who called her Rita.
the one with "blue" circles under her eyes,
and her petticoats "curls".
the one that the lord wanted
and it was somber in color.
They fill me with life.
this chorus singing.
"Paco, take me to the bulls."
Play. -Van 1000.
-I see.
Van 2000 m�s.
I'm not going.
-500 m�s. -I'm not going.
- My rest.
Full of kings.
-What's up?
Tell don Samuel to have patience and send more chocolate.
Right away, boss.
Damn! 70 percent lost.
$1000 per night lost and the man doesn't want to work...
-Don Samuel. -What's up? What do you want?
What about Miguel? Is it better or not?
I mean, much better. -Win?
-Lose less now. He wants more chocolate.
-And why doesn't he go to the kitchen? -No, not that one. Cocoa, he wants cocoa.
-There is also cocoa, whatever you want.
-But no, bills, he wants money.
-More money? But what do I have?
But what do I have, nothing more than twine?
Oh no, huh? It's over what I know gave.
I already got what I wanted, ruin me too.
"Ah, do you tell him then?" -Of course I'm going to tell him.
Look, I want to know what is going on here.
You don't need money, don Samuel, We just cleared the table.
only has me to fix a small difference.
Oh well, if it's small it's not important.
I just handed you a voucher of 10,000 pesos to Dr. Mendoza
that you will pay tomorrow.
-In agreement. -But listen to me, Miguel.
Enough, son, you know you that I don't like
resolve issues of money at this hour.
See you tomorrow, friend, it's time to rest.
Six o'clock in the morning! Six in the morning.
I'm ruining my youth.
-See you tomorrow, Miguel. See you tomorrow, doctor.
Are you going to sleep already? I'm dead sleepy.
What a pity, because in how much you close those eyes
the birds are going to lie down again believing that it is night.
-Thank you. -Let's go.
See you tomorrow. See you tomorrow.
-What a churro! -What a monument!
-What a gold mine!
Good good. enough laughs Because we have to be serious.
At this time?
Yeah, we can't waste a second more
Every minute that passes costs silver. How does it cost me?
What do you mean?
It means that the joke is over, that you don't have a penny
and that he owes me more than 100,000 pesos.
Sure, this it wouldn't matter
if you would like to work because in a week I would win them,
but like you the word "works"
they have deleted it from the dictionary, I can't take it anymore.
-How? Are we going to have to work?
you know why I don't go back to work.
The theater was my life, my only passion,
But that was too cruel too terrible.
Don't you see? Why did I talk to you about working?
-You're not kidding with that. -They are not jokes, gentlemen.
I am losing capital.
If we continue like this in a month I'm going to have to sell whales.
-Well, it wouldn't be The sacrifice is so great.
No, boys, Don Samuel you're right, it's not for jokes.
So, do we accept contacts?
Not that, I swore that I will no longer work in the theater.
Besides, I still have something of mine. Go no further, Don Samuel.
go boys, tomorrow we will fix everything.
But, gosh, It is not to be taken like this.
Anyway, I can still wait... ten more minutes.
-Don't be like that, Miguel, we are your friends.
See you tomorrow guys, and no talk more. Tomorrow will be another day.
I don't know why he talked about money!
You know that he He doesn't understand those things.
-Furthermore, if the weights you can give yourself
One swallow does not make a summer.
-But this is not swallows, they are sharks!
-To us, the artists,
we can not talk about those stuff.
Do you have change for 100 pesos? -Yes I have.
-Well, let's go to the corner bar and have a few drinks, eh?
-Ok let's go.
Dude, Samuel, I swore I'd never more would work in the theater
because for a long time
stopped being the man full of enthusiasm
that one day he would arrive at his picturesque artists pension.
Silence, gentlemen. Don Miguel de Molina.
Good evening, gentlemen. And, as the English say,
to break the ice, My name is Miguel de Molina.
I sing, I dance and I have come from Madrid willing to succeed on this earth.
Eat by my side, Miguel. Sarita will attend to him right away.
You leave the place to Mr. that he is a gentleman who pays.
-Always the same.
