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Subtitle created via GreatDreamers.cn

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(cheers and applause)

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Speaker:
Welcome to the (inaudible)
of the first White House

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dance series day.

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And it's so thrilling to have
so many kids from all around

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the country here.

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So I wanted you all to welcome
each other as I introduce you so

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that we all get a sense
of who's in the room,

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because we're all going to share
in about an hour and a half of

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learning about dance,
trying some dance,

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learning how to dance, and just
having a fantastic afternoon of

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dance right here
in the White House!

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Yes!

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(cheers and applause)

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Woo! So, where do I have
Ballet Hispanico?

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(cheers and applause)

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Say hello! What about (inaudible) School?

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(cheers and applause)

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What about National Dance
Institute New York?

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(cheers and applause)

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What about Cab Calloway
School of the Arts?

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(cheers and applause)

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Woo!

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Philadelphia High School of
Creative and Performing Arts?

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(cheers and applause)

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Washington School of Ballet?

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(cheers and applause)

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In the house! Chicago
Multicultural Dance Center?

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(cheers and applause)

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Celebrate the Beat, Colorado.

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(cheers and applause)

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National Dance
Institute New Mexico.

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(cheers and applause)

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And the Dance Theater
of Harlem School.

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(cheers and applause)

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Did I leave anybody out?

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Speaker:
You.

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Speaker:
Where you guys from?

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Speaker:
(inaudible)

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Speaker:
That's right, from Michigan.

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(applause)

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Speaker:
All right.

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So we're going to get
started right now.

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We have a workshop (inaudible).

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(cheers and applause)

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(inaudible)

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(cheers and applause)

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>> (inaudible)

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(cheers and applause)

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Speaker:
How's everybody?

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Speaker:
Good.

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Speaker:
How many of you have
heard about dance?

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Audience:
Woo!

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Speaker:
Good.

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Speaker:
How many of you can dance?

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Good, right.

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So, stand up.

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We are going to
start with a warm up,

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and since we have our lovely
guests sitting back there,

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and I don't want them looking
at the back of all of you,

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I'd like some of you -- the blue
shirt, the boy right there,

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come on up here on stage,
red shirt, come on up,

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white shirt over there, looking
at me, you and me, come on up.

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You, you, you, yeah, come on.

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All right, girls, pink, black
leotard, pink tights, like this,

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come on, quick, quick, quick.

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Hail, come on up.

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Lexus, come on up.

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Come on.

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Here.

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Come on, yep, stand
behind all them.

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Clifton.

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Everybody else spread out.

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We are -- what do dancers
do when they start the day?

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Stretch, warm up.

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We're going to do a warm-up.

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I want you to follow me
and listen to my voice.

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You all dance.

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It's going to be very easy.

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We're going to start
with isolation.

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Say isolation.

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Audience:
Isolation.

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Speaker:
What is an isolation?

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It is when you move --

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One. -- one body part, right.

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So we're going to
start with our head.

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Kristen, we're ready.

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Everybody breathe in.

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♪♪

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Rub your hands.

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Good.

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Get some fire.

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Give yourself a big hug.

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Breathe in.

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And out.

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Again, one more time, rub.

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Come on!

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Breathe in.

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Big hug!

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And down.

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Head to the right, right center.

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Right, center, left.

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Right, center, follow through.

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That's nice out there.

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Down, center, back.

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Down, center, back.

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Follow through.

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We're going to tilt.

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Right, center, left.

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Follow through.

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Front.

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Front, center, left.

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Follow through.

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Peck.

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Side to side Egyption,
right (inaudible) head.

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Arms and up.

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Good.

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Shoulders roll, back, two.

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I guess you don't do
that much here, huh?

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Reverse.

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One, two, three.

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Right-left.

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Right, left reverse.

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Speed it up.

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Double time.

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(inaudible)

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right, center, left.

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Good.

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Follow through.

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Right, left.

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Smile.

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Front.

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Front, center, back.

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Follow through.

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Good.

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We're going to do a
circle, front, right.

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One, two, back.

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Again, two.

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Again, three.

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Last time, reverse.

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And front.

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Two.

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Three.

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Four.

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Good.

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Roll to the right.

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Roll, two, three.

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Reverse.

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Good.

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Shake it out.

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Feet in parallel first.

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Let me hear you
say parallel first.

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Audience:
Parallel first.

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Speaker:
Going to do a head roll
to the right and roll down,

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two plies and up.

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Ready, go.

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To the right, head roll.

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Two, three, four.

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Roll down.

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Eight, seven, six,
five, four, three, plie.

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Stretch.

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Again, plie.

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Stretch, roll up.

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First position, head rolls left.

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Circle.

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Roll down.

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Make sure you're breathing.

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Demi plie heels stay down.

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One, two, three,
four, and stretch.

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Again, plie.

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Knees over the second toe.

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Roll up.

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Head is last.

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Parallel second.

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Turn the heels out.

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To the right.

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Roll down.

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Five, six.

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Weight is on the
balls of the feet.

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Plie.

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Knees over the second toe.

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Plie.

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Don't let the knees touch. Good.

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And stretch.

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Roll up.

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Relax the head.

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Turned out, second.

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To the left, one.

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Roll down.

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Plie turned out.

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And four.

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Open those hips.

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Good.

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And stretch.

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One more time, plie one.

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And stretch.

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Roll up.

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Arms.

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.. your right arm.

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Side lateral.

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Two, three, four, and up.

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Good.

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Shift the hip.

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Two, three, four, and up.

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Leave it together.

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Shift hips.

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Two, three, four, and up.

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Shift the hips.

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Two, three, four, and up.

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Two counts.

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And a one, two and up.

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And a two, and up.

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And a two, and up.

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Good.

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Two, two more.

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And a one, two, and an up.

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Head stays in the middle.

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And a two, two, and up.

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And a three, two, and up.

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Last time.

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And a four, two, and up.

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Good.

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Arms open.

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Arms dropped.

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Plie.

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And up.

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Keep your shoulders
over the hips.

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Plie.

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Two.

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Relax the arms.

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And up.

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One more time.

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Plie.

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Two.

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And up.

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Five, plie.

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Side, and over,
and side and over.

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And up.

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Plie.

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And over to the right.

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Right, and over.

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And left, and over.

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And up.

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Plie.

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And open.

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Now you're going
to round the torso.

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Change the arms.

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You're going to
bend to the right.

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One, two, three, four.

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Over, two, three, four.

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Left.

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Reverse.

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One.

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Center.

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And side.

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And two.

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And one.

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Two, one.

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Two, one.

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Two, one.

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Reverse.

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Two, one, one.

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And a one, and a one, and a one,
and a one, and a one, one, one,

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one!

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Shake it out.

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Good.

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Plie and up.

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Plie and up.

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Parallel first.

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Plie.

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Open your right leg.

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Second plie and up.

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Plie and up.

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Plie and up.

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Plie arms.

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Remember to squat.

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Sit, two, three, four and up.

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Good.

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And sit, two, three.

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Good.

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And up.

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Who can go all the way down?

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Excellent.

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Up.

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Last time, one,
two, three, and up.

286
00:10:01,600 --> 00:10:04,533
Right foot, four (inaudible).

287
00:10:04,533 --> 00:10:07,867
Two, three, left.

288
00:10:07,867 --> 00:10:12,300
And a one, two, three, four.

289
00:10:12,300 --> 00:10:14,165
Leg up.

290
00:10:14,166 --> 00:10:15,266
Hold.

291
00:10:15,266 --> 00:10:17,666
Open.

292
00:10:17,667 --> 00:10:19,567
Close.

293
00:10:19,567 --> 00:10:20,433
And plie.

294
00:10:20,433 --> 00:10:22,533
So in a right angle.

295
00:10:22,533 --> 00:10:30,667
One, two, in, and plie.

296
00:10:30,667 --> 00:10:34,033
Releve.

297
00:10:34,033 --> 00:10:35,233
Balance.

298
00:10:35,233 --> 00:10:37,065
Stop the tape.

299
00:10:37,066 --> 00:10:38,000
Good.

300
00:10:38,000 --> 00:10:38,667
Give yourselves a hand.

301
00:10:38,667 --> 00:10:39,300
(applause)

302
00:10:39,300 --> 00:10:41,000
Shake it out.

303
00:10:41,000 --> 00:10:41,767
Nice warm up.

304
00:10:41,767 --> 00:10:42,300
Thanks, guys.

305
00:10:42,300 --> 00:10:43,300
You good?

306
00:10:43,300 --> 00:10:43,900
All right.

307
00:10:43,900 --> 00:10:44,900
You guys stay right there.

308
00:10:44,900 --> 00:10:46,333
Can you put them
in a wedge for me?

309
00:10:46,333 --> 00:10:50,100
So, we're learning
about Alvin Ailey.

310
00:10:50,100 --> 00:10:52,367
Alvin Ailey was born
in Rogers, Texas.

311
00:10:52,367 --> 00:10:53,199
What year?

312
00:10:53,200 --> 00:10:54,667
What's that say?

313
00:10:54,667 --> 00:10:55,800
1931.

314
00:10:55,800 --> 00:10:56,433
1931.

315
00:10:56,433 --> 00:10:59,567
And he died December 1989.

316
00:10:59,567 --> 00:11:02,300
He was born and grew up as
a child during the great

317
00:11:02,300 --> 00:11:04,065
depression and segregation.

318
00:11:04,066 --> 00:11:05,200
You guys do history?

319
00:11:05,200 --> 00:11:06,133
You have history in school?

320
00:11:06,133 --> 00:11:07,467
Learn about the
Great Depression?

321
00:11:07,467 --> 00:11:09,333
What happened during
the Great Depression?

322
00:11:09,333 --> 00:11:10,467
People lost their money.

323
00:11:10,467 --> 00:11:11,900
People lost their money.

324
00:11:11,900 --> 00:11:14,467
They lost their jobs.

325
00:11:14,467 --> 00:11:15,333
They lost their homes.

326
00:11:15,333 --> 00:11:16,433
Were they happy?

327
00:11:16,433 --> 00:11:16,967
No.

328
00:11:16,967 --> 00:11:17,699
No.

329
00:11:17,700 --> 00:11:18,800
That's why it's called
the Great Depression,

330
00:11:18,800 --> 00:11:19,834
because they were
depressed, right?

331
00:11:19,834 --> 00:11:24,766
So, Alvin Ailey choreographed
Revelations in 1960.

332
00:11:24,767 --> 00:11:29,033
And you know what inspired him
to choreograph Revelations?

333
00:11:29,033 --> 00:11:30,433
It's right there.

334
00:11:30,433 --> 00:11:32,567
Blood memories.

335
00:11:32,567 --> 00:11:35,066
Anybody know what
a blood memory is?

336
00:11:35,066 --> 00:11:37,333
A blood memory is something
that has happened to you,

337
00:11:37,333 --> 00:11:40,800
an event in your life that
has affected you to deeply,

338
00:11:40,800 --> 00:11:43,699
it's considered to be a part
of you, a part of your blood.

339
00:11:43,700 --> 00:11:45,600
So, how many of you
remember losing a tooth?

340
00:11:45,600 --> 00:11:46,400
Not me.

341
00:11:46,400 --> 00:11:50,033
How many remember first
bike that you got?

342
00:11:50,033 --> 00:11:52,800
How many of you remember
the birth of a sibling?

343
00:11:52,800 --> 00:11:56,132
How many of you remember
your first day of school?

344
00:11:56,133 --> 00:11:57,333
Or the death of a loved one?

345
00:11:57,333 --> 00:11:58,300
Those are blood memories.

346
00:11:58,300 --> 00:11:59,266
They don't have to be bad.

347
00:11:59,266 --> 00:12:00,433
Sometimes people
see the word blood,

348
00:12:00,433 --> 00:12:01,700
they think it's a bad memory.

349
00:12:01,700 --> 00:12:02,433
It's not.

350
00:12:02,433 --> 00:12:04,400
It's something
that you remember,

351
00:12:04,400 --> 00:12:05,699
that you will always remember.

352
00:12:05,700 --> 00:12:10,867
Today, September 7th, 2010,
will be a blood memory,

353
00:12:10,867 --> 00:12:13,500
because you are performing
in the White House, right,

354
00:12:13,500 --> 00:12:14,133
taking a class.

355
00:12:14,133 --> 00:12:15,266
That's another blood memory.

356
00:12:15,266 --> 00:12:18,333
So we are going to
start, I've been buked.

357
00:12:18,333 --> 00:12:19,733
Let me hear you say that.

358
00:12:19,734 --> 00:12:21,066
I've been buked.

359
00:12:21,066 --> 00:12:22,100
I've been buked.

360
00:12:22,100 --> 00:12:24,600
To rebuke is to put down.

361
00:12:24,600 --> 00:12:28,667
Somebody tells you,
you can't do that.

362
00:12:28,667 --> 00:12:31,600
Or, you do something that
you're not supposed to do,

363
00:12:31,600 --> 00:12:32,700
and you're scorned.

364
00:12:32,700 --> 00:12:33,767
Your mother tells
you, go upstairs,

365
00:12:33,767 --> 00:12:34,834
you're on punishment for a week.

366
00:12:34,834 --> 00:12:36,165
Right?

367
00:12:36,166 --> 00:12:40,200
So, this opening section of
Revelations is taken from

368
00:12:40,200 --> 00:12:44,233
Alvin's blood memories
growing up as a child.

369
00:12:44,233 --> 00:12:46,900
The costumes -- how many of
you have seen Revelations?

370
00:12:46,900 --> 00:12:51,000
Browns, oranges, yellows,
earth tones, right?

371
00:12:51,000 --> 00:12:52,367
And remember, it's not happy.

372
00:12:52,367 --> 00:12:55,033
So I want you to follow me,
follow us in the movement,

373
00:12:55,033 --> 00:12:56,600
and then I'm going
to see you do it.

374
00:12:56,600 --> 00:12:58,467
You can play track two, please.

375
00:12:58,467 --> 00:13:01,367
You guys are going
to stay that way.

376
00:13:01,367 --> 00:13:02,867
Follow Clifton and Mo.

377
00:13:02,867 --> 00:13:03,800
♪♪

378
00:13:03,800 --> 00:13:07,300
We're going
to turn down second.

379
00:13:07,300 --> 00:13:09,900
And your hands are splayed.

380
00:13:09,900 --> 00:13:10,766
Jazz hand.

381
00:13:10,767 --> 00:13:11,533
Head is up.

382
00:13:11,533 --> 00:13:12,767
You're going to
go to your right.

383
00:13:12,767 --> 00:13:17,000
Don't follow them.

384
00:13:17,000 --> 00:13:18,033
Look at your right hand.

385
00:13:18,033 --> 00:13:18,567
Good.

386
00:13:18,567 --> 00:13:19,967
Stretch up.

387
00:13:19,967 --> 00:13:26,934
Head is back.

388
00:13:26,934 --> 00:13:30,100
Slow, slow, slow.

389
00:13:30,100 --> 00:13:31,734
Stay.

390
00:13:31,734 --> 00:13:33,533
Right arm.

391
00:13:33,533 --> 00:13:34,567
Reach.

392
00:13:34,567 --> 00:13:41,033
(inaudible)

393
00:13:41,033 --> 00:13:44,667
Circle, only
the arms and the torso.

394
00:13:44,667 --> 00:13:47,066
Again.

395
00:13:47,066 --> 00:13:48,333
Hold.

396
00:13:48,333 --> 00:13:49,967
Girls, open to second.

397
00:13:49,967 --> 00:13:54,233
Boys, keep your feet together.

398
00:13:54,233 --> 00:13:55,233
Boys, stand up.

399
00:13:55,233 --> 00:13:56,900
Father.

400
00:13:56,900 --> 00:13:58,900
Feet together.

401
00:13:58,900 --> 00:14:03,199
Scoop, prayer hands.

402
00:14:03,200 --> 00:14:04,266
Girls, open sharply.

403
00:14:04,266 --> 00:14:06,967
Boys, softly, slowly.

404
00:14:06,967 --> 00:14:10,433
Back, back, back, and hold.

405
00:14:10,433 --> 00:14:11,633
Great!

406
00:14:11,633 --> 00:14:19,600
So, we have here this hand
comes up, and it goes down.

407
00:14:19,600 --> 00:14:23,767
The other one comes
up, elbow down.

408
00:14:23,767 --> 00:14:25,100
This one is still out.

409
00:14:25,100 --> 00:14:27,133
And we reach up.

410
00:14:27,133 --> 00:14:28,867
We pull in.

411
00:14:28,867 --> 00:14:31,132
And both arms are up.

412
00:14:31,133 --> 00:14:34,033
Are they straight, straight,
straight, reaching to the sky.

413
00:14:34,033 --> 00:14:35,266
And then you're
going to do a circle.

414
00:14:35,266 --> 00:14:38,099
And this is a group section.

415
00:14:38,100 --> 00:14:39,100
All right.

416
00:14:39,100 --> 00:14:42,633
The formation is a wedge,
which is like a triangle.

417
00:14:42,633 --> 00:14:45,200
And what kind of groups
are there in society?

418
00:14:45,200 --> 00:14:46,667
What kind of groups are there?

419
00:14:46,667 --> 00:14:47,600
You got study group.

420
00:14:47,600 --> 00:14:49,233
What other kind of group?

421
00:14:49,233 --> 00:14:50,632
Football.

