这是我们为电影 送乡人 做的钢琴 The piano we built for this movie "The Homesman",
问题是 它是暴露在外的 the problem with this is that it's out in the elements,
容易损坏 and it disintegrates.
马可 贝尔崔米 拆弹部队 决斗犹马镇 惊声尖叫
但是我认为对一架钢琴来说 这种死亡是荣耀的 But I think it's a noble death for a piano.
在这部电影中 风是一大特色 The wind is a big feature in the movie
我们认为如果能将风加进曲调中效果会很棒 and we thought that it'd be great to be able to tune the wind.
听起来妙极了 It sounds really amazing.
这就是试验中最大的乐趣 This is part of the fun of experimenting.
你懂的 当你搞明白一件事 You know, you figure this stuff out.
有趣的事情发生了 One interesting thing that happens
声音通过金属线传递 is the sound travels through the wire
比在空气中传递的速度快一些 faster than it travels through the air,
然后你听到了一种很酷的回声 so you get this reverse echo, which is really cool.
你甚至不用对声音做任何的处理 You don't even have to put any effect on the sound at all.
我的意思是 你可以听到它一路飘向山谷里 I mean, you can hear it all the way down in the valley.
这不仅仅是做一件所谓很酷的事情 It's more than just the concept of doing something cool
好似从未有人做过 更多的是其中的乐趣 that nobody's done before. It's more fun.
武士之殇飘扬在山丘之上 Samurai's death here, on the hill.
当你听到 洛奇 这首歌 When you hear "Rocky"...
在场的观众都知道发生了什么 Everybody in the audience knows what's going on.
作曲家也是讲故事的人 The composer is a storyteller.
有时候 音乐有能力塑造 转变 Music has the ability to shape and in some cases alter
甚至推翻电影制作人的叙述 or even subvert what the filmmaker is communicating.
配乐就是电影的心脏和灵魂 The score is the heart and the soul of the film.
电影配乐可以让刺激的一幕变得更惊心动魄 Film music can make an exciting scene more exciting.
我们降它称之为 情感乳液 We call it "emotion lotion",
因为我们可以让你体会到我们想让你体会的东西 because we can make you feel anything we want you to feel.
它能够在一定程度上 It's being able to communicate on a level
进行画面无法进行的一些交流 that they can't tell in pictures.
好的电影配乐可以振奋人心 Great film music can elevate.
音乐一直都是 music has always been
电影体验的一部分 a part of the cinema-going experience,
早在1895年 卢米埃兄弟 as far back as 1895 when the lumière brothers
在法国进行尝试 were experimenting in Paris.
在过去 确实 In the earliest days, it is true,
音乐被认为是 music was thought of as something
乔恩 伯林格姆 电影配乐历史学家
用来掩盖放映机的噪音 to cover up the noise of the projector.
默片从来都不是无声的 Silent films were never silent.
连最小的尼克点唱机都至少要有一个钢琴师配乐 There was at least a pianist in the smallest nickelodeons,
有时 为电影和琴声搭建桥梁的就是这个电影配乐琴 and sometimes the bridge between them was a theater organ.
莱昂那多 马尔丁 电影历史学家
当时生产电影配乐琴的商家很多 There were many theatre organ makers,
当时生产最多 but the one that produced the most organs,
比尔 菲尔德 风琴家
也被认为是最好的电影配乐琴 and is thought to be probably the best
是沃立舍 is the name wurlitzer.
它向人们展示了 一个配乐师是如何让一部 They showed how a person could bring to life
原本无声的电影起死回生的 the movies that were otherwise quiet.
他们要么是按照印刷好的谱子弹奏 They either did a score that was printed for them,
要么是自己自由发挥 or they improvised and created their own.
他们逐渐成为人们观影经历的一部分 They were made part of the moviegoing experience.
在好莱坞 许多人都对配乐这一概念 A number of people had toyed
持非常随意的态度 with the idea of scores in Hollywood.
马克思 斯坦纳1993年给电影金刚的配乐 Max Steiner's score for "King Kong" in 1933
可以称之为一个里程碑 was a landmark.
马克斯 斯坦纳 金刚 飘 卡萨布兰卡
当金刚上映时 When "King Kong" came out,
等等 电影里有管弦乐队演奏 "Wait a second. Orchestra music in a movie?"
克里斯托弗 杨 猛鬼追魂 堕入地狱 险恶
他这么做的唯一原因是 the only reason he was able to do it
这部电影不够吓人 is because the movie wasn't scary.
它看起来低俗 愚蠢 It looked kitschy and stupid,
因为它 确实又低俗又愚蠢 because it was so... It was kitschy and stupid.
大卫 纽曼 冰河世纪 野鸭变凤凰 安娜斯塔西娅
但是他将配乐加进去后 But then he put that music in.
完全改变了这部电影 让电影变得非常惊悚 It completely changed the movie. It made it frightening.
人们以前没有这样做过 People had not done that before.
这真是第一首专业配乐 It was really the first major score
它无可争议地证明了电影中配乐的力量 that demonstrated conclusively the power of music in film.
阿尔弗雷德 纽曼来自美国康涅狄格的纽黑文市 Alfred Newman came from new haven, Connecticut,
阿尔佛雷德 纽曼 西部开拓史 青山翠谷 彗星美人
在电影配乐史上是个标志性人物 an iconic figure in the history of film music.
这是有利于表现号和木管乐器的声音。 A sound that favors horns and woodwinds.
阿莫斯 纽曼 电影配乐代理
我的父亲是阿尔弗雷德 纽曼 My father was Alfred Newman.
他1930年来到洛杉矶 In 1930, he came to L.A.
他在二十世纪福克斯呆了二十年 He was at 20th century fox for 20 years.
福克斯的标志 可能是有史以来最出名的一个 The fox logo... arguably the most famous logo ever written...
那个商标不是给福克斯的 是给米高梅的 但是被拒绝了 It wasn't written for fox, it was written for goldwyn and it was rejected.
然后他用做福克斯的商标 刚好达里尔·扎纳克很喜欢 And then he used it for fox and Darryl zanuck loved it.
没有什么可以做到像管弦乐队一样 我是说节奏速度方面 There was nothing like that orchestra. I'm talking about rubato.
它就是逐渐慢下来然后以一种极具感染力的方式再加速 It means "slowing down and speeding up in an expressive way".
你永远也这样读句子 You would never read a line of text like,
我今天去了商场 "I went to the market today."
语言要有一个 一个构造 You'd have a... you'd have a structure of a phrase.
在音乐中 这个是超级重要的 That is so uber important in music.
他们逐渐在配乐方面成为了专家 They became expert at making that musical.
也有助于给我们所认为的好莱坞经典之声下一个定义 That helped define what we know as the classic Hollywood sound.
伯班克（位于美国洛杉矶县，毗邻好莱坞）
德伯尼建筑
定点会议 是我们第一次 A spotting session is the first time
坐在一起看这部电影 we all get together, look at the movie,
来决定什么时候音乐响起 and decide where the music's gonna go,
用什么类型的音乐 and what type of music it's going to be.
约翰 戴布尼 耶稣受难记 罪恶之城 公主日记
所有的电影 开始的20分钟 All movies, the first 20 minutes
都很慢 因为我们放的是管乐 are too slow because we're laying pipe.
加里 马歇尔 导演
所以我们是想要音乐不那么疯狂 So we want the music to be something but not crazy.
定点会议的目的是和制片人进行对话交流 The goal of a spotting session is to have a dialogue
很可能是放在最后 with the composer that you've probably been postponing.
我已经完成了工作 设计 I've done my work, I've done my design,
詹姆斯 卡梅隆 奥斯卡获奖导演
电影也完成了选角 也拍摄完毕了 I've cast the movie, I've shot it.
我们已经完成了漂亮的镜头摄制 We've done all our beautiful photography,
完成了超级精彩的剪辑 we've done all our super-brilliant editing.
现在就是尝试进行交流 Now it's going through and trying to communicate
我心中都听到了哪些声音 what I've heard in my mind.
啊 母亲 Ah, mothers.
母亲就像我们的磐石 Mothers are our rocks.
所以应该是 展开马路上的画面 So it says "open road pictures",
然后我们可能就不会把镜头转到前门 then we're going to cut to possibly not the front door
而是拍门前面的区域 but a shot before the front door
- 这样就确立了房子的位置 - 明白了 - that establishes the house. - Got it.
这个会议对于我来说是非常重要的 Spotting, to me, is really important
因为它让我了解导演所看到的 because it gives me an idea of what the director's looking at
特利弗 拉宾 光辉岁月 圣经 空中监狱
以及他所追求的东西 and what he's looking for.
- 立刻变得活泼起来的样子 - 活泼的 好 - Something that's peppy right away... - Peppy, yep.
然后我们来到这里放慢速度 And then we come here and we slow down.
稍微做一个停顿 Kind of settle on that.
你是在和人合作 You're collaborating with people.
我希望他们感觉到 像他们这样的电影制作人 I want them to feel like a filmmaker like them
贝尔 麦克克里亚 行尸走肉 太空堡垒卡拉狄加 科洛弗道10号
也可以参与其中 has come into the process.
我才是擅长这件事的人 I'm the one that specializes in
这会使他们不舒服 this one thing that they're uncomfortable with.
你尝试着编排一些音乐 You're trying to come up with music
梅文 沃伦 青涩年代 婚礼专家 快乐的噪音
来作为背景 并以一种不唐突的方式来衬托画面 that supports the scene and complements it in an unobtrusive way.
你花费了尽可能多的时间 You spend as much time as you can
麦克 唐纳 少年派的奇幻漂流 点球成金 阳光小美女
将自己投入进幕后 immersing yourself in the backstory.
作为电影作曲家 As a film composer,
你也是故事讲述者之一 you're part of the storytelling team.
你想要让镜头向前旋转切到下一个场景吗 加里 Do you want to spin forward to the next cue, garry?
- 是的 - 当她走到拐角处 - Yeah. - This one sort of
这一幕就快结束了 是吗 ends when she comes around the corner, right?
我试着去体会他们的不安 I try to get a sense of what their insecurities are.
你和他在一起的时间越久 The more time you spend with them,
你得到的答案就越多 the more you get those answers.
大多数导演不知道怎样将情感 Most directors don't know how to convert emotions
以音乐形式表现出来 怎样放进音乐 into musical... into music.
所以作曲家不得不表现得像一个治疗师 So the composer has to kind of act almost like a therapist
去把导演所说的那些杂乱无章的东西理顺 and go through all this mishmash
并找到其中的精髓 of what the director's saying and get the essence of it.
我们是否可以在这里慢慢减弱 What if we kind of tail right into that?
- 是的 对 你不需要去 - 对吗 - Yeah, right, you don't need to go... - Right?
- 不需要给他配乐吗 - 也许不需要 - Don't score him? - Maybe don't score...
就做一个漂亮的小转折 加里 Just put a nice little transition, garry,
就像那样慢慢发展 that kind of just spills over.
- 然后他再走近 - 对 - And then he comes up. - Yeah.
也许就像这样 对 Something like that maybe? Yeah.
我们找到 我们抓住了它的主旨 We got the... We got the gist of it.
基本上在和导演的第一次交谈中 Sort of in that first conversation with the director
我能够瞥见 结果可能是什么样子 I have glimpses of what it could be.
每一个项目一开始都很困难 Every project starts roughly the same way.
汉斯 季默 狮子王 角斗士 黑暗骑士
有些人走进房间说道 我有个主意 Somebody comes into the room and says, "I've got this idea.
非常有趣 是个不错的尝试 It'll be fun to do. It'll be a fun adventure", etc.
然后他们告诉你这个主意 你很投入 也很激动 And they tell you the idea and you get drawn in and you get excited.
然后你受宠若惊 他们愿意考虑与你合作 And you're flattered that they're even considering you.
哦 选我 我这就着手开始这个项目 "Whoa, me", you know. "I get to go on this ride".
然后他们走后 你只留有些许的印象 And then they leave the room and then you have a moment of reflection.
我根本不知道要怎么做 You go, "I have no idea how to do this.
我的天哪 Oh, my god."
又过了一会儿 你会考虑 And then after a while you think
你是否需要打电话给他们 should you be phoning them and saying,
然后说 我觉得你们去找约翰 威廉姆斯吧 you know, "Hey, I think you better phone John Williams.
我完全不知道该如何配这个片子 I have no idea how to do this."
全新的作品总是从什么都没有开始的［］ You know, the blank page is always the blank page.
再加上我也不知道这些配乐该从哪儿找 Plus, I have no idea where music comes from.
所以我总害怕做成后会有谁直接关掉音乐 否定我 So there's always the fear that somebody's going to switch off the tap.