-Yes, come, Panchito, come, sit here.
I left these frozen to death.
-Tonight we have soup. Oh, what a soup!
we have meatballs and milanesas with puree.
anything, son, What doesn't kill makes you fat!
Ole, for the pensioners that we are like me.
Are you a gypsy? Yes, but I am disguising.
-Excuse me, excuse me, calm down, Sole, they are distinguished people, eh?
-So you too compose songs?
And I put the dances and I make the scenes
and I look for the spectacles.
How wonderful, a one man band. And he has a family?
My mother, a dark old lady that he left there in Spain
and that some day I want to bring her here.
She and the theater are everything to me.
-And how do you make your songs? -What is she inspired by?
In life, precious, of which she sang the beautiful verses.
And if not, look at that, isn't that a song?
How late! Already a quarter to ten!
-You have to move girls, we're late.
-Work time, Don Samuel We have a function at half past ten.
Are they artists too?
Artists not exactly but we are in the theater.
We are the ones who clap up so that those below
continue with the applause. "Claqu�" they call it.
I would like to go with you.
Are you excited? With all my soul.
-So, let's go. -Let's see how he behaves, eh?
Sarita, I closed it well with a key the kitchen door.
Come on, come on, no one. he's going to steal the mortadella, come on.
- He doesn't want me to take him to walk the dog?
-No, thanks.
-What are you going to do? Lets gather. Why don't you bite it?
(THINKS) If I had a theater like this
I would make a Flemish poem.
If you go to Andalusia, May God protect you from the spell
and the magic of their songs, that Andalucia
it can well bewitch you through bulerías.
Sing jondo, sing jondo.
A tear in the background of a dark pupil
that shines like a dagger.
yo na' te ped�.
I lost it all.
He gave me just one kiss
that I "damaged" you and you gave me
for another you will shine.
That you are the well "paid"
because your kisses merqu�
well "pa�",
In Seville there was a rose prettier than any.
The whiteness of the fountains envied her beauty.
sevillanas wear
that says: long live Seville!
I bring it up.
the Macarena and all.
I have not found it.
and I bring everything walked.
I have not found it.
how good you look
oh, river of Seville,
and green branches.
If perhaps you come back from Andalusia
you will bring the spell through bulerías,
but inside the soul
the divine spell of his joy.
you and the boys they knew about my dream.
I always remember everything what they did
to help me get a theater.
He is a phenomenon, he is an artist who... there is nothing like it.
you hire him and pretend that the...
-�La qu�? -�De qu� habl�s?
(SPEAKS IN GERMAN)
It's that he doesn't understand business, what is he in for?
Look, Mr. Entrepreneur, you are a great businessman
and, surely for that reason, He doesn't understand anything about theatre.
you hired this man and he will only have
to count money every night. A lot of money.
But if I don't have... -Don't interrupt, sir!
You don't understand business at all.
-I know very well what I have to do.
Please withdraw.
Don't be angry, man of God. Not worth it.
Life must be taken smiling and without anger.
Let's go guys, that the lord has much to do.
Dear Leon. sorry that has not made me advertise.
-Orqu�dea Hidalgo for my theater. How nice to see you.
-And eager to work.
-If you want, we can sign today contract, salary and percentage.
-Orqu�dea Hidalgo for my theater.
-My dear Leon, I'm sorry I didn't advertise.
Do you have a free date for me?
-Get out, get out of here! Get out or I'll send you prisoners!
-One moment, sir, don't knock.
(SPEAKS IN ANOTHER LANGUAGE)
-Get out of here, please!
-Orquidea, he is a bad monster.
-Very well, we are not moving from here until you tell us
Where is Mr. Julio González?
Very well.
I have already told you that Mr. Gonzalez has left.
-Well, when is he coming back? And where is it?
-I don't know how to tell you.
-But what kind businessman is that?
He wants to tell us where can he be found?
-He hardly ever comes here.
But he goes every night to a "boite", El Alc�n.
-Okay let's go.
-Goodbye.
- Goodbye, pretty. -Imbcile!
-Gallon appreciated.
Nice place, right? phenomenon.
