger near
# When my light
# Is almost
# Go-one
# Hear my cry-y
# Hear my call
# Hold my hand
# Lest I fall
# Take my hand
# Precious Lo-o-ord
# Lead
# Me home
# Ho-oh-oh, ho-oh-oh, oh-oh-oh
# Yeah. #
APPLAUSE
The wonderful Mica Paris.
Before we meet Melanie C, let's see an emotive performance
by Dublin songwriter and producer David Balfe.
He started a solo project as an ode to friendship.
This took on a deeper resonance when his ex-bandmate, Paul Curran,
sadly took his own life.
From his debut album, here is a specially shot performance
from For Those I Love.
PIANO PLAYS
I have a love, and it never fades
From red garden sheds
To watching lads on steds knocking heads
From the 2x2 punk stage
To a warehouse rave
With a bloke we met on the way
Dancing till day
I have a love, and it never fades
Full of plights and gripes
Like Achilles who loves fights
Like you did, right?
Like we did, twice
I will love you beyond life
I have a love, and it never fades
You are God's son across the belly
Remembered by pictures on your telly
Your body laying in its glow
Surrounded by those you know
Crying for your words and your soul
And that final loss of your glimmer of hope
That we heard every time that ya spoke
And choked up rooms, and blocks, and venues
And lads and mots, with words that spoke soft of those lost
Now we send you off on funeral cloth.
# I have so many doubts
For me best mate, Paul Curran.
Rest in peace, brother. I miss you every day.
# I have so many doubts. #
DANCE BEAT STARTS
I have a love, and it never fades
From the space where we learned to be brave
And face guards, grief, and knaves
And late days that could shame and break saints
With the weight of the city's hate from the smothering state
But every cent we could take
Went on the art that we'd make
We'd go straight through the day on a rake of empty plates
Up to eight of us poolin' ten quid to make something great
So our love will never fade
Our love will never fade
I have a love, and it never fades
Now a long way from school days
Sharing books at big break
With the two of us, and Barry and Craig
Talking tunes and poems with too much weight for our age
But the love that remains would shape the memory that stays
Even now I can see your face when those chords are replayed
Your arm around me shoulder in teenage embrace
"Tell all your friends", I'd say
And a year ago or so
I played this song for you on the car stereo in the night's breeze
This bit kicked in with its synths and its keys
And you smiled as ya sat next to me
You in the front
Gilly in the back-seat going 90
The other boys stompin' feet
And me in utter disbelief from the joy in the break in the beats
We got out and stood, by the Kia Rio caged stage
And I felt like I had it all
Cos I have a love, and it will never fade
And either will you, Paul.
DANCE MUSIC CONTINUES
Thank you so much, For Those I Love.
And now, as promised earlier,
I'm joined by my wonderful guest this week, Melanie C.
APPLAUSE
Thank you.
Great to have you here. First of all, before we go any further,
Moloko... Yes. ..is your first choice
that we saw at the beginning of the show.
Tell us why you chose Moloko.
I love Moloko and I think I was drawn to this because recently
Roisin Murphy released a fantastic album,
and I just started listening to her more and kind of going back,
and I've actually sang that song on stage.
It made me realise what a fantastic lyricist she is,
as well as vocalist... Yeah.
..because when I think of Roisin and I think of Moloko,
I think of the visual.
You know, she's so visually creative.
She always looks incredible.
I love that performance where, you know,
she is maybe going to find Narnia or something,
getting into the flight case.
And the vocal is still on point.
Roisin Murphy, a very charismatic artist. Let's go back.
Where does music start for you in the first place?
What's the first music you heard?
My first memory of hearing music,
I was in a cake shop... I don't know why
you have these funny vivid little memories, don't you?
And I think, at the time, looking at when this song was released
and my location, I must have only been about three or four.
And it was Kate Bush - Wuthering Heights.
I just heard the song on the radio
and it just, like, caught my attention.
So that's my very first memory of hearing music
and kind of responding to it.
And then my great memory growing up is my mum's vinyl collection.
My mum is a big Motown fan and I grew up just outside Liverpool,
so of course, everybody has to have
this musical education of The Beatles...
But there was bands like Fleetwood Mac
and The Rolling Stones.
Were your family musical?
Well, my mum is a singer, my step-dad is a bass player
and my other memory growing up,
which at the time was a bit of an annoyance,
was there was always musicians in the house.
There was always rehearsing. Then, fast forward years later
and I will sometimes have musicians over to my place
and if we're doing a little acoustic thing or rehearsing,
I remember when my daughter was very little with her Peppa Pig guitar,
she'd be joining in.