雷切尔 波特曼工作室 伦敦
有一部叫做 黑色闪电 的电影 This is a film called "Race."
黑色闪电：2016年斯蒂芬 霍普金斯执导 田径运动员杰西欧文斯传记电影
我才开始配乐 已经做了一周了 I've been working on it for a week, so I'm just beginning.
我才刚刚进入状态 I'm just sort of getting into my process with it.
当我考虑一段旋律如何引入时 它出现的很直接 Where I'm thinking it should start is... is just coming up.
雷切尔 波特曼 浓情巧克力 总有骄阳 艾玛等为代表作
而我想要的状态是它由极弱导入 And I'm going to start with it coming in really, really quietly.
不行 No.
为什么呢 Well, why not?
你想赢得金牌吗 You want to win a gold medal?
是啊 Sure.
你希望在柏林获奖是吗 You want to do it in Berlin?
我的意思是 除非你打算计划着等 Well, I mean, unless you were planning on waiting...
在这个镜头里有一个方向的变化 There's a change of direction in the scene.
而这通常意味着音乐的插入 And that's often a prompt for where music will come in.
哎 哥伦布市的人其实 Well, they don't care for 'em much
也不太在意这个 here in Columbus, either.
你对此有什么意见吗 Is that gonna be problem?
没有 先生 No sir.
我来这里只是为了训练赛跑的 I just came here to run.
那好吧 在接下来的28个月 Well then, for the next 28 months,
你不是在教室里 就得在跑道上 you're either in a classroom, or you're on that track,
每时每刻 竭尽全力的练习 every hour, every day.
作为一名作曲家 As a composer,
当你坐下来看一部电影时 when you're sitting there watching a film,
感觉并不像在看戏或者感受真实的人生 it's not like watching a play or real life.
我看到的是机位 剪辑There's camera positions, there's cuts.
它从某方面来看是很人工的媒介 It's an incredibly artificial medium in a way,
克里斯朵夫 贝克 冰雪奇缘 布偶大电影 完美音调等为代表作
与现实则少有关联 and it's really nothing like real life.
我们需要追求精妙的方式来引出寻常的事物 We have to find clever ways to introduce something familiar.
约瑟夫 特拉帕尼斯 冲出康普顿 创 战纪 分歧者系列等为代表作
主题旋律 则是一系列可能指出 A motif is a group of notes
影片的拍摄动机的音符 that might highlight what a film score is.
约翰 戴布尼 耶稣受难记 欲望都市 公主日记等为代表作
比如说 近距离接触 A good example would be "Close encounters."
贝多芬是真正设立一个主题或主旨 Beethoven was one the first composers
并将极致的阐释出来的作曲家 to really take a theme or motif and spin it out in a huge way.
贝多芬的 第五交响曲 Beethoven's "fifth symphony,"
整曲都基于呀哒哒哒的主题进行发挥 the entire piece is based on that ya-ta-ta-ta rhythm.
旋律简单的串起来 就像一首流行歌似的 Simple hooks, just like a pop song.
但你将它用不用的色调展现出来 But you're then casting them in different lights.
使用主题旋律 By using motifs,
魔戒远征队
能够帮助你理解故事中的关系 it helps you to understand the relationships in the story.
霍华德 肖尔 指环王 霍比特人 撞车等为代表作
亲爱的比尔博 Dear bilbo.
当你听到一个特定的主题旋律时 When you hear a certain motif, you connect it.
把他们联系在一起 就能让你跟得上情节 And it actually helped you follow the story.
九位同伴 Nine companions.
当你看到影片的结尾 By the time you get to the end of the film,
如果你把配乐的作用发挥到了极致 when you play that music in its full glory,
那么旋律本身将被观众熟知 it's already familiar to the audience.
我们在影片中铺陈的全部目的大概就是为此 We're kind of building things up to that main course.
导演并不钟爱 The director is not a huge fan
马尔科 贝尔特拉米工作室 马里布
严格意义上的交响乐元素 of strictly orchestral elements,
所以我们要探索 so we're exploring.
在这里 这是巴克 In here, this is Buck.
他正在进行现在被称为 使命召唤 的电影配乐 He's working on a movie now called "the gunman"
巴克 桑德斯 雪国列车 地狱男爵等为代表作
使命召唤：2015年皮埃尔 莫瑞德执导动作片 讲述国际特种部队间谍退役后陷入的危机与解决
我也跟他一起在做 that we're working on together.
我们有点被枪抵着的感觉 We're a little bit under the gun,
这十分考验神经 and that's nerve-racking.
我们现在正在进行的工作之一 One of the things we were working at was
就是用这些卡林巴琴进行录制 processing these kalimbas.
它是一个很简单的非洲乐器 It's a simple African instrument.
下一周我们会经常在这里研究它 The next week we'll be here quite a bit.
我觉得这个安排令人放松I'm pretty relaxed about it.
但巴克不这么觉得 Buck's not.
也许是因为还有许多工作没有做完吧 There's a lot of work to do.
电影 使命召唤
你听到的就是卡林巴琴的琴声 That's the kalimba you hear.
主人公正在探索一个秘密 看看发生了什么He's following a mystery to find out what's happened.
音乐也相应的需要神秘一点 The music needs to have a bit of intrigue.
伦敦
我们这次其实挺快的解决了这个问题 I think we cracked the puzzle on this pretty quick.
当电影业发展 电影演绎的主题的改变 As film grew up, in terms of the subject
及制片人的追求变化 that they were tackling and what the filmmakers
乔恩 伯林盖姆 电影配乐史学家
必然带来配乐的变化 themselves were seeking, film music itself changed.
它变得更加现代化 包含爵士乐风格 It became more modern in style. It embraced jazz.
欲望号街车 是阿列克斯 诺斯配乐的第一部作品 "A streetcar named desire" was Alex north's first film score.
欲望号街车：1951年伊利亚 卡赞执导剧情片 讲述南部美女在新奥尔良的新生活
阿列克斯 诺斯 欲望号列车 斯巴达克斯 克里奥帕特拉等为代表作
它铸就了将芭蕾音乐和演奏会音乐 And he comes in with a history of having written ballets
运用到纽约电影的历史 and concert works in New York
也圆满完成了他的第一份工作 and tackles his first film assignment,
罗伯特 汤森 电影配乐主管
给出了配乐史上最具革命性的答卷 and writes the most revolutionary score of all time.
这是第一部将剧情结构与 The first film score incorporating jazz
爵士乐相配合的作品 in the writing structure.
杰瑞 高德史密斯说当他第一次听到那个配乐 Jerry goldsmith said when he heard the score for the first time,
他就明白电影音乐已经发生了变革 he knew that film music had changed
再也不会是原来的样子 and would never be the same.
电影 粉红豹
粉红豹：1964年大卫 迪帕达执导侦探电影
邦德 我叫詹姆斯 邦德 Bond. James Bond.
约翰 巴瑞从自己的乐队中得到锻炼 John Barry came from his own band,
约翰 巴里 诺博士 与狼共舞 走出非洲等为代表作
他们会演奏一些像詹姆斯 邦德配乐的早期音乐 performing music that sounded like early James Bond music.
到他真正写詹姆斯邦德配乐的时候By the time he wrote James Bond music,
他已经把一个乐队的识别度搬进了电影里 he was bringing a band sensibility to movies.
想一想用大型乐队音乐配乐 很帅气的 Thing about big band music, it was cool.
也很有动感 And it swung.
大家甚至觉得这个人无所不能 Felt like this was a guy who could do anything.
人们甚至找不到任何不借鉴邦德配乐的 You will not hear any film, which is to do with spying or secret services
大卫 阿诺德 007之明日帝国 择日而亡 大战皇家赌场等为代表作
谍战或秘密服务相关电影 without a reference to bond.
也即它受人追捧到 成为了堪比 I mean, it's become the thing to go to,
莫里康内在意大利式美国西部片的存在 in the same way that morricone was for spaghetti westerns.
艾尼欧 莫里康内 Ennio morricone.
他并不以惊艳的配乐He's not going to hit you with music
艾尼欧 莫里康内 西部往事 教会 八恶人等为代表作
让你惊讶于乐器的特殊 that makes you go, "whoa, what is that instrument?
或音效的怪奇 Whoa, how did he make that sound?"
但他的旋律十分抓耳 会一直萦绕你在耳边 But what he will do is just kill you with a melody.
黄金三镖客 的主题曲 "The good, the bad and the ugly"
黄金三镖客：1966年赛尔乔 莱昂内执导意大利西部片 讲述三位主角在南北战争期间的有趣对峙
是一首标志性的曲子 is such an iconic piece of music.
多琳 林格 罗斯 电影配乐主管 广播音乐联合会
他仅仅是利用吉他的音色 You know, he just took that sound of the guitar
汤姆 霍肯博格 疯狂的麦克斯 狂暴之路 蝙蝠侠大战超人 死侍等为代表作
在西部文化背景里进行创作and just put it into that western environment.
这是意大利式美国西部片的典型音效 That is the sound of, you know, spaghetti westerns,
它延续了五六十年 still, 50, 60 years after the fact.
我认为这是个伟大的成就 And I think that's quite an achievement.
19世纪60年代是一个伟大的时期 By the 1960s, you had this great period,
理查德 克拉夫特 电影配乐代理
训练有素的音乐家层出不穷 where you had incredibly well-trained musicians.
伯纳德 赫尔曼 公民凯恩 出租车司机 西北偏北等为代表作
伯纳德 赫尔曼创作出了许许多多的广播剧 Bernard Herrmann had come out of dramatic radio.
而他选取一段声音 And his ability to take a sound,
就能够为每部电影创制出 and create a specific kind of unique orchestra
独一无二的交响乐 这能力让人叹为观止 that was specific to each film was groundbreaking.
迷魂记主题音乐 ["Vertigo" theme music)
迷魂记 1958年阿尔弗雷德 希区柯克执导悬疑片 讲述私家侦探在跟踪过程中引出命案的故事
迷魂记的主题旋律 the main title from vertigo,
是一个教科书式的完美例子 that is the textbook perfect example
仿佛在说 某种神秘的东西在这 of the score that says "mystery, something's not right here.
克里斯托弗 扬 猛鬼追魂 堕入地狱 险恶等为代表作
保持距离 但请朝着这方向前进 奔跑 Stay away, but please come. Come running."
配乐 伯纳德 赫尔曼
这种做法与当时的作者们大相径庭 That was different than other writers at the time.
这些并不是旋律性的创意 这些是疯狂循环的 These are not melodic ideas. These are little phrases
音效片段 that had circular madness to them,
在阿尔弗雷德 希区柯克导演的电影里运用的相当成功 that worked really well in Alfred Hitchcock movies.
配乐行业似乎驶向一个病态的 It felt like everything's driving forward in a sick,
灾难性的方向 inevitably disastrous way.
伯纳德 赫尔曼导演有自己的想法很有胆量 Bernard Herrmann, he had balls.
泰勒 贝茨 银河护卫队 守望者 斯巴达300勇士等为代表作
当展示在浴室中发疯的戏码的时候 So just to do what he did with "psycho" in the shower scene.
如果没有配乐 一切就不显得吓人 Without the music, it's not that scary.
良好的剪辑 良好的铺垫 You notice the cuts, you notice the process.
只要再加上一点配乐 As soon as you put the music there...
你就会被典型的精神病杀人犯的精神状态震慑住 You're stuck in the mindset of this psychotic killer.
如果撇开电影的内容去听 Outside of the context of that movie,
人们则大概只会纳闷 people probably just wonder,
这噪音是怎么回事 快关掉它 "what the hell is the noise? Turn it off."
但在那场戏中它的作用却如此关键 But it was so effective in that moment.
它真的说服你相信实际上看到了 It really tricked you into believing you saw way more
比荧幕上那场戏更暴力的行为 of the violent act in that scene than really occurred.
当你读一本书 书上写着有一片广阔的树林时 When you read a book, and it says
每个人都能想象出森林的模样 "there is this great forest," everybody pictures a forest.
但没有谁的想象会与他人完全一致 None of these forests will be the same.
音乐方面也是如此 It's exactly the same with music.
汤姆 霍肯博格 疯狂的麦克斯 狂暴之路 蝙蝠侠大战超人 死侍等为代表作
你如果另外让十五个作曲家阅读相同的草稿 You can ask 15 other composers to read that same script,
他们的音乐灵感肯定各有不同they will all have different musical ideas.
我认为电影音乐如此自由的一个原因 One of the things that I find so liberating about film music
埃托尔 佩雷拉 愤怒的小鸟大电影 神偷奶爸 蓝精灵等为代表作
是因为只要有利于表现电影内容 is the fact that any instrument is valid,
所有的乐器都可以作为它的一部分加以利用 as long as it makes the movie better.
