翻译：26度2
恐怖 - 名词 1.指痛苦而强烈的恐惧、担忧或沮丧 2.强烈的厌恶或反感 3.一种电影或文学类型，旨在唤起人的恐惧感
“如果一部恐怖片火了，那么每个人都会说‘我们去 拍恐怖片吧’。这是一个永远不会消亡的类型片。”
- 乔治·A·罗梅罗
嗯 我所记得的80年代好的地方是 那个时代有很多 Well, the good thing about the '80s is that there was such a cornucopia of great horror
特别棒的恐怖片 films that I remember.
《闪灵》 The Shining.
《宠物坟场》 Pet Sematary.
《月光光心慌慌》系列 The Halloween movies.
《猛鬼街》 A Nightmare on Elm Street.
《怪形》 The Thing.
《鬼娃回魂》 Child's Play.
《销魂天师》 Elvira: Mistress of the Dark.
《第三类外星人》 XTRO.
《狼之一族》 The Company of Wolves.
《狂犬惊魂》 Cub.
《大白鲨3》 Jaws 3 in 3-D.
《破胆三次》 The Howling.
《千年血后》 The Hunger.
《篮子里的恶魔》 Basket Case.
《疯子》 Maniac.
《捉鬼小灵精》 The Lost Boys.
《血尸夜》 Near Dark.
《十三号星期五》 Friday the 13th.
《鬼玩人》 Evil Dead.
《鬼玩人2》 Evil Dead 2.
《活死人归来》 The Return of the Living Dead.
《活死人之日》 Day of the Dead.
《吵闹鬼》 Poltergeist.
《美国狼人在伦敦》 An American Werewolf in London.
《降妖别动队》 Monster Squad.
《变蝇人》 The Fly.
《养鬼吃人》 Hellraiser.
《夺魄冤魂》 The Changeling.
《活跳尸》 Re-Animator.
《血腥死亡营》 Sleepaway Camp.
《南瓜恶灵》和《十三号星期五4》 Pumpkinhead and Friday 13th Part 4.
在六七十年代 业内都瞧不起恐怖片 In the '60s and '70s, horror was looked down on.
汤姆·霍兰德 《天师斗僵尸》编剧、导演
好莱坞一直不公平地对待恐怖片 The Hollywood community has always looked at it as the redheaded stepchild.
但创意的能量在厚积薄发 There was a huge blossoming of creative energy.
80年代真的涌现了非常多很棒的恐怖片 The '80s had a lot of really good horror films made.
约翰·卡朋特 《月光光心慌慌》导演、编剧
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
那是一个艺术自由的时代 你可以创作任何东西 It's a time of such artistic freedom that you could make anything.
瑞恩·图雷克 18版《月光光心慌慌》制片人
那时的概念可以说是完全共享 It was a free-for-all for concepts.
亚历克斯·温特 《捉鬼小灵精》演员
视觉效果在80年代取得了长足的发展 Visual effects got incredibly elaborate in the '80s.
格里高利·尼克特洛 《行尸走肉》执行制片人
当时有种很奇怪的叛逆本能 There was this strange sort of rebellious nature.
希瑟·兰根坎普 《猛鬼街》演员
在一些重要的部分出现了真的厉害的女性 变得正常起来了 It started to be normal to have really kick-ass women in great parts.
希瑟·威克森 《Daily Dead》主编
我们制作了很多创造性的电影 We were getting creature movies,
我们拍吸血鬼电影 拍很多的血浆片 we were getting vampire movies, we were getting more slasher movies.
每个人都意识到 恐怖也可以很有趣 Everybody realized that horror could be fun.
科里·泰勒 《Slipknot》主音乐师
就像一个关上盖子的人 Like the lid was off man.
你可以做 可以说 可以创造你想要的一切 Like you could do and say and create whatever you wanted.
我们只想完全了解这一切 We would just like completely nerd out about all this stuff.
这么说可能很俗气 也许像是句废话 It might have been cheesy but it was also like holy crap.
道格·布拉德利 《养鬼吃人》演员
我们有那么多的作品可以展现给你们 We have such sights to show you.
我们为什么要看
我觉得世界上的每个人 心底多少都有些黑暗面 I think every single person on this Earth has a little bit of darkness in them.
凯蒂·菲德斯通 《灵动：鬼影实录》演员
恐怖片是释放这部分情绪的良好途径 A horror film is a good avenue to really let some of those feelings out.
米克·加里斯 《恐怖大师》创作者
在电影中面对你的恐惧 是很安全的 Being confronted with your fears in a movie is so safe.
就像人们常说的 坐过山车的感觉似的 Like the old cliché about the roller coaster.
你坐了上去 你很害怕 但你知道你不会死在上面 等你下来后 You get on, you're terrified, you know you're not going to die, you get off, you went through
你就经历了一些可以和你的朋友或恋人分享的事情 something that you can share with your buddies or your girlfriend or whomever and say
你会说 哇 我做到了 "Wow, we did that."
同时 我们也会面对精神上的恐惧 当我们头发花白后 But there's also the confrontation of psychological fears and most of us particularly as our hair
恐怖对我们来说 可能就是只剩下死亡了 grays, the fear is more about mortality than it is about anything else.
希瑟·威克森 《Daily Dead》主编
我们在现实世界已经有如此多的恐怖了 为什么还要编造恐怖呢 Why do we make up horror when we have so much horror in the real world?
我认为原因在于 它是很多人的应对机制 And I think it's because it's a coping mechanism for a lot of people.
洛里·卡蒂勒 《活死人之日》演员
人们喜欢看恐怖片 这是一种升华自己恐惧的方式 People love to watch horror because it's a way of sublimating their own fears.
虽然那时我还小 很害怕 不敢看恐怖片 但其中还是有一些 Even though as a kid I couldn't watch them, I was too afraid but there's something of
我很庆幸那不是我 I'm glad that's not me.
凯恩·霍德尔 《十三号星期五9》演员
观众可以享受剧中人物做可怕的事 自己得到释放 They can enjoy someone else doing it and get a little bit of a release.
詹姆斯·A·贾尼西 《Dead Meat》主持人
每个人在看恐怖电影时都喜欢思考 在那种情况下 In everyone when they're watching a horror movie likes to think of what they would do
自己会怎么做 in that situation.
这就是为什么 你总会有人们对屏幕大喊大叫的刻板印象 That's why you always have the stereotype of people yelling at the screen of like, "Don't
不要进去 不要上楼梯 这样真的很有趣 观众会认真考虑 go in there, don't go up the stairs"and it's so fun to watch that and think about
我怎样才能在电影中活下去 would I survive this horror movie?"
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
善与恶最大的战争 往往发生在我们自己的灵魂中 The greatest war between good and evil always takes place within our own souls.
恐怖试图解决这个问题 试图与之抗衡 Horror tries to resolve that, tries to contend with that.
这就是所有故事的主题 That's what all those stories are about.
就是经典的神话 It's classic mythology.
我认为 恐怖片吸引年轻观众的一个重要原因是 它具有一种 One of the reasons I think horror movies appeal to a younger audience, there's a sense of
不朽感 immortality.
他们不会考虑生与死 因此被撕裂的身体往往比完整的人 They don't think about life or death and so the body being rent asunder is more entertaining
更有趣 than it is personal.
我认为恐怖电影中所面临的恐惧越痛苦 越真实 I think the more painful and the more genuine the fears are that are confronted in horror
就越能治疗 越能深刻地丰富体验 movies the more therapeutic and more deeply enriching the experience can be.
安德烈·高尔 《降妖别动队》演员
80年代发生了很多的事情 你回想起来会特别激动的 So much stuff going on in the '80s - mind blowing when you think back of you know,
有太多的东西了 how much stuff there was.
电影 音乐 广播或是我们 开启了MTV一代 它影响了太多 Movies or music or radio or we started the MTV generation which led to a million other things
影响了电影 电视 音乐等等 很多的事物 that influenced movies and influenced television and influenced more music.
凯利·马罗尼 《彗星之夜》演员
MTV是最热门的东西 MTV was the hottest thing on Earth.
你无时无刻都在接触它 You just had it on all the time.
MTV广告（20世纪80年代）
你肯定知道辛迪·劳帕 汤姆·佩蒂 杰克逊·布朗还有布鲁斯·斯普林斯汀 You know Cyndi Lauper of course, Tom Petty and Jackson Browne, Bruce Springsteen.
汤姆·佩蒂 - 《不要再来这里了》（1984）
杰克逊·布朗 - 《某个人的宝贝》（1982）
布鲁斯·斯普林斯汀 - 《黑暗中起舞》（1984）
我对这一切都了解 I knew the words to everything.
排名前40的都不落窠臼 The top 4O stuff was off the chain.
我的意思是它会大火 然后一直都很火 I mean it was hit, after hit, after hit.
凯斯·大卫 《怪形》演员
伟大的组合一个接一个 Great group after great group.
凯恩·霍德尔 《十三号星期五9》演员
80 年代有很多很棒的金属音乐 And there was a lot of good metal music in the '80s.
Metallica - 《傀儡大师》 - 西雅图演唱会（1989）
比如说Metallica和奥兹 You know Metallica and Ozzy.
奥兹·奥斯朋 - 《偏执狂/疯狂列车》 - 美国音乐节（1983）
奥利维亚·纽顿-约翰的歌非常甜 她一方面会唱优美的民谣 Really saccharine Olivia Newton-John, romantic ballads on the one hand and you had punk
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
奥利维亚·纽顿-约翰 - 《仙那度》（1980）
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
雷蒙斯 - 《住在罗马》（1980）
另一方面也很朋克 on the other hand.
约翰·卡朋特 《怪形》导演
我们有更灵巧的动作男主角 We had slicker action heroes.
《魔鬼司令》（1985）
很多80年代的发型都很流行 A lot of '80s hair going on.
《第一滴血2》（1985）
《致命武器》（1987）
比如说《致命武器》中梅尔·吉布森的发型 It was a lot like Mel Gibson's hair in Lethal Weapon.
当然我不一定喜欢它 Not sure I liked it.
杰弗瑞·考姆斯 《活跳尸》演员
胭脂鱼发型 Mullet.
那确实不太美观 Yeah, it wasn't pretty.
我们的发型又大又干燥 We all had this big huge hair and Aqua Net.
头发被戏弄得无以复加 The hair was beyond teased.
让人没眼看 It was bullied.
希瑟·兰根坎普 《猛鬼街》演员
我记得当时人们看过《简·方达健身》后 会穿着锻炼服走在街上 I remember Jane Fonda Workout watching people walk down the street in workout outfits
《简·方达健身》（1982）
这个场景在我看来太奇怪了 which to me was like completely bizarre.
芭芭拉·克兰普顿 《活跳尸》演员
大头发 大垫肩和可卡因 Big hair, big shoulder pads and cocaine.
《疤面煞星》（1983）
芭芭拉·克兰普顿 《活跳尸》演员
大量的可卡因 Lots of cocaine.
也许是罗纳德·里根激发了所有的恐怖 Maybe Ronald Reagan inspired all the horror.
《吵闹鬼》（1982）
你得让老一辈人说不 年轻一代把握方向盘把握得太久了 You had the fuddy-duddy sort of older generation saying no we let the kids play long enough
亚历克斯·温特 《捉鬼小灵精》演员
现在要把方向盘拿回来了 at the wheel and now we're going to take the wheel back over.
这其实就是里根时代的主题 And that was really the Reagan era.
而且是个非常压抑和黑暗的时期 And it was a very oppressive and dark time.
在那个时代做同性恋很难 想要表达某些政治观点也很不容易 It was hard to be gay in that era, it was hard to state certain political views in that period.
因为80年代是一个在各种方面都想象力过剩的时代 Because the '80s were an era of excess in every conceivable way.
毒品 迪斯科 性 艾滋病流行的悲剧 Drugs, disco, sex, the tragedy of the AIDS epidemic.
在那十年里发生了很多非常激烈的事情 There were a lot of very heightened things going on in that decade and the horror movies
其中很多都被吸收到了恐怖片里 were an absolute reflection of that.
斯图尔特·戈登 《活跳尸》编剧、导演
他们说 有一种理论认为 在专制政府统治下 恐怖活动就会盛行 And they say there's a theory that horror thrives when there's a repressive government.
很多令我们害怕的都是社会问题 What scares us says a lot about the society.
《夜雾杀机》（1980） - 预告片
万圣节后 我和AVCO大使馆签订合约 要拍2部电影 After Halloween I had a deal with AVCO Embassy to make two films and
约翰·卡朋特 《夜雾杀机》导演、编剧
第一个成果就是《夜雾杀机》 the first one turned out to be "The Fog".
这是一个鬼故事 构思于我去英国巨石阵的旅行中 It was a ghost story conceived on a trip to England and Stonehenge.
我对戴布拉·希尔说 伙计 这里真的很棒 远处的雾中 I said to Debra Hill, man it's really amazing here. And it's a fog bank at the time was off
有个海堤 in the distance.
《夜雾杀机》（1989）
我们当时很想知道那里是什么 "I wonder what's in there?", we said.
我被雇来拍摄恐怖片 I was gonna get hired for horror films.
那就是故事发生的地点 我们会在那里取得成功 That's what was gonna happen because that's where I had a hit.
所以我们就去了 So, off we went.
汤姆·阿特金斯 《夜雾杀机》演员
你知道的 那是一个老套的鬼故事 You know, it's kind of an old-fashioned ghost story.
不是什么宏大 血腥 恐怖的片子 It's not big, gory, scary stuff.
《夜雾杀机》是在加利福尼亚州雷耶斯角拍摄的 The Fog was shot up in Point Reyes, California.
那是个很漂亮的地方 It was a beautiful area.
我亲爱的朋友阿德里安娜·巴比欧 My dear friend Adrienne Barbeau.
她一直待在那座塔楼里 所以我们从来没有同框过 She spent the entire time up in that tower and so, we were never ever on-screen together.
杰米·李 Jamie Lee.
她在搭便车 上车后说的第一句话就是 你很奇怪吗 She's hitchhiking and the first thing she says when she gets in the car is, "Are you weird?"
你很奇怪吗 Are you weird?
然后我给她喝了口啤酒 下面一个剪辑过去 我们就上床了 And then I offer her a sip of beer and then they cut and there we are in bed.
就像这样 很简单 因为我太熟练了 Just like that. It's that easy because I'm smooth.
我认为只要她觉得自己能够摆脱它 它就不会妨碍她走上那条 I don't think it bothered her to get on that scream queen path as long as she thought she
《月光光心慌慌》（1978）
《月光光心慌慌2》（1981）
《舞会惊魂》（1980）
《死亡列车》（1980）
尖叫女王之路 might be able to get off of it.
《夜雾杀机》（1980）
她确实做到了 And she did.
《夜雾杀机》的主演是尼克·卡斯特尔 The Fog has Nick Castle as the lead.
尼克·卡斯特尔 《月光光心慌慌》演员
也是里面人物的名字 That's the name of the character in it.
我还很清楚地记得 当你走在阿德里安娜的房间里时 I also remember that very fondly because as you pan across inside Adrienne's room, she's
会看到她抱着一个孩子 那是她儿子 holding a baby and that's my son.
最后从迷雾中走出来的人们进入教堂 将哈尔·霍尔布鲁克带到天堂 The guys that come out of the fog at the end into the church, take Hal Holbrook to heaven
或是地狱 或是别的什么地方 or hell, somewhere.
安德烈·高尔 《降妖别动队》演员
那个海藻怪物 着实不讨人喜欢 The seaweed dudes, did not like.
我就特别不喜欢那个海藻怪物 I did not like the seaweed dudes at all.
他们穿着自制的海藻服 看起来很棒 They look great in their own seaweedy oogy outfits.
我们在街道尽头用大风扇和造雾机试图制造出足够多的雾气 Big box fans and fog machines at the end of a street trying to make enough fog to look
使其看起来阴森 恐怖 具有威胁性 eerie and creepy, threatening.
再用微风把雾吹散 吹散后再重新制造雾气 The slightest breeze took it all away and then to start over again kind of build it
循环往复 up and get it going.
但在我们完成后 又重做了它 因为它不起作用 而且剧本也改了 That was re-vamped after we finished it as it didn't work and the script was changed.
不知道为什么 它的工作效率太低 It didn't get going quick enough somehow.
我当时 那真是个噩梦 I was... that was a nightmare.
我不想再重做一遍了 I don't ever want to do that again.
《夺魄冤魂》（1980） - 电视预告
在《夺魄冤魂》中 乔治·C·斯科特调查一个小孩的死因时 In the Changeling, George C. Scott discovers something's rotten in Seattle while investigating
那小孩曾经住在一栋华丽的公寓里 乔治发现在西雅图有些东西已经腐烂了 the death of a young child who used to live at his creepy new mansion.
詹姆斯·A·贾尼西 《Dead Meat》主持人
他扮演约翰·拉塞尔 是一位从失去家人的悲剧中恢复过来的作曲家 He plays John Russell who's a composer recovering from the tragedy of losing his family and
当他意识到这个未成年的鬼魂想要做的不仅仅是玩耍时 他实际上开始 he actually stars opposite his real-life wife Trish van Devere as he comes to realize that
詹姆斯·A·贾尼西 《Dead Meat》主持人
与他现实中的妻子特里什·范德维尔演对手戏 the underage ghost wants to do more than just play.
简直可以说是一首忧郁的诗 我都被这部电影催眠了 It's a brooding melancholy tone poem and I just really you know, I was hypnotized by that movie.
杰弗瑞·考姆斯 《活跳尸》演员
你会觉得它有点像鬼屋电影 但它的意义远不止于此 You think its sort of a haunted house movie but it's about so much more.
芭芭拉·克兰普顿 《活跳尸》演员
它非常地有趣 且有深度 It's so interesting and deep.
里面的表演令人难以置信 作为拍摄场地的房子很漂亮 The acting in it is incredible. The house that they shot that film in is gorgeous and
你会以为那是真的房子 但事实并非如此 you think it's a real house but it's not.
那是个布景 That was a set.
那部电影的外布景是建在另一栋已有的房屋上的 And the exterior of that film was built over another house that was existing.
整个创作过程相当地焦虑 相当地情绪化 It's very mood inducing and anxiety producing the whole way through.
这部电影里有很多传统的恐怖故事桥段 令观众不寒而栗 There's plenty of classic ghost story chills in this one and The Changeling makes for a
它和彼得·斯特劳布在次年出版的改编版小说可以说是绝配 nice companion piece to Peter Straub's Ghost Story adaptation which came out the following year
我记得看过约翰·卡彭特的《月光光心慌慌》 它不像某些英国恐怖片 I can remember seeing John Carpenter's Halloween which unlike some sort of British horror
肖恩·S·坎宁安 《十三号星期五》导演
你知道的 不是那种鬼怪电影 它很真实 you know, ghosty movie, it was very real feeling.
我觉得演得很好 拍得也很好 I thought very well acted, extremely well shot.
你想像出来的点子和包含恐怖因素的简单故事相连结 The idea that you could create a really simple story that had scary elements connected to it
打开了通往《十三号星期五》的大门 opened the door to Friday the 13th.
很多人一开始拍摄恐怖片 是因为它们很便宜 A lot of people make their first horror movies because they're cheap, they don't require
米克·加里斯 《恐怖大师》创作者
不需要明星 或是什么知名演员 特别是在80年代 stars or anybody familiar and particularly in the 1980s all you needed was a string of
因为《十三号星期五》 你只需要一系列创造性的杀戮就能拍出一部电影 creative kills to make a successful movie thanks to Friday the 13th in its ilk.
我们都没想到它会成功地改变恐怖片界 We didn't have a clue that it was ever going to be successful or going to be changing horror
或是相似的什么东西 or anything like that.
我们只想拍出一部可信的电影 时长达到90分钟 What we were trying to do is come up with a credible movie that would run 90 minutes
《十三号星期五》（1980）
每个角色在正确的时间发出声音 说出台词 and have sound and words coming out of people's mouths at the right time and hope that it
《十三号星期五》（1980）
能实现这些目标就够了 worked out okay.
我们的野心也就这么大 That was our entire ambition.
罗比·摩根 《十三号星期五》演员
我想我们都很迫不及待 玩得也很开心 I think we were all flying by the seat of our pants having a good time doing this.
我扮演角色的死亡场景真的非常 非常有趣 My death scene was really, really fun.
汤姆·萨维尼制作了我脖子的模具 当我像那样抬起头时 Tom Savini made the mold of my neck and when I lifted my head back like that,
你会知道它能裂开 you know it would open up perfectly.
片子里有凶手的视角 但是你看不见凶手 There was the POV of the killer but you never saw the killer.
你只能看到 哇 这个人要挂了 All you knew was like wow, this person's upset.
当音乐响起时 你的视线会和凶手的视线重叠 When the music comes in then you're seeing what the killer sees as opposed to just
不仅仅是镜头拍出来的 a shot with the camera.
每个人都喜欢《十三号星期五》中哈里·曼弗雷迪尼标志性的 Ki-Ki-Ki Ma-Ma-Ma Everybody loves the Harry Manfredini signature Friday the 13th, Ki-Ki-Ki, Ma-Ma-Ma.
他说ki ki ki ma ma ma He says it's ”ki, ki, ki, ma, ma, ma...
本意是“杀”和“妈妈” 但我听起来就是ch ch ch ah ah ah Because it's "Kill" and ”Mom" but I always hear "ch, ch, ch, ah, ah, ah".
也许只是我听力有问题 But maybe it's my hearing.
我一直以为是哈哈哈哈 但其实是杀杀杀杀 I thought it was "ha, ha, ha, ha" but it's really"kill, kill, kill, kill."
凯恩·霍德尔 《十三号星期五9》《十三号星期五10》演员
Ch Ch Ch Ha Ha Ha 我都是这么念的 Ch - Ch - Ch. Ha - ha - ha. That's how I do it anyway.
有那么多血腥 可怕的场景 但我印象最深的是凯文·培根的杀戮 So many gory, scary moments but the one that really comes to mind is Kevin Bacon's kill.
太恐怖了 So sick.
真的特别吓人 Oh, it's horrible.
才华横溢的贝丝蒂·帕尔默 The brilliant Betsy Palmer.
她在《罗伯茨先生》里表演得太好了 I mean she was in Mister Roberts.
《罗伯茨先生》（1955）
她是个很棒的女演员 She was a very good actress.
怎么样把她改造成疯狂杀手呢 How in the world does she become the crazed killer?
《十三号星期五》（1980）
她再说这句话的时候笑了 同时画面剪辑到小杰森溺水 我当时的感觉就是 She smiles when she says it, meanwhile they've cut to the little Jason drowning and I'm going like
你真的疯了 you're crazy.
你知道你疯了 但你根本不在乎 You know you're crazy and you don't care.
这是个很可怕的个性 That's one scary personality.
拍摄《十三号星期五》对我而言不算什么 Shooting Friday the 13th was a piece of cake.
我们一群人玩得很开心 你知道制作这部电影并不可怕 A bunch of us having a great time and you know making this movie and it wasn't scary at all.
但我第一次看到成片时 我真的做噩梦了 But the first time I saw it, I actually had some nightmares.
我一开始都不知道最后一幕是什么 The end scene I did not know was coming.
爱丽丝在独木舟上非常放松 而杰森则从湖里跳出来 Alice is in the canoe so relieved and Jason the kid he jumps out of a lake and looking
奇怪又扭曲的一幕 so weird and distorted.
感谢汤姆·萨维尼 他真的把我吓坏了 Thank you Tom Savini for scaring the hell out of me.
这部片能取得成功 我觉得主要是因为运气好 The fact that it became as successful as it did was mostly luck.
在正确的时间出现在正确的地点 Being at the right place at the right time.
只是同时来临了 It just all came together.
这是部恐怖片 你知道它是什么 但我并不认为 It was a scary film ya know for what it was at the time but I don't think anybody thought
有人知道成品会如何 我也不知道我们在拍什么 there was going to be uh, I don't know what are we at?
是这12部影片吗 Like 12 of these things?
《闪灵》（1980）
《闪灵》是部非常有力量的电影 The Shining is an incredibly powerful movie.
米克·加里斯 《闪灵迷你剧》导演
当它刚刚上映时 评论是一边倒的差评 The reviews when it came out were absolutely terrible across the board.
可能会有些个例吧 但绝对不是个受欢迎的电影 There may have been the occasional exception but it was not a well-liked movie.
然而 它与年轻观众建立了很强的联系 结果使它成为了一个标志 However, it connected with a young audience in such a powerful way that it became iconic.
我对它非常失望 因为我喜欢原著 但它不是原著 And I was so crashingly disappointed with it because I loved the book and it's not the book.
尼克·卡斯特尔 《月光光心慌慌》演员
这些关于库布里克的看法 太荒谬了 It was something about Kubrick's take on that that was just so arch.
有时 你往往需要多看几遍才能对某些事物发表评价 Sometimes it takes you a few watches before you gain appreciation for something.
詹姆斯·罗尔夫 《电影信使》主持人
它有一种库布里克专属的洗脑魅力 你无法抗拒 But it has that Kubrick quality of hypnotic fascination that you can't get away from and
乔·丹特 《月光光心慌慌》导演
如果我碰巧点开了 我会看完它 if I happen to click on it, I'm gonna watch it.
我甚至认为《闪灵》可以算是所有恐怖片中的巅峰 I think The Shining is probably the best performance in any horror film, maybe ever.
天呐 他是不是在哪个瞬间疯了 Boy, does he go off the rails in that one.
只工作 不玩耍 聪明的杰克会变傻 All work and no play makes Jack a dull boy.
凯蒂·菲德斯通 《灵动：鬼影实录》演员
可怕 Terrifying.
谢莉·杜瓦尔看起来真的很害怕 而杰克·尼克尔森就好像 Shelley Duvall looks honestly terrified and Jack Nicholson honestly looks like
凯利·马罗尼 《彗星之夜》演员
他无法抑制自己 he can't stand her.
我的意思是说 我都开始怀疑 我看到的究竟是角色在害怕 还是说 I mean to the point where I'm thinking, "Am I seeing the characters or am I seeing the actors
《闪灵》花絮（1980）
演员都吓坏了 on set like freaking out?"
他们的表演就是这么出色 And that's just how good they were.
《闪灵》（1981）
需要做决定的妻子往往是最难演的角色 That's always the hardest part to play is the wife who has to like make the decision,
希瑟·兰根坎普 《猛鬼街》演员
疯掉的究竟是丈夫还是自己呢 is my husband nuts or is it just me?
而且我认为世界上的每个女人都希望让他们的丈夫从怀疑中受益 And I think every woman on the face of the planet wants to give their husband the benefit
直到最后一刻 就像 我必须离开这里 of the doubt until the very last minute when it's like ah, I got to get out of here.
那对双胞胎 The two twins.
我绝对无法忘记这个画面 I mean I'll never forget that image.
还有浴缸里的女人 And the woman in the bathtub.
它将永远 永远 永远烙在我脑海中 That's something that was seared into my brain forever and ever and ever.
我印象最深刻的场景 是他在酒吧里的那段 The scene that always sticks out to me is when he's at the bar.
他在说话 然后画面一切 出现一个酒保 He's talking and then we cut and there's actually a bartender there.
整个场景中的每一条线都像是节拍一样 他只是把它给打碎了 Every line every like beat in that whole scene he just chews it up.
让你的目光没法从他身上移开 It's just you can't take your eyes off him.
我觉得那些父母变成坏人的电影很难看下去 I think any movie where a parent is a villain is really hard to watch.
那种在你身边 你信任的人 你爱的人突然变成你恐惧的来源 It really hooks into for me this feeling of trusting the men around you and how it would
这是最让我接受不了的 feel to all of a sudden be scared of the person that you love.
那样太可怕了 It's so scary.
大结局被安排在了迷宫里 The big ending is out there in the maze.
现在你看看这部电影 有没有觉得在序列上缺了点什么 Now you look at that movie, what's missing in that sequence? It's supposed to be out in the
它应当体现出寒冷 但却是在摄影棚里拍出来的 freezing cold but they shot it on a soundstage.
《闪灵》花絮（1980）
他们没有什么氧化反应的呼吸 They didn't get any oxidation of breath.
库布里克非常注重细节 一切都必须恰到好处 Kubrick is such a stickler for detail and everything's got to be just right and how
不管花多少钱 只要拍得好就行 结果还是没有氧化呼吸 much money does it cost doesn't matter. Let's get it right and yet no oxidation of breath.
《闪灵》（1980）
《闪灵》（1980） - 预告片
《闪灵》被宣传为斯坦利·库布里克的电影 而不是斯蒂芬·金的电影 The Shining was promoted as a Stanley Kubrick movie, not a Stephen King movie.
有很长一段时间 营销人员避免使用斯蒂芬·金这个名字 There was a long period of time when the name Stephen King was avoided by marketers because
因为这意味着电影是一部恐怖片 而恐怖片仍被视为一次性垃圾 it identified the movie as a horror film and a horror film was still considered disposable trash.
斯蒂芬·金自己也说他不喜欢这部电影 Stephen King himself said he hated it.
金实际上为库布里克写了一个《闪灵》的剧本 库布里克却把它扔到了一边 King had actually written a script for Kubrick for The Shining which Kubrick just tossed aside.
《闪灵》花絮（1980）
我认为金看到这一点对很痛苦 因为对他来说《闪灵》是一本非常私人的书 I think it was painful to King to see this because it was such a personal book to him.
当库布里克准备开发《闪灵》时 我想这有点像 When Kubrick turned his hand to The Shining, I think it sort of was like well, you know
你懂的 现在每个人都能制作这种影片 now anybody could make these pictures.
它成为了适用于所有预算水平的可行类型 这在以前是不对的 It became a very viable genre for all budget levels which was not true before.
《剃刀边缘》（1980） - 预告片
尽管我认为德·帕尔玛否认了这一点 但从《剃刀边缘》来看是很明显的 Dressed to Kill was pretty obviously even though I think DePalma denies this.
《剃刀边缘》（1980）
德·帕尔玛说他从来没看过阿基多的电影 我觉得是有可能的 I think DePalma says he had never seen an Argento movie and that may in fact well be
但有时这样的东西会渗入进意识当中 the case sometimes these things just sort of seep into the consciousness.
从结果上看 他确实把某些铅黄电影的美学带入进了 But it did seem like he was bringing certain aesthetic concepts of the Giallo into American
美式恐怖片中 horror films.
首先你要知道他是怎么使用星形滤光片的 它会反射光线 You know how he used the star filters first as like reflections would show up and they'd go
“呯”地一下 是一种滑行的摄影 给人以一种 "ping" and just like this sort of gliding cinematography and everything felt sort of
梦幻的感觉 dreamlike.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
与大多数恐怖片相比 它更具有性欲 It has a sexual feel to it even more than most horror films.
我对他在影片中对暴力的描绘 以及展现出的不协调的美感 I was really interested in the contrast between the depiction of violence and an incongruously
特别感兴趣 beautiful presentation.
《消逝于黑暗中》（1980） - 预告片
丹尼斯·克里斯托弗主演的《消逝于黑暗中》反应了杀手类型片的蓬勃发展 Fade to Black starring Dennis Christopher it's a reaction to the burgeoning slasher genre.
小菲尔·诺贝尔 《Fangoria》主编
《消逝于黑暗中》（1980）
这个电影讲述的是一个可怕的书呆子 他打扮成各种经典怪物形象 So, it's about a horror nerd who dresses as different classic monsters to kind of enact
进行报复性谋杀的故事 these sort of revenge murders.
这辈子所有冤枉过他的人 People that have wronged him throughout his life.
它的结局发生在好莱坞大道的格劳曼中国剧院顶部 It's finale takes place on top of Grauman's Chinese Theatre on Hollywood Boulevard.
对于1980年住在洛杉矶郊区的人来说 这是个奇怪的 It's a very weird time capsule portrait of people living on the fringes of Los Angeles
时间胶囊的象征 in 1980.
我觉得这是个很好的例子 用以作证在80年代恐怖片影迷被放逐 And it's a nice illustration of the horror fan as outcast which is a pretty big shadow
这对他们而言是巨大的阴影 hanging over the '80s, I think.
在某些地方 人们会说《地狱旅馆》就是个垃圾 In one corner people are going to say Motel Hell is complete garbage.
《先睹为快》（1980）
暴力 可怕 令人作呕 变态 Violent, gruesome, sickening and perverse.
而在另一些地方 则会有人为《地狱旅馆》辩护 In the other corner people are going to defend Motel Hell saying it's a comedy that achieves
认为它是一部喜剧片 它在讽刺《德州电锯杀人狂》等垃圾电影上 a kind of demented satirical genius in the way it criticizes such other sleazoid trash
达到了登峰造极的地步 as The Texas Chainsaw Massacre.
安德烈·高尔 《降妖别动队》演员
取这么天才的标题 是因为一开始是“欢迎来旅馆” 但是爆掉了一个字母 Genius in how they got the title because it was Motel Hello and the neon was burnt out.
我突然灵光一闪 觉得这个很棒 It blew my mind, I thought it was so awesome.
然后就呈现了这样一部电影 你会觉得哇 真是令人毛骨悚然 Then you get into a movie that you're like wow, this is creepy and scary.
《地狱旅馆》（1980）
还记得有一段戏是把我埋起来 埋到脖子 You know, to be buried up to the neck and you're just like that got me.
两个大反派 Two great villains.
瑞恩·图雷克 怖屋公司发展副总裁
一个戴着猪头 挥舞着电锯 One who wore a pig head and wielded a chainsaw.
真的太出色了 That was really great.
这是牛仔演员罗里·卡尔霍恩的最后一张照片 他非常瘦 This was one of the last pictures of cowboy actor Rory Calhoun who was very skinny and
乔·丹特 《破胆三次》导演
我一直以为他得了癌症 I think probably had cancer at the time.
结局的一场电锯战 That chainsaw fight at the end.
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
你在任何类型的战斗中都可以使用电锯 它是最糟糕的武器 The chainsaw is the worst weapon you could ever use for any kind of fight.
你只能把手边的东西扔进电锯的网里 这样它才能停下来 All you have to do is throw anything into the web of a chainsaw and it stops.
所以它可以说是最糟糕的武器 So, it's about the worst weapon you could ever use.
如果你想抓住一些真正的80年代精神 那就不要再往下看了 If you want to go to something that really catches the spirit of the '80s don't look any further.
顺带一提 它的标题是挺不错 Also, quite a great title.
《疯子》（1980） - 预告片
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
我真的很喜欢《疯子》 Oh, I love Maniac.
《疯子》（1980）
使《疯子》成为真正与众不同的电影 是因为它的表演质量很高 The thing that makes Maniac a true stand apart film is the quality of the performances.
一流的选角 一流的叙事 一流的剪辑 Top-notch casting, top-notch storytelling, amazing editing.
整部电影就像他妈的闪电一样 That movie moves like fucking lightning.
他有时会放慢播放速度 但这是有原因的 是为了给接下来做准备 When he slows the movie down, he does it for a reason, to set you up for the next thing.
这简直太合我的口味了 It's a little strong for my tastes.
米克·加里斯 《恐怖大师》创作者
这证明了它的力量 It's a testament to its power.
它让汤姆·萨维尼做化妆效果 他来自越南 他知道被撕碎的身体 You have Tom Savini doing the makeup effects who had come from Vietnam and knew all about
应当是什么样子的 what bodies rent asunder looked like.
那部电影中的剥头皮非常吓人 因为它看起来特别真实 You've got scalpings in that movie that are incredibly effective because they're so real.
这是一部非常独立的电影 如果放到今天 肯定无法在院线上映 That's a very independent movie that could not get on movie screens today.
但还有一些人数少但狂热的观众 这部影片可以算是酷刑色情片的先驱 But there was a small but hungry audience for that and that's the precursor to torture
《人皮客栈》这种后来者都源自于它 它开启了一个新的类型 porn that you know, Hostel came along much later and started a whole new sub-genre.
贪婪的消费 家用录像带革命
录像带时代的人和后下载时代的人很难共情 The VHS era is hard to convey to someone who grew up in the post Napster digital era when
亚历克斯·温特 《捉鬼小灵精》演员
因为现在获取影视太方便了 everything is available by some means.
《罗伯特·阿贝尔的世界》（1985）
你可以随时进入电影的世界 不必拘泥于对小时候在11频道看到的什么 You suddenly had access to a world of cinema beyond just your hazy memories of the Hammer
汉默公司电影的模糊记忆 films they played when you were a kid on Channel 11.
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
那是音像店的时代 每个街角都会有一家 It was the age of the video store and there was one on every street corner.
你可以尽情地浏览并观看买那些普通人通常不会看的东西 You could browse forever and watch things that no normal person would ever normally
这对于没有预算 但是有良好想象力的年轻独立导演来说 watch and this was a goldmine for young indie directors who had no budget but had a good
就是个金矿 imagination.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
每个人都会去音像店 Everybody went to the video store.
你要靠它来消磨夜晚时光 That was the way you started your evening.
科里·泰勒 《Slipknot》主音乐师
当妈妈不在的时候 我时不时会跑到当地的音像店去 Running down to the local rental store to see ooh what can I get away with renting without
我能买到什么好东西 my mom here.
然后就是Beta和录像带的战斗 And we had the Beta versus VHS battles.
就像是录像界的可口可乐大战百事可乐 It was like the Coke - Pepsi battle of the video tech world at the time and obviously
安德烈·高尔 《降妖别动队》演员
最后录像带赢了 商店里都是录像带 VHS won out and that's what the stores had.
瑞恩·图雷克 怖屋公司发展副总裁
录像带具有某种魔力 There was a certain magic to the VHS tape.
我记得我第一次借录像带借的是《猛鬼街》《魔精》等 I remember the first one we rented was A Nightmare on Elm Street and Critters
都是给我妈借的 and something for my mom.
然后你就可以办自己的影展了 And then you had the personal curation aspect.
我很喜欢收集录像带 I could collect videos.
现在我有了一套的电影收藏 Now I could have the equivalent of albums but in film form.
突然间我产生了一种前所未有的归属感 Suddenly I felt a kind of ownership of the content in a way that I never had felt before.
杰弗瑞·考姆斯 《活跳尸》演员
现在没什么人关心电影收藏了 Nobody cares about owning movies anymore now.
没人想拥有实体的收藏 No one covets holding it.
全都储存在云端了 It's all just like in the cloud.
一切都通过你的数字设备 像手机 iPad来完成 在这过程中 Everything's through your digital device, your phone, your iPad and there's definitely
肯定会有些冷漠 a certain coldness to the process.
HBO电影介绍（20世纪80年代）
我们是第一代通过有线电视发现这一切的人 We were the first generation to really discover all this stuff
这意味着我们更早地得到了它 through cable which meant we got it earlier which meant it was even more
它比前几代人要偷偷跑进电影院才能看到东西更加禁忌 taboo than like the earlier generations that had to kind of sneak into theaters and whatnot.
现在我随时可以在家中看到它 Now all of a sudden it's being beamed into my house.
因为妈妈工作 我要一个人待3个小时 让我看看Cinemax上有什么 I'm by myself for three hours because my mom works, ooh what's on Cinemax?
看看HBO有什么 What's on HBO?
我享受了有线电视的益处 享受了租赁系统的好处 I had the benefits of cable and I had the benefits of the rental system.
你必须就当天晚上要看什么做出决定 You had to make some decisions about what you wanted to watch that night.
环球影业Logo（20世纪80年代）
你所知道的环球影业的一切都在其中 托比·霍珀就用录像带 It would have everything from a Universal Picture that you know, Tobe Hooper got tapped
来制作他拍摄的作品 to make to stuff that was shot on video.
小菲尔·诺贝尔 《Fangoria》杂志主编
例如在《开膛手》里 汤姆·萨维尼扮演开膛手 Like the Ripper. Tom Savini starring in the Ripper.
我们租了那部片子 We rented that and
以为可以看到像预告片里那样的一部真正的电影 I thought I was gonna get a real movie and it was like shot on video.
我不敢相信我借了一部什么片 I couldn't believe I was watching,
就好像制片公司也和我一样 只花了3美元 然后让汤姆·萨维尼 like I just paid the same $3 that I would have paid for a studio release and it was Tom Savini
《开膛手》（1985）
在整部片子里到处乱跑 running around in a shot on video thing.
突然间你看到了大量故事不好 导演不好 演员不好的烂片 You suddenly had this great outpouring of poorly written, poorly directed, poorly acted
但偶尔你也能捡到些宝贝 films but then you would have the occasional gem.
在录像带大行其道后 像查理·班德 罗杰·科曼这样的人 Guys like Charlie Band, guys like Roger Corman found a whole new life on home video after
都在家庭录像中找到了新出路 the VHS explosion happened.
斯图尔特·戈登 《活跳尸》编剧、导演
查理·班德真正发明了直接视频 Charlie Band really invented direct-to-video.
查理大量地生产他们 Charlie was churning them out.
帝国国际影业Logo（20世纪80年代）
当时的帝国影业和查理·班德为崭露头角的人才提供了 Empire Pictures and Charlie Band at the time provided opportunity to up-and-coming talent
唐·曼西尼 《地窖居住者》编剧
留下痕迹的机会 to make their mark.
《魔偶奇谭》（1989）
他们正在紧跟大公司的发展规划 并试图更快 更便宜地 They're chasing trends that the bigger guys are doing and trying to get there more quickly
《狂暴雷克斯》（1986）
《活魔人》（1986）
《寄生魔种》（1982）
《马桶妖怪》（1985）
实现目标 and more cheaply.
《惊惧幻象》（1986）
查尔斯·班德提供了这种无休止的产品流 其中一些影片是有价值的 Charles Band provided this sort of unending flow of product and some of it had real worth.
《禁域魔怪》（1987）
《惊惧幻象》（1986）
它们很俗气 They're cheesy.
有很多血腥和恶心的场景 表演也糟糕 故事情节也很荒谬 A lot of blood and gore bad effects and bad acting and ridiculous storylines.
《魔偶奇谭》（1989）
卡珊德拉·彼得逊 《销魂天师》演员
它们就在我的小巷里 我爱它们 They were right up my alley and I loved them.
道格·布拉德利 《养鬼吃人》演员
很多粉丝跟我说 他第一次看《养鬼吃人》是因为他们在浏览热销影片的货架 A lot of fans have said to me that saw Hellraiser for the first time because they were browsing
然后当他们看到钉子头的造型时 就停下了脚步 through the shelves of Blockbuster and they paused when they got to the image of Pinhead.
他正在与你进行非常直接的目光接触 He's making very direct eye contact with you.
好像在对你说 看看我对自己做了什么 What the image says is, look what I did to myself.
再想象一下我会对你做什么 Now imagine what I could do to you.
录像带封面的艺术性最初并不是很重要 直到其中一些关键的 Video cover art didn't seem that important initially and until some of these key horror
恐怖电影出现 films started appearing.
格雷厄姆·亨弗里斯 电影海报设计师
基于它们的成功 这些封面突然变得非常重要 And on the base of their success then suddenly those covers became quite important.
很显然 当画面越亮 越有冲击力时 Obviously the brighter and the more shocking it could possibly be than the better and
它就越有可能被观众选择 more chance of that video being picked up.
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
它们需要有一种能力 让你从中掌握一种模糊的概念 They had to have that art there to get you to grab an unknown title as opposed to something
而不是你在其它影片中司空见惯的内容 you might be familiar with from its theatrical release.
那时你真的要去寻找一些东西 Back then you really had to go looking for stuff.
希瑟·威克森 《Daily Dead》主编
你必须愿意冒险 如果它的正面或封面上有一张非常酷的海报 You had to be willing to take chances and if it had a really cool poster on the front
我就会被迷住 or cover art I was hooked.
员工精选区都会选择一些这样的影片 你最好租这些 It's the staff pics that usually would pick something that would be like, you want to rent this.
不要租别的 Don't rent that.
你一直都能租这些 你想要这个 You'll always be able to rent that. You want this.
这些大家都知道 Those people knew.
他们知道什么是好电影 因为他们能看到内容 They knew what the good films were because they had access to them.
我的80年代恐怖圣经之一是《恐怖大全》的海报 One of my sort of Bibles of '80s horror was the poster for Terror in the Aisles because
因为《恐怖大全》前面的头骨是由其中所有提到的电影名称 the skull on the front of Terror in the Aisles was made up of all the titles of the
组成的 names of the movies in it.
所以，我会在音像店里拿起《恐怖大全》 So, I would go pick up Terror in the Aisles in the video store and I'd start to go through
通览它的海报 找到些不同的电影 and I'd walk through and I try to find different movies.
它确实让我看到了很多我本来不会租的电影 But it really opened me up to a lot of movies I would have never rented otherwise.
我为制作《月光光心慌慌》海报的公司工作 就是那把神话般的标志性的刀 I worked for the company that did the Halloween posters, that fabulous iconic knife going through
穿过南瓜灯的那个海报 the pumpkin of the jack-0'-lantern.
这样就可以说是不言而喻了 That kind of said it all without saying anything.
我认为这是一个精彩绝伦的广告 I thought that was a brilliant, brilliant ad campaign.
《猛鬼街》的海报则是南希的脸 她躺在床上 The Nightmare on Elm Street poster features Nancy's face and she's lying in bed.
这是张很棒的海报 It's a great poster.
我是说 它很艺术 I mean it's art.
希瑟·兰根坎普 《猛鬼街》演员
它不是照片 不像现在的大部分电影海报 It's not a photo, like a lot of movie posters are nowadays.
只是有一张明星的照片 把照片放到一个讨巧的位置 You just have like a photo of the stars and they're like in a cute position
这种海报艺术现在占主导地位 但当时他们真的会请人 and that photo art is now kind of dominant but back then they really commissioned someone
去绘制一幅画 to create a painting.