And it just made me think about,
wow, it is a lovely thing to have as a kid.
Do you think that gave you a sort of confidence
to later on be involved in music yourself,
because you'd grown-up around musicians?
Do you know, I think it actually worked in the other direction,
because my mum had a deal, I think it was early '70s,
and it didn't work out for her.
So I just grew up knowing it was really hard to work in music.
So, I also loved to dance.
And I went to performing arts college and I thought,
"I know, I'll be sensible about this.
"I'll look at working in theatre."
Not realising that, actually, to work in theatre
is equally as difficult.
But I was just so lucky in ending up in the place I did,
being in a girl band.
Your next choice is KT Tunstall... Yes.
..Black Horse And The Cherry Tree.
Marvellous, KT Tunstall.
Did you see this when it went out? I did.
And I had to choose this performance cos obviously
it was the performance that drew everybody's attention to her.
And I love the story she tells about it.
People are going to have to look out for this now when they watch it.
She talks about the mohair legwarmers,
where she'd cut-off the arms from a mohair jumper
and thought it was a great idea to wear them on the show.
What I love about this performance as well is, you can see...
Cos I've been lucky enough to do the show myself,
and you know, you've got all the artists around,
it can be quite intimidating.
But you can just see that everyone's, like,
so engaged with her.
# Woo-hoo
LOOP PEDAL: # Woo-hoo
# Woo-hoo
# Well, my heart knows me better than I know myself
# So I'm gonna let it do all the talking
# Woo-hoo
# I came across a place in the middle of nowhere
# With a big black horse and a cherry tree
# Woo-hoo
# But it won't come back cos it's oh-so-happy
# And now I've got a hole for the world to see
# Woo-hoo
# And I said no, no Woo-hoo
# No, no, no, no Woo-hoo
# I said, no, no Woo-hoo
# You're not the one for me Woo-hoo
# No, no Woo-hoo
# No, no, no, no Woo-hoo
# Said, no, no Woo-hoo
# You're not the one for me
# Woo-hoo
# Said, no, no, no Woo-hoo
# No, no, no Woo-hoo
# No, no Woo-hoo
# You're not the one for me Woo-hoo
# No, no, no Woo-hoo
# No, no Woo-hoo
# You're not the one for me Woo-hoo
# Do-do-do-do-do-be-do Woo-hoo
# Do-do-be-do Woo-hoo
# Do-do-do-do-do-be-do Woo-hoo
# Do-do-be-do Woo-hoo
# Do-do-do-do-do-be-do Woo-hoo
# Do-do-be-do Woo-hoo
# Do-do-do-do-do-be-do Woo-hoo
# Do-do-be-do Woo-hoo
# Well, there was a big black horse and a cherry tree
# I can't quite get there cos my heart forsaken me
# Big black horse and a cherry tree
# I can't quite get there cos my heart forsaken me
# Big black horse and a cherry tree
# I can't quite get there cos my heart forsaken me
# No, no, no
# No, no, no, no
# No, no, no
# My heart forsaken me
# Big black horse and a cherry tree
# I can't quite get there cos my heart forsaken me
# Big black horse and a cherry tree
# I can't quite get there cos my heart forsaken me. #
APPLAUSE AND CHEERING
The dazzling KT Tunstall with Black Horse And The Cherry Tree from 2004.
And, of course, in lots of ways, it was the strength of her attitude.
In other words, she couldn't afford a band,
so she thought, "Well, I'll just do it all myself."
She was one of the sort of first people of that period to then
come and think, "Well, I can just do this with a guitar." Yeah.
Like Ed Sheeran has then taken that idea... Yeah, absolutely.
..and gone sort of ballistic with it.
She was the innovator, wasn't she?
So you went to study dance at first, not music. Mm-hm.
Then how did the thing with the Spice Girls come about?
I know you've been asked this before,
but it is interesting because, let's remember
that Spice Girls are the most successful girl group of all time.
A complete phenomena of iconic...
You know, when we were on tour I was in a shop
and there was a doll of you. I got a...
SHE LAUGHS
I thought, "Wow, that really is..."
It's like a Beatle or Louis Armstrong or something,
it's an iconic thing. Yeah.
What's the jump where you're in the dance school into the Spice Girls?
When I completed my three year course at performing arts college
I was auditioning for all kinds of things, lots of West End things.
I was in a dance studio in London and someone handed me a flyer
and it was for an audition for a girl band.
And I turned to a friend of mine and I said,
"That's it, that's what I'm going to do."