422
00:14:50,633 --> 00:14:52,266
Come on, y'all, what
other kind of group?

423
00:14:52,266 --> 00:14:53,233
Book group.

424
00:14:53,233 --> 00:14:54,666
Book group.

425
00:14:54,667 --> 00:14:55,667
Science group.

426
00:14:55,667 --> 00:14:56,700
Church group.

427
00:14:56,700 --> 00:14:57,667
Chess group.

428
00:14:57,667 --> 00:14:59,033
Chess group.

429
00:14:59,033 --> 00:15:00,633
Dance group.

430
00:15:00,633 --> 00:15:02,834
What do groups do?

431
00:15:02,834 --> 00:15:04,800
They support each other, right?

432
00:15:04,800 --> 00:15:05,934
You're with a group of people.

433
00:15:05,934 --> 00:15:09,100
One person dancing,
one person alone is a?

434
00:15:09,100 --> 00:15:09,834
Solo.

435
00:15:09,834 --> 00:15:10,467
Two people?

436
00:15:10,467 --> 00:15:11,165
Duet.

437
00:15:11,166 --> 00:15:11,967
All right.

438
00:15:11,967 --> 00:15:13,333
So if I'm up here by myself
and I'm dancing, I'm like,

439
00:15:13,333 --> 00:15:18,000
oh my God, but if I have all
of you with me, I'm like ahh.

440
00:15:18,000 --> 00:15:18,500
Right?

441
00:15:18,500 --> 00:15:19,200
Don't you feel like that?

442
00:15:19,200 --> 00:15:19,834
You have all these
people around you,

443
00:15:19,834 --> 00:15:20,934
so it's like everybody
in this room,

444
00:15:20,934 --> 00:15:22,000
they are not looking at you,
they're looking at everybody.

445
00:15:22,000 --> 00:15:24,367
So you don't feel like,
oh my God, it's like this.

446
00:15:24,367 --> 00:15:25,165
Right?

447
00:15:25,166 --> 00:15:27,166
So it's a group, which means you
have to move together as one

448
00:15:27,166 --> 00:15:28,433
person, as a group.

449
00:15:28,433 --> 00:15:29,600
So arms are up.

450
00:15:29,600 --> 00:15:30,567
Good.

451
00:15:30,567 --> 00:15:31,433
Reach.

452
00:15:31,433 --> 00:15:31,934
We're going to circle.

453
00:15:31,934 --> 00:15:32,400
Follow me.

454
00:15:32,400 --> 00:15:33,867
Side, front.

455
00:15:33,867 --> 00:15:34,934
Good.

456
00:15:34,934 --> 00:15:36,567
Side, center.

457
00:15:36,567 --> 00:15:38,667
Again, side, front.

458
00:15:38,667 --> 00:15:40,433
And then we hold.

459
00:15:40,433 --> 00:15:42,800
Just the girls, you're
going to cross your arms,

460
00:15:42,800 --> 00:15:46,666
go to a deep second position,
as low as you can get.

461
00:15:46,667 --> 00:15:48,266
Now, you've seen the pictures.

462
00:15:48,266 --> 00:15:49,699
It's called a birdie.

463
00:15:49,700 --> 00:15:53,367
Elbows, fingers together,
thumbs in, head is down.

464
00:15:53,367 --> 00:15:55,967
Boys, excellent, you're
going to do the same thing,

465
00:15:55,967 --> 00:15:57,533
but keep your feet together.

466
00:15:57,533 --> 00:15:59,033
Plie circle.

467
00:15:59,033 --> 00:16:00,400
The arms come up.

468
00:16:00,400 --> 00:16:02,667
And when I say father, all
the boys in the room are

469
00:16:02,667 --> 00:16:06,133
going to go...

470
00:16:06,133 --> 00:16:06,900
Good.

471
00:16:06,900 --> 00:16:07,867
And then everybody is
going to scoop together.

472
00:16:07,867 --> 00:16:10,433
Girls, bring your feet together.

473
00:16:10,433 --> 00:16:12,200
Hands.

474
00:16:12,200 --> 00:16:15,467
And up, up, up.

475
00:16:15,467 --> 00:16:18,133
And then all the girls are
going to open sharp, sharp.

476
00:16:18,133 --> 00:16:21,567
Now, you can do one-two, you can
do one-two-three, one-two-three,

477
00:16:21,567 --> 00:16:23,333
whatever accent you want.

478
00:16:23,333 --> 00:16:25,800
And then the boys, after they do
like the second or third one,

479
00:16:25,800 --> 00:16:27,266
you're going to open.

480
00:16:27,266 --> 00:16:31,099
So it's like a nice breath.

481
00:16:31,100 --> 00:16:31,667
All right.

482
00:16:31,667 --> 00:16:32,967
I want everybody to
turn and face that way.

483
00:16:32,967 --> 00:16:34,433
You guys stay there.

484
00:16:34,433 --> 00:16:36,233
Everybody turn.

485
00:16:36,233 --> 00:16:40,666
If we can start track
two, please, Kristen.

486
00:16:40,667 --> 00:16:41,333
♪♪

487
00:16:41,333 --> 00:16:43,100
Take two steps back.

488
00:16:43,100 --> 00:16:46,600
Second.

489
00:16:46,600 --> 00:16:48,166
Good, I want you to breathe in.

490
00:16:48,166 --> 00:16:51,834
And remember, it's
heavy and weighted.

491
00:16:51,834 --> 00:16:53,433
To the right.

492
00:16:53,433 --> 00:16:55,766
Roll the head.

493
00:16:55,767 --> 00:16:58,533
The right hand.

494
00:16:58,533 --> 00:16:59,300
Good.

495
00:16:59,300 --> 00:17:01,000
Stretch.

496
00:17:01,000 --> 00:17:05,532
Center.

497
00:17:05,532 --> 00:17:12,632
Low, low.

498
00:17:12,633 --> 00:17:15,266
Reach, reach.

499
00:17:15,266 --> 00:17:17,700
(inaudible)

500
00:17:17,700 --> 00:17:21,066
Up, up, up, up.

501
00:17:21,066 --> 00:17:21,733
Yeah.

502
00:17:21,733 --> 00:17:25,132
Circle.

503
00:17:25,133 --> 00:17:26,900
Circle again.

504
00:17:26,900 --> 00:17:28,533
Hold.

505
00:17:28,532 --> 00:17:34,166
Hold.

506
00:17:34,166 --> 00:17:36,833
Father!

507
00:17:36,834 --> 00:17:39,533
Everybody scoop.

508
00:17:39,533 --> 00:17:43,632
Prayer hands.

509
00:17:43,633 --> 00:17:46,066
And break.

510
00:17:46,066 --> 00:17:46,767
Break.

511
00:17:46,767 --> 00:17:48,300
Everybody should finish
with their head up.

512
00:17:48,300 --> 00:17:49,567
And hold.

513
00:17:49,567 --> 00:17:50,700
Stop the tape.

514
00:17:50,700 --> 00:17:52,400
Stay.

515
00:17:52,400 --> 00:17:53,700
Don't they look beautiful?

516
00:17:53,700 --> 00:17:55,200
(applause)

517
00:17:55,200 --> 00:17:56,867
Good job!

518
00:17:56,867 --> 00:17:57,834
Excellent!

519
00:17:57,834 --> 00:18:00,200
Turn around.

520
00:18:00,200 --> 00:18:00,900
Turn around.

521
00:18:00,900 --> 00:18:03,667
Everybody have a seat.

522
00:18:03,667 --> 00:18:08,033
So the wonderful thing about the
arts is that they're creative.

523
00:18:08,033 --> 00:18:10,065
When you're dancing, you move,
and when you're doing music,

524
00:18:10,066 --> 00:18:11,633
you play an instrument,
or you read, right,

525
00:18:11,633 --> 00:18:13,433
and you're doing
art, you make stuff.

526
00:18:13,433 --> 00:18:16,967
This section is about water.

527
00:18:16,967 --> 00:18:20,166
So you are going to
collectively write a poem.

528
00:18:20,166 --> 00:18:22,867
How many of you keep journals?

529
00:18:22,867 --> 00:18:24,000
Alvin Ailey kept a journal.

530
00:18:24,000 --> 00:18:25,633
How many of you have
a school newspaper?

531
00:18:25,633 --> 00:18:28,400
Alvin Ailey was a writer.

532
00:18:28,400 --> 00:18:30,066
He was a reporter for
his school newspaper.

533
00:18:30,066 --> 00:18:32,567
So we are going to create
your own dancing poem.

534
00:18:32,567 --> 00:18:34,967
Now, we're going to do a
little bit of movement from

535
00:18:34,967 --> 00:18:37,300
Wade in the Water, right.

536
00:18:37,300 --> 00:18:39,767
What is Wade in the Water about?

537
00:18:39,767 --> 00:18:42,633
What kind of ceremony?

538
00:18:42,633 --> 00:18:43,734
Being baptized.

539
00:18:43,734 --> 00:18:47,233
And Alvin Ailey says when he
was growing up and people were

540
00:18:47,233 --> 00:18:49,567
baptized, they were
taken down to a lake,

541
00:18:49,567 --> 00:18:51,166
and they would walk
into the water.

542
00:18:51,166 --> 00:18:54,133
And do you think they
were a little nervous?

543
00:18:54,133 --> 00:18:55,500
Right, I think they
were a little nervous.

544
00:18:55,500 --> 00:19:00,166
And they were dunked down in
the water, they were baptized.

545
00:19:00,166 --> 00:19:05,466
So, a lake, how many of you
have ever been in a lake?

546
00:19:05,467 --> 00:19:07,533
I have too, and
I didn't like it.

547
00:19:07,533 --> 00:19:09,800
I went in a lake when I was at
camp, and it was a little scary.

548
00:19:09,800 --> 00:19:15,966
But, I want to come up with six
adjectives that describe a lake.

549
00:19:15,967 --> 00:19:18,033
And an adjective is a
quality or characteristic.

550
00:19:18,033 --> 00:19:21,100
So, give me some.

551
00:19:21,100 --> 00:19:26,265
A lake is calm.

552
00:19:26,266 --> 00:19:32,300
Peaceful, I like that one.

553
00:19:32,300 --> 00:19:37,265
Still.

554
00:19:37,266 --> 00:19:38,900
Gentle.

555
00:19:38,900 --> 00:19:39,934
You have beautiful eyes.

556
00:19:39,934 --> 00:19:43,800
(laughter)

557
00:19:43,800 --> 00:19:45,300
Soft.

558
00:19:45,300 --> 00:19:47,533
I'm from New York, soft.

559
00:19:47,533 --> 00:19:49,332
I need one more back there.

560
00:19:49,333 --> 00:19:49,867
Cool.

561
00:19:49,867 --> 00:19:52,367
A lake is cool,
I like that, cool.

562
00:19:52,367 --> 00:19:52,867
All right.

563
00:19:52,867 --> 00:19:54,399
So we have our six adjectives.

564
00:19:54,400 --> 00:19:56,367
The noun is lake.

565
00:19:56,367 --> 00:19:57,399
I need six verbs.

566
00:19:57,400 --> 00:20:00,266
Verbs end in I-N-G,
action words.

567
00:20:00,266 --> 00:20:03,467
What does a lake do?

568
00:20:03,467 --> 00:20:09,667
It's soothing.

569
00:20:09,667 --> 00:20:15,500
Moving.

570
00:20:15,500 --> 00:20:19,300
Calming.

571
00:20:19,300 --> 00:20:22,899
I need three more with the lake.

572
00:20:22,900 --> 00:20:24,700
You, you got a word for me?

573
00:20:24,700 --> 00:20:25,767
No.

574
00:20:25,767 --> 00:20:28,900
Stretching, yeah.

575
00:20:28,900 --> 00:20:32,667
Relaxing.

576
00:20:32,667 --> 00:20:35,399
Two more.

577
00:20:35,400 --> 00:20:39,567
Rippling.

578
00:20:39,567 --> 00:20:40,300
Two, three, four, five.

579
00:20:40,300 --> 00:20:42,300
I need one more.

580
00:20:42,300 --> 00:20:45,133
Somebody who didn't
give me a word.

581
00:20:45,133 --> 00:20:49,367
One -- I'm going to choose
somebody -- two, three.

582
00:20:49,367 --> 00:20:50,265
Flowing.

583
00:20:50,266 --> 00:20:52,867
Thank you.

584
00:20:52,867 --> 00:20:53,734
All right.

585
00:20:53,734 --> 00:20:55,233
I have terrible handwriting.

586
00:20:55,233 --> 00:20:57,100
So we must remember that
last word is flowing.

587
00:20:57,100 --> 00:21:02,033
An adverb, right, describes
how the lake moves,

588
00:21:02,033 --> 00:21:05,100
and it ends in L-Y.

589
00:21:05,100 --> 00:21:07,132
Slowly.

590
00:21:07,133 --> 00:21:08,700
Call them out.

591
00:21:08,700 --> 00:21:09,400
Silently.

592
00:21:09,400 --> 00:21:12,133
Silently.

593
00:21:12,133 --> 00:21:13,467
Serenely, all these S's.

594
00:21:13,467 --> 00:21:15,266
Serenely.

595
00:21:15,266 --> 00:21:17,300
Gently.

596
00:21:17,300 --> 00:21:19,600
Calmly.

597
00:21:19,600 --> 00:21:20,500
So we got calmly.

598
00:21:20,500 --> 00:21:21,200
Give me something else.

599
00:21:21,200 --> 00:21:22,800
Slowly.

600
00:21:22,800 --> 00:21:25,700
Swiftly.

601
00:21:25,700 --> 00:21:26,700
Hold on, what did you say?

602
00:21:26,700 --> 00:21:27,834
Swiftly.

603
00:21:27,834 --> 00:21:30,800
Hold on.

604
00:21:30,800 --> 00:21:31,600
Gracefully.

605
00:21:31,600 --> 00:21:32,867
Who said swiftly?

606
00:21:32,867 --> 00:21:36,033
I like that word, swiftly.

607
00:21:36,033 --> 00:21:38,166
So you ready for your poem?

608
00:21:38,166 --> 00:21:39,233
You ready for your poem?

609
00:21:39,233 --> 00:21:40,433
Drum roll.

610
00:21:40,433 --> 00:21:43,200
(applause)

611
00:21:43,200 --> 00:21:52,734
So, we have lake, calm lake,
soothing, slowly, peaceful lake,

612
00:21:52,734 --> 00:21:59,632
moving silently, still lake,
calming, serenely, gentle lake,

613
00:21:59,633 --> 00:22:04,967
relaxing gently, soft lake,
rippling, swiftly -- I missed

614
00:22:04,967 --> 00:22:08,600
one -- cool lake,
flowing, serenely.

615
00:22:08,600 --> 00:22:10,065
Tah-Dah!

616
00:22:10,066 --> 00:22:10,700
Give yourselves a hand.

617
00:22:10,700 --> 00:22:12,667
(applause)

618
00:22:12,667 --> 00:22:17,466
All right. Everybody up.

619
00:22:17,467 --> 00:22:23,033
We are going to -- you've seen
Wade in the Water, right?

620
00:22:23,033 --> 00:22:24,833
Now, how many of you
have been in a pool?

621
00:22:24,834 --> 00:22:25,600
How many of you swim?

622
00:22:25,600 --> 00:22:27,533
Is it easy to move in water?

623
00:22:27,533 --> 00:22:28,734
No, right.

624
00:22:28,734 --> 00:22:31,100
It's difficult, because
the water is heavy,

625
00:22:31,100 --> 00:22:33,734
and the body wants to
run, but you can't.

626
00:22:33,734 --> 00:22:37,632
So, we start out with the
left hand over the right.

627
00:22:37,633 --> 00:22:39,433
Plie, feet together.

628
00:22:39,433 --> 00:22:41,667
And you're going to walk back.

629
00:22:41,667 --> 00:22:43,833
You're going to go back
with your right leg.

630
00:22:43,834 --> 00:22:45,133
And you're going
to use your right.

631
00:22:45,133 --> 00:22:45,800
Four walks.

632
00:22:45,800 --> 00:22:48,133
Five, six, seven, eight.

633
00:22:48,133 --> 00:22:51,300
Back, two, three, four.

634
00:22:51,300 --> 00:22:54,800
And front, two, three, four.

635
00:22:54,800 --> 00:22:57,934
Again, back, two, three, four.

636
00:22:57,934 --> 00:23:01,000
And front, two, three, four.

637
00:23:01,000 --> 00:23:01,500
Good.

638
00:23:01,500 --> 00:23:02,300
Now, press the arms.

639
00:23:02,300 --> 00:23:05,300
I want you to think of your
torso not moving and just a

640
00:23:05,300 --> 00:23:06,433
slight shift in the hip.

641
00:23:06,433 --> 00:23:07,600
Just think about it, all right.

642
00:23:07,600 --> 00:23:11,433
From there drop the arms.

643
00:23:11,433 --> 00:23:13,467
Do this.

644
00:23:13,467 --> 00:23:15,667
And imagine there's water right
here and you're rippling,

645
00:23:15,667 --> 00:23:17,332
like we said,
rippling the water.

646
00:23:17,333 --> 00:23:18,667
The hands are going
to be in front of you,

647
00:23:18,667 --> 00:23:22,166
then they're going to open,
open, open, open, open,

648
00:23:22,166 --> 00:23:25,200
press push, push,
push, push, push.