At last we will be nice, and not in the pension.
-Hey, old man.
- What are the gentlemen going to serve themselves? -Whatever is cheaper.
-This is a distinguished place, sir.
-Then wait for us to do balance,
Let's see if we can be distinguished us too
I have 7 pesos, how much do you have?
-I have 50 cents. -I nothing.
- And you? Me too...
Won't you buy me a carnation?
I would buy it to give it to you, beautiful, but now I can't
because I'm off balance.
Well, guys, contribute. 4.70.
They don't buy me a bunch of flowers for the miss?
-Let's see what you got?
-We have 12.20.
Very well, I'm going to have some tea and you three glasses of soda, huh?
We can call the boy.
(WHISTLE)
What a pretty girl!
-The porous one, but she doesn't talk to me.
-How? Do you know her?
- How can I not know her? If it was the love of my life.
For her I dragged life for cafes
I took her out of the suburb and brought her to the center.
And to think what he does ten years was my madness!
Don't tell me, boy.
Please don't be mean.
How infamous! Make fun like that of a poor girl.
What do you want? that's the people for which he left me the porosa.
They are jerks.
-Please, they're going to destroy everything. Enough of jokes.
Gather your pesos and go.
Hey, girl, come.
Give me 12 pesos of flowers. Bring the money, Don Samuel.
But you are crazy!
We have come to do business or philanthropy?
It is not true that you conform the same
with the gentle gesture of the lord?
Please Samuel! The sir is right.
Save this carnation, I'll pay for it some day.
-Very well, my little daughter, that's how you talk.
I'll give you a tip: never go near tables again
where there are patties.
-I'm going.
Was that patter for us?
-No, you They are very distinguished people.
-How distinguished or distinguished!
Why do you mess with him? Why doesn't he hit me?
- Of course I hit him!
(Screams)
Hello Samuel Goldsmann, at his command. Nice to meet you.
-Julio González, the pleasure is mine. -How are you doing, Mr. Gonzalez?
-Very well, and you? -Freak!
- What a miracle to find it here. -How? Was he looking for me?
-Of course, if I was going to see him to the theater to talk about a business.
A friend of mine is a Spanish singer, which I represent.
-Don't talk to me about theater business, I'm looking for an opportunity
to earn money, but not with business of...
-This is the opportunity you are looking for. he is a wonderful artist.
if you hire him you will get tired of making money.
-You are to blame, It wasn't enough for you with the porous one.
-Yes, I know her.
- Do you have money?
- Silver? from where do you want me to get money?
-Well, then if there is no money there is no theatre.
-But he's losing a magnificent opportunity.
-But I do not have where to get a penny.
-Borrow it from a friend.
-I'm mortgaged, I'm sunk,
I don't know how I'm going to do it anymore to live.
I will have to sell the apartment and live in a pension.
-Come to mine. Family food, friendly service...
-Ah, do you have a pension?
-For distinguished people, medical prices.
-Well, then sell the pension and with that we have money
to do the business.
-Sell the pension? -Yes.
-How am I going to sell the pension? I will never sell the pension!
What's going on outside?
Gentlemen, we are talking.
Thanks, I don't take.
-I congratulate you, Don Samuel, How high has it come?
-He's in paradise. -Paradise...
-What does he want? I'm here for the account.
-What counts? How much?
I don't like it, it has no depth, the colors are flat,
try another.
But we've already done six, Miguel.
You have to do it a hundred thousand times, until it comes out.
The theater is like that. Lots of love, lots of work.
We debuted before a room,
but we are sure to win the indifference of others
and achieve victory.
(Applause)
and seeing that in the blonde
sing crying,
in the convent of La Paloma.
sing crying,
(Applause)
Show me, Don Miguel, what a success. Resounding.
Look, even who did not pay applauded.
Down below, because they never like anything.
We begin to set course. This is a real show.
-I wanted to say, little brother, you paid 2.10.
-�We consecrate ourselves, we are the artists of the moment!
-Very good very good.
-You were wonderful.
Congratulations to our beloved artist.
Oh, don't push, sir!
