1
00:00:06,880 --> 00:00:09,820
<i>WILL: It's been a while since
I left the family and moved back to Philly.</i>

2
00:00:09,990 --> 00:00:13,680
<i>I miss them a lot, but I got me a great job
at Duke's House of Cheesesteaks.</i>

3
00:00:13,860 --> 00:00:16,790
<i>And, like they say, life goes on.</i>

4
00:00:16,960 --> 00:00:18,520
Hey, Smith.

5
00:00:21,800 --> 00:00:23,360
Yo, man, what's up?

6
00:00:23,530 --> 00:00:24,930
Come here.

7
00:00:29,770 --> 00:00:30,830
What's up?

8
00:00:31,010 --> 00:00:33,410
What does this contract say?

9
00:00:33,980 --> 00:00:38,850
- "Fresh Prince of Bel-Air. "
- That's right, not Philadelphia, Bel-Air.

10
00:00:39,020 --> 00:00:42,450
- Yeah, man, but, you know, my mama-
- Get in the van.

11
00:00:46,220 --> 00:00:47,920
Yo, homes, to Bel-Air.

12
00:00:49,560 --> 00:00:51,360
[SINGING "THE FRESH PRINCE
OF BEL-AIR" THEME]

13
00:02:11,740 --> 00:02:14,070
Mr. Jazz is here to see you.

14
00:02:14,240 --> 00:02:17,410
If you need me, I'll be hiding the silver.

15
00:02:19,380 --> 00:02:21,910
Hey, Jazz, what's up, man?

16
00:02:22,090 --> 00:02:23,850
- Psssh!
- Psssh.

17
00:02:24,020 --> 00:02:27,290
My best friend's back from Philly,
I gotta hear about it on the street?

18
00:02:27,460 --> 00:02:29,620
I tried to get in touch.
Where are you staying?

19
00:02:29,790 --> 00:02:31,390
On the street.

20
00:02:31,930 --> 00:02:34,230
At least until Jewel lets me back
in the house.

21
00:02:34,400 --> 00:02:36,330
Hey, man, it's good to see you, man.

22
00:02:36,500 --> 00:02:39,400
By the way,
who's playing the mother this year?

23
00:02:41,240 --> 00:02:43,670
It's the same mom.

24
00:02:44,470 --> 00:02:45,910
Who are you?

25
00:02:46,080 --> 00:02:48,700
Oh, come on, Jazz, that's Baby Nicky.

26
00:02:54,220 --> 00:02:57,050
Man, I'm going back on the street
where things make sense.

27
00:02:57,220 --> 00:03:00,420
I am leaving in five minutes
whether you are ready or not.

28
00:03:00,590 --> 00:03:02,290
Nicky, go get your brother, Carlton.

29
00:03:02,460 --> 00:03:06,420
Hey, Uncle Phil, man, I gotta give you props
for investing in this record store, man.

30
00:03:06,600 --> 00:03:09,500
That must've been a lot of money.
How much are we really worth?

31
00:03:09,670 --> 00:03:10,690
We?

32
00:03:10,870 --> 00:03:12,840
[LAUGHING]

33
00:03:13,670 --> 00:03:15,160
"We. "

34
00:03:17,910 --> 00:03:19,400
Girls, Vivian, let's go!

35
00:03:19,580 --> 00:03:23,480
Philip, I do not appreciate
being rushed like this.

36
00:03:23,650 --> 00:03:25,670
It's your opening,
I want to look beautiful.

37
00:03:25,850 --> 00:03:27,980
Well, Vivian,
I don't have that kind of time.

38
00:03:28,150 --> 00:03:29,810
Carlton, let's go.

39
00:03:29,990 --> 00:03:32,180
Daddy,
I'm so excited you bought a record store.

40
00:03:32,360 --> 00:03:34,320
Finally an investment
where I can hang out.

41
00:03:34,490 --> 00:03:37,430
Nothing stopped you from hanging out
at my hardware store.

42
00:03:37,590 --> 00:03:40,220
Uncle Phil, I ain't playing.
I am in your will, right?

43
00:03:40,730 --> 00:03:43,430
Well, if he is, I'll fight it.

44
00:03:44,000 --> 00:03:46,230
I'm going, but I'm not staying long.