649
00:23:25,200 --> 00:23:27,433
And trinkle down.

650
00:23:27,433 --> 00:23:28,734
Trinkle down, trinkle down.

651
00:23:28,734 --> 00:23:29,100
Good.

652
00:23:29,100 --> 00:23:29,899
Now the feet.

653
00:23:29,900 --> 00:23:32,567
BUH-BUH, UH-UH.

654
00:23:32,567 --> 00:23:34,400
And a heel, circle-circle.

655
00:23:34,400 --> 00:23:35,767
Turn, turn.

656
00:23:35,767 --> 00:23:39,266
Keep turning, turning,
turning, turning.

657
00:23:39,266 --> 00:23:41,633
Five, six, seven, eight.

658
00:23:41,633 --> 00:23:42,500
Great.

659
00:23:42,500 --> 00:23:42,967
All right.

660
00:23:42,967 --> 00:23:46,500
So you have the hands
are going here, right.

661
00:23:46,500 --> 00:23:49,400
Once you get side, they
turn and you begin to push,

662
00:23:49,400 --> 00:23:50,900
push, push, push.

663
00:23:50,900 --> 00:23:53,834
And then down, down, down, down.

664
00:23:53,834 --> 00:23:55,133
All right.

665
00:23:55,133 --> 00:23:56,133
How am I doing?

666
00:23:56,133 --> 00:23:57,300
Good.

667
00:23:57,300 --> 00:23:57,934
All right.

668
00:23:57,934 --> 00:24:00,834
Let's try it with music.

669
00:24:00,834 --> 00:24:01,667
So we're going to
start with back.

670
00:24:01,667 --> 00:24:05,332
♪♪

671
00:24:05,333 --> 00:24:08,433
Back.

672
00:24:08,433 --> 00:24:11,967
Front.

673
00:24:11,967 --> 00:24:15,100
Back.

674
00:24:15,100 --> 00:24:18,867
Front.

675
00:24:18,867 --> 00:24:20,332
Ripple.

676
00:24:20,333 --> 00:24:21,400
Come on.

677
00:24:21,400 --> 00:24:26,033
One, two, three, four,
five, six, seven, eight.

678
00:24:26,033 --> 00:24:29,065
Push. Push. Push. Push. Push.

679
00:24:29,066 --> 00:24:31,000
Ripple, down.

680
00:24:31,000 --> 00:24:32,800
Two, three, four.

681
00:24:32,800 --> 00:24:35,399
Good, all right.

682
00:24:35,400 --> 00:24:37,367
Yes?

683
00:24:37,367 --> 00:24:38,834
All right, so we walk
back front, back front,

684
00:24:38,834 --> 00:24:40,000
and then we go around here.

685
00:24:40,000 --> 00:24:43,600
Now we have -- you guys
follow Mo and Clifton.

686
00:24:43,600 --> 00:24:45,867
You have one, two, three, four.

687
00:24:45,867 --> 00:24:48,800
Say, center, six,
seven, cross, eight.

688
00:24:48,800 --> 00:24:49,567
The right foot.

689
00:24:49,567 --> 00:24:52,667
And then drop, two,
three, contract up.

690
00:24:52,667 --> 00:24:56,867
Again, whip, two, three, four,
five, six, seven, eight.

691
00:24:56,867 --> 00:24:59,200
Down, and up.

692
00:24:59,200 --> 00:25:06,367
Yes, then we have
down, push the water.

693
00:25:06,367 --> 00:25:09,466
Up and up.

694
00:25:09,467 --> 00:25:10,667
Remember, we said
water is not easy,

695
00:25:10,667 --> 00:25:12,867
so you can't push like that.

696
00:25:12,867 --> 00:25:18,399
And then you have step together,
step, step together, step.

697
00:25:18,400 --> 00:25:21,467
Now you remember
all the isolation?

698
00:25:21,467 --> 00:25:26,433
That's when you do the water,
everything is kind of moving.

699
00:25:26,433 --> 00:25:27,300
Not like this.

700
00:25:27,300 --> 00:25:27,934
All right.

701
00:25:27,934 --> 00:25:29,700
Let's try that with music.

702
00:25:29,700 --> 00:25:32,834
♪♪

703
00:25:32,834 --> 00:25:37,000
Five, six, seven, and...

704
00:25:37,000 --> 00:25:40,500
Front.

705
00:25:40,500 --> 00:25:44,100
Back.

706
00:25:44,100 --> 00:25:48,166
Front.

707
00:25:48,166 --> 00:25:55,100
Ripple.

708
00:25:55,100 --> 00:25:58,132
Push.

709
00:25:58,133 --> 00:25:58,767
Go down.

710
00:25:58,767 --> 00:26:01,667
Twinkle, twinkle.

711
00:26:01,667 --> 00:26:02,667
Open.

712
00:26:02,667 --> 00:26:05,766
One.

713
00:26:05,767 --> 00:26:08,700
Again.

714
00:26:08,700 --> 00:26:12,967
And one.

715
00:26:12,967 --> 00:26:16,600
Cross.

716
00:26:16,600 --> 00:26:23,233
Push, push, push up, push, push.

717
00:26:23,233 --> 00:26:25,600
Walk.

718
00:26:25,600 --> 00:26:27,033
Walk again.

719
00:26:27,033 --> 00:26:30,466
Walk.

720
00:26:30,467 --> 00:26:31,200
All right.

721
00:26:31,200 --> 00:26:31,900
Good job.

722
00:26:31,900 --> 00:26:33,867
(applause)

723
00:26:33,867 --> 00:26:35,066
All right.

724
00:26:35,066 --> 00:26:37,233
So, we're going to finish up.

725
00:26:37,233 --> 00:26:40,767
Who knows the last
section of Revelations?

726
00:26:40,767 --> 00:26:42,600
What's it called?

727
00:26:42,600 --> 00:26:44,300
Rocka My Soul.

728
00:26:44,300 --> 00:26:44,834
All right.

729
00:26:44,834 --> 00:26:46,500
Rocka my soul in the
bosom of Abraham.

730
00:26:46,500 --> 00:26:49,633
Everybody is going to
learn the same movement.

731
00:26:49,633 --> 00:26:51,633
We're going to do it
all together once.

732
00:26:51,633 --> 00:26:53,400
Then I'm going to have two
groups face each other.

733
00:26:53,400 --> 00:26:54,367
All right.

734
00:26:54,367 --> 00:26:57,233
You guys can go back
down on the floor.

735
00:26:57,233 --> 00:27:01,133
So, everybody is going to do
four walks front, four strides.

736
00:27:01,133 --> 00:27:02,633
We're all going to go this way.

737
00:27:02,633 --> 00:27:07,033
So we have right-left,
right-left, hold, two,

738
00:27:07,033 --> 00:27:08,233
three, four.

739
00:27:08,233 --> 00:27:11,734
Posse, hands come in and open.

740
00:27:11,734 --> 00:27:15,500
One-two, three-four, hold
five, six, seven, eight.

741
00:27:15,500 --> 00:27:18,300
You're going to do a flat back
walk around to the right.

742
00:27:18,300 --> 00:27:21,100
One, two, three, four.

743
00:27:21,100 --> 00:27:23,567
Stay five, six, seven, eight.

744
00:27:23,567 --> 00:27:26,367
Jump, two, three, four.

745
00:27:26,367 --> 00:27:28,767
Hold five, six, seven, eight.

746
00:27:28,767 --> 00:27:31,266
Wave, wave, wave, slap.

747
00:27:31,266 --> 00:27:33,300
Hold five, six, seven, eight.

748
00:27:33,300 --> 00:27:38,265
To the hip, here, and finish.

749
00:27:38,266 --> 00:27:38,834
All right.

750
00:27:38,834 --> 00:27:40,233
So, up.

751
00:27:40,233 --> 00:27:47,265
Before that, we have clap,
clap, over the head, chest.

752
00:27:47,266 --> 00:27:50,767
One, one, one, one-two.

753
00:27:50,767 --> 00:27:54,367
One, one, one, one-two.

754
00:27:54,367 --> 00:27:57,899
One, one, one, one-two.

755
00:27:57,900 --> 00:27:58,934
Then we're going to point.

756
00:27:58,934 --> 00:28:03,667
One, two, three, four, five,
six, seven, eight, nine, ten,

757
00:28:03,667 --> 00:28:04,300
11, 12.

758
00:28:04,300 --> 00:28:06,466
Two, four.

759
00:28:06,467 --> 00:28:07,467
All right.

760
00:28:07,467 --> 00:28:09,600
So just follow.

761
00:28:09,600 --> 00:28:28,966
♪♪

762
00:28:28,967 --> 00:28:35,967
And point!

763
00:28:35,967 --> 00:28:39,300
One, two, three, four,
five, six, seven, eight.

764
00:28:39,300 --> 00:28:41,899
One, two, three, four.

765
00:28:41,900 --> 00:28:44,367
Seven, eight.

766
00:28:44,367 --> 00:28:46,533
Five, six, seven, eight.

767
00:28:46,533 --> 00:28:49,000
Jump, jump.

768
00:28:49,000 --> 00:28:54,467
One, two, three, four.

769
00:28:54,467 --> 00:28:57,467
Good.

770
00:28:57,467 --> 00:28:58,800
All right!

771
00:28:58,800 --> 00:29:00,567
Hold on.

772
00:29:00,567 --> 00:29:01,967
We want to do that
one more time.

773
00:29:01,967 --> 00:29:04,900
So when we start the
choreography, the walks,

774
00:29:04,900 --> 00:29:06,600
we do it first, and
then you follow.

775
00:29:06,600 --> 00:29:07,567
Right?

776
00:29:07,567 --> 00:29:08,734
One last time.

777
00:29:08,734 --> 00:29:11,567
Good.

778
00:29:11,567 --> 00:29:12,433
We're ready.

779
00:29:12,433 --> 00:29:17,233
♪♪

780
00:29:17,233 --> 00:29:19,800
Five, six, seven, and... Go.

781
00:29:19,800 --> 00:29:58,332
♪♪

782
00:29:58,333 --> 00:29:59,667
Woo!

783
00:29:59,667 --> 00:30:01,533
All right!

784
00:30:01,533 --> 00:30:03,500
Stay there.

785
00:30:03,500 --> 00:30:05,967
Can we turn to Miss Jamison,
say congratulations on your

786
00:30:05,967 --> 00:30:07,000
20th anniversary!

787
00:30:07,000 --> 00:30:14,667
(applause)

788
00:30:14,667 --> 00:30:15,867
Thank you very much.

789
00:30:15,867 --> 00:30:17,200
Damian, you guys did
an excellent job.

790
00:30:17,200 --> 00:30:18,100
Give yourselves a hand.

791
00:30:18,100 --> 00:30:20,800
Give yourself a hand.

792
00:30:20,800 --> 00:30:21,700
Good job.

793
00:30:21,700 --> 00:30:22,767
All right.

794
00:30:22,767 --> 00:30:24,133
Thank you.

795
00:30:24,133 --> 00:30:25,300
Damien Wetzel:
That was incredible.

796
00:30:25,300 --> 00:30:26,466
Wow, amazing.

797
00:30:26,467 --> 00:30:28,500
So now you've danced
at the White House.

798
00:30:28,500 --> 00:30:30,433
How about that.

799
00:30:30,433 --> 00:30:31,266
Yeah, terrific.

800
00:30:31,266 --> 00:30:33,967
Applaud yourself.

801
00:30:33,967 --> 00:30:36,066
So, I neglected to
introduce myself.

802
00:30:36,066 --> 00:30:39,300
I'm Damian Wetzel, and I am the
director of this program today

803
00:30:39,300 --> 00:30:40,466
at the White House.

804
00:30:40,467 --> 00:30:43,800
I was a dancer at New York
City Ballet for many years.

805
00:30:43,800 --> 00:30:46,100
And now I do a lot
of different things.

806
00:30:46,100 --> 00:30:49,065
I produce, I teach,
I choreograph,

807
00:30:49,066 --> 00:30:51,333
I work to make the
arts an important part

808
00:30:51,333 --> 00:30:53,033
of your educations.

809
00:30:53,033 --> 00:30:55,734
And it means so much to me to
have all of you students here

810
00:30:55,734 --> 00:30:58,632
today in our nation's capital
and in our first house.

811
00:30:58,633 --> 00:31:01,400
It make the arts a
center of society.

812
00:31:01,400 --> 00:31:03,233
And I'm going to talk more
about that a little later.

813
00:31:03,233 --> 00:31:06,233
But right now I want to
introduce you to some very

814
00:31:06,233 --> 00:31:07,533
special guests we have today.

815
00:31:07,533 --> 00:31:11,399
How many of you have ever
seen the movie Billy Elliot?

816
00:31:11,400 --> 00:31:12,033
Yes.

817
00:31:12,033 --> 00:31:14,300
How many of you have ever
seen the show Billy Elliot?

818
00:31:14,300 --> 00:31:18,133
How many of you have
ever met a Billy Elliot?

819
00:31:18,133 --> 00:31:18,834
A couple.

820
00:31:18,834 --> 00:31:21,867
How many of you have
met four Billy Elliots?

821
00:31:21,867 --> 00:31:23,767
You want to meet four?

822
00:31:23,767 --> 00:31:26,533
Let's welcome the
Billy Elliot guys.

823
00:31:26,533 --> 00:31:29,166
Where are they?

824
00:31:29,166 --> 00:31:34,100
And Jeffrey Edwards, who is the
resident choreographer ballet

825
00:31:34,100 --> 00:31:38,166
master, leader of these young
fellows from Billy Elliot.

826
00:31:38,166 --> 00:31:40,867
I'll introduce Jeff, and,
Jeff, you introduce the guys.

827
00:31:40,867 --> 00:31:42,667
Jeffrey Edwards:
Great.

828
00:31:42,667 --> 00:31:46,000
Guys, not only do we have four
Billy Elliots here today --

829
00:31:46,000 --> 00:31:47,100
Damien Wetzel:
Guys, you want to sit?

830
00:31:47,100 --> 00:31:48,132
Sit.

831
00:31:48,133 --> 00:31:49,900
Jeffrey Edwards:
What we're going to do is
we're going to teach you some

832
00:31:49,900 --> 00:31:51,667
excerpts from the show.

833
00:31:51,667 --> 00:31:55,667
And the show encompasses
tap, ballet, acrobatics,

834
00:31:55,667 --> 00:31:57,166
acting, singing.

835
00:31:57,166 --> 00:31:59,000
So we thought it would be fun
for you to get the feel for

836
00:31:59,000 --> 00:32:01,333
different advanced
elements of the show.

837
00:32:01,333 --> 00:32:03,734
We'll have each Billy introduce
themselves and talk a little bit

838
00:32:03,734 --> 00:32:06,332
about how they got
involved in dance.

839
00:32:06,333 --> 00:32:06,433
We'll start with (inaudible) --

840
00:32:06,433 --> 00:32:22,700
Speaker:
(no audio) -- competitive

841
00:32:22,700 --> 00:32:28,433
level, I did choose between that
and wrestling, so I chose dance.

842
00:32:28,433 --> 00:32:32,667
So, and I'm about to show you
a little bit from the number

843
00:32:32,667 --> 00:32:34,265
Express in our show.

844
00:32:34,266 --> 00:32:37,300
Express is where Billy goes to
his best friend Michael about

845
00:32:37,300 --> 00:32:40,200
his problems about not
being able to express

846
00:32:40,200 --> 00:32:43,000
his love for ballet.

847
00:32:43,000 --> 00:32:48,567
And Michael just tells him
to express himself, so...

848
00:32:48,567 --> 00:32:50,633
Jeffrey Edwards:
Great. So we'll have Jacob
demonstrate the combo,

849
00:32:50,633 --> 00:32:52,100
and then we'll all
get up and learn it.

850
00:32:52,100 --> 00:32:54,567
So, Glen, could we
just have eight counts?

851
00:32:54,567 --> 00:32:55,600
I'll give you, five,
six, seven, eight.

852
00:32:55,600 --> 00:32:56,199
Ready?

853
00:32:56,200 --> 00:32:58,533
Five, six, seven, eight.

854
00:32:58,533 --> 00:33:00,132
One and two, three.

855
00:33:00,133 --> 00:33:04,233
♪♪

856
00:33:04,233 --> 00:33:04,767
Okay.

857
00:33:04,767 --> 00:33:05,266
That's it.

858
00:33:05,266 --> 00:33:06,033
Great.

859
00:33:06,033 --> 00:33:07,233
So, on your feet.

860
00:33:07,233 --> 00:33:08,700
We're going to all learn that.

861
00:33:08,700 --> 00:33:11,266
So, can I have the other three
Billies face upstage so we can

862
00:33:11,266 --> 00:33:14,066
follow these guys, and Jacob
will continue to face front.

863
00:33:14,066 --> 00:33:16,033
So this is a very
short tap combo,

864
00:33:16,033 --> 00:33:17,833
but really pay
attention to the rhythm.

865
00:33:17,834 --> 00:33:19,834
So, Jacob, you want to
demonstrate very slowly,

866
00:33:19,834 --> 00:33:20,800
and everyone can follow.

867
00:33:20,800 --> 00:33:22,899
Billy is facing upstage.