(SPEAK AT THE SAME TIME)
-What a triumph, don Samuel. Are you happy?
-Don't you see? I am overwhelmed with emotion. The only thing they can seize now.
-Tell me, Where did Miguel learn to dance?
-In college, in college.
-Look, there are two kinds of success,
the one that comes with a lot of bills,
very materialistic. the other the who comes with a laurel wreath,
that's our success!
-That, of course. -We're going to starve.
-What a success! How many people!
-Not so much, not so much. These are the only ones who paid.
-How about the border?
-Good very good. We did 425.
-No, sir,
let's not start with traps from now on.
-How do you cheat? -We made 425.50.
Look, if we continue like this, I see myself with the striped suit
sending a letter to the judge on duty.
425.50...
Excuse me, commissioner, I was an honest man
that he had a pension...
-Open the door!
-What's going on?
What's up?
It's the police.
What do I do? Where do I escape?
(they knock on the door)
Oh Lord, I didn't want to!
I'm going to escape!
I surrender.
Arrest me, sergeant.
-Why didn't you open? What were you doing?
-And the police?
-Let go of police and look in what he puts in the newspapers.
Miguel de Molina peerless artist."
"New modality in the Spanish song".
"big win in the company Samuel Goldsmann".
-Where does it say "Goldsmann"?
-Goldsmann. - Goldsmann!
Goldsmann! Let's go to the theater right away, come on!
-But how are you going to go to the theater?
-You're right, I put on a tie and let's go.
-Look, Don Samuel! What barbarity! What barbarity! Look, Don Samuel!
-I can not believe it.
(STAMMUDE) Long live Miguel de Molina and the mother who...!
Then you appeared in my life Maria del Pilar.
Where are you going, baby?
-I need to talk with Mr. Miguel de Molina.
-It can't be done, Don't you see you're rehearsing?
Well guys come on Let's go with the test.
But what? Are you already tired?
�Four hours of rehearsal and are you already tired?
And what use is youth to you?
Come on come on, once more and rest.
please be nice, let me talk to him.
-Yes, I am good. Ask me for anything but that.
I do it for your own good.
He is a very bad man, he is an ogre.
He doesn't want us to give a tour of the Rosedales?
-With you? -Sure, with whom is it going to be?
-Tell me yes, don't be mean.
-I would go if you had a car. -Car?
But, my daughter, If that's why we're already going.
Wait for me, I'm going to talk on the phone for them to send it to me.
don't move from here until I come back. Treasure!
My dear, Don Samuel, could you give me a few pesos
even if they were used?
-How much? -About 50.
-�50? Are you going to get married? -Stop joking.
It is to rent a car. I have to carry a package.
-�And to take away does a package need a car?
-No, sir, take him by tram.
-Is that the package wants to go in auto.
- By car? But what kind of package is that?
-Barbarian, my Samuel. Barbarian!
-Yes? then take it away in the theater truck.
Leave me alone.
Well, that's enough for this afternoon.
At night we continue the rehearsal, they can go
-I swear I can't take it anymore.
-Yes, I'm still like that, he's going to kill us all.
-Bye. -Bye.
What are you doing here? Don't you remember me?
Wow if I remember. The little florist.
And what are you doing here? What have you come for?
I need to talk to you, master. Master?
What grace. I have never been told that.
You are for me. I do not get lost to see him work one night.
But I don't want to sell flowers anymore. Do you like the theater?
with delirium And what do you know how to do?
Dance. Do you know how to dance?
Yes, teacher, but I need someone help me.
if you do I'll be able to get ahead.
For your mother I ask. Help me.
you ask me for my mother and you forget that too
I owe you something.
to me? Yes, woman, to you.
One night you gave me a carnation and I still haven't paid you.
Do you remember? Yes.
What's your name? Maria del Pilar.
Well, María del Pilar, Come with me to see what you can do.
Francisco, are you leaving now? If you don't have anything else...
This is María del Pilar, she says that she dances.
I want to know if it's true do you want to accompany her?
How not, delighted.
Well, María del Pilar, this is the stage.