马修·匹克为整个猛鬼街系列绘制海报 是相当罕见的 Matthew Peak was able to do all of the posters for A Nightmare on Elm Street which is rare.
这一系列海报有一种连续性 它们真的漂亮又独特 There's a continuity and they're really beautiful and unique.
于我而言 这反映了《猛鬼街》 That reflects to me the high level of artistry that
在各个方面的高度艺术性 went into all parts of A Nightmare on Elm Street.
尽管这是一部预算非常低的电影 Even though it was a really low budget movie.
我有一段在日落大道上开车的记忆 那里有一栋高层建筑 I have a memory of driving on Sunset Boulevard and there was a high-rise building and the
比尔·莫斯利 《德州电锯杀人狂2》演员
它的整个侧面都是《德州电锯杀人狂2》的彩绘海报 whole side of it was the painted poster of Texas Chainsaw Massacre 2 like on a giant
我印象真的特别深刻 building. I remember being very impressed with that.
基特·卡森 他的想法是模仿《早餐俱乐部》 Kit Carson, it was his idea to make a Breakfast Club parody.
我觉得这个想法很棒 这能让观众意识到 I thought that was brilliant. I think that also
我们不想把《德州电锯杀人狂2》拍得太过于严肃 let people know that we were not as serious as they maybe wanted Chainsaw 2 to be.
托比想要原始海报的艺术 不是模仿《早餐俱乐部》的那种 The original poster art that Tobe wanted to go with was not going to be The Breakfast Club.
他最后用《早餐俱乐部》版海报诓骗了很多参展商 因为这张看起来很无害 He ended up going with The Breakfast Club to sort of trick a lot of exhibitors into
参展商会把这张海报放到他们的展示里 putting it up in their displays because it looks very innocuous.
它看起来确实不像是个恐怖片 It doesn't look like a horror movie really.
看起来就像是个万圣节的电影 一个服装特殊的电影 It looks like a Halloween movie. It looks like a costume movie.
乔·丹特 《破胆三次》导演
必须要说 广告宣传很少能真正正确地代表电影 You have to remember that advertising very seldom actually represents the movie correctly.
如果我只看到《夜困杀人场》的海报 我也不会租它 Had I seen the artwork for Chopping Mall, I also would not have rented it.
凯利·马罗尼 《彗星之夜》演员
它和电影几乎毫无关系 It has nothing to do with the movie.
《破胆三次》的宣传目标是 我们希望将其定位为一部普通的恐怖片 The gimmick with The Howling was that we wanted to position it as a normal slasher-ish kind
同时 也不放弃它具有超自然元素和狼人的事实 of movie and not give away the fact that it had supernatural elements and werewolves.
最终 他们想出了一张我认为非常聪明的海报 一只爪子撕开画面 Eventually, they came up with what I think was a very clever poster of a clawed hand
后面是一个尖叫的女人 ripping the poster and behind it is a woman screaming.
在欧洲 无知道出于什么原因 他们决定不用这个女人 And in Europe for whatever reason they decided they didn't want to use the woman, they wanted
而是使用狼人的鼻子 to use a snout for the werewolf.
所以 在英国的宣传中 它的构图是一样的 但内容不是女人的脸 而是鼻子 So, in the British ads, it's the same ad but instead of a woman's face, it's a snout.
你会想区分你的市场 将重点市场和非重点市场区分开来 You wanted to try to differentiate your product from movies that were aimed at a somewhat
这样做的目的 实际上是对期望值做一个评估 lower market and the idea was to try to vault over the expectations and be able to appeal
以吸引更多的观众 to a wider audience.
你会试图通过你能做到的任何方式吸引他们 You try to get them in, through whatever means you can.
必要时你必须得歪曲这部电影 然后当他们看到真面目时候 However you have to misrepresent the movie and then by the time they've seen it
已经晚了 it's too late.
钱退不回来了 They can't get their money back.
《夺命凶灵》（1981） - 预告片
好了 回到80年代 那时的血浆片就已经无法忍受 Well, back in the '80s the slasher films not withstanding,
迈克尔·金戈尔德 《Fangoria》前主编
它们没有受到潮流的支配 they weren't really ruled by trends so much.
我的意思是有很多人都在开发恐怖的边界 I mean there are a lot of people doing all different kinds of horror.
有很多导演在70年代入行 一开始拍戏时预算很低 You had a lot of directors who had kind of started off in low budgets in the 70s getting
等到被AVCO大使馆等半专业人士相中后 才能拍投资更高的影片 discovered by semi majors like AVCO Embassy and being given a chance to do bigger films.
约翰·卡朋特就是从《月光光心慌慌》拍起 然后才是《夜雾杀机》《纽约大逃亡》《怪形》 You had John Carpenter going from Halloween to The Fog, Escape from New York and The Thing.
《怪形》（1982）
乔·丹特是从《食人鱼》到《破胆三次》 You had Joe Dante going from Piranha to The Howling.
《破胆三次》（1981）
大卫·柯南伯格从《狂犬病》《灵婴》拍到了《夺命凶铃》以及之后的 You had David Cronenberg who went from Rabid and The Brood up to Scanners and then
《死亡地带》（1983）
《死亡地带》 The Dead Zone.
所以 这真的是很多明星和导演成长的年代 So, you really saw a lot of kind of star directors coming up.
《夺命凶灵》（1981）
《夺命凶灵》是我很年轻时看的了 Scanners was one that I saw probably too young.
本·斯克里文斯 FrightRags创始人
我和朋友之所以会借这部片 主要也是因为封面好看 My friend and I rented it because of course, the cover art alone.
封面上的迈克尔·朗赛德就是这样 Michael lronside like this on the cover.
我觉得 我们得看看这部电影 I thought we need to see this movie.
好吧 我不知道我在做什么 Well, I didn't know what I was getting into.
你没法概括80年代的恐怖 也无法忽视《夺命凶灵》里的爆头 You can't talk about '80s horror and not mention the Scanners head blowing up.
希瑟·威克森 《Daily Dead》主编
看到这一幕时简直太令人震惊了 哪怕我是个小孩 我都觉得那是 When that happens, it is so gruesome and visceral that even as a kid I was like this is the
我见过最酷的场景 当然 那时还没有CGI coolest thing I've ever seen. Obviously, this is before CGI.
突然间 那个带着眼镜的老兄 And all of a sudden homeboy with the glasses just...
作为一个孩子 我只是去 As a kid I just went...
这尼玛 What the...
柯南伯格 真有你的 Cronenberg, dude.
溅得到处都是 我想他们拿了一把霰弹枪 然后用了类似于 And just stuff is flying everywhere and I know they took a shotgun and they used, they
鸡肝之类的东西填满了脑子 再把它们给射出来 filled it up with bunch of l think chicken livers or something and just shot it out.
但是 我的天呐 看起来太真实了 But oh, my goodness, did that look so real.
那场爆炸就像是老卫士发出的警告 That explosion is probably the shot across the bow of the old guard.
好像就是在说 好 我们要从这里拿走它 Just basically saying, ”Okay, we'll take it from here."
《夺命凶灵》中的许多表演之所以奏效 是因为演员的表情很逼真 So much of those performances in Scanners work because the actor's face has to sell it.
你有了迈克尔·朗赛德 So, you have Michael lronside.
他必须提取出电影中所有的主题 并将其投射到自己的表情上 He's got to basically take all of these themes from the movie and project it through his face.
这一切都取决于我们是否相信他的表演 对吧 It all hinges on whether or not we believe him, right?
而他就擅长这个 And he's so great at it.
《恐怖情人节》（1981） - 预告片
《恐怖情人节》可能是1981年我最喜欢的血浆片了 My Bloody Valentine might be my favorite slasher of 1981.
本·斯克里文斯 FrightRags创始人
这是人物的巅峰之作 在当时尤其是独一无二的 It's just this culmination of characters whodunit and at the time especially it's unique.
《恐怖情人节》（1981）
内容就是未成年人和情人节 It's just the minors and Valentine's Day.
《恐怖情人节》的有趣之处在于 The interesting thing about My Bloody Valentine
詹姆斯·A·贾尼西 《Dead Meat》主持人
它确实具有令人敬畏的实际效果 但是片方从电影中 is that it was really graphic with awesome practical effects but they cut 9 minutes of them
删了9分钟的内容 out of the film.
我最喜欢的杀戮场景绝对是为院线发行而剪掉的那部分 My favorite kill is definitely one that was cut for the theatrical release.
就是这个叫哈皮的角色 那个酒吧里的老酒鬼 It was this character named Happy, this old drunk guy at a bar who went out to visit the
到矿场去看发生了什么 mine to inspect what was going on.
他的下巴被一把镐子捅漏了 但效果特别的粗糙 He gets a pickaxe swung up through his chin and just the effect is so gnarly and it's
我就是喜欢看这样的杀戮场景 one of those kills where I watched it and I'm like,
我会想 他们是怎么拍出来的 "How did they even fake this?"
我喜欢这部电影的一大原因是它的真实感 因为它是真的在 One of the things I love about this movie is how authentic it feels and part of that
地下的矿井中拍摄出来的 is because they shot in an actual mine underground.
显然 当矿主发现他们在那里拍电影时 他花了很大的功夫把矿井整理干净 Apparently the mine owners when they found out that the movie was going to film down there
但是这和摄制组的需求相反 所以摄制组又费了大劲把矿井弄脏 spent a lot of time cleaning it up which is the opposite of what the film crew wanted
以便达成他们希望在电影中实现的那种效果 so they had to re-dirty this actual mine to get the look that they want for this movie.
当然 这很俗气 Of course, it's cheesy.
这是部血浆片 It's a slasher.
所有的比喻都在那里 除了一些抓住我的部分 All the tropes are there but there's something about that one that just grabs me.
我的意思是 关于《恐怖情人节》我有很多能说的 I mean, My Bloody Valentine's got a lot of heart what can I say.
《破胆三次》（1981） - 预告片
80年代初出现了变化的趋势 The early '80s had a shape-shifter trend.
小菲尔·诺贝尔 《Fangoria》杂志主编
每个人都在拍变形的怪兽片 像《破胆三次》《食尸人》 Everybody's making transformation monster movies -The Howling, The Beast Within.
《食尸人》（1982）
《狼之一族》（1985）
《美国狼人在伦敦》（1981）
还有其它的电影 All this other stuff.
在《破胆三次》中 我们试图摆脱传统的 In The Howling we were trying to get away from the traditional villagers chasing the
乔·丹特 《破胆三次》导演
村民追逐狼人模式 werewolf template.
《狼人》（1941）
我们其实想把它定位为一部恐怖片 因为当时恐怖片很受欢迎 We wanted to actually position it as a slasher movie because they were very popular at the
但超自然影片则不然 time and supernatural movies were kind of not.
《破胆三次》（1981）
观众普遍认为它们太老套了 They were kind of considered a little old hat.
所以 在影片的前半个小时 似乎根本没有任何超自然的元素 So, in the first half hour of the picture there don't seem to be any supernatural elements at all.
所以当我们最终引入狼人元素时 我是通过在电视上观看《狼人》实现的 And so when we finally did introduce the werewolf angle I did it through watching
这是观众可以立即获得的一种流行文化参考 The Wolf man on television which is a pop culture reference that audiences can immediately get.
这真是我们第一次这样做 然后它最终在《惊声尖叫》系列中 That was really kind of the first time that had been done and then it eventually became
变得流行起来 这样就让角色意识到这一类型的比喻 very popular with the Scream movies to have characters who were aware of the tropes of
成为了一种类型流派的特征 the genre. It became a sort of a genre staple.
乔·丹特喜欢在电影里给他的朋友安排角色 Joe Dante loves to put his friends in his films.
所以你能发现他的导师罗杰·科曼 著名的怪物创作者福里斯特·J·阿克曼 So you can find his mentor Roger Corman, Famous Monsters icon Forrest J. Ackerman,
《破胆三次》的编剧约翰·赛尔斯 好友米克·加里斯和他的幸运符迪克·米勒 Howling screenwriter John Sayles, good pal Mick Garris and his lucky charm Dick Miller.
我记得看《破胆三次》时只想着 哦 终于有这样的片子了 I remember seeing the Howling and just thinking, "Oh, finally" like somebody has created
有人创造了一个狼人 并做了一个绝对令人兴奋的变身画面 a werewolf and done an on-screen transformation that is just absolutely mind-blowingly great.
我们已经告诉工作室 可以一次性完成所有的变化 但出于各种原因 We had told the studio that we can do a transformation all in one take. Which we learned for
我们了解到这有些不切实际 也不是特别戏剧化 various reasons was impractical and also it wasn't particularly dramatic.
我们最终以常规的方式拍摄它 并使用了剖面图和其他东西 We ended up shooting it conventionally with cutaways and stuff.
对埃迪·奎斯特这个角色 罗伯·博汀进行了完整的辅助造型 The character of Eddie Quist, we finally see his full Rob Bottin assisted transformation.
天呐 看看这家伙变成什么样了 Holy shit, look what is happening to this guy.
《破胆三次》和《美国狼人在伦敦》总是会引发激烈的辩论 There's always going to be the great debate between The Howling and An American Werewolf
《破胆三次》（1981）
《美国狼人在伦敦》（1981）
特效场景和《美国狼人在伦敦》一样地惊人 in London and as amazing as the effects in American Werewolf in London are, I think at
迈克尔·金戈尔德 《Fangoria》前主编
这个场景中 灯光十分明亮 还有很多特写镜头 that scene, I mean it's all very brightly lit with a lot of close-ups and
《美国狼人在伦敦》（1981）
在我看来它就像是一个特效的成品 而不是戏剧化的场景 to me it's kind of a special-effects reel and not really a dramatic scene.
而在《破胆三次》中 那个场景里有很棒的阴影照明 And in The Howling, you have this great shadowy lighting in that scene, you have Robert Picardo's
《破胆三次》（1981）
罗伯特·皮卡多扮演的角色不是受害者 他想要变身 他想要 character who is not a victim, he wants to transform, he wants to show Dee Wallace's
向迪·华莱士扮演的角色展示他的真实面目 我认为这给了他很大的力量 character what he really is and I think that gives it a lot of power.
我们不想做以前做过的那种 更新那个戴着狼人头套 What we didn't want to do was what had been done before but that iteration of a guy
戴着狼人手套 把衬衫塞得满满当当的家伙 who has a werewolf head and the werewolf hands and a tucked in shirt
《狼人》（1941）
这一点也不现代 didn't seem to be modern to us.
我总是渴望做一些新鲜而不同的事情 我们进行了尝试 I was always eager to do something new and different and we tried it man and then it
最后把它拍得像头熊 ended up photographing like a bear.
所以 我们最终将木偶和分开的腿组合在一起 让它看起来像穿西装的人 So, we ended up using a combination of puppets and separate legs and indeed a guy in a suit
但是我们在拍摄时必须要尽量不拍到腰部 but you had to shoot it in such a way that you didn't see his waist.
我们设法实现了一个非常好的视觉效果 We managed to pull off a pretty good illusion.
《炼狱》（1981） - 预告片
本·斯克里文斯 FrightRags创始人
我很喜欢《炼狱》 I love The Burning.
多年来我不知道这部影片的存在 然后当我发现它时 I didn't know about it for years and then when I found out about it, I was like where
《炼狱》（1981）
我都感觉我白活了 is this been all my life?
如果在野营的时候 我会想看这部电影 It's a slasher film at a camp like I need to see this film.
好吧 首先它有杰森·亚历山大和霍利·亨特的参与 考虑到他们 Well, first of all it's got Jason Alexander and Holly Hunter in it which is just mind-blowing
从那时起的职业生涯 真是令人兴奋 considering the careers they've had since then.
情节 孩子们互动的方式 当然还有 The writing, the way the kids interacted and of course
汤姆·萨维尼的特效 Tom Savini's effects.
我是指他们上那个筏子时的整个场景 他刚在太阳底下出现 I mean that whole scene when they're coming up on that raft and he just comes up
就把大剪刀插进了那家伙的喉咙 in front of the sun and it just plunges down in the guy's neck.
那是我最喜欢的砍杀场景之一 It's one of my favorite slashers.
我喜欢约翰·兰迪斯的电影 总的来说 我就是很喜欢 I love John Landis movies. In general, I just love them.
小汤姆·伍德拉夫 《小丑回魂》特效化妆设计、造型师
但有些特别的影片 比如《动物屋》和《美国狼人在伦敦》 But there's a particular movie like Animal House and An American Werewolf in London
《美国狼人在伦敦》（1981）
它们很技巧性地及时重现了真实的环境和背景 where he was so skilled at recreating a real environment and a real snapshot in time.
这完全令我着迷 It was totally engrossing to me.
塞西尔·特拉成堡 《good bad flicks》主持人
它是完美的喜剧恐怖结合体 因为它开始时轻松愉快 A perfect comedy-horror hybrid because it starts off light-hearted.
我的包里有羊屎 There's sheep shit on my pack.
这是一对朋友 正在四处旅行 接下来你知道其中一个朋友 It's a couple pals they're walking around and the next thing you know the one friend is eviscerated
会被狼人掏空 另一个正在慢慢变成狼人 by a werewolf and the other one is slowly transforming into a werewolf.
杰克是一具不断出现在大卫面前的僵尸 而且它每出现一次 Jack is a zombie corpse that keeps reappearing in front of David and it's continually becoming
就会变得愈发老旧 more and more decrepit every time it shows up.
这是个很热闹的表演 It's a hilarious performance.
化妆的效果特别恶心 The makeup is just absolutely gross.
我记得 能看到他的气管 感觉就像在看解剖书 I remember seeing his trachea and feeling like I was looking at an anatomy book.
珍妮·阿加特饰演一名护士，他收留了大卫·诺顿 他们的爱情故事 Jenny Agutter plays a nurse who takes in David Naughton and their love story really gives
确实为这部电影增加了些人情味 而不是额外的恐怖 an added layer of heart and soul to the film. Not to mention some added scares.
它肯定有可怕的场景 It's got certainly horrific moments in it.
在结局 他在伦敦的街头跑来跑去 The end where he's just in the streets of London running around.
本·斯克里文斯 FrightRags创始人
我想说 那很吓人 I mean that's scary.
而且它完成地很好 And that was done so well.
还有里克·贝克的狼人变身场景 And of course, Rick Baker's werewolf transformation...
聊到这部电影的时候肯定不能忽略这个场景 you can't talk about the movie without talking about that
当然了 of course.
里克·贝克原本打算在《破胆三次》中为乔·丹特制作狼人 Rick Baker was originally going to do Joe Dante's werewolf work in The Howling but
但约翰·兰迪斯让他信守承诺 在最后一刻把他拉了回来 John Landis kept him to a promise and scooped him up at the last minute.
如果你要去看80年代的狼人电影 你能看到到狼人从普通的人 If you're going to go see a werewolf movie in the '80s, you're going to see a werewolf
变身成狼人的过程 become a werewolf out of a man.
看到他的脚拉长成爪子的那一幕 我真的感到恶心 I actually got queasy at the scene of his foot extending into a paw.
看着全是肉质的 并且不断拉长 这个以前从来没有过类似的事情 It was all fleshy and was stretching and there was. .. nothing like that had been done before.
看到这种变身我十分吃惊 It was startling to me to see that transformation.
在我看来 它永远代表了真正改变80年代电影场面和吸引力的水平 In my mind it will always be a level that really changed the look and the appeal of '80s movies.
这是部经典之作 同年还有《月满变人狼》和 It's a classic and they both came out the same year along with Full Moon High
《狼人就在你身边》 and Wolf en.
可以说那就是狼人之年 I mean it was it was a lupine year.
《月满变人狼》（1981） - 预告片
我以为我正在拍摄唯一的狼人电影 I thought I was making the only werewolf film.
拉里·柯恩 《月满变人狼》编剧、导演
除了20年前的黑白电影《我是少年狼》 Except for I Was a Teenage Werewolf which had been done 2O years before in black and white
而且它版权在AIP手里 不会起诉我 and AIP owned it so they weren't going to sue me.
我告诉他们 我想制作一个喜剧版本 I told them I wanted to make a comedy version of it.
但我不觉得这是他们真正想要的 I don't think it was what they really wanted.
我想 如果你要拍恐怖片 你就必须拍吓人的恐怖片 I guess if you're going to make horror movies you got to make scary horror movies.
恐怖喜剧 我不知道 Funny horror movies... I don't know.
恐怖片影迷会喜欢这个吗 有人会喜欢这种吗 Is the horror audience going to like this? ls anybody going to like this?
我喜欢它 我看得很开心 I liked it. I had a good time.
我和亚当·阿金以及他的父亲艾伦·阿金一起工作 I got to work with Adam Arkin and his father Alan Arkin.
他们都是很棒的演员 Wonderful actor.
我要求他把狼人做得像亨利·赫尔在《美国狼人在伦敦》中的那样 I told him to make the werewolf look like Henry Hull did in Werewolf of London.
这就是他们的成品 很简单 And that's what they did. It was simple.
我们有一群很棒的喜剧演员 在拍这张照片时我们玩得很开心 We had a wonderful cast of comedians and I had a good time making the picture.
我现在也可以这么说 I can say it now.
《鬼玩人》（1981） - 预告片
《鬼玩人》把我们给吓坏了 Evil Dead scared the crap out of us.
本·斯克里文斯 FrightRags创始人
坐在那里看这部电影都令我们不安 Sitting down to watch it, it really unnerved us.
《鬼玩人》（1981）
在《鬼玩人》中 年轻的布鲁斯·坎贝尔获得了他第一个主角 In the Evil Dead a very young Bruce Campbell has his first starring role.
坎贝尔和雷米是高中同学 他们一起制作过短片 Campbell and Raimi were high school pals who made short films together before going all
后来他们制作30分钟的超级8毫米影片《在林中》 这个短片可以说 in on the 30-minute super 8 film Within the Woods which is kind of like the first version
《在林中》（1978）
是第一版《鬼玩人》 用以吸引投资 of Evil Dead and it was designed to attract investors.
《鬼玩人》（1981）
特效 实际效果 充满了肮脏 还有女人在地下室的场景就是 The effects, the practical effects, just the nastiness and just her in the basement
活板门在上上下下 女人在尖叫着 他们用追踪摄像机穿过房间 it's like. .. with the trapdoor going up and down and screaming and the way they tracked the
这就非常令人感到不安 camera through the house. It was just so unnerving.
我喜欢他们用熔融体做的粘土似的东西 I love the claymation stuff that they did with the melting bodies in there.
艾伦·桑德维斯好像被树枝强奸了一样 Seeing Ellen Sandweiss get like essentially raped by tree branches.
这是一个相当清楚的类比 表示自然本身就是一种恶毒的力量 That's a fairly clear analogy of that idea of nature itself being a malevolent force.
它的诚意是不可能伪造的 因为这只是一群孩子去田纳西州的一个小屋 The sincerity of it is impossible to fake because this was just a bunch of kids going
在没有预算的情况下拍摄他们能拍到的东西 out to a cabin in Tennessee and filming what they could with no budget.
他们正在做一些 你认为在如此低的预算下不可能完成的事情 They were doing things that you didn't think were possible on such a low budget.
我是说 他们特别有创造力 I mean they were so creative.
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
关于《鬼玩人》最有趣的事情是 拍摄时斯坦尼康已经发明出来了 The most interesting thing about Evil Dead is it came out after the invention of the
但他们买不起斯坦尼康 所以所有那些穿过树林的镜头 Steadicam but they couldn't afford a Steadicam and so all those shots running through the
都靠他们把相机绑在两个四人一组的人身上 两个四人一组 woods they just strapped a camera to a couple of two by fours and had guys on either end
带着相机跑过树林的两端 of the two by fours running through the woods with the camera.
而且成功了 And it works!
摇摇晃晃的凸轮实际上比斯坦尼康更可怕 The shakey cam is actually scarier than the Steadicam.
这种电影上真实的效果和它的坚韧不拔 让人感觉它就像一部纪录片 This cinema verité effect and the grittiness to it, makes it feel almost like a documentary.
《鬼玩人》是出于低预算需求而诞生的邪典电影创意天才的 The Evil Dead is a perfect example of cult film creative genius born out of low-budget
完美典范 necessity.
《月光光心慌慌2》（1981） - 预告片
《月光光心慌慌2》是约翰·卡朋特和黛布拉·希尔共同构思的 Halloween was conceived by not just John Carpenter but by Debra Hill.
尼克·卡斯特尔 《月光光心慌慌》演员
她是一个非常坚强的女人 And you had a very strong woman
在角色的发展上 她的意见起了很大的作用 and her voice in the development of the characters and I think that has a lot
大家之所以喜欢杰米的角色 也和她有着很大的关系 她真的很有才华 to do with why you like Jamie beyond her own inherent skills which she is obviously very talented.
《月光光心慌慌》取得成功后 合作方想把它拍成一个系列 After Halloween was a success, partners that I had in the movie wanted to make a sequel.
我是不觉得还能接下什么故事去 I just didn't think there was any story left.
可我也无法阻止他们行动 I couldn't stop them from making it.
所以 我想 还不如跟他们一起 于是我写了剧本 So, I figured well, might as well go along with them. I wrote the screenplay.
写得不是很好 我对自己也不太满意 It wasn't very good. I didn't do a great job.
现在你重复噱头 只是在重复发生过的事情 And now you're repeating gags and you’re just repeating what's happened in one.
它起过一次作用 这次就不一定了 This worked once, not this time.
《先睹为快》（1981）
《月光光心慌慌2》没有吓到我 而是恶心到了我 I wasn't scared in Halloween 2. I was just grossed out.
讽刺的是 《月光光心慌慌》引来了一系列的跟风作品 You know, it's ironic that the original Halloween inspired so many countless dozens of imitations
但这两年里根本就没什么好片子 只有一些会逼得孩子们 and for two years we got nothing but movies in which their only ambition was to litter
向屏幕扔垃圾的烂片 the screen with dead teenagers.
现在又出了《月光光心慌慌2》 这更是对跟风作品的苍白模仿 Now we get Halloween 2 and it's a pale imitation of the imitations.
它不配作为一个原创电影 It's not worthy of the original film.
《月光光心慌慌》（2018） - 预告片
直到最近的最后一部续集 我们才真正地讲起了一个新的故事 Not until the very last sequel recently, did we have actually a new story to tell.
《月光光心慌慌2》（1981）
所以 我对此感到失望 对我所做的感到非常的失望 So, I was disappointed in it and disappointed at what I did.
我并不想导演《月光光心慌慌2》 I didn't want to direct Halloween 2.
于是瑞克·罗森塔尔替约翰·卡朋特持导筒 迪克·沃洛克则 Rick Rosenthal is now directing instead of John Carpenter and Dick Warlock replacing
代替尼克·卡斯特尔扮演杀人狂 Nick Castle wearing the Shatner mask.
尼克·卡斯特并没有收到回归的通告 Nick Castle was not asked to return as The Shape.
这是电影的一大遗憾 One of the big flaws.
我想那时我已经导演得很 我也不知道该怎么说 但他们没有理由 I think by that time I had already directed so yeah, I don't know, they had no even reason
觉得我想让一切都重复一遍 to think I'd want to be the shape again so,
而且我当时也不会这么做 and nor would I have probably done it at that point.
黛布拉过来问我 尼克 你有第一个面具吗 Debra came to me and said, "Nick, do you have the mask from the first one?"
《月光光心慌慌》（1978）
我们都试着重制它 但不知道为什么 一直都没能做得出来 Because for whatever reason we've tried to redo it again and we can't get it right.
所以我说 好吧 我有 So, I said, "Oh yeah, I got it here."
它就在我家客厅 It's in my living room.
不幸的是 她拿走了但是没有还给我 我觉得它现在应该已经消失了 She took it and never gave it back unfortunately but I'm sure it would be powder by now anyhow.
所以 到底是什么 So, what the hell?
杰米·李·柯蒂斯在这部电影中运动量非常之大 在1978年大火的电影里 Jamie Lee Curtis was a real sport in this film since she essentially had to go it alone
《月光光心慌慌2》（1981）
她基本上必须在没有支撑结构的情况下独自完成这项运动 without the support structure she had in her breakout hit in 1978.
另外 她当时为另一部电影剪了头发 所以她必须戴假发 一旦你注意到它 Plus, since she cut her hair for another movie she had to wear a wig that once you notice it,
詹姆斯·A·贾尼西 《Dead Meat》主持人
你就无法忽视它 you can't unsee it.
这部电影主要舞台在哈登菲尔德医院 与开创性的第一部相比 Contained mostly in the Haddonfield Hospital, the film follows the standard slasher formula
它更贴近于血浆片的公式 更多有创意的杀戮戏和福利的 much closer than the groundbreaking original with more creative kills and much more gratuitous
裸戏 nudity.
我认为《月光光心慌慌2》中最令人难忘的杀戮戏应该是头被浸没到 I think the most memorable kill from Halloween 2 is probably the nurse who gets her head
滚烫热水浴缸中的女护士 dunked in the boiling hot, hot tub.
但对我来说 我个人最喜欢的实际上是另一位护士 手术刀插在她的背上 But for me my personal favorite is actually the other nurse who gets the scalpel in the back
然后直接被抬起来 and just raised off the ground.
我在《最后的星空战士》中的好友兰斯·盖斯特在其中扮演了重要角色 My buddy from The Last Starfighter, Lance Guest plays a prominent role in there.
《最后的星空战士》（1984）
《月光光心慌慌2》（1981）
直到我再次看到他扮演了多么重要的角色 我才意识到他活了下来 I didn't realize until I saw it again how big a role he had and he survived, I think.
《月光光心慌慌2》（1981）
我猜迈克尔·迈尔斯在《月光光心慌慌2》结束时被烧后 I guess Michael Myers had to take a break to recuperate after getting torched at
得休息一下以恢复体力 the end of Halloween 2.
但他竟然又在《月光光心慌慌3》里面回归了 But he'd come back after the collective what the fuck of Halloween 3.
《鬼故事》（1981） - 预告片
《鬼故事》改编自彼得·斯特劳布的小说 由好莱坞传奇人物 Ghost Story is based on the Peter Straub novel and it stars Hollywood legends Fred Astaire,
弗雷德·阿斯泰尔 梅尔文·道格拉斯 约翰·豪斯曼和小道格拉斯·费尔班克斯主演 Melvyn Douglas, John Houseman and Douglas Fairbanks Jr. as the chowder society.
大体的剧情就是几个老头互相讲鬼故事 Basically, a bunch of old dudes sharing horror stories.
约翰·卡朋特的《夜雾杀机》开头也是这样 一群人在 Of course, John Houseman similarly tells ghost stories by a campfire at the beginning of
《夜雾杀机》（1980）
篝火旁讲鬼故事 John Carpenter's, The Fog.
也许这就是为什么我从小就喜欢故事 那部电影就像是 Maybe that's why I grew up loving stories. That movie is like such a great marriage
希瑟·威克森 《Daily Dead》主编
古老故事的完美结合 of old-time stories.
它把观众带到了80年代 It brought that into the '80s.
当时我们并没有注意到这一点 At a time that we weren't really seeing that.
爱丽丝·克里奇在整部电影中的过渡绝对是令人恐惧的 The transition of Alice Krige throughout that movie is absolutely horrifying where she starts
她一开始是个美丽的女人 有点飘飘然 轻浮 充满活力 off as this beautiful woman sort of fluttery and flirty and full of life and very much
而且对她的马车很不小心 sort of just a carelessness to her carriage.
到最后 当她在这部电影中的作用被揭示出来时 就形成了 And by the end once things are revealed with her functionality in this film, it's such
一个有趣的下沉 an interesting descent.
电影中的鬼魂是如此难以摆脱 Ghosts in movies are so hard to pull off.
我觉得并没有那么多的人会像迪克·史密斯在《鬼故事》中那样 And I don't think anybody had pushed this idea of ghosts the way that Dick Smith had
推动自己作品中的角色 pushed them in Ghost Story.
迪克·史密斯因他在《驱魔人》甚至是《教父》中的作品而闻名的人 Dick Smith who is a guy who's best known for his work on The Exorcist or even The Godfather.
在80年代的这个时间点 他这样新人的出现似乎晚了一些 At this point in the '80s, like he was stepping back a little bit while this new talent was coming
但他很明显地做出了令我们印象深刻的作品 forward but yet still was out there making memorable creations and though obviously,
我们从《鬼故事》中可以看到这一点 我们之前从没有看到过 we see that in Ghost Story. It was something completely different than we had seen before.
嗯 我很喜欢这部电影 Yeah, I love that movie a lot.
SFX的魔术 手工特效的爆发期
80年代的恐怖电影 真正伟大的一点是 One of the really great things about 1980s horror movies was that everything happened
米克·加里斯 《噩梦影院》编剧、导演
一切都发生在镜头前 in front of the camera.
那时还没那么多CG特效 There was no such thing as CGI yet.
一个演员正在与一个穿着乳胶的演员或木偶互动 仿佛它们就是 An actor was interacting with either an actor covered in latex or puppets or things that
画面中的那个角色 were really in the frame with them.
《活魔人》（1986）
当时的特殊化妆效果天才 里克·贝克和汤姆·萨维尼以及 There was an artistry of the special makeup effects geniuses of the time, the Rick Baker's and
《美国狼人在伦敦》（1981）
《鬼作秀》（1982）
史蒂夫·约翰逊等等所有的人都在那个时候真正开始了 Tom Savini's and Steve Johnson's and all of these people who really launched their
《捉鬼敢死队》（1984）
他们的职业生涯 careers during that time.
1981年的《美国狼人在伦敦》获得了第一个奥斯卡奖 You get your first Oscar for makeup and it was An American Werewolf in London in 1981.
《美国狼人在伦敦》（1981）
奥斯卡奖（1982）
首先 我要感谢奥斯卡创建了这个新类别 我很自豪能成为 First of all, I'd like to thank the Academy for creating this new category and I'm very
第一个获奖者 proud to be the first winner.
当我想到20世纪80年代的恐怖片时 这对我来说是最棒的事情 When I think of 1980s horror, that's to me one of the best things about it.
一旦他们看到你能做什么 就好像所有的赌注都没有了 每个人都想 Once they saw what you could do it was like all bets were off and everybody wanted to
去拍令人兴奋的恐怖电影 go out and make horror movies which is exciting.
电影制作人意识到 他们可以使用的工具使他们能够创造 Filmmakers realized that the tools that they had at their disposal allowed them to create
越来越大的世界 越来越大的瞬间 bigger and bigger worlds, bigger and bigger moments.
这是一个充满活力 生机勃勃的新时代 因为我们有材料 It's just such a vibrant, alive, new time because we had materials and we had techniques and
小汤姆·伍德拉夫 《南瓜恶灵》特效化妆师
我们有技术 我们有所有正在制作的电影 这让我们有机会 we had all of these movies that were being made that gave us an opportunity to push the
《南瓜恶灵：从概念到成品》（2012）
挑战极限 envelope.
我喜欢电影的魔力和戏剧的魔力 I love the magic of the movies and the magic of theater.
凯斯·大卫 《怪形》演员
我们如何处理这种情况 让它实现我们的想法 How we take a situation and make it look how we want it to look.
《鬼玩人2》（1987）
让你相信我想让你相信的 To make you believe what I want you to believe.
最让你印象深刻的是 他们是怎么做到的 What sticks in your mind the most is how did they do that?
唐·曼西尼 《鬼娃回魂》编剧、创作者
你会对幕后的幻术和魔法产生兴趣 You become interested in the illusion and the magic that's happening behind the scenes
这会让你对电影制作也产生兴趣 and that gets you interested in film making.
汤姆·萨维尼 斯坦·温斯顿 里克·贝克和罗伯·博廷 And the reason that Torn Savini, the reason that Stan Winston, the reason that Rick Baker
他们之所以从以前到现在都是梦想家 是因为用魔术般的手法 and Rob Bottin were the visionaries that they were and still are, was because they
制作出了这一系列优秀的特效作品 approached all of these effects as if they were magic tricks.
其中很多都能以假乱真 And a lot of it is misdirection.
镜头内的效果总是更多 更有影响力 In-camera effects are always much more, more impactful.
《天师斗僵尸》（1985）
但是 它们的成本很高 However, they're very expensive to do.
汤姆·霍兰德 《天师斗僵尸》编剧、导演
它们非常非常耗时 They're very, very time-consuming.
如果你做得正确了 实际效果会更惊人 If you do them right, practical effects are much more powerful.
约翰·卡朋特 《极度空间》导演、编剧
《破胆三次》（1981）
你要怎么做出一个更好的狼人 How do you build a better werewolf?
你怎么拍出更好的斩首场景 How do you build a better decapitation?
这些至今仍然在困扰着我 I mean these are things that still obsess me.
《鬼玩人2》（1987）
30多年后 这仍然是我的工作 30-some years later this is still my work.
我们所做的事情几乎都有孩子气的一面 我非常感激这一点 There's an almost sort of childlike aspect to what we do that I feel very grateful for.
这是令人印象深刻的艺术 令人印象深刻的道具 它推动了故事 This is impressive art; This is impressive stuff and it drives and propels the story
也带来了观众恐怖的反应 and those visceral reactions that you have to horror.
我总是试图将事物推向超越一般品味的领域 有时甚至是 I'm always trying to sort of push things beyond the realm of good taste in it and sometimes
斯图尔特·戈登 《活魔人》编剧、导演
超越可能性的领域 even beyond the realm of possibility.
你想做不可能的事情 You want to do the impossible things.
你不应该被限制在有限的范围内 You shouldn't be limited to what's possible.
你应该能够让观众相信在他们面前发生了一些 You should be able to make the audience believe something that's impossible is happening
不可能发生的事情 right in front of them.
一切都摆在明面上 Everything was on the table.
你可以做任何你想做的 You could really do whatever you want.
你唯一需要应对的是评级委员会 The only thing that you would have to contend with was the ratings board.
这总是一场斗争 因为导演们觉得他们有创作自由来讲述故事 It was always a fight because the directors felt they had creative freedom to tell the
并做他们想做的任何事情 story and do whatever they wanted to do.
当然了 也有些人认为某些主题和我们所做的一些事情 And of course, there were people that found some of the subject matter and some of what
会惹观众反感 we did offensive.
如果血腥场景太多 你会拿到X级 而X就意味着发行商 For a certain amount of blood, you get an X and an X means the distributor can't release
马克·肖斯特罗姆 《活跳尸2》特效化妆设计、造型师
无法在所有的影院上映 in almost all the theaters that wants you.
你只能小范围上映 同时你的利润也不会太高 You've got a very small release which means it's a very small profit.
所以 你必须得注意这一点 So, you have to be mindful of that.
我参与的电影里 有几部就是由于暴力和血腥获得了X级 I've helped several films get X ratings because of the violence and the blood.
《鬼追人2》（1988）
通常他们会重新提交 在这里剪掉几帧 那里剪掉几帧 Often they'll resubmit it, they'll cut out a few frames here and a few there.
最后有可能拿个R级 Finally, you might get an R - rating.
由于害怕获得X级 所以他们会选择从一开始就不采用红色的血 It was often that this fear of getting an X - rating so they would go with blood that
比如《鬼追人》和《鬼玩人2》 wasn't red right from the beginning like in Phantasm or Evil Dead 2.
特别是在80年代的电影中 人们非常关注血腥的镜头 老实说 There's such a focus on blood and gore particularly in movies in the '80s and to be honest with you
我从没有完全理解过这一点 I never quite got it.
《闪灵》（1980）
一旦电影制作者开始涉足于血腥的场景 场面就会越来越大 Once filmmakers got into that whole blood thing and the bloodletting and it became bigger
《鬼玩人2》（1987）
就好像每个人都在攀比似的 and bigger and like who can outdo the other person?
这确实很有趣 但对我来说 它并不像现实生活那样真实 And yeah, that's fun but to me it wasn't quite as realistic as what happens in real life.
制作道具的效果师通常最了解如何拍摄 The effects artists creating stuff usually knows best how to shoot it.
有些东西该从某个角度拍摄 有些最好不要从这个角度拍摄 Some things are going to be shot from a certain angle, they work best not from this angle.
一个好的导演会相信他们的特效师 如果你从不同的地方进行拍摄 And a good director is going to trust their effects people but if you shoot it from something
它就会穿帮 就会暴露出它背后的玄机 a little bit different it's going to reveal itself to be the magic trick and you don't
就像魔术师 不会想展示出帽子里的兔子的 want to ever show the rabbit in the hat.
《阴阳魔界》（1983）
那时工作量很大 每个人都忙得不可开交 从不会觉得有竞争 There was so much work that everybody was keeping busy and it never felt like competition.
《南瓜恶灵》斯坦·温斯顿特效道具组花絮（2012）
感觉更像是一种共存 It felt more like a coexistence.
我们都有相同的背景 都是阅读电影界的著名怪物长大的 We all had the same backgrounds, we all grew up reading Famous Monsters of Filmland,
也都是用超8毫米摄像机制作电影的 we all grew up making movies with our Super 8 cameras.
有一种共同的传统让我们走到了那个时代 There was a sort of a shared heritage in what got us to where we were at that point.
80年代初 Fangoria杂志问世 现在我们有一群人 In the early '80s, Fangoria magazine came out and now we had a group of people that were
庆祝那些电影的实际特效化妆 celebrating the actual special effects makeup of those movies.
当时就是 你这个家伙还会做特效 哦 那挺酷的 Before it was like yeah, you're a guy, you do special effects, that's cool.
斯宾塞·希克曼 死亡华尔兹奖创始人
但后来 Fangoria真的让周围的人觉得他们看起来很酷 But then Fangoria really made this like cool personality around them because they really
因为他们真的专注于他们正在做的工作 而这些工作是如此地创新 focused on the work they were doing because it was so innovative and so different and
与众不同又形象化 also so graphic.
他们绘制出了其他人无法绘制的图画 They printed the pictures that no one else would print.
乔·丹特 《破胆三次》导演
孩子们想要的不是尖牙 而是血块 It wasn't the fangs that the kids wanted it was the gore.
他们会绘制血淋淋的尸体和人的喉咙被割开的照片 And they had pictures of bloody corpses and people with slashed throats and tongues coming
还伸着舌头 hanging out and stuff.
我不会称其为色情片 但它在某种程度上具有相同的效果 I wouldn't exactly call it porn but it had the same effect in a way because it was a
它比孩子的接受能力要高 就像那种违法的禁片 high for kids because it would seem so forbidden and it was so transgressive.
Fangoria是关于即将上映的影片以及影片推介的权威 Fangoria was the authority on what's about to come out and what do you need to see.
小菲尔·诺贝尔 《Fangoria》主编
当时没有互联网 没有触手可及的无穷无尽的图像资源 你只能看杂志 Without an internet, without an endless resource of images at your fingertips you would stare
直把它翻到破烂不堪 at that fucking Fangoria until the pages fell apart.
Fangoria在早期的时候遇到了很多麻烦 因为图像太震撼或血腥等原因 Fangoria had a lot of trouble in the early days getting taken off of news stands and things
它常常被从报摊上撤下 like that because the imagery was too shocking or bloody or whatever.
Fangoria Cinefantastique Cinefex Fangoria, Cinefantastique, Cinefex
还有American Cinematographer and American Cinematographer.
这些都是我们每个月的小小圣经 Yeah, those were my little Bibles every month.
这是个很好的途径 可以了解其它的效果是怎么完成的 同时有哪些电影 It was a wonderful way to see how other effects were being done, what films are being
正在制作 done.
它是个很技术性的工具 A great teaching tool.
负责特效和特效化妆的人都在看那些杂志 Everybody in special effects and special makeup effects was reading all those magazines.
而且它也引发了人很大的兴趣 因为总会有人看那些电影 It actually generated more interest because somebody would watch that movie, or they'd see
然后就会了解到一些幕后的消息 some behind the scenes story and they say, ”Wait, what?
什么 这是你用牦牛毛做的 You did what with yak hair?"
他们会去看电影 然后突然意识到 哇 这太酷了 And they'd go see the movie and they'd suddenly realize, "Wow, that's cool.
我明白这些效果是怎么做到的了 现在我相信它是真的 I understand how it all comes together and look and I'm seeing it now and I'm believing it
我正在买票看这些怪物 and it's a monster and I'm buying it...
《活魔人》（1986）
我觉得80年代电影中的许多特效经受了时代的考验 I think a lot of the special effects in the '80s movies have aged well.
你在现场拍摄 透过镜头你能看到它实际的效果 You're doing it live really, essentially in front of the camera, ya know they're practical effects.
《怪形》（1982）
我认为CG的一些东西让它看起来很遥远 不真实 它并没有 There's something about CG that I think makes it seem distant and not really, it's not really
《怪形前传》（2011）
真正地发生在你面前 happening in front of you.
演员更希望和他们能够看到并做出反应的东西对戏 Actors would prefer to work with something they can see and react to rather than a green
而不是棍子上的绿球 ball on a stick.
我很难挑选出80年代最棒的视觉特效来 但我认为 I would be hard-pressed to pick the all-time great '80s practical effect but chances are
里克·贝克做得很棒 Rick Baker did it.
《豹人》（1982） - 预告片
《豹人》是80年代恐怖片中一个不寻常的时刻 因为它是对合法性的挑战 Cat People is an unusual moment in '80s horror because it's this attempt at legitimacy.
小菲尔·诺贝尔 Fangoria主编
你召集了所有玩恐怖片的人 还拉来了保罗·施拉德 You've got all the horror guys doing their stuff but then you've got Paul Schrader who had
他写过《出租车司机》《美国舞男》和《三岛由纪夫》 written Taxi Driver and American Gigolo and Mishima.