45
00:03:46,400 --> 00:03:49,530
I'm conferencing with my producers
about my talk-show persona.

46
00:03:49,710 --> 00:03:52,140
Am I antagonizing like Geraldo?

47
00:03:52,310 --> 00:03:54,680
Am I investigative like Donahue?

48
00:03:55,280 --> 00:03:57,440
Maybe you should go bald like Montel.

49
00:03:59,850 --> 00:04:01,840
Okay, now, are we missing anyone?

50
00:04:02,020 --> 00:04:04,080
Just G, but we don't take him
nowhere anyway.

51
00:04:04,250 --> 00:04:05,550
PHIL:
Okay. Come on, let's go.

52
00:04:11,930 --> 00:04:14,860
Yo, Uncle Phil, man,
this place is on book.

53
00:04:15,030 --> 00:04:18,970
Hey, you know, this is the kind of place
I could see myself managing.

54
00:04:19,140 --> 00:04:20,230
[CHUCKLES]

55
00:04:21,300 --> 00:04:24,600
Call me stupid,
but I'm in this to make some money.

56
00:04:24,780 --> 00:04:27,110
Hey, Uncle Phil,
I'm telling you, I could see that.

57
00:04:27,280 --> 00:04:29,710
From the time I walked in,
I was having visions, man.

58
00:04:29,880 --> 00:04:31,010
You know what?

59
00:04:31,180 --> 00:04:34,170
You ain't got no X-rated skin flicks
up in here.

60
00:04:34,350 --> 00:04:37,410
You toss some of them up in here,
you be making it hand over fist.

61
00:04:37,590 --> 00:04:39,450
- Hand over fist.
- Will, Will, Will!

62
00:04:40,360 --> 00:04:41,380
No offense...

63
00:04:41,560 --> 00:04:46,020
...but in the world of business and finance,
I consider you the antiprofit.

64
00:04:46,200 --> 00:04:49,560
Wait, Uncle Phil, I'm serious.
I feel this, you gotta let me in on this.

65
00:04:49,730 --> 00:04:51,790
- No.
- Why not?

66
00:04:54,740 --> 00:04:58,970
[YELLING] I mean, Mother,
you watch my show, am I too soft-spoken?

67
00:04:59,140 --> 00:05:00,540
Hilary...

68
00:05:00,710 --> 00:05:03,870
- I got music in my blood.
- I don't doubt you have the potential...

69
00:05:04,050 --> 00:05:06,450
...but do you ever use it productively?
Never.

70
00:05:06,620 --> 00:05:09,980
Do you ever apply yourself
the way that you could? No.

71
00:05:10,150 --> 00:05:13,520
Why, son, when I was your age
and I was working on that farm...

72
00:05:13,690 --> 00:05:17,960
...boy, I had to work from 9 in the night
to 9 forever. I just worked and...

73
00:05:18,130 --> 00:05:20,060
<i>ASHLEY [SINGING]:
It's gonna make you move and groove</i>

74
00:05:20,230 --> 00:05:22,990
<i>Hey, DJ, keep playing that song</i>

75
00:05:23,170 --> 00:05:29,800
<i>All night
On and on and on</i>

76
00:05:29,970 --> 00:05:32,910
<i>Mr. DJ
DJ</i>

77
00:05:33,080 --> 00:05:35,870
See, I don't know what to tell you.
Ever since you left Philly...

78
00:05:36,050 --> 00:05:38,810
...I have been trying to let you...

79
00:05:38,980 --> 00:05:42,540
<i>Hey, Mr. DJ</i>

80
00:05:42,720 --> 00:05:47,680
<i>Hey, Mr. DJ
All the girls are ready</i>

81
00:05:47,860 --> 00:05:50,690
Ching-ching!

82
00:05:50,860 --> 00:05:52,420
[LAUGHS]

83
00:05:53,660 --> 00:05:55,430
[MUSIC PLAYING OVER STEREO]

84
00:05:55,600 --> 00:05:57,260
<i>ASHLEY [SINGING ON RECORDING]:
Tell me why</i>

85
00:05:57,430 --> 00:06:00,160
<i>You're playing with my mind, boy</i>

86
00:06:05,340 --> 00:06:10,110
<i>Take some time
To open up your eyes</i>

87
00:06:12,520 --> 00:06:14,750
- Hey, can you feel it, G?
- Oh, yeah.