Let's see if God that he has given you those eyes
like two cups of coffee and those hands like a bunch of roses
has also given you the soul of a dancer.
Begin.
have you been more than a father to her.
I have been nothing but your teacher.
I will be a great artist who lies down to work not as a sacrifice,
but as a joy.
(Applause)
take your mom for travel expenses,
20,000 pesos.
And will it be enough? I think so.
The ticket is paid, on the boat you will not spend so much.
If you want we can keep you more.
I am not interested in money I do not care.
What I want is What a comfortable and happy trip.
If you knew her...
She is a little old lady and fragile as glass.
Don't worry, If we are all going to take care of her.
And I will thank you very much.
By the time she arrives let's go to put on a wonderful show,
I want to show him what her son is capable of.
Splendid, Miguel, no one would have deserved it so much.
- Let's shoot the house through the window!
How nice it is to be rich!
And not go fighting poverty through the prison house.
And what have you done to him? you to those people?
And you're right we have them a little forgotten.
Don Samuel, now to celebrate the arrival of my mother
and the representations
We have to organize a party at the theater
and invite all those people.
Ol� for the generosity by Miguel de Molina.
-Hey!
Don't exaggerate, man, we haven't done more than pretty things.
Have friends, have a mother who to love a lot
and a miracle like María del Pilar.
Too bad one of these days you will be without her.
how? What do you say? Look at him, you are a horse.
A donkey! A bunch of donkeys!
You grab a bunch of donkeys, put them in a bag
mix it well and take out condensed donkey.
That's you, donkey extract.
But what happens? Nothing, stuff like this.
-It is better that we speak clearly, Mar�a del Pilar is dating.
No, it can not be.
Maria del Pilar it can't be anyone's.
I want it for art, came to me like a frightened bird
wanting to fly, and I have made her an artist
and an artist can not think more than in her art.
I think you are wrong. She will never betray me.
please guys I ask you to understand.
This Castilian romance is Miguel's greatest illusion.
She has thought it through for her mother.
-So it will be, but anyway, María del Pilar cannot work
in that show.
-But why? What's up? What reason do you have?
-Nothing happens.
-Oh, nothing's wrong. He has no logic.
Do you think I can tell him that you can't work
on the show and nothing happens?
-You're right. Let's speak clearly.
Maria del Pilar and I We're getting married.
- And for that so much mystery? Get married, who forbids it?
-Miguel. - Michael, Michael.
It is not a monster Miguel who going to mater because you want to get married.
If he allows me, myself I am in charge of convincing him.
After debuting we tell him.
-It is ridiculous to sacrifice our happiness
to the whims of a lord who only thinks about work.
-I will not deny that thank you to that way of thinking
María del Pilar is what she is.
-I am very grateful with you, but no one can pretend
that I become her slave.
- Slave? But that bondage has been with him in the first figure.
-I admit that I owe you a lot, but i have the right to live my life
as it seems to me
-If so, that's fine.
Very well.
You can choose your destination.
One thing I ask of you, let me be the one to give you the news.
Maybe it won't affect you too much. because the only thought of her now
is at the arrival of his mother.
-However you want.
Beautiful.
But she would have preferred postpone the show.
We can't, Michael. we have thrown into the street
a veritable fortune of propaganda.
One week to go and it's the entire theater sold.
-But what does an extension day?
-It's not a day, think that such a show
we can't debut on Saturday.
we would have to take it until Tuesday.
Understand. arrival delay of the boat has thrown on the ground
all my plans
Don't exaggerate, Michael. It's not about that.
Is that I wanted to go to Montevideo to wait for her there.
And, well, man, you get her here, We will all go to town together.
-Not follow. Look, Miguel, don't ask him for anything.
This man has a heart of stone
No, Don Samuel, It is the law of the theatre.
When the show is ready You have to debut no matter what.
I would have liked that she had seen it.
cries a goatherd,
one of the first goats.
and the cork with which he fished.
that you are the queen
he has a goat
and it's so pretty.
and another diamond
because it's not big.
that the water took her,
with what he fished
of my entrails.
(ALL) �Bien!