So I went along to the audition and we all had to dance.
I think there was a few hundred girls there.
And then you were called back...
..whether they wanted to see you to sing.
So I went back and I was called back for another recall.
And when this recall was taking place, I was actually really sick.
I had tonsillitis - I couldn't even speak, let alone sing.
And I begged my mum to give them a call and say,
"You know, Melanie, give her another week, just to recover
"cos she really wants to come sing for you.
And they were like, "No, sorry, too late, we've got the girls now."
Then a couple of weeks later, another phone call
and they said, "Oh, look, one of the girls hasn't worked out,
"could Melanie come down and sing for us?"
So I went down and there was a girl called Geri,
a girl called Victoria, another girl called Melanie
and a girl called Michelle.
And I went in, I met the girls and I sang...
I think I sang Signed, Sealed, Delivered.
And from that moment on I was in the band.
So we started working together and one of the girls...
People won't be surprised to hear, Michelle,
because you don't know who Michelle is.
..was a little bit undecided.
She wasn't as committed as the rest of us.
She didn't know whether to go to uni or to pursue this thing.
So that didn't work for us, cos the other four of us
were super gung ho, we knew what we wanted to do.
So then comes in a girl called Emma.
Something happened, this dynamic began.
And that's when we started to feel very excited.
And that's really when the Spice Girls started.
And went on to be
the biggest world phenomena of a girl group there has ever been.
Yeah. And extraordinary, feature films and everything.
Well, we'll talk more about that in a moment.
But let's now talk about your next choice,
which is Supergrass.
I love Supergrass. I miss them, actually.
Especially watching this again.
They are magnificent as a band.
I love this song.
Lyrically, it's actually about touring.
And how monotonous parts of that lifestyle can be.
Also, it should be said, you were on the same show,
so it was your first solo.
Yeah, so, I was opposite them,
and obviously being a little Spice Girl doing my first solo outing,
being opposite Supergrass, you know,
this kind of Britpop band, I thought, "Oh."
You know, I was a bit scared, and they were so lovely
and it was an incredible experience.
And yeah, dear memories.
# Moving Just keep moving
# Well, I don't know why to stay
# No ties to bind me
# No reasons to remain
# Got a low, low feeling around me
# And a stone-cold feeling inside
# And I just can't stop messing my mind up
# Or wasting my time
# There's a low, low feeling around me
# And a stone-cold feeling inside
# I've got to find somebody to help me
# I'll keep you in mind
# So I'll keep moving Just keep moving
# Well, I don't know who I am
# No need to follow
# There's no way back again
# Moving, keep on moving
# Where I feel I'm home again
# And when it's over
# I'll see you again
# Got a low, low feeling around me
# And a stone-cold feeling inside
# And I just can't stop messing my mind up
# Or wasting my time
# There's a low, low feeling around me
# And a stone-cold feeling inside
# I've got to find somebody to help me
# I'll keep you in mind... #
APPLAUSE AND CHEERING
What a fantastic voice Gaz Coombes has, isn't it? Amazing.
So that was Supergrass in '99.
And you were on that same programme.
What I had forgotten,
there's a unique moment on our show where we leave,
I had my old Velocette motorbike and we leave on it.
But I'd like to finish the show with that little clip,
so people can just wait for that little bit at the end,
a nice little going off into the sunset moment. Yeah. So stay tuned.
So, the Spice Girls.
I mean, you could talk for hours about the Spice Girls,
that's a whole sort of world,
but although you all had that dream, you know,
here we are in the room now,
the final members are there and we think
"Oh, this is the thing that's going to work. "
But it must have really come as a surprise
to get the incredible global success that you had?
Do you know, what's funny about us girls,
it's so funny looking back
because we didn't allow anybody to have any doubt.
We were just single-minded and that was it.
We feel like, you know, who knows what makes things become successful?
We don't know, do we? But we think that's a big part of it, our belief.
It's funny because obviously we shouted about girl power,
but we never started doing that, we just wanted to make music.
We just wanted to be on stage, we wanted to travel.
And we did experience some sexism within the industry.
We were told, "Girl bands just don't sell records.
"Girls buy records by boys."
And we were like, "Hang on a minute, we've got a point to prove here."
And that was amazing for us
cos it set us on our little mission, really.
And little did we know how important that would become.
And then we were back on stage,
2019 we did the stadium tour here in the UK and Ireland
and it was an incredible moment,
because obviously all of our fans have grown-up now.
They're all kind of around the 30 age.
And we just realised this impact that we have had
on this generation of young people and continue to have, really.