他或多或少是一位受人尊敬的电影制作人 而在这里 他跟上了 And he's more or less a respectable filmmaker and here he is getting in on the shapeshifter
由《美国狼人在伦敦》掀起的变身潮流 trend that was started by An American Werewolf in London.
所以 这对我来说很有趣 So, that's very interesting to me.
《豹人》（1982）
他与娜塔莎·金斯基和马尔科姆·麦克道威尔合作 He cast it with Nastassja Kinski and Malcolm McDowell.
就像提升了游戏的难度 It's like raising the game a little bit.
那部电影给美国恐怖片带来了一些欧洲的感觉 我觉得它 That movie brought a sort of euro sensibility into American horror that I found really,
唐·曼西尼 《鬼娃回魂》导演、编剧
真的非常有趣 really interesting.
《豹人》在原版的基础上进行了最简单的提升 并更多地描述了 Cat People takes the sort of barest lift from the original's premise and makes it more about
有着边缘乱伦关系的兄弟姐妹 these siblings who have this sort of borderline incestuous relationship.
这种变身实际上就像是在看一件艺术品 The transformation is actually almost like watching a work of art.
它们的目的非常不同 It's very different in its purpose.
他们已经看到了《破胆三次》和《美国狼人》中发生的事情 因此他们 They'd seen what had happened in The Howling and in An American Werewolf and so they're
将这个故事带到了另一个境界 taking it into this other space.
而我喜欢《豹人》的变身是因为它们都有点不同 And what I like about the Cat People transformations is that they're both kind of different.
马尔科姆·麦克道威尔想做猫 但不同的是 娜塔莎·金斯基的变身 Malcolm McDowell likes being the cat and so it's kind of a different thing but in Nastassja
很痛苦 她不想变成这个样子 Kinski's transformation is painful and she's not into this.
汤姆·伯曼和其他工作人员考虑到了这一点 将角色的感受融入了变身中 Tom Berman and his crew thought about that and sort of worked the characters feelings
使其成为一件非常痛苦和不舒服的事情 into the transformation and made it a very painful and uncomfortable thing.
与一年前贝克的道具和博廷的变身相比 And it was just an interesting pivot from where we had been just a year before
这是个有趣的转折 with Baker's stuff and Bottin's transformations.
《篮子里的恶魔》（1982） - 预告片
《篮子里的恶魔》是一部令人惊叹的超低预算电影 Basket Case is an amazing super low budget movie.
斯宾塞·希克曼 死亡华尔兹奖创始人
《篮子里的恶魔》（1982）
我也爱那个时期的纽约 那是最后一部拍摄 I Love New York at that period as well and that's one of the last movies that captured
时代广场的电影 Time Square as it was.
除非你正在寻找毒品 否则你不会去那个肮脏的地方 That really grimy place that you would not go to unless you're looking for drugs.
有很多奇怪的 肮脏的纽约场景 你在屏幕上再也看不到了 There's a lot of weird, seedy New York stuff that you don't get to see any more on screen.
小菲尔·诺贝尔 Fangoria主编
当彼列在酒店房间里大发脾气时 我们突然停止了动作 我们正在砸电视 When Belial throws his tantrum in the hotel room and suddenly we're in stop motion and
而就在那时 我们好像都去到了 we're smashing TVs and stuff. That's when like we kind of all went...
那时你才知道你身处于一个不安全的空间 That's when you learned that you're in this unsafe space.
就像 哦 这家伙没有按照任何人的规则玩 他需要为这个场景 They're like oh, this guy is not playing by anybody's rules and he needed stop motion
停止动作 他会这样做 for this scene and he's going to do it.
这就是《篮子里的恶魔》征服我的地方 That's where Basket Case crosses over into greatness for me.
《篮子里的恶魔》导演弗兰克·亨南洛特对我说 我是个奇怪的小人 Frank Henenlotter, the director of Basket Case once said to me, "I'm a strange little man."
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
他确实是 And he is.
他会把一些大多数人都敬而远之的东西放在电影里 There are things that he would put in a movie that most people would recoil from.
像《篮子里的恶魔》中有一些场景就特别地色情 暴力和粗俗 And in fact, there are scenes in Basket Case that are so sexual and violent and gross that
以至于很多工作人员都离开了片场 the crew of the film actually walked off and left the film.
在《篮子里的恶魔》的结尾有一个镜头 怪物彼列跑到了女主角的上面 There's one shot at the end of Basket Case where Belial the monster is actually on top
女主角完全赤裸 画面是你不敢想象的 一个骨瘦如柴的小怪物 of the female lead. She's completely naked and he's obviously doing something that you
竟然会对一个漂亮女人做那样的事 don't want to think about a little scrawny monster doing to a beautiful woman.
但我觉得电影里必须得有这个镜头 But I think the shot has to be in the movie.
到时候你必须要看到这一幕 By that time, you have to see that.
感谢上帝 当亨南洛特需要制作这些电影时 Thank God that Henenlotter got to make those movies when he got to make them, where he got
他必须得拍摄 因为这是那个磨坊的最后一口气 to make them, because they were maybe the last gasp of that grindhouse thing.
《吵闹鬼》（1982） - 预告片
有一种恐怖电影是指大制片厂制作 大制片厂预算 There's a certain kind of horror film that says big studio production, big studio budget.
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
这就意味着郊区的人可以安全地看这部电影 例如《吵闹鬼》就是这样的 That means it's safe for people in the suburbs to go see it and Poltergeist was one of those
一部作品 movies.
《吵闹鬼》（1982）
不管它有多可怕 都可以带家人去看那部电影 No matter how scary it gets, it was okay to take the family to see that particular movie.
另一种电影则是告诉你 恐怖只不过是像 Another movie that kind of just highlighted that horror could be just as much fun as
瑞恩·图雷克 怖屋公司发展副总裁
过山车帐篷一样有趣的作品 any kind of other rollercoaster tentpole movie you were seeing at the time
就像夺宝奇兵系列一样 like Indiana Jones or something.
安德烈·高尔 《降妖别动队》演员
这个小女孩站在没有画面的电视机前干什么 What is this little girl in the front of the TV with nothing on it?
因为如果我们在调电视台频道时 如果你拨到了 Because when we used to actually snap our channels and you hit the snowy UHF channel
满是雪花的UHF频道或第4频道等显示没有信号的频道时 你就不看了 or the Channel 4 or whatever didn't come in your region, you're like get off of that.
但那个小女孩却对此兴致勃勃的样子 This girl is sitting in front of it intrigued by it.
这是在干什么 What is this about?
任何涉及郊区的东西 比如外星人或老鬼魂 Anything that dealt with kind of suburbia dealing with like aliens or the old ghosts'
对我都没什么吸引力 spirits, I don't know those really appeal to me.
我只是觉得我们所有人现在都生活在某种形式的郊区 I just felt like all of us live in some form of suburbia now and who knows what Indian
谁知道我们住在哪个印第安墓地上 graveyards we're all like living on top of.
《吵闹鬼》采用了恐怖电影的老主题 也就是降神会 Poltergeist takes an old staple of the horror movie which is the seance, the communication
通过对那一边的交流 把它放大了100倍 with the other side and amps it up about a hundred times.
我想 这就是那部电影的天才之处 That's the genius of that movie, I think.
让我澄清一下事实 Let me set the record straight.
是托比·霍珀导演的《吵闹鬼》 Tobe Hooper directed Poltergeist.
有个可怕而荒谬的神话称 它是由史蒂文·斯皮尔伯格执导的幽灵 There was a horrible scurrilous myth that it was ghost directed by Steven Spielberg
因为它的执行制片是史蒂文·斯皮尔伯格制作 它有着斯皮尔伯格的 because it was executive produced by Steven Spielberg because it has that Spielberg glow
闪光点 about it.
每一部罗伯特·泽米基斯的电影都是由史蒂文·斯皮尔伯格执行制片的 But every Robert Zemeckis film was executive produced by Steven Spielberg and had that
因斯皮尔伯格大放异彩 Spielberg glow about it.
托比是一个非常好的朋友 我每天都在想念他 Tobe was a really good friend and I miss him every day.
米克·加里斯 《恐怖大师》创作者
我去参观过他拍摄《吵闹鬼》 I got to watch him work on Poltergeist.
我就坐在那里 I was on the set.
他在电影中的印记是不可磨灭的 His mark on the movie is indelible.
史蒂文·斯皮尔伯格是个很有力的制片人 Steven Spielberg is a very powerful producer.
他让托比来导演 是因为他喜欢《德州电锯杀人狂》 He hired Tobe because he loved Texas Chainsaw Massacre.
暴风雨来临时 所有的棺材都从地底升起 所有的尸体都 When the storm is happening and all of the coffins are coming up and spilling out all
从棺材里钻出来 这个场景太托比了 the corpses and the like, it's very surreal and very Tobe.
我觉得这可能是电影里最有托比·霍珀的场景了 That I think is probably the most Tobe Hooper scene in the movie.
然而 这是两个难以置信的强大而独特的电影制作天才 And yet it's a collaboration of two incredibly powerful and unique filmmaking minds who come
殊途同归的一场合作 to the same destination from opposite directions.
《怪形》（1982） - 预告
我从没想过要复刻《怪人》 I never wanted to remake The Thing From Another World.
约翰·卡朋特 《怪形》导演
那是我最喜欢的电影之一 That was one of my favorite movies.
我是霍华德·霍克斯的铁粉 I was a big fan of Howard Hawks.
我不想碰它 但它主动过来了 成为了我工作室的第一部电影 I just never wanted to touch it and along it came and it would be my first studio film.
我无法拒绝 I couldn't say no.
我想了想 我该怎么做呢 I thought well, what am I gonna do that's different?
然后我决定 我要打破那些陈旧的规矩 And then decided well, one of the things is I can go against the cliché and actually bring
把怪物放到灯光下展示它 the monster out into the light and show it.
《怪形》（1982）
我可以改编在初版里没有影像化的那部分 I can do the imitation part of this story which was not done in the first movie.
凯斯·大卫 《怪形》演员
柴尔兹就是个强壮而沉默的角色 Childs was like your strong silent type.
他没有很多的台词 He didn't have a whole lot of words.
感谢罗杰·莫斯利 我相信他是我加盟《怪形》的首要原因 To have Roger Mosley to thank because I believe he was the first consideration for the Thing
他参演了《夏威夷神探》 这改变了他和我的世界 and then he got Magnum, P.l. and that changed his world and mine.
罗伯·波汀在《怪形》中的工作令人惊叹 但我们也为此付出了巨大的代价 Rob Bottin's work in The Thing was amazing but it came at a huge cost to us.
罗伯·波汀做的最棒的工作就是他完成了怪形从人变成怪物的 Rob Bottin did an extraordinary job creating the Thing that was morphing into this and
中间形态 morphing into that.
它看起来就是他们想要的任何东西 It could look like anything that they wanted.
格里高利·尼克特洛 《行尸走肉》执行制片人
所以 当他们开始设计效果时 他们假想怪形这个物种 So, when they started designing the effect sequences, they thought about it in terms
已经游历过了几千颗星球 of this thing's been to a thousand different planets.
它的DNA里包含着像是触手 蟹腿和蜘蛛腿的东西 The DNA contains stuff that looks like tentacles and crab legs and spider legs.
超越了它的时代 抛弃了所有的规则 That was just miles beyond its time and just throwing all the rules out.
最有趣的部分是诺里斯的头撞到地板上 然后这些小腿和眼球都出来了 The most fun was Norris's head hitting the floor and out come these little legs and eyeballs.
那个场景最好的部分甚至不是蜘蛛腿 The best part of that scene isn't even the spider.
而是每个人的反应 因为他们刚走 It's everyone's fucking reaction as they just go...
然后都转过来 就好像 你看到这个东西了吗 They all turn and they're just like, "Are you seeing this shit?"
然后他们点燃了它 就在这个瞬间 那种人类真实的反应 And then they light it up but it's that moment of like a real human reaction that sells that
实现了这个场景 whole scene.
这是我第一次看到一部电影觉得 The first time I saw the movie I went whoa...
我之所以因为《怪形》而受到批判 就是因为它的特殊效果 The special effects and them being so out front and explicit were the reasons that I
突出而且明确 got criticized for The Thing.
它就是七月的呕吐袋电影 The barf bag movie of July.
《先睹为快》（1982）
我有一些问题 I have some problems with it.
这个故事完全不可信 这部电影基本上让这个吓人的生物 The story is totally implausible and the movie just basically is an excuse for this very
恶心我们观众的一个借口 gruesome and repellent creature to gross us out.
这是我在电影银幕上见过的最恶心的东西 It is the most nauseating thing I've ever seen on a movie screen.
他们希望我们的作品更加原始或传统 They wanted me to be more like the original or classier.
《怪形》（1982）
影片里我最喜欢的部分是血液测试 The blood test scene is my favorite scene in the movie.
那是段很棒的悬疑场景 It's just a great suspense scene.
一个人或一个群体的偏执力量可以传播开来 The strength of one person or one group's paranoia can spread.
它使每个人都用不同的方式看待其他人 It makes everybody look at everyone else differently.
事实上 你也可能是这么看待自己的 In fact, even the way you look at yourself.
那是个很棒的唐纳德·莫法特时刻 It was a great Donald Moffat moment.
我们第一次听到 先生们 我知道你们经历了相当大的考验 The first time that we heard, "Gentlemen, I know you've been through quite an ordeal.
但是当你有空的时候 But when you find the time,
我不想把这个冬天剩余的时间都浪费在这该死的沙发上 I'd rather not spend the rest of this winter tied to this fucking couch!"
我们崩溃了 我们也像是吓坏了一样 We cracked up but we were also like Oh, like freaked out.
那是电影里我最喜欢的部分 That's my favorite moment in the movie.
《月光光心慌慌3：女巫的季节》（1982） - 预告片
我想我觉得《月光光心慌慌》系列中没有更多的故事了 I thought I don't think there's any more story in the Halloween movies.
约翰·卡朋特 《月光光心慌慌3》制片人
我们为什么不转向一些新的东西呢 Why don't we veer off and do something brand-new?
我们就是这么做的 And that's what we did.
这也证明了我会犯下多大的错误 It shows you how wrong I can be.
有很多人对迈克尔·迈尔斯不在其中 There were a whole lot of people who were deeply disappointed to put it kindly
感到十分地失望 that Michael Myers was not in it.
每个人都想要更多相同的东西 Everybody wanted more of the same.
《月光光心慌慌3：女巫的季节》（1982）
你看到了什么呢 And what do you get?
这部里是一个做万圣节面具的公司 还会融化孩子们的脑袋 You get this kind of like company that's creating Halloween masks that melt children's heads off
斯宾塞·希克曼 死亡华尔兹奖创始人
把他们变成像蠕虫 蛇或蜘蛛一样的东西 and turn them into like worms, snakes and spiders.
这真是太黑暗了 伙计 I mean it is incredibly dark, man.
这是用大家都喜欢的假期来接管整个世界 It's that whole plot to take over the world through a holiday that everyone loves.
我对《月光光心慌慌3》中的托恩·阿特金斯这个角色很感兴趣 Torn Atkins in Halloween 3 is very interesting to me because he's like a '70s anti-hero in
它就像80年代后斯皮尔伯格时期设置的70年代反英雄 an '80s post-Spielberg plot which is an interesting juxtaposition.
我们在加州最北端的科克伦区域发现了这个罪恶和邪恶的巢穴 We find this den of iniquity and evil in the far north reaches of California with Zonal Cochran.
当我们开车经过那个小镇时 我们觉得自己被监视了 When we were driving through that town, we felt like we were being watched.
那真是一个令人毛骨悚然的小镇 It was really spooky creepy kind of town.
加恩·斯蒂芬斯 我的第一任妻子在那部电影中扮演玛吉 Garn Stephens, my first wife is in that movie and she is Marge who's face is eaten in the
她坐在汽车旅馆房间里看书 然后脸被吃掉了 我和斯泰西在隔壁 motel room while she's sitting there reading and Stacy and I were in the next bedroom and
她在这间卧室里 she was in this bedroom.
我一直觉得这有点尴尬 I always thought that was kind of awkwardy.
距离万圣节还有三天 万圣节 万圣节 Three more days till Halloween, Halloween, Halloween.
距离万圣节银色三叶草还有三天 Three more days till Halloween Silver Shamrock.
我们在拍摄完成后会讨厌这部作品吗 Boy, did we hate it by the time we were finished shooting it.
在《月光光心慌慌3》问世后 任何取材自万圣节的想法都被打消了 After Halloween 3 came out that sunk any idea of doing Halloween as anthology stories.
这就是结局 That was the end of it.
但《月光光心慌慌3》并没有受到人们的欢迎 But Halloween 3 was not a very big hit with people.
他们想看看那个带着面具和刀的人 所以 They wanted to see the guy with a mask and the knife. So...
我们已经习惯于认为万圣节就等于迈克尔·迈尔斯 We'd already been conditioned to think that Halloween equals Michael Myers.
如果《月光光心慌慌3》是第二部的话 它会很受欢迎 我们也能有 If Halloween 3 was Halloween 2 it would have been a hit and we would have a whole different
一个完全不同的《月光光心慌慌》系列 Halloween franchise today.
它不该叫做《月光光心慌慌3》 It should have never been called Halloween 3.
它应该只被命名为《女巫的季节》 这样可能会更好 It should have just been called Season of the Witch and it might have done better.
如果约翰能每年或每隔一年就出一部《月光光心慌慌》 If John was able to mount a yearly or every other year Halloween anthology, let's just
我们可以称其为约翰·卡朋特的《月光光心慌慌》系列 人们期望约翰能 call it John Carpenter's Halloween. The expectation was that John was going to give you yet another
给出另一个标志性角色 这原本是可能的 iconic character. That could have worked out just fine.
这部电影只是没有那样做 It just didn't work out that way.
汤米·李·华莱士 我认为他在指导和制作《月光光心慌慌3》方面 Well, Tommy Lee Wallace I thought he did a wonderful job directing and putting together
做得非常出色 Halloween 3.
没有人打算拍一部烂片 Nobody sets out to make a bad movie.
人们拥护它并且能接受它 它本身就是一部很好的独立电影 People have very much rallied to it and embrace it, it's a good standalone movie by itself.
它从来都不需要迈克尔·迈尔斯 如果他们感到失望 那就很难了 It doesn't need Michael Myers and never did, and if they're disappointed tough.
《翼龙》（1982）
《翼龙》很合我的口味 Q is perfection to me.
瑞恩·图雷克 怖屋公司发展副总裁
我喜欢看《翼龙》里用定格动画中展现它飞越纽约 I love seeing Q the winged serpent flying over New York in all his stop-motion glory.
先是很棒的拉里·柯恩式摄影 几个人在屋顶上做俯卧撑 There's just some great Larry Cohen-isms where there's like somebody on the rooftop doing
有一个人无聊在数数 然后翼龙飞过来 push-ups and there's a guy just going okay, he's counting them off and then Q comes in
抓走了一个人 很棒的场景 and steals one of them. It's so good.
这是部很奇怪的野营电影 我喜欢它 It's such a weird campy movie. I love it.
我们去了纽约 我做了一天的准备 We went to New York, I had one day's prep.
拉里·柯恩 《翼龙》编剧、导演
第二天我们搞到了直升机 拍摄了所有和直升机有关的场景 We got the helicopter the next day, we shot all the helicopter stuff and when I brought
当我把带子拿给特效人员时 他们对我说 哦 你做错了 the picture to the special effects people, they said to me oh, you did this all wrong,
你应该先来找我们的 you're supposed to come to us first.
我们要勾勒它的轮廓 再为你画出故事板 告诉你 And we outline it and we draw everything for you storyboards and tell you where to put
把怪物放在哪里 演员放在哪里 等一切都提前计划好了 the monster and where to put the actors and everything is all planned in advance and you've
你再来拍摄整个画面 所有的镜头 现在你指望我们就这么 come in and shot the whole picture, all the footage and now you expect us to put the monster
把怪物放进去吗 我说是 into it? And I say yes.
他和戴夫·艾伦一起拍摄定格动画 真是可怜的大卫 He shot with Dave Allen doing his stop-motion... So poor David.
所有这些直升机背景都像这样弹跳 He had all these helicopter backgrounds bouncing like this.
乔·丹特 《破胆三次》导演
他必须想办法把怪物放进去 不过效果很好 And he's got to try to figure out it how to put his monster in it. But it works out great.
这些做这些效果的人是一丝不苟的人 但他们的关注点非常狭隘 These guys who do these effects they're meticulous guys but they have a very narrow focus
没有太多的幽默感 and not much of a sense of humor.
《鬼作秀》（1982） - 预告片
《鬼作秀》是班戈 缅因州和匹兹堡廉价座位上的两个人 Creepshow is the reaction of the sort of the Spielbergification of horror from two guys
小菲尔·诺贝尔 《Fangoria》主编
对斯皮尔伯格化的恐怖的反应 in the cheap seats in Bangor, Maine and Pittsburgh.
所以斯蒂芬·金和罗梅罗聚在一起 他们将制作欢乐恐怖电影 So Stephen King and Romero get together and they're going to make their funhouse horror movie.
《鬼作秀》（1982）
这不同于罗梅罗做过的任何事情 也不同于金做过的任何事情 It's unlike anything Romero had ever done and it's unlike anything King had ever done
我认为这就说明了那部电影的力量 and I think that informs the energy of that movie.
由五个短篇小说组成 其中没有一句废话 It's five short stories, there's not a dud in the bunch.
它们都是道德寓言 每个故事都是 They are all moral fables. Every single one of them.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
其中一个故事是莱斯利·尼尔森对付贪婪 The one with Leslie Nielsen deals with greed.
他想报复那个勾引他妻子并将她从他身边偷走的男人 He wants to get revenge on the man who's seducing his wife and stealing her away from him.
还有 马歇尔想要在他的小岛茧中保持封闭 E.G. Marshall who wants to remain closeted in his little insular cocoon.
韦薇卡·琳德佛斯的父亲对她不好 但她仍然会出现在父亲节 Viveca Lindfors whose father treated her badly but she still shows up for Father's Day and
为他扫墓 she still goes to his grave.
内森从坟墓里爬出来的一幕相当惊人 Nathan crawling out of his grave is amazing.
他伸出手时的音乐都尖锐了起来 The musical sting when the hand comes out.
那就像魔术 It's magic.
除了在 我想要我的蛋糕 中产生巨大影响之外 Beyond the fact that has great effects in "I want my cake."
你无法忽视那个片段里埃德哈里斯的舞蹈 You can't not talk about that segment and not talk about Ed Harris's dancing.
那简直是最棒的一部分了 It's the greatest thing ever.
我认为这是80年代恐怖片的有趣之处之一 I think that's one of the fun things about '80s horror is you see a lot of actors who
就是你会看到很多现在很出名的演员参演 now have gone onto do like prestige movies, these big things but they're all in these
他们都在这些80年代恐怖片中扮演奇怪的小角色 你就像挖到宝藏一样 like weird quirky little roles in '80s horror and you're like "Wow, that's kind of cool".
我就是在《夜雾杀机》中认识的阿德里安娜·巴比欧 And just getting to watch like somebody like Adrienne Barbeau who I knew from The Fog
她扮演这个疯狂 头晕目眩 醉醺醺的女士 一直对她的丈夫大喊大叫 playing like this crazy, ditzy, drunk lady yelling at her husband all the time.
她对扮演这样一个卑鄙的角色感到紧张 She was nervous about playing such a bitchy character.
然后她就被板条箱里的野兽给吃掉了 Then you get to watch her get eaten by this beast in the crate.
这是一部受众很广的电影 It's a movie that offers a lot for everybody.
我喜欢蓬松 喜欢盒子里的生物 喜欢贝德莉亚和她的生日蛋糕 I love Fluffy, I love the creature in the box, I love Bedelia and her birthday cake.
我也喜欢看泰德·丹森被埋在沙子里 And I loved seeing Ted Danson buried in sand and all of that.
但其中最令人难忘的部分是被流星粪粘到的斯蒂芬·金 But the most memorable part of that is Stephen King covered in meteor shit.
对 流星粪 Yeah, meteor shit.
乔治·罗梅罗说 有什么角色是你想演的吗 George Romero said is there anything in there you would love to do?
我说 我很想扮演乔迪 I said yeah, I would love to play Jordy.
他说 不行 斯蒂芬·金要演那个角色 He said well, Stephen King's going to play that role.
你能帮忙在开头和结尾扮演爸爸吗 Would you do me a big favor and play the dad in the wrap around, the beginning and the end?
斯蒂芬金的儿子乔·金 他扮演我的儿子 我把那本漫画书 Stephen King's son Joe King, he played my son and I threw that comic book into the garbage
到前面的垃圾桶里 最后他用我的稻草人把我给诅咒死了 can out front and then he voodoos me to death at the end over my cornflakes but I had to
但我得快点结束这段戏 因为斯蒂芬一直在房间里 smack him early on and Stephen was never out of the room.
汤姆 你不会伤害他的 是吧 Tom, you're not going to hurt him, are you Tom?
你不会真的打他吧 汤姆 You're not going to really hit him, are you Tom?
他是我的孩子 你不会的 他只有9岁 He is my boy, you're not going to, he's only 9 years old Tom.
我说 斯蒂芬 放松 我是一名专业演员 And I said Stephen come on, I'm a professional actor.
你要怎么和数百只蟑螂对抗 How do you wrangle the hundreds of cockroaches?
有些外来蟑螂跑到了宾夕法尼亚州的野外 Some exotic cockroaches were allowed to escape into the wilds of Pennsylvania.
别和别人说 Don't tell anybody.
这是部很关键的电影 但是没有让他们得到应得的荣誉 It's such a pivotal movie that didn't get them the credit they deserve I don't think.
因为第二年《阴阳魔界》就上映了 Because in the years following that Twilight Zone: The Movie comes out the next year and
《魔界奇谭》也拍成了一个系列 但根源都在《鬼作秀》上 then Tales from the Crypt comes out as a series but I think it all stems from Creepshow.
在约翰·卡彭特的《月光光心慌慌》成功后 我们确实看到很多电影人 With the success of John Carpenter's Halloween, we did see a lot of films sort of come out
希瑟·威克森 《Daily Dead》主编
都在拓展这个想法 如果我们可以把一个假期和我们的作品挂钩 in response to that idea of well, if we have this holiday and we can turn it into this moment
为什么不利用它呢 in the genre why not capitalize on that?
于是就出现了《恐怖情人节》《恐怖愚人节》 And we did see the onslaught of My Bloody Valentine, April Fool's Day, Leprechaun basically
《鬼精灵》和《圣帕特里克节》 cashing in on St. Patrick's Day.
大量的圣诞节恐怖片出现 尤其是80年代的《平安夜，杀人夜》 We saw a ton of Christmas horror come out especially in the '80s with Silent Night, Deadly Night.
《平安夜，杀人夜》（1984）
假期反复出现的主题变成了可怕的经历 The recurring theme with having a holiday become a horrific experience.
安德烈·高尔 《降妖别动队》演员
《魔女嘉莉》和《太空僵尸》都很明显是舞会之夜的电影 It's an obvious grab whether it's Carrie or Night of the Creeps, these are prom night movies
但和观众的预期大不相同 观众本想看到的是成年庆祝活动 but they go horribly different than what you're expecting because it's supposed
就像舞会之夜电影过渡到 to be your coming-of-age and celebration and like prom night movies are transitioned into
差不多成年了 adulthood almost.
《舞会惊魂》（1980）
情人节应该是关于你重要的另一半的 应该是 Valentine's is supposed to be all about your significant other and that smashing together
《恐怖情人节》（1981）
把好的 轻松的和值得庆祝的东西混合在一起 of that juxtaposition of what's supposed to be good and light-hearted and celebratory
但在这些电影里变成了血腥和邪恶 into holy crap, this is bloody and evil and people are dying.
《舞会惊魂2：你好，玛丽·娄》（1987）
是理想主义和在遇到可怕的事情时就突然中止的 That idealism and that adolescence that comes to a screeching halt when it slams into something
青春期 horrific.
一年中的这些时刻具有普遍性 我认为这是将 There's a universality to these moments in the year and I think that's a good way to
这一流派融入该领域的好方法 sort of bring the genre into that fold.
《录影带谋杀案》（1983）
身体与心灵的关系在柯南伯格的世界中是一种强有力的主题 The relationship of body to mind is a potent one in Cronenberg's world and I think particularly
米克·加里斯 《恐怖大师》创作者
《灵婴》（1979） - 预告片
特别是在80年代 他十分津津乐道 in the '80s he attacked it with quite a bit of relish.
柯南伯格有一段经历使他真正了解身体痛苦带来的精神恐惧 Cronenberg had a history of really getting at the psychic horror around physical afflictions.
《录像带谋杀案》更进一步 Videodrome was a step further.
亚历克斯·温特 《捉鬼小灵精》演员
《录像带谋杀案》（1983）
可以说我们正在进入一个人类之人性存在的时代 Sort of saying we are entering a period of humanity of human existence, cultural existence
文化存在将以有机的方式融合技术和身体 that is going to fuse technology and the body in organic ways.
对我来说最有力的片段之一 是詹姆斯·伍德的角色将他的手 One of the most potent sequences to me is when James Wood's character sticks his hand
伸进他胃里已经形成的阴道状狭缝中 in the vagina-like slit in his stomach that has developed.
他的手变成了肉枪 His hand becomes a flesh gun.
那是非常吉格尔式的画面 机器 肉体和金属合为一体 You have a very Gigeresque image of machinery and flesh and metal becoming one and shooting
并射出癌症子弹 导致你这些被子弹射中的受害者 out cancer bullets basically that cause a decay of the flesh of the victim which you
身体腐烂掉 shoot with these bullets.
它同时具有令人难以置信的想象力 寓言和排斥性 And it's unbelievably imaginative and potent and allegorical and repellant all at the same
同时也是非常有趣 time but devilishly entertaining.
这些都是关于录像带的 你现在看着它 你会想 天哪 It's all about videocassettes and you look at it now and you just think gosh, it is so
它太神秘了 但它真的很天才 因为它真的在很多方面都 like arcane but it's really genius because it really was predicting in many ways where
预测了文化的发展方向 以及普通消费者将在多大程度上参与其中 culture was going and how much more involved the average consumer was going to become
有点像信息时代的事情 pre-sort of where things went in the information age.
而遗忘就是邪教领袖 政治人物和彻头彻尾的低级小贩 And Oblivion is this kind of cross between a cult leader, a political figure and a complete
之间的交叉 low-grade huckster.
它预示了里根时代最黑暗的一面 就像那种类型的人 It's predictive of the darkest side of the Reagan era of like where those types of people
将带领我们成为一种文化 would lead us as a culture.
这部电影真正概括了全球文化从模拟向数字过渡的开始 The movie really encapsulates the beginning of the transition of global culture from analog
从消费者如何接受媒体 以及这对你产生了什么样的影响 into digital, from how the consumer took in their media and what impact that had on you.
无论你什么时候看到它 它都会深入你的骨髓 No matter how often you see it, it will get under your skin.
《千年血后》（1983）
嗯 80年代的恐怖电影 即使是预算稍高的电影 Well, horror films of the '80s even the ones made on slightly higher budgets still had
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
仍然给人一种廉价和肮脏的感觉 that kind of down and dirty feel about them.
即使它们是由制片厂制作的 也不像是商业电影 They didn't feel like commercial movies even if they were being made by the studios.
会有很多像托尼·斯科特这样的导演 像他在制作《千年血后》时 And you had a lot of directors like Tony Scott for example doing The Hunger and bringing
《千年血后》（1983）
把一种非常不同的欧洲美学带入一个大预算的制片厂任务中 a very different kind of European aesthetic to a big-budget studio assignment.
《千年血后》是一部很感性又性感的电影 The Hunger was such a sensual, sexy movie.
卡珊德拉·彼得逊 《销魂天师》演员
它只是将这种可怕的氛围与你知道的吸血鬼融合在一起 It was just melding this scary, creepy vibe with you know vampires.
这一切都是那么地性感又令人毛骨悚然 And it was all so kind of sexual and creepy at the same time.
很多人认为《千年血后》不过是一种风格 A lot of people dismiss The Hunger for being nothing more than style.
唐·曼西尼 《鬼娃回魂》编剧、创作者
我不同意 因为我认为这部电影是关于风格和空虚的 I disagree because I think the movie is specifically about style and about emptiness.
可怕的是关系的可处置性 以及凯瑟琳·德纳芙对她的爱人 What's scary about it is the disposability of relationships and how Catherine Deneuve
爱人太老了 她甚至不忍心碰他或亲吻他 as soon as her lover becomes too old, she can't even bear to touch him or kiss him.
于是把他放在棺材里 藏在阁楼上 然后继续下一个 Just puts him in a box stows him in the attic moves on to the next one.
如果你活得足够长 那将是我们所有人都会经历的 That's extremely horrifying and a universal horror that all of us have experienced if
极度而普遍的恐怖 you live long enough.
《惊魂记2》（1983） - 预告片
你不会认为《惊魂记》是一部恐怖电影 但它就是一切的开始 You don't think of Psycho as a slasher movie but that was what kicked it all off.
米克·加里斯 《惊魂记4》编剧、导演
它激发《月光光心慌慌》的灵感 启发了后来的一切 That's what inspired Halloween which inspired everything afterwards.
《惊魂记》（1960） - 预告片
汤姆·霍兰德 《惊魂记2》编剧
《惊魂记》是我对电影的热爱的开始 Psycho was the beginning of my love of movies.
《惊魂记》（1960）
这是心理上的 拍出了以前从未见过的视觉效果 It was psychological, it was visual in ways that you'd never seen before.
在诺曼·贝茨 安东尼·帕金斯之前 没有连环杀人犯 Before Norman Bates, Anthony Perkins, there wasn't a serial murderer.
没有一个被描绘了心理活动的杀手 There wasn't a killer that had psychological dimension.
直到希区柯克和乔·斯特凡诺 That's all Hitchcock and Joe Stefano.
这个系列肯定会在80年代回归 因为那是一个恐怖电影的时代 It was inevitable that he would return in the '80s because that was an era of cinematic
《惊魂记2》（1983）
这个时代欢迎一切连环杀手 杀人犯 而《惊魂记》 horror that celebrated the serial killer, the slasher and he was the original, he was
是一切的开端 the granddaddy of them all.
《血溅回旋路》的澳大利亚导演理查德·富兰克林来找我 说要拍《惊魂记2》 Richard Franklin came to me, an Aussie director who'd done Road Games and said let's do Psycho 2
我说你是不是疯了 and I said you are crazy.
那个年代续集还没有成为电影业的常态 This is prior to sequels being a way of life in the movie business.
没有人愿意这样做 因为你知道你会被批评者骂惨的 Nobody wanted to do it because you knew you were going to get ripped apart by the critics.
在《惊魂记2》中 诺曼·贝茨拥有了极大的人性 获得了观众的同情 In Psycho 2 Norman Bates was afforded a great deal of humanity and sympathy.
他那时已经出狱 He's been released from prison.
他蹲够了刑期 接受了他的治疗 还真诚地为受害者们 He served his time, gone through his therapy and he sincerely kind of apologetic for having
被他抢劫杀死的女人和他的母亲道歉 snapped and killed all of those women and his mother.
他只是想尝试一下 真诚地努力成为最好的自己 And he's just trying to make a go of it, trying sincerely to be the best version of himself
但社会不会让他这样 but society won't let him be.
所以 他们又把他变成了一个怪物 在那部电影结束时 And so, they turn him into a monster again so by the end of that movie he is sort of
他又回到了原点 returned back to square one.
他身边的每个人都死 但他没有杀死任何人 可我们也不知道到最后发生的事 Everybody's dying around him but he doesn't kill anybody but we don't know that to the end.
他最终还是杀了人 他在脑海中以为那个老妇人是他的妈妈 He finally does kill somebody, this little old lady who had missed that she's his mother
她一直在杀戮 于是他给她端上了毒茶 and she's been doing some of the killings and he serves her poisoned tea.
当她开始因毒茶而呕吐濒死时 他拿起一把铲子 And as she starts to gag and die in the poisoned tea, he picks up a shovel and brings it smashing
砸在她的后脑勺上 down on the back of her head.
这是他在整部电影中第一次杀人 这时你意识到 And it's the first time that he's killed in the entire movie and you realize that
他彻底地疯了 he's totally now totally insane.
我记得我要为这本把我吓坏了的书籍改编的电影 I remember having to audition and screen test for a movie off this giant book that intimidated
参加试镜 the crap out of me.
我应该在试镜之前读一读它 好像是一部关于妈妈和孩子 I was supposed to read before I auditioned and was like this is a movie about a mom
《狂犬惊魂》（1983）
被一条狗困在车里的故事 and a kid are stuck in a car with this dog?
好像是 嗯 它真的很吓人 It's like oh, yeah, that's actually pretty scary.
电影的2/3都是两个人在车里 对吧 For 2/3 of the movie it's two people in a car, right?
一旦你出去就会死 但如果你呆在里面 没有人找到你 你也会死 If you get out,you're dead and if you stay in like no one's going to find you and you're dead.
它有点像原来的密室逃脱 And it's sort of like the original Escape Room.
每当我们在一个可怕的故事中设置一个小孩时 他肯定能安全回家 Anytime we put a young kid in a scary story it really brings it home because you never
因为你永远不想伤害一个孩子 我认为这会在生物学层面上与每个人 want harm to come to a child and I think that resonates on a biological level with every
产生共鸣 human being.
比起狼人 我更害怕《狂犬惊魂》 I was more terrified of Cujo than I was of werewolves.
恐惧是真实的 痛苦是真实的 The terror felt real, the panic felt real.
你能感觉到和他们一起坐在那辆车里那种令人窒息的停滞和炎热 You could feel the heat, the stifling stagnancy of being inside that car with them and the
能感觉到绝望 你要如何摆脱它呢 desperation of well, how do you get out of this?
我现在看它 作为成年人会觉得有趣 不过当我还是孩子时 And as an adult it's interesting because now I watch it and I feel kind of bad now for
我看到它会觉得很难过 你懂得 虽然它是条臭狗 Cujo where as a kid I was like you know, screw that dog and like now, I'm like oh,
但是它挨咬的时候我还是觉得难受 but he got bit and I feel bad for him now.
所以现在觉得有趣 但小时候看很可怕 So, it's interesting but as a kid Cujo was terrifying.
而且我认为这就是斯蒂芬·金的作品如此出色的原因 他知道怎么 And I think that's what makes Stephen King's stuff so great is that he knew how to prey
利用你的恐惧 而且这些恐惧各不相同 on your fears and it wasn't always the same fears.
《血腥死亡营》（1983） - 预告片
《血腥死亡营》是一部很棒的低成本电影 因为你对它的期望并不高 Sleepaway Camp is such a great little film because you're not expecting a lot from it,
塞西尔·特拉成堡 《good bad flicks》主持人
你只会觉得 这又是部野营砍杀片 you're thinking oh, it's another campground killer film.
就像不能杀年幼的孩子一样 在今天这是个很大的禁忌 It's mostly like younger kids that are getting killed and that's such a big no-no today.
这真的很可怕 它也做得很好 对于这么一部小成本的电影来说 It's really scary. It's really done well. It's got some amazing effects for such a small
它的视觉效果惊人 而且作品很有趣 little film and it's just really entertaining.
《血腥死亡营》打破了所有规矩 Sleepaway Camp breaks all the rules.
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
这是部颠覆性的虐杀片 我认为这是它吸引力的一部分 It's an upside-down slasher and I think that's part of its appeal.
所有的男性都是性对象 All the males are sex objects.
看看那些穿着战利品短裤的营地辅导员 他们切断了你所知道的 Look at those camp counselors in those booty shorts that cut off all the circulation in
生殖器的所有循环 their you know genitalia.
电影中的女性都是怪物 The females in the movie are all monsters.
当然 影片里的最后一枪是所有恐怖片史上最难忘的 And of course, it has that final shot that's one of the most memorable moments in all of
时刻之一 horror history.
我记得第一次是和一群朋友一起看的 I remember watching it with a bunch of friends for the first time.
我们对此一无所知 We knew nothing about it.
在互联网剧透一切之前 我们对影片内容都一无所知 Before the internet was spoiling everything and back then we had no idea.
我们就是在 看一部叫《血腥死亡营》的发生在树林里的恐怖片 We are like hey, this Sleepaway Camp a horror movie in the woods and we're watching it
我们津津有味地看它 然后突然到了结局 and enjoying it and then the end came.
我和我的小伙伴都惊呆了 Me and all my friends were just, ”What?"
《克莉丝汀魅力》（1983） - 预告片
《克莉丝汀魅力》在《怪形》之后上映 是一部斯蒂芬·金小说改编的汽车闹鬼电影 Christine came along after The Thing and it was a Stephen King novel haunted car movie.
约翰·卡朋特 《克莉丝汀魅力》导演
这样做似乎是对的 It just seemed right to do.
我们在活着吗 我们有灵魂吗 Do we live on? Do we have a spirit?
米克·加里斯 《末日逼近》导演
它能寄居在1958年的普利茅斯狂怒上吗 Can it live on in a 1958 Plymouth Fury?
《克莉丝汀魅力》（1983）
这部片是卡彭特接手的 他自己完成了 That was taken on by Carpenter and he made it his own.
它是如此的精致 可以说 它达到了你想从一部杀手车电影中得到的 It's so lean, it's mean, it really gets to the nitty-gritty of what you would want out of
一切本质所在 a movie about a killer car.
而且我认为基思·戈登也贡献了我们在80年代恐怖片中 And I think Keith Gordon actually gives one of the best performances that we've ever seen
希瑟·威克森 《Daily Dead》主编
最好的表演 in a horror movie of the '80s.
《克莉丝汀魅力》里有一个场景 一群恶霸刚刚打坏了汽车 There's a scene in Christine where the bullies had just destroyed the car and the kid is
紧接着孩子站在车前说 给我看 然后音乐响起 感觉就像 standing in front of the car and he says, "Show me" and just the music kicks in and it's like...
给我看 Show me.
克里斯汀又重新组合起来 Christine put itself back together again.
我们必须弄清楚它是如何工作的 并令观众信服 所以我们把车开进去 We had to figure out how that worked and was convincing so we pull the car in and shoot
并倒着拍摄 it in reverse.
我们的车上有钩子 你只需将它压碎 然后倒着拍 它就会打开 We've got hooks on the car and you just crush it and then in reverse, it opens -
它就变了 it becomes.
于我们而言效果很好 It worked out pretty well for us.
这是一个很简单的操作 但是效果惊人 而且很匹配 It's an amazing effect for something so simple but it's done so well and matching that up
它的定位 with his score.
它工作得很好 It just works perfectly.
我越想身上越起鸡皮疙瘩 I'm getting like goosebumps thinking about it.
它太棒了 It's so good.
恐惧燃烧 闪亮于3D
我不想用3D工作 I never wanted to work in 3D.
约翰·卡朋特 《克莉丝汀魅力》导演
这就是个交易的噱头 一直都是 It's just a gimmick deal, it always has been.
安德烈·高尔 《Wolfman's got nards》导演
我一直对3D的可能性很感兴趣 我依然在等待它 I was always intrigued about what 3D could be and I'm still waiting for it.
埃里克·柯克兰 3-D空间创始人
我看过的第一部3D恐怖电影是20世纪50年代的经典之一 The first 3D horror movie I saw was actually one of the 1950's classics, Creature from
《黑湖妖潭》 the Black Lagoon.
《黑湖妖潭》（1954） - 预告片
小时候 半鱼人对我造成了巨大的影响 The Gill Man had a huge impact on me as a kid.
3D在20世纪50年代只持续了很短的时间 3D lasted only a very short time in the 1950s.
3D的复兴始于电影《枪手哈特》 There was this revival of 3D that began with the movie Comin' At Ya!
《枪手哈特》（1981） - 预告片
这开启了20世纪80年代的全新3D电影浪潮 That kind of kicked off this whole wave of new 3D movies that were done in the 1980s.
制片人认为这是另一种多赚钱的方式 Producers saw this as one more way to make a little more money.
手头上有许多特许经营权 正好可以开拍第三部续集 You had a number of franchises that happened to be up to their third sequel.
所以 我们做3D版本似乎是有道理的 So, it just seemed to make sense that hey, we'll do version 3D.
《月光光心慌慌3》（1982）
我喜欢看东西向你袭来 爆米花向你袭来 鱼叉向你袭来 I like where things come at you, popcorn comes at you, harpoon comes at you,
小菲尔·诺贝尔 Fangoria主编
这太壮观了 and it was spectacular.
首先值得注意的是 这是杰森·沃里斯第一次 Really notable first off because this was the first time that Jason Voorhees actually
真正戴上曲棍球面具 put on the hockey mask.
每隔几分钟就会有东西戳你的眼睛 Every few minutes something pokes you in the eye.
这部电影中有很多3D的画面 他们找到了让角色使用悠悠球和 There are so many 3D moments in this movie they find reasons for characters to have yo-yos
棒球棒 还有各种有趣道具的理由 让它们逼近镜头 and baseball bats and all kinds of fun stuff that they can stick into the camera and then
还有些很棒的3D死亡场景 there are some really great 3D deaths.
它在叙事上比较糟糕 因为你必须得等待3D噱头 观众过去看 It messed with the storytelling because you had to wait for the 3D gag so people go oh, look
会说 哇 这里来了个砍刀 there at the machete.
这里有一个角色被干草叉刺伤 There's a character who gets speared on a pitchfork.