我有大概五个贮藏室 I have about five storage areas
马克 马勒斯堡 乐高大电影 淘气小兵兵 特南鲍姆一家等为代表作
都用来存放音乐用具 that are all filled with musical equipment.
然后到某一时刻 我收集了足够的乐器 At a certain point,I collect enough stuff
储藏室看上去像个垃圾场 that when it starts to looklike a junk store,
然后会有人出面处理这些东西 then the people here do an intervention and they take everything.
他们把储藏室收拾干净 然后我又继续重新收集 They scrape it clean, and I just start over collecting things again.
这是一个类似钢琴的乐器 It was a piano something like that.
我在比弗利中心的一家玩具店买的 I bought it at a toy store at the Beverly center,
我用它弹奏 小淘气 的主题曲 and I played the theme song for "rugrats,"
小淘气：1991年诺顿 维基执导的动画片
因为我以为我再也不需要玩玩具钢琴了 because I thought I'd never need to play the toy piano again.
这钢琴大概要480元 我就想”对于一个玩具钢琴来说 It was like $60 bucks.I thought, "what a lot of money
这是很多钱“ to spend on a toy piano."
（小淘气主题曲）
于是我买下它 把它带到我的演播室里 然后开始录音 So I bought it, brought it to my studio, and recorded it.
录完之后我把它退了把钱拿了回来 Then I took it back and got my money back.
然后我现在一直会想 我是在哪架钢琴上 And now I always wonder,where is that toy piano
写出 小淘气 的主题曲的 that I wrote the theme song for "rugrats" on?
很多时候我都是从摆弄其他乐器 而不是电脑 来获得灵感的 Many times I start the cue from playing other things, not the computer.
这些是经过调整的雪橇铃 它们是很稀有的 These are tuned sleigh bells. They're very rare.
音乐无处不在 我在坐电梯的时候 There's music in everything.I'll be taking an elevator.
你在电梯里 然后突然之间 You'll be in the thing and then all of a sudden
门会发出这样的声音 the door will be like.
然后你就会想 "那是什么声音 And you're just like,"what was that, man?
你知道吗 这超酷的" 然后你回到演播室里 That was cool, you know?"And you come back to the studio
约翰 拉尔夫 海豚湾 怒火救援 幸运数字斯莱文
然后尝试还原那个声音 and try to recreate that sound.
用音乐的形式还原出那些声音会是什么样的 What would that sound like in musical form?
我一直尝试将世界上的声音提炼成音乐 So I'm always trying to distill what the world sounds like into music.
每一次尝试都不存在真正的对与错 There is no such thing as the wrong way to do something.
你只要一直尝试 然后那些你觉得错误的方式 You just got to keep trying,and the wrong way
都会慢慢成为正确的 is the wrong way,until it's the right way.
它就像恐龙一样古老 It's a bit of a dinosaur in that it went extinct
小提琴 吉他 都是由它演变而来的 and gave birth to the violin,and the guitar,
还有其他很多乐器 它的结构很简单 and a lot of other things. The construction's pretty simple.
它有两个低音部 然后在这一侧有一个旋律弦 You have two drones, and in this case, one melodic string.
这玩意儿太让人浮想联翩了 It's kind of suggestive looking, at least.
它听起来就像是海豹在吹号一样 They sound kind of like when a seal plays musical horns
在马戏团或者什么地方 in a circus or something.
达里奥 马利安那利 赎罪 傲慢与偏见 V字仇杀队
帕特里克 道尔 勇敢传说 哈利 波特与火焰杯 理智与情感
我很多年没有弹奏过这个了 I haven't played that for years.
现在我有了音乐节奏 然后我开始想 Now that I've got the groove,I can imagine
要在上面加上旋律 对吗 like what could be a melody on top, right?
这就像天堂一样 It's a paradise.
我试图在场景里找到一种普遍的旋律 I try to find a general rhythm in a scene.
在"疯狂的麦克斯"里我至少花了七个月才创作出总谱 "Mad Max," I spent at least seven months producing the score.
汤姆 霍肯伯格 疯狂的麦克斯4 狂暴之路
试试这个 试试那个 Trying this, trying that.
尝试不同的鼓点 Different types of drums.
为"疯狂的麦克斯"录制的鼓声 The drums that were uniquely recorded
是非常独特的 我来弹奏一小段 for "mad Max"just playing one.
如果把多个音轨结合在一起 If you combine all these multiple tracks together,
然后你会得到非常有趣的音色 then you can get a really,really interesting quality
这些鼓声合奏的声音 of these drums playing together
它们非常有攻击性 我非常喜欢这一点 and they're pretty aggressive,which I'm a big fan of.
它们其实产生了很多不同的效果 That actually makes, you know,quite a difference.
有些导演希望音乐 Some directors want the music
不断地踩在点上 to constantly hit the shots.
另外一些导演希望音乐是较长段式的 Other directors want really long pieces of music
然后在同一时段里不断重复 that go over multiple,multiple shots at the same time.
有些效果是需要你努力去创造的 These are things that you constantly struggle with
当你看着这一幕场景 when you work to picture.
我不关心音乐是怎么样的 但如果我来制作音轨 I don't care what music it is,but if I make a track,
它一定要让我自己起鸡皮疙瘩 it has to give me goosebumps, myself.
我这么说不是因为自负 I don't say that to be arrogant,
但如果它都没有由衷的打动我 but if it doesn't hit me in the stomach
像那些伟大的音乐作品 as being a great piece of music,
我没法指望观众 那些听众们 I cannot expect the audience,anybody out there,
给他们带去由衷的震撼 to have the feeling that it hits the stomach.
如果它能让我起鸡皮疙瘩 那么很大程度上 If it gives me goosebumps,it's pretty likely
特雷弗 拉宾 光辉岁月 世界末日 空中监狱
它也会让其他人起鸡皮疙瘩 it'll give someone else goosebumps,
因为我觉得有些东西会让所有人起鸡皮疙瘩 because I think goosebumps come for everyone from similar places.
当我们观察情绪变化 When we're looking at emotion,
唐 隋兰 博士 心理学教授 卡拉马祖学院
和其他对音乐的反应 and other kinds of responses to music,
大脑内部有很多结构都参与了反应 there are many structures in the brain that are involved.
音乐是具有多元化的 多层次的 Music is so multifaceted,it's so multidimensional.
不同方面的音乐在大脑内 Different aspects of music are processed
会由不同的系统控制 by different systems in the brain.
所以当你面对某些事物 So when you're looking at something,
比如一段旋律 一段音乐 like melody and pitch,
这个过程是由大脑内的一个系统控制的 that's processed by one system in the brain.
当你面对一段有节奏的短促的旋律 When you're looking at the time-based aspects like tempo and rhythm,
它会造成大脑内另一个系统的反应 that's processedby another system.
我们有某种生理反应 We are having some sort of a physiological response
我们的身体产生鸡皮疙瘩 that the body is showing,and the goosebumps
其实是体内反应的一种征兆 is actually just a sign of what's happening inside your body.
大脑中有一个系统 腹侧纹状体 There's a system in the brain,ventral striatum
尤其是伏隔核 and nucleus accumbens,in particular,
腹侧纹状体
伏隔核
是我们的奖励机制中心 it's our reward center.
对于像是巧克力或者性爱的反应 Things like chocolate or sex,these are reactions
会在这个结构中观察到 that we can see involve these structures.
所以有趣的是 类似我们从巧克力 So it's interesting because the same kinds of pleasurable feelings
得到的快感 释放多巴胺 we get from chocolate,dopamine release,
在听到音乐时大脑会有相同的反应 we could see some of the same kind of activations in the brain to music.
这是一种严格来说不纯在的艺术形式 It's the one art form that technically doesn't exist.
你可以触摸到乐器 You can touch musical instruments,
白鲸 唱片艺术家
你可以触摸CD或者录音带或黑胶唱片这些储存音乐的东西 you can touch cds or cassettes or vinyl that contain the music,
但你永远不能真正摸到音乐本身 but you can never actually put your finger on music.
它只是一种气流微小变化的活动 It's just air moving a little bit differently.
音乐所做的只是为这些空气分子创造出不同结构。 All music is doing is providing some structure to these air molecules.
当一辆卡车经过 So if a truck goes by,
它将空气分子推向内耳 it's pushing air molecules against our inner ear.
如果有人在弹奏大提琴 If someone's playing cello,
它将完全相同的空气分子推向我们的内耳 it's pushing the exact same air molecules against our ear,
只不过是以一种稍有不同的结构 just in a different,structured way.
于是产生了这种很奇特 And there's something odd
但十分有趣又有力的效果 but really, really interesting and powerful about that.
但他们永远无法夺走我们的自由 But they'll never take our freedom!
它使得军队进入战斗状态 It makes armies march into battle.
让人们落泪 It makes people cry.
音乐能使得情绪整体攀升 It can really increase the overall emotion
以某种方式让观众对电影乃以忘怀 in a way that will make a movie stay with its audience
哪怕电影早已落幕 long after the last frame of film.
我们现在所做的 We are doing something here.
是利用以太的力量 We're harnessing something from the ether.
（以太：一种想象中存在于整个宇宙中的物质）
电影配乐 或者是常说的交响乐 Film music, and orchestral music in general,
神经学家对此是十分感兴趣的 is of great interest to neuroscientists
对科学家来说音乐对表情有着巨大影响 and to scientists because of its great power to emote.
一般来说我们不会 Film music is usually something that
把注意力一直放在电影配乐上 we're not paying conscious attention to,
但它仍然对我们有不可忽视的影响 and yet it has such a powerful impact on us.
"光辉岁月"的配乐在我看来 "Remember the titans,"the music for me
是特地为这部电影所创作的 was written so specifically for that.
电影用这首作为配乐是非常有趣的 It's very interesting about using music in film,
它为音乐的创作提供了详细的背景 it's providing a very specific context for the music.
它们之间产生了永久性的联系 所以当你再一次听到这首歌 There is a permanent linkage,so when you hear it again,
你在剧院中的经历会被唤起 the experiences you had in the theater are evoked.
我完全没有想过这首歌会被用在其他地方 I never even thought about whether it could be used elsewhere.
谢谢 上帝保佑你 Thank you.God bless you
并愿上帝保佑美利坚合众国 and may god bless the United States of America.
我的电话响了 The phone rang.
我的一个朋友和我说 "我在选举大会上 A friend of mine said,"I'm at the convention.
它们在放 光辉岁月 这首歌 震耳欲聋" 'Remember the titans' is playing as loud as a kiss concert."
我没回答他 因为我并不是很高兴 I wasn't asked,which I'm not happy about,
但是看到这首歌被用在完全不相关的用途上 but, it's quite interesting watching it being used
还是十分有趣的 for something completely different.
我们生活在一个凡事都被强调的世界里 We live in a world that things are underscored.
当光辉岁月的歌曲 It's actually interesting how the music
能够唤起人们关于 of "remember the titans"evokes what Obama wanted
奥巴马成功竞选总统时的场景 是十分有趣的 to be as the man walking out as the new president.
无论在场观众当时是什么心情 Whatever the audience felt in the theater,
在听到音乐时都被重新唤起了 it was resonant again.
音乐唤起记忆的力量是多么不可思议 The power of the score in and of itself is amazing.
当我们观看一部九十分钟的标准电影 When we're watching a 90-minute standard film,
我们的眼球移动超过两万一千次 we make about 21,000 or more eye movements.
即使如此我们也感觉完全能控制眼睛 And even though we feel like we have full control
能够看任何我们想看的地方 很多对于视线追踪的实验 and freedom of where to look,many studies on eye tracking
得出的结论是 大多数电影观众 have shown that actually a film audience
通常都看着屏幕中相同的位置 is usually looking at about the same place on a screen
在同一时间 at about the same time.
有一种方式能够使得眼睛看向 One way that the eye can be directed to a specific spot
屏幕中的特定地方 那就是当音乐 on the screen is when there's something about the music
与电影画面有所呼应的时候 that matches some characteristic on the screen.
比如说 一段上扬的音乐对应某些正在上升的物体 For example, a rising pitch with something that is rising.
另一个完美的例子来自于 And a great example of this comes from
是电影飞屋环游记中的配乐"婚后生活" the "married life" montage from the film, "up."
当我们第一次看到气球的时候 the first time that we see the balloons
是与卡尔的手推车相连的 that are tied to Carl's cart,
这很重要 因为气球正成为 that's really important because the balloons are going
重要的荧幕主题 to be an important visual motif,
也是整个电影的重要意象 an important theme for the entire film.
我们看到卡尔 接着看到艾莉带着鹦鹉走出 We see Carl, and then we see Ellie walking out with a parrot.