Goodbye, goodbye.
And now I'm going to tell you a story.
Do you want me to tell you a nice story?
(ALL) Yes, a nice story!
There is no more beautiful story than that of a sad love.
And good. what if it was a castilian village
where there was a church, a square and a fountain.
around the fountain they called her out of love
the people of that place danced.
This was the dance of the ribbons.
They also danced the dance of the sticks.
A dance of warrior origin
that had transformed in a show of skill
of the boys before the girls.
In that village lived a girl. It was sweet and pure.
But the townspeople I didn't believe it.
Her name was Catherine.
One day, when the town square it was deserted
(CHOIRS)
And so Catherine died, for the gossip of others.
And the people of that place sorry
went to apologize to the virgin and they prayed to him like this.
Mr. Miguel de Molina, urgent.
Gracias.
Qu� horrible.
-How will we tell him? -I'm going to tell him.
We will.
(CHOIRS)
and blessed are you
from your womb, Jesus.
(Applause)
They will forgive me.
they just announced me
just a few hours ago my mother has died.
If I had suspended this debut, I could have been by his side.
So, with all due respect what an artist is capable of
I dare to tell you
what about artistic life by Miguel de Molina
he has fallen the curtain for the last time.
Samuel friend, I'm leaving forever.
A hug to the boys. I will never forget them.
As for you, as I do not want to harm him
I leave you these jewels for it to get paid.
It is very like that of forgetting that he had a contract with us
and that his obligation was to fulfill it.
Francis, please. The truths must be told.
-While Mr. he lost his fortune in the game
she didn't think about us.
- No one tied you down.
They have received their salary monthly even if they didn't work.
-And what is that about?
� he was not stipulated in the contract?
-It's true. I had forgotten that there was a contract.
-You are to blame for having indulged every whim.
-The only thing I did was understand they need to stun
so as not to think about her mother.
-Please, she is not little for sentimentality.
-She's right. I am a sentimental idiot.
I had to have forced him to fulfill your contract.
I had to have forgotten that the best man
be subject to all, to us, you and your wife.
-I don't owe him anything. And my wife, neither.
We have arrived by our effort.
On the other hand, I owe him a lot. He taught me what friendship is worth.
And he returned a hundred times the favor that I ever did to him.
-Those are your things. as far as i'm concerned
I want to tell you I plan to organize a tour
and I consider myself disconnected of his company.
you and us we have nothing else to do.
-Completely agree.
-As for Mr. Molina...
-Yes, I know. If I see him I give him his regards.
-Good morning. -Good morning.
-Don Samuel.
"You don't need to tell me anything, my dear.
Good luck.
Good luck, little brother. you're going to see how nice it is to be an entrepreneur.
Don't worry. Everything will go wonderfully.
-Are you happy? -Yes.
- Why is she not going to be happy? Now we will begin to live.
-Good luck, little sister.
-If you get something from Miguel. Scribe. -Yes, yes. Bye.
So far guys until now. Goodbye.
-That Federico is an egotistical. I hope it sinks.
-No, he's going to be fine. You can be sure.
much better than us and that to Miguel.
-Cards.
-Nine.
-Nine here. They can play.
It gives no more. Cards.
-Eight.
-Nine. I won the bank.
-Knight and jack. play.
-Forty for the horse. -Twenty to the jack.
-Three hundred to the horse. -I shoot the "Q".
-Fifty to two. -Play.
-No more? I turn it over.
Jack came.
How much do you give me?
Nothing else?
to two.
(SINGS)
Please don't turn on. I just got get him to sleep.
-You are very badly used to it.
-She is alone all day and they don't take good care of it.
-Could you take care of a little more she.
-Buy more? Where do I get time?
-If you liked having it, now don't complain.
-I dont complain. i say i can't do more than I do.
This contract to work three performances a day is crazy.
-Could you thank me get you that.
Have you already forgotten that you are a dancer of the bunch?
-You didn't think so before.
-I didn't think so because I was wrong. I am quite sorry.
-And I'm sorry of not having heard
to the best man that I found in my life.
-Miguel, right?