88
00:06:14,920 --> 00:06:17,050
<i>I really don't understand</i>

89
00:06:23,530 --> 00:06:25,050
Guess not.

90
00:06:26,130 --> 00:06:29,720
I'm telling you, my boys in the studio
were saying your vocals are all that.

91
00:06:30,330 --> 00:06:33,790
Will, I can't believe it.
I sound so professional.

92
00:06:33,970 --> 00:06:37,030
You'd be surprised
what a little creativity in the studio can do.

93
00:06:37,210 --> 00:06:38,330
Ask Janet Jackson.

94
00:06:39,980 --> 00:06:43,000
All right, party in the house.

95
00:06:50,490 --> 00:06:53,050
Which ain't necessarily a good thing.

96
00:06:53,660 --> 00:06:56,320
- Oh, that's great.
PHIL: Mm-hm.

97
00:06:56,490 --> 00:07:00,220
- Wait a minute, Ashley, is that you?
- Uh-huh.

98
00:07:00,400 --> 00:07:03,990
- It sounds good, doesn't it, Uncle Phil?
- Oh, I like what I'm hearing.

99
00:07:04,170 --> 00:07:06,260
- Uh, uh.
- Oooh!

100
00:07:06,840 --> 00:07:09,130
I'm telling you,
this girl has a God-given talent.

101
00:07:09,310 --> 00:07:12,100
- Oh, you ain't lying.
- Ohh!

102
00:07:12,480 --> 00:07:16,210
Yeah, that's why I'm gonna manage
her professional singing career.

103
00:07:17,810 --> 00:07:19,180
[MUSIC STOPS]

104
00:07:19,350 --> 00:07:22,720
No daughter of mine
is getting into the music business, period.

105
00:07:22,890 --> 00:07:25,410
- I've seen it ruin too many young lives.
- But, Daddy-

106
00:07:25,590 --> 00:07:27,080
I don't want any buts.

107
00:07:27,260 --> 00:07:30,420
Well, you're certainly losing that battle.

108
00:07:38,000 --> 00:07:40,030
Ashley's only 15 years old.

109
00:07:40,200 --> 00:07:44,070
Honey, you should be concentrating
on your education, not on singing.

110
00:07:44,240 --> 00:07:46,270
- Don't you understand?
PHIL: Exactly.

111
00:07:46,440 --> 00:07:47,600
- Case closed.
- But-

112
00:07:47,780 --> 00:07:51,710
Now, we better start our walk, Vivian.
Baskin-Robbins closes at 6.

113
00:07:56,250 --> 00:07:58,550
I knew they'd say no.

114
00:07:59,060 --> 00:08:01,550
Don't worry about it,
everything is right on schedule.

115
00:08:01,730 --> 00:08:04,590
Will, what are you talking about?
You heard what Daddy said.

116
00:08:04,760 --> 00:08:07,030
Yeah, that's why
everything is right on schedule.

117
00:08:07,200 --> 00:08:10,890
We ask his permission,
he says no, we do it anyway.

118
00:08:13,470 --> 00:08:17,570
Hey, baby. Girl, how are you doing?

119
00:08:18,140 --> 00:08:20,010
I'm sorry, do I know you?

120
00:08:20,180 --> 00:08:24,340
You know me, the pool party at Q's crib.

121
00:08:24,850 --> 00:08:27,110
I'm sorry. Q doesn't have a pool.

122
00:08:27,280 --> 00:08:31,220
Oh, you know what? I'm just gonna go
ahead in. I'm gonna surprise Gordy.

123
00:08:31,390 --> 00:08:34,320
- You don't have to buzz him.
- Look, don't make me call the cops.

124
00:08:35,330 --> 00:08:37,050
You feisty, huh?

125
00:08:39,000 --> 00:08:40,990
- What, are you Creole?
- That's it.

126
00:08:41,160 --> 00:08:42,860
Okay, all right, all right.

127
00:08:43,030 --> 00:08:45,190
Relax. I don't know
why you fronting on me.

128
00:08:45,370 --> 00:08:47,560
She knows me.

129
00:08:48,770 --> 00:08:51,470
- Speaker for Mr. Berry.
- We didn't order any speakers.