气球推车升起又落下 And then the balloon cart rises and comes back down.
有趣的是 So it's very interesting to see
音乐能带动我们观影时 that music can be part of the choreography of the dance
眼神移动的韵律 of our eye movements during a film sequence.
你所听到的 看到的一切 It used to be representative scoring,
昆西·琼斯：知名电影音乐创作家、音乐艺术家、唱片专辑制作人、作词家、作曲家、企业家，人权运动社会活动家
昆西·琼斯 代表作：紫色 炎热的夏夜 冷血
都曾能用它表达 where everything you see,you hear.
走上台阶 Walk up the steps.
浪漫的吻 Romantic kiss.
所看和所听是同步的 The eye's doing the same thing the ear's doing.
电影的制作需要面临太多的抉择 There's so many decisions to make in movies.
好莱坞在60年代有了很奇特的转变 Hollywood was going through an odd transition in the '60s,
莱纳德·马丁 电影史学家
尤其在60年代中至70年代初 especially the mid-'60s to the early '70s.
其中之一就是老式管弦乐 One of the things that got thrown out was the idea
的再度问世 of the old-fashionedorchestral score.
现在是种移动的音乐源 now there was a movement toward source music.
民间音乐 folk music...
音乐中较亲和的类型 Intimate types of musical groupings...
那时变化很大 it was just different.The '60s were a lot
60年代 有很多了解创作真谛的作曲家 of composers who really knew what they were doing,
他们讨厌固步自封 who didn't want to do it the old way.
杰里·戈德史密斯绝对是最具创新意识的作曲家 Jerry Goldsmith was absolutely the most innovative composer
杰里·戈德史密斯：著名的美国电影配乐作曲家
杰里·戈德史密斯 代表作：星际迷航 凶兆 异形
他定期为主流电影创作配乐 to work on mainstream movies on a regular basis.
比如完全使用现代技术 What's amazing about "planet of the apes"
为《决战猩球》创作精彩配乐 is he's using all these modern techniques.
并将其用于戏剧中 He reapplied it and put it into drama.
金属碗和橡皮球也能用于作曲 Metal mixing bowls and rubber balls being bounced into a bowl.
正如他一贯大胆的选择 Just kind of screwing with the orchestra the way he did
将管弦乐与现代技术结合在一起 and just being so ballsy in his choices
泰勒·贝兹：好莱坞电影配乐家
泰勒·贝兹 代表作：银河护卫队 守望者 三百斯巴达勇士
从而成就了这部电影 and it being so on point for that movie.
它将永远是历史上 It'll always be one of the all-time great
最伟大的科幻电影之一 science fiction scores.
《唐人街》是在之前配乐已编好 录好 并发布的 "Chinatown" was writtenin 10 days after
十天后完成的 an earlier score had been written,recorded, and thrown out.
有趣的是 杰里过来 And it's very interesting that Jerry comes in
看过电影后 and he looks at the film,
他立即决定用四部竖琴 四台钢琴 and he immediately decides he needs four harps, four pianos,
以及弦乐 打击乐和独奏小号谱曲 strings, percussion,and a solo trumpet.
为什么是四台钢琴 Why four pianos?
我是说 杰里是创作教父 不是吗 I mean, Jerry was just sort of the godfather of all this, wasn't he?
BIM：广播音乐协会, 与 ASCAP 和SESAC并称为美国三大音乐著作权管理组织
朵琳·林杰·罗斯 广播音乐协会 电影音乐制作人
这是个有趣的音乐选择 这就是杰里 It's such an interesting musical choice, but that's Jerry.
你去问问音乐家们 他们可能认为他是有史以来最棒的 You ask musicians, they might think he is the best ever.
兰迪·纽曼 ：美国作曲家、歌手、钢琴师
兰迪·纽曼 代表作：玩具总动员 怪兽电力公司 天生好手
威廉·福克纳：美国作家，意识流文学代表人物，诺贝尔文学奖得主
威廉·福克纳 掠夺者
配乐 约翰·威廉斯
当我听到《掠夺者》时 我就说 天啊 是这个家伙 When I heard "the reivers,"I said, "my god, this guy
- 肯定已经80岁了 - 我真的以为 - 大概是 - must be 80 years old.- " I really thought... -Nearly!
我觉得这个80岁的老头 I thought maybe here's some guy who's 80 years old
史蒂文·斯皮尔伯格 奥斯卡最佳导演奖获得者
可能写出了他一生最好的作品 who maybe wrote his greatest scores of his life.
我想知道这个人是谁 And I wanted to find out who this guy was,
当我看到约翰·威廉斯这个年轻人时 我惊呆了 and I met this young man namedJohn Williams and I was amazed.
约翰·威廉斯 奥斯卡最佳配乐奖获得者
约翰·威廉斯并不是个古典作曲家 John Williams did not startas a classical composer,
他最初是个爵士乐钢琴家 he started as a jazz pianist.
约翰·威廉斯为《西区故事》谱写了钢琴曲 John Williams played pianoon "West Side story."
还为《公寓春光》写过 And he played piano on "the apartment."
他和杰里·戈德史密斯在福克斯体系成长中 Born and bred in the fox system,
二十世纪福克斯电影公司：美国最主要的电影、电视节目发行和制作公司之一
那是他们成长进步的地方 him and Jerry goldsmith,that's where they learned.
没人预知到整个行业会发生变化 Nobody knew that the whole field would change.
大卫·埃沃特 录音家【】
当我们看《大白鲨》时 When we saw "jaws,"
如果没有"ba-domp ba-domp"这样的插曲 if it didn't have that "ba-domp ba-domp",
就没人知道将要发生什么 none of us would have known what was happening.
配乐真的太精彩了 it was pretty brilliant.
几乎是种令人疯狂的体验 And it was almost like a crazy experiment.
他像个引擎 "ba-dum,ba-dum" 正在加速 He was an engine, "ba-dum,ba-dum," accelerating.
Ba-dum. Ba-dum. Ba-dum.
就像一列前进着的火车 一台食人机 Like a train moving forward,this is an eating machine.
我要前进杀戮 就这么简单 He is as simple as"I move forward to kill."
鲨鱼不用过多修饰 只需具备这两个特征 That shark didn't need more.He needed two notes.
第一天跟斯蒂芬在一起时 他说 The first day with Steven, he said,
你打算为大白鲨编个什么曲呢 我过去了 "what are you going to play for jaws?" I went...
他说 你在开玩笑吧 He said, "you're kidding."
我说 你疯了吧 这可是部严肃的电影 I said, "you're crazy,this is a serious movie!"
我以为他会说 不 我没在开玩笑 I thought he was going to say,"no, I'm only kidding."
并会播放部充满诗意的交响乐 And he was about to play this very poetic pastoral symphony.
但约翰说 不 不 你制作了很有原始感的电影 And John said, "no, no, you've made a very primal movie."
约翰·威廉斯的天赋之一 Part of the genius of John Williams
就是他知道如何识别音乐 is how he spots music
并知道如何在电影中插入合适音乐 and how he places music in a movie.
约翰采用的音乐不是用来庆祝红鲱鱼 John did not want music to celebrate a red herring.
史蒂文·斯皮尔伯格 奥斯卡最佳导演奖获得者
而是用以警示鲨鱼将至 He only wanted music to signal the actual arrival of the shark.
每个人都说 噢 这只是两个音符 Everybody goes, "oh, 'jaws',it's just these two notes."
汉斯·季默：德国音乐家、电影配乐家、作曲家
汉斯·季默 代表作：雨人 红潮风暴 盗梦空间
但并不是 还会有段精彩的管弦乐交响曲 It's not. There's this amazing orchestral symphonic piece
但是被这两个音符触发的 that takes place and it's just being triggered by these two notes.
艺术家有非凡的想象力 Just artistic imaginationis phenomenal.
罗伯特·卡夫 【FRM】福克斯电影公司 音乐总监
我们常人不能理解 We are not worthy.
我说 噢 上帝啊 这是次重生 I said, "oh my god.It's a rebirth.
电影配乐又回来了 是如此鲜活 Film music is back,it's alive!"
星球大战
《星球大战》问世后 引起一片浪潮 "Star wars" made such an incredible splash when it came out.
对一个正在成长的11岁小孩来说 Everything about it was so exciting and thrilling
这部电影的一切都那么令人兴奋和激动 for an 11-year-old growing up at that time.
他们来了 Here they come.
并且对整个时代的人来说也是这样 And spoke to a whole generation of people.
这部电影上映时 我12岁 I was, I think 12 when that thing came out.
它对我青年时期产生了重大影响 So it had a massive impact on my youth.
小时候 走出影院以后 我们的脑袋里 We had the theme from "star wars"locked in our head as a kid,
全是关于《星球大战》的事 as soon as we walked outof that theatre.
音乐上 是的 这是交响乐乐谱 Musically, yes,it is a symphonic score.
但我是说 这可能是我创作的最好作品之一 But I mean, it's one of the greatests cores probably ever written.
没有威廉斯的音乐 就没有《星球大战》 It's impossible to think of "starwars" without Williams' music.
他的音乐确实影响了观众 The score he did helped the audience
重新探索了古典管弦的配乐电影 rediscover the classicalorchestral film score.
愿力量与你同在
斯皮尔伯格和卢卡斯卡主张很多事情 Spielberg and Lucascan lay claim to many things,
其中之一就是帮助引领观众 and one of them is helping to reintroduce audiences
重新适应这种观影体验 to that kind of movie going experience.
《星球大战》颠覆了这一切 Star wars turned this shit upside down.
是约翰·威廉斯让我认识到 It was John Williamsthat made me,
电影配乐的质量和特性 first of all, realize that film music could be
和我成长中遇到的所有古典音乐 of a quality and distinction that is as great
一样伟大 as any of the classicalcomposers I grew up with.
传统意义上 一切有好坏之分 There's the traditional idea of good and bad,
约翰·戴布尼 代表作; 星际迷航：下一代 非常小特务 圣诞精灵
这一观点也被用在音乐上 and how they were exemplified in music.
我喜欢沉浸在《星球大站》中 I like to always goto "star wars,"
因为里面有表达美丽旋律 也是约翰的主旋律 because there's those beautiful themes, John's main theme,
还有爱的旋律 and then there is the love theme.
但达斯·维达的旋律
达斯·维达：星球大战三部曲男主，重要反派角色 But then there's the Darth Vader theme.
是如此多样广泛 it's just so martialand so broad
像那句 噢 孩子 这里有不好的东西 that you go, "oh boy, there's something not good here."
正确的旋律 在对的时间 进入对的影片中 the right score for the right movie at the right time.
克里斯多夫·杨：最具才华的新生代电影配乐家之一
克里斯多夫·杨 代表作：剑鱼行动 真情快递 赌王之王
这就是70年代 一个绝对属于约翰·威廉斯的时代 That '70s era, that is absolutely the era of John Williams.
没有他的音乐 超人的力量会大大减小 Without his music, superman'spowers are greatly diminished.
相信我 如果没有这个乐曲 你想像超人一样飞起来 Believe me, if you try to fly without that theme,
那你去不了什么地方 飞一步 两步 然后就要掉下来 you go nowhere.One step, two steps and down.
每个人都知道超人的旋律 Everyone knows the superman theme,
但氪星的配乐比它更早问世 but the Krypton theme that comes right before it...
这个序曲 很神秘 几近前卫 That overture, it's mysterious,it's almost like avant-garde.
缔造了优美的双合唱旋律 That sets up this really tuneful double-chorus melody.
让我不禁都听了数十遍 Almost makes it, to me,10 times more the piece.
这是他的作品独树一帜的地方 So it's his way of surrounding pieces with other pieces.
在大多数地方 如果你要播放音乐 Most of the world,if you were to play the music
从《大白鲨》 到《星球大战》 再到《夺宝奇兵》 from "jaws," or "star wars,"or "raiders of the lost ark,"
大多数人能一下听出这是什么歌 most folks would know exactly what that was.
《夺宝奇兵》 "Raiders of the lost ark."
如果你不带节奏 只听旋律 If you hear the melody without the rhythm,
你就能识别出是它 you can recognize it.
布莱恩·泰勒 代表作：速度与激情 复仇者联盟：奥创时代 夏威夷特警
但如果你只听节奏 But if you just to the rhythm,
不听旋律 你依然能识别出来 with no melody you recognize it either way.
非常简单的序列特征 Very simple little sequence of notes.
约翰·威廉斯 奥斯卡最佳配乐奖获得者
但我花更多时间在乐法上 But I spend more time on those little bits of musical grammar
让它们恰到好处 并且显得不可或缺 to get them just right so that they seem inevitable.
