arrival clipart for
rat I am to a little speed up paint index over the same things I talked
about
in the last episode time to finish in shape blocking
as you can see I'm looking at the shape understanding assets have it
and I'm just trying to express it caption assets which means
you notice how making strong samurai like marks
ferry Paul very strong I am at all I'm doing is trying to say where the shadow
shapes on that rock
and how do I make them music multi which
already is nice because it gives you recognize
rock shape parently because he likes rock texture hanoi
and I i actually drawing it as a painting meeting up like trying to
figure out what is the right placement for all those dark checks
and medicine attracts a lot of thought to the right but in
the and about their looks in the position evident about looks pretty good
no it's not quite exactly like the photo I am and in this phase
it's just a solid flack color on a solid background
or we get that like to see color background to the back of that purple
but I'm not worried about what color is right now because as you can see it's on
a separate layer
this whole kinda Okorie green colors on a separate layer
so all I'm doing is paying into it racing out a bit
looking at a far way to gauge whether
the basic shapes working one of the things I mentioned as
you see how there's only that one little round but the other that now
well the real town has a bunch a little bops an
what I concern myself with that what are the hallmarks have
experienced artist which again experience doesn't
need to have experience just pretend like you do by doing the things that
experienced people do
which is weaving out some stuff and all those little tiny
not jewels and bops all that stuff to me just gonna take away for the picture and
my initial instinct
was to not have them in their so because that was my initial instinct
gonna stick with it not include all those little pops because the focal
point
is that many rock and that's the kind of thing that
is the reason for doing a painting so take a photograph because you can style
things
change things a little ways to make it feel more like
I am still cooler more dramatic now paying
that rich under paint color that I did on you know a lot 30
a third video so I'm doing that like
rich frets because I opposite agreements that's the basic
bottom line and on that same clipping mask where
and adding are starting to try to add actually
exact local color almost heard that word local color just means
exactly the color that's their not
of you know any kind of your pain
think that I'm doing but just the actual color looking at it saying what is that
color
match best notice musicale Drogo that I can't believe some details underneath
and show the painting coming through
start to look mighty
and of Richard Schmidt said something interesting in this but we don't have
the book are pretty much like the best for campaigning
you can read a page a week each page will keep you sustained
their as wise juices wise juices
progress I am but turn it up a little bit he says
the problem the colors look mighty is that temperatures rock
so you have a shadow that's too warm
like that's too cool that's what makes things look mighty so
this looks a little muddy I'm gonna color picket I'm gonna just
cool it down a little bit should solve the problem yeah
to find us
but still
feel like that background to be a little bit lighter
if a matching this painting exactly tournament over to this side a slight
that you
a little bit
and for far away is the best place to Gator just
a little missed
want sometimes it's a matter
saturating
you know what it is to is this thing is another layer
flock to the whole fact actually it's a tiny bit amassed
that's part of what's making this
quite set and what colors that missus
must have a color to it maybe it's a little bit purple E
and I said that to us of like now wall
screen missile
rest out
this is one of those Photoshop thanks where the subtle gradients
to a huge amount and again it's on a separate layer so
got nothing to worry about just keep on this thing Lebanon
yeah i think thats let's check in with their freshness
what we doing here I am
I have a very graphic he's got a lot more I just love it here like as the
form terms
but in the background you can see it's pretty simple mascara background element
so
this area is gonna be like you for how much or how have not enough detail to
include which is why it's critical
critical have somebody's work up that you're trying to copy
critical because if you and not a bunch for their work
nada not several pieces that you like one piece
one piece that way you can look at that one piece
and use it to make these kinds of decisions is that too much is that not
enough what is your chance to you
%uh its it's fresher and looser
so maybe could use some of that I
but certainly I'm not he's got a lot of variety colors
more awesome but I am but generally I can say well that's not
too little detail I am
but you know after I'm looking at all the longer kind of want to you
one another layer here sasama
I'm everywhere with some
shop for your grab some
some that while darker
just cool lighter