There was younger people there and we get lots of little ones
coming up to us who have been introduced to the Spice Girls.
So it just made us feel, like, so privileged
that we'd had that opportunity
which, in some ways, was quite accidental.
But it became our mission and it continues on now.
The Spice Girls is an entity. It has its own life, you know?
And I think also your having the film,
the Spice World film, was an important part, a bit like, I think,
a lot of people discovered The Beatles' music through their film.
Well, a funny story about that -
so, Billie Eilish's mum and dad are big Spice Girls fans
and she saw the film with her brother Finneas and they watched the
movie growing up, but she thought we were, like, a put-together band
just for the movie, so she didn't even realise it was actually a band.
So, I think you're right.
People do watch and you were my co-star in that movie.
Well, I had a very small part. Our MD. Small but important.
I don't say any words, but I say some numbers. I count everybody in.
No, it was a thrill, and also I had so much credibility after that.
Suddenly all these, you know,
my daughter's friends all wanted to be my friend at last.
Well, I think there are so many great cameos in the movie
and I think most people did it
for their children, you know, so it was amazing.
And also it had that same thing of...
Like the Marx brothers or like The Beatles,
it had that humour about it, which was charming.
You then of course go on to have a tremendously successful solo
career after the Spice Girls have sort of finished,
or for that period, but we'll talk about that in a moment,
but first let's talk about your next choice, which is Jessie Ware.
Yes. So, I adore her. What an incredible woman.
I was lucky enough recently to do her podcast that she does
with her mum and, you know, I was aware of her music,
a big fan of her music, but then just meeting the person, you know,
and it just kind of elevates everything, and this particular
performance that we are going to see from the show is really beautiful.
What I love about Jessie is, you know,
she has quite a lot of drama in her work, she is very soulful,
and I just love that mix of, kind of, the traditional soul
but, you know, very electronic sound to it as well.
It's a beautiful sound that she just kind of created which is her own.
And I mean, I'm always drawn to vocals as well,
and the vocals on this performance are outstanding.
# You're special
# Yours truly
# You pull me
# Deep into my deepest desire
# Can you meet me in the midnight?
# Call me, hit me, cos I know you
# And you know me
# When I'm fading
# You're the only one who inspires
# Can you meet me in the midnight?
# Maybe I love you
# Maybe I want to
# Maybe I need you
# Oh, yeah
# Don't let me fall through
# Now that I need you
# I feel this magic is never gonna fade
# I ain't got nothing to say
# But you're precious
# And I'm scheming
# I keep dreaming
# About a world where we are an item
# Can I miss you in the daylight?
# Whenever you're around, I'm lifted
# So lifted, oh, yeah
# And this moment is made for you and I to go higher
# Higher
# Can you meet me in the midnight?
# Maybe I love you
# Maybe I want to
# And maybe I need you
# Oh, yeah
# Don't let me fall through
# Now that I need you
# I feel this magic is never gonna fade
# I ain't got nothing to say
# I feel this magic
# I feel this magic away
# Can you meet me in the midnight?
# Maybe I love you
# Maybe I want to
# Maybe I need you
# Oh, yeah
# But don't let me fall through
# Now that I need you
# I feel this magic is never gonna fade
# I ain't got nothing to say
# Maybe I love you
# Maybe I
# Maybe I want to
# Maybe I need you
# And I love you
# Oh
# Now that I need you
# Oh, yeah
# I feel this magic is never gonna fade
# Maybe I need you. #
Jessie Ware. What a wonderful choice from 2017.
After the Spice Girls,
you have had the most success doing your own records.
You've had number one singles, top ten albums,
lots of great success all over the world, and when you leave
the Spice Girls it's like, how can you kind of top that, sort of thing.
It must have been quite a challenge. Did you find that difficult?
Do you know what? I think it's a bit of a journey, isn't it,
when you do that. I mean, obviously, being part of the Spice Girls
you are never going to top that,
and I think when I first started with my first
solo record I was so determined to be seen as something else, you know,
because I suppose I just didn't appreciate it as much as I should
have, and, you know, I loved being Sporty Spice, but I was frustrated.
I wanted everyone to see there's more to me than that,
but you can't change, you know, people's perception or
opinions, you know, you've just got to do your thing, so I think I had
my little rebellion - cut my hair off, you know, got a bit punky -
and then I just kind of kept trying to find, you know, what was right,
and I suppose every record I've made has been a little, you know,
snapshot of that moment in my life, both stylistically and lyrically
and then, you know, cut to being back onstage with the Spice Girls
last year and I realised that, you know, trying to not be Sporty Spice
is futile because I am her, you know - it's not something I become.