可能这部电影中最精彩的部分是杰森用力挤压一个角色的头 Probably the greatest moment in the film is when Jason squeezes a character's head so
以至于这个家伙的眼睛直接进入了镜头 hard that the guy's eye pops out right into the camera.
80年代浪潮中的第一部恐怖3D电影是《寄生魔种》 The first horror 3D movie in the '80s wave was Parasite.
《寄生魔种》（1982）
它是年轻的黛米·摩尔的银幕首秀 It marked one of the first screen appearances by a very young Demi Moore.
我这里有一副《寄生魔种》的眼镜 I have a pair of Parasite glasses here.
它以偏振3D显示 It was shown in polarized 3D.
大使馆影业发行 查尔斯·班德导演 Directed by Charlie Band released by Embassy Pictures.
这是他们为这部电影推出的宣传工具包 一个向观众展示《寄生魔种》的 This is a promotional kit that they put out for the movie, a pop-up promo that shows you
弹出式宣传册 the Parasite.
1982年还上映了一部叫《地狱犬》的电影 或叫《地狱犬罗威纳犬》 Also released in 1982 was a picture called Rottweiler also known as Dogs of Hell or Rottweiler
《地狱犬》 The Dogs of Hell.
经过基因改造的狗被训练成军事武器 最终在北卡罗莱纳州的 Genetically modified dogs that have been trained to be military weapons that end up in this
《地狱犬》（1982）
一个小镇上大杀四方 small North Carolina town where they go on a killing spree.
这是《地狱犬》的眼镜 These are Rottweiler glasses.
3D为一部好电影增彩 但如果你要拍的是一条狗 那么3D并不会 3D can enhance a good movie but if you're already starting with a dog the 3D isn't gonna
提供太多帮助 really do much for it.
《鬼哭神嚎3》（1983）
《鬼哭神嚎3》在1983年由理查德·弗莱彻导演 Amityville 3-D came out in 1983 directed by Richard Fleischer.
也是梅格·瑞恩早期出演的作品 An early screen role for Meg Ryan.
地下室有一个坑 显然是通向地狱的 There's a pit in the basement that apparently leads to hell.
电影中有一些非常棒的3D画面 There are some really good 3D moments in the movie.
管子直接穿过挡风玻璃 最终戳到你的脸上 And the pipe comes right through the windshield and ends up sticking right into your face.
有一大群苍蝇合成在一起 看起来就像 There's a swarm of flies that's sort of composited in and
是从屏幕上飞下来一样 meant to look like it's coming off the screen.
所有人都记得的那一幕 恶魔从地下室的洞里钻了出来 The moment that everyone remembers, this demon pops up through the hole in the basement floor and
抓住了其中一个角色 grabs one of the characters.
80年代3D恐怖电影的三巨头都是系列第三部续集 The big three of the '80s 3D horror films were the ones that were all the third sequels.
因此制片厂找到了推广这些3D电影的有趣方式 《大白鲨3》也不例外 So, the studios found interesting ways to promote these 3D movies and Jaws 3-D was no exception.
也是一个鲨鱼会弹出来的宣传册 Another pop-up where the shark comes right at you.
三维就代表着恐怖 The third dimension is terror.
我认为如果它不叫《大白鲨》 还会是一部更好的电影 Which I think this would have been a better movie if it wasn't called Jaws and they just
而他们只是把它称为 3D大白鲨或鲨鱼袭击 向你袭来 called it like Sharks in 3D or a Shark Attack - Coming at You.
年轻的莉·汤普森扮演一个被鲨鱼袭击的滑水者 Young Lea Thompson made one of her first screen appearances as one of the water skiers
《大白鲨3》（1983）
首次亮相在银幕上 who gets attacked by the shark.
故事发生在水族馆或是海洋世界之类的地方 The plot takes place at this aquarium sort of Sea World kind of place.
电影中最好的3D画面可能是鲨鱼吃掉西蒙·麦科金代尔 Probably the best 3D moment in the movie the shark has already eaten Simon MacCorkindale
他手上还拿着手榴弹 and he was holding a hand grenade.
拿着手榴弹的手臂还在鲨鱼的嘴里 所以他们伸手拉动销子 The arm with the hand grenade is still in the shark's mouth so they reach in and pull
手榴弹爆炸了 炸死了鲨鱼 鲨鱼身上所有的碎片都 the pin and the grenade goes off, blows up the shark and all these shark bits come flying
扑到了镜头前 包括鲨鱼的下颚 right at the camera including the shark's jaws.
用3D进行巨大血腥的水下爆炸 这可能就是我会许可该3D电影的原因 Having a giant, bloody underwater explosion in 3D that may be why I give that 3D movie a pass.
我认为3D并没有真正帮助这些电影提高票房 I don't think that the 3D really helped any of these movies improve their box office.
在大多数情况下 制片厂只是将其当作噱头 For the most part the studios were using it just as a gimmick.
我应该提一下 1991年的《猛鬼街6：佛莱迪之死》 I should note that in 1991 the sixth movie in The Nightmare on Elm Street franchise
这部可以说是3D发展的一个大高潮 Freddy's Dead, the big climax of the movie was a 3D sequence.
《猛鬼街6：佛莱迪之死》（1991）
他们等到第六部才这么做 而不是以3D作为一次重启 It's kind of a shame that they waited until the sixth movie to do it rather than having a
我认为是比较遗憾的 A Nightmare on Elm Street 3D back when they could have.
《玉米田的小孩》（1984） - 预告片
《玉米田的小孩》改编自斯蒂芬·金在《守夜》中的短篇小说 Children of the Corn has taken from the Nightshift Stephen King short story and stars a pre-30
《玉米田的小孩》（1984）
并有不到30岁的彼得·霍顿和拍《终结者》前的琳达·汉密尔顿参演 something Peter Horton and pre-Terminator Linda Hamilton as they find themselves in
他们发现自己在错误的时间在内布拉斯加州的小镇招惹了一群麻烦的小孩 the wrong the Nebraska town at the wrong time with the wrong kids.
詹姆斯·A·贾尼西 《Dead Meat》主持人
如果你是80年代长大的孩子 有人对你说玛拉基书 If you're a kid who grew up in the '80s and somebody says to you Malachi or Malachi you
希瑟·威克森 《Daily Dead》主编
你就会明白他们的意思 knew exactly what they meant.
玛拉基书 Malachi.
孩子们会在另一个实体的要求下联合起来杀光整个成年人社区 The idea that kids would band together to kill an entire community of adults at the
这个想法简直太可怕了 behest of this other entity, that's horrific.
我从来没有把我这个年纪的人视为威胁 但那部电影让我意识到 I never saw people my age as a threat and that was a movie where I realized like oh,
我这个年纪的人也可以做可怕的事情 people my age can do horrible things.
在整部电影中 他们都在谈论那个在谷堆后面的存在 当你最终看到他时 In the whole movie they're talking about he who walks behind the rows and when you finally
你会发现它只是一个四处移动的大土堆 这种80年代的视觉效果 see him it's just a big mound of Earth that's moving around and its actually kind of impressive
令人印象深刻 他们是怎么做到的 for 80's effects. How'd they do that?
高潮的效果有点俗气 但如果你是金的原教旨主义者 The effects in the climax are kind of cheesy but if you're a King completist there's enough
那就足够值得了 in here to make it worthwhile.
它可以追溯到《蝇王》的同类故事 无人看管的孩子是邪恶的 It goes back to Lord of the Flies kind of the same type of story - kids unsupervised are evil.
他们会自然而然地变得可怕 It's automatically scary.
《13号星期五：终结篇》（1984） - 预告片
在《13号星期五：终结篇》中 我们安排约瑟夫·齐托 In the fourth installment of Friday the 13th we get Joseph Zito directing a new cast of
詹姆斯·A·贾尼西 《Dead Meat》主持人
指导杰森准备屠宰的新肉 他在上一集中获得了新的面貌 fresh meat ready for slaughter by Jason who's now in his full hockey mask mode after picking
《13号星期五3》（1984）
这里左下角的标注错误，《13号星期五3》是1982年上映的
现在他是完整的曲棍球面具型 up his new look in the last installment.
《13号星期5：终结篇》（1984）
演员阵容很强大 其中有金伯利·贝克 彼得·巴顿和饰演汤米贾维斯的科里·费尔德曼 It's a great cast that features Kimberly Beck, Peter Barton and Corey Feldman as Tommy Jarvis
他是一个反复出现的角色 我们还会看到他两次 who's a recurring character that we will see two more times.
还有在拍《回到未来》之前的克里斯平·格洛弗 It's also got a pre-Back to the Future Crispin Glover who's got the best dance moves I've
他贡献了《浑身是劲》前最棒的舞蹈动作 ever seen this side of Footloose.
克里斯平的舞蹈是有史以来最伟大的桥段之一 Crispin's dance is just one of the greatest moments ever.
女邮递员达西 《乔·鲍勃·布里格斯的最后时刻》演员
他全力以赴 我非常感动 He gives it his all and I appreciate that.
太棒了 就像是电影史上最伟大的场景 Amazing, like one of the greatest scenes in all of cinema history.
我不知道是否有人可以跳那种舞 但它有点像 I don't know if anyone could do that dance but it's something like...
就像这样 我不知道 伙计 It's something like that. I don't know man.
问他吧 Ask him.
我喜欢那个痴迷于怪物面具的小科里 他有他的小电脑 I love that little Corey who was obsessed with like monster masks and he has his little computer
就像我一样 他就像是个怪物书呆子 这很酷 like whoo, he's like a monster nerd like me. That's pretty cool.
泰德·怀特扮演的杰森·沃赫斯扔出斧头 我认识的每个人 包括我在内 Ted White takes on the Jason Voorhees chopping chores and I know everyone loves Kane Hodder
都很喜欢凯恩·霍德尔 但泰德·怀特可能是我最爱的杰森 and so do I but Ted White might be my favorite Jason.
小家伙鼓起勇气 大刀阔斧地把杰森带了出去 Little monster man found courage and took Jason out in a big way.
我想说 谁知道剃光头会有这种效果 I mean who knew shaving your head would have that effect?
科里做到了 Corey did.
那把砍刀刺入杰森头部的一侧 然后他跪倒在地 The effects work of that machete going into the side of Jason's head and then he falls
他的头就像从砍刀上滑下来一样 on it and his head like slides down the machete.
这一定是我在恐怖电影中最喜欢的特效 That has got to be some of my favorite special effects in any horror movie.
我喜欢这个人头顺着砍刀滑下去 I love that machete face slide man.
所以 在80年代 改编斯蒂芬·金的小说 So, there was a kid in the candy store kind of thing happening in
小菲尔·诺贝尔 《Fangoria》主编
变成了当时的一股潮流 the early '80s with Stephen King adaptations.
每个人都必须改编斯蒂芬·金 Everybody's got to do a Stephen King adaptation.
我们要拍《闪灵》 我们要拍《克莉丝汀》 我们要拍《狂犬惊魂》 We're going to do The Shining, we're going to do Christine, we're going to do Cujo
《凶火》也是这波浪潮的一部分 and Firestarter was part of that wave.
《凶火》（1984） - 预告片
约翰·卡朋特决定要拍《凶火》 John Carpenter decides he wants to make Firestarter
是因为它带有反独裁的风格 because it's got an anti-authoritarian streak in it,
《凶火》（1984）
是一部公路电影 也是西部片 所以他喜欢它 it's a road movie and he's a westerns guy so he loves that.
它有一个父女关系 是情感核心 It's got a father-daughter dynamic - an emotional core.
他对此非常兴奋 He's super excited about that.
但是《怪形》的反响很差 But The Thing was received poorly.
《怪形》的失利让约翰·卡朋特没法拍《凶火》 The Thing bombed and John Carpenter got Firestarter taken away from him as a result.
约翰·卡朋特 《怪形》导演
环球公司不让我拍《凶火》 因为当《怪形》上映时 Universal fired me from Firestarter because by the time The Thing came out the horror movie
《怪形》（1982）
恐怖片的市场已经萎缩了 market at that time had shrunk.
不能让十几岁的孩子进电影院 他们太年轻了 Teenage boys who couldn't get in, they were too young.
那就是当时恐怖片的市场 That was the market for horror films.
你不能拍一部大预算的恐怖电影 只能拍一些小成本的电影 You couldn't do a big budget horror movie, you had to do a little tiny one.
我也不能这么拍《凶火》 And I couldn't do Firestarter that way.
迪诺·德·劳伦提斯介入 安排马克·莱斯特当导演 Dino De Laurentiis comes in, puts in I think Mark Lester as the director.
《凶火》有它的经典瞬间 所有幕后的东西都离不开 Firestarter has its moments and all of the behind the scenes stuff can't take away from
德鲁·巴里摩尔和凯斯·大卫之间的沟通 those exchanges between Drew Barrymore and David Keith.
《凶火》（1984）
乔治·C·斯科特则绑着眼带扮瞎子发疯 George C. Scott is in there doing his whole crazy ponytail blind eye thing and it's
看点十足 a lot of fun to watch.
阿特·卡尼和路易丝·弗莱彻饰演一对恩爱夫妻 Art Carney and Louise Fletcher as the kindly couple.
演员都眼的很好 这是一部好看的电影 而且烟火效果也很棒 It's really well cast, it's a nice-looking film and the pyro effects are pretty good too.
只是 我总是会感叹它原本可能的样子 It's just, I will always lament what could have been.
《小精灵》（1984） - 预告片
《小精灵》给我留下了深刻的印象 Gremlins made a huge impression on me.
唐·曼西尼 《鬼娃回魂》导演、创作者
它发生在圣诞节 父亲得到了儿子的小精灵作为礼物 It took place at Christmas and the father gets the gremlin for his son as a gift.
《小精灵》（1984）
它深刻地影响了《鬼娃回魂》 That influenced me with Child's Play.
《鬼娃回魂》（1988）
对我个人而言 最明显的收获是电子动画以及它们的 The obvious takeaway for me personally was the animatronics and just how sophisticated
《小精灵》30周年回顾：魔怪主角的诞生（2014）
复杂程度 they were.
那些傀儡Gizmo Stripe等等 Those puppets Gizmo, Stripe etc...
他们都有不同的个性 They all had distinct personalities.
那部电影让我直观地感受到 没有什么是编剧能写出来 It became obvious to me with that film, there's nothing that a writer could write that a good
但电子动画团队和木偶师团队做不出来的 animatronics team and team of puppeteers couldn't actually put on camera.
《小精灵》是一部无政府主义电影 Gremlins is a kind of an anarchic movie.
乔·丹特 《小精灵》导演
它最初是一部低成本的恐怖片 因为斯皮尔伯格想为他的安布林公司 It started out as a low-budget horror film because Spielberg wanted to create his first movie
制作他的第一部电影 并以一种他知道会成功的方式来制作 for Amblin and he wanted to do it in a genre that he knew would be successful.
但随着影片制作的推进 他得到了制片厂的支持 很明显 But as the picture went on and he got studio backing for it, it became apparent that it
它的观众越少 就越可怕 was going to have a smaller audience the more gruesome it was.
我们拍摄了我们没有使用的素材 We shot material we didn't use.
厨房里缺几个镜头 摩恩用刀刺伤了小精灵 There are shots missing in the kitchen where morn stabs the gremlin with a knife,
还有一个小鬼用刀在他身上扭动的镜头 他们把它拿了起来 There was a shot of the gremlin writhing with a knife in him. They took that out.
当科学老师格林·杜鲁门在电影中被小精灵杀死时 When Glynn Turman, the science teacher gets killed by the gremlin in the movie you just
你只看到他的臀部插着一根针 但在我们拍摄的镜头中 see his rear end with one needle in it but in what we shot was his entire face covered
他整张脸都像钉子头一样 满是针 with needles like Hellraiser.
一旦你看到你所拥有的素材 你就会说 好吧 它会变成什么样的电影呢 Once you look at what you've got, you say well, okay, what kind of movie is this becoming?
很明显 这是一部比恐怖片更异想天开的电影 And it was obvious that this was a much more whimsical movie than a slasher horror movie and
所以我们把所有的东西都调低了 即使那样 我们也受到了批评 so we toned all that stuff down and even then, got lots of criticism for like you're making
说不该给孩子看这么吓人的电影 但是孩子们很喜欢它 a horror film for children, it's horrible. But kids like it.
它仍然非常受欢迎 And it's remained remarkably popular.
《小精灵》的问题在于 我们正在发明这项技术 The problem with the Gremlins was that we were inventing the technology as we went and so
而剧本中要求做的很多事情都是不可能做到的 many things that were called for in the script were impossible to do.
Gizmo 这个原本应该变成坏小精灵的 Gizmo, the little fuzzy character who originally
有毛茸茸的小条纹的角色 was supposed to turn into Stripe the bad gremlin and
但在最后一刻 史蒂文·斯皮尔伯格想到了一个绝妙的主意 then at the last moment Steven Spielberg got the brilliant idea which I am convinced is
我相信这是这部电影仍然流行的原因之一 那就是Gizmo要贯穿整部影片 one of the reasons the picture still is popular that Gizmo should be in the whole picture
它应该是英雄的朋友 但我们没办法做到这点 and he should be a hero's pal and we had no way of making him work.
它被迫为一个卷轴而奔走 He was made to run for one reel and then
然后突然之间 它就成为了电影的明星 all of a sudden it was like now he's the star of the movie.
所以我们必须做很多快速的研发 试图将它作为一个角色来演绎 So we had to do a lot of quick R&D to try to figure out how to make him a character.
最复杂的一幕是与菲比·凯茨在酒吧里的场景 The one scene that was really complicated was the scene in the bar with Phoebe Cates.
我们必须让她在那里 所以我们等着大家回家后拍摄电影的结尾 We had to have her there and so we waited and shot it at the end of the picture after
我们只在这个酒吧里呆了一个星期 这些木偶浸满了啤酒和爆米花 everybody had gone home and we just spent one week in this bar with these puppets soaked
基本上是在编造噱头 with beer and popcorn, making up gags basically.
好吧 如果有一个闪光小精灵会发生什么 Well, what would happen if there was a flasher gremlin?
如果有一个弗兰克·辛纳屈的小精灵会怎样 What would happen if there was a Frank Sinatra gremlin?
它花了很长时间 And it took forever.
真的是花了很长一段时间 而且闻起来 I mean it was really a long time and the smell...
我无法形容它闻起来有多难闻 I can't tell you how awful it smelled.
《猛鬼街》（1984） - 预告片
在80年代的三大杀手恶棍中 Of the three great slasher villains of the '80s,
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
粉丝常常争论迈克尔 杰森和弗雷迪谁更强 Michael, Jason and Freddy people argue who's better.
毫无疑问 最好的角色是弗雷迪·克鲁格 There's no question that the best character was Freddy Krueger.
韦斯·克雷文创造了一个从孩子们的噩梦中走出来的全面反派 Wes Craven created a well-rounded villain that comes out of the nightmares of children.
《猛鬼街》（1984）
他猥亵儿童 还会杀掉他们 He's a child molester who can also kill.
不会有比这更可怕的了 There's nothing scarier than that.
韦斯是个有远见的人 Wes was a visionary.
《猛鬼街》非常地精彩 A Nightmare on Elm Street was so brilliant.
格里高利·尼克特洛 《行尸走肉》执行制片人
它来得正是时候 这部电影上映时砍杀片开始显出颓态了 It came at the right time when the slasher film was really starting to get a little tired.
一下子就不是一个拿着刀到处乱跑杀人的家伙了 All of a sudden it just wasn't a guy running around with a knife killing people.
它可以说改变了恐怖片的方向 That really changed the direction of horror films.
我认为它对人们产生如此强大影响的原因是因为 The reason I think that it has such a powerful effect on people it's because there's not
不会有人只做美梦 不做噩梦 one person that doesn't have a dream but doesn't have a nightmare.
所以 这才是现实 So, it was a reality there.
韦斯·克雷文是一个博学多才的人 Wes Craven was a very well-read and intellectual person.
我想说 每一个场景在哲学上都具有很重要的意义和世界观 I would say every scene has a much greater significance philosophically and a worldview
它讲述了纯真的丧失 你如何处理恐惧 潜意识 that talks about the loss of innocence, how you approach fear,
以及它对我们所做的一切的影响 the subconscious and the power it has over everything that we do.
我不知道还有哪哥其他角色拥有像弗雷迪一样的聪颖和智慧 I don't know of any other character that has the wits and the intelligence that Freddy has.
当我阅读剧本时 我并没有想到他有那么邪恶 When I read the script, it didn't occur to me that he was that evil.
我的天呐 那真是太可怕了 Like oh my God, this is hideous.
我认为蒂娜的死亡场景可能是让《猛鬼街》这部影片 I think Tina's death scene might be the one scene that makes Nightmare on Elm Street not
可怕而经典的原因 only really scary but really great.
它是如此悲伤和令人心碎 It was so sad and heartbreaking that
以至于我看到它时 我才意识到 我们处于一个完全不同的立场 when I saw it, I realized like wow, we're in a totally different league.
并且有些镜头是韦斯没有想到的 超越了顶点 And there were shots that were shot that Wes didn't include that just went over the top
我认为韦斯意识到他们不能在电影中让镜头多次穿过年轻女孩的双腿之间 and I think Wes realized they can't go between the young girl's legs more than once in a movie.
他在我的浴缸场景中这样做想到 当时那个镜头完全像是疯了一样 He does that in my bathtub scene which was completely like crazy at the time to think of that
它所在的摄像机极具挑衅性和威胁性 但它也绝对提高了 shot. The camera just where it's located was extremely provocative and menacing but also it was
那个年代年轻女孩的性感和厚颜无耻的标准 definitely raising the bar for kind of the sexuality and brazenness of that young girl situation.
所以 南希·汤普森作为一个角色是非常善良的 但她绝不完美 So, Nancy Thompson as a character is incredibly virtuous but she's by no means perfect but
但我认为她最体现的美德是她面对恐惧的能力 I think the virtue she embodies the most is her ability to face fear which everyone is
每个人每天都在努力做到这一点 对吧 struggling to do that every day of their lives, right?
罗伯特·英格兰德 他所做的一切都经过研究和考量 都是有原因的 Robert Englund, everything he did was studied and measured and he did it for a reason.
他非常小心地使用手套 而且总是在将手指合在一起时 He used the glove really carefully and it was always choreographed exactly when he would
精心安排好张开指头的时间 open up his fingers when he would clank them together.
作为一个演员 他就是这么大方 He was just so generous as an actor.
讽刺的是 他从不想成为聚光灯下的焦点 He never wanted to be in the spotlight ironically.
这显然适得其反 因为每个人都在看弗雷迪 It backfired obviously on him because everyone's watching Freddy.
你想如果每个人都走了 你会想办法生存 You want to think if everybody was gone that you would figure out a way to survive.
凯利·马罗尼 《彗星之夜》演员
《彗星之夜》（1984）
汤姆·埃弗哈特在创作时 采访了他女儿的一些朋友 Tom Everhart when he was writing this, he took some of his daughter's friends out and
他问他们 如果是世界末日你会怎么做 he said okay, it's the end of the world what would you do?
他们告诉他 他们会做很多的事情 And this is a lot of stuff that they told him that they would do.
他向上帝发誓 这不是社会评论 He swears to God that this is not a social commentary.
当然是社会评论 Of course it's a social commentary.
这是部低成本的影片 It was a low-budget movie.
我觉得这个剧本很有趣 I thought this script was very funny.
我不知道我们最终会怎样封装80年代 I had no idea we were going to end up encapsulating the '80s.
它让我穿上了颜色鲜艳的衣服 因为我是活着的最后一个 It put me in bright colors because I was the last thing alive that was pretending like
假装一切都好的人 everything was okay.
有红色 紫红色 还有绿松石色 凯瑟琳·玛丽斯图尔特扮演我姐姐 It was red and fuchsia and turquoise and they had Catherine Mary Stewart who played my sister
她穿着单调的衣服 因为她知道发生了什么 in drab outfits because she knew what had happened.
所有的这些都很时髦 就是我们所穿的这些 All those fashions, I mean that's just what we wore.
他们为我打造了那套啦啦队服 所以它像手套一样合身 They built that cheerleading outfit for me so that it fit like a glove first of all because
因为啦啦队服 cheerleading outfits...
我在《开放的美国学府》里穿的那身已经不合身了 The one I wore in Fast Times at Ridgemont High did not fit me that way.
带着Uzi的啦啦队队长 Cheerleader with an Uzi.
我不知道我能不能解释清楚 I don't know that I can explain that.
我在这样做时 对我来说是非常有意义的 When I did it, it made perfect sense to me.
在我开始哭泣的那个场景中 我们本来要剪掉那个场景 In that scene where I start to cry. We're gonna cut that scene.
那是她的人物弧 That's her arc.
那是她承认她知道的时候 因为有一次他们都 That is the point when she admits that she knows, because at one point they were just
打算要杀掉她 going to kill her.
她只会烦人 她是会死的 She's just going to be annoying and she was going to die.
但他们没有 因为她就像是最相关的角色之一 They went no, because she's like one of the most relatable characters.
电影有一种魔力 一切都可能是正确的 但它只是平淡无奇 There's a magic on a movie where everything could be right but it just lays there flat
然后你可以有未知和5美元来制作一些东西 只能倚仗化学反应或 and then you can have unknowns and $5 to make something with and just the chemistry or whatever
任何奇怪的东西 砰 这就是我认为我们都喜欢它的原因 weird thing that is... boom! And that's why I think we all love it.
恐怖的反派 以及特许经营模式
恐怖电影最可怕的点之一就是 有一个你无法与其交流的恶棍 One of the most scary things about horror movies is having this villain who you can't
芭芭拉·克兰普顿 《活跳尸》演员
《13号星期五3》（1982）
也因此 你确信自己会死 reason with and you're sure that you're going to die.
他们会杀了你 They're going to kill you.
哦 80年代大潮流里的反派太多了 你都能喜欢上 Oh, there were so many villains in the '80s cannon that you were really into.
瑞恩·图雷克 2018版《月光光心慌慌》制片人
我会被一些愚蠢的东西所吸引 所以我觉得小精灵们真的很酷 I gravitated to a little bit of the silly so I thought the Critters were really cool.
《魔精2》（1988）
小精灵真的很酷 Gremlins were cool.
《小精灵》（1984）
我一直都喜欢怪物 I always loved monsters.
《鬼追人2》（1988）
高个子在80年代有点像他自己 不是吗 The Tall Man kind of came into his own in the '80s, didn't he?
《鬼追人》一直都有那种狂热的地位 但是当《鬼追人2》出现时 Phantasm always had that kind of cult status but when Phantasm 2 came around
更是掀起了风潮 that was rock and roll.
《鬼追人2》（1988） - 预告片
80 年代的恐怖片对邪恶角色来说是个好时代 因为它开始流行起来了 '80s horror was a good time for villains because it started to get a little heightened.
小菲尔·诺贝尔 《Fangoria》主编
它开始变得有点卡通 也许有点野蛮 带有些色彩 It started to get a little cartoonish and maybe little campy, a little colorful.
《死亡地带》（1983）
死亡地带里的格雷格·斯蒂尔森 Greg Stillson in the Dead Zone.
这些天 他常在我的脑海中 He's very much on my mind these days.
我很喜欢《活跳尸》里的希尔博士和《活魔人》里的比勒陀利乌斯博士 I love the one-two punch of Dr. Hill from Re-Animator and Dr. Pretorius from Beyond.
《活跳尸》（1985）
《活魔人》（1986）
真正的老派几乎就像他们遇到的卡洛夫一样 Real old-school almost Karloff-like in the way that they come across.
《惊魂记2》（1983）
诺曼·贝茨就住在隔壁 Norman Bates is a guy who lives next door.
皮脸 弗雷迪·克鲁格 杰森·沃里斯 他们的角色都很夸张 Leatherface, Freddy Krueger, Jason Voorhees, they were all exaggerations and they were
《德州电锯杀人狂2》（1986）
《猛鬼街》（1984）
《13号星期五8：杰森入侵曼哈顿》（1989）
米克·加里斯 《恐怖大师》创作者
是神话中的杀人狂 mythologized Slashers.
《猛鬼街》（1984）
以弗雷迪·克鲁格为例 他在一场大火中被烧伤 伤痕累累 In the case of Freddy Krueger, he was burned in a fire and is scarred.
杰森·沃里斯也伤痕累累 但他把自己隐藏在曲棍球面具后面 And Jason Voorhees also horribly scarred but hidden behind a hockey mask.
《13号星期五：终结篇》（1984）
而皮脸实际上也是戴着他杀死的受害者的脸 但在诺曼·贝茨身上 And Leatherface is literally wearing the faces of victims that he killed. But in Norman Bates
《德州电锯杀人狂2》（1986）
他是隔壁的男孩 但他也能够通过最可怕的谋杀来保护自己 he's the boy next door but capable of the most horrendous murders to protect himself
《惊魂记3》（1986）
和自己的家人 and his family.
他有些疯狂 我们那时都很疯狂 He was a little mad and we all go a little mad sometimes
那是他的座右铭 应该印在他的T恤上 was his motto and it should be his T-shirt.
患有童年创伤而精神不稳定的人 然后将这些创伤表现在现实生活中的 Mentally unstable people with childhood traumas who then manifest those traumas into real
凯蒂·菲德斯通 《灵动：鬼影实录》演员
《惊魂记3》（1986）
恐怖节目中 life horror shows.
对我来说 诺曼·贝茨是对可能发生的事情的真实反映 这很可怕 For me Norman Bates was kind of a real reflection of things that could happen and that is scary.
我最喜欢的80年代反派是《捉鬼小灵精》中的爱德华·霍尔曼 My favorite '80s villain is Edward Herrmann from Lost Boys.
科里·泰勒 《Slipknot》主音乐师
《捉鬼小灵精》（1987）
这是M·奈特·沙马兰的早期作品 It was M. Night Shyamalan before M. Night Shyamalan.
这就是你喜欢的那种扭曲 不 It was that twist where you're like, ”Nooo...
从虚空中来 他就是吸血鬼 这他妈是什么 Out of nowhere, he is the main vampire. What the fuck?!"
你现在带着这些知识看那部电影会发现它改变了一切 You watch that movie now with that knowledge and it changes everything.
其他人都在他们的邪恶中如此公开 而他 他是那个狡猾的人 Everybody else is just so overt in their evil whereas he... he's the cunning guy.
如果凶手不是最重要的 那么杀戮就是 If the killer wasn't over the top then the kills were.
《13号星期五》是80年代恐怖片的支柱 The Friday the 13th films are the backbone of horror in the '80s.
凯恩·霍德尔 《十三号星期五7-10》演员
在80年代有相当多的电影 都令人印象十分深刻 The fact that there were so many of them in the '80s, that's pretty impressive.
观众多次希望这个角色回归 Audiences wanted that character back so many times.
《13号星期五2》（1981）
在整个电影系列中他的妆容完全不同 但你知道吗 Throughout the series of the films the makeup is completely different but you know what?
《13号星期五3》（1982）
《十三号星期五：终结篇》（1984）
《13号星期五6：杰森复活》（1986）
《13号星期五7：新的血液》（1988）
粉丝们不在乎 The fans don't give a shit.
《13号星期五8：杰森侵入曼哈顿》（1989）
他们只是想再见到杰森 这就是为什么《13号星期五》拍了12部 They just want to see Jason again and that's why there has been twelve Friday the 13th films
他们必须一直拍下去 basically and they got to do one more.
迈克尔·迈尔斯跨越多部电影到了现在 Michael Myers has spanned over several films now.
《月光光心慌慌2》（1981）
它是邪恶的化身 It's evil personified.
《月光光心慌慌4：迈克尔·迈尔斯归来》（1988）
是的 你可以整天谈论续集的内容 以及你是否喜欢第5部 Yes, you could go off all day about how the sequels are and whether you like Part 5
本·斯克里文斯 FrightRags创始人
《月光光心慌慌5：迈克尔·迈尔斯的复仇》（1989）
或是第6部 还有罗布·赞比的电影 但那个角色仍然存在 or 6 or whatever or the Rob Zombie films or anything but still that character just remains.
他是一个标志性的形象 是恐怖名人堂的一部分 It's an iconic image that just is part of the Horror Hall of Fame.
《月光光心慌慌4：迈克尔·迈尔斯归来》（1988）
天启四骑士 The Four Horsemen of the Apocalypse.
尼克·卡斯特尔 《月光光心慌慌》演员
有我和弗雷迪以及任何其他角色出场 人们只是喜欢 There's me and Freddy and whatever and whatever that come out and that people just loved to
看到熟悉的角色重新亮相 revisit the characters and stuff like that.
这样就能让他们高兴 This is what made them happy.
《养鬼吃人》（1987）
钉子头在那些电影中是个不可思议的角色 因为他真的很可怕 Pinhead's like an incredible character in those movies because he's genuinely terrifying.
斯宾塞·希克曼 死亡华尔兹奖创始人
我是说 这个家伙的头上插了一百根钉子 还来自地狱 I mean here is a guy that has like a hundred nails stuck in his head, comes from hell,
《养鬼吃人2》（1988）
《养鬼吃人》（1987）
穿着一身像BDSM皮装的衣服 只想和你一起玩 直到你被 dressed in like BDSM leather outfit and just wants to play with you until you've been ripped
撕成碎片 to pieces.
他并没有躲在角落里 等着用细高跟鞋跳到你身上 He's not hiding around a corner waiting to jump out on you with the stiletto blade.
有一个完整的过程 There's a whole process that goes on here.
你必须对探索痛苦和快乐的想法感兴趣 You have to be interested in the idea of exploring pain and pleasure.
你必须有正确的动机才能让钉子头最终对你感兴趣 You have to have the right motivation behind the thumbs to make Pinhead ultimately interested
即使他只是想停下来和你讨论天气和鱼的价格 in you even then he wants to stop and discuss the weather and the price offish with you.
《养鬼吃人2》（1988）
他真正感兴趣的是你思想 心灵和灵魂的 It's the dark dirty corners of your mind and your heart and your soul that he's really
《养鬼吃人》（1987）
黑暗肮脏角落 interested in.
然后我们就被吊到了钩子和锁链上 Then we might get down to the hooks and the chains.
80年代产生了很多特许经营权 The '80s spawned a lot of franchises.
鬼娃恰吉是一个坏蛋 超级有趣 也令人讨厌 I mean Chucky was kind of a badass bad dude and super funny and fun to hate.
恰吉隐藏在众人的视线中 Chucky hides in plain sight.
唐·曼西尼 《鬼娃回魂》编剧、创作者
他只是和所有其他角色坐在场景中 他们不知道房间里 He just sits in the scene with all of the other characters and they have no idea that
有一颗定时炸弹 there is a ticking bomb in the room with them.
谁是更好的对手 Who was the better antagonist?
《13号星期五2》（1981）
杰森 迈克尔·迈尔斯还是弗雷迪 Jason, Michael Myers or Freddy?
《月光光心慌慌4：迈克尔·迈尔斯归来》（1988）
《猛鬼街2：弗雷迪的复仇》（1985）
在我看来 这三者中最复杂 写得最好的 In my opinion there's no question the most complex and the most well-written of the three
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
无疑是弗雷迪·克鲁格 is definitely Freddy Krueger.
《猛鬼街》（1984）
你怎么会不喜欢弗雷迪·克鲁格呢 How do you not love Freddy Krueger too?
我的意思是 拜托 他在第一部电影中一开始是不同的 I mean come on, he started out as something different in the first movie then they moved
然后就跑偏了 away from that.
他杀了孩子 但我们把他放在这个基座上做成玩具娃娃 He killed children and yet we held him up on this pedestal and there were dolls and like
就像所有这些都是为孩子们准备的 为孩子们销售的 all these things that were for kids, marketed for kids.
会说话的弗莱迪娃娃 A talking Freddy doll.
这是一个儿童杀手耶 This is a child killer people.
《猛鬼街6》（1991）
显然 他在所有不同的电影中都从非常可怕到 Obviously, he runs the gamut from being really scary to being really corny across all the
《猛鬼街4：做梦大师》（1988）
非常老套 different films.
但是罗伯特·英格兰德确实给这个角色带来了一种时尚感和魅力 But Robert Englund really brought a sense of style and charisma and just this attitude
《猛鬼街5：梦中孩子》（1989）
《猛鬼街4：做梦大师》（1988）
以及这种态度 to this character.
我尊重创造一个标志性人物是多么困难 向孩子们推销它是最佳的方式 I respect how hard it is to create an iconic figure and marketing it to kids is the best
当然对于弗雷迪来说 这是他成功的一大领域 way to do that and certainly with Freddy that is a giant piece of his successes.
营销 唱片 手套 衬衫 帽子 服装 The marketing, the records, the gloves, the shirts, the hats, the costumes the...
天哪 你可以买一件上面有弗雷迪的连体衣 Gosh, you can buy a onesie that has Freddy on it.
你可以买很多弗雷迪周边的东西 这确实是他成功的关键 You can buy so much with Freddy on it and that really was the key to his success.
然后其他人都喜欢 这就是公式 And then everybody else were like oh, there's the formula for that.
曲棍球面具 电锯 这一切都变成了一场大型的营销盛会 And the hockey masks, the chainsaws, it all becomes this big marketing extravaganza and
它可以用来制作标志性的人物 它真的很有用 it works to make iconic characters, it really does work.
《狼之一族》（1985） - 电视广告
《狼之一族》很有魔力 Company of Wolves is magical.
米克·加里斯 《恐怖大师》创作者
《狼之一族》（1985）
它需要一个小红帽似的角色 使其变成真正具有挑衅性和弗洛伊德式的东西 It takes little red riding-hood and turns it into something really provocative and Freudian.
它与红色连衣裙和月经出血以及狼人有关 It has to do with red dresses and menstrual bleeding and werewolves.
在这部电影中 狼头从人的嘴里冒出来 这种变身的方式 In this one the wolf head emerges out of the human mouth and that transformation takes
与你以前看到的完全不同 place in a totally different manner than you've seen before.
它仍然是化妆效果 仍然是木偶和变头技术 It's still makeup effects and it's still puppetry and change-o head type technology but in a
但方式完全不同 totally different way.
这是一部非常特别的电影 看过的人不是很多 It's a really special movie that not enough people have seen.
我认为《狼之一族》是非常有趣的电影 Company of Wolves was I thought a really interesting movie.
乔·丹特 《活埋前女友》导演
当尼尔·乔丹说他不想制作像《破胆三次》 I was a little miffed when Neil Jordan said
那样的烂片时 我感到很生气 he didn't want to make a piece of shit like The Howling.
所以我带有些偏见 但这确实是部好电影 So, it kind of prejudiced me a little bit but it's a good movie.
《异形大灾难》（1985） - 预告片
《异形大灾难》是一部泡泡电影 The Stuff which is a blob movie basically
乔·丹特 《破胆三次》导演
讲的是一个杀人酸奶的故事 is about killer yogurt and it eats you.
《异形大灾难》（1985）
它设法在热闹和可怕之中取得一种平衡 It manages to be hilarious and scary at the same time.
这是对消费社会的批判 就算你没有消费罐头里的东西 It's a comment on consumer society except you're not consuming the stuff out of the can
罐头里的东西也会消费你 the stuff out of the can is consuming you.
这太棒了 It's terrific.
如果你想拍一部关于美国工业生产毒害公众的产品的电影 If you want to make a movie about American industry producing products that poison
拉里·柯恩 《异形大灾难》编剧、导演
那会是一部精彩的电影 但没有人会去看 the public that would be a wonderful movie but nobody would go to see it.
然后你采取同样的想法 设定成敌人是市场上推出的冰淇淋 Then you take the same idea and you may get ice cream that they're putting out in the
冰淇凌会吃掉你 这就成了一部娱乐电影 marketplace that consumes you from within and now it's an entertainment movie.
在娱乐的同时出售你的信息 Sell your message at the same time as you entertain.
我们影片的整体想法是人们去购买这种产品 吃到它 The whole idea of our picture was that people go out and buy this product and eat it and
上瘾 然后爱上它 become addicted to it and love it.
所以 这是部关于上瘾的影片 So, it was about everything else that's addictive.
迈克尔·莫里亚蒂在我们一起拍摄的第一部电影中表现出色 就是《翼龙》 Michael Moriarty was remarkable in the first picture we did together which was Q and
《翼龙》（1985）
没人能表现得比他好 nobody could have been better.
所以 我自然会想再次与他合作 So, naturally I would want to work with him again.
《异形大灾难》（1985）
我们和弗雷德·阿斯泰尔做了同样的事情 就是他在天花板上跳舞的那个 We did the same thing as Fred Astaire and that famous dance routine where he danced
《王室的婚礼》（1951）
著名的舞蹈套路 on the ceiling.
他们转动房间 我们将房间 360 度颠倒过来 They turned the room; we turned the room 360 degrees upside down.
《异形大灾难》（1985）
唯一的区别是 在过程中它着火了 The only difference is that in this one it was on fire.
我用棒子敲打它 I beat this stuff with a stick.
当它不想做我告诉它做的事情时 我不在乎 When it didn't want to do what I told it to do, I didn't care.
当没有人在看时 我会给它几下重击 这引起了它的注意 When no one was looking, I'd give it a couple of whacks and that got it's attention and
之后它很好地完成了它被告知的事情 it pretty well did what it was told after that.
对于演员来说这是一回事 因为他们有感情 他们有经纪人 With actors it's one thing because they have feelings and they have agents and they have
他们有律师 但这团东西完全是我的 lawyers but the stuff was totally mine.
我可以打败它 I could beat the shit out of it.
我父亲是匹兹堡最早的恐怖主持人之一 My father was one of the first horror hosts in the country in Pittsburgh,
洛里·卡蒂勒 《活死人之日》演员
他的名字叫寒冷比利 his name was Chilly Billy and
他有一个名为寒冷剧场的节目 还有《活死人之夜》 我父亲也有参与 he had a show called Chiller Theater. And Night of the Living Dead, my father was in it.
《活死人之夜》（1968）
乔治是一位大师 他总是领先于他的时代 George was a master and he was always ahead of his time.
正如大家所说 他是一个巨人 一个高大的泰迪熊 As everybody says a giant of a man, a tall teddy bear.
他平易近人 爱演员 也给了我们自由 He was approachable, he loved the actors, he gave us freedoms.
《活死人之日》（1985）
莎拉紧紧地握着它 试图把它抱在一起 Sarah was holding it tight, trying to hold it together.
她必须把它抱在一起 She had to hold it together.
她是一位科学家 试图弄清楚如何对付军队中所有的混蛋 She was a scientist trying to figure this out how to deal with all these jerk guys in the military.
她有温暖和同情心 但大多数情况下你看不到这一点 She had warmth and compassion but mostly you don't get to see that.
你会看到她更坚硬的外表 You see her harder exterior.
当时人们试图将《活死人之日》与《活死人黎明》进行比较 At the time people were trying to compare Day of the Dead to Dawn of the Dead.
这是两部完全不同的电影 It was a completely different movie.
他们非常失望 尽管最终的结果上汤姆·萨维尼 They were very disappointed and it was too talky
和他的特效团队做得很好 they would say or not enough gore although at the end
但他们觉得成品太话痨或不够血腥 Tom Savini and his crew did a beautiful job.
《活死人之日》的特效化妆其实非常棒 The practical special effects on Day of the Dead are remarkable.
格雷格·尼科特罗是影片中的一个年轻人 他看起来好像19岁 Greg Nicotero was a young guy on the show and he was like 19 years old but obviously
但他特别天才 very talented.
《活死人之日》永远地改变了我的人生 Dawn of the Dead changed my life forever
格里高利·尼克特洛 《活死人之日》演员、特效化妆助理
《活死人之日幕后》（1985）
因为我永远不知道乔治会把我们带到哪里 just in terms of never knowing where George was going to take us.
我基本上是汤姆的助手 所以我为他管理部门 订购所有的物资 I was basically Tom's assistant so I ran the department for him and ordered all the
还负责雇佣工作人员等等 诸如此类 supplies, hired the crew, all that kind of stuff.
他总是想尽可能多地使用真正的肠子 He always wanted to use real intestines as often as we could.
没有比真实的东西更好的了 所以我们会用猪肠 You can't get better than the real thing so we would use pig intestines.
《活死人之日》中最引人注目的是罗德被撕裂的时候 The big showstopper in Day of the Dead is when Rhodes is torn apart.
我们在那部电影中所做的一切都是为了那一刻的高潮 The culmination of everything that we did in that movie led to that moment.
然后他们就用他的内脏 他的身体 手指和大部分胆 Then they just have a feast on his guts and his body and his fingers and his mostly the
大快朵颐 guts inside.
当我们拍摄那个场景时 我们使用了腐臭腐烂的肠子 When we shot that scene, we used rancid rotted intestines.
我记得有几个僵尸甚至拿耳塞塞到鼻子里 And I remember a couple of the zombies actually took earplugs and stuffed them up their noses
因为气味太难闻了 because the smell was so bad.
当乔治喊停时 每个人都这样做 以便让腐烂肠子的气味 When George yells cut everybody's doing this to wave the smell of the rotting intestines
从乔·皮拉托的面前散去 away from Joe Pilato's face.
我们不知道去哪儿能买新鲜的胆 We didn't know any better to just go out and buy new guts.
我猜我们也不想花80美元 We didn't want to spend the 8O bucks I guess I don't know.
我觉得《活死人之日》里的血腥其实很贴切 I think that the gore in Day of the Dead is actually very appropriate.
最后当然是夸张了 这就是乔治的幽默 It's over-the-top at the end of course it is, that's George's humor.
这就是乔治电影的非凡之处 That's what was so remarkable about George's films.
随着年龄的增长 它们变得越来越好 They get better and better with age.
