DEAD GIRL WALKING.
HANG IN THERE, MITCH!
YEAH, HEY, LET ME GET THEM SHOES!
[BOTH] HI, MO!
HI, MO?
WHAT'S GOING ON?
NO. NO.
NO, IT'S NOT REAL.
- NEXT. - [MOESHA CRYING]
[SOBBING]
[BOY] HI, MO.
[LAUGHS] BYE, MO.
- [ELECTRIC BUZZING] - [SCREAMING]
OH, NO! NO!
♪ MO TO THE, E TO THE ♪
♪ UP IN THE MORNING A NEW DAY IS DAWNING ♪
♪ IT'S ME, IT'S ME ♪
♪ NOW REALIZING MY RESPONSIBILITY ♪
♪ IT'S ME ♪
♪ MY BEST FRIENDS ♪
♪ ARE ALWAYS ON MY MIND ♪
♪ IF YOU WANNA BE DOWN COME ON ♪
♪ I GOTTA DO WHAT I GOTTA DO ♪
♪ I GOTTA MOVE ♪
♪ MOESHA ♪
♪ E TO THE ♪
♪ MO TO THE ♪
♪ E TO THE ♪
♪ MO TO THE, E TO THE ♪
♪ MOESHA! ♪
- [SCREAM] - GOOD MORNING, GOMEZ AND MORTICIA.
[LAUGHS]
HAKEEM, YOU NEARLY SCARED ME TO DEATH.
WHAT ARE YOU DOING IN MY HOUSE THIS EARLY?
OH, WELL, WITH MO GOING TO A NEW SCHOOL AND ALL,
I GOT A LITTLE NERVOUS.
THOUGHT Y'ALL MIGHT TRY TO HAVE BREAKFAST WITHOUT ME.
HAKEEM, WE'D NEVER SEND YOU TO SCHOOL ON AN EMPTY STOMACH.
YEAH, YEAH, YEAH, YOU RIGHT, MRS. MITCH.
WHAT WE GOT IS DEEPER THAN THAT.
AND WHAT EXACTLY DO WE HAVE, HAKEEM?
BREAKFAST, MR. MITCH.
WHY, THAT'S WHAT WE HAVE.
I MEAN, THERE'S NO STRONGER BOND.
WHAT BACON AND GRITS HAVE JOINED TOGETHER,
MAY NO MAN PUT ASUNDER.
OH, WHAT'S UP, BOY?
I SEE YOU GOT THE DUNKMANS ON.
YEAH, DEE BROKE DOWN AND BOUGHT THEM.
MM-HMM.WELL, DID SHE BREAK ME?
HOW MUCH DID THOSE COST?
OOH, DUNKMANS? ABOUT $120 AND SOME CHANGE.
OH, DEE, NOW, WHY WOULD YOU BUY A CHILD
$120 PAIR OF SNEAKERS?
HONEY, THE FIRST DAY OF SCHOOL
ONLY HAPPENS ONCE A YEAR.
YEAH, BUT BANKRUPTCY LASTS TEN.
COME ON, DAD, I'M ALMOST GROWN.
I AM IN THE FIFTH GRADE NOW.
YEAH, BUT YOU'RE STILL SMALL ENOUGH
TO GET JACKED BY A TOUGH FIRST-GRADER.
OOH, MYLES, HONEY, LOOK AT THOSE ELBOWS
AND THOSE KNEES.
BABY, GO PUT ON SOME LOTION.
YOU LOOK LIKE YOU BEEN CRAWLING AROUND
IN FLOUR.
MOVE.
WHAT'S THE PASSWORD?
BODY SLAM.
MORNING, MO.
YEAH, I GUESS.
GIRL, IF YOU DON'T SIT UP AND ACT
LIKE YOU GOT SOME GOOD SENSE...
DADDY, I DON'T KNOW WHY YOU'RE SENDING ME TO THIS NEW SCHOOL.