旋律要勾人心魂 悦耳动听 制作精心 There's a hooky, tuneful,well-orchestrated theme,
但我觉得才达到了一半 but I think that's only half of it.
约翰·威廉斯的作品中总有很华丽的部分 There's always the bravura partof the John Williams composition.
高音8 16 32小节《夺宝奇兵》的主旋律 The first 8, 16, 32 bars. The great"raiders of the lost ark" theme.
然后是b部分 And then comes the b part.
不太知名 但制作精美 It's less well known,but it's so beautifully crafted.
我总觉得这部分是为他自己而作的 I always think that's the par the writes for himself.
我觉得他就像聪明人们认为的那样 I think he's as brilliantas people feel he is.
和他的音乐一样受欢迎 甚至比音乐更好 And as popular as his music is,he's even better than that.
在这里通话是否方便 If it would be convenient to go into the call.
对 Yeah.
我喜欢这旋律 而且 I like that. As a matter of fact,
这种过渡听着很自然 it seems like a very natural transition.
- 高还是低 - 高 - Up or down? - Up.
可以来一次低 Maybe once down.
可以低一下 然后再变高 It could go down once and then go up.
乐谱的目的有了变化 What a score needs to do has changed,
原因是电影摄制有所改变了 because of how filmmaking has changed.
比如说约翰 威廉斯 和电影 外星人E.T.的结尾 Let's take John Williams, let's take the end of "E.T."
约翰·威廉斯：吉他演奏大师
黛博拉 劳瑞 《分手信》 永不说永不
我们要去哪里 Where are we going?
前往森林 To the forest!
故事结尾留给作曲很大的空间 It is just a wide open space for music.
跟着我 Follow me!
很少有电影能够给一幕腾出这么多的空间 When was the last time that somebody left a space
并且说 我希望这一片刻的旋律能够成为 that open and said, "I want this to be a music moment
让每家每户都深入铭心的旋律 where you just bring that tune home."
我会一直在你身边 I'll be right here.
再见 Bye.
我们用这种宏大激昂的音乐 We have this vast, expansive music
潭秀兰 卡拉马祖学院
来陪衬飞船的起飞时刻 with the taking off of the spaceship.
约翰 威廉斯和史蒂文 斯皮尔伯格 决定 John Williams, Steven Spielberg decide
史蒂文·斯皮尔伯格：美国导演
我们要用宏大的音乐渐变来 that we're gonna go from big music to,
揭示踏入飞船的人物 reminding us who is going into that spaceship.
因此我们可以看出故事的情节是悲伤的 We could look at what is happening in the story as being very sad,
这是道别的时刻 these are farewells.
在最后我们听到乐章结尾部 And at the very end we hear this coda,
代表胜利的号角吹奏声 this fanfare that's very triumphant.
这意味着我们在以艾里奥特的角度看 That is saying that we're looking at this from Elliot's viewpoint.
艾里奥特：《外星人E.T.》中的小男主
意味着胜利 似乎像是在说 That it's not a loss, but it's almost like saying,
"任务完成了 我们成功送E.T.回到了家" "mission accomplished. We got e.T. Home."
在管弦乐中 其中最喜爱的一件事 In the orchestra, one of the things we love
就是那十分钟的中场休息 is the 10-minute break.
但在最好的时候 当你受到音乐的启发时 But on tens, when you have been inspired by the music,
就会产生一种火花 there's an electricity.
在侏罗纪公园中 On "Jurassic park,"
从你的同事眼神中就可以看出来 you could tell by the look in your colleague's eyes
大卫·优尔特 录音室作曲家
你的想法非常正确 that you were not mistaken,
你的作曲将会合着影片永远流传下去 that you had just played something that was going to almost live eternally.
每次和约翰 威廉斯的合作几乎都是 Almost anything we do with John Williams is...
史蒂芬·艾道迪 录音室作曲家
相信几乎每次都会让人难以置信 We know it's going to be unbelievable.
每次录音结束后都会感到 We always leave the sessions like feeling,
"为什么不能所有的录音都如此呢" "why can't all the sessions be like this?"
伦敦的世界顶级专业录音室
AIR录音室 伦敦
许多时候 你会以适合自己 A lot of the time you'll pick a studio
想要制作出的音乐来选择一个录音室 because it's appropriate to the sort of sound that you want to make.
很显然 这里原本是一座教堂 It used to be a church, obviously.
这栋楼已经存在了好几百年 It's a building that's been here for a couple hundred years.
由于原本是教堂 我想许多人都认为这里是鬼魂常出没的地点 You know, it's a church, and I suppose everyone thinks that all churches are haunted somehow.
我们在这工作的录音师 有些亲眼见证过 We have had engineers who've been in here who've just seen that happen.
比如像这样 椅子忽然自己转动起来 You know, chairs just start spinning around.
这是一个很好的替罪羊 不是吗 It would be a great way to excuse yourself, wouldn't it?
如果你犯了一个大错误 If you've made a terrible mistake.
可以说 "是鬼闹出的事" 但是不能那样 "It was the ghost that did that." But no, you know,
一切发生在这里的糟糕事件 都是人犯的错误 all the terrible things that happen here are always based on people.
通常是我犯的 Usually me.
戴维·阿诺 《神探夏洛克》 《007：皇家赌场》 《独立日》
我自从1994年开始就几乎住在这栋楼里了 I've sort of lived in this building since about 1994.
- 早上好 - 你好 戴维 - Morning. - Hi, David.
乔治 马丁在八十年代末发现了这里 It was pretty derelict when George Martin in the late '80s
乔治·马丁 音乐制作人 披头士乐队
并决定将它改造成录音室 在那之前这栋楼 sort of came upon it and decided this would be the place
几乎已经被遗弃 to convert into a studio.
只要你和一群人在小房间中大喊过你就会明白 If you've ever been in a small room with a gang of people and shouted a lot,
房间会有一种堵塞的感觉 it sort of chokes the room out.
你几乎听不清任何声音 You know, so you can't really hear anything
因为声音在小房间里没有去向 because the sound has got nowhere to go
所以就全部混合在了一起 so everything piles in on itself?
在音响空间中也是如此 That's the same in an acoustic space.
如果一个房间中有110个人 If we have 110 people in a room,
我们天花板上有可移动的控制板 we've got this moveable roof panel.
把那板子移上去 就能得到更多的声音的混响 You lift the roof up and it gives you an extra second and a half of reverb
于是 声响就可以通过这些反射面的效果 and so, you know, the sound can sort of swim around
在这片华丽动人的空间中来回遨游了 this gorgeous space with all these amazing reflective surfaces.
《007：皇家赌场》 AIR录音室
我们一次录音能用到100只左右麦克风 We use up to 100 mics on a session.
让你可以选择你希望音乐的距离感 That all gives you the choice as to how close or how far away
是远还是近 you want to feel from the music.
这里和艾比路录音室有很大的差别 It's a very different acoustic to Abbey road.
艾比路 伦敦
披头士乐队
EMI唱片公司的录音基地
艾比路录音室
乔·克雷默 《碟中谍5：神秘国度》 《神探杰克》 《糊涂绑架事件》
今天一共有86位乐手 86 players total today.
管弦乐队的大小刚好 So it's a good size orchestra.
我们现在在艾比路一号录音室 We're here in Abbey road studio number one,
坐落于艾比路的管弦乐室 which is the big orchestral room at Abbey road.
喂 喂 一 二 三 测试 Check, check, one, two, three, test.
测试 一 二 三 Check, one, two, three.
这里的墙壁上似乎并没有许多会吸收音响的物质 There doesn't appear to be a great deal of absorbent material on the walls,
所以音乐还算比较有现场性 so it still has a bit of a live sound to it.
在管弦乐收尾时 When the orchestra cuts off
你能够听到大量的混响音 you get a really great bit of reverb.
披头士乐队在这里录制了许多管弦乐 The Beatles recorded their orchestral stuff in here,
在八十年代 许多电影配乐随之也开始用到它 and then in the '80s it became frequently used for film scores,
"星球大战 绝地归来"的配乐主要在这里录制 so "return of the jedi" was mostly recorded here.
合唱队 感谢你们能来 Chorus people, thank you for coming.
欢迎大家加入"星球大战"的制作过程中 Welcome to this process of making "star wars."
“星球大战”的前三部曲也在这里录制 the "star wars" prequels were recorded here.
只需管乐队 谢谢 33段 Just winds, please. 33.
一 二 三 One, two, three.
"指环王"三部曲也在此处录制 The first three "lord of the rings" movies were recorded here.
我知道威廉斯在这里录制他的前期电影时 I know when Williams did like his films here,
他一般在那一边录制 he tended to set up over here
管弦乐队会这样摆放 长型队伍 and throw this way, the long way.
比如像"宿命对决"的合唱团就是靠在那边的墙站立 So that the choir from like "duel of the fates" was up against that wall.
《星球大战》前三部曲中的主题曲之一
在这部电影里 我们的录音师 Our sound engineer on this film,
《碟中谍5：神秘国度》
要求改成这样的布局 he asked for this layout,
因为这样更能够录制出他需要的音响 because he prefers it in terms of getting the sound that he wants.
作为一个电影作曲家 When you're a film composer,
工作的一部分就是为导演和制片人 part of the gig is you're giving the director and the producers
创作他们需要的音乐 the music they want.
但是到头来 如果他们不认可 But at the end of the day, if they don't like it,
就不会放进电影中 it's not in the movie.
在我的混音室的团队之中有录音师 My crew in the mixing room consists of the engineer,
也就是这位叫做 凯西 史特的人 who in this case is a guy named Casey stone.
他会坐在混音台上控制混频电位器 He's sitting behind the board and he's operating all the faders.
他来负责摆设这里所有的麦克风 He's the one who set up all the microphones in here,
为大家设定出一切录制工程的计划 laid out the plan for how we were going to record everything.
在他的旁边是路易斯 Next to him is a gentleman named Louis,
路易斯是操作pro tools的 and Louis is operating the pro tools,
Pro tools：Avid公司出品的工作站软件系统
所以我的耳机中听到的咔嚓声就由他来控制 so he's controlling the clicks that I hear in my headphones,
以及所有在座的乐手耳机中听见的声音 and that all the musicians hear in their headphones.
同时他还负责录制所有的音频段落 And then he's also recording all the takes,
确保每一段录音都有正确的标志 making sure they're all labeled correctly.
还有一位同事叫约翰 芬克利 There's a gentleman named John Finklea,
他是我们的音乐剪辑 he's the music editor.
他来负责将所有的音频段落 He is the person who will take all the takes
合成我们用进电影中的主题曲 and assemble not only the version that we use in the film,
同时还合成我们收入原生专辑中的音乐 but also the version that we end up making the soundtrack album from.
在他一旁是管弦乐演奏家 Next to him is the orchestrator,
在这次电影中是马特 邓力 who in this film is Matt Dunkley.
我的一切工作都在电脑上进行 I do all my writing in a computer.
管弦乐演奏家会将我的作品转变成音乐谱 The orchestrator takes that file and converts it into an orchestral score,
这样我就可以用来做指挥 a score that I can conduct from,
同时能给所有的乐手他们的乐谱部分 and from which parts can be generated and given to all the musicians.
这样他们就不需要看到其他乐手的部分了 And they don't have to see all the other parts.
非常的棒 真的 Great. Really, really.
继续吗 Moving on?
好的 预备 Yeah. Ready?
不同的城市对其的影响不同 录音室也就变化各异 Different cities, different influences, different rooms.
亚历山大·迪斯普拉特 《布达佩斯大饭店》 《逃离德黑兰》 《国王的演讲》
在伦敦 他们通常录制温和的音乐 In London, usually they play with a gentle sound.
福克斯工作室 洛杉矶
在洛杉矶 他们会录制强硬的音乐 In Los Angeles, they play with a stronger sound.
我很努力地工作 I do work very hard.
我的团队和我一样也非常的努力 You know, and I have a team that also works hard with me.
西托·佩雷拉 《愤怒的小鸟》 《神偷奶爸》 《蓝精灵》
能够走到这一步不容易 It takes a lot to get to this point.
这就像你的人生故事 It really is like your life story,
借用影片作为乘载器 using the picture as a vehicle
来向大家展示你的内心 to show the human that you are.
刚才太美好了 That was amazing.
原先所有作曲家都会去做乐谱指挥 Conducting a score is something that everybody used to do.
现在并不是因为作曲家没有能力 It's not so much that the composer doesn't have the chops
上台去指挥管弦乐队 其实许多作曲家都能做到 to go out there and conduct an orchestra, many of them do.
但是对他们来讲 通常待在录音室中更有意义 But it's often more important for them to be in the booth,
在那里可以聆听管弦乐演奏 listening to what the orchestra is playing,
坐在导演本人的身边 and sitting right there with the director
可以感受到导演对音乐的想法 to know how the director's feeling about what he's hearing.