130
00:08:52,410 --> 00:08:55,870
It's a gift from Sony Music...

131
00:08:56,050 --> 00:08:58,170
...from Mr. Sock-It-To-Me.

132
00:08:58,750 --> 00:09:00,310
Okay, well, then come right in.

133
00:09:06,020 --> 00:09:07,550
Just put that over there.

134
00:09:09,930 --> 00:09:12,830
You know, there's a $20 delivery charge.

135
00:09:13,860 --> 00:09:15,160
Oh, my mistake.

136
00:09:17,500 --> 00:09:19,800
Hey, listen,
I am the one that is responsible...

137
00:09:19,970 --> 00:09:21,900
...for getting Ashford and Simpson
back together.

138
00:09:22,070 --> 00:09:24,540
I deserve a damn Image Award.

139
00:09:27,040 --> 00:09:28,140
Quincy?

140
00:09:28,310 --> 00:09:30,580
Oh, come on, man,
he gets one every year.

141
00:09:30,750 --> 00:09:33,550
The cheapskate,
he won't even buy a pool.

142
00:09:36,120 --> 00:09:39,650
Oh, yeah? Well, listen, before I have
to start throwing my weight around...

143
00:09:39,820 --> 00:09:43,730
...and come down there and get
somebody fired, I want my Image Award.

144
00:09:43,890 --> 00:09:45,790
Uh-huh. Uh-huh.

145
00:09:45,960 --> 00:09:50,560
Do you understand me?
I want my Image Award now.

146
00:09:50,730 --> 00:09:53,000
That's what I said
and that's what I meant.

147
00:09:53,170 --> 00:09:55,260
That's exactly how I feel about it.

148
00:09:55,440 --> 00:09:57,130
Indeed.

149
00:09:57,310 --> 00:10:00,670
I don't wanna hear about that, man.
Listen, that is not my problem.

150
00:10:00,840 --> 00:10:03,680
Absolutely. Yeah. Uh-huh.

151
00:10:03,850 --> 00:10:07,210
Well, I tell you what,
you just do that then. Uh-huh.

152
00:10:07,380 --> 00:10:09,280
Yeah, goodbye.

153
00:10:34,480 --> 00:10:36,140
Hey!

154
00:10:42,950 --> 00:10:45,150
You know me.

155
00:10:45,720 --> 00:10:46,810
I'm calling security.

156
00:10:46,990 --> 00:10:51,150
Hey, Mr. Berry, please listen. I just need
five minutes. Please give me five minutes.

157
00:10:51,330 --> 00:10:53,420
Remember when you were managing
the Chi-Lites?

158
00:10:53,600 --> 00:10:55,260
You broke in to Dick Clark's office.

159
00:10:55,430 --> 00:10:58,420
You wouldn't leave until he put them
on American Bandstand?

160
00:10:59,300 --> 00:11:00,670
You read my book.

161
00:11:00,840 --> 00:11:04,170
I'm telling you, I read everything
that got anything to do with music.

162
00:11:04,340 --> 00:11:07,370
Hey, did you know James Brown
got an orthopedic cape?

163
00:11:08,480 --> 00:11:10,670
All right, all right, let's listen to it.

164
00:11:10,850 --> 00:11:14,080
You're gonna love this.
This is the straight butter, you will love it.

165
00:11:14,250 --> 00:11:15,680
All right, well, let's check it out.

166
00:11:15,850 --> 00:11:17,320
[MUSIC PLAYING ON STEREO]

167
00:11:17,490 --> 00:11:20,290
- Oh, look at you, look at you.
- Not bad.

168
00:11:21,720 --> 00:11:22,820
<i>ASHLEY [SINGING ON RECORDING]:
Tell me why-</i>

169
00:11:22,990 --> 00:11:24,150
Pass.

170
00:11:24,330 --> 00:11:26,820
- Pass? What are you talking about?
- Look here, son.

171
00:11:27,000 --> 00:11:29,860
It was a nice try,
but I'm a very busy man.

172
00:11:30,030 --> 00:11:31,230
So if you'll excuse me.

173
00:11:31,400 --> 00:11:34,770
Oh. Oh. Okay. All right.