BUT IF IT'S ABOUT Q,
WE'RE NOT TOGETHER ANYMORE. TELL HIM, HAKEEM.
HUH? OH, YEAH, HOMEBOY KICKED HER TO THE CURB.
NO, HE DIDN'T.
ALL I HAVE TO DO IS SNAP MY FINGERS AND Q WILL COME RUNNING.
THEN GO ON ABOUT HIS BUSINESS.
LOOK, MOESHA, I... DADDY, I'M OVER Q.
I'M ONLY INTO VOWELS NOW.
YEAH, WELL, I'M GLAD TO HEAR THAT, VANNA.
BUT YOU'RE STILL GOING TO BRIDGEWOOD.
[KNOCK ON DOOR]
GOOD MORNING.
- HI, MRS. MITCHELL. - HI.
IS MO STILL HERE?
[BOTH] WE'RE GONNA MISS YOU!
WELL, I'M GONNA MISS YOU GUYS, TOO.
DO YOU REALIZE THIS IS THE FIRST TIME
WE WON'T BE TOGETHER EVER SINCE KINDERGARTEN?
WELL, KIM, YOU WERE GOING TO HAVE TO SPLIT UP SOMETIME.
MO'S GOING TO COLLEGE.
WELL, I DON'T KNOW WHAT HE'S TALKING ABOUT.
I JUST GOT RECRUITED TO THE FASHION INSTITUTE OF LEIMERT.
MO, WE BROUGHT YOU SOME FAREWELL GIFTS.
BALLOONS. HOW SWEET.
YEAH, YOU GUYS ARE THE BEST.
OOH, YEAH, MO, I BOUGHT YOU SOMETHING, TOO.
BUT I'M WAITING FOR THE MARKDOWN.
OOH, OOH, OOH. PHOTO OP, PHOTO OP.
EVERYBODY SAY...
MEMORIES.
[ALL] MEMORIES.
YOU TAKE THIS SO YOU WON'T FORGET WHAT WE LOOK LIKE.
OH, KIM, I DON'T NEED A PICTURE TO REMEMBER MY FRIENDS.
OOH, ESPECIALLY THE ONES WHO GIVE ME PHONES.
UH, GIRL, THAT AIN'T REAL.
MM-MMM.
SEE, WE JUST DIDN'T WANT YOU TO FEEL
LIKE YOU COULDN'T HANG OUT WITH ALL THOSE RICH KIDS.
MM-HMM.
AND YOU TAKE THAT OUT TWO OR THREE TIMES,
AND YOU PRETEND...
AND YOU PRETEND LIKE I'M CALLING YOU.
OHH, I WILL, I PROMISE, OK?
WE BETTER BOUNCE, MAN. WE GOING TO BE LATE.
NO, WE HAVE PLENTY OF TIME.
NOT THIS YEAR. WE'RE WALKING, REMEMBER?
WALKING?
OOH, I'M REALLY GONNA MISS YOU NOW.
- BYE, MO. - BYE.
BE CAREFUL.
WALKING? I DIDN'T KNOW WE WERE WALKING.
WELL, I GUESS I'll HEAD OFF TO MY NEW SCHOOL.
WHERE I'll BE ALL ALONE.
AND WON'T KNOW NOBODY.
HONEY, DON'T GO.
[WHISPERING] YES!
YES?
MARY ELLEN HOBBS IS THE DAUGHTER OF A DEAR FRIEND OF MINE.
SHE'S GONNA BE LOOKING OUT FOR YOU,
YOU KNOW, TO HELP YOU GET SITUATED.
SO, YOU WON'T BE ALONE AFTER ALL.
GEE, THANKS.
DON'T MENTION IT.
[CAR BEEPS]
[BEEP]
[METALLIC CLICKS]
HI, I'M M. MITCHELL.
HI, M.
I'M RIGHT AS ALWAYS.
I JUST KNEW YOU USED ONLY AN INITIAL.