播放吧 Let it play.
《小黄人》
如果你问约翰 包威尔 或者 汉斯 季默 If you speak to John Powell, or Hans Zimmer,
约翰·包威尔：《谍影重重》《史密斯夫妇》 汉斯·季默：《盗梦空间》《加勒比海盗》
如果你问约翰 包威尔或者汉斯 季默 If you speak to John Powell,or Hans Zimmer,
他们一定会说他们更喜欢呆在控制室而不是指挥 they'll say they prefer to be in the control room, not conducting,
因为那里是链接所有环节的地方 他们有更多的权力 because that's where everything's fed through, they have more control.
哈里 格雷格森 威廉 变形怪杰 怪物史莱克 怒火救援
实际上我们都做着相同的事情 I mean, basically, we're all going after the same thing.
我们想做到最好 We want the best result,
为电影配上最好的音乐效果 the best performance for the film.
很多作曲家都喜欢坐在隔间里 A lot of composers like to be in the booth,
华纳兄弟电影制片厂 伯班克
因为那样方便和导演沟通 so that they can be closer to the director.
但我个人觉得 But I personally feel I get the best performance
约翰 德博 耶稣受难记 罪恶之城 公主日记
当我亲自指挥自己的音乐时 效果会更好 when I'm conducting my own music.
早上好 Good morning!
这是派拉蒙公司的电影 很有意思 This is a film for Paramount. It's lots of fun
约翰写过很多出色的音乐 天呐 不可思议的成绩 John has done a great, oh my god, what a score.
不废话了 有请我们的作曲家和指挥家 So without further ado, our composer and conductor,
约翰 杜威 John debney.
早上好 Good morning.
我们从5m1v3开始 We're gonna start out with 5m1v3.
我们来一起演奏点音乐 Let's make some sound.
一 二 二 One, two. Two.
弹得非常好 太棒了 Good read. Good read.
试奏家们 录音室里的演奏家们 Sight-reading musicians, the studio musicians,
真是太了不起了 really are an incredible breed.
电影制作人会问 Producers or filmmakers, they say,
他们彩排了多长时间 "Well, how many days do they have to rehearse this?"
贝尔 麦克里里 行尸走肉 太空堡垒卡拉迪加 科洛弗档案巷
我说 从没彩排过 这就是他们第一次演奏 And I say, "none. That was it. They never saw it before."
然后他们说 什么 真的吗 And they go, "What? What?"
试奏有一个技巧 There's a technique to being able to sight-read,
将各个部分融合成一体 to being able to congeal as a section,
融合成录音棚里的试奏管弦乐队 as a studio sight-reading orchestra.
24 我们有点快了 24, we are faster right away.
当你写音乐的时候 When you're writing music,
你就像是在给演奏家们写信 you're writing a letter to the performers.
你给他们一系列指示 告诉他们要如何做 You're giving them a set of instructions on what they're supposed to do.
康拉德 蒲柏 交响乐家
如果你写的好 那就像一封情书 And if you do it right, then it should be a love letter.
你需要再次展示出 And it... you should show again,
我了解你的乐器 我知道你是谁 "I know your instrument.I know who you are."
每个演奏者都试图演奏相同的音符 You have many, many players trying to play the same note,
布莱恩 泰勒 速度与激情系列 复仇者联盟：奥创纪元 夏威夷5-0特勤组
但这实际上不可能 but no one can.
因为每个人都会被分到精确到微米的一部分 Everyone is off by microns of a percentage,
这样就会带来一种合声效果 which gives it that chorusing effect.
如果一切都是完美和一致的 If everything was consonant and perfect,
音乐就太糟糕了 Music would... It would be terrible.
就像把埃塔 詹姆丝的音乐全部自动统调 I mean, it would be like putting auto-tune on etta James.
音乐的灵魂就全部丧失了 You know, it just would take all the soul out of it.
这就是为什么 And honestly, that's why we have...
交响乐会如此动听 Why orchestras sound beautiful.
如果有那么一天 If there's ever a time
我不能站在试奏室里和90名演奏家一起工作 where I'm not able to get on a scoring stage and work with 90 musicians
我可能就会去别处歇菜了 I'll probably do something else.
和现场演奏家们一起工作 就是我活着的意义 Working with the live musicians, that's what I live for.
站在指挥台上 Standing on the podium,
挥舞着指挥棒 and giving a downbeat to a piece of music
演绎着你精心编写的音乐 that you've spent a long time crafting.
每当我第一次听到旋律 And hearing it for the first time,
就像你第一次看到自己刚出生的孩子 I guess it's like seeing your child for the first time being born.
那种喜悦 那种情感 The joy, the emotion of what that is,
对我来说就是一切 it's really everything to me.
弹得非常好 很棒 Pretty darn, good take.
这就是交响乐的力量 That's the real power of the orchestra
这就是为什么 and I think that's why...
交响乐从未消失 That's why I think it'll never disappear.
尽管交响乐一直在被改变 而且未来也会不断被改变 Certainly it's been transformed and will continue to be transformed,
但我觉得 在我们内心深处 but I think at the heart, um...
它是一种最充满人性的力量 It's kinda the most human element
一种最富有情感的力量 and the most emotional element we have.
我们从20开始到48 Let's go from 20 to the end of 48.
这个电影需要配很多音乐 This film has a lot of music.
这是个动作片和创收片 It's an action film, it's a tentpole movie,
所以他们想让片中的音乐走红 so they tend to be more wall-to-wall.
乔 克雷默 碟中谍：神秘国度 神探杰克 枪之道
杰克 里彻有将近60分钟的音乐 You know, "Jack Reacher" had about 60 minutes of music.
这里有将近110分钟 This has about 110.
在影片完成制作之前 You do see the billboards up
你就能看到很多宣传海报 before you're finished doing the film.
你开车路过的时候 就会不自主地想 You drive past it thinking,
音乐还没有写完呢 "but the music's not written yet."
最恐怖是当你在纽约坐地铁的时候 The scary thing is going down to the subway in New York
埃利奥特 戈尔德 弗里达 盗火线 永远的蝙蝠侠
我刚完成了一半的工作 就在海报上看到了自己的名字 and I'm halfway done and seeing your name on the poster,
我情不自禁地对自己说 天呐 and saying, "oh god," you know,
我还有将近两周半的工作没有完成呢 it's... i have a long way to go in two and a half weeks."
如果票房大卖 the more expensive the movies get,
他们会让你知道 they do let you know this.
但偶尔 某些时候 You know, the... the occasional, you know,
汉斯 齐默 山水喜相逢 加勒比海盗 星际穿越
制片厂会隐藏一些事情 hint gets dropped by the studio
他们会告诉你票房至关重要 所以你最好... that you know, everything is riding on this and you better, you know, whatever.
无论如何我觉得这并不能鼓舞人心 So this is not necessarily inspirational,
反而让人恐惧 it's just terrifying.
这些繁琐的事情交织在一起 The complexity of putting these things together
让我感到压力巨大 is immense now, and the pressure is immense.
我们的制片厂 Our studio?
米切尔 莱布 迪士尼公司 电影音乐董事长
每制作一个电影 We're rolling close to a half a billion dollar roll
我们投入了将近5亿美元 every time we take out a single movie.
你知道我们需要达到什么样的目标吗 Do you know how much you have to make?
我们制作的每个电影需要在所有票房排行里进入前20 Every movie that you're making has to be in the top 20 of all-time box office.
这太疯狂了 It's insane.
我觉得这种商业模式的复杂性 I just think the complexity of the business overall has...
使艺术形式变得更加复杂 Has brought a complexity to the art form.
当我制作世界末日的时候 On the movie "armageddon" which I did,
我真的从杰瑞 布鲁克海默那里要了个钟表 I literally got a clock from Jerry bruckheimer
那种能倒计时的表 记录我们还剩多少天 with a countdown clock, counting down to the day we finish,
我天天都带着这个表 and that was in front of me at all times.
截止日期真是太可怕了 Deadlines can be terrifying.
艾比路制作厂
这个电影的拍摄日程在不断被缩短 The schedule on this film is so accelerated,
这真是考验另一种专业性的时候 it's on a whole other level of professionality.
现在已经过了6个小时了 It's been about six hours so far,
还有三个小时 we've got another three hours to go.
拭目以待吧 So guess what.
第29小节里有6个单音 six clicks into bar 29.
我觉得你需要快半拍 Yeah, you should go up a half step, I think.
这种方式花费很高 This kind of situation is so expensive,
并且也难组织 and so hard to organize.
但解决问题的方法不止一个 But there's always more than one way to solve a problem.
你可以在这一幕里改变音乐 And you can solve this problem by changing music at this cut,
你也可以在另一幕里改变音乐 or you can solve it by changing the music at that cut.
很好 Great.
因为电影制作风格改变了 As filmmaking styles have changed,
电影音乐也随之改变 film music itself has changed.
电影制作者意识到在过去的几十年里 And as filmmakers have realized that, over the decades,
乔恩 柏林盖姆 电影音乐历史学家
他们在寻求不同的东西 um, they've asked for different things
收获不同的东西 and gotten different things.
1978-1979年间发生了什么 What happened in 1978-79?
有人发明了音响合成器 Somebody flipped on a synthesizer.
有了合成器之后 朋克风出现了 When the synth came in, actually, punk also happened.
一些富有活力 And you have this incredible new
热情狂热的音乐天才出现了 extroverted musical intelligence going on.
Oingo Boingo(乐队名) 怪异科技 MCA唱片记录 仅用于宣传
丹尼 叶夫是个表演家 Danny elfman. He was a performer.
蒂姆 伯顿 未来的某一天他会去拍电影 You know, Tim Burton, one day he gets to make a movie.
对他的评价如何 Who's he going to have score it?
他最喜欢的乐队怎么样 Hey, how about his favorite band?
他喜欢Oingo Boingo乐队 成员都有谁 Yeah, love oingo boingo. Who's in oingo boingo?
谁是首席的作曲家 Who's really the principal songwriter?
没错 就是这个人 丹尼 叶夫曼 Who's really doing... oh, it's this guy Danny elfman.
没错 就是他 Bingo-bango!
我尝试写一些怪异但又精致的曲目 I was starting to write weird but elaborate compositions.
丹尼 艾弗门 心灵捕手 黑衣人 圣诞惊魂夜
我写了一个曲子叫第一号半oingo boingo钢琴演奏会 I wrote this thing called "the oingo boingo piano concerto no. 1 and a half."
如果没有这个曲子 我永远也不会接手皮维历险记的编曲 Without having written that, I never would have taken "pee wee's big adventure."
因为他还是个孩子 Since he was a kid, more or less,
一个充满好奇 喜欢取悦自己的人 just a really curious person who's been amusing himself, you know?
刚开始 只是一些怪异的表演 At first it was, you know, just the antics of oingo boingo,
黛博拉 卢丽 亲爱的约翰 永不言败 9
然后就是对皮维全面的展现 and then the whole Tim Burton, pee wee.
丹尼的音乐一点也不平淡无奇 There's nothing bland about Danny.
太感谢了 伙计 Thanks a lot, crew.
丹尼是个作曲家 Danny is the composer
他能在影片刚开头的时候就抓住你的心 who grabs you by the collar during the main title of the movie and says,
理查德 克莱夫特 电影音乐代理人
告诉你 我将带你进入一个崭新的世界 "I'm about to take you into a world, and here's what's it's about."
丹尼最大的优势是 Danny's biggest strength is
他能把很多细微的音乐理念 I think he comes up with the most amazing little short musical ideas
转化成一种巨大的音乐理念 that then become big musical ideas.
当他突发奇想 制作蝙蝠侠的时候 When he fully, like, exploded with "Batman,"
克里斯多夫 伦尼 超自然 老板恶大头
所有人都被震惊了 everyone's mind was blown.
蝙蝠侠只有约翰 威廉斯这一个样本 "Batman", there was only one template: John Williams,
我们并不想做 and we didn't wanna do that.
我又一次无以为继了 Again, I hadnothing to go on.
没有哪种和弦模板 There was no modelof what kind of chords,
能告诉你怎么让一段黑暗的配乐仍然充满趣味和活力 how you do, like, a darker scorethat's still fun and has energy.
但接着我就意识到 多年前我想从伯纳德·赫尔曼那里学到的 And I realized what I tried to learnfrom Bernard Herrmann years earlier,
伯纳德·赫尔曼: 美国著名电影配乐作曲家
伯纳德·赫尔曼:美国著名电影配乐作曲家(1911-1975)
就是 规则只有一条 which is, there isonly one rule.