868
00:33:22,900 --> 00:33:25,767
Speaker:
We can start them with the
easier part -- we can start it

869
00:33:25,767 --> 00:33:27,400
with the easier part.

870
00:33:27,400 --> 00:33:41,000
So you just go step, toe, toe,
step, toe, toe, flap, flap.

871
00:33:41,000 --> 00:33:43,233
Jeffrey Edwards:
One more time slowly.

872
00:33:43,233 --> 00:33:53,700
Speaker:
You go, step, toe, toe,
step, toe, toe, flap, flap.

873
00:33:53,700 --> 00:33:55,533
And then if you feel
comfortable with that,

874
00:33:55,533 --> 00:33:57,734
you can add in the heels.

875
00:33:57,734 --> 00:34:04,966
It it goes, heel-step, heel-toe,
heel-toe, heel-step, heel-toe,

876
00:34:04,967 --> 00:34:09,767
heel-toe, flap, flap.

877
00:34:09,766 --> 00:34:12,000
Jeffrey Edwards:
Try it once with
music, very under tempo.

878
00:34:12,000 --> 00:34:13,533
Let's go very slow, Glen.

879
00:34:13,533 --> 00:34:14,299
Ready.

880
00:34:14,300 --> 00:34:18,066
Five, six, seven, eight.

881
00:34:18,065 --> 00:34:27,100
And step, tap, turn it in,
step, turn it in, flap, flap.

882
00:34:27,100 --> 00:34:27,833
Okay.

883
00:34:27,833 --> 00:34:30,000
Speaker:
Your goal is to try to
keep your knees together,

884
00:34:30,000 --> 00:34:34,166
but to get as far away from this
foot with this one as possible

885
00:34:34,166 --> 00:34:36,066
with your knees
together, though.

886
00:34:36,065 --> 00:34:38,332
Jeffrey Edwards:
We add one element at
the end, which is a shimmy.

887
00:34:38,333 --> 00:34:41,467
So at the very last two flaps,
we're going to shimmy shake.

888
00:34:41,467 --> 00:34:42,300
Okay.

889
00:34:42,300 --> 00:34:43,300
So ready.

890
00:34:43,300 --> 00:34:45,233
Slightly faster.

891
00:34:45,233 --> 00:34:48,700
We'll go, five,
six, seven, eight.

892
00:34:48,699 --> 00:34:55,699
♪♪

893
00:34:55,699 --> 00:34:56,332
Good, guys.

894
00:34:56,333 --> 00:34:57,400
Good.

895
00:34:57,400 --> 00:34:57,900
So, great.

896
00:34:57,900 --> 00:35:00,500
So let's move on to the
second excerpt from the show,

897
00:35:00,500 --> 00:35:03,467
which is when Billy is going
to do some ballet for us.

898
00:35:03,467 --> 00:35:05,300
So let's introduce Alex.

899
00:35:05,300 --> 00:35:09,867
Alex Ko:
Hey, my name is Alex Ko,
and I am 14 years old,

900
00:35:09,867 --> 00:35:12,367
and I am from Iowa City, Iowa.

901
00:35:12,367 --> 00:35:15,834
And I started dancing when I was
about five years old because of

902
00:35:15,834 --> 00:35:17,899
my older brother was a dancer.

903
00:35:17,900 --> 00:35:20,100
So my mom decided to
put me in classes.

904
00:35:20,100 --> 00:35:22,467
And I decided I had
a passion for dance,

905
00:35:22,467 --> 00:35:23,867
which I never knew I had.

906
00:35:23,867 --> 00:35:27,266
And I started ballet at
about the age of, I'd say,

907
00:35:27,266 --> 00:35:29,934
11 at the University of Iowa,
which is where I got all

908
00:35:29,934 --> 00:35:33,266
of my training.

909
00:35:33,266 --> 00:35:37,200
And I'm going to do something
from Solidarity from the show,

910
00:35:37,200 --> 00:35:41,700
which is basically a number of
just Billy's progression through

911
00:35:41,700 --> 00:35:44,633
ballet from start to end.

912
00:35:44,633 --> 00:35:45,767
Yes.

913
00:35:45,767 --> 00:35:48,366
Jeffrey Edwards:
What's is special about this
combination is it's when Billy

914
00:35:48,367 --> 00:35:49,600
learns how to spot.

915
00:35:49,600 --> 00:35:51,799
And I'm sure a lot of us have
learned how to spot before we've

916
00:35:51,800 --> 00:35:52,900
learned to turn.

917
00:35:52,900 --> 00:35:55,834
And what Billy does is he
picks a point in space,

918
00:35:55,834 --> 00:35:59,366
and he tries to bore a hole
in space as he whips his head

919
00:35:59,367 --> 00:36:02,066
around, and that gradually
evolves to the point where he

920
00:36:02,066 --> 00:36:04,567
actually starts to teach
himself how to turn.

921
00:36:04,567 --> 00:36:06,266
So let's have some music, Glen.

922
00:36:06,266 --> 00:36:08,266
We'll just do two counts
of eight for Alex.

923
00:36:08,266 --> 00:36:09,066
Ready.

924
00:36:09,066 --> 00:36:12,366
Five, six, seven, eight.

925
00:36:12,367 --> 00:36:24,734
♪♪

926
00:36:24,734 --> 00:36:25,299
Great.

927
00:36:25,300 --> 00:36:25,934
Thanks.

928
00:36:25,934 --> 00:36:26,700
Great.

929
00:36:26,700 --> 00:36:28,232
So, guys, let's break
this down together.

930
00:36:28,233 --> 00:36:29,133
(applause)

931
00:36:29,133 --> 00:36:31,834
So, Billies, face the back.

932
00:36:31,834 --> 00:36:34,734
So again, really
focus on a spot, yeah,

933
00:36:34,734 --> 00:36:38,066
and then turn your
head on one, two.

934
00:36:38,066 --> 00:36:40,700
We're going to whip
the head, three, four.

935
00:36:40,700 --> 00:36:42,700
Again, whip the head, five.

936
00:36:42,700 --> 00:36:44,033
Fifth on sixth.

937
00:36:44,033 --> 00:36:45,333
Tondu seven.

938
00:36:45,333 --> 00:36:46,533
Fourth eight.

939
00:36:46,533 --> 00:36:47,600
Single pirouette.

940
00:36:47,600 --> 00:36:55,232
One, two, tondu other foot,
fourth, single pirouette, plie,

941
00:36:55,233 --> 00:36:59,100
and fourth position,
then attitude qua se.

942
00:36:59,100 --> 00:37:01,333
So, with a crossed leg.

943
00:37:01,333 --> 00:37:01,967
There we go.

944
00:37:01,967 --> 00:37:03,300
Try to spread out
as much as you can,

945
00:37:03,300 --> 00:37:05,400
because this one takes
up a lot of space.

946
00:37:05,400 --> 00:37:06,767
Okay, let's go slowly again.

947
00:37:06,767 --> 00:37:07,966
Ready?

948
00:37:07,967 --> 00:37:09,300
Very slowly without music.

949
00:37:09,300 --> 00:37:13,233
Five, six, seven, eight.

950
00:37:13,233 --> 00:37:14,767
Spot one, two.

951
00:37:14,767 --> 00:37:17,966
Turn the head three, four.

952
00:37:17,967 --> 00:37:20,633
Turn the head, five, six.

953
00:37:20,633 --> 00:37:22,232
Tondu side seven.

954
00:37:22,233 --> 00:37:23,567
Fourth position eight.

955
00:37:23,567 --> 00:37:25,767
Single pirouette, one.

956
00:37:25,767 --> 00:37:26,700
Fifth two.

957
00:37:26,700 --> 00:37:28,366
Tondu left with three.

958
00:37:28,367 --> 00:37:30,033
Plie four.

959
00:37:30,033 --> 00:37:32,500
Tondu -- pirouette
the other way.

960
00:37:32,500 --> 00:37:33,467
Plie.

961
00:37:33,467 --> 00:37:38,233
Fourth position
and attitude hold.

962
00:37:38,233 --> 00:37:39,133
Good, guys.

963
00:37:39,133 --> 00:37:41,667
Yeah, qua se position,
really cross with the head.

964
00:37:41,667 --> 00:37:43,967
So let's try this
also under tempo.

965
00:37:43,967 --> 00:37:45,333
Really spread out.

966
00:37:45,333 --> 00:37:48,533
And remember that principle of
boring a hole into the wall with

967
00:37:48,533 --> 00:37:51,467
your head so the focus
is really strong.

968
00:37:51,467 --> 00:37:52,233
Okay.

969
00:37:52,233 --> 00:37:57,066
So we'll go five,
six, seven, eight.

970
00:37:57,066 --> 00:37:57,633
♪♪

971
00:37:57,633 --> 00:38:01,033
And one, two, three, four.

972
00:38:01,033 --> 00:38:03,799
Head, five, six.

973
00:38:03,800 --> 00:38:05,100
Tondu seven.

974
00:38:05,100 --> 00:38:06,000
Fourth eight.

975
00:38:06,000 --> 00:38:07,266
Turn one.

976
00:38:07,266 --> 00:38:08,333
Fifth two.

977
00:38:08,333 --> 00:38:16,800
Other side, fourth, turn,
fifth, plie, attitude hold.

978
00:38:16,800 --> 00:38:17,667
Good job, guys.

979
00:38:17,667 --> 00:38:18,232
Really nice.

980
00:38:18,233 --> 00:38:19,166
Well done.

981
00:38:19,166 --> 00:38:19,834
All right.

982
00:38:19,834 --> 00:38:22,567
We'll have Dayton
introduce himself.

983
00:38:22,567 --> 00:38:23,200
Dayton Tavares:
Hello.

984
00:38:23,200 --> 00:38:24,533
My name is Dayton Tavares.

985
00:38:24,533 --> 00:38:28,333
I'm 14, and I'm from
Sydney, Australia.

986
00:38:28,333 --> 00:38:30,867
I started dancing
when I was nine.

987
00:38:30,867 --> 00:38:33,900
I was doing Taekwondo
at the time,

988
00:38:33,900 --> 00:38:36,066
but my sisters were changing
to a new dance school,

989
00:38:36,066 --> 00:38:38,799
and they said to try
the boys hip-hop class.

990
00:38:38,800 --> 00:38:41,367
If I didn't like it, they
said I could leave the class,

991
00:38:41,367 --> 00:38:44,133
but I stayed in there
because I loved it so much.

992
00:38:44,133 --> 00:38:46,767
Then from there, I started
taking more and more dance

993
00:38:46,767 --> 00:38:49,567
styles and found I
loved it more and more.

994
00:38:49,567 --> 00:38:56,200
And I'm going to show you a
bit of hip-hop from the number

995
00:38:56,200 --> 00:39:00,200
called Electricity where Billy
tries to say what he feels like

996
00:39:00,200 --> 00:39:04,299
when he's dancing.

997
00:39:04,300 --> 00:39:05,166
Jeffrey Edwards:
Great.

998
00:39:05,166 --> 00:39:08,367
So, five, six, seven, eight.

999
00:39:08,367 --> 00:39:13,600
♪♪ And one, and two,
three, four, five, six,

1000
00:39:13,600 --> 00:39:14,866
seven, and eight.

1001
00:39:14,867 --> 00:39:15,467
That's it.

1002
00:39:15,467 --> 00:39:16,200
Good.

1003
00:39:16,200 --> 00:39:16,933
Good, Dayton.

1004
00:39:16,934 --> 00:39:17,734
(applause)

1005
00:39:17,734 --> 00:39:18,232
Okay.

1006
00:39:18,233 --> 00:39:21,066
We're going to break this one
down slowly for you, okay.

1007
00:39:21,066 --> 00:39:21,667
So let's go slowly.

1008
00:39:21,667 --> 00:39:23,700
Guys, face upstage.

1009
00:39:23,700 --> 00:39:25,299
Yeah, and, Dayton, step
upstage with them so they

1010
00:39:25,300 --> 00:39:26,367
can follow you too.

1011
00:39:26,367 --> 00:39:27,767
So we'll break this
down very slowly.

1012
00:39:27,767 --> 00:39:29,600
Watch the Billies
facing upstage.

1013
00:39:29,600 --> 00:39:34,033
Warning, five,
six, seven, eight.

1014
00:39:34,033 --> 00:39:37,100
And step, open, close.

1015
00:39:37,100 --> 00:39:44,033
Elbow with the right, circle,
frame the face with the hands

1016
00:39:44,033 --> 00:39:48,767
like you're spinning a pizza
pie with the hands, close,

1017
00:39:48,767 --> 00:39:51,133
and then open your left
knee across the arms,

1018
00:39:51,133 --> 00:39:53,299
and then snap it back.

1019
00:39:53,300 --> 00:39:53,934
Right.

1020
00:39:53,934 --> 00:39:56,300
One more time slowly.

1021
00:39:56,300 --> 00:39:57,266
Very slowly.

1022
00:39:57,266 --> 00:40:01,333
Five, six, seven, eight.

1023
00:40:01,333 --> 00:40:05,000
Step on the left, open
the knee, and close.

1024
00:40:05,000 --> 00:40:07,600
And elbow, close.

1025
00:40:07,600 --> 00:40:11,333
Frame the face, and
spin the pizza pie.

1026
00:40:11,333 --> 00:40:14,700
Close, and opposition, close.

1027
00:40:14,700 --> 00:40:15,466
Right?

1028
00:40:15,467 --> 00:40:17,567
We need to do this again
one more time slowly.

1029
00:40:17,567 --> 00:40:19,800
Yeah, really watch
that opposition.

1030
00:40:19,800 --> 00:40:22,100
And, Dayton, can you talk a
little bit about popping and

1031
00:40:22,100 --> 00:40:24,232
locking, what that actually is?

1032
00:40:24,233 --> 00:40:26,066
Dayton Tavares:
I'll give you an example.

1033
00:40:26,066 --> 00:40:31,433
Well, to me, in this section of
hip-hop, it's the little things.

1034
00:40:31,433 --> 00:40:34,900
So you could have a move and
just by adding a little bit of

1035
00:40:34,900 --> 00:40:37,734
a pop with your chest, it
makes the move just explode

1036
00:40:37,734 --> 00:40:39,433
a bit more.

1037
00:40:39,433 --> 00:40:40,867
And, yeah.

1038
00:40:40,867 --> 00:40:41,667
Jeffrey Edwards:
Show an example.

1039
00:40:41,667 --> 00:40:42,066
Dayton Tavares:
Okay.

1040
00:40:42,066 --> 00:40:45,433
So this is without the pop.

1041
00:40:45,433 --> 00:40:48,367
And then this is with the pop.

1042
00:40:48,367 --> 00:40:51,734
(laughter)

1043
00:40:51,734 --> 00:40:54,165
Jeffrey Edwards:
So let's try this combo one
more time with that in mind.

1044
00:40:54,166 --> 00:40:55,433
Let's try to add the pop.

1045
00:40:55,433 --> 00:40:56,233
Okay, ready.

1046
00:40:56,233 --> 00:41:00,367
Five, six, slowly seven, eight.

1047
00:41:00,367 --> 00:41:03,367
And step, open-close.

1048
00:41:03,367 --> 00:41:05,066
Elbow, close.

1049
00:41:05,066 --> 00:41:11,133
Frame the face, and pizza
platter, cross, and that's it.

1050
00:41:11,133 --> 00:41:11,767
Great.

1051
00:41:11,767 --> 00:41:12,299
Fantastic.

1052
00:41:12,300 --> 00:41:14,667
So that's part of the
hip-hop in the show.

1053
00:41:14,667 --> 00:41:16,533
Now we're moving on to Liam.

1054
00:41:16,533 --> 00:41:18,333
Liam, why don't you tell a
little bit about yourself and

1055
00:41:18,333 --> 00:41:19,133
how you got involved in dance.

1056
00:41:19,133 --> 00:41:19,533
Liam Redhead:
Sure.

1057
00:41:19,533 --> 00:41:20,165
Jeffrey Edwards:
Great.

1058
00:41:20,166 --> 00:41:21,367
Liam Redhead:
Hi, I'm Liam Redhead.

1059
00:41:21,367 --> 00:41:24,233
I'm from North Bay
Ontario, Canada.

1060
00:41:24,233 --> 00:41:26,233
I started dancing
when I was seven,

1061
00:41:26,233 --> 00:41:29,266
because my older sister
danced, like most of us.

1062
00:41:29,266 --> 00:41:31,600
And I just started
in a hip-hop class,

1063
00:41:31,600 --> 00:41:34,299
and then two years
later I wanted to join

1064
00:41:34,300 --> 00:41:35,633
the competitive team.

1065
00:41:35,633 --> 00:41:38,165
But in order to do that, I had
to start training in ballet,

1066
00:41:38,166 --> 00:41:41,200
which I really hated, and
I wouldn't do the classes,

1067
00:41:41,200 --> 00:41:43,799
I'd sit in the corner,
wouldn't put on the shoes.

1068
00:41:43,800 --> 00:41:46,800
But eventually, week after week,
I started doing more and more,

1069
00:41:46,800 --> 00:41:48,900
and now it's my
favorite style of dance.

1070
00:41:48,900 --> 00:41:51,700
And for two years I've gone to
Canada's National Ballet School

1071
00:41:51,700 --> 00:41:54,299
in Toronto.

1072
00:41:54,300 --> 00:41:58,734
Oh, and I'm doing a section also
from Solidarity, like Alex.