I MEAN, MOESHA, IS TRES GHETTO.
THE THINGS OUR PARENTS SHACKLE US WITH
IN A MOMENT OF... AFROCENTRIC MADNESS.
I'M MARY ELLEN.
AND I'M MOESHA.
OH, SO YOU ARE.
OH, I MADE A LITTLE MAP FOR YOU.
NOW, YOU ARE HERE.
FOLLOW THE RED DOTS TO CLASS.
THE BATHROOMS ARE OUTLINED IN PINK
AND THE CASH MACHINES IN GREEN.
OH, THAT'S MY CELL NUMBER
IN THE UPPER CORNER IN CASE YOU GET LOST.
YOU DO HAVE A CELL PHONE, DON'T YOU?
DON'T WE ALL?
WELL, GOOD. SEE YOU.
UM...
HERE'S A TIP.
LOSE THE BRAIDS.
IT'S SO SOUTH OF OLYMPIC, EAST OF LA BREA.
OH, AND HERE'S A LITTLE TIP FOR YOU.
LOSE THE BAD ATTITUDE, BECAUSE IT'S JUST SOUTH OF TROUBLE
AND EAST OF YOU DON'T WANT ANY.
HEY, MOESHA.
HALEY!
HALEY, LOOK, I'M REALLY SORRY FOR LEAVING YOU AT THE CONCERT.
I COULDN'T FIND YOU.
OH, FORGET ABOUT IT. I HAD A GREAT TIME.
MUCH BETTER THAN THE WHACK PARTIES THEY THROW AROUND HERE.
AND THE AFTER PARTY WAS REALLY COOL.
YOU WENT TO THE AFTER SET?
ABSOLUTELY. I WAS THE ONLY WHITE GIRL.
IT WAS A FANTASY COME TRUE.
[MOESHA LAUGHS]
JUST KIDDING. MADONNA WAS THERE, TOO.
WHAT HAPPENED TO YOU?
YOU MET MY FATHER, GIRL. CURFEW. DON'T YOU HAVE ONE?
THE FATHER OR THE CURFEW?
NO, WE DON'T HAVE CURFEWS.
WE HAVE CREDIT CARDS.
AND WE DO WHATEVER WE WANT.
OH. WE'LL TALK LATER.
GOOD MORNING, CLASS.
WELCOME BACK TO BRIDGEWOOD.
I'M MR. PASSMORE,
AND I'M YOUR HOMEROOM TEACHER.
[ALL] GOOD MORNING, MR. PASSMORE.
VERY GOOD!
NOW, UH, I'M SURE YOU ALL HAD A WONDERFUL SUMMER,
BUT I DON'T WANT TO HEAR
ABOUT YOUR VACATIONS TO MARTHA'S VINEYARD,
EUROPE, OR THE BAHAMAS,
SINCE I WASN'T ABLE TO AFFORD A BUS TRIP TO DOWNEY.
NOW, BEFORE I MAKE THE ANNOUNCEMENTS,
I WANT YOU ALL TO MEET A NEW STUDENT.
AND SINCE I HAVE NO IDEA HOW TO PRONOUNCE YOUR NAME,
WHY DON'T YOU STAND UP AND INTRODUCE YOURSELF?
HI. I'M MOESHA MITCHELL,
AND I DON'T WANNA BE HERE.
WELL, THAT MAKES TWO OF US.
OK, THESE ARE YOUR CLASS SCHEDULES.
AND I BELIEVE THAT WE HAVE AN ANNOUNCEMENT
COMING UP FROM THE CLASS TRIP COMMITTEE.
MARY ELLEN!
THIS YEAR'S TRIP IS TO PARIS!
OH, AND YOUR DEPOSIT OF $1,000 IS DUE BY TOMORROW.
AND PLEASE, NO POSTDATED CHECKS.
MERCI BEAUCOUP.
IS THIS GIRL FOR REAL?
PARTS OF HER ARE.