174
00:11:34,940 --> 00:11:37,030
I see how you're trying to play me.

175
00:11:37,210 --> 00:11:41,540
But you know what? You better get
a good look at this face and remember it...

176
00:11:44,910 --> 00:11:48,250
...because when Ashley Banks' album
goes double platinum...

177
00:11:48,420 --> 00:11:51,620
...you're gonna be seeing it in your dreams
and in your nightmares...

178
00:11:51,790 --> 00:11:56,250
...because you ain't the only game
in town. Chht.

179
00:12:01,400 --> 00:12:03,630
Oh, and p. s...

180
00:12:03,800 --> 00:12:06,790
...the Jheri curl played out with the jerk.

181
00:12:20,120 --> 00:12:23,090
<i>Let's keep it flowing
on New Artist Spotlight.</i>

182
00:12:23,250 --> 00:12:29,280
Here's a funky-five, free-flux dance mix
of "Mandy" by Funky Bunch.

183
00:12:29,460 --> 00:12:30,480
[MUSIC PLAYING OVER SPEAKERS]

184
00:12:30,660 --> 00:12:32,420
- Hey, Johnny C.
- Hey.

185
00:12:32,600 --> 00:12:35,290
How are you doing?
Think you can help a young janitor out?

186
00:12:35,470 --> 00:12:37,230
Oh, sure, lay it on me, my brother.

187
00:12:37,400 --> 00:12:38,920
Bla-bla-blam-blam!

188
00:12:39,100 --> 00:12:41,370
Here it is, the next Whitney.

189
00:12:41,540 --> 00:12:44,030
- Where's the rest?
- Huh?

190
00:12:44,210 --> 00:12:48,940
This is the music business.
You need the universal lubricant.

191
00:12:54,250 --> 00:12:56,240
I'm talking cash, man.

192
00:12:56,650 --> 00:12:58,380
Oh. Whoo.

193
00:12:58,550 --> 00:13:00,020
Hey, man, you know what?

194
00:13:00,190 --> 00:13:03,160
Don't even worry about it,
you probably can't help me anyway.

195
00:13:03,330 --> 00:13:05,260
Seeing as this is your last day and all.

196
00:13:05,430 --> 00:13:08,300
Whoa, whoa, what's that mean?

197
00:13:10,200 --> 00:13:13,430
Brother, I was just cleaning
the executive suite up on the 24th floor.

198
00:13:13,600 --> 00:13:16,440
- Mm.
- They're talking about getting rid of you.

199
00:13:16,610 --> 00:13:18,270
Yeah, say you're slipping.

200
00:13:18,440 --> 00:13:20,840
They can't do this to me,
I have a contract.

201
00:13:21,010 --> 00:13:25,110
Let me tell you, it is so far beyond
business up there, they're getting personal.

202
00:13:25,280 --> 00:13:28,720
One of them said your mom have a limp.
She up on this tip, like:

203
00:13:28,890 --> 00:13:31,080
We'll see about this.

204
00:13:31,850 --> 00:13:34,250
Oh, and you should probably
take the stairs, man.

205
00:13:34,420 --> 00:13:37,150
- You know, the elevator's out.
- Thanks.

206
00:13:42,770 --> 00:13:45,290
[IN DEEP VOICE] All right,
that's the short version of "Mandy"...

207
00:13:45,470 --> 00:13:48,530
...because it's time to bump and grind
to another Johnny C. Find.

208
00:13:48,710 --> 00:13:52,440
L.A., show some love to Ashley Banks'
"Make Up Your Mind. "

209
00:13:52,610 --> 00:13:54,470
["MAKE UP YOUR MIND"
PLAYING OVER SPEAKERS]

210
00:13:54,640 --> 00:13:58,940
Johnny C. Here with all the happening
new artists right here on 93.4, The Groove.

211
00:13:59,120 --> 00:14:01,050
Whoa, looks like we got some requests.

212
00:14:01,220 --> 00:14:02,950
Who's this?

213
00:14:03,220 --> 00:14:05,410
[IN HIGH VOICE]
How are you doing?

214
00:14:05,660 --> 00:14:08,650
This is Rafica calling from Watts. Ho!

215
00:14:09,330 --> 00:14:12,620
Could you play that record by Ashley Banks
called "Make Up Your Mind"?