他的《惊魂记2》剧本大获成功 Hot off the success of his Psycho 2 screenplay.
《天师斗僵尸》（1985）
汤姆·霍兰德自编自导的《天师斗僵尸》 令所有人大吃一惊 Tom Holland wrote and directed Fright Night and took everyone by surprise.
詹姆斯·A·贾尼西 《Dead Meat》主持人
它把伟大的电影怪物抛在了身后 我写了《天师斗僵尸》作为对此的回应 It left the great movie monsters behind and I wrote Fright Night in reaction to that and
汤姆·霍兰德 《天师斗僵尸》编剧、导演
也因为我从小就喜欢Hammer AIP的吸血鬼电影 also because I had grown up loving the Hammer AIP vampire films.
我喜欢克里斯托弗·李 I love Christopher Lee.
它由威廉·拉格斯代尔 阿曼达·贝尔斯 斯蒂芬·杰弗里斯和罗迪·麦克道尔主演 It stars William Ragsdale, Amanda Bearse, Stephen Geoffreys and Roddy McDowall opposite
对抗克里斯·萨兰登 Chris Sarandon.
你要做的就是让一个喜欢奇闻趣事的恐怖粉丝望向窗外 What you do is to have a gonzo horror fan look out the window and see his next-door
看到隔壁邻居吸血鬼正在咬人 neighbor a vampire chomping down on somebody.
当然 如果他是个恐怖电影迷 到处跑来跑去说吸血鬼 And then of course, if he's a horror movie fan running around saying vampire, vampire
隔壁的吸血鬼 next door.
没有人会相信他 Nobody's going to believe him.
你不能把坏人都设置得很坏 You can't make the villain all bad.
你必须为反派添加有可取之处的矛盾心理 使他成为 You have to add the ambivalence where there are saving graces to the villain to make him
一个立体的角色 a three-dimensional character.
他得到了永生 但他总是失去他所爱的人 He's been given eternal life but he always loses the one he loves.
罗迪·麦克道尔以彼得·文森特的身份杀了它 这个名字是以彼得·库欣 Roddy McDowall kills it as Peter Vincent who's a B-movie horror host named after Peter Cushing
和文森特·普莱斯的名字命名的B级恐怖片主持人 他被迫接受真正的交易 and Vincent Price and he's forced to take on the real deal.
这是一部很酷的电影 也可以说很有历史感 It was a cool movie that actually had a sense of history as well.
它拥有你想要的一切 It had everything you wanted.
有很大的血腥 有对麦克道威尔的怀旧致敬 以及 There was great gore, there were hints of nostalgia with McDowell and that kind of hit
对锤子电影的回应 towards the Hammer movies.
在那时 我拥有好莱坞迄今为止最好的特效团队 而《天师斗僵尸》 I had the best effects crew extant in Hollywood at that moment and Fright Night is full of
充满了摄像机内的特效 in-camera effects.
在最后一幕中 查理和彼得文森特在地下室与杰瑞丹德里奇对峙 There's that final scene where Charlie and Peter Vincent confront Jerry Dandrige in the
艾米挡住了路 basement and Amy gets in the way.
她说 查理你告诉过我 你会救我 And she says Charlie you told me that you'd save me.
然后她回到他身边 当她回到他身边时 我意识到 And then she comes back to him and when she came back to him, I realized there was a huge
那里可以安排个恐怖镜头 scare that was there.
我去找史蒂夫·约翰逊 我让史蒂夫给她一张鲨鱼嘴 I went to Steve Johnson and I said Steve give her a shark's mouth that will scare the hell
那样会吓坏每个孩子 out of every kid.
然后它最终成为了一个标志 还有很多人cos这个形象 Then it ends up being the definitive image on the one street and has become cosplay.
是的 Yes.
谁能想到 Who knew?
《活死人归来》（1985） - 预告片
我认为《活死人归来》是一部非常棒的恐怖喜剧 The Return of the Living Dead I think is such a great horror comedy because it never stops
唐·曼西尼 《鬼娃回魂》导演、编剧
《活死人归来》（1985）
它从未停止过恐怖 但它也非常有趣 being horrifying but it's so gut-bustingly funny.
我记得《活死人归来》里一个非常重要的场景 当时他们在脑补这件事 I remember a very significant moment of watching The Return of the Living Dead when they brain
但没有什么用 因为那时你认为你知道的一切都在窗外 the thing and it doesn't work because then everything you think you know is out the window.
这可能是第一部符合这些期望的元僵尸电影之一 他们会 And it's one of the first maybe meta zombie movies that's playing with those expectations
花时间解释他们从观看《活死人之夜》中学到的 where they take a moment to explain all the rules that they learn from watching
一系列的规矩 Night of the Living Dead.
我记得你说 如果我们摧毁它们的大脑它就会死 I'd thought you said if we destroyed the brain it'd die?
它会在电影中起作用 但是弗兰克 现在不行了 It worked in the movie. Well, it ain't working now Frank.
你是说电影骗了我吗 You mean the movie lied?
然后 当这些规则不适用于你所处的情况时 它会突然变成 And then when those rules don't apply to the situation you're in, it suddenly becomes...
任何事情都可能发生 very anything could happen.
他们不是无意识的肉食者 They weren't the mindless flesh eaters.
塞西尔·特拉成堡 《good bad flicks》主持人
他们跑得快 还很聪明 不是你想象中的那种 They were fast, they were smart, they were not what you were expecting.
他们正在杀死医护人员 还会杀死警察 They're killing the paramedics; They're killing the cops.
其中一个僵尸在CB电台上喊 派更多警察来 And one of them gets on the CB radio and is like ”Send more cops."
这很有趣 因为你以前从未在僵尸电影中看到过这样的情景 And it's just hilarious because you've never seen that in a zombie movie before.
塔曼的场景 The Tarman scene,
我记得我那时看着它 完全不知道他们是如何做到的 I remember looking at it and thinking I had no idea how they did it because something
那东西的解剖结构在发生一些特别具体的事情 so specific is happening with the anatomy of that thing.
这是设计 演员和他的举止方式所意外引发的 It's just one of those accidentally iconic moments of horror with the design,
标志性恐怖场景之一 with the actor, with the way he was carrying himself.
是80年代不可磨灭的恐怖形象 It's an indelible image of '80s horror.
他们切成两半的那个女人尸体 是我的朋友托尼·加德纳制作的 That woman corpse that they cut in half, it was made by a friend of mine Tony Gardner
他在最近几部电影中扮演了查基 who has done Chucky for the last few movies.
他们把她绑起来 和她谈话 他们说 你为什么要大脑 They tie her down and have this conversation with her. They say, "Why do you want brains?"
然后她说 And she says...
这样可以消除痛苦 "It makes the pain go away."
对我来说 这是我在恐怖电影中 That to me is one of the most horrifying concepts
听到过最恐怖的概念之一 同时也很搞笑 I've ever heard in a horror movie and so hilarious at the same time.
我觉得那部电影很吸引人 I find that movie fascinating.
《破胆三次2：你姐姐是狼人》（1985） - 预告片
对于《破胆三次2》能谈些什么 What can I say about Howling 2?
乔·丹特 《破胆三次》导演
我可以说 克里斯托弗·李为参与其中向我道歉 I can say that Christopher Lee apologized to me for being in it.
《破胆三次2：你姐姐是狼人》（1985）
我可以不管菲利普·莫拉在想什么 我没想到它会出现在电影中 I can say that to whatever Phillippe Mora was thinking, I don't think it probably got on film.
但是你要知道 西碧尔·丹宁在片尾字幕中撕了 It does have however Sybil Danning's dropping her dress 72 times during the end credits
《破胆三次2：你姐姐是狼人》（1985）
72 次裙子 这很重要 which you know, that counts for something.
《破胆三次2》的问题在于它没有任何意义 The problem with Howling 2 is that it just doesn't make any sense.
特别是它彻底颠覆了第一部的结局 第一部的最后新闻播音员在 Particularly in that it completely blows the ending of Howling 1 in which the newscaster
《破胆三次》（1981）
全体电视观众面前变成了狼人 但在《破胆三次2》中却没有人看到它 turns into a werewolf in front of the entire TV audience and then in Howling 2 nobody saw it.
好像它肯定是史上收视率最低的新闻节目 It's like it must have been the lowest rated newscast in history.
它是在特兰西瓦尼亚或类似的地方拍摄的 弗迪·梅恩也在其中 And it was shot in Transylvania or someplace like that. Ferdy Mayne is in it.
《破胆三次2：你姐姐是狼人》（1985）
我的意思是它的一部有趣的片子 但是它根本没有任何意义 I mean there are things about it that are interesting but it just doesn't make any sense at all.
我作为粉丝 喜欢的是斯蒂芬·金重点描写的小镇故事 When Stephen King focuses in on small-town stories that's what I love as a fan.
希瑟·威克森 《Daily Dead》主编
《银色子弹》（1985）
《银色子弹》是由我的助理导演之一丹·阿蒂亚斯拍摄的 Well, Silver Bullet was done by Dan Attias who was one of my assistant directors.
乔·丹特 《破胆三次》导演
是一部狼人电影 It's a werewolf picture.
《银色子弹》（1985）
是另一部有儿童小英雄的80年代电影 Another one of those movies '80s movies with a kid hero.
是的 这是部非常感人的电影 因为很多电影就像《我是少年狼》一样 Yeah, it's a pretty affecting movie because a lot of these movies much like I Was a Teenage
都是关于青春期的寓言 《银色子弹》更适合于这一类别 Werewolf are parables about adolescence and Silver Bullet it fits into that category I think much
而不是像《破胆三次》或《美国狼人》那种 more so than like something like The Howling or An American Werewolf.
科里是《银色子弹》中的一切 The Coreys were kind of everything in the
我是在《银色子弹》中第一次看到科里·汉姆 Silver Bullet was my first-time seeing Corey Haim
我马上就爱上了这个孩子 in anything and I just fell in love with that kid.
我认为那部电影中有一些关于他的特别之处 And I thought there was something very special about him in that movie.
还有 加里·布西 他认识红叔叔和他有的小红叔叔 你知道吗 And of course, Gary Busey, he knows Uncle Red with all his little Uncle Red-isms, you know?
这让我再次害怕黑暗 因为那里藏着什么东西 And it made me scared of the dark again because there's something out there.
埃弗雷特·麦吉尔饰演洛威牧师 贡献了精彩的表演 Everett McGill as Reverend Lowe it's such a great performance.
对我来说很有趣的是 在那部电影中 他甚至不必打扮成狼人模样 And it's interesting to me that in that movie he didn't even have to be the guy in the werewolf
但他这样做 是因为他太有方法了 costume but he did it because he was so method.
《活跳尸》（1985） - 预告片
我不知道《活跳尸》会成为一个cult经典 I had no idea that Re-Animator would become a cult classic.
芭芭拉·克兰普顿 《活跳尸》演员
我们需要找到一种方法将我们的电影与其他的电影区分开来 We needed to find a way to separate our film from so many of the others because everyone
斯图尔特·戈登 《活跳尸》编剧、导演
因为当时每个人都在拍恐怖片 was making horror films then.
大体上讲 洛夫克拉夫特是想做一版他的弗兰肯斯坦 Basically, Lovecraft doing his version of Frankenstein it's about someone who has a
《活跳尸》（1985）
这个主角有着积极的梦想 但结果变得很糟糕 dream that's a very positive thing that turns awful.
好像是提醒你小心你的祈愿 It's sort of like be careful what you wish for.
使死者起死回生的想法是我们都希望自己能够做到的事情 The idea of bringing the dead back to life is something we all wish that we could do.
布莱恩·尤兹纳 《活跳尸》制片人
我喜欢看人头说话的电影 像《不死之脑》 I like movies where the heads talk and The Brain That Wouldn't Die.
我只是觉得 这对我来说真的很恐怖 I just think there's something about that that's real horror to me.
赫伯特·韦斯特 他太自负了 Herbert West, he's so full of himself.
然而我们还是忍不住喜欢他 因为他非常热情 And yet we can't help but like him because he's so enthusiastic and he always makes a
总是做出你没有猜到的选择 choice you didn't guess it.
我认为斯图尔特隐藏的力量是他讲故事的能力 I think the unsung power of Stuart is his storytelling ability.
斯图尔特有着无上的光荣 他就是为此而生的 Stuart's gloriously outrageous, he just goes for it.
这庞大而勇敢 It's big and it's brave.
因此 我们必须为《活跳尸》创造一个女性角色 于是我们 So, we had to invent a female character for Re-Animator and we invented the dean's
找来芭芭拉·克兰普顿在影片中扮演院长的女儿梅根·哈尔西 daughter Megan Halsey that Barbara Crampton plays in the film.
当然 影片里最引人注目的场景就是那段 And of course, the scene that got all the attention is the scene in which we sometimes
以头换头的场景 call it the head gives head scene.
我们知道没有人会拍摄这样的场景 We knew that no one was going to do a scene like this.
他们在做很有趣的事情 挑战视觉的极限 It was a funny thing that they were doing, this visual pun.
我想我不能拒绝这个 因为屏幕上的这一幕 And I thought I can't turn this down because of this moment on screen that I'm going to
我必须要拍 have to do.
如果我当时就知道我现在所知道的 那我也怀疑自己是否能够完成 If I knew then what I know now I don't know if I would have been able to go through with
在《活跳尸》中经历的一切 what I went through on Re-Animator.
这简直太剥削了 It was quite exploitive.
在某种程度上 这确实是开创性的 It was really groundbreaking in a way.
那一幕仍然禁忌且令人震惊 That scene is still shocking and taboo.
幸运的是 它在真正变坏之前就停止了 The fortunate thing is it stopped before it really gets bad.
它会一直延伸到那里的边缘 It just goes right up to the edge there.
如果没有那个处于困境中的少女 就不会有《活跳尸》 There wouldn't be Re-Animator without that damsel in distress like that.
我们也无从谈起它 We wouldn't be talking about it.
斯图尔特·戈登在恐怖片中的标志性成就可能是讽刺的语气 Stuart Gordon's maybe signature achievement in horror is the ironic tone, the over-the-top
对恐怖的过度娱乐化 pleasure of the horror.
这就是它的乐趣 The fun of it.
他给《活跳尸》带来了一种体验 表明一部廉价的恐怖电影 He brought kind of an experience to Re-Animator that showed that a cheap horror movie
真的会很不错 can be really good.
老实说 我以为没有人会看这该死的东西 I honestly thought no one will ever see this bloody thing.
我知道什么 What did I know?
《鬼玩人2》（1987）
布鲁斯·坎贝尔饰演的阿什 Ash played by Bruce Campbell.
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
他是最早因扮演英雄 He was one of the first actors
而不是因为扮演恶棍而出名的演员之一 who become famous in horror for playing a hero rather than a villain.
从30年代到文森特·普莱斯和克里斯托弗·李等等 Horror stars from the 30s on down through to Vincent Price and Christopher Lee etc...
这些恐怖明星往往都以扮演怪物 恶棍而闻名 were tended to be known for playing the monsters, the villains.
男性恐怖明星都是以作为对手而闻名的 但布鲁斯坎贝尔 The male horror stars were known for being the antagonists and Bruce Campbell's a little
则不太一样 different.
他是恐怖界的布鲁斯·威利斯 He was the Bruce Willis of horror.
科里·泰勒 《Slipknot》主音乐师
就像是哪怕在所有人都与他的联盟格格不入的情况下 He was just that every man who was like stuck in a situation that was way out of his league.
他只会说去他妈的 我不会死的 He just said screw it, I'm not going to die.
他以反击邪恶而闻名 这使他在恐怖界的历史上 He was known for being the guy fighting back against the evil so that made him kind of
显得独一无二 unique in horror history.
《怪形》（1982）
世界上每个男孩都想成为《怪形》中的库尔特·拉塞尔 Every boy in the world must have wanted to be Kurt Russell in The Thing.
斯宾塞·希克曼 死亡华尔兹奖创始人
他在零度以下的温度中与外星生物作战 He battles an alien creature in sub-zero temperatures.
即使在他经历了一切之后 他依然很坚强 He's still badass all the way through even after everything he's been through.
汤姆·霍华德的《天师斗僵尸》 Tom Holland's Fright Night.
我一直想成为查理·布鲁斯特和邪恶埃德之间的混合体 I always wanted to be like kind of a mix between Charlie Brewster and Evil Ed
瑞恩·图雷克 怖屋公司发展副总裁
《天师斗僵尸》（1985）
我想成为超级恐怖片厨 但我也想要女朋友 where I wanted to be the super horror nerdy kid but I also wanted the girlfriend.
在《鬼追人2》里 In Phantasm 2,
《鬼追人2》（1988）
雷吉·班尼斯特是个讨人喜欢的角色 因为他基本上是在扮演自己 Reggie Bannister is a likable, relatable character because he's basically playing himself.
他说话的方式就是这样 嘿 伙计 进展如何 He talks that way off set, "Hey, dude, man how is it going?"
马克·肖斯特罗姆 《鬼追人2》特效化妆设计、道具师
他就是这种人 He's the same way.
我想这就是人们喜欢他的原因 I think that's why people like him.
汤姆·阿特金斯很棒 Tom Atkins is awesome.
安德烈·高尔 《降妖别动队》演员
《月光光心慌慌3：女巫的季节》（1982）
他总是一个可靠的形象 He's always like a reliable presence.
小菲尔·诺贝尔 《Fangoria》主编
你会看到他出演了很多卡朋特的影片 然后罗梅罗也找他去演《鬼作秀》 You see him turn up and a lot of Carpenter stuff and then Romero borrows him for Creepshow
《鬼作秀》（1982）
然后他还在《太空僵尸》里扮演警察 and then he's in Night of the Creeps as the cop.
《太空僵尸》（1986）
他演得很棒 He's great.
《太空僵尸》（1986）
塞西尔·特拉成堡 《good bad flicks》主持人 'Mo' Rutherford from The Stuff.
《异形大灾难》里的莫·卢瑟福 'Mo' Rutherford from The Stuff.
《异形大灾难》（1985）
他太棒了 He is awesome.
乍一看 这个人就是个渣男 他表现得很冷漠 On first glance you're like this guy's kind of a scumbag and he plays himself a little
但随着电影的进展 你就会慢慢地爱上了他 因为你 like aloof but then as the movie goes on you really fall in love with him because you see
知道了他的来历 where he's coming from.
很多人会误解他 认为他是傻瓜 A lot of people will misunderstand him and think
但实际上 他可以说比所有人都要聪明 that he's the doofus but really, he's outsmarting everyone.
他是个很好的角色 He's such a good character.
所以 当我特别想到80年代的特色和英雄时 我会想到《降妖别动队》 So, when I think of '80s specifically and heroes, I think of movies like The Monster Squad and
本·斯克里文斯 FrightRags创始人
《降妖别动队》（1987）
和《捉鬼小灵精》 The Lost Boys.
《捉鬼小灵精》（1987）
这些是我小时候会联想到的电影 These are movies that I could relate to as a kid.
《降妖别动队》（1987）
我希望这些很酷的孩子能成为我的朋友 It's these cool kids that I wanted as my friends.
我还想要一栋树屋 I wanted that tree-house.
想要一个俱乐部 I wanted that club.
我真的很想拥有一个怪物俱乐部 能骑着我的自行车到处转转 Like I really wanted to have a Monster Club and ride around on my bike and try to actually
如果能找到怪物 就消灭它们 take out monsters if I could find them.
在《捉鬼小灵精》里有青蛙兄弟 In Lost Boys you've got the Frog Brothers.
《捉鬼小灵精》（1987）
他们是吸血鬼杀手 在漫画店里闲逛 They hung out at this comic shop and they were vampire killers.
我就像成年人一样 这就是我 我有我的自行车 I was like man, this is me. I've got my bike.
在看过这部电影后 我会和我的朋友一起去兜风 试着重现影片中的东西 After this movie I'm going to go ride around with my friends and try to recreate these things.
在80年代 主角当然是《13号星期五》《猛鬼街》《月光光心慌慌》 In the '80s the central character certainly Friday the 13th and Nightmare, and Halloween,
你会看到真正坚强的女性开始可能成为受害者 但在某些时候 you started to see really strong women who start out to be victims possibly but at some
《13号星期五》（1980）
《猛鬼街》（1984）
《月光光心慌慌2》（1981）
《13号星期五》（1980）
情况也许会逆转 point, it turns.
他们发现了获胜的方式 They find a way to win the day.
《猛鬼街》（1984）
《月光光心慌慌2》（1981）
有些人不进来救他们 Some guy doesn't come in and save them.
是的 现在不是男人大显身手的时候 Yeah, it was not a time for kick-ass guys.
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
轮到女人大显身手了 It was a time for kick-ass gals.
这与女性逃避恐惧无关 And it wasn't about women running away from fear.
希瑟·威克森 《Daily Dead》主编
这是女性在直面恐惧 It was about women confronting it.
80 年代对女性来说是一个伟大的十年 我认为人们只是有点 The '80s was a great decade for women and I think people just sort of misconstrued what
误解了恐怖片想向女性传达的 horror was trying to say about female characters.
《德州电锯杀人狂2》（1986）
很多人从表面看这种类型 他们认为这只是为了让女性受害 So many people who look at the genre outside they think it's just about victimizing women
我认为他们觉得恐怖片基本上是为了实现这些 实现对女性暴力的 and I think they think it's about basically living out these like lurid fantasies of violence
可怕幻想 against women.
但是对我这个看着80年代恐怖片长大的人来说 它们始终都在关注女性 But for me as a kid growing up watching '80s horror it was about watching women persevere.
恐怖与女性之间有着爱恨交织的关系 Horror has a love-hate relationship with women.
凯利·马罗尼 《彗星之夜》演员
他们美化了它 They glorify it
但同时又将穿着睡衣的女孩们物化 鞭笞她们 but at the same time completely objectifying and slashing the girl in the nightgown.
所以 发生了一些事情 So, there's something going on there.
我不知道那是什么 是什么呢 I don't know what it is. What is it?
《月光光心慌慌》（1978）
我喜欢原版《月光光心慌慌》中的杰米·李·柯蒂斯 I love Jamie Lee Curtis in the original Halloween.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
你以为她只是个保姆 不是的 You think she's just a babysitter... Oh, no.
她同时具有温柔和强壮的品质 这是一组非常 She has a quality of both being tender and strong at the same time and that's a very
有吸引力的组合 attractive combination.
我认为她成为标志的原因是 当她幸存下来时 How she became iconic I think is that when she survives, she's there to protect the young
她会在那里保护她照顾的孩子们 也试图拯救其他人 ones that she's in charge of and she survives trying to save other people too.
《月光光心慌慌2》（1981）
她非常脆弱 但仍然足够强大到可以反击 She was very vulnerable but still strong enough to fight back.
她是一名斗士 这是值得向往的 我感觉是这样子的 She was a fighter and so that was also something to aspire to. But I can sort of hook in to
凯蒂·菲德斯通 《灵动：鬼影实录》演员
是的 我也是一名战士 我可以为自己挺身而出 我可以照顾自己 the idea of like oh, yeah, I'm a fighter too and I can stand up for myself and I can take care
我可以做得很勇敢 of myself and I can be brave.
所以 里面有很多我认为对女性和每个人来说都很酷的东西 So, there's a lot of that in there that I think is really cool for women and for everyone.
在恐怖片中女性角色的的美妙之处在于 你有很多的动作戏 The beauty of being a woman in horror is you're an action figure.
《德州电锯杀人狂2》（1986）
你要奔跑 跳跃 玩耍 你积极主动地掌控普通电影中 You're running, you're jumping, you're playing, you're proactive, you're taking command of
女性无法做到的情节和场景 plot situations and scenes that women in ordinary movies don't get to do.
尽管人们瞧不上《13号星期五》这系列电影 但当你真的开始看时 For as much as people like to look down on say the Friday 13th movies when you really
《13号星期五2》（1981）
第二部是关于金妮的 主要讲的是艾米·斯蒂尔比那个营地里的其他人 look at it, Friday 2 was about Ginny and it was about Amy Steel being smarter than every
都要聪明 other person at that camp.
她知道如何进入杰森的脑海 And she knew how to get into Jason's head.
可以这么说 她知道如何打败怪物 She knew how to defeat the monster so to speak.
《活跳尸》（1985）
芭芭拉·克兰普顿 是整个80年代低成本恐怖片的女王 Barbara Crampton, the queen of low-budget horror throughout the '80s.
斯宾塞·希克曼 死亡华尔兹奖创始人
《活魔人》（1986）
她通常被认为是一个非常强大的人 She just came across as someone that's like really strong.
《夜困杀人场》（1986）
《活魔人》（1986）
她从《活跳尸》中的传统女友角色转变为《活魔人》中事实上的主角 She goes from a traditional girlfriend role in Re-Animator to the de-facto protagonist
她为那个故事穿针引线 我觉得这是一个非常棒的过渡 of From Beyond. She becomes the seeker of that story which is a pretty cool transition.
《活魔人》（1986）
芭芭拉对这一遗产所做的事情非常具有象征意义 因为这很酷 Pretty emblematic of what Barbara has done with that legacy since which is pretty cool to see.
《猛鬼街3：梦中战士》（1987）
像南希·汤普森这样的人会在《猛鬼街》的最后张开手臂 Somebody like Nancy Thompson who basically open arms at the end of Nightmare on Elm Street
冲向弗莱迪 气贯长虹 is like come get me Freddy, let's do this.
《猛鬼街》（1984）
这正是希瑟·兰根坎普式的电影 And it was really Heather Langenkamp's movie.
她在那部电影中有一股惊人的力量 她的表演真的很强大 She was an amazing force in that movie and that performance is really strong and one
芭芭拉·克兰普顿 《活魔人》演员
是最终女孩的典范 of the best renditions of the final girl ever.
她制造了所有这些陷阱 并计划着如何诱捕凶手 She creates all these traps and she plans out how she's going to trap the killer.
这就像一些糟糕透顶的《小鬼当家》风格的恐怖噩梦 It's like some fucked up Home Alone style horror nightmare.
因此 她决定使用名为“诱杀和反人员装置”的军队手册 So, she decides to lay the booby traps around her house using an army manual called Booby
希瑟·兰根坎普 《猛鬼街》演员
在房子周围放置诱杀装置 Traps and Anti-Personel Devices.
这个操作很有童心 所以我很喜欢它 There's something so childlike about it that I love it.
这非常有效 It's effective.
你现在看到了 在大型集会上 人们装扮成南希并从她身上汲取力量 And you see that now in conventions people dressing up as Nancy and drawing power from her.
对于经历过PTSD或是性创伤的女性来说 There's like a real serious threat of women who have survived PTSD and have survived sexual
她就是她们眼中的英雄 trauma and have gravitated to these heroes.
它营造了完美的情景 简直太棒了 It makes perfect sense. It's amazing.
《养鬼吃人》（1987）
如果你关注《养鬼吃人》里的克里斯蒂的话 你会发现她 If you look at something like Hellraiser with Kirsty, her whole family life is just
全家就是茱莉亚和叔叔弗兰克与父亲之间复杂纠缠的莎士比亚闹剧 one big Shakespearean mess between Julia and her Uncle Frank and her father.
但最终 是她的韧性将修道士们送了回去 But in the end it's her resilience that ends up sending the Cenobites back.
你是那种会做错事并做出错误决定类型的人呢 Are you going to be the type that does the wrong thing and makes the wrong decision
安德烈·高尔 《降妖别动队》演员
还是会认真思考并成为领导者呢 or are you going to buckle down and think it through and be a leader?
《降妖别动队》（1987）
我认为我们的男女主角们 是你应当记得的人 And I think those are our heroes and our heroines and that's who you remember.
你会记得最后一个人 或最后一个女孩 最后一个英雄 最后一个女主角 You remember the final person or the final girl or the final hero or the heroine.
《十三号星期五：终结篇》（1984）
那是经过斗争的领导者 他们挺过来了 但无论如何 这些都只是 That's the leader that made a struggle, came through, but these are all just iconic
《恐怖欢乐屋》（1981）
标志性的英雄故事 hero stories anyway.
《搭车人》（1986）
这只是我们的新文学 This is just our new literature.
《德州电锯杀人狂2》（1986）
80年代的主题是从怪物中幸存下来的人们 以及不知何故被扭曲的地方 The '80s were about the people surviving the monster and somehow or another that got twisted
怪物 明星和人都是偶然的 around where the monsters the star and the people were incidental.
还有最终女孩这个词的出现 它让我听起来好像我已经100岁了 And that's what the term final girl reared its head and it makes me sound like I'm
但我说过 在我那个年代我们称其为电影明星 100 years old but I said in my day we call that the star of the movie.
这几乎就是我们必须通过说好来让这些女性拥有成为电影主角的资格 It's almost like we had to qualify making these women the protagonist of the movie by
我们坚持这个公式 她是最终女孩 她是尖叫女王 saying well, we're adhering to this formula and she's the final girl and she's a scream queen.
但实际上你所拥有的是一个大女主的类型 这非常酷 But really what you've got is a genre full of women protagonists which is pretty cool.
这太多了 以至于当它是像《猛鬼街2》中的耶西或 So much so that when it's a guy like Jesse in Elm Street 2 or Charlie
《猛鬼街2：弗莱迪的复仇》（1985）
《天师斗僵尸》（1985）
《天师斗僵尸》中的查理时 简直就是失常 in Fright Night, it's almost an aberration.
尖叫女王 最终女孩 这只是粉丝给的标签 Scream Queen, Final Girl, it's just fan shorthand.
这对我来说没有任何意义 It doesn't really mean anything to me.
我的性别是特定的 My gender is specific.
我是个女人 I am a woman.
我喜欢作为一个女人来过我的生活 I love living my life as a woman.
我喜欢以女性的身份在恐怖电影中生活 因为我的决定 我的直觉 I love living my life in horror films as a woman because the decisions and the instincts
《继父2》（1989）
《德州电锯杀人狂2》（1986）
和行动都取决于我的性别 and the actions I take are predicated on my gender
《继父2》（1989）
我不会像男人一样行事 我也不想这样做 I don't act like a guy and I don't want to.
《德州电锯杀人狂2》（1986）
我是物质的 我是性的 我是有智慧的 我是精神的 The fact that I'm physical, that I'm sexual, that I'm an intellectual, that I'm spiritual,
所有这些都是基于我是女人的事实 所以我不一定想要平等 all of those things are grounded in the fact that I'm a woman so I don't necessarily want
公众的认知或是公众接受度 equality of public perception or public acceptance.
当我想到最终女孩这个词时 我畏缩了一下 因为它仍然在区分 When I think about the term final girl I wince because it's still differentiating between
最终男孩和最终女孩 a final boy and a final girl.
我们应当被评判的是我们同怪物战斗的方式 We're going to be judged about how we fought the monster and not because of the gender
而不是在战斗时我们的性别 that we were when we fought him.
《猛鬼街》（1984）
韦斯·克雷文也许是很勇敢 让一个女孩担任主角 但我认为今天 Wes Craven was brave maybe to have a girl be his lead but I don't think anybody would
没有人会为此给予他任何赞誉 give him any credit for it today.
机会均等的战斗是我的全部 Equal opportunity ass-kicking is what I'm all for.
现在性别意味着开放性 多么地美妙 The openness of what gender means now is so wonderful.
洛里·卡蒂勒 《活死人之日》演员
这就是它的流动性 以及人们不希望被性别所限制 It is how fluid it is and how people don't want to be identified by gender.
我很好奇这将如何在恐怖类电影中发挥作用 I'm so curious how this will play out in film and the horror genre.
我期待看到更多的跨性别和更多的LGBTQ恐怖人物 I look forward to seeing more transgender more LGBTQ figures in horror and what they
他们将带来什么 这才能真正为恐怖电影带来全新的维度 will bring that will really bring an entirely new dimension to horror movies.
这将是令人兴奋的 That's what's going to be exciting.
我想看到这一天 I want to see that.
《夜困杀人场》（1986） - 预告片
《夜困杀人场》（1986）
好的 我们要去贝弗利中心拍摄 哇哦 这将是 Well, we're going to shoot at the Beverly Center and I went oh, this is going to be a
凯利·马罗尼 《夜困杀人场》演员
一场集体表演 class act.
《夜困杀人场》（1986）
《夜困杀人场》这部电影讲的是超市里的安全机器人 Chopping Mall is a movie with these robots in a mall that are security bots.
塞西尔·特拉成堡 《good bad flicks》主持人
建筑物被闪电击中 改变了机器人们的算法 The building gets struck by lightning and it changes their algorithm and so they go
于是机器人们开始狂暴杀人 然后刚好有一群青少年在里面 on a murderous rampage and there's a bunch of teenagers that are in the mall.
他们闯进了一家商店 然后就都呆在那里 因为他们可以 They've broken into the one store and they're all staying in there so they can drink and
在里面喝酒 做爱等等 have sex and whatnot.
结果他们就被杀戮机器人困在商店里 They're then trapped in the store by the killbots.
它们就叫机器人 It was called Robot.
我记得我们都站在那里 说是要拍一部叫《杀人机器》的片 I remember us all standing around hearing that it was going to be called Killbots
然后我们都去了 and we all went...
我们没有签约《杀人机器》 We didn't sign up to do Killbots.
他们考虑过《杀人机器》这个名字 但最终没用 Then they ran that title in it and didn't sell.
后来我们听说它叫《夜困杀人场》 我想我们都会死在里面了 And when we heard it was Chopping Mall, I think that we all just died inside I guess.
《夜困杀人场》你觉得 好像是人们会在商场里被砍 这听起来很酷 Chopping Mall makes you think oh, people are chopped in a mall and that sounds really cool but
但其实根本没有人被砍 nobody got chopped at all.
他们被机器人激光照射了 但我想这是一个有争议的问题 They got lasered by the robots but I guess that's a moot point.
我们所有的演员 扮演在商场里生活的这群青年 就像是 When we were all cast, we were friends in a mall having a party sort of living the movie
在电影中生活一样 that we were making.
他们没有关闭商场 They didn't shut down the mall.
我们必须等着商店关门 We had to wait for the stores to close.
当商场的人被清场后 我们马上进入状态 When everybody was out of there, we set up really fast.
我们一直拍到商店重新开张的时候 We shot until it was time for the stores to reopen.
晚上拍电影 这是怎么做到的 Doing a movie at night, how do you even do that?
我从来没有连续一个月熬夜 I've never stayed up like all night for a month in a row.
我白天是怎么睡觉的 How am I going to sleep during the day?
苏泽·斯莱特的头因被机器人激光照射而爆炸 Suzee Slater's head had to explode from being lasered by the robot.
这真是很酷的杀法 That was a really cool kill.
如果我们对杀戮感到兴奋的话 If we want to get gleeful about kills.
我最喜欢的是我杀死杀戮机器人的那段 My favorite kill is when I kill the killbot.
我绝对觉得 我在《夜困杀人场》里笑到了最后 I definitely feel like I got the last laugh in Chopping Mall.
《毒魔复仇》（1986）
《毒魔复仇》就是部讽刺作品 The Toxic Avenger is basically a satire.
迈克尔·赫兹和我制作的电影都是关于弱者的 The movies that Michael Herz and I have made it's all about the underdog.
我们喜欢喜剧 也喜欢社会问题和政治 喜欢裸体的人 当然也喜欢男人和女人 We like comedy and we like social issues and politics and we like naked people, men and
洛伊德·考夫曼 《毒魔复仇》编剧、导演
我们喜欢把这些流派混合起来 women of course, and we like mixing the genres.
所以 《毒魔复仇》不算是恐怖片 So, The Toxic Avenger is not a horror film.
只能说它有恐怖元素 It has elements of horror.
它可能有史上首个完整的头部粉碎场景 It probably has the first full head crushing scene in history.
一个十三岁的男孩的头被汽车的车轮压碎了 The thirteen-year-old boy has his head crushed by the wheel of an automobile.
MPAA让我们从最初的《毒魔复仇》中删减了20分钟 The MPAA made us cut I think 2O minutes out of the original Toxic Avenger.
毒魔是一种畸形的生物 它具有超人的体型和力量 The Toxic Avenger is a hideously deformed creature of superhuman size and strength.
不幸的是 他的武器只有拖把 还有跳跃能力 His weapon unfortunately is only a mop and he can jump.
仅此而已 That's about it.
我们认为这很有趣 因为当时 We thought that was amusing because the mainstream
主流电影都有各种超级武器和音效特效 movies of that time have all sorts of super-duper
我们的这个角色却只有一个拖把 weapons and sound effects and special effects and we thought it would be funny just to have
这很有趣 it be a mop.
这部电影是一部环保电影 And the movie is an environmental movie.
那么 还有什么比拖把更好的武器呢 So, what better weapon than a mop?
一个人在这里徘徊 找工作 A guy wandered in here looking for a job.
我给他看了剪辑室里的粗剪 I showed him the rough cut in the editing room.
他说你应该称其为 新泽西第一位超级英雄 He said you should call it, The First Super-Hero from New Jersey.
一个路过的英雄 A guy off the street.
好点子 大家都会喜欢的 Great idea. People loved it.
《吵闹鬼2：另一边》（1986） - 预告
他们回来了 They're back.
詹姆斯·A·贾尼西 《Dead Meat》主持人
这几乎就像是 他们试图再次在瓶子里捕捉闪电 It's almost like they're trying to capture lightning in a bottle again but this time
《吵闹鬼2：另一边》（1986）
但这次是卡罗·安妮给玩具电话配音 神奇的吵闹鬼部队 it's the toy phone that has voices for Carol Anne as the otherworldly Poltergeist forces
跟随弗里灵家族前往亚利桑那州凤凰城 follow the Freeling family to Phoenix, Arizona.
布里特导演布莱恩·吉布森试图理解这部电影 Britt director Brian Gibson was trying to make sense of this movie since Tobe Hooper
因为托比·胡珀退出 而史蒂文·斯皮尔伯格专注于制作 was out of the picture and Steven Spielberg was focused on making more serious fare like
更严肃的电影 比如和儿童时的克里斯蒂安·贝尔拍摄《太阳帝国》 Empire of the Sun with a kiddy Christian Bale and also probably wondering why the Academy
并想搞清楚学院派为什么不喜欢他的《紫色》 dissed him over The Color Purple.
这一次 他们请来威尔·萨姆森扮演美洲原住民萨满巫师 This time they recruit Will Sampson as a Native American shaman to show the white folks how
向白人展示如何战胜邪恶生物 to triumph over cult creatures.
HR·吉格设计了电影中的两个生物 包括杀人者 HR Giger designed two of the film's creatures including the killer who knows what it is
他知道史蒂文吞下蠕虫并被附身后吐出的是什么 that Steven barfs out after he swallows the worm and gets possessed.
但是 喝多了以后不是都会有些眩晕吗 But don't we all get a little possessed when we drink too much?
《吵闹鬼2》肯定是有缺陷的 唯一值得重刷的点就在于 Poltergeist 2 definitely has its flaws but it's worth checking out alone just because
朱利安·贝克扮演的牧师亨利·凯恩 of Julian Beck as Reverend Henry Kane.
他的小帽子和歌声令人毛骨悚然 He's so creepy with his little hat and sing-songy voice.
你永远不会忘记他的表演 You'll never forget that performance.
下一站 芝加哥 Next stop, Chicago.
托尼可能是我见过的最聪明的演员 他有欧洲艺术电影的 Tony was probably the smartest actor that I've ever met but he had a European art film
《惊魂记3》（1986）
敏感性 sensibility.
所以 当《惊魂记 3》立项时 他坚持要导演 So, when they came back for Psycho 3, he insisted on directing it.
《惊魂记2》是一部成功的电影 Psycho 2 is a very respectful film.
《惊魂记2》（1983）
他的主线围绕着一笔巨大的遗产 It's sort of tiptoeing around a giant legacy.
小菲尔·诺贝尔 《Fangoria》主编
《惊魂记3》很疯狂 Psycho 3 is crazy.
《惊魂记3》是安东尼·博金斯决定不再小心翼翼地绕过这个遗产 Psycho 3 is Anthony Perkins deciding that he's not going to tiptoe around that legacy
《惊魂记3》（1986）
他要带着它走向末日 anymore and he's going to go to 11 with it.
《惊魂记2》很有节制 很冷静 而《惊魂记3》则色彩斑斓 很花哨 Where Psycho 2 is very sort of measured and calm, Psycho 3 is colorful and garish and
还很奇怪 他用吉他 weird and he bashes Jeff Fahey's
砸死了杰夫·费伊 head in with a guitar.
当时这部影片很受欢迎 但我认为《惊魂记3》应该被重新审视 It was sort of well-received at the time but I think Psycho 3 is due for a massive reconsideration
因为是安东尼·博金斯正在努力解决他当时不得不忍受20年的对象 because it's Anthony Perkins grappling with this thing that he's had to live with for
并最终决定决定拥有它 我认为这是该类型片中的一个 20-some odd years at that point and decided to own it which I think is a significant moment
重要的时刻 in the genre.
《惊魂记2》和《惊魂记3》比《惊魂记》的翻拍版好得多 但我不会说 Psycho 2 and Psycho 3 are miles better than the remake of Psycho which is I wouldn't say
乔·丹特 《恐怖大师》导演
《98惊魂记》（1998）
这是可憎的 但我认为这只是我听过的电影中 an abomination but I think it's just one of the most misguided ideas for a movie
最被误导的想法之一 I've ever heard of.
并不是说它制作得很糟糕 或者类似的东西 而是说它不是一部电影 Not that it's terribly made or anything like that but it's just such a non-movie.
这就像 为什么 It's like, why
有人说 这是因为孩子们不看黑白电影 And somebody said well, it's because kids won't watch black and white.
你知道我怎么说吗 如果他们看不了 那就别看 And you know what I say Fuck em if they can't
你必须和其他演员一起翻拍这部电影吗 这太荒谬的 watch black and white. You have to remake the movie with other actors That's ridiculous.
《火魔战车》（1986） - 预告片
如果一部电影完全由可卡因驱动 会发生什么 What happens when a movie is made completely driven by cocaine
布莱恩·尤兹纳 《活跳尸》制片人
《火魔战车》由斯蒂芬·金执导 改编自他在《守夜》里的短篇小说《重型卡车》 Maximum Overdrive has Stephen King directing from his Night Shift short story Trucks.
这是金作为导演在镜头后的唯一一次公开表态 His one and only time behind the camera as a director King has since said publicly that
《火魔战车》（1986）
在拍摄期间 他因服用可卡因而失去了理智 he was coked out of his mind for the duration of the shoot.
很明显他不知道自己在做什么 He didn't know what he was doing and it shows.
尽管如此 这部夸张的电影还是有很多值得人们喜爱的地方 Still, there's lots to love about this over-the-top movie.
詹姆斯·A·贾尼西 《Dead Meat》主持人
当然 埃米利奥·埃斯特维脱颖而出 站在了《火魔战车》的最前线 And of course, Emilio Estevez coming off the Brat Pack and seeing him at the forefront
希瑟·威克森 《Daily Dead》主编
我知道这不是一部伟大的电影 但是它很有趣 of Maximum Overdrive like look, I know it's not a great movie but boy is it fun.
一颗彗星通过赋予所有机器生命的方式 让它们自然产生杀戮之心 A comet passes by bringing all machinery to life with a mind to kill naturally.
教练被碳酸饮料罐击中 还有其它的一些荒谬的场景 You have coaches getting pelted with soda cans and just ridiculous over-the-top moments.
这部电影的另一个有趣之处是 主角是参演《辛普森一家》之前的雅德利·史密斯 It's also fun because the cast features a pre-Simpsons Yeardley Smith.
如果这部电影有什么了不起的地方 那一定是那杀手级的AC/DC配乐 If it's anything great that came out of this movie it's that killer AC/ DC soundtrack.
我是《火魔战车》的铁粉 I'm the biggest supporter of Maximum Overdrive.
瑞恩·图雷克 怖屋公司发展副总裁
人们讨厌这部电影 但听着 我从这部电影中获得了乐趣 People hated the movie but listen, I derive pleasure from watching that film and as well
就像很多其他糟糕的电影一样 我知道它有缺点 我也能承认 as a lot of other bad movies and I think as long as I recognize those flaws and can admit that,
不过那又如何 我喜欢 Just let me have my thing man, I like it.
《13号星期五6：杰森复活》（1986）
汤米·贾维斯在《13号星期五》系列中出现了三部 Tommy Jarvis had his own kind of three picture arc in the Friday the 13th franchise.
瑞恩·图雷克 怖屋公司发展副总裁
他由不同的演员扮演 《13号星期五6》的开场进展很快 He was played by different actors. Friday 6 begins pretty fast.
汤米·贾维斯和他的朋友开着一辆小货车 You got Tommy Jarvis, you got his friend and a pickup truck.
《13号星期五6：杰森复活》（1986）
他们要去墓地把杰森挖出来 确保他死了 They're going to the grave site to go dig up Jason and make sure he's dead and I'm like,
我很奇怪他们为什么要这么做 why would you do that man
杰森的复活方式很老套 他是在闪电中复活的 Jason gets a resurrected in a very Universal monsters fashion with the bolt of lightning
他变成了僵尸杰森 and he becomes zombie Jason.
当杰森回来的时候 看到营地里有那么多孩子 我就想 天哪 When Jason returns and there's all these kids at the camp, I was like, oh my God, Jason's
杰森要杀了这些孩子 going to kill all these kids.
但当汤米最终在火海中面对杰森的时候 然后他突然 But when Tommy finally faced Jason in the lake of fire and then like he drops to
带着杰森沉入了湖底 我就知道 你救了孩子们 the bottom of lake I was like yeah man, you saved the kids.