[BELL CHIMES]
OH, HOLD IT, HOLD IT.
ONE LAST ANNOUNCEMENT WHICH I KNOW
IS GOING TO DISAPPOINT YOU.
NO CLASS UNTIL TOMORROW MORNING DUE TO A FACULTY MEETING.
SO, GO ON, GET OUT OF HERE. I LOVE YOU, I MEAN IT.
EXCUSE ME, BUT THERE'S BEEN A MISTAKE
ON MY SCHEDULE.
YOU DON'T HAVE ME DOWN FOR A.P. HISTORY.
OH, MOESHA, IF YOU WANT ADVANCED PLACEMENT,
YOU HAVE TO TAKE THE EXAM.
WHY? I WAS TAKING A.P. HISTORY AT CRENSHAW.
GREAT. THEN CONTINUE TO TAKE IT THERE.
BUT THERE'S NO WAY YOU'LL MAKE IT BACK HERE
IN TIME FOR YOUR SECOND-PERIOD ENGLISH CLASS.
YOU CAN TAKE THE EXAM NOW.
ALL RIGHT.
YOU HAVE AN HOUR.
AH, IT WON'T TAKE THAT LONG.
- HEY, ANDELL. - HEY.
I LIKE WHAT YOU DID WITH YOUR HAIR.
[LAUGHTER]
I DIDN'T DO ANYTHING.
OH, OH, THAT'S WHY I LIKE IT.
IT'S NATURAL.
[LAUGHTER]
YOU MUST TAKE ME FOR A NATURAL FOOL.
WHAT DO YOU WANT?
DIRECT AND TO THE POINT, THAT'S WHAT I LIKE.
A FINE WOMAN WITH A KEEN BUSINESS SENSE.
YEAH, THAT'S ME. BYE.
WAIT. HOLD UP, ANDELL.
HEY, REMEMBER THAT SET WE BEEN TALKING ABOUT?
- MM-HMM. - HOW MUCH YOU GOING TO CHARGE US?
I TOLD Y'ALL $300.
OH, COME ON, ANDELL.
I MEAN, WE'RE PROVIDING OUR OWN SECURITY.
THAT GOTTA BE WORTH SOMETHING.
HA! BOY, NOBODY SCARED OF Y'ALL.
[LAUGHS]
LOOK, ANDELL, NOW, YOU KNOW HOW HOT
IT GETS IN HERE.
YOU GOING TO SELL A LOT OF SMOOTHIES.
MM-HMM.
$125 AND YOU KEEP ALL THE CONCESSIONS.
I WAS GOING TO DO THAT ANYWAY.
$150.
NOW, GET OUT MY FACE BEFORE I CHANGE MY MIND.
HEY, THAT'S A DEAL.
[INAUDIBLE]
- HEY, WHAT'S UP, MO? - HI, Q.
HEY, WE THROWING A SET IN HERE IN A FEW WEEKS.
MAYBE YOU COULD ROLL THROUGH.
I'll CHECK MY SCHEDULE, OK?
YEAH, MAKE SURE YOU CHECK YOUR POCKETBOOK, TOO,
'CAUSE IT'S GOING TO COST YOU A 10-SPOT.
I WILL, RIGHT AFTER YOU CHECK YOUR REFRIGERATOR.
NOW, SHE'S GETTING IN FREE.
- [MOESHA] HEY. - WHAT'S UP, MO.
HEY.
GIVE UP THE DIRT. WHAT'S GOING ON AT CRENSHAW?
WELL, MOST OF IT'S ABOUT YOU.
MM-HMM. EVERYBODY'S TALKING
ABOUT HOW YOU SOLD OUT AND CROSSED OVER
TO THE OTHER SIDE.
MM-HMM .TOO GOOD FOR YOUR FRIENDS.
YOU KNOW? THEY'RE CALLING YOU THE OSCAR DE LA HOYA OF LEIMERT.
MM-HMM. OH, YEAH.