216
00:14:12,800 --> 00:14:14,850
I'm with this man
who can't make up his mind.

217
00:14:15,030 --> 00:14:17,400
That's why I'm like,
"You better make up your mind. "

218
00:14:17,600 --> 00:14:19,400
[IN FOREIGN ACCENT]
My name is Tony.

219
00:14:19,570 --> 00:14:23,160
And I'd like to hear that record by
Ashley Banks called "Make Up Your Mind"...

220
00:14:23,340 --> 00:14:26,070
...before I have to come down there
and blow up your car.

221
00:14:27,210 --> 00:14:30,370
[IN DEEP VOICE] And here we go
for an unprecedented 11th time...

222
00:14:30,550 --> 00:14:32,880
...Ashley Banks singing
"Make Up Your Mind. "

223
00:14:33,050 --> 00:14:34,710
["MAKE UP YOUR MIND"
PLAYING OVER SPEAKERS]

224
00:14:34,880 --> 00:14:36,370
[LAUGHS]

225
00:14:36,550 --> 00:14:38,680
[IN NORMAL VOICE]
Whoo.

226
00:14:39,420 --> 00:14:41,220
Oh, Batman.

227
00:14:43,860 --> 00:14:47,300
<i>ASHLEY [SINGING ON RECORDING]:
Tell me why you're playing with my mind</i>

228
00:14:47,460 --> 00:14:48,760
[IN DEEP VOICE]
Johnny C.

229
00:14:50,270 --> 00:14:51,430
[IN NORMAL VOICE]
Gordy Berry?

230
00:14:51,600 --> 00:14:52,730
[IN DEEP VOICE]
I mean, hey.

231
00:14:52,900 --> 00:14:55,270
Hey, Gordy, what's up, man?

232
00:14:55,540 --> 00:14:58,270
The Banks girl? Yeah, yeah. She's new.

233
00:14:59,140 --> 00:15:00,540
Club dates?

234
00:15:00,710 --> 00:15:04,650
Well, her manager, Will Smith, says she's
gonna be performing this Friday night...

235
00:15:04,810 --> 00:15:07,150
...at the Peacock Club.

236
00:15:07,320 --> 00:15:10,840
Right, yes, yes,
that's on the ULA campus.

237
00:15:11,020 --> 00:15:13,680
Sure, I'll see you there.

238
00:15:13,960 --> 00:15:15,950
All right, peace.

239
00:15:17,960 --> 00:15:19,720
[IN NORMAL VOICE]
Yes. I'm in.

240
00:15:19,900 --> 00:15:21,190
[LAUGHING]

241
00:15:21,360 --> 00:15:22,520
Whoo!

242
00:15:22,700 --> 00:15:24,260
There's nobody up there.

243
00:15:24,930 --> 00:15:26,530
[IN HIGH-PITCHED VOICE]
Made you look.

244
00:15:34,810 --> 00:15:35,940
Gordy.

245
00:15:37,650 --> 00:15:39,480
Ashley. That is Gordy Berry.

246
00:15:39,650 --> 00:15:42,620
That is the biggest record producer
in the world.

247
00:15:42,790 --> 00:15:47,690
Look, we got a packed house out there.
Your entire career rests on this moment.

248
00:15:47,860 --> 00:15:51,120
There will never be another chance like this.
Your future, my future...

249
00:15:51,290 --> 00:15:54,260
...everything is riding
on this performance.

250
00:15:54,430 --> 00:15:56,760
One more thing, relax.

251
00:15:57,170 --> 00:15:59,730
And now I'd like to introduce you
to a performer...

252
00:15:59,900 --> 00:16:03,630
...who is a real feather
in our peacock cap.

253
00:16:03,870 --> 00:16:05,970
Get it? Feather, peacock.

254
00:16:06,140 --> 00:16:07,800
[CARLTON LAUGHS]

255
00:16:07,980 --> 00:16:11,570
Anyway, ladies and gentlemen,
here's Ashley Banks.

256
00:16:11,750 --> 00:16:14,080
[PEOPLE APPLAUDING]

257
00:16:14,250 --> 00:16:17,220
[MUSIC PLAYING OVER SPEAKERS]

258
00:16:26,760 --> 00:16:28,630
Damn, she must have stage fright.