1073
00:41:58,734 --> 00:42:01,767
Mine is earlier in Solidarity,
so Billy is still learning how

1074
00:42:01,767 --> 00:42:04,600
to dance, and he's still doing
some pretty fun exercises.

1075
00:42:04,600 --> 00:42:09,066
So mine is called bunnies, and
you'll see why in a second.

1076
00:42:09,066 --> 00:42:09,600
Jeffrey Edwards:
Okay.

1077
00:42:09,600 --> 00:42:10,467
Let's do it up to tempo.

1078
00:42:10,467 --> 00:42:10,934
Ready?

1079
00:42:10,934 --> 00:42:14,333
Five, six, seven, eight.

1080
00:42:14,333 --> 00:42:20,567
One, two, three, four,
five, six, seven, eight.

1081
00:42:20,567 --> 00:42:21,166
That's it.

1082
00:42:21,166 --> 00:42:21,700
Great.

1083
00:42:21,700 --> 00:42:22,466
Fantastically.

1084
00:42:22,467 --> 00:42:24,467
So, guys, this has
to be a lot of fun.

1085
00:42:24,467 --> 00:42:26,900
The tondu, you really want to
make sure that the top arm is

1086
00:42:26,900 --> 00:42:28,300
straight up to the ceiling.

1087
00:42:28,300 --> 00:42:31,467
It's (inaudible) but
really straight up.

1088
00:42:31,467 --> 00:42:33,800
Right, the bunny-bunny is
pretty straightforward.

1089
00:42:33,800 --> 00:42:38,533
Just put your hands on your
head and do bunny ears, right.

1090
00:42:38,533 --> 00:42:39,799
Then you do the other side.

1091
00:42:39,800 --> 00:42:41,333
Guys, help us out here.

1092
00:42:41,333 --> 00:42:42,066
Other side.

1093
00:42:42,066 --> 00:42:42,966
Arms straight up.

1094
00:42:42,967 --> 00:42:45,233
Face upstage.

1095
00:42:45,233 --> 00:42:47,500
And again, bunny-bunny.

1096
00:42:47,500 --> 00:42:49,200
And third time tondu.

1097
00:42:49,200 --> 00:42:51,866
And then su su flap front.

1098
00:42:51,867 --> 00:42:54,333
Cross the arms in front
of you as you kneel.

1099
00:42:54,333 --> 00:42:57,100
And then cross the arms
again in a really strong way.

1100
00:42:57,100 --> 00:42:59,433
Two straight lines,
straight elbows to finish.

1101
00:42:59,433 --> 00:43:00,734
So that's an eight count.

1102
00:43:00,734 --> 00:43:02,700
Let's break it down
with counts, same thing.

1103
00:43:02,700 --> 00:43:03,399
Very slowly.

1104
00:43:03,400 --> 00:43:06,500
Make sure when you're tonduing,
that upper arm is straight to

1105
00:43:06,500 --> 00:43:08,867
the ceiling, not pointing
out on a diagonal.

1106
00:43:08,867 --> 00:43:09,400
Ready.

1107
00:43:09,400 --> 00:43:13,600
Five, six, seven, eight.

1108
00:43:13,600 --> 00:43:15,333
And tondu.

1109
00:43:15,333 --> 00:43:16,500
Bunny ears.

1110
00:43:16,500 --> 00:43:17,600
Tondu.

1111
00:43:17,600 --> 00:43:18,734
Bunny ears.

1112
00:43:18,734 --> 00:43:19,967
Tondu.

1113
00:43:19,967 --> 00:43:21,200
SU SU.

1114
00:43:21,200 --> 00:43:22,332
Kneel.

1115
00:43:22,333 --> 00:43:23,800
Cross.

1116
00:43:23,800 --> 00:43:24,633
Great.

1117
00:43:24,633 --> 00:43:26,966
Could we try that one more
time just a little bit faster?

1118
00:43:26,967 --> 00:43:27,633
Yeah.

1119
00:43:27,633 --> 00:43:29,066
Make sure the bunny
ears are clear.

1120
00:43:29,066 --> 00:43:31,399
Two bunny ears
each time, one-two.

1121
00:43:31,400 --> 00:43:35,667
Okay, five, six, seven, eight.

1122
00:43:35,667 --> 00:43:37,033
And tondu.

1123
00:43:37,033 --> 00:43:38,033
Bunny.

1124
00:43:38,033 --> 00:43:39,033
Tondu.

1125
00:43:39,033 --> 00:43:40,000
Bunny.

1126
00:43:40,000 --> 00:43:40,967
Tondu.

1127
00:43:40,967 --> 00:43:41,900
Su Su.

1128
00:43:41,900 --> 00:43:42,734
Kneel.

1129
00:43:42,734 --> 00:43:44,033
Cross the arms.

1130
00:43:44,033 --> 00:43:45,100
Good, guys.

1131
00:43:45,100 --> 00:43:47,600
So what we're going to do now is
going to string it all together

1132
00:43:47,600 --> 00:43:48,933
for you, okay.

1133
00:43:48,934 --> 00:43:51,100
So Glen, we'll
just play through,

1134
00:43:51,100 --> 00:43:54,633
and we'll have the
Billies spread out.

1135
00:43:54,633 --> 00:43:57,232
And normally these numbers
aren't linked together.

1136
00:43:57,233 --> 00:43:59,734
So this is the first time you're
seeing sort of a fast forward of

1137
00:43:59,734 --> 00:44:02,000
the show with a few
seconds strung together.

1138
00:44:02,000 --> 00:44:02,800
All ready?

1139
00:44:02,800 --> 00:44:04,600
So spread out, guys,
so we have enough room.

1140
00:44:04,600 --> 00:44:05,600
Ready.

1141
00:44:05,600 --> 00:44:09,033
And five, six,
seven, eight, and...

1142
00:44:09,033 --> 00:44:13,000
♪♪

1143
00:44:13,000 --> 00:44:14,233
Shimmy.

1144
00:44:14,233 --> 00:44:39,467
♪♪

1145
00:44:39,467 --> 00:44:40,066
All right.

1146
00:44:40,066 --> 00:44:40,700
Thanks, guys.

1147
00:44:40,700 --> 00:44:43,366
(applause)

1148
00:44:43,367 --> 00:44:44,767
Damien Wetzel:
Thank you so much, Billies.

1149
00:44:44,767 --> 00:44:47,033
So you're going to see
Dayton perform later.

1150
00:44:47,033 --> 00:44:50,033
And thank you, guys, so much
for sharing your stories.

1151
00:44:50,033 --> 00:44:53,299
The story of Billy Elliot,
some of you is pretty close.

1152
00:44:53,300 --> 00:44:56,700
There's the karate and leads
to wrestling, and, you know.

1153
00:44:56,700 --> 00:44:58,232
And we're going to talk a
little bit more about it,

1154
00:44:58,233 --> 00:45:00,066
but how many of you know
the story of Billy Elliot?

1155
00:45:00,066 --> 00:45:02,466
Would you give them a little
primer, Alex, just in case?

1156
00:45:02,467 --> 00:45:03,867
Alex Ko:
Oh, yeah.

1157
00:45:03,867 --> 00:45:07,934
Well, Billy Elliot is mainly
about a boy who wants to dance,

1158
00:45:07,934 --> 00:45:11,967
and his dad doesn't really
permit him to dance.

1159
00:45:11,967 --> 00:45:16,533
And he is mainly a boxer,
which is kind of like Jacob,

1160
00:45:16,533 --> 00:45:18,366
because he used to wrestle.

1161
00:45:18,367 --> 00:45:23,834
But he used to do
boxing, and he kind of,

1162
00:45:23,834 --> 00:45:25,500
just kind of tripped
into a ballet class.

1163
00:45:25,500 --> 00:45:29,133
And he tried it out
like a couple classes,

1164
00:45:29,133 --> 00:45:32,466
and then he decided
that he really liked it.

1165
00:45:32,467 --> 00:45:36,166
But then his dad didn't really
want him to do it because he

1166
00:45:36,166 --> 00:45:38,433
would always think of it
as like a girl's sport.

1167
00:45:38,433 --> 00:45:42,867
And so, but in the kind of the
end of the story he kind of

1168
00:45:42,867 --> 00:45:46,667
falls in and lets his son do
ballet because he knows that's

1169
00:45:46,667 --> 00:45:49,500
what he wants to do, and he
sees the passion in his son,

1170
00:45:49,500 --> 00:45:52,333
and he just knows that
he loves to do it.

1171
00:45:52,333 --> 00:45:53,767
Damian Wetzel:
Thank you.

1172
00:45:53,767 --> 00:45:55,600
All right, guys,
thank you so much.

1173
00:45:55,600 --> 00:45:57,100
And so, that's the segue,

1174
00:45:57,100 --> 00:45:58,232
we're going to do some ballet.

1175
00:45:58,233 --> 00:46:01,400
So if you have ballet shoes, now
is a great moment to quickly go

1176
00:46:01,400 --> 00:46:03,767
and put them on, and we're
going do a little ballet

1177
00:46:03,767 --> 00:46:05,332
for a few minutes.

1178
00:46:05,333 --> 00:46:09,133
And so very quickly,
please, if you do.

1179
00:46:09,133 --> 00:46:14,834
If you don't, you can stay in
socks or sneakers, or barefoot,

1180
00:46:14,834 --> 00:46:16,433
frankly, is fine.

1181
00:46:47,467 --> 00:46:48,700
All right guys, thank you.

1182
00:46:48,700 --> 00:46:49,933
Quickly as you can.

1183
00:46:49,934 --> 00:47:00,467
As soon as you are done,
come back and sit down.

1184
00:47:00,467 --> 00:47:03,500
So ballet, ballet is a
form of dance that is

1185
00:47:03,500 --> 00:47:05,533
hundreds of years old.

1186
00:47:05,533 --> 00:47:07,866
Believe it or not
based on these stories,

1187
00:47:07,867 --> 00:47:10,033
you would think ballet
was always girls.

1188
00:47:10,033 --> 00:47:11,433
Wouldn't you think so?

1189
00:47:11,433 --> 00:47:15,033
But in the beginning ballet was
only men believe it or not.

1190
00:47:15,033 --> 00:47:16,866
Women were not allowed
to dance ballet.

1191
00:47:16,867 --> 00:47:18,266
It wasn't considered right.

1192
00:47:18,266 --> 00:47:19,767
But then things changed.

1193
00:47:19,767 --> 00:47:22,633
By the 19 century,
in the 1800's,

1194
00:47:22,633 --> 00:47:26,165
women were dancing and the
men were just their porters,

1195
00:47:26,166 --> 00:47:28,467
they carried the women and they
presented them and women started

1196
00:47:28,467 --> 00:47:30,333
dancing on point.

1197
00:47:30,333 --> 00:47:32,233
And ballet started developing.

1198
00:47:32,233 --> 00:47:34,667
And these were when the ballets
like swan lake or the nut

1199
00:47:34,667 --> 00:47:36,033
cracker were made.

1200
00:47:36,033 --> 00:47:38,066
This is all in the 1900s.

1201
00:47:38,066 --> 00:47:41,232
In the 20th century, Ballet
started moving forward and

1202
00:47:41,233 --> 00:47:44,667
things were becoming more and
more contemporary modern,

1203
00:47:44,667 --> 00:47:46,633
like we might recognize today.

1204
00:47:46,633 --> 00:47:49,866
Ballets by George Balanchine who
founded the company I danced in

1205
00:47:49,867 --> 00:47:51,333
New York City ballet.

1206
00:47:51,333 --> 00:47:54,133
And these are ballets that
don't necessarily need a story.

1207
00:47:54,133 --> 00:47:58,033
You didn't need a guy who
was chasing of a swan in

1208
00:47:58,033 --> 00:47:58,667
the forest anymore.

1209
00:47:58,667 --> 00:48:02,100
You just needed the dancing
itself based on the music.

1210
00:48:02,100 --> 00:48:05,033
And that is a very
beautiful thing and

1211
00:48:05,033 --> 00:48:06,333
it is also very freeing.

1212
00:48:06,333 --> 00:48:08,433
Because if you think about it,
think about music for instance,

1213
00:48:08,433 --> 00:48:11,533
does all music have a story?

1214
00:48:11,533 --> 00:48:13,200
Does it have a story?

1215
00:48:13,200 --> 00:48:14,866
When you listen to music,
sometimes not it is just the

1216
00:48:14,867 --> 00:48:16,066
music, right?

1217
00:48:16,066 --> 00:48:20,165
And that is where the dancing
comes from in ballet today more

1218
00:48:20,166 --> 00:48:22,200
and more and more,
less about the story.

1219
00:48:22,200 --> 00:48:25,667
So let's talk about what ballet
is in terms of techniques and to

1220
00:48:25,667 --> 00:48:27,834
help me I am going to
bring out some people.

1221
00:48:27,834 --> 00:48:30,767
Can I have some of the dancers
you are going to see later today

1222
00:48:30,767 --> 00:48:31,834
who are going to help us now?

1223
00:48:31,834 --> 00:48:32,866
We have Ashley Bouder.

1224
00:48:32,867 --> 00:48:34,633
Principle dancer from
New York City Ballet.

1225
00:48:34,633 --> 00:48:37,799
And Daniel Ulbricht, also
from the New York City Ballet.

1226
00:48:37,800 --> 00:48:40,800
And Morgan Frederick and
Jonathan Jordan both from the

1227
00:48:40,800 --> 00:48:42,100
Washington ballet.

1228
00:48:42,100 --> 00:48:46,433
So let's start and just review
for many of you know and many of

1229
00:48:46,433 --> 00:48:49,100
you are familiar with ballet,
but some of you might not be as

1230
00:48:49,100 --> 00:48:52,000
much, so we are just going to go
through a very quick primer of

1231
00:48:52,000 --> 00:48:55,300
some of the things about ballet
that are to know and to try and

1232
00:48:55,300 --> 00:48:59,367
everybody stand up and we are
going to do four positions out

1233
00:48:59,367 --> 00:48:59,967
of five.

1234
00:48:59,967 --> 00:49:02,233
We are going to skip third
today just so you know.

1235
00:49:02,233 --> 00:49:04,433
So if you wonder, they say
the five positions but we are

1236
00:49:04,433 --> 00:49:05,567
actually going to do four.

1237
00:49:05,567 --> 00:49:08,166
So you can just follow me and
we have Glen Salles on piano

1238
00:49:08,166 --> 00:49:09,734
again which is such a privilege.

1239
00:49:09,734 --> 00:49:13,500
And let's just go ahead.

1240
00:49:13,500 --> 00:49:16,900
We're going to start
in first position.

1241
00:49:16,900 --> 00:49:27,533
♪♪

1242
00:49:27,533 --> 00:49:30,200
Second.

1243
00:49:30,200 --> 00:49:33,567
Fourth.

1244
00:49:33,567 --> 00:49:37,367
Fifth.

1245
00:49:37,367 --> 00:49:39,633
First.

1246
00:49:39,633 --> 00:49:43,033
Second.

1247
00:49:43,033 --> 00:49:45,866
Fourth.

1248
00:49:45,867 --> 00:49:48,700
Fifth.

1249
00:49:48,700 --> 00:49:49,433
Again.

1250
00:49:49,433 --> 00:49:52,033
First.

1251
00:49:52,033 --> 00:49:55,066
Second.

1252
00:49:55,066 --> 00:49:57,899
Fourth.

1253
00:49:57,900 --> 00:50:00,867
Fifth.

1254
00:50:00,867 --> 00:50:14,767
♪♪

1255
00:50:14,767 --> 00:50:23,866
(inaudible)

1256
00:50:23,867 --> 00:50:24,433
Beautiful.

1257
00:50:24,433 --> 00:50:25,400
Let me see your fingers.

1258
00:50:25,400 --> 00:50:27,100
Beautiful.

1259
00:50:27,100 --> 00:50:29,700
What is your name?

1260
00:50:29,700 --> 00:50:30,366
Matthew.

1261
00:50:30,367 --> 00:50:32,433
Can I see your fingers?

1262
00:50:32,433 --> 00:50:33,633
Beautiful.

1263
00:50:33,633 --> 00:50:36,066
Very important that
you see everything.

1264
00:50:36,066 --> 00:50:37,667
Otherwise, it is like
you are wearing mittens.

1265
00:50:37,667 --> 00:50:38,400
Right?

1266
00:50:38,400 --> 00:50:39,400
Let's remember that.

1267
00:50:39,400 --> 00:50:41,166
Now, we are going
to do Tondu moves.

1268
00:50:41,166 --> 00:50:45,166
Who can show me a Tondu move?

1269
00:50:45,166 --> 00:50:48,233
Beautiful. Tondu
(inaudible). All right.

1270
00:50:48,233 --> 00:50:48,967
We are going to
do side right now.

1271
00:50:48,967 --> 00:50:51,266
Everybody spread out and we are
going to do eight going back and

1272
00:50:51,266 --> 00:50:52,333
eight going front.

1273
00:50:52,333 --> 00:50:54,400
What we are going to do
and I am faced this way.

1274
00:50:54,400 --> 00:51:00,100
Is we are going to do to the
right plie and left straight.

1275
00:51:00,100 --> 00:51:03,000
Right plie, left straight.