clicking on that lighting a little bit again that's a great way to get
subtle value changes is to just click on the thing
and that's loaded up the slider a little bit
yeah
us just those little these
sought all changes in value far away
graphs i dont because its really that's for color
and then you know cancel or rather
a little brighter there and ik this is the planet a painting from life I'm
painting from this photo
so I see like a slice of the percent the real colors that are there
if you were actually there another laptop
you're actually there because I wanna at some of the highlights on this thing
some gonna do that x3 little quick strokes
for a layer mask on their thang senator black
so quick scribble scribble out
see what happens for duplicate that
merger to itself
preserve
first
cease to be locked when I merge these layers unlocks everything about that
later
which is a tiny bit annoying 0
yeah oh yeah yes you see how I remembered
that there was a lot a little curves I was looking at earlier and I thought
okay for stuff like this but as all these little bits
checkin
jacket he's got some back on and that's cast in a few more like a
I was missing fellow player to sluice sort of
flim-flam
nice little extra layer
juice that wasn't same before and I can as a for
that is a Photoshop technique and Photoshop so
feel free
can't back I want that to learn more saturated but whatevs I think it looks
good
okay where the other important areas well there is that we need to kinda blah
camp so we can turn that off
remember this color disaster we have before now it's time to start sorting
that out a little bit and this is
is starting to get probably a little more fun less miserable
I am so yeah the sky
it's a rich Louis blue and again
right here on a separate layer we would like doing not circular
let's make sure I am now there's my sky I had this great blocker put overexcited
extra company
ear infection underneath this great blocker which is right there
so I did that on purpose so that I can like expressed sky
very loosely and if you look at the sky on this kind of analysis
you think you got it you all think you know what's going on but you don't
yes stop for a second at this look
this has a light blue gradient that kinda Seattle it'll blow over there
and a little letterhead like jesus calmed down
really need to worry about like the subtle chretien changes in the skycap
that's why it looks awesome wanna looks awesome even people who painlessly like
Jamie
I are paying attention to Sol changes in temperature
and they're making expressing it loosely but the fact after
so so yeah
noticing that there's like it slightly yellow are here goes to a gradient of
cooler over there because the sense obviously may be coming more from this
direction
and that look at how it slowed slightly redder coming up from the bottom
all points touch to have in the back to happen right now
show every little tidbit that
I first read it is in our
whatever actual color us
and notice it's not saturated
yes maybe greener us
up to kinda get what it is
thank you really close I'm gonna go to Atlantis to now
I'm using is picked extra pressures because that's kinda want to use to
paint everything else
I don't wanna suddenly I'm scared a caddy
carries so Photoshop but I generally only like to use for credits
but maybe if I take colored arch with the like grain
yes because there's a little bit of a weird dream in the plan their
I kinda want to express
and right now I'm just trying to get the exact value that's their
the whole fares
take some that stark here make suppressed because I see some like
plans Heather not sure about all
like blacked out okay turn the spacing out
bring the spacing out by the way as the number one way to make the pressures be
a little bit faster
also sample all layers trying out of
so it doesn't grab color from everywhere to scrap scholar from my where
I walk
and you see there's a little bit actor left in there and that some that's
something I wanna keep I want to make you feel like sky
but I definitely want to get some rat
a text re feel so that it looks like it's part of the same painting what some
sticky makers they
they do all this pain away stuff and then all the sudden the skies like
Super Smash because they say all false
and you're right in one way that's actually good observation because you're
you're kinda seeing what the S and 70 S
accurately thats it's true it is a little bit Smith
by in the game and the effort I've kinda unifying the painting
gonna do that Stephen just that carry too much their stern
sees shop for yoga traffic is nice too because it's a common it's like a Middle
River Road sorta caddy
not too bright
now
planning is just killing my macho
some term Express Backup because I just don't like it
again want to get that color exactly right and there's a little bit yellowing
percent staff
that white is actually down here actually carried out as getting all too
crazy now
for senators two for now again this guy's not just any kind of simple
gradient it's got a lock
terms of subtle color changes
back it's a little brighter
of RAM is what I made it down here a plan that stuff
to give a little stricken s little brighter