259
00:16:28,800 --> 00:16:30,460
Carlton, help me.

260
00:16:31,230 --> 00:16:33,900
Sorry, folks, wawhhh,
a little technical difficulty.

261
00:16:37,010 --> 00:16:39,000
Ashley, you all right, babe?

262
00:16:39,180 --> 00:16:41,370
Hey, this is easy.
You've done this before.

263
00:16:41,540 --> 00:16:42,700
Before it was for fun.

264
00:16:42,880 --> 00:16:43,900
Hey, this is for fun.

265
00:16:44,080 --> 00:16:47,810
Look at all these fun faces, fun people.
Come on, baby, you're all right.

266
00:16:47,980 --> 00:16:51,420
Good. I'll stay right here with you,
okay? I'm right here with you.

267
00:16:51,590 --> 00:16:52,650
Carlton.

268
00:16:52,820 --> 00:16:55,660
[MUSIC PLAYING OVER SPEAKERS]

269
00:17:01,930 --> 00:17:06,270
<i>Tell me why
You're playing with my mind, boy</i>

270
00:17:06,440 --> 00:17:11,740
<i>You either do or don't,
you will or you won't</i>

271
00:17:11,910 --> 00:17:16,070
<i>Got to make you open up your eyes</i>

272
00:17:16,250 --> 00:17:20,980
<i>To see the things you do are foul
And yes, it hurts</i>

273
00:17:21,150 --> 00:17:25,990
<i>I really don't understand
I wanna know if you're the man</i>

274
00:17:26,160 --> 00:17:29,820
<i>Because if you're not the one
I'll have to take a stand</i>

275
00:17:29,990 --> 00:17:35,730
<i>Although I'm crazy 'bout you
I can live without you</i>

276
00:17:35,900 --> 00:17:40,030
<i>And you're wasting my time</i>

277
00:17:40,200 --> 00:17:45,470
<i>Boy, it's time I told you
I can wait no longer</i>

278
00:17:45,640 --> 00:17:50,600
<i>Got to make up your mind</i>

279
00:17:50,780 --> 00:17:54,610
<i>Tell me, tell me
I wanna know, I wanna know</i>

280
00:17:54,780 --> 00:18:00,450
<i>Boy, you're running out of time
Got to make up your mind</i>

281
00:18:00,620 --> 00:18:04,890
<i>Tell me, tell me
I gotta go, I gotta go, baby</i>

282
00:18:05,060 --> 00:18:10,260
<i>This is how I feel inside
I won't waste your time or mine</i>

283
00:18:10,430 --> 00:18:13,990
<i>I really just don't understand</i>

284
00:18:14,170 --> 00:18:19,610
<i>After all I do for you
Still you show no gratitude</i>

285
00:18:19,780 --> 00:18:24,640
<i>CHORUS: Although I'm crazy 'bout you
I can live without you</i>

286
00:18:24,810 --> 00:18:30,050
<i>- And you're wasting my time
- Why you wanna waste my time?</i>

287
00:18:30,220 --> 00:18:34,680
<i>Boy, it's time I told you
I can wait no longer</i>

288
00:18:34,860 --> 00:18:41,160
<i>- Got to make up your mind
- Got to make up your mind</i>

289
00:18:41,330 --> 00:18:44,270
[CHEERING AND APPLAUDING]

290
00:18:49,410 --> 00:18:51,930
Will, Will, get over here.

291
00:18:53,080 --> 00:18:55,480
Geoffrey must have dimed us out.

292
00:18:55,650 --> 00:18:57,270
- Hey, hey.
- Hey.

293
00:18:57,450 --> 00:19:00,210
Mr. Berry, listen, I just wanna apologize
for my uncle, man.

294
00:19:00,380 --> 00:19:02,650
He got a wooden plate,
found out he got termites.

295
00:19:02,820 --> 00:19:04,790
Hey, Will, Will, Will. Listen, man.

296
00:19:04,950 --> 00:19:08,290
I heard enough. She's a knockout.
I definitely wanna sign her.

297
00:19:08,460 --> 00:19:10,050
- You do?
- Absolutely.

298
00:19:10,230 --> 00:19:13,630
I mean, I knew you would, man.
I told you you was going-

299
00:19:16,070 --> 00:19:19,560
Philip and Vivian Banks, Gordy Berry.