WHO'S SAYING THAT?
[BOTH] HER.
BUT DON'T BE MAD AT NIECY.
THAT'S JUST HER WAY OF SAYING THAT SHE MISSES YOU
AND THAT CRENSHAW'S NOTHING WITHOUT YOU.
YEAH. SEE, KIM DIDN'T REALIZE HOW MUCH YOU DID.
I MEAN, WE DON'T HAVE A CLASS SECRETARY,
A NEWSPAPER EDITOR.
OR AN ALL-AROUND GOODY-TWO-SHOES.
- WE MISS YOU, MO. - [NIECY] MM-HMM.
WE NEED YOUR VOICE.
I MEAN, THEY'RE TALKING
ABOUT MAKING A CLASS TRIP TO EL SEGUNDO.
WELL, LOOK, Y'ALL, AS LONG AS Q IS THERE,
MY DAD IS NOT GOING TO LET ME COME BACK TO CRENSHAW.
A $100 CAN SOLVE THAT PROBLEM.
I KNOW PEOPLE.
WELL, THAT'S MY DADDY YOU TRYING TO RUB-OUT, GODMAMA.
I WAS TALKING ABOUT Q.
OOH, WE GOTTA DO SOMETHING, MO.
TELL YOUR DADDY YOU'RE IN A CULTURE SHOCK.
THAT YOU CAN'T COPE WITH THE PRESSURES
OF BEING IN A EUROCENTRIC SOCIETY.
THAT YOU YEARN FOR THE NURTURING ATMOSPHERE
OF THE CULTURAL-COMPATIBLE CRENSHAW HIGH.
MY GOD.
WHAT?
GIRL, YOU KNOW WORDS.
NO, GIRL, THAT'S JUST LARRY KING LIVE.
ANYWAY, MO, WE REALLY NEED YOU.
SO, WHAT YOU GOING TO DO?
ASIDE FROM THE MORAL AND CULTURAL IMPLICATIONS,
GOING TO CRENSHAW FOR THE NEXT TWO YEARS
MAKES GOOD BUSINESS SENSE.
THE 32-PLUS THOUSAND DOLLARS YOU WOULD SAVE
WOULD BE ENOUGH TO FINANCE...
FOUR YEARS AT THE UNIVERSITY OF CALIFORNIA CAMPUS OF MY CHOICE.
OR...
TEN ALL-EXPENSE PAID TRIPS TO HAWAII.
OR...
ENOUGH TO FEED HAKEEM THREE MEALS A DAY FOR THE NEXT FIVE YEARS,
GIVE OR TAKE A FEW SNACKS.
NOW, THAT'S WHAT I'M TALKING ABOUT.
[LAUGHS]
IN CONCLUSION, ALTHOUGH I AM THANKFUL FOR THE OPPORTUNITY
TO ATTEND SUCH A FINE SCHOOL LIKE BRIDGEWOOD
I CAN'T IN GOOD CONSCIENCE
HOG SUCH A LARGE PORTION OF YOUR HARD-EARNED RESOURCES.
THEREFORE, FOR THE GOOD OF THE FAMILY,
I AM WILLING TO MAKE THE ULTIMATE SACRIFICE
AND REMAIN AT CRENSHAW. THANK YOU.
YEAH! SAY THAT!
[LAUGHS]
SAY THAT!
MOESHA, THAT WAS A VERY CONVINCING PRESENTATION.
DON'T YOU THINK SO, FRANK?
MM-HMM. COMPELLING.
ESPECIALLY THE PART WHERE HAKEEM EATS UP ALL OUR FOOD.
OH, MR. MITCHELL, DON'T BELIEVE THOSE NUMBERS. SHE WAS DESPERATE.
I MEAN, SHE'LL DO ANYTHING TO GET OUT OF BRIDGEWOOD.
YOU KNOW, THIS IS NICE, MO,
BUT YOU'RE GOING BACK, BABY.