1276
00:51:03,000 --> 00:51:04,300
We are going to do that
eight times and then we'll

1277
00:51:04,300 --> 00:51:05,734
come forward.

1278
00:51:05,734 --> 00:51:07,500
Maybe we can have -- would you
like to go down and help a

1279
00:51:07,500 --> 00:51:08,433
little bit?

1280
00:51:08,433 --> 00:51:09,133
Speaker:
Sure.

1281
00:51:09,133 --> 00:51:11,133
Damian Wetzel:
She is going to go down
amongst you and help out a

1282
00:51:11,133 --> 00:51:14,466
little bit and Daniel too
and we'll stay up here.

1283
00:51:14,467 --> 00:51:15,166
That is terrific.

1284
00:51:15,166 --> 00:51:15,800
Okay.

1285
00:51:15,800 --> 00:51:16,400
Let's have a little
bit of music.

1286
00:51:16,400 --> 00:51:20,066
♪♪

1287
00:51:20,066 --> 00:51:22,466
One and two.

1288
00:51:22,467 --> 00:51:27,400
Three and four.

1289
00:51:27,400 --> 00:51:27,400
Hold your arms.

1290
00:51:26,767 --> 00:51:29,500
Straight.

1291
00:51:29,500 --> 00:51:31,633
Plie.

1292
00:51:31,633 --> 00:51:34,265
Do plie.

1293
00:51:34,266 --> 00:51:35,900
Nice, arms coming forward.

1294
00:51:35,900 --> 00:51:38,133
Now one and plie.

1295
00:51:38,133 --> 00:51:39,834
And straight.

1296
00:51:39,834 --> 00:51:41,600
One and plie.

1297
00:51:41,600 --> 00:51:43,133
One and straight.

1298
00:51:43,133 --> 00:51:45,200
Bah, Bah, Bah.

1299
00:51:45,200 --> 00:51:49,299
show me the difference
between straight and plie.

1300
00:51:49,300 --> 00:51:50,433
Now faster.

1301
00:51:50,433 --> 00:51:52,333
♪♪

1302
00:51:52,333 --> 00:51:53,567
Doo doo doo doo.

1303
00:51:53,567 --> 00:52:00,400
♪♪

1304
00:52:00,400 --> 00:52:01,633
Coming forward.

1305
00:52:01,633 --> 00:52:10,366
♪♪

1306
00:52:10,367 --> 00:52:11,567
One more time faster.

1307
00:52:11,567 --> 00:52:20,433
♪♪

1308
00:52:20,433 --> 00:52:21,400
Last time.

1309
00:52:21,400 --> 00:52:28,200
♪♪

1310
00:52:28,200 --> 00:52:31,567
And close and hold the position.

1311
00:52:31,567 --> 00:52:32,867
So good.

1312
00:52:32,867 --> 00:52:33,667
Now, that was great.

1313
00:52:33,667 --> 00:52:36,533
It was so great, the best part
of this was when the whole room

1314
00:52:36,533 --> 00:52:37,467
was together.

1315
00:52:37,467 --> 00:52:42,900
It was going doo, doo, doo,
doo, doo, doo, doo, doo, doo.

1316
00:52:42,900 --> 00:52:45,700
Can we try that one more time
and make that really happen?

1317
00:52:45,700 --> 00:52:46,466
We go all together.

1318
00:52:46,467 --> 00:52:48,533
Da da da, bop, bop, bop, bop.

1319
00:52:48,533 --> 00:52:51,133
Da da da, because I want
you to think about rhythm.

1320
00:52:51,133 --> 00:52:53,299
So when you are watching the
performance later and you watch

1321
00:52:53,300 --> 00:52:55,233
the dancers and
you see the rhythm.

1322
00:52:55,233 --> 00:52:57,767
And you will see Dayton, he is
going to get up there and do

1323
00:52:57,767 --> 00:52:58,500
electricity from Billy Elliot.

1324
00:52:58,500 --> 00:53:01,166
And remember how he popped,
it was like so extreme.

1325
00:53:01,166 --> 00:53:02,200
It was like boom!

1326
00:53:02,200 --> 00:53:03,332
That is the same thing.

1327
00:53:03,333 --> 00:53:05,600
Da, da, da, da, da, da, da.

1328
00:53:05,600 --> 00:53:07,066
Da, da, da, da.

1329
00:53:07,066 --> 00:53:09,667
Otherwise, it is like talking
like this when you are talking

1330
00:53:09,667 --> 00:53:11,567
and you can't quite tell
what people are saying.

1331
00:53:11,567 --> 00:53:13,333
You know what I mean?

1332
00:53:13,333 --> 00:53:14,967
Da, da, da.

1333
00:53:14,967 --> 00:53:17,000
Bah, Bah, Bah da.

1334
00:53:17,000 --> 00:53:17,633
Let's try again.

1335
00:53:17,633 --> 00:53:18,165
And --

1336
00:53:18,166 --> 00:53:24,266
♪♪

1337
00:53:24,266 --> 00:53:26,567
Good.

1338
00:53:26,567 --> 00:53:27,266
All right.

1339
00:53:27,266 --> 00:53:36,834
♪♪

1340
00:53:36,834 --> 00:53:38,500
Excellent.

1341
00:53:38,500 --> 00:53:39,867
Good guys.

1342
00:53:39,867 --> 00:53:40,567
Okay.

1343
00:53:40,567 --> 00:53:42,100
Now, that was pretty crisp.

1344
00:53:42,100 --> 00:53:42,799
You were very crisp.

1345
00:53:42,800 --> 00:53:44,300
Let's do something not crisp.

1346
00:53:44,300 --> 00:53:47,200
We just talked about and we
watched and learned about how to

1347
00:53:47,200 --> 00:53:49,232
do turns, right?

1348
00:53:49,233 --> 00:53:51,100
So what is this?

1349
00:53:51,100 --> 00:53:51,967
Posse.

1350
00:53:51,967 --> 00:53:52,800
Posse.

1351
00:53:52,800 --> 00:53:54,433
So we are going to
work on our posses.

1352
00:53:54,433 --> 00:53:56,734
And let's use a little
music maybe from Giselle.

1353
00:53:56,734 --> 00:53:59,633
Great ballet and we are going
to just do it very slowly.

1354
00:53:59,633 --> 00:54:00,834
This is what you
are going to do.

1355
00:54:00,834 --> 00:54:01,933
Just watch once.

1356
00:54:01,934 --> 00:54:03,200
Give me five.

1357
00:54:03,200 --> 00:54:08,834
♪♪

1358
00:54:08,834 --> 00:54:14,299
One, two, three, and four.

1359
00:54:14,300 --> 00:54:16,800
Just that one posse.

1360
00:54:16,800 --> 00:54:17,567
Oh, boy.

1361
00:54:17,567 --> 00:54:19,300
Three and four.

1362
00:54:19,300 --> 00:54:20,500
Altogether, join me.

1363
00:54:20,500 --> 00:54:21,667
Plie.

1364
00:54:21,667 --> 00:54:23,433
Posse.

1365
00:54:23,433 --> 00:54:24,700
Plie.

1366
00:54:24,700 --> 00:54:26,466
And straight.

1367
00:54:26,467 --> 00:54:27,967
Plie.

1368
00:54:27,967 --> 00:54:29,200
Good.

1369
00:54:29,200 --> 00:54:32,100
Keep going.

1370
00:54:32,100 --> 00:54:33,266
Plie.

1371
00:54:33,266 --> 00:54:35,066
And rise.

1372
00:54:35,066 --> 00:54:36,332
He plie.

1373
00:54:36,333 --> 00:54:40,900
It is very different music now.

1374
00:54:40,900 --> 00:54:43,700
Plie.

1375
00:54:43,700 --> 00:54:44,332
Yes.

1376
00:54:44,333 --> 00:54:49,300
Like one note.

1377
00:54:49,300 --> 00:54:52,000
Right.

1378
00:54:52,000 --> 00:54:53,266
Beautiful.

1379
00:54:53,266 --> 00:54:54,300
Okay.

1380
00:54:54,300 --> 00:54:56,734
And finish.

1381
00:54:56,734 --> 00:54:57,232
Good.

1382
00:54:57,233 --> 00:54:58,166
Did you feel the difference?

1383
00:54:58,166 --> 00:54:59,166
It is completely different.

1384
00:54:59,166 --> 00:55:01,467
It is like he is playing.

1385
00:55:01,467 --> 00:55:10,667
One -- as opposed
to Bah da da da.

1386
00:55:10,667 --> 00:55:13,165
Ashley, show us how
that can turn into a turn.

1387
00:55:13,166 --> 00:55:16,200
Same music.

1388
00:55:16,200 --> 00:55:16,899
No.

1389
00:55:16,900 --> 00:55:18,300
Put it a little faster.

1390
00:55:18,300 --> 00:55:19,300
Okay.

1391
00:55:19,300 --> 00:55:23,834
♪♪

1392
00:55:23,834 --> 00:55:26,633
Plie.

1393
00:55:26,633 --> 00:55:32,734
Plie.

1394
00:55:32,734 --> 00:55:35,567
Beautiful.

1395
00:55:35,567 --> 00:55:36,100
Okay.

1396
00:55:36,100 --> 00:55:36,633
Good.

1397
00:55:36,633 --> 00:55:37,133
Okay.

1398
00:55:37,133 --> 00:55:38,332
Let's do this.

1399
00:55:38,333 --> 00:55:46,333
Let's try the first half of the
room meaning from Matthew is the

1400
00:55:46,333 --> 00:55:51,266
last line maybe from there,
are going to go first.

1401
00:55:51,266 --> 00:55:52,767
We are going to do
what she just did.

1402
00:55:52,767 --> 00:55:56,633
One, two, three, four,
plie, single turn.

1403
00:55:56,633 --> 00:55:59,399
And you will do
that eight times.

1404
00:55:59,400 --> 00:56:01,500
Four on each side, so one,
two, three, four, five,

1405
00:56:01,500 --> 00:56:02,433
six, seven, eight.

1406
00:56:02,433 --> 00:56:04,533
And then you are going to play
four counts and then that whole

1407
00:56:04,533 --> 00:56:07,133
part of the group is going to
sit down and then you are going

1408
00:56:07,133 --> 00:56:08,700
to spin around and we are
going to watch the second

1409
00:56:08,700 --> 00:56:10,232
half of the room.

1410
00:56:10,233 --> 00:56:11,667
So we can have
everybody do this.

1411
00:56:11,667 --> 00:56:12,299
Okay?

1412
00:56:12,300 --> 00:56:14,500
So first half of the room.

1413
00:56:14,500 --> 00:56:15,066
And --

1414
00:56:15,066 --> 00:56:19,700
♪♪

1415
00:56:19,700 --> 00:56:29,165
One, two, three, four, plie.

1416
00:56:29,166 --> 00:56:30,700
Plie, posse.

1417
00:56:30,700 --> 00:56:33,399
It is the same posse as before.

1418
00:56:33,400 --> 00:56:35,633
Plie.

1419
00:56:35,633 --> 00:56:36,533
One more time.

1420
00:56:36,533 --> 00:56:38,967
Front half.

1421
00:56:38,967 --> 00:56:45,367
Good.

1422
00:56:45,367 --> 00:56:46,100
Good.

1423
00:56:46,100 --> 00:56:50,433
Last two times.

1424
00:56:50,433 --> 00:56:53,133
And the left leg.

1425
00:56:53,133 --> 00:56:54,100
And the front sits down.

1426
00:56:54,100 --> 00:56:54,866
Four counts.

1427
00:56:54,867 --> 00:56:55,633
Get ready.

1428
00:56:55,633 --> 00:57:00,799
One, two, three, four.

1429
00:57:00,800 --> 00:57:11,867
And one, two, three, four,
five, six, seven -- good.

1430
00:57:11,867 --> 00:57:12,834
Plie.

1431
00:57:12,834 --> 00:57:14,200
Right leg posse.

1432
00:57:14,200 --> 00:57:16,834
And plie softly.

1433
00:57:16,834 --> 00:57:22,399
Concentrate on the rhythm.

1434
00:57:22,400 --> 00:57:26,367
One, two, three -- left leg.

1435
00:57:26,367 --> 00:57:33,233
Plie, posse, good.

1436
00:57:33,233 --> 00:57:34,133
Plie.

1437
00:57:34,133 --> 00:57:36,332
Turn.

1438
00:57:36,333 --> 00:57:38,900
Just do the posses if
you don't know the turns.

1439
00:57:38,900 --> 00:57:41,333
Lift the leg and down.

1440
00:57:41,333 --> 00:57:42,166
Yeah.

1441
00:57:42,166 --> 00:57:42,967
Thank you so much.

1442
00:57:42,967 --> 00:57:43,767
Good you guys.

1443
00:57:43,767 --> 00:57:45,633
So if you don't
know pirouttes yet,

1444
00:57:45,633 --> 00:57:47,466
the thing to do is
just do the posse.

1445
00:57:47,467 --> 00:57:50,066
Because the point in some way
is -- I will tell you a secret

1446
00:57:50,066 --> 00:57:51,232
about turning.

1447
00:57:51,233 --> 00:57:53,834
Everybody look at me.

1448
00:57:53,834 --> 00:57:56,299
Turning really is about
rhythm in a lot of ways.

1449
00:57:56,300 --> 00:57:58,734
It is about how you turn.

1450
00:57:58,734 --> 00:58:03,400
Danny, show with me.

1451
00:58:03,400 --> 00:58:08,500
One, two, three, four,
five, six, seven, eight.

1452
00:58:08,500 --> 00:58:13,834
One, two, three, four,
five, spot, spot, spot.

1453
00:58:13,834 --> 00:58:16,533
See how he is in rhythm.

1454
00:58:16,533 --> 00:58:19,100
It makes turning easier.

1455
00:58:19,100 --> 00:58:21,700
It is much easier when
you do it that way.

1456
00:58:21,700 --> 00:58:22,332
Right?

1457
00:58:22,333 --> 00:58:23,967
(applause)

1458
00:58:23,967 --> 00:58:27,500
So this is how -- that
step is actually how I

1459
00:58:27,500 --> 00:58:28,567
learned to turn.

1460
00:58:28,567 --> 00:58:29,533
I will tell you the story.

1461
00:58:29,533 --> 00:58:32,232
I went to the Boston Ballet
School and some of you

1462
00:58:32,233 --> 00:58:33,300
may know this.

1463
00:58:33,300 --> 00:58:35,633
Sometimes parents are late.

1464
00:58:35,633 --> 00:58:38,466
What happens sometimes when my
parents are late to pick me up

1465
00:58:38,467 --> 00:58:40,300
from ballet class?

1466
00:58:40,300 --> 00:58:41,967
And I waited and I waited.

1467
00:58:41,967 --> 00:58:45,033
And there was a nice man there
who was ballet master and he saw

1468
00:58:45,033 --> 00:58:47,734
me and he said well as
long as you are here,

1469
00:58:47,734 --> 00:58:48,933
and he taught me that.

1470
00:58:48,934 --> 00:58:51,633
And I stood therein school
and it was about six thirty,

1471
00:58:51,633 --> 00:58:55,799
and I just went one,
two, three, four, spot.

1472
00:58:55,800 --> 00:58:57,600
One, two, three, four.

1473
00:58:57,600 --> 00:59:01,900
Again and again.

1474
00:59:01,900 --> 00:59:06,734
And then he said, what if you
just did, one, two, three, four,

1475
00:59:06,734 --> 00:59:09,500
five, six -- and I learned
how to turn by the rhythm.

1476
00:59:09,500 --> 00:59:10,800
So that is something you
can play with yourself.

1477
00:59:10,800 --> 00:59:12,200
It is fun actually
because it is like math.

1478
00:59:12,200 --> 00:59:12,866
We are learning math.

1479
00:59:12,867 --> 00:59:13,700
Okay.

1480
00:59:13,700 --> 00:59:16,232
Now, next step after turning.

1481
00:59:16,233 --> 00:59:17,367
Maybe we can see
some fast turns.

1482
00:59:17,367 --> 00:59:19,033
Want to do some
fast turns for us.

1483
00:59:19,033 --> 00:59:20,299
See how fast it can get.

1484
00:59:20,300 --> 00:59:21,934
Little Tarantella or something.

1485
00:59:21,934 --> 00:59:23,633
♪♪

1486
00:59:23,633 --> 00:59:24,866
They are going
to see this later.

1487
00:59:24,867 --> 00:59:33,433
♪♪

1488
00:59:33,433 --> 00:59:36,367
So that is a ballet
Tarantella which you

1489
00:59:36,367 --> 00:59:37,700
are going to see
Ashley dance later.

1490
00:59:37,700 --> 00:59:39,633
Before you get to that,
we are going to do a little

1491
00:59:39,633 --> 00:59:41,399
bit more of technique.

1492
00:59:41,400 --> 00:59:44,066
I think what we are going do
now is a little bit of jumps.

1493
00:59:44,066 --> 00:59:45,033
Want to jump a little bit?

1494
00:59:45,033 --> 00:59:45,433
Yeah.

1495
00:59:45,433 --> 00:59:48,800
Everybody stand and we are just
going do four in first position.

1496
00:59:48,800 --> 00:59:51,400
So these are the positions
again, two, three, four.

1497
00:59:51,400 --> 00:59:53,033
Four in second.

1498
00:59:53,033 --> 00:59:54,066
Two, three, four.