对我来说最重要的就是拯救孩子们 因为我和他们差不多大 That's all that mattered to me, just save the kids because I was about the same age as those
我也去过夏令营 kids and I went to summer camp.
所以我不想让杰森杀了我 So, I didn't want Jason killing me.
如果我知道汤米能解决掉杰森 那么一切都会好起来的 And if I knew Tommy took care of Jason everything was going to be okay.
《变蝇人》（1986） - 预告片
80年代的许多恐怖片中表演都被低估了 因为业界歧视恐怖片 So many performances in horror in the '80s were slept on because horror was disreputable.
小菲尔·诺贝尔 《Fangoria》杂志主编
《变蝇人》（1986）
赛斯·布伦德尔是一个伟大的反英雄 Seth Brundle is one of the great anti-heroes.
我是说他是个英雄 但他也是自己最大的敌人 I mean he's a hero but he's his own worst enemy.
赛斯·布伦德尔在《变蝇人》中发表的关于昆虫政治的演讲 Seth Brundle's speech in The Fly about his insect politics
于我而言 可能是这十年的巅峰 may be the pinnacle of the decade for me.
昆虫没有政治 它们很残忍 Insects don't have politics. They're very brutal.
他既是英雄又是恶棍 同时也是受害者 He's hero and villain and he's victim all-in-one.
但我觉得80年代被忽视的恐怖片主角是维罗妮卡 But I think a horror protagonist that gets really overlooked in the '80s is Veronica from
《变蝇人》 The Fly.
她经历了坠入爱河和分手的过程 这段经历轰轰烈烈 She goes through a very powerful arc of falling in love of a breakup.
里面有个堕胎的情节 这在80年代是很热门的 而且她 There's an abortion subplot in there which is pretty hot button for the '80s and she's
在影片的最后 将自己的伴侣安乐死了 essentially euthanizing her life partner at the end of the film.
最后她的啜泣也许是我看过的80年代恐怖电影中 And her sobs at the end of that are maybe one of the most real moments of '80s horror
最真实的时刻之一 I've ever seen.
她是这一流派中最复杂 最全面的女性主角之一 She's one of the most complex and most well-rounded women protagonists in the genre.
柯南伯格总是充满寓言性 Cronenberg's always rife with allegory.
《变蝇人》 他要告诉你的我也同意 这不是关于艾滋病 而是关于死亡和垂死 The Fly, he will tell you and I agree, it's not about AIDS, it's about death and dying
看着你爱的人逐渐变成另一个人 and watching someone who you love become a different person by degrees.
无论是疾病和衰老 还是仅仅止于一段关系 And whether that's about disease and aging or whether that's just about a relationship
随着时间的推移 我发现《变蝇人》是一个超级强大的寓言 running its course, I find The Fly to be a super powerful allegory.
《太空僵尸》（1986）
我觉得《太空僵尸》有趣的地方在于 它是弗雷德·德克尔的一次尝试 I think what's interesting about Night of the Creeps, it's Fred Dekker's attempt at
他在拍一部现代恐怖怪兽电影 但他还在把一些东西拼凑在一起 making a current slasher kind of monster movie but he's still jamming some things together.
我的意思是 它开始于外星人的喊声进入你的大脑 I mean it starts with aliens for crying out loud that get into your brain so now you've
所以这部僵尸电影基本上是由外星人起源开始的 got a zombie movie basically started from alien origins and Jason Lively running around
杰森·莱弗利在舞会之夜到处乱跑 是成熟 是性 是衣冠楚楚 是彻夜不眠 on prom night. It's coming of age, it's sex, it's dressing up, it's staying out late but now
但现在你得和僵尸外星人战斗 在你大脑里蠕动的怪物杀死了你的 you got to fight zombie aliens, slither monsters in your brain that have killed your
最好的朋友 best friend.
太疯狂了 太80年代了 It was just so bonkers and so '80s.
汤姆·阿特金斯 《太空僵尸》演员
这是我最喜欢的电影之一 My personal favorite of any film that I've done.
它有点像《人体异形》 但其实并不是 It's sort of like the Invasion of the Body Snatchers only it isn't.
这些看起来像鼻涕虫的小东西 你一张嘴它们就会钻进你的嘴里 These little creeps, they look like slugs and they shoot into your mouth when you open
从嘴里进去之后 就开始从里面吃掉你 你就变成僵尸了 your mouth to go ah, they're in and then they eat you out inside and you're a zombie.
我的工作就是摧毁他们 My job is to destroy them.
姑娘们都在等她们的约会对象 The girls are all waiting for their dates to arrive.
我走到窗前 向外望去 我说 好吧 姑娘们 I walk to a window and I look out and I say, well girls...
我有一个好消息 还有一个坏消息 I've got good news and bad news girls.
好消息是你的约会对象来了 The good news is your dates are here.
坏消息是什么 What's the bad news
他们死了 They're dead.
汤姆·阿特金斯在里面的台词可能是最好的 Anything that Tom Atkins says in that is probably the best.
令人毛骨悚然的小爬虫 Creepy crawlies...
还有一本正经的约会 and a date for the formal.
这很经典 斯班吉 This is classic, Spanky.
当然 你还要刺激我 And of course, you got "thrill me."
那是什么呢 So, that's just like what is that
刺激我 Thrill me.
这是一个大家都知道的梗 我们可以在任何时候想用这句话的时候 That's an iconic statement that everybody knows now that we can use at anytime that
把它说出来 you want to.
在浴室那场戏里 有一个《降妖别动队》的彩蛋 In the bathroom scene, there's a Monster Squad easter egg.
在墙的后面 我猜是弗雷德得知《降妖别动队》获得了许可那一周 On the back of the wall that was sort of I guess the week that Fred had learned that
他让他手下的艺术部门画了《降妖别动队》的涂鸦 Monster Squad had got a green-light and so we had his art department graffiti
就在洗手间后面的瓷砖上 Go Monster Squad on the back tile of that bathroom.
我们拍那部电影很开心 We had the best time shooting that movie.
其中最受欢迎的要数雷·卡梅隆侦探的活动人偶了 The biggest treat of all is an action figure of Detective Ray Cameron with the shotgun
拿着枪和啤酒 and a beer.
你觉得怎么样 How about that
阿特金斯 动作达人 Atkins - Man of action.
对我来说 托比·霍珀是一个不朽的人物 Tobe Hooper for me is a monumental figure.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
作为电影制作人 他勇于冒险 敢于给他的经典电影拍续集 He took risks as a filmmaker and he was making a sequel to his original classic that was
对我来说 这是好事 not lost on me.
比尔·莫斯利 《德州电锯杀人狂2》演员
《德州电锯杀人狂》 Texas Chainsaw Massacre.
这三个词组合在一起的时候 尤其有力量 It's just those three words just had such power especially when combined.
但是当我看过第一部时 我彻底傻眼了 它让我大吃一惊 But when I came out of Chainsaw, I was completely dumbfounded. lt just completely blew my mind
我意识到治疗电锯的方法不是看到它一百次再试图忽视它 and I realized that the cure for Chainsaw was not to see it a hundred times and try
而是成为索耶家族的一份子 to dismiss it, but it was basically to join the Sawyer family.
《德州电锯杀人狂2》（1986）
他已经被邀请去演一部小电影了 He had already been hired off of a little movie
拍的是恶搞的《德州电锯美甲狂》 he had made a parody called The Texas Chainsaw Manicure.
《德州电锯美甲狂》（1984）
托比拿到了一份拷贝 由此邀请了比尔 A copy of it got to Tobe and Tobe hired Bill off of that film.
我很震惊 Chop-Top是一个重要的部分 And I was shocked that Chop-Top was a big part.
《德州电锯杀人狂2》（1986）
《德州电锯杀人狂2》的理念非常幽默 我认为它真的令人 Now the idea that Chainsaw 2 had a great sense of humor to it, I think really took people
大吃一惊 by surprise.
我最喜欢的场景之一是Chop-Top的介绍 我进来威胁斯特雷奇 One of my favorite scenes is the introduction of Chop-Top and I come in to threaten Stretch,
就是卡洛琳·威廉姆斯扮演的DJ Caroline Williams, the DJ.
她回到了唱片库 被皮脸和卢·佩里曼的I·G恐吓 She's back on the record vault getting terrorized by Leatherface and I.G. Lou Perryman comes
然后我跳出跳台 用羊角锤砸他的头 in and l jump out of the record vault and start pounding his head in with a claw hammer.
锤子本身是泡沫橡胶 The hammer itself was foam rubber.
托比叫我行动的时候 我就开始打I·G的头 When Tobe would call action, I started pounding on I.G.'s head.
然后编几句台词 比如如果我有一把锤子 一二三 And making up stuff like if I had a hammer and a one and a two and a three
不停地敲打 and just pounding away.
我们拍了12次 托比说 太棒了 太棒了 We've done about 12 takes and Tobe goes yeah, yeah, that was great that was great.
我们再拍一次吧 Let's just do one more take.
我看着托比问 我做错什么了吗 I looked at Tobe and I said Tobe, "Am I doing something wrong"
他看着我说 哦不 比尔 我只是看着你很开心 And he looked at me and he goes oh, hell no, Bill, I'm just having fun watching you.
毫无疑问 整部电影的标志性时刻就是电锯贴到我的两腿间 Undoubtedly the signature moment in the whole movie is the chainsaw between my legs.
这在当时被认为是一个反女权主义的时刻 恰恰相反 我认为它是 Considered to be at the time an anti-feminist moment, to the contrary I consider it to be
典型的女权主义时刻 the quintessential feminist moment.
这个女人 她几乎被一个电锯 被一个工具强奸 This is a woman who is being almost raped with a chainsaw with an implement.
她设法把握住了这一瞬间 并尽可能地把它变成她的优势 She manages to take that moment in hand and turn it as much to her advantage as she can
拯救她自己的生命 saving her own life.
如果她在那一刻被杀了 那么电影就结束了 If she's killed in that moment the movie is over.
她是怎么做的 What does she do
她要去追他 She's is going to go after him.
这在某种程度上开启了电影剩下的动作戏和疯狂的反转 It sort of launches the rest of the action for the rest of the film and that crazy inverted
血腥疯狂的萍踪之旅 bloody, nutty trip through Oz.
这是我最骄傲的时刻之一 It's one of the moments I'm proudest of.
在我们拍摄这部电影的时候 我所能想到的就是不要让我妈妈看这部电影 At the time we shot it all I could think is I don't want my mother to see this movie.
《活魔人》（1986） - 预告片
在《活魔人》中 斯图尔特想要证明这将是一部更严肃的电影 In From Beyond, Stuart wanted to prove that it was going to be a more serious movie.
杰弗瑞·考姆斯 《活魔人》演员
《活魔人》（1986）
《活跳尸》的幽默元素可能让他有点吃惊 所以他想要 The humor element of Re-Animator perhaps took him a little bit by surprise so he wanted
确保下一部电影的基调不会复制这一点 to make sure that the tone of the next movie didn't replicate that.
我记得很多人都说这部电影是严肃的 I remember getting that note a lot that this is serious business this movie.
芭芭拉·克兰普顿 《活魔人》演员
《活魔人》（1986）
这是一个非常电影化的想法 It's a very cinematic idea.
你不能相信你的五感 The idea that you can't trust your five senses.
斯图尔特·戈登 《活魔人》编剧、导演
我们的感官是如此有限 我们甚至不知道所有这些东西 That our senses are so limited, we're not even aware of all this stuff.
这些其他的维度和事物一直在我们身边 There's these other dimensions and things that are around us all the time.
这是一个非常棒的概念 It's a really great concept.
洛夫克拉夫特 他是个忧郁症患者 他认为空气中这些 Lovecraft, he was a hypochondriac and the idea of these invisible things that are in the
看不见的东西会杀死你 air that can kill you.
在《活魔人》中 芭芭拉扮演了一个疯狂的科学家 In From Beyond, Barbara plays the mad scientist essentially.
杰弗里·库姆斯是受害者 从某种程度上来说《活魔人》颠覆了他们 And Jeffrey Combs is the victim in a way From Beyond reversed the roles that they played
在《活跳尸》中扮演的角色 in Re-Animator.
由于Resonator 我能在一部电影的空间中做很多表征 I was able to do a lot in that characterization in the space of one movie because of the Resonator
因为我能够接触到自己深深的敦促和压抑的感情 I was able to get in touch with my deep urgings and repressed feelings.
当然还有更多施虐受虐的变态 整部电影都是关于 There's certainly more sadomasochistic kinky kind of - that the whole movie is about stimulating
刺激人们的性欲 the people's sexuality.
所有被压抑的情绪都咆哮而出 All of that pent-up comes roaring out.
芭芭拉·克兰普顿和我都曾经说过 我不理解这个少即是多这句话 Barbara Crampton used to say and I used to say I don't understand the expression
我认为多就该是多 她说不 如果斯图尔特和你在一起的话 less is more and I used to say, I think it should be more is more and she said no, Stuart with you
多就变成不够了 it's more is not enough.
看看杰弗瑞·库姆斯从普雷托瑞斯的臃肿身材中出来 Look at Jeffrey Combs coming out of Pretorius's blobby figure and trying to save Katherine
试图拯救凯瑟琳·麦克迈克尔 然后却被怪物吸收了 全身都是黏糊糊的粘液 McMichaels and then being absorbed by the monster and it was all this gooey slime.
我全身都是 杰弗里全身都是 泰德·索雷尔也全身都是 就像怪物一样 I had it all over me, Jeffrey had it all over him,Ted Sorel as the monster had it on him
就是这么一团恶心的东西 and it was just this grotesque disgusting mass.
有一段时间 怪物就像在我的头上 试图把我给吸走 And at one point the monster was like over my head and trying to absorb me and suck me
我得说 这真是太脏了 inside and it was a dirty business I got to say.
我每天都要化那样的妆 从没觉得自己会像卡西莫多一样丑 I never felt so ugly or hideous like Quasimodo in this makeup and you're in it all day.
克劳福德的额头上长出了松果体 Crawford has the pineal gland sticking out of his forehead.
斯图尔特曾经说过 这是红色芦笋矛 Stuart used to say, well it's a red asparagus spear.
不 是狗鸡巴 那就是狗鸡巴 No, it's a dog dick, that's what it is. It's a dog dick.
看不到的也能吓到你 音乐和声音设计
每部电影都有自己的特色 Each movie carries its own signature.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
正是这些声音开始侵入寂静和黑暗 创造了 It's the sounds that begin to intrude on the silence and on the darkness that create the
恐怖电影中最大的恐怖元素 biggest element of fear in a horror film.
它建立了对某事即将发生的期待感 It builds the sense of anticipation that something is about to happen.
声音设计确实给了电影那种毛骨悚然的感觉 Sound design is really what gives the movie that kind of creepy feel.
斯宾塞·希克曼 死亡华尔兹奖创始人
例如 《猛鬼街》中弗雷迪沿着小巷走的那个画面 For instance, just that image of Freddy in A Nightmare on Elm Street 1 walking down the alley.
刀子贴在墙上 就像要刺穿你一样 The knives against the wall and it just like goes through you.
《猛鬼街》（1984）
这就是电影给人留下深刻而持久的记忆的原因 That's what creates really memorable lasting memories of movies.
不仅仅是画面 It's not just the image.
就像乐队里的贝斯手 如果他做对了 你永远不会注意到他 但如果他做错了 It's like a bass player in a band if he does it right you never notice him but if he does it
凯蒂·菲德斯通 《灵动：鬼影实录》演员
你就会一直生他们的气 wrong, you're like mad at them the whole time.
所以 我认为声音设计也是如此 So, I think the sound design is the same way.
它支撑着这个故事 所以你会陷在故事中 也许你没有真正注意到 It's supporting this story and so you get lost in the story maybe you don't really notice
声音设计 the sound design.
《13号星期五》（1980）
我们在《13号星期五》谈到了视点摄像机 We talk about the point of view camera in Friday the 13th.
肖恩·S·坎宁安 《13号星期五》导演
使它真正起作用的关键是 有一种声音符合 One of the things that makes that really work is that there was a sound that went with that
这个视点 point of view.
每次你在杰森身边时 那种声音就会出现在音乐的结构中 Every time you were around Jason that sound would be there it'd be in the fabric of the music.
《13号星期五2》（1981）
如果你用默片的形式看《13号星期五》或别的恐怖片 就不会那么可怕 If you watch Friday the 13th or any movie without sound, it wouldn't be that scary
罗比·摩根 《13号星期五》演员
但是 当你把音乐放进去 一切都变了 but oh boy you put that music in, it's everything.
《13号星期五》的第一次放映 似乎非常接近最终的剪辑 Our first screening of Friday the 13th which was pretty much close to the final cut seemed
没完没了 冗长乏味 好像什么都没发生 endless and so long and tedious because nothing happens
剪辑到一个月后 我们把声音放进去 我们把整个东西混在一起后 Cut to a month later and we had laid in the sound, we'd mix the whole thing and it became
同样的镜头却变得令人兴奋 exciting... same footage.
不知怎么的 你的情绪被卷入其中 因为音乐直接进入了你的心灵 But somehow or other your emotions get involved because the music goes straight to your heart,
直击你的灵魂 它只是告诉你 你应该有什么样的感觉 straight to your guts and it just, it tells you how you're supposed to feel and where
你要去哪里 你是否可以放松或害怕等等 you're going and whether you can relax, or be afraid or whatever.
这是得高分的关键因素 That's the vital, vital element of a very good score.
令人毛骨悚然的场景加上非常酷的音乐才会更好 哈里·曼弗雷迪尼是一个天才 A creepy scene can be so much better with very cool music and Harry Manfredini is a genius.
哈里·曼弗雷迪尼 《13号星期五》系列作曲家
音乐传达了戏剧性 The music delivers the drama.
每部电影都有紧张 追逐和杀戮 Every film has tension, chase, kill.
作为一名电影作曲家 你的工作就是传达故事 Your job as a film composer in general you have to deliver the story.
《13号星期五2》（1981）
不管是惊吓还是大笑 杀人还是有人哭 Whether it's a scare or a laugh, a kill or someone crying.
你觉得是它突然出现在你面前更恐怖 还是通过我的引导 Is it a better scare if it just jumps out at you or is it a better scare if I'm really
会更恐怖 leading to it
这些都是你要处理的机械系统的东西 Those are actual mechanical compositional things that you deal with.
如果观众对恐怖的预感已经到了7分的程度 If you've already got the audience at a seven like they're really agitated and they're really
那么恐怖场景出现时 冲击力只有3 因为满分就是10 nervous, the biggest hit you're going to get is a three because you can only go to ten.
但如果你把音乐拉出来 让观众冷静下来 然后你再开始吓人 But if you pull the music out and you let the audience calm down then you hit,
那你就有机会跳到里氏7级 你知道吗 then you've got a chance of getting a seven on the Richter scale of jump, ya know
我觉得哈利在《13号星期五3》里的成绩还不够高 I think Harry doesn't get enough credit for his discofied Friday the 13th Part 3 score.
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
我永远记得《月光光心慌慌》里约翰·卡朋特的开场主题曲 Well, the piece of horror music I'll always remember was John Carpenter's opening theme
都是恐怖音乐 因为我记得我坐在剧院里 灯光熄灭 然后 from Halloween because I remember sitting in that theater and the lights go down and
音乐响起 南瓜在旁边 吓到我了 that music comes on with that pumpkin on the side and that scared me.
只是音乐就让我害怕 Just the music got me frightened.
《月光光心慌慌》（1978）
那是我第一次接触到那种让我心惊肉跳的音乐 That was my first encounter with music that really set a mood and got me creeped out before
电影甚至开始了 the movie even began.
尼克·卡斯特尔 《月光光心慌慌》演员
我不知道约翰是否发明了使用合成器来制造恐怖或类似的东西 Well, I don't know if John invented using the synthesizer for horror or something like that
但他确实利用了这一点 but I mean he certainly capitalized on it.
我们从电影学校毕业后都参加了一个摇滚乐队 所以我了解他的背景 We were both in a rock-and-roll group coming out of film school so I know his background,
他的父亲是一位音乐家 他从小就会弹钢琴 吉他 贝斯 his father was a musician and he grew up knowing how to play the piano, the guitar, the bass
还有各种各样的东西 and all kinds of things.
所以 他很有成就 So, he's very accomplished.
比如说万圣节的乐谱 我想是他在一个下午写的 He said he wrote that, the score to Halloween for instance I think in an afternoon.
他只是有一个想法 而4/5的时间是用聪明的方法实现它 He just had an idea and this 4/5 time was the clever way of approaching it.
如果你有这种技能 那么你可以在前期制作中考虑音乐 If you have that skill you can think in pre-production about the music, you're thinking of
你在拍摄时就会想到它 it when you're shooting.
我想 配乐对你来说就是电影生活的一部分 The score then becomes a part of the life of the movie to you, I think.
它源于经济因素 It started out as economics.
约翰·卡朋特 《月光光心慌慌》作曲家
当你的预算很少时 你就没有预算请一位大作曲家 When you have a little tiny budget, you don't have a budget for a big-time composer and
和管弦乐队 an orchestra.
你必须在合成器上做 我可以自己做 You have to do it on a synthesizer and that, I could do it myself.
所以 它开始于《月光光心慌慌》 然后在一段时间后成为一个创造性的选择 So, it started in Halloween and then it became a creative choice after a while.
尽管我与埃尼奥·莫里康内合作创作了《怪形》 他是一位才华横溢的作曲家 Although, I worked with Ennio Morricone on The Thing and he was just a brilliant composer.
他们最后给出的却是一个非常卡朋特风格的音乐 非常简约 What they ended up with was a very Carpenteresque score that is very minimalist and
这是大师埃尼奥·莫里康内最意想不到的作品 而且成功了 it's about the last thing you would have expected from the maestro Ennio Morricone and it works.
这音乐太恰到好处了 That's some spot-on stuff.
如果你看过这部电影 我播放音乐的开头 它就会带你去到某个地方 If you've seen the movie and I play you that opening, it just takes you someplace.
《怪形》（1982）
你被传送到这个那次经历中记住的世界里 You're transported into this world that you remember from that experience.
它营造了一种恐惧的感觉 就像在《大白鲨》里一样 And it just builds that feeling of dread, the same thing in Jaws.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
他们知道怎么抓住你的心 They know how to get you.
经过这么长时间 我仍然被那些不同的工艺元素所感动 After all this time I'm still moved by those different elements of craft.
声音设计和构图 会在你的电影体验中产生差异 Sound design and in composition, the differences that makes in your movie-going experience.
80年代的时候 我非常喜欢音乐收藏 I really got into soundtrack collecting in the '80s.
也许我不太喜欢流行音乐的原因是因为我在收集原声音乐 Probably why I didn't get into pop music as much because I was collecting soundtracks
听了很多这样的曲子 and listening to a lot of that.
《闪灵》的配乐有一种积雪般的氛围 让你无法离开 The Shining soundtrack has a snowed-in ambience and you can't get out.
它会在你身上滚动 你在电影的声音中被捕捉到 It kind of rolls over you and your captured within the sound of the movie.
麦克·雷德曼 《变形测定器》音乐制作人
《闪灵》（1980）
令人难忘 非常黑暗 这是整部电影的声音景观 Haunting, very dark, it's a sound-scape throughout the whole movie and I think the movie in itself
让电影本身也显得很冷 is also very cold.
它们可以很好地相互强化 They reinforce each other very well.
超级有效 Super effective.
我认为我最喜欢的冷门原声音乐是《月光光心慌慌3》 I think my favorite soundtrack that doesn't get brought up a lot is Halloween 3.
詹姆斯·罗尔夫 《电影信使》主持人
我说的不是电视上的广告歌 我是说里面的配乐 I'm not talking about the little jingle on the TV, I mean like the score that's in it.
《月光光心慌慌3：女巫的季节》（1982）
在我看来 这是约翰·卡朋特最好的作品之一 It's one of the best John Carpenter scores in my opinion.
音乐对恐怖非常重要 同时也很容易会出错 Music is very important to horror and very easy to get wrong in horror.
小菲尔·诺贝尔 《Fangoria》主编
我们看过的电影里用到的音乐铺满了仓库 There's films that we watch that have just been carpeted with stock music and you can
有一些音乐是为电影精心策划的 tell and there's music that has been more carefully curated for a film and when you're
比如说霍华德·肖尔和柯南伯格 in the hands of say Howard Shore with Cronenberg stuff.
这是一对意想不到的组合 That's an unexpected union that really works.
霍华德·肖尔给柯南伯格写的配乐很有歌剧色彩 Howard Shore goes very operatic with Cronenberg's scores
这在某些电影中是不会发生的 which you wouldn't think would be the case with some of these films.
每张恐怖片都是不同的 这就是它的精髓 特别是某些和弦结构 Every horror picture is different. There's the essence of it, certain chord structures that appear
哈里·曼弗雷迪尼 《13号星期五》系列作曲家
其中很多都来自我们的朋友伯纳德·赫尔曼 in all of them and many of them come from our friend Bernard Herrmann.
我可以通过一部又一部的电影 告诉你他对音乐创作的影响有多大 I can go through film after film and tell you how much he's affected the way music works.
所以 当有人对我说这听起来像伯纳德·赫尔曼时 我会说谢谢 So, when someone says to me that sounds like Bernard Herrmann, I go thanks.
在《活跳尸》中 当它以那种轻快的方式重构伯纳德·赫尔曼的《惊魂记》主题曲 In Re-Animator when it opens with that kind of sort of jaunty for want of a better word
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
我真的是难以用言语来形容 rephrasing of Bernard Herrmann's Psycho theme.
我知道很多粉丝批评理查德·班德剽窃了《惊魂记》 但事实总是如此 I know a lot of fans have criticized Richard Band for ripping off Psycho but it was always
这是一种致敬 intended as a homage.
应该在结尾处加上一段致谢 并向伯纳德·赫尔曼道歉之类的 There's supposed to be a credit at the end saying with apologies to Bernard Herrmann or something
像这样 like that.
但当另一个音乐出现时 我马上就可以看出这部电影 But that was another one where that music comes up and right away I could kind of tell
将针对恐怖进行一种讽刺的无政府主义态度 that this movie was going to have kind of a satirical kind of anarchic take on horror.
就像它使用音乐的方式一样 Just the way it used that music.
伯恩斯坦为《猛鬼街》所作的配乐大部分是电子的 Bernstein's score for A Nightmare on Elm Street is mostly electronic.
它听起来很简单 但却是一个让你印象深刻的主题音乐 It sounds very basic but it's a theme that sticks to your mind.
当你不过度使用时 简单和重复是一个很好的公式 Simplicity and repetition is a great formula when you don't overdo it of course.
我也很喜欢这些超低成本的小配乐 I also really like some of this smaller super low budget soundtracks.
斯宾塞·希克曼 死亡华尔兹奖创始人
比如《睡衣派对大屠杀》 整个配乐是用30美元的 So, The Slumber Party Massacre for instance, the entire soundtrack was made on a thirty-dollar
卡西欧键盘和三个会发出声音的水晶玻璃制作的 Casio keyboard and three crystal glasses that they would just sort of ping.
它的制作不需要任何成本 It cost nothing to make.
我不觉得乔治·莫罗德会坐在这里考虑让我制作一个80年代的合成器恐怖配乐 I don't think Giorgio Moroder is sitting here thinking about let me make an '80s synth horror
但在与大卫·鲍伊开会时 他可能在《豹人》同期制作了一个80年代典型的 score but in congress with David Bowie he makes maybe one of the quintessential synths driven '80s
合成器制作的恐怖音乐 horror scores with Cat People.
它以一种更传统的恐怖方式萦绕在你的脑海中 It sticks in your mind and lingers in the memory in a way that a more traditional horror
并留在记忆里 score would not.
这几乎就像音乐版本的传递火炬 It was almost like a musical version of passing the torch.
科里·泰勒 《Slipknot》主音乐师
从模拟到数字 从过去到80年代 一切都在发展 Going from analog to digital, going from the past to the '80s where everything was expanding
我想在所有80年代的电影里都有共通的标识 and that fingerprint, I think is on all of those '80s movies.
《活死人之日》的配乐只是那些萦绕心头的电子配乐之一 The Day of the Dead score is just one of those really haunting electronic scores.
刚开始听的时候你会觉得很简单 但实际上 Now at first when you listen to you think is quite simple but there's actually
在主副歌下面有很多层 quite a lot of layers going on underneath that main refrain.
它有一种身临其境的《活死人之日》的感觉 我认为音乐增加了这一点 It's got a very clinical feel Day of the Dead and I think the music adds to that because
因为它是一个非常鲜明的合成器产品 如果它有一个管弦乐配乐 it's very stark kind of synth work and it makes it almost more alienating like as the
那么电影和音乐间的关系就会变得疏远 整部电影的 movie if that had like an orchestral score for instance, the whole feel of the film would
感觉就跳脱了 have been thrown off.
对我来说 《养鬼吃人》的配乐在这10年里 As far as the soundtrack of Hellrasier goes, it is to me by a distance the best horror
是最恐怖的 score of the decade.
很美 很壮观 就像一曲安魂曲 It's beautiful, it's monumental, it's a requiem mass.
宏伟 Magnificent.
我不知道为什么重金属在20世纪80年代的恐怖电影中如此盛行 I have no idea why heavy metal was so prevalent in 1980s horror movies.
我的意思是 当时有很多电影 像《杀戮屋的摇滚乐》和《魔界舞男》 I mean there was a glut of movies Slaughterhouse Rock and Trick-or-Treat, they were based on
都是以重金属角色和乐队为主题的 heavy metal characters and bands.
然后美国所有的头发金属乐队都决定他们必须在恐怖电影里 And then every sort of hair metal band in America decided that they had to get a song
要有一首歌 on a horror movie.
摇滚和恐怖 他们生活在一起 Rock and horror, they live so closely together.
尽管有这么多的缺点 但《魔界舞男》的配乐太他妈棒了 谁要是反对 For all its flaws the soundtrack to Trick-or-Treat is fucking amazing and I will fight anybody
我会揍他们一顿 who says differently man.
所有这些歌都非常朗朗上口 而且非常非常好 All of those songs are insanely catchy and really, really good.
还有包豪斯的《猛鬼舔人》《橘梦》和《城堡》 Whether there was Bauhaus's Night of the Demons, Tangerine Dream and The Keep
《捉鬼小灵精》的配乐很棒 The Lost Boys had such a great soundtrack to it.
《猛鬼街3》中的Dokken《13号星期五》中的Alice Cooper Dokken in Nightmare on Elm Street 3, Alice Cooper in Friday the 13th Part 6.
这些都是在和时代交谈 These were speaking to the times.
瑞恩·图雷克 怖屋公司发展副总裁
他们在和朋克摇滚的孩子们交谈 和新浪潮的孩子们交谈 他们 They're speaking to the punk rock kids, they were speaking to the new wave kids, they
和那些像我一样在古典摇滚中长大的纯粹的孩子们交流 were speaking to the pure kids that were growing up on classic rock like I did.
它成为了你成长中的音乐 It became the soundtrack to your own life growing up.
《猛鬼街3：梦中战士》里 希瑟·兰根坎普回归了 The third Nightmare on Elm Street film Dream Warriors has Heather Langenkamp returning
詹姆斯·A·贾尼西 《Dead Meat》主持人
南希·汤普森召集了一群梦中战士 as Nancy Thompson to assemble a bunch of dream warriors.
《猛鬼街3：梦中战士》（1987）
在精神病院的孩子在梦里用自己的梦之力与弗雷迪·克鲁格 Kids who are in a mental institute who battle Freddy Krueger in their dream with their dream
展开战斗 powers.
我觉得这是每个人在想到该系列时都会想到的噩梦电影 I feel like this is the Nightmare movie that everyone thinks of when they think of the
因为第一部是经典之作 但这部里 人们在梦中与弗雷迪互动 series because the first one's a classic but this one has all the fun and games of people
并以乐趣和游戏的形式和他战斗 engaging with Freddy in their dreams and fighting him.
梦中战士们都非常棒 The Dream Warriors were collectively all pretty awesome.
我扮演了金凯德 And I played the role of Kincaid,
《猛鬼街》里第一个揍弗雷迪一顿的黑人 the first black in A Nightmare on Elm Street to kick Freddy's ass.
肯·萨格斯 《猛鬼街3》演员
金凯德代表少数民族 不仅是非裔美国人 他还代表少数民族 Kincaid represented the minorities, not just African Americans but he represented the minorities
他是全世界的英雄 all over the world and he was a hero.
希瑟和罗伯特·英格伦对我们来说就像姐姐和哥哥 Heather and Robert Englund was like big sister and big brother to all of us.
《猛鬼街》（1984）
《猛鬼街3：梦中战士》（1987）
她是连接《猛鬼街》电影的一个点 这是必要的 She was a connecting dot to the Nightmare on Elm Street movies that was needed.
它有很多出色的特效 我最喜欢的一个是弗雷迪头上的巨型蠕虫 It's got so many standout special effects in it and one of my favorites is the giant
特别是因为那是他第一次见到南希·汤普森的时候 worm with Freddy's head especially because that's when he first sees Nancy Thompson again.
我们有三个小组拍摄 We had three units shooting.
马克·肖斯特罗姆 《猛鬼街3》特效化妆设计、造型师
两个是给主要演员的 有两个摄像机导演查克·拉塞尔参选 Two were for the principal actors with two cameras. Chuck Russell the director would run
在每组之间来回切换 back and forth between each set.
第三个小组是专门制作特效的 And the third unit was specifically just for special effects.
凯文·雅格给罗伯特化第二 第三次妆 Kevin Yagher did Robert's makeup on the second and the third one.
罗德尼·伊斯曼在《猛鬼街3》里被困在一张假床和假胸上 Rodney Eastman in Nightmare on Elm Street 3 he's stuck to a false bed with a false chest and
鲍勃·库兹曼和我不得不修改所有的字母 写着 贱人来找我之类的 Bob Kurtzman and I had to rig all the letters to say come and get me bitch and that
花了好几个小时 took hours and hours and hours.
片中有很多创造性的杀戮 There was a lot of creative killings.
我最喜欢的场景是弗雷迪把詹妮弗的头放在电视机前说 My absolutely favorite scene was when Freddy put Jennifer's head through the television
说 欢迎来到黄金时段 贱人 and said, "Welcome to prime-time bitch."
在这部电影中 弗雷迪·克鲁格风趣幽默的形象也发挥了作用 This is also the movie where the quippy almost fun Freddy Krueger comes into his own.
其中最精彩的部分是罗伯特 The brilliance of a lot of it was Robert.
希瑟·兰根坎普 《猛鬼街3》演员
罗伯特真的想出了很多这样的台词 Robert really came up with a lot of those lines.
罗伯特·英格伦是一个可怕的人 Robert Englund was the boogey man.
他是木乃伊 他是德古拉 他是所有的一切 因为他可以出现在你的梦里 He was the Mummy, he was Dracula, he was all of them because he could be in your dream.
我最喜欢的金凯德台词是 My favorite Kincaid line was...
我们去梦乡里把那家伙暴揍一顿吧 Let's go kick the motherfucker's ass all over dreamland.
韦斯·克雷文有他自己的风格 他确保了 Wes Craven had his own style and he made sure
第一个从恐怖电影中幸存下来并回归续集的非裔美国人 that an African American was the first to survive a horror film and return to a sequel.
《猛鬼街4：做梦大师》（1998）
他对恐怖电影有很大的影响 He had a great influence on horror.
现在我们不会被杀了 Now we don't get killed.
《恶魔娃娃》（1987）
我一直有点害怕洋娃娃 I've always been kind of afraid of dolls.
斯图尔特·戈登 《恶魔娃娃》导演
我记得我小的时候有人把一个口技木偶带到我家 I remember when I was a little kid somebody brought a ventriloquist dummy to my house
然后把它从手提箱里拿出来 我就在一秒半的时间里离开了那个房间 and took him out of a suitcase and I was like out of that room in a second and a half.
我发现在我拍过的所有电影中 玩偶可以说 The thing I've discovered with dolls was of all the movies that I've done a lot of people
是最可怕的 consider it the scariest.
布莱恩·尤兹纳 《恶魔娃娃》制片人
《恶魔娃娃》在成为电影之前肯定会上海报 Dolls certainly was a poster before it was a movie.
那个抱着自己眼睛的小女娃娃 The little female doll that's holding her own eyes.
唐·曼西尼 《鬼娃回魂》《Chucky Franchise》主创
这是错误的 That's just wrong.
是因为海报 我们才拍下了那一幕 And we made sure that we shot that scene because of the poster.
我根本没想过要拍那部电影 I was not expecting to make that movie at all.
我当时在拍《活魔人》和查理·班德开了个会 他说我们想要你 I was working on From Beyond and had a meeting with Charlie Band and he said we'd like you
用同样的布景制作另一部电影 to make another movie using the same sets.
他给了我一个剧本 叫做《恶魔娃娃》 最初是由艾德·那哈写的 And he tossed me a script for what was called ”The Doll”originally by Ed Naha.
斯图尔特的想法是做得实际一点 做普通的漂亮的娃娃 而不是可怕的娃娃 Stuart's idea was to do it all practically and to do regular nice dolls but not scary dolls.
他说 他们就是这么做的 And he said well, it's what they do
这就很可怕了 that's scary.
在这部电影里 真的有上百个娃娃活过来了 You had literally hundreds of dolls coming to life in this movie.
一支玩偶军团 An army of dolls.
不仅仅是一个娃娃 It wasn't just one doll.
《鬼娃回魂》（1988）
这不像恰奇 It wasn't just like Chucky.
这是一项重大的任务 我们使用了几乎一切 That turned out to be major undertaking and we used to just about every technique
《恶魔娃娃》（1987）
使用过的技术 we could.
我们用了木偶 我们用了机械娃娃 让戴夫·艾伦做了定格动作 We used puppets, we used mechanical dolls and we got Dave Allen to do stop motion for the
还有一些我们想不到怎么处理的场景 结果又多花了一年的时间 scenes where we couldn't get it done any other way. It ended up taking an extra year to make
来完成那部电影 that movie.
它是在《活魔人》之后上映的 因为特效太难做了 It came out after From Beyond because the effects were so difficult.
《恶魔娃娃》里最重要的一幕是邪恶的继母被玩偶杀死的那一幕 Well, the big scene in Dolls is the one where the evil stepmother is killed by the dolls.
这是你第一次真正看到玩偶的行动 那部分是我妻子 That's the first time you really see the dolls in action and that was my wife Carolyn played
卡洛琳扮演的 that part.
当我在拍那部电影的时候 我自己的孩子也来过片场 My own kids came to the set when I was working on that movie.
我把他们的玩具娃娃拿走 变成杀人机器的想法 The idea that I was taking their toys, their dolls and turning them into killing machines
根本不适合他们 did not sit well with them at all.
有一个场景比较特别 There is one scene in particular.
角色们听到树林里有沙沙声 那是一只泰迪熊 The characters hear a rustling in the woods and it's a teddy bear.
这是一只傻乎乎的泰迪熊 从树林里出来 角色好像说 不 It's a kind of goofy teddy bear comes up out of the woods and the character is like no, not
不是那样 that.
然后泰迪熊就变成一只真正的熊 吃掉他们 Then the teddy bear like transforms kind of into a real bear and devours them.
这在某种程度上概括了这部电影的吸引力 It kind of sums up the appeal of what that movie is.
《鬼玩人2》（1987） - 预告片
从我们登陆北卡罗来纳州再到我们离开的那一刻 《鬼玩人2》 Evil Dead 2 was a blast from the minute that we landed in North Carolina to the minute
格里高利·尼克特洛 《鬼玩人2》特效化妆师
满是震撼 that we left.
和山姆·雷米一起的工作 是我永远不会忘记的经历 Working with Sam Raimi was just a complete experience that I'll never forget.
他很有想象力 很有趣 他所热爱的和所做的一切 He was so imaginative, so funny. So much of what he loves and what he does is based on
都是基于喜剧 the comedy.
《鬼玩人》（1981）
如果你看看原版的《鬼玩人》 你会发现它非常恐怖 If you look at the original Evil Dead it's pretty terrifying.
当我们制作《鬼玩人2》时 我们中的许多人都认为它会像第一部一样恐怖 I think when we did Evil Dead 2 a lot of us were assuming it was going to be as relentless as the
只是特效化妆要好得多 而山姆那时是一位 first movie just a lot better special-effects makeup and Sam was a much more seasoned
经验丰富的导演 director at that point.
马克·肖斯特罗姆 《鬼玩人2》特效化妆设计、造型师
他说得很具体 这对我帮助很大 因为我心里没有疑问 He was really specific which helped me a lot because there was no doubt in my mind what
清楚每一个镜头都要做些什么 I had to do for each shot.
他把整个剧本都计划好了 He had the whole script planned out to a T.
《鬼玩人2》（1987）
我记得我们拿到了剧本的草稿 I remember we got the draft of the script.
有一场戏是重写的 琳达的头被工具棚的钳子夹住了 There was a rewrite and it's the scene where Linda's head is in the vice in the tool shed
门开了 琳达的无头尸体进来了 头上顶着电锯 and the door flies open and Linda's headless corpse comes in with the chainsaw over it's head.
我觉得这是我读过的最可怕的东西 因为我们在 And I was like this is the most terrifying thing I've ever read. Because we shot that
《鬼玩人2》花絮（2000）
日程安排的早期就拍摄了 early in the schedule,
那时我还没有真正理解山姆的幽默感 I really hadn't at that point really understood Sam's sense of humor.
每次要拍血液喷溅的时候 并不是说你不会 The fact that every time blood would spray it wasn't like you would never use just a
用小小的注射器 little syringe of blood.
而是你要像使用灭火器一样喷血 You would use like a fire extinguisher.
《鬼玩人2》（1987）
有几辆大卡车停在舞台外 装着几百加仑的 I had like a couple of big trucks outside the stage with hundreds and hundreds of gallons
彩色液体 of colored liquid.
把他们给撕了吧 Let 'er rip boys.
那肯定有几千加仑 而布鲁斯在下面 没有假人 It must have been thousands of gallons and Bruce was down there, there was no dummy,
没有特技演员 there was no stuntman.
完全依靠物理作用 Very physical role.
布鲁斯·坎贝尔几乎什么都敢做 Bruce Campbell was game for damn near anything in fact.
我们在拍他用盘子砸自己的场景 最后他 We're shooting the scene where he's smashing himself with the plates and he ends up by
一个空翻 这全都是他自己演的 flipping himself completely and that was all him.
不是用的特技演员 That was not a stunt person.
他什么都愿意做 他自己化妆 剪头发 穿衣服 He was up for anything and he did his own makeup for the cuts and all that, that he wore
在电影中的大部分时间里 for most of the movie.
那是他自己化妆的 That was his own makeup.
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
首先 他是一个不幸的人 只是想尽一切办法求生 The first one he was just kind of this hapless guy just trying to survive any way he could
《鬼玩人》（1981）
然后他在《鬼玩人2》和《鬼玩人3：魔界英豪》中成为了一个 and then he became this very active and also snarky hero in Evil Dead 2 and then
《鬼玩人2》（1987）
非常活跃又刻薄的英雄 Army of Darkness later on.
我想和阿什在一起 我们只是觉得他今天过得很糟糕 I guess with Ash we just get the sense that he's having a really bad day.
你不会觉得他会因为正在发生的事情而终生伤痕累累 You don't feel like he's going to be scarred for life because of what's going on.
詹姆斯·罗尔夫 《电影信使》主持人
比如他失去了手 他的反应就是 哦 你们这些混蛋 Like losing his hand, his reaction is just like oh, you bastards.
《鬼玩人2》中的所有内容都可以作为梗 从时髦到现在谁在笑 Everything in Evil Dead 2 is a very quotable moment from groovy to who's laughing now and
他就像用电锯剁手一样 he's like chopping off his hand with the chainsaw.
我们高中的时候都是这样的书呆子 We were such nerds in high school.
我的意思是 我们聊天时会cue到那部电影 直到我们脸色发青 没人知道 I mean we would quote that movie till our faces turned blue and no one knew what the hell
到底是怎么回事 we were talking about.
当那只手掉下来的时候 它就会四处乱跑 甚至惊到鸟 When the hand comes off then it's running around and flipping him the bird and then
他把它放在桶下的那一瞬 然后播放了 I think it was the moment where he puts it under the bucket and puts A Farewell to Arms
《永别了 武器》 on top of it.
我想 那就是雷米想要的那一个完美的瞬间 That's what I got what Raimi was going for and that's also kind of a perfect moment in
恐怖喜剧的历史 horror comedy history.
哦 我们今天要开枪打邪恶之手哦 我的天哪 我们该用哪一个 Oh, we got to shoot the evil hand doing this today and oh my God which one do we use
我们有一只无线电控制的手 还有一只特技手 一只手会伸出手掌 We had a radio-controlled hand, we had stunt hands, a hand that would come up palm up on
放在地板上 它的假肢残肢粘在下面的一个人身上 the floor where it had a prosthetic stump glued to a guy underneath.
我们有一个手掌朝下的版本 有同样的东西做另一个特技 所以手可以移动 We had a palm down version with the same thing another stunt coming out so the hand can move
做出相应的行动 accordingly.
我觉得你以前从没见过这样的桥段 I don't think you've ever seen anything before that, that handled that kind of bridge of comedy
亚历克斯·温特 《捉鬼小灵精》演员
它太恐怖了 and horror so well.
我认为雷米是第一个将这些东西结合在一起的人 Raimi was the first person who I think with legitimate genius blended those things together.
他开创了一个全新的体裁 It ushered in a completely new genre.