DADDY, I DON'T EVEN HAVE A.P. HISTORY.
OH! MR. PASSMORE CALLED.
HE SAID YOU DID VERY WELL ON YOUR PLACEMENT EXAM,
AND YOU GOT A.P. HISTORY.
SEE, DADDY?
A... A... A CRENSHAW EDUCATION DID ALL THAT.
BABY, I'M NOT CHANGING MY MIND.
COME ON, TRAITOR!
HEY, HEY, HEY. A BROTHER GOT TO EAT.
THE FIRST AMENDMENT GUARANTEES OUR RIGHT TO FREEDOM OF SPEECH,
YET ONE CANNOT YELL "FIRE" IN A CROWDED THEATER IF THERE ISN'T ONE.
NOW, WHICH OF THE FOLLOWING EFFORTS
IS THE ARTISTIC EQUIVALENT OF YELLING "FIRE"?
RUSH LIMBAUGH... FIRE. HIS VIEWS
ARE NEEDLESSLY INFLAMMATORY.
WELL, NOT IF YOU BAT FROM THE RIGHT SIDE OF THE POLITICAL PLATE.
BASE HIT FOR THE YOUNG REPUBLICANS.
BEAVIS AND BUTTHEAD DO AMERICA.
OOH, THEY'RE GROSS! FIRE!
FREE SPEECH AT ITS FINEST, DUDE.
YES. I LIKE THE PART WHERE THE GUY HIRES THEM
AS HIT MEN TO "DO" HIS WIFE, AND THOSE IDIOTS THOUGHT HE MEANT...
ANYWAY, FINE FILM. FINE FILM.
WU-TANG FOREVER.
TOWERING INFERNO.
SEE, RAP IS A BLAZE RAGING OUT OF CONTROL. IT SHOULD BE BANNED.
ACCORDING TO WHO? YOU?
YEAH! THAT'S NOT WHAT FREE SPEECH IS ABOUT.
YOU'RE SUPPOSED TO BE ABLE
TO SAY WHATEVER YOU FEEL REGARDLESS
OF WHAT ANYONE ELSE THINKS.
OR ELSE WE'D ALL STILL BE DANCING TO THE BEACH BOYS.
WELL, AT LEAST WE WOULDN'T BE SUBJECTED
TO VULGAR, UNIMAGINATIVE LYRICS THAT ADVOCATE VIOLENCE.
OH, RIGHT. THAT'S WHAT WILL SMITH IS RAPPING ABOUT?
MOESHA, DO YOU THINK RAP SHOULD BE PROTECTED BY THE FIRST AMENDMENT?
YES, I DO. AND I ALSO THINK THAT SOME OBJECTIONS TO RAP
ARE MOTIVATED LARGELY BY RACISM.
OH, HERE WE GO.
IF ALL ELSE FAILS, PLAY THE RACE CARD.
YOU CAN ONLY PLAY THE HAND THAT YOU'RE DEALT.
WELL, MAYBE YOU'RE IN THE WRONG GAME.
WHY ARE YOU HERE, ANYWAY?
YEAH.
WHY AM I?
- MO. - MOESHA.
MOESHA.
♪ LET'S CRASH THE MIRROR TOGETHER ♪
♪ KEEP GOING DON'T STAND FOREVER ♪
♪ YEAH ♪
HEY, GUYS.
MO, WHAT ARE YOU DOING HERE?
I'M COMING BACK TO CRENSHAW.
- BUT WHAT ABOUT YOUR PARENTS? - YEAH.
I DON'T REALLY CARE WHAT THEY SAY.
SEE, I'M GONNA COMPLETE MY TERM AS NEWSPAPER EDITOR.
TOO LATE. TAYLOR'S THE NEW EDITOR.
[MOESHA] TAYLOR?
OH, SHE'LL TURN IT INTO A TABLOID.
OOH, IF WE LUCKY!
[LAUGHTER]
WELL, AT LEAST I'M STILL CLASS SECRETARY.