没有规则 There are no rules.
嘘 Boo!
他能为这个现代化的社会 He can broach the big, orchestral world
开启通往广袤管弦乐世界的大门 with the very uber contemporary world,
而且 天衣无缝 and he does it really seamlessly.
你还能从中感受到他的音乐 他的个性 And you can hear his sound,his personality.
汤玛斯·纽曼是那种作曲家 Thomas Newman is one of those composers
汤玛斯·纽曼:美国作曲家 电影配乐大师
你很难确切表达出他的音乐是什么 that it's very difficult to sort of describe what the sound is.
和丹尼·叶夫曼一样 汤玛斯创造出了他特有的音乐 Like Danny Elfman, Thomas has developed his own sound.
丹尼·叶夫曼: 美国电影配乐作曲家
丹尼·艾夫曼:好莱坞电影最有原创性的配乐人之一
我第一次和他合作的配乐 The first score I worked with him on
就是“肖申克的救赎” was "Shawshank Redemption."
他的音乐前卫又独特 带着强烈的个人风格 His music is extremely edgy and unique and he has an unmistakable mark,
大卫·尤尔特 录音室音乐家
就像给他的每件作品都加了水印一样 it's like a watermark on anything that he does.
“肖申克” 是件永垂不朽的作品 That's a lasting piece of art, "Shawshank."
我是莱斯特·伯纳姆 My name is Lester Burnham.
当初我看美国丽人时 When I saw American Beauty,
美国丽人;1999年上映，2000年获奥斯卡最佳影片，揭示了当时美国社会百态
听见了汤玛斯的第一支旋律 and I heard Thomas Newman's first notes
莱纳德·马尔汀 电影史学家
那是电影的第一段镜头 我想应该来自于木琴 in the first frames of the movie...I think it's a marimba that you hear.
木琴:一种拨弦乐器，最早来源于印第安
而那显然为电影定下了基调 It absolutely sets the tone of the film,
让你感觉到有点失衡 puts you a little off balance,
提醒你接下来你会碰到点 lets you know that you're in for a somewhat odd,
发生在美国社会的小怪事 offbeat take on American life.
汤玛斯令人惊叹的地方 The great thing about Thomas Newman
就是他找到了一种表达未知的方式 is he's managed to capture a way of doing uncertainty,
约翰·鲍威尔 电影神鬼认证 驯龙高手 怪物史莱克
所以 它就不会太过明晰 so it's never...It's never too committed,
从音乐上说 这也成了它优点之一 but it's musically kind of got this great character to it.
通常 在线索中 He will generally,in a cue,
他会构造一个中心 he'll establish a key center.
事件就以这个中心 绕着基线缓缓织成一张网 Things will start to weave in and out around that, around that baseline.
J.A.C 雷德福德 管弦乐演奏家
使得管弦乐背后又生出一种韵味 That creates a kind of a texture that lives behind the orchestra.
而同时 管弦乐就也成了这韵味的一部分 When the orchestra comes in,it becomes part of that texture.
不过 这种奇异的表达方式并不存在 Well, that particular language just didn't exist.
它只诞生于汤玛斯·纽曼的大脑里 It was... came out of Thomas Newman's brain.
汤玛斯·纽曼是阿尔弗雷德·纽曼 Thomas Newman is Alfred Newman's
最小的儿子 youngest son.
没错 他从小就练习管弦乐 Yes, he is orchestrally trained
乔恩·伯林盖姆 电影音乐历史学家
而且他能写出漂亮的管弦乐配乐 and he can write a great orchestral score,
但有时候他要配乐的电影 but sometimes the movies he was working on
需要更高深的技巧 required something more intimate.
有时候你忽然捕捉到了一种情绪 A lot of times you can get a mood,
一种主要情绪 然后把它叠加到图像之上 a prevailing mood and just slap it onto an image
汤玛斯·纽曼 电影天降杀机 机器人总动员 间谍之桥
让它停留两分钟 and let it sit for two minutes.
每个人都把它撕裂开来 每个人 Everybody rips it off.Everybody.
他们不明白 就是不明白 And they don't realize.They don't realize.
他们觉得“这就是电影配乐 我就是这么做电影配乐的 They're thinking "this is film music, this is how I do film music.
这就是我做的方式“ This is howI do that thing."
因此它被模仿和抄袭 And of course it's been imitated and copied,
但他 but he was...
但他那时 He was there at that moment
是要引进些新东西 to introduce something new.
想静下心来再去 It's so difficultto sit down
泰勒·贝兹 电影银河护卫队 守望者 300
弹奏一曲如斯冷酷的钢琴独奏太难了 and do that cold emotive solo piano thing
因为他已经完善过了 'cause he's perfected it.
巴苟斯乐队 录像带杀死广播歌星 塑料年代 环球唱片
MTV正在放送 MTV is going on the air.
MTV:美国维亚康母集团旗下的全球音乐电视台
他们最先要放的录像会是什么 What video are theyfirst gonna play?
一首叫做 “录像带杀死广播歌星”的歌 A song called,"video killed the radio star"?
如果你仔细看 你会发现汉斯·季默就在背景里 if you look closely, you can see Hans Zimmer in the background.
汉斯为电影配乐带来了一种非常规的 Hans brought an unconventional rock swagger, okay,
摇滚耍酷 to film scoring.
管弦乐队的这种演奏方式 There's a brutality about the way
偏向残暴 有暴力因子在里面 如果你想这么说的话 that the orchestra plays. There's a violence, if you will.
保罗·卜洛瑟 华纳电影音乐公司董事长
一种挑衅 An aggression.
音乐本身携带着紧张的元素 这一元素伴随着谱曲 There's an intensity about it, an intensity about how it's written,
也伴随着演奏 an intensity about how it's played.
电影中丽莎·杰拉德的女独唱 The single female voice of Lisa Gerard in that film,
肖恩·莱蒙: 美国作曲家协会 电影音乐制作人
加上管弦乐队发自肺腑的力量 on top of the visceral power of the orchestra...
也给了观众强有力的冲击 Really had an impacton the audience.
我会和你再见面的 I will see you again.
不过还没 还没到时候 But not yet. Not yet.
我们当时就想 必须是女歌手来演唱 We had this idea.It had to be a woman's voice.
汉斯·季默:作曲家 奥斯卡获得者
为什么你想在角斗士的电影里加入女人的声音 Why do you want a woman's voice in a gladiator movie?
第二天我们过来 那有只手在麦田上 The next day we came in, and there was that hand on the wheat field.
那个镜头持续了一分钟 And that shot holds for a minute.
如果你写了剧本 If you have written that in the script
就会知道这个镜头没必要存在 it wouldn't have even made it to being shot.
为什么你要把你的手放在麦田之上 Why would you hold your hand on the wheat field?
这个镜头存在的唯一原因 就是音乐 The only way that shot can work was because of the music,
为了丽莎的嗓音 because of Lisa's voice.
这仿佛给了电影接下来的部分 But it sort of gave license for the rest of the movie
更诗意点 to be a little bit more poetic
更广袤些的特权 and to be a little bitmore expansive.
我真的觉得 这升华了整个体验 It really, I think, elevated the whole experience,
而这极大地影响了从此后多年好莱坞音乐的类型 and it shaped the sound of Hollywood for years afterwards.
现在 我们就在汉斯·季默的时代 Now we're in the Hans Zimmer era.
处处都有他的影子 It just looms over everything.
这就是为什么说 他是个革新者 This is why he's a revolutionary.
汉斯用了小提琴弦乐 又把这改造成类似吉他的音调 Hans took the string section and made them like a guitar.
他们在玩节奏 They're playing rhythm.
而且这真的很有趣 And that's a really interesting thing.
我不认为曾有人真正做过这个 I don't think anybody had really done that.
“海盗” 就像齐柏林飞艇（知名硬式摇滚乐队） "Pirates."It's like Led Zeppelin.
齐柏林飞艇:一只英国的摇滚乐队
真是像极了一支弹奏管弦乐的齐柏林飞艇 It's like freaking led zeppelin played by an orchestra.
汉斯在电影”黑暗骑士“做的 What Hans has certainly done on "Dark Knight"
就是模糊了 is obviously blur this line
恢弘交响乐和电音之间的界限 between this giant symphonic sound and electronics
而且你也没法肯定 何处起何处终 and you're not quite sure where one ends and the other begins.
这种轻柔的 重复的弦乐音型 The sort of light,repetitive string ostinatos.
其实随处可见 You hear that so often.
它就是一种不变的持续节奏 It's just all about this constant pulse going on.
异常有力 Terribly powerful.
又异常令人兴奋 Terribly exciting.
汉斯季默他是 仍然是个传奇 Hans Zimmer is still...he's a legend and still
并且一步步走向神坛高处 becoming more legendary.
盗梦空间的末尾 就像一个崭新的早晨 The end of Iinception",it's like a new morning.
当他回到家 就将和他的家人们团聚 When he gets home, he's going to be reunited with his family
在现实中 真正的团聚 for real, in reality.
这就会让你觉得 这是个好结局 You're led in one direction like it's going to be okay.
汉斯·季默的配乐 仿佛海浪席卷你的全身 Hans Zimmer's score really washes over you in waves.
而音乐正附在浪花之上 Then the music just piles it on.
镜头下移 留给你一个巨大的疑问 The camera pans down and you're left with a big question.
你瞧 这里就体现出了音乐的力量 Wow, music adds quite a bit here.
过去五六年中 We've seen over the last five, six years
我们看到那些不是电影作曲家的人 where people that are not film composers
被导演要求做出点独一无二的东西 were asked by a director to do something unique.
就像特伦特·雷泽诺和阿提戈斯·罗斯 Like Trent Reznor and Atticus Ross.
九寸钉乐队
我想这些都是很好的例子 And I think these are really good examples
九寸钉乐团
人们就是喜欢让那些 where people just really love people
投身于电影配乐之外艺术事业的人 that have an artist's career in the world outside of film scoring
去给电影音乐增添光彩 为图像加上声音 can bring so much authenticity in music and sound to the picture.
而他们给出的音乐 实在太现代化了 The sounds they're using are extremely contemporary.
他们在电影“社交网络”中的配乐 Their score for"the social network"
就像块情绪的调色板 是一种很恼人的抒情钢琴曲调 it's an emotional palette. It's a very disturbing kind of lyrical piano.
罗伯特·克拉夫特 福克斯音乐前任主席
它是人文的 但也是工于技术的 It's human,but it's technical.
它的情绪是暗沉的 但有点其它感情在里面 It's emotionally dark,but it's got some feeling to it.
当大卫·芬奇说 When David fincher called,
大卫·芬奇:美国导演 演员 制片人
“嘿 你能给我下部电影配乐吗” 没问题 "hey, I want you to score my next film". Fuck yeah.
“这是一部有关脸书的电影” "It's a movie about Facebook".
我就不得不思考什么音乐听上去不那么性感 这让我陷入困境 I would be hard-pressed to think of something that sounded less sexy.
我们当时就在转换风格 And we were shuffling the deck
特伦特·雷泽诺 电影 社交网络 龙纹身的女孩 消失的女孩
尝试一些听上去不那么直观的东西 trying things that didn't feel intuitive.
讨论改变这部电影的氛围 Talking about changing the temperature of a movie
阿提戈斯·罗斯 电影社交网络 爱与宽容 消失的女孩
给观众不同的情绪反馈 and the emotional response of the audience.
截然不同的 Radically different.
之后整部电影的感觉都不一样了 The whole movie feels different after that.
这部电影看上去就更重要 I think it feels like a much more important film
而不是那种 “哦 大学生活 无聊” than the kind of"ah, college life, tomfoolery"
用错了音乐 that it could have been misled
观众就可能被误导 into feeling with the wrong music in there.
而从那以后 就有很多电音艺术家 And ever since that point,there are a lot more electronic
克里斯托弗·贝克 电影冰雪奇缘 布偶大电影 完美音调
从事起了电影配乐 artists doing film scores.
电子产物 工程产物 Electronic production,and engineering
亨利·杰克曼 电影一个国家的诞生 菲利普船长 超能陆战队6
这和原本的音乐完全不同 and a whole different way of looking at music
本应该更发自肺腑 that is often much more visceral.
特伦特·雷泽诺和阿提戈斯·罗斯 “社交网络”的配乐 Trent reznor and Atticus Ross for "The Social Network."
我认为特伦特雷泽诺完全配得上 I think it's totally deserved that Trent Reznor
不仅获得奥斯卡配乐提名还得奖了 not only got nominated butalso won an Oscar for score.
这个奖实至名归 It's completely deserved.