300
00:19:19,740 --> 00:19:22,760
Hey, listen, your daughter is quite a find.

301
00:19:22,940 --> 00:19:26,200
Listen, why don't we set something up
in my office, say, Monday, 2:00.

302
00:19:26,380 --> 00:19:30,310
Excuse me, Mr. Berry, but my daughter
will not be in your office this Monday.

303
00:19:30,480 --> 00:19:34,710
I am prepared to offer
a $30,000 advance.

304
00:19:35,690 --> 00:19:37,590
- You were wonderful.
- Oh, thanks.

305
00:19:37,750 --> 00:19:40,190
I'm sorry you wasted your time,
Mr. Berry.

306
00:19:42,360 --> 00:19:45,560
Well, the offer is on the table.
Excuse me.

307
00:19:46,560 --> 00:19:49,190
WILL:
Wait, hold on a second there, Mr. Berry.

308
00:19:49,370 --> 00:19:50,760
Uncle Phil, come on.

309
00:19:50,930 --> 00:19:54,060
You didn't think I was good enough
to run your record store.

310
00:19:54,240 --> 00:19:58,000
But look what I did, man. I made
a demo tape. I got it played on the radio.

311
00:19:58,170 --> 00:20:00,270
I got the biggest producer
in the world...

312
00:20:00,440 --> 00:20:03,110
...to come down here and see Ashley.
What else I gotta do?

313
00:20:03,280 --> 00:20:05,250
We will discuss this at home, Will.

314
00:20:05,410 --> 00:20:07,540
Daddy, you said yourself that I was good.

315
00:20:08,650 --> 00:20:10,050
Mom.

316
00:20:10,720 --> 00:20:13,420
It's a great opportunity.

317
00:20:13,920 --> 00:20:16,360
I just don't want anything to happen
to Ashley.

318
00:20:17,130 --> 00:20:19,320
Come on,
you ain't got to worry about that.

319
00:20:19,500 --> 00:20:20,860
I'm gonna be managing her.

320
00:20:24,500 --> 00:20:27,470
That ain't help nothing, did it?

321
00:20:28,370 --> 00:20:32,170
- Daddy, please.
- Don't you give me that look.

322
00:20:34,280 --> 00:20:36,680
Vivian, she's giving me that look.

323
00:20:40,550 --> 00:20:42,410
All right, all right, all right.

324
00:20:42,590 --> 00:20:46,180
If you can guarantee that this does not
interfere with Ashley's normal life...

325
00:20:46,360 --> 00:20:48,220
...that means her grades remain high...

326
00:20:48,790 --> 00:20:52,820
...that she's home every night for dinner
and in bed by 11:00...

327
00:20:54,730 --> 00:20:55,750
...you got a deal.

328
00:20:55,930 --> 00:20:57,560
[LAUGHING]

329
00:20:58,100 --> 00:20:59,830
Hey, Gordy, where my money?

330
00:21:02,100 --> 00:21:07,440
Will, I'm going to be on you
like a shadow.

331
00:21:08,310 --> 00:21:09,440
Shadow?

332
00:21:09,610 --> 00:21:12,880
Uncle Phil, with you,
it'd be more like an eclipse, wouldn't it?

333
00:21:13,050 --> 00:21:14,880
[BOTH LAUGHING]

334
00:21:15,050 --> 00:21:17,080
- Eclipse.
- Eclipse.

335
00:21:17,350 --> 00:21:22,190
You know, just for that crack,
I'm gonna make myself co-manager.

336
00:21:25,160 --> 00:21:28,260
One fat joke too many.
I knew it, I could feel it.

337
00:21:28,430 --> 00:21:30,090
Do we have a deal?

338
00:21:30,270 --> 00:21:32,790
- We have a deal.
- Excellent.

339
00:21:32,970 --> 00:21:35,800
- All right. Thanks a lot.
- My pleasure. I'll see you soon.

340
00:21:35,970 --> 00:21:37,500
Thank you.

341
00:21:37,670 --> 00:21:42,200
Will, you better be sure
you know what you're doing.

342
00:21:42,380 --> 00:21:46,110
Uncle Phil,
I know exactly what I'm doing.