那段情节让我们很多人兴奋起来 哦 这是一部杰作 That was when a lot of us perked up when oh, this is a masterpiece.
《它是活尸3：活尸之岛》（1987） - 预告片
自从我开始拍电影 里克·贝克就一直和我一起工作 Rick Baker had been working with me ever since I started making films.
拉里·柯恩 《它是活尸3》编剧、导演
所以很自然地 当要为《它是活尸》制作怪物的时候 我会把工作交给他 So, naturally when it came time to do the monster for It's Alive, I would give the job to him.
《它是活尸》（1974）
我们没有展示太多 We didn't show it much.
我觉得我们展示得越多 它就越不可怕 它就应当只是在你的想象中 I figured the more we showed it the less scary it would be and the more it was in your imagination.
我想拍《重回蜡像馆》 华纳兄弟说他们不能让我们拍 I wanted to make The Return to the House of Wax and Warner Brothers said we can't give
《它是活尸3：活尸之岛》（1987）
但如果你想再拍一部《它是活尸》的话 那没问题 you that title but if you want to make another It's Alive movie you can.
我们在电影里有很多冒险动作戏 We had a lot of adventures on the picture.
迈克尔·莫里亚蒂在灌木丛中向怪物大喊 出来 别害怕 Michael Moriarty was yelling into the bushes to the monster come on out, don't be afraid,
出来吧 come on out.
就在那一刻 一头野猪从灌木丛中冲出来 直朝着他冲进摄制组 And at that moment a wild boar ran out of the bushes right at him right into the camera crew
每个人都在逃命 而我对摄影师大喊道 拍下来 everybody running for their fucking lives and I'm yelling to the cameraman shoot it.
拍下来 拍下来 但他们没拍下来 Get it on camera, get it but they didn't get it.
所以 太可惜了 So, what the hell
怪物应该是从池塘里出来的 所以他把穿橡胶服的家伙放进了池塘里 The monster was supposed to come up from a pond so he put the guy in the rubber suit
进了池塘他在水中表演 他应该数到1O 然后浮上来 所以我们 into the pond. On action he submerged and he's supposed to count for 1O and come up so we're
等了一分钟 一分半钟 怪物还没有出现 waiting a minute, minute and a half and the monster has not yet come up.
然后一个演员跑进游泳池 跳进水里把他拉了出来 One of the actors runs into the pool and dives in and pulls him out.
他的衣服已经盛满了水 他出不来 他差点就被淹死了 His suit had filled up with water and he couldn't come up so he would have drowned.
所以他是在镜头前被救出来的 So, he was rescued right on camera.
摄影师丹尼尔·珀尔·李和他的工作人员经常开玩笑说 Daniel Pearl Lee, the cinematographer and his crew had this running joke of hiding a rubber
在场景中藏了一只橡胶鸡 chicken in the scene.
在我们开始拍摄之前 我每天都得留神看有没有橡胶鸡 I had to be on the lookout every day for a rubber chicken before we started rolling.
有一天我疏忽了 鸡出现在了电影里 One day I missed it and the chicken showed up in the movie.
这就是我喜欢在片场玩的原因 我希望每个人都玩得开心 And that's what I like on this set is having a good time and I want everybody to have fun.
《捉鬼小灵精》（1987） - 预告片
在《捉鬼小灵精》中 我们几乎不可能看出它的特效 因为它是如此大胆 With Lost Boys it was almost impossible to see it working because it was such a bold
亚历克斯·温特 《捉鬼小灵精》演员
通过大胆的策略 让我们采用所有这些吸血鬼传说的标准规则 and almost audacious gambit which is let's take all of these standard rules of vampire
《捉鬼小灵精》（1987）
把它们浓缩进一部像是华丽的80年代青少年性爱剧的电影里 lore and let's squeeze them through almost like a big gaudy '80s teen sex drama, right
我觉得这样不行 And I was like that doesn't work.
这肯定是行不通的 That's like going to not work in spades.
乔尔·舒马赫和理查德·唐纳 It was Joel Schumacher and Richard Donner.
唐纳是制片人 Donner was producing it.
我想我们很幸运 乔尔 我们找到了一个对如何真正实现这一目标有着 I think we were lucky in the end that Joel, we got somebody who had like such an ironclad
如此坚定愿景的人 vision for how to actually make that work.
他想要那种恐怖 He wanted the horror.
乔尔所做的就是他采用了这些比喻 他就像连接了尼克·雷 What Joel did was he took those tropes and he's like bridging the cinema of Nick Ray
还有80年代的恐怖电影 他要把所有的东西都放在一起 and '80s horror and he's going to pull all of this stuff together.
吸血鬼代表了其他角色心灵的阴暗面 The vampires represent the dark side of the other characters psyches.
把青春期的所有焦虑和你自己的青春期以及性取向 Take all of the anxieties of being a teenager coming into your own as an adolescent and
在新城镇中成为孤独者的孤立感化为一体 your sexuality, isolation of being the loner in a new town.
我认为对于艾滋病的争议 只是针对于当时国内 I would argue an undercurrent of the AIDS epidemic and just to some of the phobias that
受同性恋等群体困扰而产生的一种恐惧 were afflicting the country at that time, the gay community and other communities and
然后是80年代文化本身的浮华 then the sort of garishness of the 80's culture itself.
他不只是向你展示花哨 而是要评论这些花哨 He's commenting on the garishness, he's not just showing you the garishness.
《捉鬼小灵精》是恐怖与摇滚的完美结合 With Lost Boys you have sort of the perfect storm of horror meets rock and roll.
他们是吸血鬼 女人想和他们在一起 男人也想和他们在一起 所有人都想 They were vampires that women wanted to be with, guys wanted to hang outwith, everybody
想和捉鬼小灵精在一起 wanted to be with the Lost Boys.
我认为80年代的很多故事非常棒的一点是 有很多关于单亲父母的情节 What I think is really great about a lot of the stories in the '80s is there was a lot of stories
《捉鬼小灵精》里的黛安·威斯特有很多我非常喜欢的地方 about single parents and there was a lot that I really enjoyed about Dianne Wiest in Lost
她在抚养由科里·海姆扮演的山姆 迈克尔和杰森帕特里克时 Boys in terms of the struggles she was facing raising Sam and Michael played by Corey Haim
所面临的困难 and Jason Patrick.
在这种奇幻的吸血鬼世界中 她所面临的挣扎 There was something very realistic about the struggles she was facing in this very sort
是非常现实的 of fantasy world of vampires.
要扮演这个沉默寡言的角色 他可能只是个十几岁的孩子 To play this character who doesn't really say much, he's just this kind of teen, probably
一个离家出走的人 可能有个很糟糕的背景 然后就用 a runaway, probably had a really fucked up background and then just gets to eviscerate
挖人这样可怕的方式 来消除自己内心的一种焦虑 people sort of like gets to expunge all of his own anxieties like in these monstrous ways.
这真的很令人满意 It was really satisfying.
我们拍摄的大部分时间都是在晚上 We shot nights for a lot of our shoot.
我们是吸血鬼 我们早上睡觉晚上起床 We were vampires, we would go to bed in the morning and get up at night and we had blankets
窗户上贴着毯子 我们被镇上当作摇滚明星对待 taped over our windows and we were sort of treated like rock stars by the town.
所以 我们遇到了很多麻烦 So, we got up to a lot of trouble.
有像维·尼尔 格雷格·坎农和史蒂夫·拉波特这样的人 You have somebody like Ve Neill who comes in to do these vampires with the assistance
《捉鬼小灵精》化妆组 - 30周年（2017）
来帮助我们这些吸血鬼 of Greg Cannom and Steve LaPorte.
他们都故意把我们打扮成迷人的摇滚歌手 因为她想表达一些情感 They're all dressed up like glam rockers intentionally because she wanted to sort of emote
《捉鬼小灵精》（1987）
表达70年代的摇滚风格 比如齐柏林飞艇乐队 但她说 如果他们要爆炸 that 70s rock coolness of like Led Zeppelin but she was like well, if they're gonna explode and
或是做一些很酷的事情的话 可以在里面放闪光粉 do these cool things like I want glitter in there.
所以 如果你去看 会发现他们是闪闪发光的吸血鬼 So, if you go and look at them, they're glittery vampires.
我们做了一个我的完整的身体模型 血液在里面流动 We had a full body cast of me that had like the blood pumping through it.
如果你仔细看科里用来指着我的木桩 你就能看到它回收部位的 If you actually watch the shot of Corey staking me you can see the division of where it's going to
划分 retract.
那是没有CGI技术的时代 现在他们只需要三秒钟就能清理干净 Pre-CGI days now they would just clean it up in three seconds.
然后科里用木桩指着我 然后他们扔下橡胶假人替换我 And then Corey staked me and then they drop the body double, the rubber dummy and then
然后我摔在地上 所有的孩子都朝我脸上踢了很多土 I landed in the dirt and then all the kids proceeded to kick so much dirt into my face
我因为角膜划伤去了医院 that I went to the hospital with a scratched cornea.
所以 我的尖叫是真的 So, my screaming is real.
每次见到科里·费尔德曼我都会跟他说 谢谢你送我去医院 I like to tell Corey Feldman whenever I see him that uh, thank you for sending me to the hospital.
在片场或者只是和其他人混在一起玩 都是美好的回忆 Being on the sets or just goofing off with the other guys is a really good memory.
《降妖别动队》（1987）
陈词滥调和古老的警告都说不要和孩子一起拍戏 不要和动物一起拍戏 The old cliché and the old kind of warning is don't work with kids, don't work with animals
安德烈·高尔 《降妖别动队》演员
不要使用特效 and don't work with special effects.
还有《降妖别动队》 仅此而已 And Monster Squad, that's all it is.
你会看到大量的砍杀者 恶棍和梦中怪兽 You're having this kind of swell of these slashers and villains and Dream Monsters and
《猛鬼街3：梦中战士》（1987）
《13号星期五6：杰森复活》（1986）
戴着曲棍球面具的人很棒 但我想还有个问题 guys in hockey masks which is awesome but then I think there's that question.
我们是怎么走到这一步的 It's like how did we get here
起源故事在哪里 Where are the origin stories
最初的怪物在哪里 Where are the original monsters
弗雷德·德克尔他所做的就是把最初的怪物们都带走 Fred Dekker what he did was take the original monsters that launched this whole thing.
让我们把它们带回来 向它们致敬 Let's bring those back and pay a little tribute to those.
《降妖别动队》（1987）
吸血鬼 弗兰肯斯坦 黑湖怪物等等怪物们 Characters who are meant to be Dracula, Frankenstein, Creature from the Black Lagoon,
他们设法通过一些处理避开了环球影业的版权 they managed to skirt the Universal copyright through some clever dodges.
实际上我认为这属于对旧形象的改编 因为你并没有重新创造什么东西 I actually think that improved them because you weren't recreating something.
小汤姆·伍德拉夫当时正在与斯坦·温斯顿的工作室合作 他实际上是设计师 Tom Woodruff Jr. is working with Stan Winston's shop at the time and he actually designed
《香农·谢伊：怪物第一人的博客》（2011）
重新设计弗兰肯斯坦 the Frankenstein applications redesign.
《降妖别动队》（1987）
《香农·谢伊：怪物第一人的博客》（2011）
我最喜欢的皮套怪人 到现在为止依然是《黑湖妖潭》里的怪物 My favorite man in a monster suit always was and still is the Creature From The Black Lagoon.
小汤姆·伍德拉夫 《降妖别动队》首席怪物制作者
我想成为那个穿怪物服的人 斯坦给了我第一个角色 I wanted to be the guy in the monster suit and Stan gave me my first role when I played
《降妖别动队》中的吉尔曼 the Gillman in Monster Squad.
店里的另一个人问我 你锻炼好走路了吗 Somebody else in the shop said well, have you worked out your walk yet
我在想 是哦 我不止需要弄清楚走路的方式 我还得学会走路 And I'm thinking uh-oh. Not only is there a walk to figure out apparently but I haven't learned it
现在我开始思考 我感觉我有信心了 and now I'm thinking and I could feel my confidence now starting...
我思考我做了什么 I'm thinking what did I do
我说 我甚至不知道术语 I said, I don't even know the terms.
这个迷人的设计不同于任何其他生物皮套设计 The fascinating design done unlike any other creature design suit and build and actual application
它的构造和实际应用强于当时任何人的作品 然后由汤姆拉上拉链并 of it than anybody had ever done at the time and then now Tom's zipped up and glued into
粘在这件连体套装中 我必须弄清楚如何演绎这个角色 this one-piece suit and has to figure out how to be this character.
我们在华纳兄弟的后院爬出假井盖 We're on the back lot at Warner Brothers and climbing out of the fake manhole cover and
《降妖别动队》（1987）
和一群热情的特技演员用硬橡胶棒打了一场仗 然后不得不撤进商店 going through a fight with some very enthusiastic stuntmen with hard rubber clubs and then having
霍勒斯拿着他的猎枪站在店前 就在那时 我终于意识到 to move in on the store with Horace stuck out front with his shotgun and that's when I finally
现在该是我走路的时候了 thought now it's time for my walk.
有点像怪物效果自助餐 It was sort of like a monster effects buffet.
我要品尝所有的东西 I got to sample everything.
这里有特技表演 有烟火 要摔倒 走路和呼吸 Some stunts here and some squibbing and falling and my walking and breathing.
所有的东西 All that stuff.
我最后得死在屏幕上 And I got to die on screen.
我想我再也无法重温那些辉煌的日子了 因为那是相当激昂的 I don't think I will ever be able to relive those glory days because it was pretty high up.
《降妖别动队》有很多令人难忘的俏皮话 Monster Squad has a lot of memorable one-liners.
其他人有很棒的台词 比如我希望我也有这句台词 但显然狼人有蛋蛋 Other people have great lines like I wish I had that line but obviously Wolf man's got nards
是那部电影里的台词 is the line from that movie.
我认为《降妖别动队》的问题在于几个方面 The problem with Monster Squad I think was a couple things.
主题 故事 动作和怪物的类型有些拿捏不到位 The subject matter and the story and the action and the kind of monsters were a little too
对八九岁 十岁的孩子来说太多了 而对15到17岁的孩子来说又太幼稚 much for the 8-9 to 10-year olds and it was too kid-like for the 15-16-17-year olds
他们可能就会去看《捉鬼小灵精》了 that went to see the Lost Boys and dug that.
就像我不会去看儿童电影一样 So, like I'm not going to go see a kid's movie.
所以 会有一小部分观众留在那里 他们年龄不够去看这部电影 So, really when he left a small sliver of an audience in there that couldn't go because
另一部分是们的父母不会带他们去 所以可以说失去了两波客源 of the rating or their parents wouldn't take them so they got left out twice.
但我们拍了第一部青少年电影 But we kind of made the first tween movie.
《养鬼吃人》（1987） - 预告片
道格·布拉德利 《养鬼吃人》演员
《养鬼吃人》由克莱夫·巴克编剧和导演 改编自他自己的中篇小说 Hellraiser was written and directed by Clive Barker adapted from his own novella,
《地狱边境的心脏》 The Hellbound Heart.
克莱夫·巴克的很多作品的中心思想是 怪物就是好人 Central to a lot of Clive Barker's work is the idea of the monsters being the good guys
《养鬼吃人》（1987）
或者至少比单纯地做坏人更复杂 or at least being more complicated than simply being the bad guys.
钉子头不是电影里的怪物 Pinhead is not the monster in the film.
《养鬼吃人》中的怪物是茱莉亚和弗兰克 The monsters in Hellraiser are Julia and Frank.
是人类制造了麻烦 The humans are the ones causing the trouble.
我越来越觉得钉子头是个公正的法官 I increasingly saw Pinhead as an impartial judge.
就克莱夫而言 他不应该成为电影的焦点 As far as Clive was concerned, he was not to be the focus of the film.
克莱夫的注意力都集中在茱莉亚身上 Clive's focus was all on Julia.
对于克莱夫来说 《养鬼吃人》是创造第一个伟大的女性恐怖怪物 For Clive, Hellraiser was about creating the first great female horror monster.
我觉得整个20世纪80年代都有这样一种元素 那就是人们会得到一个机会 I feel as though there's an element throughout the 1980s of people being given a chance.
克莱夫从来没有导演过电影 Clive had never directed a film.
所以 我完全知道他的想象力从哪儿来 但他在来到片场的时候 So, I knew absolutely where his imagination was but it is true that he arrived on set
向所有人问道 那么谁是这里的负责人 on day one on Hellraiser and said, "So who's in charge here"
我认为他非常幸运有罗宾·维金在他身边担任摄影总监 He was extremely lucky I think in having Robin Vidgeon by his side as director of photography
他对《养鬼吃人》的成功贡献不小 who's no small part of the success of Hellraiser.
他与克莱夫一起工作 并直接将克莱夫的想象力变成了画面 He worked with Clive and met Clive's imaginative vision head on.
我很幸运有很多精彩的台词 I was blessed with a lot of wonderful lines.
我们有这样的景色要给你看 We have such sights to show you.
有一行我加了高亮 并在旁边写到 笑 There was one line that I highlighted and I wrote next to it - laugh.
人们应该笑 但他们可能笑得不太舒服 And people ought to laugh but they ought to laugh slightly uncomfortably because
因为这是一个玩笑 也是一个威胁 那句台词是 请不要流泪 as well as being a joke, it's a threat and that line was, "No tears, please."
我一直说 钉子头是个恐怖怪物 呆在诺埃尔·科沃德和奥斯卡·王尔德 I've always said that Pinhead is a horror monster who would be perfectly at home at
交换绰号的游园会上是最好不过的了 a garden party with Noel Coward and Oscar Wilde trading epithets.
凯瑟琳·毕格罗可能是我最喜欢的电影制作人之一 Kathryn Bigelow is probably one of my favorite filmmakers.
希瑟·威克森 《Daily Dead》主编
尤其是她在《血尸夜》中的表现令人难以置信 我从没看过那样的吸血鬼电影 Particularly her work on Near Dark is incredible and I'd never seen a vampire movie like that.
《血尸夜》（1987）
她倾向于这种西部风格 很酷 She leans into sort of this western style - is a coolness to it.
这是一群在全国各地旅行的吸血鬼 他们把这个新的孩子 It's a bunch of vampires that are traveling across the country and they bring in this
塞西尔·特拉成堡 《good bad flicks》主持人
带入了他们的圈子里 new kid into their fold.
它是如此不同 因为它真的与吸血鬼传说混为一谈 而且有了一个 It's so different because it really messes with vampire lore and you've got an incredible
令人难以置信的演员阵容 cast with it.
有兰斯·亨里克森 还有比尔·帕克斯顿 You've got Lance Henriksen, you've got Bill Paxton.
做得太棒了 It's so well done.
虽然我从小就很信任兰斯·亨里克森这样的人 看到他 For as much as I'd grown up sort of trusting somebody like Lance Henriksen, seeing him
变成了这个没有道德的生物 transformed into this creature with no set of morals.
就像他只是出去吃饭 靠其他的东西来生存 Like he's just out to eat and to exist and to survive with something else.
吸血鬼占领了这家酒吧 他们大笑 屠杀所有人 The vampires take over this bar and they're just slaughtering everybody and laughing.
通常情况下 是吸血鬼进来咬人 但这里不是 他们陶醉于 Normally, it's your vampire comes in bites somebody and this it's like no, they're reveling
他们在杀人这件事 in it that they're murdering people.
看到比尔·帕克斯顿变成这样一个精神错乱的疯子真是太棒了 To see Bill Paxton becoming this sort of unhinged crazy man of a character was so awesome.
这是一部非常有趣的吸血鬼题材电影 和我们之前看过的80年代的任何一部 It's just such an interesting and different take on vampires than anything we saw during
都不一样 the '80s.
免费的福利 80年代恐怖片里的性和裸体
恐怖直接进入我们的原始神经中枢和人类最基本的东西 Horror goes directly to our primal nerve centers and the things that are most basic about being
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
人类 那就是做爱和杀人 human and that's fucking and killing.
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
你在屏幕上看到性爱和裸体 它就像暴力一样吸引人 You get sex and nudity on screen and it's just as much of a hook as the violence was.
卡珊德拉·彼得逊 《销魂天师》演员
在我看来 在恐怖电影中的裸体从来都不是毫无意义的 Nudity has never seemed that gratuitous to me in horror films.
这似乎一直是它的一部分 It's always seemed part of it.
我的意思是 你看看60年代和70年代早期西班牙和意大利的老电影 I mean if you look at the old movies from like the '60s and early '70s in Spain and Italy.
我以前在《恐怖电影》里放过 I used to show them on my show Movie Macabre
《艾薇拉的恐怖电影》（1983）
我们得剪掉电影的四分之三 因为每个人都是裸体的 and we'd have to cut out three-quarters of the movie because everybody was naked.
我猜吸血鬼和女巫总是光着身子到处跑 I guess vampires and witches just run around naked all the time I don't know.
希瑟·威克森 《Daily Dead》主编
有趣的是 在并非必要的情况下 80年代的社会是如何投射他们自己的 It's interesting to me how society during the '80s sort of projected their own especially
美国文化把他们自己对裸体的顾虑如何投射到这类电影上 U.S. cultures projected their own hang-ups on nudity on to this genre of films when it
我觉得这不是什么大问题 really wasn't, I don't think that much of an issue.
《恐怖欢乐屋》（1981）
我想我现在要洗个澡 这里太热了 Oh, I think I'll take a shower now, it's hot in here.
凯利·马罗尼 《杀手追魂》演员
我的意思是 那里的裸戏我认为这是完全没有必要的 I mean it's just out there with it and I think it was completely gratuitous and
《睡衣派对大屠杀》（1982）
我认为它只是用来吸引观众的 我认为这完全没有必要 但是 I think it was used only to sell the movie and I think it was completely unnecessary but
你必须让年轻人去看电影 那么你还能怎么做呢 you have to get young guys in there to see the movie and how are you going to do that
芭芭拉·克兰普顿 《活跳尸》演员
他们要求很多女孩在这些电影中裸体 包括我自己 They asked a lot of girls to be naked in these films, myself included.
《活跳尸》（1985）
但在那个时候 这个有些被禁止 But at that time it was a little bit more forbidden
还会让人感觉很卑鄙 因为很多电影是男人写的 felt more base and a lot of men were writing
所以他们在写他们想看的东西 是的 他们想看 the movies and so they were writing what they wanted to see and yeah, they wanted to see
裸体女人 naked ladies.
对我来说 感觉又来了 For me, it sort of felt like here it is again, okay.
那感觉就像是一场成人仪式 And it felt like it was a rite of passage okay.
如果我一直对这些角色说不 我就没法工作了 所以我说了是 If I keep saying no to these roles, I'm not going to be able to work so I said yes and
《活跳尸》（1985）
只要剧本好就行 it was fine as long as the script was good.
很多女性因为要被看光而被剥削 原因只是因为 A lot of women were exploited for exploitation purposes just to see it because they would
她们点了头 say yes.
女邮递员达西 《乔·鲍勃·布里格斯的最后时刻》演员
裸戏让我们有了位置 The nudity helped get the butts in the seats.
比如 如果我手里有两个视频 一个有裸体 一个没有 你觉得 Like if I had two videos in my hand and one said nudity and one did not, which one do you
我会看哪个 think I'm watching
我认为他们需要更多的男性裸体 I do think they need to have more male nudity.
很久以前 我在电影里都没见过鸡鸡 Even way back I was like I never see a penis ever in a movie.
尽管现在情况有所好转 但这种情况仍然很少见 And even now it's still rare although getting a little better.
但我觉得如果有裸女 那就该有个裸男 But I feel like if you have a naked lady then have a naked man.
《鬼故事》（1981）
这才公平 Equality.
《月光光心慌慌3：女巫的季节》（1982）
《月光光心慌慌》 我想你看到我的屁股了 Halloween 3, I think you see my ass.
汤姆·阿特金斯 《月光光心慌慌3》演员
那时我还有屁股 I had an ass then.
《月光光心慌慌3：女巫的季节》（1982）
现在我已经没有屁股了 我太老了 一切都过去了 I don't have an ass anymore. I'm too old, it's all gone away.
我不知道为什么青少年观众会认为 性欲过度的青少年该死 I don't know why an audience of teenagers would think that over sexed teenagers deserve
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
《炼狱》（1981）
但这就是80年代发生的事 to die but that's what was happening in the '80s.
所以 我们一定有很多性欲低下的青少年在这些电影中 So, we must have had a lot of undersexed teenagers enjoying the death of
享受性欲过度的青少年的死亡 oversexed teenagers in these movies.
斯图尔特·戈登 《活跳尸》编剧、导演
在这一点上 美国一直是非常分裂的 America has always been very schizophrenic in that
因为这是一个清教徒式的地方 it's a puritanical place.
所以在很多电影中 And so a lot of the movies,
如果你做爱 你就会死 这是一种《13号星期五》的模式 if you had sex you would die, that was kind of the Friday the 13th model.
《13号星期五：新的开始》（1985）
任何想要做爱的人都会被杀死 Anyone who would have sex you knew was going to be dead by reel three.
我觉得很多人把性和犯罪等同起来然后 觉得如果你去寻欢作乐 I think a lot of people were trying to equate sex with sinning and you're gonna go frolic
然后你就会咎由自取 知道吗 and you get what you get, you know
就像《惊声尖叫》里的规则一样 It's kind of how in Scream they talk about the rules.
你上过床 现在就要死了 You had sex, now you're going to die.
也许这不是向人们传达的最健康的信息 Maybe not the healthiest message to send out to people.
有点过时了 不是吗 It's a kind of old-fashioned, isn't it
特别是在60年代和70年代的自由和无耻行径之后 Especially after the freedom and outrageous goings on of the 60s and 70s.
这是一个根深蒂固的规则 他们不得不开始故意打破它 And that was so ingrained that it was a rule that they deliberately had to start breaking.
评论家指出 他们做爱了 还活了下来 And reviewers pointed it out, they had sex and they lived.
这就是它的强度 That's how strong that was.
我喜欢女人比男人有性能力 I like that women have sexual power over men.
很多时候都是惊魂未定 A lot of the time in horror.
《13号星期五2》（1981）
无论男反派或反派如何试图征服和伤害女人 No matter how the male antagonist or the villain may try to subjugate and victimize
《养鬼吃人》（1987）
她们总是能够非常积极主动地代表自己采取行动 the woman, she has always been able to very proactively and aggressively act on her own
向坏人报仇 behalf and get her revenge on the bad guy.
《恐怖欢乐屋》（1981）
这太合我的口味了 That works for me.
所以 这就像是恐怖中的不同裸体 So, it's like different kinds of nudity in horror.
我猜有很多地方都是用来震慑的 There's plenty where it's used for shock value, I guess.
就像在它之上发生了很多暴力一样 你真的很困惑 Like lots of violence is happening on top of it and you're really confused because if
《平安夜，杀人夜》（1984）
因为如果你在这种情况下被唤醒 就好像我是一个可怕的人 you're getting aroused as this is going, it's like am I a terrible person
像杀人狂一样的疯子 It's like maniacs like slaughtering people.
在什么情况下你可以享受它 在什么情况下你会感到不安 At what point are you allowed to enjoy it and what point is it kind of disturbing
我真的很喜欢《魔精》 I really liked Critters.
米克·加里斯 《魔精2》编剧、导演
我玩得很开心 I had a good time with it.
这是非常斯皮尔伯格式的 It was very Spielbergian.
《魔精》（1986）
有点像现代西部片 但有小怪物 Sort of a modern-day western but with little monsters.
我非常喜欢《魔精》世界 尤其是《魔精2》的一个原因是 And one of the things I really like about the Critters world and in particular Critters 2
诺曼·洛克威尔的下地狱是我最喜欢的主题曲之一 is one of my favorite themes of Norman Rockwell goes to hell.
《魔精2》（1988）
所以 它就是把理想化的美国小镇搞得一团糟 So, this is taking the idealized small-town America and just kicking it in the balls.
我的主要工作是创造一些令人难忘的角色 而不是 My main job was try to create some characters who were memorable and just not fodder for
小木偶的素材 little puppets.
演员阵容很棒 林·沙耶、斯科特·格莱姆斯、莉安·柯蒂斯和巴里·柯尔宾 The cast was wonderful Lin Shaye and Scott Grimes and Liane Curtis and Barry Corbin.
一群非常好的人 A really good group of people.
基奥多兄弟非常棒 And the Chiodo Brothers were amazing.
《魔精2》（1988）：幕后
他们用低成本做出了这些惊人的作品 They made these amazing creations on no money.
《魔精2》中又一个突破PG-13级界限的难忘场景 Another memorable moment in Critters 2 that stretches the boundaries of the PG-13 rating
《魔精2》（1988）
是一个外星赏金猎人拿起《花花公子》杂志看到折页 is when one of the alien bounty hunters picks up the Playboy magazine and sees the fold-out
然后变成了赤身裸体的罗克珊·克诺汉 and transforms into Roxanne Kernohan naked.
这是新线工作室的负责人鲍勃·沙耶在我们对接的时候提出的一个超棒的想法 A really great idea that Bob Shaye, the head of New Line Studios had when we were doing
当时我们在做折叠的场景 the scene with the fold-out.
她变身后 把肚脐上的大钉拔下来 那是鲍勃和我的主意 When she transforms and plucks the giant staple out of her navel that was Bob's idea and I
他做得太棒了 我得给他点赞 have to give him credit because it's so good.
也许到目前为止我拍摄过的最复杂的场景就是皮卡车和 The most complicated scene maybe to this day that I've ever shot is that chase between
巨大的小动物球的追逐 因为小动物球有好几个 the pickup truck and the giant critter ball because there are several different versions
不同版本的道具 of that critter ball.
其中一个得有一吨重 挂在连接皮卡的车轴上 One of them must have weighed a ton and was on an axle connected to the pickup truck and
还有很多遥控的木偶脸都在咬它 it had all these remote-control puppeted faces that are biting on it.
还有另一个版本 是把一堆动物的皮毛放在一个充气球上 There's another version, it's just a bunch of critter pelts on an inflatable ball that
当它第一次进城时 你可以看到基奥多兄弟的两条腿在后面 when it first comes into town you can see two of the Chiodo Brothers' legs behind
那是他们正推它 it as they're pushing it.
这真是高科技的视觉效果 That's real high-tech visual effects.
但当动物球滚动时 其中一个人其中一个逃离它的人会在 But when the critters ball is rolling, one of the people running away from it gets rolled
你听到狼吞虎咽的 over and reveals the skeleton
咯咯地叫 咯咯地叫的声音后立即翻滚 并露出他的骨架 of him immediately after you hear gobble, gobble, gobble and it's away
然后它就消失了 骨架上还剩下一点肉 and there's the skeleton with a little meat left on it.
这是我最喜欢的场景 总是得到惊人的反应 That's a favorite moment of mine and always gets an amazing reaction.
《13号星期五7：新的血液》是第一部由凯恩·霍德饰演杰森的电影 Friday the 13th Part 7 -The New Blood is the first one with Kane Hodder as Jason which
詹姆斯·A·贾尼西 《Dead Meat》主持人
《13号星期五7：新的血液》（1988）
让人惊讶的是 最出名的杰森是在第七部电影中出现的 is surprising that the most famous Jason came in during the seventh movie.
这部电影最让人难忘的当然是那个通灵的角色蒂娜 The really memorable thing about this movie is of course the psychic character Tina who
她是第一个能够勇敢面对杰森 并展开反击的人 serves as the first person who can actually stand up to Jason and fight back.
这部是由已故的约翰·卡尔·比希勒导演的 他做得非常好 And it was directed by the late John Carl Buechler who did a fantastic job with it.
我扮演杰森的唯一原因是他坚持让我扮演这个角色 因为 The single reason I ever became Jason was his insistence that I play the character because
凯恩·霍德尔 《十三号星期五7》演员
没有人反对C.J.在第六部回归 nobody was against C.J. coming back from Part 6.
《13号星期五6：杰森复活》（1986）
他做得很好 He had done a good job.
我仍然认为他演得很好 但比希勒坚持让我来演这个角色 I still think he did a good job but Buechler was adamant that I play the character.
这是难以置信的荣誉 Unbelievable honor.
《13号星期五7：新的血液》（1988）
我说我要尽我所能让这个角色公正 I said I have to do whatever I can to do this character justice.
蒂娜看到我用帐篷桩杀了比尔·巴特勒 Tina has a vision of me killing Bill Butler with the tent stakes.
所以桩子从他身上捅出来 我站在他身后 他就像这样 So it's sticking out of him and I'm standing behind him and he's going like that.
这是我戴着冰球面具拍的第一张照片 That's the very first thing I ever shot with the hockey mask on.
所以 这将是一个很酷的回忆 So, that'll always be a cool memory.
我做过的最喜欢的火焰特技是在第七部中扮演杰森 因为在我身上 My favorite fire stunt I've ever done is as Jason in Part 7 because there is so much
点燃了太多的火焰 fire on me.
我兴奋了这么久 I'm on fire for so long.
这是个惊人的特技 Just an amazing looking stunt.
每个人都不敢让我表演火焰特技 因为我差点丧命 Everybody's afraid to offer me a fire stunt because one almost killed me.
我在医院住了五个半月 I was in the hospital five and a half months.
花了一年的时间才完全康复 恢复了正常的生活 It took a year to fully recover and get back to a somewhat normal life.
尽管它几乎要了我的命 但当我回首往事时 我总是说 伙计 我就是喜欢用火 Even though it almost killed me I always looked back and said man, I just liked doing fire
进行特技表演 因为它们看起来很吓人 stunts because they were so scary-looking.
凯恩·霍德戴上面具 杰森受到了巨大的惩罚 With Kane Hodder behind the mask, Jason undergoes a ton of punishment.
他被房子砸中 触电 钉子扎进他的身体 但他最终的死亡 He gets a house falling on him and electrocuted and nails stuck in him but then his ultimate
来自于一只像僵尸爸爸一样从湖里出来并将他 death comes from the hand of like a zombie dad coming out of the lake and dragging him
拖到水下的手 underwater.
这很奇怪的 显得匆忙 但你肯定记得 It's totally bizarre and a little rushed but you definitely remember it.
《外太空杀人小丑》（1988） - 预告片
我推荐的电影之一是《外太空杀人小丑》 One of the movies I would point people to is Killer Klowns From Outer Space by the amazing
乔·丹特 《地狱来的芳邻》导演
由基奥多兄弟制作 Chiodo Brothers.
这是一部情节不长但内容丰富而温馨的电影 This is a movie that is not long on plot but is rich and intimate.
《外太空杀人小丑》（1988）
小丑杀手的设计 让我们面对现实吧 小丑总是让人毛骨悚然 The designs for the Killer Klowns, clowns let's face it, always being kind of creepy
真的 真的 真的很令人不安 are really, really, really disturbing.
恐怖依然 也保持了一贯的喜剧 The horror is there, the comedy they keep it consistent.
他们用派杀人 They're killing people with pies.
他们把人用棉花糖裹起来 They're taking people and wrapping them up in cotton candy.
朗·钱尼曾经说过 小丑在马戏团里是滑稽的 但午夜出现在你家门口 Lon Chaney once said that the clown is funny in the circus ring but he's not funny at your door
就不滑稽了 at midnight.
这些人在午夜的时候出现在你的门口 尽管故事很荒谬 但它充满了 These guys are at your door at midnight and even though the story is ridiculous it's filled
奇怪的闹剧暴力 with strange slapstick violence.
它真的 它在我心中有一个特殊的位置 It really, it gives it a special place in my heart.
《鬼追人2》（1988） - 预告片
马克·肖斯特罗姆 《鬼追人2》特效化妆设计、造型师
当我拿到《鬼追人2》的剧本时 它还不叫《鬼追人2》 When I got the script of Phantasm 2, it wasn't called Phantasm 2.
它叫做《美国式哥特》或《晨边》 It was called either American Gothic or Morningside.
它经历了不同的版本 这是绝密的 It went through different versions. It was top-secret.
第二页上写着高个男人 You get page two and it says the Tall Man
我想 好吧 我想我能弄明白是什么 and I'm like yeah, I think I can figure out what it is.
《鬼追人2》（1988）
安格斯·斯克里姆和他饰演的高个男人简直是天壤之别 Angus Scrimm and his Tall Man character couldn't be further apart.
安格斯是一个最可爱最温柔的人 一个出色的演员 Angus was the sweetest most gentle human being, a wonderful actor.
他有一个甜美温柔的灵魂 Just a sweet gentle soul.
当他变成高个子的时候 他把名字改成0nH和B0yF When he becomes the Tall Man he just switches it 0nH.and"B0yF
切换掉后 他就又变成安格斯了 And then switches it off and he's Angus.
是的 我喜欢和他一起工作 Yeah, I love working with him.
塞西尔·特拉成堡 《good bad flicks》主持人
很明显 他们在续集上投入了大量预算 It's so clear that they had a big budget on the sequel.
他们可以实现很多唐·科斯卡雷利在原版中有过的概念 They were able to do a lot of the concepts that Don Coscarelli had had with the original
但不能完全地充实它们 因为他没有钱 that he couldn't fully flesh out because he just didn't have the money.
史蒂夫·帕蒂诺为这部电影制作了许多不同的球体 Steve Patino created a ton of different spheres for the film.
他做得很好 He did a wonderful job.
球体飞 球体坠落 球上伸出一个小刀片 Spheres were flying, spheres were dropping, spheres that had a little blade come out and
球体开始旋转 目的只是为了抽血 start spinning and spheres just for blood pumping.
他有很多用于不同效果的东西 He had dozens of these things for different effects.
每当你在片场拿到那个完全闪亮的镀铬球时 它基本上就是一面镜子 Anytime you got that completely shiny chrome ball on set, it's basically a mirror reflecting
反射周围的一切 包括摄制组 everything around it including the film crew.
所以 你必须非常聪明地拍摄它 就像通过墙上的一个洞 So, you had to be very clever about how you shot it like through a hole in the wall or
或其他东西那样拍摄 这样相机才不会穿帮 something so the camera wouldn't be seen
我们和他们玩得很开心 We had a lot of fun with them.
我甚至在自己身上也试过 I even tried one on myself.
我最喜欢的场景是球追着那个家伙穿过墓地 My favorite scene has to be when the ball is chasing the dude through the mausoleum
他的脑子里突然出现了这个想法 你就会想 啊 这太糟糕了 然后 and it just comes up right in his head and you're like ah, that sucks and then the drill
钻头就出来了 comes out.
我完全没想到 只是 他的血到处乱飞 它钻进了 Not expecting that at all and just... and his blood flying everywhere. It drills through
这家伙的大脑 the guy's brain.
这简直太疯狂了 他做得太好了 It's insane. It's so well done.
《鬼追人2》的效果将整个系列提升到一个完全不同的水平 Phantasm 2 in terms of its effects takes the whole franchise to a completely different
我认为此后的任何一部电影都没有触及到《鬼追人2》的水平 level and I don't think any of the films since have ever touched what the work in Phantasm 2
因为我认为它真的为整个系列设定了一个标准 was like because I think that really set a bar for that whole series.
我认为《变形怪体》这部电影值得与《怪形》和《变蝇人》相提并论 The Blob is a film that I think deserves to be up there with The Thing and The Fly as
是80年代最伟大的翻拍电影之一 one of the great '80s remakes.
这是一个很好的例子 说明如何使用新的电影技术拍摄老电影 It's really an example of how you can take an older film and use the new cinematic technology
《变形怪体》（1988）
并且用最好的方式讲故事 and really tell the story in the best possible way.
它是一个没有得到应有的认可的怪物 It's a monster that doesn't really get quite the recognition that it deserves.
塞西尔·特拉成堡 《good bad flicks》主持人
他们有一个更血腥的故事 这与原版不同 它使变形怪体成为一股 They had a much bloodier story it was different from the original it made The Blob an even
不可忽视的更大力量 bigger force to be reckoned with.
这是一个来自外太空的东西 一个没有头脑的杀人机器 Here you have this thing from outer space that is just a mindless killing machine.
它在这个小镇上开辟了一条毁灭之路 吞噬所有挡道的人 It's just carving a path of destruction across this town, eating everybody in its way.
它会害死剧院里的孩子 这只是他们今天 It kills a theater full of children. It's just something that they would have a hard
一件难以摆脱的事情 time getting away with today.
《猛鬼街》第四部电影《梦之大师》从《梦中战士》结束的地方开始 The 4th Nightmare on Elm Street film The Dream Master picks up where The Dream Warriors left
詹姆斯·A·贾尼西 《Dead Meat》主持人
然后迅速杀死电影里所有的幸存者 off and then quickly just kills all the survivors from that movie.
《猛鬼街4：梦之大师》（1988）
金凯德是第一个在大型恐怖电影中幸存下来的非裔美国人 Kincaid is the first African American to ever survive a major horror film
肯·萨格斯 《猛鬼街4》演员
但是我想他们忘记了 因为在第4部他们没有在演职员表上 and return to a sequel but I think they forgot because in Part 4 they killed my black
留下我的黑人姓名 ass off during the credits almost.
所以 我曾经告诉人们 如果你想见我 就别买爆米花 别买饮料 So, I used to tell people if you want to see me don't get popcorn, don't get no drinks,
直接去剧院 大约五到十分钟后你就可以去喝点东西了 go straight to the theater and after about five or ten minutes then you can go get some drinks.
我们实际上是在一个垃圾场拍摄的 我们花了一周的时间来拍摄那个场景 We actually filmed that in a junkyard and it took us a week to film that scene.
弗雷迪就是在那里起死回生的 因为我的狗叫杰森 It was where Freddy came back to life and it was because of my dog that was named Jason.
狗还撒尿了 所以 这让他活了过来 And the dog pissed fire so... and that's what brought him to life.
如果你回过头去看罗伯特·英格伦就会发现自己很有魅力 If you go back and look at it Robert Englund had develop a swag about himself and he just
他戴上帽子说 你不该把我埋了 put on his hat and he said, "You shouldn't have buried me."
他把剃须刀插进我的胸膛 抓住我的心脏 He stuck his razors into my chest and grabbed my heart.
我想他应该把它拔出来 但那样太恶心了 I think he was supposed to pull it out but that was going to be too gross.
接下来是一群新的孩子在梦里和弗莱迪打架 It goes on to feature a new bunch of kids fighting Freddy in their dreams including
包括做梦大师 这是这部电影提出的全新概念 The Dream Master which is an all-new thing that this movie came up with.
这部电影中我最喜欢的效果是尖叫的疯狂乔治做的 他真的很棒 My favorite effect from the movie is done by Screaming Mad George who's really good
也就是黛比变成蟑螂的时候 with bug effects and it's when Debbie becomes a cockroach.
我们说的可是格里高尔·萨姆沙 We're talking full-on Gregor Samsa here.
她就变成了一只恶心 黏糊糊 恶心的蟑螂 触角和四肢都翘起来了 She just turns into this gross, gooey, icky cockroach who's got antennae and limbs popping
最终她被弗雷迪用一根衬里压在了蟑螂汽车旅馆里 out before she's ultimately crushed in a roach motel by Freddy with a one-liner.
《白蛇传说》（1988） - 预告片
肯·罗素是一个非常独特的电影制作人他有一个非常独特的观点 Ken Russell was a very distinctive filmmaker who had a very distinctive point of view that
米克·加里斯 《舐血夜魔》编剧、导演
有点疯狂 was slightly mad.
他接了布拉姆·斯托克的短篇小说《白虫的巢穴》 He took on a Bram Stoker short story called The Lair of the White Worm.
阿曼达·多诺霍扮演白虫的女祭司 Amanda Donohoe plays this priestess of the white worm, sort of.
《白蛇传说》（1988）
这很疯狂 很有趣 真的让人难以忘怀 It's crazy, it's funny, it's really haunting and spooky.
《白蛇传说》也是休·格兰特早期拍摄的作品之一 The Lair of the White Worm also has one of the first performances of Hugh Grant and he's
他是我们所期待的那种笨手笨脚 魅力十足的男人 the fumbling, charming guy that we all expect.
但这是在英国农村 它与诅咒和古老的宗教有关 But it's in the British countryside and it has to do with curses and ancient religions
很像肯·罗素的特别节目 and things and it's very much a Ken Russell special.
是一部真正精彩而独特的电影 你永远不会想到它来自一个短篇小说 A really wonderful, unique movie that you would never expect came from a short story written
和《德古拉》的作者是同一个人 by the same guy who wrote the book, Dracula.
《销魂天师》（1988） - 预告片
《销魂天师》就像美梦成真一样 Elvira: Mistress of the Dark was like a dream come true.
女邮递员达西 《乔·鲍勃·布里格斯的最后时刻》演员
《艾薇拉的恐怖电影》（1983）
我们终于看到了卡桑德拉·彼得森为艾薇拉做了一个衍生的表演 We finally get to see Cassandra Peterson do an extended version of Elvira and some of her
《销魂天师》（1988）
和托管的片段 little hosting snippets.
我们看到了她的个性 我们没有失望 We get to see her personality and we were not disappointed.
我和约翰·帕拉贡以及山姆·伊根一起工作 和两位编剧用这种方式 It became such a great way to make the character three-dimensional, myself and the two writers
卡珊德拉·彼得逊 《销魂天师》演员
让角色立体化 真是太棒了 that I worked with John Paragon and Sam Egan.
这就像每天都有一个关于我自己的发现 几乎就像一个治疗课程 It was like a discovery every day, kind of about myself. It was almost like a therapy session.
这个女人看起来像是介于某种女巫或吸血鬼之间的女人 Here she is this woman that looks like something between some kind of a sorceress vampire witch,
我们不知道 她也许想去拉斯维加斯当歌舞女郎 we don't know what, and she wants to be a showgirl in Las Vegas.