1499
00:59:54,066 --> 00:59:55,966
And then we are just
going to do changement.

1500
00:59:55,967 --> 01:00:00,533
One, two, three, four,
five, six, seven, eight.

1501
01:00:00,533 --> 01:00:04,066
So four in first, four in
second, eight changement.

1502
01:00:04,066 --> 01:00:06,700
Why don't we do it the same
way with the first half first

1503
01:00:06,700 --> 01:00:08,600
and the second half second.

1504
01:00:08,600 --> 01:00:10,000
No break in between though.

1505
01:00:10,000 --> 01:00:10,767
Okay?

1506
01:00:10,767 --> 01:00:12,567
Front half of the room and --

1507
01:00:12,567 --> 01:00:14,767
♪♪

1508
01:00:14,767 --> 01:00:17,100
First and two and
three and four.

1509
01:00:17,100 --> 01:00:18,165
Five, six.

1510
01:00:18,166 --> 01:00:22,500
♪♪

1511
01:00:22,500 --> 01:00:23,700
Second half of the room.

1512
01:00:23,700 --> 01:00:25,066
(inaudible)

1513
01:00:25,066 --> 01:00:56,100
♪♪

1514
01:00:56,100 --> 01:01:34,165
(low audio)

1515
01:01:34,166 --> 01:01:35,500
And you are going to follow us.

1516
01:01:35,500 --> 01:01:37,200
We are going to show
you the movements first.

1517
01:01:37,200 --> 01:01:39,899
And then we are going to put it
the beautiful Tchaikovsky music.

1518
01:01:39,900 --> 01:01:48,133
So -- all right.

1519
01:01:48,133 --> 01:01:52,899
So the first things you do is
you stay straight front and you

1520
01:01:52,900 --> 01:01:58,934
raise your right hand and that
puts it exactly like that.

1521
01:01:58,934 --> 01:02:00,600
What is it you are doing?

1522
01:02:00,600 --> 01:02:03,967
Speaker:
Mr. Balanchine said
we were shielding our

1523
01:02:03,967 --> 01:02:06,000
eyes from the sun.

1524
01:02:06,000 --> 01:02:09,133
So if you imagine the sun is a
beautiful day out there and the

1525
01:02:09,133 --> 01:02:13,066
sun is in your eyes
and you block the sun.

1526
01:02:13,066 --> 01:02:13,533
Damian Wetzel:
Beautiful.

1527
01:02:13,533 --> 01:02:15,433
Everybody hold that.

1528
01:02:15,433 --> 01:02:18,166
You are going to hold that for a
certain number of counts which

1529
01:02:18,166 --> 01:02:19,400
we will tell you.

1530
01:02:19,400 --> 01:02:20,100
All right.

1531
01:02:20,100 --> 01:02:23,734
What is the next
thing that happens?

1532
01:02:23,734 --> 01:02:25,567
Speaker:
You melt.

1533
01:02:25,567 --> 01:02:26,900
You melt.

1534
01:02:26,900 --> 01:02:29,767
And you get a head ache.

1535
01:02:29,767 --> 01:02:30,567
Damian Wetzel:
That's right.

1536
01:02:30,567 --> 01:02:34,667
You bring your right hand in.

1537
01:02:34,667 --> 01:02:37,799
Watch where she puts it, right
it on the side of her head.

1538
01:02:37,800 --> 01:02:38,967
She has got a little headache.

1539
01:02:38,967 --> 01:02:42,200
Does everybody have
a little headache.

1540
01:02:42,200 --> 01:02:42,866
Okay.

1541
01:02:42,867 --> 01:02:44,233
Good.

1542
01:02:44,233 --> 01:02:44,800
All right.

1543
01:02:44,800 --> 01:02:45,400
That is good.

1544
01:02:45,400 --> 01:02:46,700
That is the second thing.

1545
01:02:46,700 --> 01:02:48,600
Now, let's see. What is next.

1546
01:02:48,600 --> 01:02:57,165
Heather?

1547
01:02:57,166 --> 01:02:59,567
Speaker:
Hoity-toity.

1548
01:02:59,567 --> 01:03:02,834
Damian Wetzel:
Hoity-toity.

1549
01:03:02,834 --> 01:03:05,700
Can we all say hoity-toity.

1550
01:03:05,700 --> 01:03:06,600
Okay.

1551
01:03:06,600 --> 01:03:08,266
Let's go back and do this again.

1552
01:03:08,266 --> 01:03:11,767
So we are worried about the sun.

1553
01:03:11,767 --> 01:03:12,734
Let's see what happens.

1554
01:03:12,734 --> 01:03:15,600
Oh, the sun is in my eyes.

1555
01:03:15,600 --> 01:03:21,066
So we melt and we start
to get a little headache.

1556
01:03:21,066 --> 01:03:26,933
Which makes us feel a
little bit hoity-toity.

1557
01:03:26,934 --> 01:03:27,900
Okay.

1558
01:03:27,900 --> 01:03:29,333
And then?

1559
01:03:29,333 --> 01:03:33,500
Speaker:
Now we do the very first thing
you ever do in ballet, which is

1560
01:03:33,500 --> 01:03:37,700
our hands in first position.

1561
01:03:37,700 --> 01:03:40,866
Damian Wetzel:
And then we are going
to make first position.

1562
01:03:40,867 --> 01:03:41,800
All at once.

1563
01:03:41,800 --> 01:03:43,834
I am going to say
and you go on two.

1564
01:03:43,834 --> 01:03:47,000
One and go two.

1565
01:03:47,000 --> 01:03:48,100
Beautiful.

1566
01:03:48,100 --> 01:03:49,533
And then?

1567
01:03:49,533 --> 01:03:54,100
Speaker:
Then we do our first step we
did today in ballet: tondu.

1568
01:03:54,100 --> 01:03:59,400
Damian Wetzel:
You open the right leg.

1569
01:03:59,400 --> 01:04:04,467
Now you close to 5th position
or 1st depending on who you are.

1570
01:04:04,467 --> 01:04:07,567
Speaker:
And now you kind
of a do a salute,

1571
01:04:07,567 --> 01:04:13,367
classical salute to the sun.

1572
01:04:13,367 --> 01:04:14,800
That is beautiful.

1573
01:04:14,800 --> 01:04:16,367
That is so nice students.

1574
01:04:16,367 --> 01:04:17,333
Beautiful.

1575
01:04:17,333 --> 01:04:17,800
Okay.

1576
01:04:17,800 --> 01:04:18,934
let's review.

1577
01:04:18,934 --> 01:04:22,200
So the first things that
happens is you are standing,

1578
01:04:22,200 --> 01:04:23,767
feet together.

1579
01:04:23,767 --> 01:04:25,899
The curtain is down.

1580
01:04:25,900 --> 01:04:28,333
Someone is going to say to you
warning on the curtain and that

1581
01:04:28,333 --> 01:04:30,400
means that the sun
has just come out.

1582
01:04:30,400 --> 01:04:32,934
And what do you do?

1583
01:04:32,934 --> 01:04:34,200
Beautiful.

1584
01:04:34,200 --> 01:04:35,433
Okay.

1585
01:04:35,433 --> 01:04:40,867
So you melt.

1586
01:04:40,867 --> 01:04:47,133
And then you feel a little
bit say it -- Hoity-toity.

1587
01:04:47,133 --> 01:04:52,100
Then you lower to
first position arms.

1588
01:04:52,100 --> 01:04:53,667
And we are going
to open to first.

1589
01:04:53,667 --> 01:04:56,000
And go.

1590
01:04:56,000 --> 01:05:00,266
Now you tondu the right leg.

1591
01:05:00,266 --> 01:05:03,767
And you close to fifth.

1592
01:05:03,767 --> 01:05:09,899
Open our arms.

1593
01:05:09,900 --> 01:05:10,767
So nice.

1594
01:05:10,767 --> 01:05:12,165
Oh, you guys are beautiful.

1595
01:05:12,166 --> 01:05:12,867
That is great.

1596
01:05:12,867 --> 01:05:14,300
Now we are going
to put it to music.

1597
01:05:14,300 --> 01:05:15,500
Right?

1598
01:05:15,500 --> 01:05:19,000
And anything you want to tell
them about what they are doing?

1599
01:05:19,000 --> 01:05:21,867
Speaker:
It always helps to feel
that you feel every finger

1600
01:05:21,867 --> 01:05:29,800
opening and really look up
like, like everything you got.

1601
01:05:29,800 --> 01:05:30,400
Damian Wetzel:
Beautiful.

1602
01:05:30,400 --> 01:05:30,934
All right.

1603
01:05:30,934 --> 01:05:34,133
Glen, can you take it from
curtain which means your arms

1604
01:05:34,133 --> 01:05:35,200
are already out.

1605
01:05:35,200 --> 01:05:38,600
We'll walk it once, we'll call
it rehearsal and then we'll do

1606
01:05:38,600 --> 01:05:39,400
it for real.

1607
01:05:39,400 --> 01:05:40,367
So first time.

1608
01:05:40,367 --> 01:05:41,367
Warning on the curtain.

1609
01:05:41,367 --> 01:05:43,000
Arms up.

1610
01:05:43,000 --> 01:05:44,233
Again.

1611
01:05:44,233 --> 01:05:46,333
Glen?

1612
01:05:46,333 --> 01:05:48,066
You are just going to hold
and I'll tell you when to go.

1613
01:05:48,066 --> 01:05:50,500
♪♪

1614
01:05:50,500 --> 01:05:54,533
Feel the sun.

1615
01:05:54,533 --> 01:06:00,200
Be so special.

1616
01:06:00,200 --> 01:06:03,466
Now you are going to have
eight slow counts to melt.

1617
01:06:03,467 --> 01:06:11,533
Melt, two, three,
four, five, six,

1618
01:06:11,533 --> 01:06:15,667
getting ahead ache,
seven, eight.

1619
01:06:15,667 --> 01:06:20,933
Feeling a bit
hoity-toity, three, four.

1620
01:06:20,934 --> 01:06:27,934
Now, going down to first, two,
three, four, wait for me.

1621
01:06:27,934 --> 01:06:32,667
One, two, go, three.

1622
01:06:32,667 --> 01:06:37,266
And tondu the right leg.

1623
01:06:37,266 --> 01:06:39,667
Close.

1624
01:06:39,667 --> 01:06:46,299
Prepare.

1625
01:06:46,300 --> 01:06:48,333
So beautiful. Did I
do the wrong count?

1626
01:06:48,333 --> 01:06:49,233
Speaker:
I wasn't watching you.

1627
01:06:49,233 --> 01:06:50,433
I was watching them.

1628
01:06:50,433 --> 01:06:51,600
They were beautiful.

1629
01:06:51,600 --> 01:06:52,799
Damian Wetzel:
Thanks guys.

1630
01:06:52,800 --> 01:06:54,166
We are going to do it
one more time for real.

1631
01:06:54,166 --> 01:06:55,433
Now, when should
they open first?

1632
01:06:55,433 --> 01:06:57,533
This is the question.

1633
01:06:57,533 --> 01:06:59,165
I was counting on two.

1634
01:06:59,166 --> 01:07:00,467
I gave you the wrong count.

1635
01:07:00,467 --> 01:07:04,200
When you get down
there you go one, two.

1636
01:07:04,200 --> 01:07:04,866
All right.

1637
01:07:04,867 --> 01:07:05,533
Just so you remember.

1638
01:07:05,533 --> 01:07:06,100
All right.

1639
01:07:06,100 --> 01:07:07,467
For real now, are you okay?

1640
01:07:07,467 --> 01:07:08,266
Are you ready?

1641
01:07:08,266 --> 01:07:10,667
Warning on the curtain.

1642
01:07:10,667 --> 01:07:11,834
Play out, Glen.

1643
01:07:11,834 --> 01:07:58,100
♪♪

1644
01:07:58,100 --> 01:08:12,400
Go two.

1645
01:08:12,400 --> 01:08:15,033
And hold it.

1646
01:08:15,033 --> 01:08:16,233
Beautiful.

1647
01:08:16,233 --> 01:08:17,600
So nice.

1648
01:08:17,600 --> 01:08:18,233
Congratulations.

1649
01:08:18,233 --> 01:08:21,400
Okay.

1650
01:08:21,399 --> 01:08:24,666
Let's do one last
thing together.

1651
01:08:24,667 --> 01:08:26,200
Let's do a thing from Tarantella.

1652
01:08:26,200 --> 01:08:30,133
Why don't we have Danny
show -- (inaudible)

1653
01:08:30,133 --> 01:08:30,934
We are all going to do this.

1654
01:08:30,934 --> 01:08:33,100
And we are going to do it
in groups, I have a feeling,

1655
01:08:33,100 --> 01:08:34,066
because there are
so many of you.

1656
01:08:34,066 --> 01:08:35,834
Let's watch Danny do this
because he is going to do

1657
01:08:35,834 --> 01:08:37,000
this a little bit later too.

1658
01:08:37,000 --> 01:08:38,934
In diagonal.

1659
01:08:38,934 --> 01:08:55,800
¶¶.

1660
01:08:55,800 --> 01:08:58,900
(applause)

1661
01:08:58,899 --> 01:09:00,399
Can we thank Heather?

1662
01:09:00,399 --> 01:09:01,133
That was incredible.

1663
01:09:01,133 --> 01:09:02,300
She is trying to sneak out.

1664
01:09:02,300 --> 01:09:06,100
(applause)

1665
01:09:06,100 --> 01:09:06,667
Okay.

1666
01:09:06,667 --> 01:09:07,400
So let's do this.

1667
01:09:07,399 --> 01:09:10,500
Let's have everybody back up.

1668
01:09:10,500 --> 01:09:11,633
That's right.

1669
01:09:11,633 --> 01:09:14,500
And we are going to go with what
we call in ballet and dance in

1670
01:09:14,500 --> 01:09:16,667
general a line by line.

1671
01:09:16,667 --> 01:09:18,834
So the first line will go.

1672
01:09:18,834 --> 01:09:21,899
Bah, Bah, Bah, Bah,
Bah, Bah, Bah, Bah, Bah.

1673
01:09:21,899 --> 01:09:24,500
And we are just going to
do it twice each line.

1674
01:09:24,500 --> 01:09:25,834
And Here is the step.

1675
01:09:25,834 --> 01:09:26,934
And we are going
to do it together.

1676
01:09:26,934 --> 01:09:30,133
So the first line
stand like this.

1677
01:09:30,133 --> 01:09:31,032
All right.

1678
01:09:31,033 --> 01:09:33,433
So this way you get to watch
the lines in front of you.

1679
01:09:33,433 --> 01:09:35,033
You wait and then
your line goes.

1680
01:09:35,033 --> 01:09:37,200
You are just going to do what
Danny did but only once to the

1681
01:09:37,200 --> 01:09:38,800
right and once to the left.

1682
01:09:38,800 --> 01:09:39,734
Danny, what are your arms?

1683
01:09:39,734 --> 01:09:40,967
You want to do cross arm?

1684
01:09:40,966 --> 01:09:41,399
Okay.

1685
01:09:41,399 --> 01:09:42,299
We are going to cross the arms.

1686
01:09:42,300 --> 01:09:43,467
So we go --

1687
01:09:43,466 --> 01:09:46,099
Sautè, assemblè.

1688
01:09:46,100 --> 01:09:48,200
Step down, together.

1689
01:09:48,200 --> 01:09:52,633
Sautè, assemblè,
step down together.

1690
01:09:52,633 --> 01:09:56,532
Sautè, assemblè,
step down together.

1691
01:09:56,533 --> 01:09:59,600
Bah, Bah, Bah, Bah, Bah, da.

1692
01:09:59,600 --> 01:10:03,867
Bah da, Bah da, Bah
da, Bah da, da, da.

1693
01:10:03,867 --> 01:10:06,500
So here what it needs.

1694
01:10:06,500 --> 01:10:10,567
Sautè, it is a little
jump on one leg.

1695
01:10:10,567 --> 01:10:11,567
Assemblè.

1696
01:10:11,567 --> 01:10:12,800
Who knows what that means?

1697
01:10:12,800 --> 01:10:14,000
To assemble.

1698
01:10:14,000 --> 01:10:15,867
What does that
mean you have to do?

1699
01:10:15,867 --> 01:10:16,734
Assemblè.

1700
01:10:16,734 --> 01:10:19,000
Assemblè.

1701
01:10:19,000 --> 01:10:19,467
Sautè.

1702
01:10:19,467 --> 01:10:20,232
Assemblè.

1703
01:10:20,233 --> 01:10:22,066
Bah, Bah, Bah da.

1704
01:10:22,066 --> 01:10:23,867
Sautè, assemblè.

1705
01:10:23,867 --> 01:10:25,467
Bah, Bah, da, da.

1706
01:10:25,467 --> 01:10:26,266
Ready to try?

1707
01:10:26,266 --> 01:10:27,599
Let's do it.

1708
01:10:27,600 --> 01:10:28,133
Okay.

1709
01:10:28,133 --> 01:10:29,500
So back up as far
as you can see.

1710
01:10:29,500 --> 01:10:30,734
So you can travel as much.

1711
01:10:30,734 --> 01:10:32,300
You can maybe go right
left, right left.

1712
01:10:32,300 --> 01:10:33,967
If you have room.

1713
01:10:33,967 --> 01:10:36,733
And then you split center
and you go the outside.