and I want to be a little water right cuz it's a little bit warmer here than
it is here
sometimes just turning a brighter if it's a cool color you be saturated
it inherently gets a little bit an asteroid a slider it's kind of an
interesting thing about the way color temperature changes
if you take a call color and the saturated it gets warmer if you take a
walk collar
at saturation it gets cooler so what the way it works is
miss in a poor thing about the way the sliders work
if I took a blue for example and
Sep blue and I wanted it to be
I am like a slightly warmer blue
if I move it over here to the slider right that start slightly warmer
right so from on blue I want to be slightly warmer
the first thing you do is not move the slider because water is all the way over
here
first thing you do to make it slightly warmer to school
is trying to saturation got a little bit it'll get warmer
term breaks down with it that'll really help you see
cousin values are changing that I'm not making it Anne
matter anything to the color
all I'm doing is turning the saturation to see how that works
so now gray appears to be warm but it's not
it still solid brick click on right here still just a really cool blue
stop blue wise I look like it belongs in the orange
right or because its it's just simultaneous contrast to get a fair
Artur words but basically all success on a blue sky looks even our
I am so let's say you got to the very bottom here right
and I've been moving the brightness down so that the value stay the same to even
show you
how this works but they got to the bottom now you want to be warmer
one now because you're 0 saturation it doesn't matter where you move the slider
you could move the slider over here and
you would be I exactly the same color
right because it's zero saturation so tired 0 saturation
it makes never know my aunt where the sliders on the way up because they're
all saturated 0 for all
on a percent correct or flack rate with no color
but what school now is let's say you want to warm this up
more where do you go well now you can move this in a dramatic
way to complete the other side of the wheel and then start inching it back
up the saturation latter on it what on whatever color you want to add to
and now you get warmer
so it's almost as if the saturation a slider
ms in the call colors and light colors is buttered up against itself
I'm at and i think is flipped it's here on the warm sand it's the opposite on
the course
and that's an important thing
for Photoshop because we don't have a way to call their collars
all we have is the sliders that's it and remember these are HSP sliders
that our GP I would work in RTP I would market any
CMYK HSP because it's simple collar which skew
saturation ass and the brightness up core
RL thats guys doing for now
some I'm cool with it now star party
the best part and
I'll see here you know what just curious
a solar mass comm was going to experiment a little bit and I'm going to
race out now you see how I have to choose a color
if see if that's something that be nice to see some of
be I'll wear masks doesn't matter
Irawan I P nice
that certainly too much rackets white again
to be brave
restores the edges there too to get some that like it's like a all
painting it's like you know peeling off on the answers
man Cal droga
cats it gets the job done so many purposes
there come and get outta here to go
people have said there's no cojes depressed they're just I can find one
that was awesome enough especially
you now something that was good for paying
the Sun and the stars %uh
thats myself at least
myself okay so yeah
okay to this is what we call right here all this this is the choose
this is the whole reason I started doing this painting because this is going to
be really a party
so let's get started on their
you know what a little pissed Illinois Inc
just ever so slight
i right sam thanks tartikoff okay now here's a couple things about this
is we have this really juicy underpinning right but we also
have to say well what is that under color these waves
what i'm looking at these waves I'm thinking about a couple thanks let's go
back to the red marker
before stopping something like this
I'm thinking what are the ways that I can break it down in the simplest
possible traps
now first of all we do acknowledge that it's doing that right just generally
we talked about that earlier we do acknowledge that there's some
criss-crossing going on
if your gonna express it a good way to express it would be some criss-crossed
to make your job job I
but also there's a under color where it's like
green right underneath part there's two things there's like the water and then
there's the reflected sky
so just breaking it down in my mind it to those two simple things to say to
myself okay this light blue
if the sky reflected point boiling and that everything that is not the sky
reflected
is another car so just knowing that to sign in my head that there's
to pick colors the the bounce aunt
this underneath color really help me when I'm sitting here tryna
figure how to express it because now I understand
exactly what's happening so I'm gonna take my
Cal Drogo can I clipping mask
and say okay well first what's the under color that is