它实际上来自我的真实生活 所以 It actually came from my real life so...
发现艾薇拉的真身很有趣 It was fun discovering who Elvira was.
她就像一条离开水的鱼 开展自己的公路旅行 She just went on a road trip where she's like a fish out of water and the townspeople just
而镇上的人想把她钉死 但我们都知道她超级酷 want to crucify her. But we all know she's super cool.
在那部电影里 我曾无数次冒着生命危险被烈火包围 I put my life on the line in that movie so many times being surrounded by fire
一开始是在火堆上 然后房子被烧了 first on the pyre up there and then later when the house is burning down.
那火是真的 That fire is real.
我的假发会随着发胶一起爆炸 就像炸弹一样 I mean my wig would have gone up with all that hairspray, like a bomb.
所以 我从头到脚都涂上了阻燃剂 但他们没告诉我 So, I was covered from head to toe in flame-retardant which they failed to tell me made
你痒得要命 而且我的手被绑在背后 不能抓自己 you itch like mad and I have my hands tied behind my back so I couldn't scratch myself.
我真想把自己的皮扯下来 I was wanting to tear my skin off.
现在回想起来都特别痒 It's making me itch right now.
还有一个我们称之为锅怪的场景 We had the casserole monster's scene we call it.
锅怪是个木偶 桌子底下的家伙得必须非常非常靠近我 The pot monster was a puppet, the guys that were under the table had to get
我就想说 哦不 不要坐在我的两腿之间 very, very close to me and I was like oh, no just come on sit right here between my
我猜他们在下面玩得很开心 legs and I guess they had a great time down there.
这是一部很好的电影做得太好了 她真是个英雄 It's such a good movie. It's so well done and she was just a hero
对于像我这样的爱恐怖的小女孩来说 这就像 to little horror girls like me, it's like...
《南瓜恶灵》（1988） - 预告片
所以《南瓜恶灵》真是一部很棒的电影 So Pumpkinhead is an amazing film.
女邮递员达西 《乔·鲍勃·布里格斯的最后时刻》演员
兰斯·亨利克森扮演一位失去可爱孩子的父亲 他想要复仇 It has Lance Henriksen as the dad who loses his adorable little kid and understandably
《南瓜恶灵》（1988）
这是可以理解的 wants revenge.
所以 他带回了这个疯狂的怪物 然后就发生了我最喜欢的怪物戏 So, he brings back this crazy monster which is my favorite all-time monster ever and revenge
和复仇 happens
这是传奇人物斯坦·温斯顿的导演处女作 小汤姆·伍德拉夫为 It's makeup effects legend Stan Winston's directorial debut and Tom WoodruffJr. as
那个穿南瓜头套装的家伙进行特效化妆 the dude in the pumpkin head suit.
人们常问 你最喜欢哪部电影 People ask, "What was your favorite movie"
我总会告诉他们 是《南瓜恶灵》 And I always tell them it was Pumpkinhead.
小汤姆·伍德拉夫 《南瓜恶灵》特效化妆师
他把整个节目的设计交给了我们 我们就跟他的人去 And he turned over the design aspects of that entire show to us, his guys and we were going
《南瓜恶灵：从概念到成品》（2012）
小汤姆·伍德拉夫 《南瓜恶灵》特效化妆师
所以斯坦肯定同意我们这么做 So, that was an affirmative nod from Stan to let us do that.
我们一直想要确保我们能向观众传达一些东西 We always wanted to make sure that we were delivering something to the audience that
让怪物看起来不像是穿橡胶服的人 didn't seem like the guy in a rubber suit.
我们会做一些事情 比如把腿伸直 让它们又长又瘦 We would do things like extend the legs with a leg extension to make them long and skinny
宇航服有些地方很薄 所以不会增加很多体积 and the suit was very thin in places so it didn't add a lot of bulk.
《南瓜恶灵》（1988）
它很实用 但有点像木偶和皮套人的结合 It was all practical but it was a little bit of puppetry, it was a little bit of man in suit
但我就是喜欢南瓜头的设计 but I just love the design of what Pumpkinhead was.
瑞恩·图雷克 怖屋公司发展副总裁
他长着一个球根状的脑袋 非常邪恶 还有一条长长的尾巴 There he was with this kind of bulbous head but he was very demonic, he had this long tail,
他会爬树 还能杀人 he was able to climb trees and take out people.
无论南瓜头什么时候走动 你都能在背景里听到这种奇怪的 Whenever Pumkinhead was walking around you can hear this weird chittering noise
唧唧喳喳的声音 in the background.
听起来像蝉鸣 而你明白 如果你听到了 你就完蛋了 It sounded like cicadas and you always knew if you heard that, you were doomed.
对于穿着皮套的我来说 沟通总是很困难 但当斯坦靠近的时候 It was always hard for me in the suits to communicate but when Stan would get close
我就问我们是要演《金刚》吗 他就像霸王龙一样 I'd say can we do the King Kong thing And he goes the thing with the T-Rex.
所以 我们都很清楚自己在说什么 那就是你拿起乔尔的头 So, we both knew exactly what we're saying and that was thing where you pick up Joel's
《金刚》（1933）
稍微移动一下 玩弄它 head and kind of move it around a little bit and play with it.
《南瓜恶灵》（1988）
尽管这是一部80年代的电影 但它在我们俩都看过《金刚》之前 Even though this was an '80s movie it extended much further before that from when we both
延伸得更远 我们暂时将其带入了某种生活 had each had seen King Kong and we brought that into some kind of life for a moment.
在《月光光心慌慌3》把大家搞得晕头晕脑 票房惨败之后 After Halloween 3 confused the hell out of everyone and bombed at the box office,
他们复活了大家最喜欢的杀人狂 they resurrected everyone's favorite slasher.
《月光光心慌慌4：迈克尔·迈尔斯归来》（1988）
万圣节前夕 迈克尔·迈尔斯又回到了哈顿菲尔德 这次是为了跟踪他的侄女 Halloween 4 has Michael Myers returning to Haddonfield this time to stalk his niece
詹姆斯·A·贾尼西 《Dead Meat》主持人
杰米·劳埃德 由年轻的丹妮尔·哈里斯饰演 Jamie Lloyd played by a young Danielle Harris.
这部影片中我最喜欢的杀戮是凯瑟琳·金蒙特扮演的受害者 My favorite kill in this one is mostly because of the victim who is played by Kathleen Kinmont
她穿着一件很有纪念意义的衬衫 上面写着条子按规矩办事 wearing a very memorable shirt that says, "Cops do it by the book.”
迈克尔拿了一把猎枪 他没有用猎枪射她 而是用霰弹枪的枪管 Michael just takes a shotgun and instead of using it to shoot her, he impales her into
将她捅穿 刺到了墙壁上 the wall with the barrel of the shotgun.
我认为《月光光心慌慌4》真的让迈克尔成为了标志性的杀人狂之一 I think Halloween 4 is really the movie that made Michael into one of the iconic slashers.
迈克尔·迈尔斯你就像杰森·沃里斯 Michael Myers you're just like Jason Voorhees.
《极度空间》（1988） - 预告片
80年代的一个不同之处在于我的信仰体系是不受约束的 One of the things about the '80s it was just different than my belief system as the unrestrained
约翰·卡朋特 《极度空间》编剧、导演
资本主义是里根引入的 capitalism that came into being, Reagan brought it in.
《极度空间》（1988）
我觉得他所做的事情对人们来说不是很好 The things that he implemented I felt were not real great for people.
特别是对于低收入的人 Especially low-income folks.
这种贪婪是好生意 只是 This greed is good business was just...
我只是不能 I just couldn't...
我简直不敢相信 I couldn't believe it.
《华尔街》（1987）
他们的回应是 They Live was the response.
当我们参与《极度空间》时 约翰已经提升了他的导演水平 John had upped his game as a director by the time we got to They Live.
凯斯·大卫 《极度空间》演员
《极度空间》（1988）
它的政治意义和共鸣在今天可能比当时更强烈 It's political significance and resonance is probably more acute today than it was even then.
凯斯·大卫 《极度空间》演员
我必须想出一个视觉设备 向观众展示他们周围隐藏的现实 I had to come up with a visual device that showed the audience the hidden reality around them.
所以太阳眼镜是一个完美的隐喻 And so the sunglasses were a perfect metaphor.
吉姆·丹福斯画了这些哑光画 可以用太阳镜转化成黑白 Jim Danforth did these matte paintings and they would work in black and white with sunglasses.
非常适合我们的低预算 Perfect for our low budget.
广告中的潜意识信息 Subliminal messages put in advertising.
《极度空间》杂志把这个问题彻底解决了 They Live addressed it head bang on.
你不知道今天广播给我们的是什么信息 You don't know what messages are being broadcast to us today.
这并不一定是一个陌生的概念 That's not necessarily an alien concept.
《极度空间》中的打斗场面在舞台上很有趣 The fight in They Live was fun to stage.
我们排练了很长时间 We rehearsed it for quite a while.
《罗迪·皮佩vs骑警：皇家大战》（1992）
罗迪是个摔跤手 他靠打架为生 所以我们得打一场架 Roddy's a wrestler and he fights for a living, so we had to put a big fight in.
让我印象深刻的人是凯斯 The guy I'm impressed with is Keith.
他做的很好 He did great.
《极度空间》（1988）
我们排练了两周 We rehearsed it for like two weeks.
编排得很好 设计得也很好 可以说是《蓬门今始为君开》之后 It was very well-choreographed, very well designed, fashioned after the fight in
《蓬门今始为君开》（1952）
最棒的了 The Quiet Man.
我们玩得很开心 很开心 We had such, such fun.
《极度空间》（1988）
我这辈子从没觉得会在打斗中这么安全过 I never felt safer in a fight in my life.
是罗迪 他教了我如何用几个好招式展现动作戏 It was Roddy, he taught me more about selling it with a few great moves.
罗迪给了我一本他的笔记本 上面有几句话 是他在采访和摔跤比赛中 Roddy gave me a notebook of his that had lines that he would give for interviews
会给出的台词 and at wrestling matches.
这句话是他写下来的 我认为花花公子巴迪·罗斯在他们一起参加的一场比赛中 That was one he had written down and made up for I think Playboy Buddy Rose in a match
弥补了这一点 they had together.
所以我用了它 So I just used it.
罗迪和我成了好朋友 多年来我们偶尔会见面 Roddy and I became good friends and over the years we would see each other and hang out
一起出去玩 every once in a while.
这不是很酷吗新闻
德克萨斯惊梦周末（2011）
他是我见过的最可爱 最仁慈的人之一 One of the sweetest, most gracious human beings I've ever known.
我不认为有一部电影能像《极度空间》那样 I don't think there's been a movie quite like They Live.
《极度空间》（1988）
它是独一无二的 包括它对当时政治的暗喻等等 It stands alone and in terms of its reference to the politics of the times and so forth.
我来这里是为了嚼泡泡糖和打架 可泡泡糖吃完了 I came here to chew bubblegum and kick ass and I'm all out of bubblegum.
《鬼娃回魂》（1988）
我想拍一部杀手娃娃电影 我看到了它的商业潜力 I wanted to do a killer doll movie and I saw the commercial potential there.
汤姆·霍兰德 《鬼娃回魂》编剧、导演
当我们还是小孩子的时候 我们都曾想过如果我们的玩具活过来了 When we were little kids all of us had thought to ourselves wouldn't it be cool if our toys
会不会很酷 或者是会不会很可怕 and playthings came alive... or wouldn't it be terrifying
《鬼玩人》（1982）
《鬼玩人》里托比·霍普曾经让小丑从床底下钻出来 You saw it in Poltergeist with Tobe Hooper with the clown coming out from under the bed
这是电影里最恐怖的一幕 and it was like the biggest scare in the movie.
那一刻让我想做《鬼娃回魂》 当然如果我能做到的话 That moment made me want to do Child's Play if I could pull it off.
唐·曼西尼 《鬼娃回魂》导演、编剧
我想让恰吉成为一个黑色幽默的人物 在某种程度上 如果你喜欢一个 I wanted Chucky to be a darkly humorous figure and in a way, you can sort of reduce Chucky's
《鬼娃回魂》（1988）
可爱的小娃娃 但它会说很多脏话还捅死你 那么就能降低恰吉的吸引力 appeal if you're so inclined to a cute little doll that says fuck a lot and knifes you to death.
这很有趣 因为它本身就很荒谬 There is something amusing about that because it's inherently absurd.
谁会相信一个七岁的小孩说他的洋娃娃活了 Who's going to believe a little seven-year-old kid about his doll coming alive
对于任何像《鬼娃回魂》的电影 为了让它可信 你必须添加某些场景 With any kind of movie like Child's Play in order to make it believable you have to add
比如说 看 妈妈 没有电线 that moment where you say, "Look ma, no wires."
《鬼娃回魂》中最可怕的时刻可能是凯瑟琳·希克斯终于意识到这一点的时候 The scariest moment in Child's Play is probably when Catherine Hicks finally realizes that
她的儿子 她的小男孩一直在说真话 娃娃是邪恶的生物 her son, her little boy has been telling the truth and the doll is malevolently alive
她打开隔间 发现里面没有电池 and she opens the compartment and there are no batteries in there.
很好 现在轮到《驱魔人》了 Okay good, but then you get The Exorcist.
他的头180度旋转 看着她说 The head does 180-degree turn and looks up at her and says,
嗨 我是恰奇 想玩吗 Hi, I'm Chucky wanna play
吓死她了 It scares the hell out of her.
我把布拉德·杜里夫的声音放在后面 布拉德在《暴力扫荡》里面 And I put Brad Dourif's voice behind it and Brad had played the villain for me in
扮演了反派角色 Fatal Beauty.
《暴力扫荡》（1987）
恰吉拥有的是恶魔般的欢乐 It's the fiendish glee that Chucky has.
恰奇颠覆了现状 他追随权威人物 并与他们 Chucky subverts the status quo and he goes after authority figures and he has his way
相处融洽 with them.
我认为杀手娃娃这个比喻的吸引力是原始的 也许是弗洛伊德的 I think the appeal of the killer doll trope is partly primal and maybe Freudian.
我认为只要有手电筒 并且你可以在下巴下方 I think as long as there are flashlights and you can turn them on under a chin, under a
洋娃娃下方打开它们 那就是应对恐怖的万无一失的良方 doll, it's sort of a no fail prescription for terror right there.
《养鬼吃人2》（1988） - 预告片
《养鬼吃人2》讲述的是克里斯蒂坠入地狱寻找父亲的故事 Hellbound is really the story of Kirsty's descent into hell to look for her father.
道格·布拉德利 《养鬼吃人2》演员
《养鬼吃人2》（1988）
作为一名出色的脑外科医生 查纳德博士也对哀叹构型 Dr. Channard who was well as being a brain surgeon has also developed his own fascination
产生了浓厚的兴趣 with lament configurations.
鲜血使朱莉娅从床垫中起死回生 The blood brings Julia back to life out of the mattress.
她成了查纳德医生的宠物 She becomes Dr. Channard's kind of pet.
我和克莱夫谈了很多 关于钉子头这个角色的事 我知道 I had talked to Clive obviously a lot about the character of Pinhead and I knew he had been
他曾经是一个人 a human being.
我产生了这样一种想法 他是在为一个他记不清的人类而哀悼 I developed the idea that he was in mourning for a humanity that he couldn't remember clearly.
开场是艾略特·斯宾塞拿到盒子变成了钉子头 The opening sequence with Elliot Spencer acquiring the box and being transformed into Pinhead.
在电影的结尾，当科斯蒂给他看艾略特·斯宾塞时 At the end of the film we see the transformation back when Kirsty confronts him with that
我们看到了变化 他想起了他失去的人性 photograph of Elliot Spencer and he remembers the humanity that he had lost.
《养鬼吃人2》让你对并非真实存在的第一个修道士有了 Hellraiser 2, it gave you an insight into the Cenobites that wasn't really there with the
一个深入的了解 first one.
其中最受欢迎的场景是医生被变成修道士之后 Favorite scene from that is when the doctor is being turned into a Cenobite and then after
他从房间里出来 就像 he comes out of the chamber he's like...
思考一下 我犹豫了 And to think, I hesitated.
这太神奇了 就像他经历过这个地狱 It's so amazing because it's like he went through
他不想这样 但后来他出来了 他是个修道士 this hell and he didn't want to but then he comes out afterwards and he's a Cenobite and
就像 哦 这就是一切 it's like oh, this is what it's all about.
汇率的变化大幅削减了预算 因此决定以 Shift in the exchange rates shaved a substantial chunk off the budget and it was decided to
妥协的形式继续进行 go ahead in compromised form.
很遗憾 这会让我们深入了解克莱夫对这个领域的概念 And it's a shame, it would have given us that insight into where Clive's notions of this
修道士所在的地方 以及在剧本中引入 realm, this place where the Cenobites are and the idea of Leviathan that is introduced
但从未真正充分探索过的利维坦的想法 in the screenplay but never really fully explored.
怪人联盟 恐怖迷的自由基地
特罗马是一个经典的邪典电影制片厂 我们是最后一家 Troma is a classic cult movie studio we're the last one.
洛伊德·考夫曼 特罗马娱乐联合创始人
我们是唯一能够生存下来的 原因在于我们的粉丝 We're the only ones who've been able to survive and the reason is our fans.
我们有一群非常忠诚且活跃的粉丝群 We've got a fan base who are very devoted and they're very active.
当然 现在有了互联网 每个月有50万人和我们在一起 And now of course with the internet we've got 500,000 people every month with whom we
一起互动 are interacting.
这就是秘诀 So, that's the secret.
肯·萨格斯 《猛鬼街3》《猛鬼街4》演员
即使这部恐怖电影很便宜 制作很糟糕 恐怖粉丝也会支持你 Even if the horror film is cheaply, badly made, horror fans will support you.
粉丝们 他们是最棒的 The fans, they're the best.
洛瑞·卡蒂勒 《活死人之日》演员
就像你在看你的人 看你的部落 It's like you're meeting your people, you're meeting your tribe.
罗比·摩根 《13号星期五》演员
他们是任何人都希望拥有的最忠诚 最博学的粉丝群 They are the most loyal, the most knowledgeable fan base that anybody could wish to have.
道格·布拉德利 《养鬼吃人》演员
我觉得恐怖片迷是最能自我实现的人 因为他们允许自己 I feel like horror fans are some of the most self-actualized people because they allow
芭芭拉·克兰普顿 《活跳尸》演员
看到和体验生活的阴暗面 themselves to see and experience the darker aspects of life.
我们都是格格不入的人 We're all kind of the misfits.
瑞恩·图雷克 怖屋公司发展副总裁
我们都不适应主流文化 We're all of cultural misfits.
本·斯克里文斯 FrightRags创始人
我们很多人都有一种不受欢迎 成为死宅的感觉 A lot of us share the same sort of sense of not being the popular one, being the nerd
或者是极客 这在现在是很酷的 但在当时并不酷 or the geek, which sometimes nowadays is sort of cool, back then it was not cool.
所以 你在这些事情上保持联系 So, you bond over these things.
当我们变老的时候 我们会在社交媒体或聚会上找到这些人 So, as we get older and we find these groups of people on social media or at conventions
你会立即对这一题材产生理解和共鸣 you have an immediate understanding and a bond over the genre.
其中的一部分是热爱恐怖并回将其遗传给孩子们的恐怖粉丝 Horror fans who love horror and who passed it down to their children are some of the
是我认识的最开放的人 most open people that I know.
凯恩·霍德尔 《十三号星期五9》《13号星期五10》演员
有人会给我看一张我在恐怖大会上抱着婴儿的照片 Somebody will show me a picture of me at a horror convention holding an infant.
他们说 那就是我 他们现在已经25岁了 They go, "That's me", and they're now 25 years old.
我在恐怖片聚会上抱他们的时候 他们还在拉裤子呢 I held that person at a horror convention when they were still shitting themselves.
现在 他们和自己的孩子站在我面前 And now, they're standing in front of me with their own kids.
有人来找我 让我签上名字 几个小时后 I've had people come up to me and have me sign my name and then a couple hours later
尼克·卡斯特尔 《月光光心慌慌》演员
他们把我的名字纹在上面了 they've gone and tattooed my name on there.
所以他们就像粉丝一样 是真正的粉丝 So they're like fans, those are the real fans.
我见过各行各业的恐怖粉丝 I've met horror fans from all walks of life.
我不认为有什么刻板印象 There is no stereotypical one, I don't think.
这就是为什么很难描述普通的恐怖粉丝 因为有的人是 That's why it's hard to almost describe the average horror fan because you can see someone
穿着黑色衬衫走在街上 上面有恐怖图案或墨水或其他东西 walking down the street with a black shirt that has a horror design on it or ink or whatever
也有的人像是刚参加完商务会议的人穿西装打领带 and then you can also see someone who just came from a business meeting in a suit and tie
但随后他们会稍微拉起裤子 向你展示他们的恐怖周边袜子 but then they'll pull up their pants a little bit to show you their horror socks.
恐怖迷可以是任何人 他们无处不在 A horror fan can be anyone, they're everywhere.
凯蒂·菲德斯通 《灵动：鬼影实录》演员
格里高利·尼克特洛 《行尸走肉》执行制片人
我是一个找到职业道路的粉丝 I'm a fan who found his way into the profession.
我第一次参加聚会是在1975年的匹兹堡 它给了我一个非常独特的机会 I've went to my first convention in 1975 in Pittsburgh and it gave me a really unique
与我所爱的事物联系在一起的感觉 sense of being connected with something that I love.
我现在仍然以粉丝的身份去看演出 有时也以嘉宾的身份 I still go to shows as a fan and sometimes as a guest.
我们庆祝它 我们热爱它 我们对它充满激情 We celebrate it, we love it, we're passionate about it.
我喜欢恐怖的地方在于它的统一 What I love about horror, it's this unifier.
你可以是各行各业的人 You can be from any walk of life.
你可以是异性恋 你可以是同性恋 你可以是白人 你可以是黑人 You can be straight, you can be gay, you can be white, you can be black.
没关系 It doesn't matter.
恐怖是不分种族的 它无所谓性别 也无所谓年龄 Horror knows no race. It knows no sex, it knows no age.
恐怖是我们共同经历的普遍现象 Horror is this universal thing that we all come together over.
《地狱来的芳邻》（1989） - 预告片
我认为《地狱来的芳邻》是一部非常独特的电影 I think The Burbs is a very unique film.
米克·加里斯 《恐怖大师》创作者
这是一部喜剧 但它是黑暗的 这在商业上是个问题 It is a comedy but it's dark, and that commercially was a problem.
《地狱来的芳邻》（1989）
在汤姆·汉克斯只是在拍轻松有趣 令人愉快的喜剧时 It was marketed like a light Tom Hanks comedy at the time when Tom Hanks was just doing
它也按照这个模式被推销 very light, fun, enjoyable romps.
不过它有一种黑暗的 卑鄙的特质 我想乔·丹特也喜欢这种特质 And it has a really dark kind of mean streak to it, that I think was embraced by Joe Dante.
《地狱来的芳邻》名义上是一部恐怖电影 因为它讲述的是令人毛骨悚然的邻居 The Burbs is nominally a horror film in that it's about creepy neighbors.
当我还是个孩子的时候 我们的邻居中有人被认为很恐怖 And when I was a kid, we had people in the neighborhood who people thought were creepy
我们会编造一些事情 里面发生了什么 你不能在万圣节去那里 and we would make up stuff about what was going on in there and you couldn't go there on Halloween
因为那样我们就出不来了 because then we wouldn't come out and all that nonsense.
这部电影主要讲的是这些人在郊区环境中基本上感到无聊 It's a movie about the way these people behave when they're basically bored in their suburban
并需要为自己创造一些刺激 setting and need to invent some excitement for themselves.
在最初的剧本中 并没有解释克洛佩克家族的目的 In the original script it wasn't explained what the Klopeks were up to.
观众必须想象 所以所有这些关于夜间奇怪的噪音和灯光 The audience had to imagine it and so all of these clues of the strange noises at night
以及人们挖掘所有这些东西的线索都没有明确的解释 and lights and people digging all that stuff was just blithely unexplained.
但当汤姆·汉克斯被选上时 制片方说你不能演我们现在的结局 But then when Torn Hanks was cast the studio said you can't do the ending we've got now,
他们要把他送上救护车 他会死的 你不能杀死汤姆汉克斯 they take him off on an ambulance and he's going to die. You can't kill Tom Hanks.
然后我们拍了三个不同的结局 Then we shot three different endings.
其中一个在激光盘上 还有一个在他们打开后备箱的地方被毁了 One of which is on the laserdisc and then one of which got destroyed where they open
电影里早些时候出场的垃圾工人迪克·米勒和鲍勃·皮卡多 up the trunk and the garbagemen from earlier in the movie, Dick Miller and Bob Picardo
都在后备箱里 are in the trunk.
还有一个结局 里面全是啦啦队员 And there is another ending where it was full of cheerleaders.
那都是当时流行的笑话 但都没有成功 So, that was a topical joke and none of which made it.
后来我们拍摄了一堆头骨 We had ended it up being a bunch of skulls which we shot later.
《猛鬼专线976》（1989） - 预告片
《猛鬼专线976》是罗伯特·英格伦的导演处女作 很多人都不知道这一点 976 - EVIL was Robert Englund's directorial debut and a lot of people don't know that.
塞西尔·特拉成堡 《good bad flicks》主持人
尤其是这部电影 可以说是一个很老土的想法 但在当时976 Especially because it's such a corny idea for a film but back then 976
《猛鬼专线976》（1989）
以及1-800收藏等所有类似的东西都是一回事 and 1-800 collect and all that like they were a thing.
通话费是件大事 Toll numbers were kind of a big deal.
你拨打976 -EVIL 就可以接通恶魔 You would call 976 - EVIL and you had a line in to the devil.
你杀了这个人 我会让你出名 You murder this person and I will make you popular.
你有一个孩子 他是个社会弃儿 有点书呆子气 You had this one kid who's this social outcast and he's kind of nerdy.
他给了魔鬼他想要的 他正在变成一个恶魔 He is giving the devil what he wants and he is turning into a demon.
他的朋友正试图阻止他 His friend is trying to stop him.
事实上 这是一部悲伤的电影 很酷 但并没有它应有的知名度 It's actually kind of a sad really like neat movie and not as well-known as it should be
尤其是和罗伯特·英格伦参演的其它影片相比 especially for something with Robert Englund attached. Because at the time, he was huge
他因为《猛鬼街》大火了一把 with A Nightmare on Elm Street.
《猛鬼街5：梦中孩子》（1989）
我最喜欢的部分是 他在他的房子里 然后他杀了他的看护人 My favorite part of that, he's at his house and he has since killed his caretaker.
《猛鬼专线976》（1989）
他的朋友和老师要来他家 要么阻止他 要么救他 His friend and his teacher are coming to the house to try to either stop him or save him.
它打开了通往地狱的大门 整个房子都冻住了 因为地狱都冻住了 It opens up a gateway to hell and the whole house freezes because hell froze over.
这是罗伯特·英格伦提出的一个有趣的小问题 So it was kind of a funny little thing that Robert Englund threw in there.
《宠物坟场》（1989） - 预告片
《宠物坟场》由玛丽·兰伯特执导 Pet Sematary was directed by Mary Lambert.
女邮递员达西 《乔·鲍勃·布里格斯的最后时刻》演员
她是当时为数不多的几位女性导演之一 当我还小的时候 One of the few female directors in horror at that time and it scared the crap out of me
《宠物坟场》（1989）
它把我吓得够呛 when I was little.
我真的是开着灯睡了好几个月 I literally slept with the lights on for like months.
它是根据斯蒂芬·金的小说改编的 他要从自己生活的某些方面汲取灵感 It's based on a novel by Stephen King and he had to draw from some aspects of his life.
可能不是猫回来了 Probably not the cat coming back.
但我知道他们住在一条乡间小路上 他的儿子经常上街 But I know that they live on a country road and his son actually went out in the street
他必须得把他从一辆大卡车里救出来 and he had to save him from a big old truck.
盖奇被车碾过 至今仍是最令人痛苦的事 Gage getting run over is just still to this day the most traumatizing thing ever.
每次看到那只小脚和他的鞋我都哭得不行 他太可爱了 Like just tears every time I see that little foot and his shoe and he's so sweet.
希瑟·威克森 《Daily Dead》主编
《宠物坟场》是其中一个有趣的项目 因为它涉及了许多不同的恐惧 Pet Sematary is one of those interesting projects because it touches on a lot of different fears.
玛丽·兰伯特陷入了对死亡以及接下来会发生的事情的恐惧 You have Mary Lambert going into the fear of death and the fear of what happens next.
玛丽·兰伯特也面临着这些我们很多人并不曾真正谈论的问题 Mary Lambert also confronts these things that a lot of us don't really talk about.
这些深邃而黑暗的家族秘密 These deep, dark family secrets.
当然还有吓坏了整整一代恐怖粉丝的塞尔达 Of course Zelda who terrified a whole generation of horror fans.
这部电影对我来说最棒的地方就是弗雷德·格温和他的缅因州口音 The best thing about this movie for me is Fred Gwynne and his Maine accent he's doing.
詹姆斯·A·贾尼西 《Dead Meat》主持人
有时候死了更好 Sometimes dead is better.
那你为什么把这些尸体运到宠物墓地 弗雷德 Well, then why you taking all these bodies up to the pet sematary Fred
你为什么要这么做 Why are you doing that
小米科·休斯拿着他的小刀从阁楼里跳出来的场景非常地棒 When little Miko Hughes like jumps out of the attic with his little knife that was a great scene.
我得说那部电影里有一些非常棒的场景 I mean there's some really great scenes in that movie.
他是提供了大部分恐怖的人 He's the one who basically does most of the damage.
这个小小的 可爱的孩子 This tiny, little, adorable child.
戴尔·米德基夫给盖奇注射了药物 最终杀死了他 When Dale Midkiff basically injects Gage with the drugs to essentially kill him at the end,
我喜欢他走在走廊上 盖奇看着他说 不公平 I love when he's walking down the hallway and Gage looks at him and goes, "No fair."
你不会听到弗雷迪·克鲁格在他被杀的时候说不公平 You don't hear Freddy Krueger when he's getting killed saying no fair.
《猛鬼街2：弗莱迪的复仇》（1985）
到了80年代末 你开始看到这种类型发生了一点转变 It was towards the end of the '80s where you were starting to see a little bit of a shift
并且某种程度上说是变得更加沉重 in the genre and there was a little bit more of a heaviness.
我认为《宠物坟场》完美地反映了这一点 And I think Pet Sematary perfectly reflects that.
《13号星期五8：杰森侵入曼哈顿》（1989） - 预告片
《13号星期五》第8部是《杰森侵入曼哈顿》 人们为他终于离开水晶湖营地 Friday the 13th Part 8 is Jason Takes Manhattan and people were so excited for him to finally
詹姆斯·A·贾尼西 《Dead Meat》主持人
《13号星期五8：杰森侵入曼哈顿》（1989）
前往纽约大苹果城而感到非常高兴 leave Camp Crystal Lake and go to the Big Apple, New York.
除了他在船上度过了整部电影 而且当他到达纽约时 Except he spent the whole movie on a boat and then when he got to New York it was actually
大部分时间是在温哥华 Vancouver most of the time.
我最喜欢的一场杀戮戏其实是低调的 My favorite kill from this one is actually kind of a low-key one.
就是他杀凯丽·胡的时候 It's when he kills Kelly Hu.
这是另一个我喜欢的杀戮 That's another kill that I like.
凯恩·霍德尔 《十三号星期五8》演员
我杀了很多人 我都忘了我最喜欢的几个 See I've done so many kills I forget about some of my favorites.
在迪斯科舞厅杀了凯丽·胡让我看起来好多了 因为从舞池里看 Killing Kelly Hu in the disco it made me look so much better because it was a very low ceiling
天花板是很低的 on the dance floor.
所以我们想出了一个主意 就是抓住她的脖子把她举起来 So that we came up with the idea of picking her up by her neck and choking her against
掐着她顶到天花板上 the ceiling. Very creative.
她非常乐于做我们需要做的任何事情来让它看起来不错 She was so game to do whatever we needed to do to make it look good because that couldn't
因为那太不舒服了 have been comfortable.
当我把特技女孩扔出去的时候 她必须在摔下去的时候保持着地的姿势 When I throw the stunt girl, she has to hit the ground without breaking her fall.
所以 这些有时是最难的特技 因为你需要狠下心来 So, those sometimes are the hardest stunts to do because you just have to hit
完成这个动作 however you hit.
他们在纽约时代广场拍了一天 那是电影中最精彩的部分 They did do one day in New York City in Times Square and that's the best part of the movie.
这是杰森·沃特斯在时代广场中央的一个旋转镜头 This wide circling shot of Jason Voorhees in the middle of Times Square.
整个时代广场就在我们拍摄的中心 We have the entire Times Square area right in the middle as where we're shooting.
数百人在观看 纽约警方限制了人们的行动 Hundreds of people are watching, the NYPD is holding people back.
我感觉自己像个摇滚明星 I felt like a rock star, man.
我那晚一直没把面具摘下来 因为我不想毁掉那个形象 I never took the mask off that whole night because I didn't want to destroy the image
不能被别人看到 of people watching.
《继父2》（1989） - 预告片
《继父》是另一个伟大的探索 The Stepfather was another one of those great discoveries.
我在刚上映的时候就去看了这部电影 此前对它一无所知 但令我印象非常深刻 I went to an early screening of it knowing nothing about it and was just so impressed
迈克尔·金戈尔德 《AD Nauseum & Fangoria》作者
剧本写得特别好 完成度非常高 特里·奥奎因的表现也很棒Nby how well it was written, how well it was pulled off, Terry O'Quinn's performance in the lead.
《继父》（1987）
它在很多方面都让我吃惊 It just surprised me in so many ways.
卡罗琳·威廉姆斯 《德州电锯杀人狂2》演员
如果你看过原版电影，乔·鲁本将他的电影家族的尸体安排在血腥 If you've seen the original film, Joe Ruben arranges the bodies of his movie family in
身体部位 恶心 静止和沉默的画面中 a tableau of blood and body parts and gore and stillness and silence.
我喜欢我们在《继父2》这个续集中的剧本 是因为它非常精彩 What I liked about our script in Stepfather 2 the continuation of it, is it had an extraordinary
有种令人毛骨悚然的幽默 macabre variety of humor.
一种非常黑色 病态 扭曲的幽默感 A very black, sick, twisted sense of humor.
影片中我最喜欢的一幕是他把梅格·福斯特的追求者的尸体放进去 The scene I like best in the film is when he puts the body of Meg Foster's suitor.
他杀死他 He murders him.
用毯子把他卷起来 放在后备箱里 再开走那人的车 Rolls him up in a rug, puts him in the trunk of the car and then he takes the guy's car
最后把他扔到废车场 他把时间花在破坏院子上 to the wrecking yard to dump it. And he spends his time in the wrecking yard wrecking the
破坏汽车 撞到东西 这样可以被伪装成破坏现场 the car, running into things. So it can be camouflaged and stay in the wrecking yard.
然后开始拍摄我的死亡场景 And we came to the point where we were going to shoot my death scene.
最初的剧本和拍摄的死亡场景 显示了我的角色 The death scene that was originally scripted and shot, shows my character going to light
要在她的壁炉里生火 特里·奥奎因将头伸进燃气喷射器 a fire in her fireplace and Terry O'Quinn shoves her head into the gas jet.
不管出于什么原因 我认为它并不一定很有效 And for whatever reason I don't think it necessarily worked very well.
我觉得他们想要更标准一点的东西 I think they wanted something a little more standard.
他们想把你吊在厨房的风铃上 They want to hang you from your wind chimes in your kitchen.
你看到的是那个道具师的手掐着我的喉咙勒死我的 It was the prop man's hands that you see around my throat strangling me.
我不得不穿上装备 他们把我吊起来 然后有一只猫钻出来跑掉 And I had to wear a rig and they hung me up and there's a cat and there you go.
《上流社会》由布莱恩·尤兹纳执导 Society is directed by Brian Yuzna.
詹姆斯·A·贾尼西 《Dead Meat》主持人
《上流社会》（1989）
这看起来就像比佛利山庄的《飞越比佛利》里的富人问题 但事实证明 It looks like it's a 90210 Beverly Hills rich person type of problem situation but it turns
这些孩子的问题比你想象的要严重得多 out that this kids' problems are a lot worse than you might expect.
剧本由伍迪·基思和里克·弗莱撰写 The script was written by Woody Keith and Rick Fry.
真是太偏执了 It was so paranoiac.
这不仅仅是关于一个秘密社团 而是关于阶级的 It's not just about a secret society, it's about class.
我一直不能称之为恐怖电影 I never could quite call it a horror movie.
布莱恩·尤兹纳 《上流社会》导演
它比恐怖电影要更奇怪 It was just kind of weirder than that.
这是一部扣人心弦的电影 那是当然 它假装它是某种神秘的东西 It's a sucker punch of a movie because of course, it pretends that it's some kind of a mystery
然后就变成了别的东西 and then it turns into something else.
这部电影有阴谋的元素 一些乱伦的东西和大量的身体变形 This movie's got conspiratorial elements, some incestual things and a lot of body transformation
这一切在分流的时候达到了高潮 courtesy of Screaming Mad George and it all culminates in the shunting.
分流是什么 What's the shunting
你只要看看它就能理解了 You kind of just have to see it to understand.
有很多画面让你难以忘怀 There are so many images that stick with you.
女邮递员达西 《乔·鲍勃·布里格斯的最后时刻》演员
好像我都能在脑子里看到一样 Like I can see it all in my head.
好像每个人都融合在一起 这太疯狂了 Like everybody's joining and it's just madness.
令人惊奇的狂欢 An orgy of amazingness.
这是我看过的最潮湿 最愚蠢的电影 因为它就像人们把人 The wettest, goofiest movie I've ever seen because it's just like people turning people
瑞恩·图雷克 怖屋公司发展副总裁
从里面翻出来一样 inside out.
它明确地告诉你 肉体可以是超级流动的 It definitely showed you that flesh could be super fluid.
我在片场最开心的事就是做分流 因为我觉得我 The most fun I ever had on a set was doing the shunting because I just felt like I was
是在做我想做的事 doing what I wanted to do.
那孩子叫他爸爸屁股头 因为在80年代 屁股头就像 The kid calls his dad a butthead because back then in the '80s butthead was like
是一个大的术语 a big term.
我们就想 没错 他爸爸是个屁股头 我们就把他爸爸弄成屁股头 And we thought yeah, his dad's a butthead let's make his dad a butthead.
我们有很多片段都很搞笑 We had a lot of outtakes that were hilarious.
我想每个人都觉得自己的爸爸可能曾经是个屁股头 I think everybody thought their dad maybe was a butthead at one time or another.
布莱恩那部电影真棒 Brian really hit it out of the park with that film.
斯图尔特·戈登 《活魔人》编剧、导演
现在它终于得到了应有的认可 It's now finally getting the recognition that it deserves.
当我向我的朋友们展示《上流社会》时 他们都为我感到尴尬 A lot of my friends were actually kind of embarrassed for me when I showed them Society.
可我觉得很棒 I thought it was great.
名人的最后一句话 传递火炬
人们认为恐怖电影有点愚蠢 但实际上它们是一种表达观点的方式 People think horror movies are kind of mindless but in actuality they're a way of making statements
斯图尔特·戈登 《活魔人》编剧、导演
用来谈论一些人们真的不敢谈论的事情 about things that people really are afraid to talk about.
我一直认为恐怖电影是非常健康的 因为它们是一种获取观点的方式 I always think that horror movies are very healthy because they're a way of taking those
把恐惧从你的身体里驱逐出来 fears and exorcising them in a way from your system.
小汤姆·伍德拉夫 《小丑回魂》特效化妆师
我认为反复观看 特别是反复看80年代恐怖电影的全部原因 I think the whole reason for repeated viewing of horror movies particularly the '80s horror
是因为它们很能宣泄情绪 movies was that it was very cathartic.
肖恩·S·坎宁安 《十三号星期五》导演
他们与情感对话 They speak to the emotions.
这种不同的情绪不仅仅是恐惧和可怕的黑暗情绪 This variety of emotions not just the dark emotions of fear and dread.
它是肾上腺素 是一种药物 It's adrenaline, it's a drug.
罗比·摩根 《13号星期五》演员
大家都喜欢这样 You know, it's people love that.
亚历克斯·温特 《捉鬼小灵精》演员
不可否认 电影的艺术水平令人印象深刻 如果你看看电影制片人的话 The level of artistry is impressive undeniably and I think that if you look at the filmmakers
今天 他们正在努力维护80 年代作品的一些更有机的方面 today that are working hard to uphold some of the more organic aspects of that work that
这绝对是一种敬意 而且它绝对是完全超越了80年代的边界 came out of the '80s. It is definitely homage and it is definitely growing completely out of
继续推动和进步 如果你今天再回看 boundary-pushing and advancements that came out of the '80s that hold up if you go
还会再有进步 back and watch them today.
乔·鲍勃·布里格斯 《乔·鲍勃·布里格斯的最后时刻》主持人
80年代类型导演的伟大之处在于 他们在思考我们能做什么 The great thing about genre directors in the '80s, they were thinking what can we make
而不是我们能重塑什么 Not what can we remake
我们现在处在一个堕落的时代 他们只想着我们能重塑什么 We're in a degenerate era today where all they think about is what can we remake
通常是80年代的标题 Often titles from the '80s.
都是原始的剧本 They were all about the original script.
它们都是最初的想法 想的都是以前没有做过的事情 They were all about the original idea, they were all about what hasn't been done before,
他们都在讨论好莱坞会拒绝拍什么 they were all about what will Hollywood refuse to make
这才是我们想要的 That's what we want to make.
没有人愿意像80年代那样堕落和肮脏 There's nobody willing to get down and dirty the way they were in the '80s.
现在的问题是 每个人都想同时取悦所有人 The problem today is everybody's trying to please all the people at all the same time
洛伊德·考夫曼 特罗马娱乐联合创始人
还有婴儿食品 and you get baby food.
你可以吃婴儿食品 但那很无聊 You can live on baby food but it's very boring.
特罗马是文化披萨上的墨西哥胡椒 会有很多人想要 Troma is the jalapeño pepper on the cultural pizza and there are a lot of people who want
在他们的文化披萨上撒上墨西哥胡椒吗 jalapeño peppers on their cultural pizza, right
我觉得随着年龄的增长 我并不认同罪恶快感这个词 也许当我 I think as I get older, I don't subscribe to the term guilty pleasure, maybe when I
瑞恩·图雷克 怖屋公司发展副总裁
我还小的时候会这样吧 那只是为了保护自己和自己的品味 was a kid just because I was trying to defend myself and my tastes a little bit more.
现在我们有了社交媒体 每个人都是影评人 我们真的都有这些 Now that we have social media and everybody is a film critic, we all have these really
奇怪的口味 我们都应该理解 虽然我可能喜欢《夜困杀人场》 oddball tastes and we should all understand that while I might like Chopping Mall, I could
但我也一定能理解你为什么不喜欢它 definitely understand why you wouldn't like Chopping Mall.
爱你所爱的就好 Just love what you love man.
小菲尔·诺贝尔 Fangoria主编
这是怀旧 It's nostalgia.
我11岁的时候就看过了 这太棒了 因为你大脑中的某个部分 It's just well, I saw it when I was 11 so it's great because there's a certain lizard
永远不可能批判性地看待在那个特定年龄 part of your brain that's never going to be able to look critically at that movie that
为你拍摄的那部电影 did it for you at that certain age.
我们都有这样的电影 And we all have that movie.
出于同样的原因 经典是由大众决定的 By that same token, the classics are decided upon by the masses.
看到我们当时喜欢的这些电影被重新评价是件很酷的事 It's cool to watch these movies that we liked at the time get this critical reassessment
几年之后 看看什么会被判定为正典 after a number of years and to see what gets sort of like decided as canon.
我们现在面临着一个真正的两难境地 就是我所说的数字鸿沟 There's a real dilemma right now in terms of what I've been calling the digital divides.
上世纪80年代 人们用的是VHS 如果它没有跃升到DVD Stuff was on VHS in the '80s and if it didn't make the leap to DVD then the odds are that
那么它们就很难变成蓝光 而现在机会均等了 much less that it's going to make the leap to Blu-ray and now the odds are even much
除非有人愿意把转播权卖给别的地方 less that somebody's going to like sell that transfer streaming rights somewhere.
有些东西几乎已经消失了 And there is stuff that has vanished almost.
这是电影的历史 It's film history.
比如说在无声电影时代 75%或80%的电影都消失了 We talk about how the silent film era, how 75 or 8O percent of the films are all gone.
怎么会这样呢 How could that happen
但我们让它再次发生 But we're letting it happen again.
希瑟·兰根坎普 《猛鬼街》演员
作为人类 讲述故事几乎是我们的责任 不仅是作为历史 It's almost our duty as human beings to carry forth stories and not only as history but
《夜雾杀机》（1980）
也像是谈论人类的状况一样 as just talking about the human conditions.
它给几代人传递信息的机会 It gives generations the opportunity to transfer information.
关于我们认为什么是坏的和邪恶的 什么是好的社会 什么是坏的社会 Regarding what we think is bad and evil and what good society looks like, what bad society
我认为这样子的信息传递是至关重要的 looks like. I think that information is crucial to pass down.
也许这就是恐怖电影的工作 Maybe that's the job of the horror movie.