The selfish one who left us planted
and he led us to this.
-Do not scream. -I scream all I want!
I'm fed up. sick of life stupid that I carry by your side.
I can't take it anymore.
(BABY CRIES)
Listen. What's up?
I have orders not to let him in if he doesn't pay what he owes.
Better. So I don't upload them anymore.
Goodnight.
(WITH FRENCH ACCENT) And one, two, three, four. Support.
And one, two. Good morning, Mr. Fern�ndez.
Late as always.
good morning How are you?
You see it. Doing some gymnastics
with the girls while we expected it
He has to forgive me.
My dear Mr. Fern�ndez. I've been listening to him for three years
say the same thing.
I'm about to believe that you are incorrigible.
I promise you I'll be punctual tomorrow.
He also told me that for three years.
Girls, one minute break
before classes start
with Mr. Fern�ndez.
A cigarette? Good. "Mercy."
If I didn't have such a weakness for him, I would have put it a long time ago
at the street door.
but you are a person charming and always forgives me.
Liar. I know what you think that I am a grumpy old woman.
A poor old dancer
who still believes which is useful for something.
Don't talk like that. You are very good. I will never forget what I owe you.
you owe me nothing.
if i had worked ever in the theater
would know that we, the artists, we always help each other.
Also, I needed a cheap dance teacher.
I did a good deal. And for business purposes.
Yesterday a friend came to see me, very important person.
You need six dancers for a show.
Six girls for the stage? You did not told me.
It has no pretensions. It is a Spanish company.
A seedy zarzuela.
But is that dancing on the stage...
you are honorable because he knows nothing.
Get to work and we'll talk.
Girls, break is over.
Let's see, Alice. At her position.
First position. And three.
My dear sir, how are you?
Arrive in time to see the rehearsal.
-Magnificent, magnificent.
Michael! Gypsy of my life!
Don Samuel! Michael!
But how? Do you...?
And Maria del Pilar?
Poor María del Pilar.
He separated from Francisco.
He was working a time out there alone.
Until I found her in a zarzuela company that I brought.
And how are you? More or less.
Wouldn't you like to see her?
-My dear Mr. Goldsmann.
what do you think if we talk about business?
Delighted. One minute, Miguelito, huh?
Arrange orders for dancers and right away we go.
Yes, how not. Pay attention, pay attention. At your service, ma'am.
where are the beauties who has selected me?
Girls! Come closer!
Magnificent! They are all magnificent.
But since it comes to gender Spanish, we are going to ask for your opinion
to my dear friend Miguel de Molina.
-Miguel de Molina?
- But, of course! I wonder one thing.
How knowing that he had a man like this here in his cave
Sorry, at his academy. You never told me about him?
where is he?
-I just got out. I took the sack and it was.
-He left?
He's gone. Where did he go?
What are you doing here?
My mom is rehearsing.
Who is your mom? Maria del Pilar.
You are Michael her teacher, right?
How do you know?
'Cause everywhere we go Mom carries this picture of you.
Before, he was more handsome.
Yes, dear.
But anyway, he still looks good.
Mom always says that you he is the best man in the world.
And what's your name?
Juanita as her mother. She loved her very much, didn't she?
Yes, treasure.
Mom named me after her. Was she very old, her mother?
Yes.
She was a little thing With a pretty girl's soul like you.
She liked stories?
Much.
When I came back from filming around the world with her.
She brought him things and she told him stories.
Like Don Triquitraque?
Don Triquitraque? Who is that gentleman?
He doesn't know him? I do not.
It is a beautiful story.
I'm going to tell you.
once upon a time there was a man that he went to Havana.
You know where he is, don't you?
(NODS)
Don Triquitraque, that was the name of the man
he had gone many places of the world.
that girl It was named after my mother.
She was as if a voice from heaven He told me: "Come on, Miguel.
Go back to your thing, to the theater, to your friends.
To your public so good and generous".
And that's how it was from that story Don Triquitraque was born as a child.
the american,
has a tour.
that the poor thing
traca that traca,
my uncle's beard
so that I dream,
that the poor thing