有意思的画面配上绝妙的声音 When you have an unconventional image with unconventional sound,
就好像特伦特和阿提库斯现在做的很多事一样 like with a lot of the things Trent and Atticus are doing,
结果非常让人满意 the results can really be so much greater
它胜过单纯的叠加 than the sum of their parts.
混音结果往往是 What the net result of that is, you know,
在某种程度上来说是一种混乱美 in some ways is sort of beautiful chaos.
电影配乐已经改变的很彻底 Film music has changed,fairly radically.
很多新尝试 There's far more experimentation.
给予创作更多自由 有魄力的艺术家以前从来没有 There's far more freedom and inviting artists who would never have
想过从事电影配乐 从来没有人想过 thought of doing a film score and nobody would have thought
做电影配乐 of doing a film score before.
这对我来说是相当兴奋的 And to me that's really exciting.
科学技术使这一切成为可能 Technology has made it possible
也让每一个作曲家成为了制作人 for every composer to be a producer, as well.
最核心的部分依然是曲调 At the core of it, though,is the tune.
我感觉这部分 For this one is the only cue that I feel
依然需要完善 that we still need to work a little bit.
这是电影开头 It happens to be the opening of the movie.
如果我们能这样 So, if we can get like this
比方说弹奏尤克里里 our orchestral ukulele,so to speak,
简单的 in a very simple...Very like
发出叮铃声 plink, plink, plink,plink, plink.
-像那样 对 -这样轻弹 - Like that way, yup.- Flies it by, yeah.
很温馨 Very, very kinda sweet.
123 One, two, three and...
我们可以 Can we do it... okay.
你的指甲轻拨琴弦 Can we do it so your nails go on top of the string,
有点小迷人 so it's kind of dirty.
这样叮铃叮铃的弹 So you plink,plink, plink,
对 对 yes, yes.
大提琴开始弹 The cellos now.
配乐太美妙了 An amazing sound.
-满意吗 -我何止满意啊 - Happy?- I'm more than happy, man.
我着迷了 I'm like hypnotized.
对 对 Yeah, yeah.
哇 Whoo-hoo!
很强有力的作品 Man, this is some powerful stuff.
太棒了 Beautiful.
再次谢谢你们的参与 你们太棒了 I just wanna thank you again because you are amazing,
非常荣幸作为一个音乐人 and what a privilege it is for a musician,
可以邀请你们演奏我的作品 like myself, to have you guys playing my music.
非常感谢 So, thank you very much.
谢谢赫克特 Thank you, Heitor.
电影配乐本质上来说就是录制的艺术 Film music is essentially a recorded art.
一旦你有了录音子母带 你可以开始混音 Once you have the recording,then you're into mixing,
这部分更多的是技术活 the more technological part of the production.
在完成配乐之前 Before the music leaves my studio,
我会再做最后一次混音 I just give it one last final mix
确保我想表达的已经在配乐里 to make sure everything that I want to be heard is heard.
每一节音乐都需要注意完善 Every element needs some amount of attention
以得到你想要的效果 to create the overall feel that you want.
这是他出场的主要配乐 So that's... that's his main little melody.
很简单的音乐 衬托这个很大只很简单的坏家伙 Very simple, becausehe's a big simple, evil dude.
电影里面会有一个很戏剧化的镜头 So there's a point where, it's a really dramatic moment in the film.
配乐播到这 Up until this point in the music
我还没听见法国号的声音 I didn't have any French horns,
因此我加进去 so I introduced them.
你也许听不出 You probably can't even hear them.
我听得出 因为我知道他们在演奏什么 但是 I can hear them because I know what they're playing, but...
好 现在简单处理一下混音 Okay, so, now simply mixing them up a bit.
每一次播放这个 都能听见法国号 Every time I played that just then, they were there.
当我把法国号声音调小 When I turn the horns down,
我都感觉不到情感的爆发 I don't feel that emotional peak.
现在看到的镜头是50英尺高的机器人滚下高速路 Now there's 50 foot robots running down the highway,
这里混音要大声点 that line better be mixed up loud,
不然很难听见什么 otherwise, you're not gonna hear it.
你想要清楚表达自己的观点 You want your intention to be clear.
法国号给这个镜头加了很多感情分 The horns just give it kind of more of an emotional weight.
配乐就是确保电影想要传达的元素 That's a part of mixing, is just making sure the elements
可以深深打动观众 that you want to grab hold of the audience
这些配乐要能够大声的表达自己的诉求 are loud enough to make a statement.
又不能落入俗套 And you can't really be wishy washy.
你需要大胆新颖的观点 You have to make bold statements.
午夜新闻 《速度与激情》男主角保罗沃克车祸身亡 震惊好莱坞
我认为 拿《速度与激情7》打比方 I think, you know,with "Furious 7,"
观众看这部电影是会很有感触的 people really reacted to that film
在情感上容易引起共鸣 on an emotional level.
保罗和他扮演的角色说再见 Paul and his character say goodbye.
这也许是最震撼的电影体验 That's probably one of the most powerful theater experiences
看了这部自己参与的影片 I've had watching a film that I had worked on.
这部片感觉和保罗的真实生活有重叠的地方 And it kind of crossed over his real life.
哪一幕打动观众 你可以感觉得到 You can feel when a cue is working the audience.
这是我热爱电影配乐的地方 That's what I love about film music,
想知道配乐是否感染观众 if it's all emotion.
我认为 当自己参与的电影上映后可以来剧院观察观众的表情 I think seeing audience reaction to films that you've worked on
这非常有帮助 is really helpful.
虽然这不会帮助你完善这部电影 It doesn't help you for the film that you just did,
因为已经上映了 because it's already outin the theater.
但是下一部电影肯定可以帮到你 But it certainly will help you for the next film.
观察人们在听你的配乐时候的反应 Seeing literally the reaction of how people respond
真的很酷 to your music,that's really cool.
常常我会跑到前面 Now often, I'll cruise up to the front,
然后偷偷转过头去看观众 and creepily turn back and look at the audience
观众正在看电影 watching the movie.
很少有人发现我在看他们 Very rarely am I spotted doing that.
时不时的我会仔细看观众 Every once in a while I will look through the audience,
我很喜欢看他们看电影的样子 I'm enjoying everyone watching it,
但是如果有观众发现 and then there's one head like at the tennis match
我在看他们 然后盯着我看的时候 with the one person like looking right at you looking at them
我会觉得不舒服 然后就会离开 and that's uncomfortable,and then I leave.
你想知道这些配乐是否成功 You want to get a sense of how did this work?
特别是一些镜头 出现很多配乐的时候 Especially in the scenes that are really musical.
这些配乐有打动观众吗 Did they move people?
我会做一些难为情的事情 And then I do something that's slightly embarrassing.
我会跑去洗手间 I will run into a bathroom stall,
听听他们是否有在哼歌 um, and see if they're humming
或者吹口哨 唱主题曲 or whistling the theme,
让人惊喜的是很多时候都有听见 and it is amazing how many times that's actually happened.
这个时候你就觉得自己的配乐得到了认同 It's like the ultimate pat on the back.
我感觉自己在某种程度影响了他们 To me, I feel like I affected them on a level
尽管他们没有意识到 that they're unaware of.
这很酷 看到观众 It's cool to be able to witness people
体验我所体验的 experiencing what I experienced
我看电影长大 when I was watching films growing up.
尽管你不在了 但电影依然会在 依然可以影响别人 太疯狂了 And to think that it lives on beyond you is a crazy thing.
电影比我们活的都久 I mean, it's definitely gonna outlive me.
这些电影还有很多后人会看 You know, these movies will be continued to be watched
这实在是太酷了 and that's really cool.
作为电影作曲家 我们有这样一份责任 One of the responsibilities we have as film composers,
我们是地球上最后一批人 在我们日常工作中 is we're the last people on earth who on a daily basis
传承管弦乐 commission orchestral music.
没有我们 管弦乐队也许会消失 Without us, the orchestras might just disappear,
我认为这会制造裂痕 and I think that will create a rift
在人类文明史 in, you know,human culture.
对人类是重大损失 I think it will be such a loss to humanity.
我们都有这样脆弱的时候 We all have this fragility.
我们可以聊好几个小时 可以很风趣 We can chat for hours and in a funny way,
我感到很安全 I'm very secure about this.
因为我用工作掩盖自己 I... because I hide behind the work.
你永远也没办法了解我 You'll never really figure me out.
但是当我为你弹奏一曲 But when I play you a piece of music,
我就把自己完全袒露在你面前 I completely expose myself.
这是非常可怕的 And that's the really scary moment.
我很爱很爱我的工作 I love, I love,I love what I do.
即使我坐在那感到恐惧 Even when I sit there driven by paranoia, fear,
紧张万分焦头烂额 neurosis, you know,pulling my hair out.
我还是会只选择做这份工作 I still wouldn't trade it for anything else.
很少人可以每天受启发 Very few people can be inspired every day
创造很棒的曲子 to write something brilliant.
不管你是否意识到 Whether or not you're aware of it,
音乐扮演非常重要的角色 music plays such an important role
在我们看电影的时候 in how you respond to a film.
电影的其他工作有可能化为泡沫 All your other work on a film can come to nothing
如果你的配乐不好 if you don't get the music right.
你要常常突破自己 You constantly have to reinvent yourself
要有很强的心理准备 and you have to adapt to very,very difficult psyches.
你身上肩负很大的责任 It's quite a lot of weight to carry on your shoulders,
如果你很挣扎 怀疑自己 if you're just struggling and you have self doubts,
有时 对 有时也会碰壁 and sometimes, yeah, sometimes you crash into a wall.
成就感 真的很棒 The satisfaction of succeeding,yeah, it's really something.
电影配乐是一种伟大的艺术形式 Film music is one of the great art forms
在20和21世纪 of the 20th and 21st century.
电影作曲家的灵感能给电影 There is something about what the film composer
带来什么 brings in by their intuition.
一种独特的磁场 独特的组合 That unique ecology,that unique combination
可以让电影配乐很强大很神秘 is what makes film music so powerful, so mysterious,
作为科学家我们是无法捕捉的 and probably uncaptureable to us as scientists.
当我们在剪辑《泰坦尼克号》詹姆斯发来配乐 When we were cutting "Titanic",James was sending over music
像往常一样 他会给个配乐初稿 as he was... 'Cause what he would do is sketch out
用合成器合成 on synthesizer,with his synthesist,
他想用管弦乐队传达什么 what he intended to do with the orchestra.
所以我习惯听到很多新的观点 So I was used to getting sort of new ideas coming in.
有天我坐在那剪片 So I was sitting there cutting one day
有个唱片送进来写着“素描” and a disc came in that said, "sketch."
我心想 好吧 这个应该就是素描那场戏的配乐 I thought, "oh, okay, this goes for the sketching scene."
我开始拖动曲子的进度 然后发现就在某个点开始 I just kinda slid it around until I found a place
似乎和这场戏非常吻合 where it seemed to sync with the scene nicely.
画的这么认真 So serious.
是钢琴弹奏 There's a kind of piano downbeat
当李奥纳多眼睛抬起来的时候开始播放配乐 that I just put on Leonardo's eyes coming up
他径直看着摄像机 and looking directly at the camera.
这是他们眼神交流的关键时刻 A critical moment of eye contact
当李奥纳多在画她的时候 between the two of them while he's drawing her,
天啊 太流畅了 and then, boy,it just really flowed.
我当时非常激动 给詹姆斯打电话 So, I was so excited about it,I called him up,
我说 “你知道吗 你送来的曲子太棒了” I said, "listen,this is working so well."
我把这个曲子放在素描这场戏 I put it up to the sketching scene
效果很绝妙 and it's working fantastically.
然后他说 “不不不 这个只是初稿” And he said, "oh, no, no, no,no, that's just a sketch.
只是用钢琴弹奏了一首曲子 It's just a piano sketch of a melody.
我们放到哪个场景都可以 我说“但是放在素描这场戏特别美” We can drop it in anywhere." And I said,"but it works beautifully on this scene.
他说 “真的吗” 我说“是啊 赶快过来吧” He said, "really?" I said,"yeah, get your ass over here."
他过来后 说“真的挺不错” So, he came over, he said,"oh, that works pretty well."
他说 “很好 我让管弦乐演奏这曲子” He said, "all right,well, I'll orchestrate it."
我说 “不不不，只要钢琴演奏就好” I said, "no, no, no, no. Just the piano."
他说 “好吧 我认识世界上最好的钢琴师” He said, "all right, I know the best pianist in the world.
他不在伦敦 I know...He's out of London."
我说 “不用其他人 只要你弹就行了 兄弟 只要你” I said, "no, it's you,buddy, it's you."
（硬字幕） 此片献给那些作曲家，音乐家，制片人，工作室，协调员，管弦乐演奏家，混音师们
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