It's just within me,
and it just felt like it was time to just really embrace that and
all aspects of myself, and that's what's inspired this new album.
And the new album - which has been incredibly well
received by everybody - there's some great songs on the record.
I really like Escape. That's one I like.
One of the great things about releasing an album at this
time is that I felt really compelled to create lots of content,
you know, because people can't go out.
You know, they can't go out, they can't have fun,
they can't be distracted from everything else that's going on,
so we've actually released four singles and we've made four
videos and that's been really fun and we did the live stream as well.
# Wide awake but you're sound asleep again
# If it works for you then I'll take the heat again
# Running outta people you can call your friend
# So why don't you just blame it on me? #
Blame It On Me.
From Colour and Light live stream event, marvellously done.
Really great, and the record -
congratulations, it's a great record.
Thank you, yeah, it's been wonderful.
It was lovely to do the stream, actually, because we wanted
to think about looking forward to touring, so, you know,
creatively that would give people a taste of what they can expect.
Well, I think we are all looking forward to seeing you on tour again
or being on tour again. Yeah.
You were saying earlier how unusual it is to not be able to do that,
because you've spent your life touring.
It's part of your character. It's part of your nature. Yeah.
I mean, for instance, I spoke to Ruby Turner,
and she said she's been in her garden.
She's been gardening. I hope she's been singing in her garden.
She's a marvellous singer, of course.
Because if she's not been singing then that is a crime. Yes.
I love Ruby. Yes, exactly, we love Ruby. Now, your next choice is MO.
So, she's Danish, yeah, and she is amazing.
She talks about her influences from The Spice Girls to Sonic Youth,
you know - so you couldn't get more diverse -
and when I watched her perform I was just captivated by her
because she's one of those performers that she's got
an incredible voice, but not only that - like,
her whole body just expresses what she's singing, you know,
she's so free, and I think she was a Sporty fan as well, and I just...
I love the physicality of her performances and I was lucky
enough to sing with her at The Roundhouse, actually - she invited
me down - and she's done a brilliant cover of Say You'll Be There.
Her music's very electronic, you know, it's very modern,
and she did this brilliant version. It was a surprise that I came on.
But during that performance she was, like, stage diving, you know,
crowd surfing, and she's just a force of nature.
I just love her.
Well, it's been fantastic having you as our guest here this evening.
Thank you for joining us, Melanie C! Thank you.
Thank you for joining us on this series. I hope you've enjoyed it.
You can see the programmes on the iPlayer, you can listen to them
on BBC Sounds and we will be back - we hope - with the Hootenanny.
Thank you, Melanie C!
# Please, won't you wait?
# Won't you stay?
# At least until the sun goes down
# When you're gone, I lose faith
# I lose everything I have found
# Heart strings, violins
# That's what I hear when you're by my side
# Yeah, that's what I hear when you're by my side
# But when you're gone the music goes
# I lose my rhythm, lose my soul
# So hear me out before you say the night is over
# I want you to know that we gotta, gotta carry on
# So don't let this be our final song
# So hear me out before you say the night is over
# I want you to know that we gotta, gotta carry on
# So don't let this be our final song
# Baby when we were young
# There was nothing to make believe
# And the songs that we sang
# They were written for you and me
# Melodies on repeat
# That's what I hear when you're by my side
# Yeah, that's what I hear when you're by my side
# But when you're gone the music goes
# I lose my rhythm, lose my soul
# So hear me out before you say the night is over
# I want you to know that we gotta, gotta carry on
# So don't let this be our final song
# So hear me out before you say the night is over
# I want you to know that we gotta, gotta carry on
# So don't let this be our final song
# Take us to a higher ground
# Here and now, whatever you do, just don't look down
# Underneath the disco light, it's all right
# We could make the perfect sound
# But when you're gone the music goes
# I lose my rhythm, lose my soul
# So hear me out before you say the night is over
# I want you to know that we gotta, gotta carry on
# So don't let this be our final song
# So hear me out before you say the night is over
# I want you to know that we gotta, gotta carry on
# So don't let this be our final song
# Take us to a higher ground
# Here and now, whatever you do, just don't look down
# Underneath the disco light, it's all right
# We could make the perfect sound
# Take us to a higher ground
# Here and now, whatever you do, just don't look down
# Underneath the disco light, it's all right
# Don't let this be our final song. #
Come with me.
Thanks so much. I hope we'll see you all again next series.