incorrect YES on software know you're frightened friend to
it's frightening sometimes just fell about
pic and this is not a
this is an exercise in just putting a collar workers the exact car
like before we're trying to like feel out what the brightest version and I
colors
not doing that anymore now I just sang
where whereas
exact color and I'm just gonna say it's all oh yeah I was gonna
crazy yes that grain cereal grains are happening in their
that's the part of focusing on am expressing them you know
pretty quickly not not fussing over too much
but for vivid color that's underneath
that is going to make the painting here cuz that's one of the focal points but
this wave actually
is gonna really pretty quick second so
and that it gets a lot lighter there
a lot more tea saturated actually
but you know it's even it's hard for me
even tell what's happening because they don't have the
colors next to you see like a senator the sky there the color this changes
citizen acres crane you have no idea if that if it works or not
it's like everything gets crazy because all the colors kinda need to be in
relative each other
her to get an idea of what's happening that closer
back here
little actually
data like before
I'm not tryna get some fancy version of the car
was trying to say what is the color rackets prior
Thomas
joffrey get some smoke in there although I'd like to stay away from Smith
pressures when I'm like throwing and pick text re thanks I like to stay with
smooth brushes
when I modeling forms and shapes actually modeling things I like to use
marlowe
I am for that kind of thing but when I like putting pics watches have color
pick a loose kinda indications of angst and I like to
like to do with texture
so that there's little debts so to get a lot a little pets
some Lannister
forgot about him
you know is kinda new to the Arsenal and I don't know if he's
really a winner it definitely sucks show
piece of shit but I am healthy really made the team by Catherine in there
haphazardly and I keep looking for ways to use them
yeah
to put a three yeah pic
bacteria rather gets in there
and I'm
throwing some express cuz the wave that that wave plans down like that
to accept a gradient can have I make it my marks
up words like that why because thats
the direction of that way if so express everything
in the way that it intended to be expressed
understand the essence of it and then I am and that is there see I have to trawl
the striations I just found the right brush which I knew had some
to to it some spacing between the fangs in my mind that I was like a right and
abuse that because I can tell that there's kinda groovy
sorta spacing in there bag reviews in the seventies but you know what i'm
saying
groove ask
and then as it gets closer to the front
I wanna get more subtlety more layers ms thang
actually take some
got a color touch take
blue I wanna get that last little bit of neon
wanna see what happens if I
now
to ram keep looking for the press that has the right now texture
and then back brightness that's in there supercritical so
I'm yeah and nap gonna go back to
mixer brush go back to net stark
set the record battery is almost a grain okay then I'm gonna go
comic color Road some
joffrey pick something up blew it up a little bit 20 percent by getting too
fussy with that are possibly
probably just I am
but yeah all the other colors that aren't I can go back and change it later
but I'm just trying to get a feel for them now
I feel like maybe there's a little bit too much grain it somebody's other
players in their
I like the to fit the chain is left on you know I feel like
maybe there's a whole warmness that comes up from the bottom
here in that underpin see these waves are pretty walk
under and a painting yeah that's what was missing
that stuff after a layer mask on that
and go to some black
take that two hundred percent
and say yes either some some pretty juice underpinning underneath here
and that's the reason I did it just to be able to say just from a little bit
where can I
yeah I mean it was in that substantial but let's say that underpinning where
was why
it would have had a different quality ups
converted in step but you get the idea all that work to slop analytic a second
but
you know it it allows you to bring back some cool stuff I am
now you know and I think I'm gonna be real quick
is I'm just going to you do the same thing
heaven at the reflections there some not done with that area
but to SRO quick I want to getting there just throw in some other
the whites just so that I can have a good accurate casting
what what's going on and
Italian speeded up a little bit just here to get you through
I summer the same thing doing just block it and attic symbolism
wave to connect with some saying just
kinda again painting boldly and not really what about the details
kept blocking this this whole peace and again by shape silhouette
so I don't care iraq do anything I want
just thankful struck so that those parks and a good to go alright so
should wrap it up for this episode I accepts ever going to get into the water
reflections how to do those
at the real choose the waves that's going to be the best part i right see
you next time