UM...
WE... WE JUST NOMINATED KIM FOR CLASS SECRETARY.
OH, THAT'S COOL. THAT'S COOL.
THAT'LL FREE ME UP
TO WORK ON THE CLASS TRIP, BECAUSE I KNOW
Y'ALL STILL DON'T WANT TO GO TO EL SEGUNDO,
SO I WAS THINKING MAYBE IF WE HAVE A BAKE SALE,
WE CAN RAISE ENOUGH MONEY TO GO TO SAN DIEGO.
OH, THAT'S CUTE!
BUT NIECY GOT A BOMB IDEA.
MM-HMM. SEE, WE'RE GONNA SOLICIT DONATIONS
FROM THE LOCAL BUSINESSES,
INCLUDING YOUR DAD, SO THAT WE CAN GO
TO JAMAICA, MON.
IRIE!
[BELL RINGS]
- GOTTA GO, MO. - BYE, GIRL.
[HAKEEM] SO, UH, WE THROWIN' THE SET, RIGHT?
YEAH. WE WANT THE FINEST GIRLS
ON THE CAMPUS TO WORK THE DOOR.
KNOW WHAT I'M SAYIN'?
I USED TO WORK THE DOOR.
[VINES] OK, EVERYBODY, CLEAR THE HALLWAY AND GO TO CLASS!
MOVE ALONG.
HI, COACH VINES.
DON'T "HI, COACH VINES" ME.
EITHER SHOW ME SOME STUDENT I.D.,
OR YOU'LL HAVE TO LEAVE MY SCHOOL.
COACH VINES, IT'S ME, MOESHA MITCHELL.
I USED TO BE A STUDENT HERE.
"USED TO" DOESN'T COUNT.
- HONEY, IS SHE HERE YET? - NO, DEE.
BABY, I CAN'T BELIEVE MO WALKED OUT OF CLASS.
[DOOR OPENS]
MOESHA, WE NEED TO TALK, BABY.
WE KNOW YOU WERE AT CRENSHAW TODAY.
YEAH, BUT I'M NOT GOING BACK.
I FELT LIKE JODIE FOSTER IN CONTACT.
IT WAS LIKE I WAS NEVER THERE.
THEY DON'T NEED ME,
SO I'll JUST GO TO BRIDGEWOOD WHERE NO ONE LIKES ME.
I GUESS IT ALL COMES UNDER THE HEADING,
"LIFE ISN'T FAIR."
[FRANK] NO. IT COMES UNDER THE HEADING,
"YOU'RE GROUNDED FOR A WEEK."
THAT'S WHAT I SAID.
LIFE ISN'T FAIR.
[MOESHA] WELL, THIS IS THE FINAL ENTRY INTO MY DIARY.
BECAUSE LIFE AS I KNOW IT IS TRULY OVER.
FROM HERE ON OUT, I WILL WALK ALONE,
WITHOUT THE BENEFIT OF COMPANION OR FRIEND.
[KNOCK ON DOOR]
MOESHA? YOU HAVE A GUEST.
- HEY. - [HALEY] HI.
SINCE YOU BAILED, I THOUGHT YOU MIGHT NEED THE HOMEWORK ASSIGNMENT.
THANKS, BUT YOU DIDN'T HAVE TO COME OUT OF YOUR WAY.
OH, I DIDN'T. I'M SEEING ONE OF THE GUYS I MET AT THE AFTER PARTY.
ANYWAY...
I JUST WANTED TO MAKE SURE THAT YOU WERE OK.
I'M FINE.
GOOD. SEE YOU TOMORROW, THEN?
I'll BE THERE.
OH, RELAX. I CAN FIND MY OWN WAY OUT.
[MOESHA] OK. IT'S LOOKS LIKE I HAVE ONE FRIEND.
[CHUCKLES]
[THEME MUSIC PLAYING]
♪ MO TO THE ♪