1714
01:10:36,734 --> 01:10:37,500
Come on.

1715
01:10:37,500 --> 01:10:38,166
Hit it.

1716
01:10:38,166 --> 01:10:47,233
♪♪

1717
01:10:47,233 --> 01:10:48,767
Now, try to be rhythmic.

1718
01:10:48,767 --> 01:10:51,032
Da, da, da, da, da.

1719
01:10:51,033 --> 01:10:52,600
Bah da, da, da, da.

1720
01:10:52,600 --> 01:10:53,867
Next line comes.

1721
01:10:53,867 --> 01:10:55,000
Good.

1722
01:10:55,000 --> 01:10:57,700
♪♪

1723
01:10:57,700 --> 01:11:00,633
Rhythm too.

1724
01:11:00,633 --> 01:11:02,800
Concentrate on the rhythm.

1725
01:11:02,800 --> 01:11:07,000
Very nice.

1726
01:11:07,000 --> 01:11:07,500
Good.

1727
01:11:07,500 --> 01:11:08,100
Next.

1728
01:11:08,100 --> 01:11:11,000
♪♪

1729
01:11:11,000 --> 01:11:12,133
That is it.

1730
01:11:12,133 --> 01:11:15,834
Oh, baby.

1731
01:11:15,834 --> 01:11:16,800
Da, da, da.

1732
01:11:16,800 --> 01:11:19,066
Good.

1733
01:11:19,066 --> 01:11:19,834
Da, da, da.

1734
01:11:19,834 --> 01:11:23,300
Beautiful.

1735
01:11:23,300 --> 01:11:25,767
One and two, three and four.

1736
01:11:25,767 --> 01:11:26,532
Good.

1737
01:11:26,533 --> 01:11:27,800
One and two.

1738
01:11:27,800 --> 01:11:29,200
Three and four.

1739
01:11:29,200 --> 01:11:31,666
Good.

1740
01:11:31,667 --> 01:11:32,433
Almost.

1741
01:11:32,433 --> 01:11:33,233
Next.

1742
01:11:33,233 --> 01:11:36,200
♪♪

1743
01:11:36,200 --> 01:11:37,467
One and two.

1744
01:11:37,467 --> 01:11:39,266
Three and four.

1745
01:11:39,266 --> 01:11:40,933
This is what you get.

1746
01:11:40,934 --> 01:11:44,000
Oh, baby.

1747
01:11:44,000 --> 01:11:45,967
Easy on the traveling.

1748
01:11:45,967 --> 01:11:47,200
Just up and down.

1749
01:11:47,200 --> 01:11:48,233
Okay.

1750
01:11:48,233 --> 01:11:51,934
Yes.

1751
01:11:51,934 --> 01:11:52,834
Just up and down.

1752
01:11:52,834 --> 01:11:54,333
Don't travel as much.

1753
01:11:54,333 --> 01:11:59,567
If you have gone
once, please hold.

1754
01:11:59,567 --> 01:12:00,500
Good.

1755
01:12:00,500 --> 01:12:02,033
♪♪

1756
01:12:02,033 --> 01:12:03,266
Don't travel quite so much.

1757
01:12:03,266 --> 01:12:04,666
Very safe.

1758
01:12:04,667 --> 01:12:06,667
Very smart.

1759
01:12:06,667 --> 01:12:12,200
Hold the rhythm, da, da, da, da.

1760
01:12:12,200 --> 01:12:12,934
Good.

1761
01:12:12,934 --> 01:12:19,066
♪♪

1762
01:12:19,066 --> 01:12:20,233
Good.

1763
01:12:20,233 --> 01:12:24,233
One, two, three and four.

1764
01:12:24,233 --> 01:12:26,033
Everybody gone once?

1765
01:12:26,033 --> 01:12:26,834
Last time.

1766
01:12:26,834 --> 01:12:27,633
Keep coming.

1767
01:12:27,633 --> 01:12:29,166
Da, da, da, da, da.

1768
01:12:29,166 --> 01:12:31,633
Da, da, da, da, da.

1769
01:12:31,633 --> 01:12:36,066
One and two.

1770
01:12:36,066 --> 01:12:39,032
Interlock it in the house.

1771
01:12:39,033 --> 01:12:42,133
Carefully, da, da, da, da.

1772
01:12:42,133 --> 01:12:43,800
One and two.

1773
01:12:43,800 --> 01:12:45,166
Three and down.

1774
01:12:45,166 --> 01:12:45,700
Good.

1775
01:12:45,700 --> 01:12:49,032
♪♪

1776
01:12:49,033 --> 01:12:50,500
Last groups.

1777
01:12:50,500 --> 01:12:52,000
Just give it a try.

1778
01:12:52,000 --> 01:12:54,867
One and two, three and four.

1779
01:12:54,867 --> 01:12:55,500
Follow me.

1780
01:12:55,500 --> 01:12:58,400
One and two, three and four.

1781
01:12:58,400 --> 01:13:01,299
One and two, three and four.

1782
01:13:01,300 --> 01:13:04,667
Almost.

1783
01:13:04,667 --> 01:13:05,300
Okay.

1784
01:13:05,300 --> 01:13:06,033
All right.

1785
01:13:06,033 --> 01:13:07,633
So we are going to work
on that separately later.

1786
01:13:07,633 --> 01:13:08,599
That is new for you guys.

1787
01:13:08,600 --> 01:13:09,400
All right.

1788
01:13:09,400 --> 01:13:10,799
So thank you so much.

1789
01:13:10,800 --> 01:13:12,000
That was great.

1790
01:13:12,000 --> 01:13:14,433
That was a good moment for you
to run and put on sneakers

1791
01:13:14,433 --> 01:13:16,633
because SUPER CR3W is going to
come out here and we are going

1792
01:13:16,633 --> 01:13:18,599
to do some hip hop.

1793
01:13:18,600 --> 01:13:19,400
All right.

1794
01:13:19,400 --> 01:13:20,433
On ward.

1795
01:13:20,433 --> 01:13:22,900
Go put on sneakers
if you have them.

1796
01:13:22,900 --> 01:13:32,700
If not, bare feet are fine and
we'll start in one minute.

1797
01:14:38,100 --> 01:14:41,633
Mike Carrasco:
A little loud. All right.

1798
01:14:41,633 --> 01:14:43,666
Damian Wetzel:
This is Mike Carrasco,
from SUPER CR3W.

1799
01:14:43,667 --> 01:14:47,667
Mike Carrasco:
Mike Carrasco here, SUPER CR3W.

1800
01:14:47,667 --> 01:14:49,600
I am going to introduce you to
everybody from SUPER CR3W just

1801
01:14:49,600 --> 01:14:52,467
so you know who you are
interacting with here.

1802
01:14:52,467 --> 01:14:53,733
This is?

1803
01:14:53,734 --> 01:14:57,100
Jon Cruz:
Jon "Do-Knock" Cruz.

1804
01:14:57,100 --> 01:15:00,200
Mike Carrasco:
Sexy voice.

1805
01:15:00,200 --> 01:15:01,200
This is?

1806
01:15:01,200 --> 01:15:03,367
RJ Puno:
RJ, a.k.a. Rockadile.

1807
01:15:03,367 --> 01:15:04,734
Mike Carrasco:
Nice to meet you.

1808
01:15:04,734 --> 01:15:06,467
Ron Abaldonado:
Ronnie Boy.

1809
01:15:06,467 --> 01:15:08,099
Abenamar Honrubia:
Bboy Ben.

1810
01:15:08,100 --> 01:15:09,734
Rock Gallego:
Bboy Rock.

1811
01:15:09,734 --> 01:15:11,166
Mike Carrasco:
How you guys doing?

1812
01:15:11,166 --> 01:15:12,400
Audience:
Good.

1813
01:15:12,400 --> 01:15:14,733
Mike Carrasco:
Good. How you guys doing?

1814
01:15:14,734 --> 01:15:16,967
Audience:
Good!

1815
01:15:16,967 --> 01:15:17,967
Mike Carrasco:
Much better.

1816
01:15:17,967 --> 01:15:20,532
So we are going to do today is
we are going to teach you guys a

1817
01:15:20,533 --> 01:15:22,033
little bit of a locking routine.

1818
01:15:22,033 --> 01:15:22,800
Not pop locking.

1819
01:15:22,800 --> 01:15:24,767
Those are two different dances.

1820
01:15:24,767 --> 01:15:26,233
A lot of people
call it pop locking.

1821
01:15:26,233 --> 01:15:28,200
But there is locking
and there is popping.

1822
01:15:28,200 --> 01:15:29,767
We are going to teach you
a little locking routine.

1823
01:15:29,767 --> 01:15:31,934
Maybe some of you guys if you
ever watch America's best dance

1824
01:15:31,934 --> 01:15:36,934
crew show, we did this routine
our very first episode.

1825
01:15:36,934 --> 01:15:40,166
We dressed up like ninja's.

1826
01:15:40,166 --> 01:15:42,567
So we are going to go ahead
and teach you that routine.

1827
01:15:42,567 --> 01:15:44,900
It is a routine choreographed
by a good friend of ours name

1828
01:15:44,900 --> 01:15:47,532
Stephen Stanton and he was
generous enough to give us

1829
01:15:47,533 --> 01:15:49,266
choreography to do in the show.

1830
01:15:49,266 --> 01:15:51,000
So little credit to him.

1831
01:15:51,000 --> 01:15:52,767
So we'll go ahead
and get started.

1832
01:15:52,767 --> 01:15:57,367
Everybody up.

1833
01:15:57,367 --> 01:16:03,000
Everybody hands go "whoop."

1834
01:16:03,000 --> 01:16:06,667
Go ahead and spread
out a little bit.

1835
01:16:06,667 --> 01:16:08,400
Go ahead and spread out.

1836
01:16:08,400 --> 01:16:10,433
We can fill the room up.

1837
01:16:10,433 --> 01:16:12,100
Let's -- I know you
guys are kind of tight.

1838
01:16:12,100 --> 01:16:15,433
If you put your arms out,
put your arms out like this.

1839
01:16:15,433 --> 01:16:16,734
Make sure you are
not hitting anybody.

1840
01:16:16,734 --> 01:16:18,500
So just space out.

1841
01:16:18,500 --> 01:16:19,867
Go ahead and
stagger a little bit.

1842
01:16:19,867 --> 01:16:25,533
Stagger, stagger, stagger.

1843
01:16:25,533 --> 01:16:26,367
Good, good, good.

1844
01:16:26,367 --> 01:16:28,900
Good.

1845
01:16:28,900 --> 01:16:30,232
All right.

1846
01:16:30,233 --> 01:16:32,300
So this routine
is pretty simple.

1847
01:16:32,300 --> 01:16:38,300
It is about two eight counts
long and we are going to start

1848
01:16:38,300 --> 01:16:40,266
-- I am gonna have two of these
guys come down here with you to

1849
01:16:40,266 --> 01:16:41,700
help out.

1850
01:16:41,700 --> 01:16:44,733
And they'll face this way
so you guys can mirror them.

1851
01:16:44,734 --> 01:16:46,033
Yeah.

1852
01:16:46,033 --> 01:16:51,066
So here we go.

1853
01:16:51,066 --> 01:16:55,900
First move, -- on five, six,
seven, eight -- on one,

1854
01:16:55,900 --> 01:16:59,032
you are going to kind of reach
over with your right hand like

1855
01:16:59,033 --> 01:17:05,934
you're reaching into
your left back pocket.

1856
01:17:05,934 --> 01:17:07,467
Speaker:
That's on one and two.

1857
01:17:07,467 --> 01:17:10,700
Mike Carrasco:
One and two.

1858
01:17:10,700 --> 01:17:11,834
Got it? Try it again.

1859
01:17:11,834 --> 01:17:13,900
Five, six, seven, eight.

1860
01:17:13,900 --> 01:17:15,200
Speaker:
One and two.

1861
01:17:15,200 --> 01:17:16,367
Mike Carrasco:
Wow. You guys are good.

1862
01:17:22,233 --> 01:17:26,166
So we've got one and two.

1863
01:17:26,166 --> 01:17:28,500
You're going to take your right
hand and step back with your

1864
01:17:28,500 --> 01:17:35,800
right foot and you are going
to move it over -- hip thrust.

1865
01:17:35,800 --> 01:17:37,567
Speaker:
Hand goes back and
your hip comes forward.

1866
01:17:37,567 --> 01:17:40,967
Mike Carrasco:
Hand goes back and
your hip comes forward.

1867
01:17:40,967 --> 01:17:44,000
One, two, three, four.

1868
01:17:44,000 --> 01:17:49,533
Speaker:
It is like whoa, What is that?

1869
01:17:49,533 --> 01:17:51,367
Hey, break it down, break it down.

1870
01:17:51,367 --> 01:17:53,900
(laughter)

1871
01:17:53,900 --> 01:17:56,567
Mike Carrasco:
Five, six, seven, eight.

1872
01:17:56,567 --> 01:18:01,500
Speaker:
One and two, three and four.

1873
01:18:01,500 --> 01:18:03,233
Mike Carrasco:
Next set we are
going to skip forward.

1874
01:18:03,233 --> 01:18:08,934
You are going to come
on your left foot.

1875
01:18:08,934 --> 01:18:09,400
Okay.

1876
01:18:09,400 --> 01:18:11,200
So you are going
to skip forward.

1877
01:18:11,200 --> 01:18:12,066
Right foot.

1878
01:18:12,066 --> 01:18:13,467
Left foot.

1879
01:18:13,467 --> 01:18:15,633
Speaker:
Can everybody in the
back row see that?

1880
01:18:15,633 --> 01:18:16,700
Kind of.

1881
01:18:16,700 --> 01:18:19,599
Maybe not.

1882
01:18:19,600 --> 01:18:21,500
First six rows duck
down for two seconds.

1883
01:18:21,500 --> 01:18:22,667
Go like this.

1884
01:18:22,667 --> 01:18:23,200
There we go.

1885
01:18:23,200 --> 01:18:24,400
Duck down for two seconds.

1886
01:18:24,400 --> 01:18:25,400
First six rows.

1887
01:18:25,400 --> 01:18:27,433
There we go.

1888
01:18:27,433 --> 01:18:30,066
Mike Carrasco:
Go again. From the top slowly.

1889
01:18:30,066 --> 01:18:32,467
Five, six, seven, eight.

1890
01:18:32,467 --> 01:18:34,099
Speaker:
And one and two.

1891
01:18:34,100 --> 01:18:35,633
Three, four.

1892
01:18:35,633 --> 01:18:38,333
Five and six.

1893
01:18:38,333 --> 01:18:39,700
Kind of.

1894
01:18:39,700 --> 01:18:45,967
Mike Carrasco:
Five and six. Right.

1895
01:18:45,967 --> 01:18:48,767
You want to touch that left
foot on the second jump.

1896
01:18:48,767 --> 01:18:51,099
And six.

1897
01:18:51,100 --> 01:18:55,467
Speaker:
Hop on five, touch
on and reach on six.

1898
01:18:55,467 --> 01:18:57,733
There we go.

1899
01:18:57,734 --> 01:18:59,700
Five, six, seven, eight.

1900
01:18:59,700 --> 01:19:02,800
And one and two,
three, four.

1901
01:19:02,800 --> 01:19:04,934
Five and six.

1902
01:19:04,934 --> 01:19:06,200
Good.

1903
01:19:06,200 --> 01:19:07,233
Everybody altogether?

1904
01:19:07,233 --> 01:19:09,700
Here we go.

1905
01:19:09,700 --> 01:19:11,934
Flap your wings, make sure you
are not hitting one another.

1906
01:19:11,934 --> 01:19:16,533
There we go.

1907
01:19:16,533 --> 01:19:19,800
Mike Carrasco:
From the top (inaudible)

1908
01:19:19,800 --> 01:19:22,133
Speaker:
Five, six, seven, eight.

1909
01:19:22,133 --> 01:19:23,800
And one and two.

1910
01:19:23,800 --> 01:19:25,166
Three and four.

1911
01:19:25,166 --> 01:19:26,767
Five and six.

1912
01:19:26,767 --> 01:19:28,200
Good.

1913
01:19:28,200 --> 01:19:31,300
One more time?

1914
01:19:31,300 --> 01:19:33,033
Mike Carrasco:
One more time or you
want to (inaudible)?

1915
01:19:33,033 --> 01:19:34,000
Yes.

1916
01:19:34,000 --> 01:19:36,133
Audience:
On the time.

1917
01:19:36,133 --> 01:19:38,900
Five, six, seven, eight.

1918
01:19:38,900 --> 01:19:40,165
One and two.

1919
01:19:40,166 --> 01:19:41,667
Three, four.

1920
01:19:41,667 --> 01:19:43,100
Five and six.

1921
01:19:43,100 --> 01:19:44,600
Good.

1922
01:19:44,600 --> 01:19:47,767
All right.

1923
01:19:47,767 --> 01:19:51,500
Mike Carrasco:
Six.

1924
01:19:51,500 --> 01:19:54,133
Seven, eight.

1925
01:19:54,133 --> 01:19:59,767
Seven, arms
down, squat eight.

1926
01:19:59,767 --> 01:20:01,599
Speaker:
So think gold posts.

1927
01:20:01,600 --> 01:20:04,967
Mike Carrasco:
Think gold posts to eight.

1928
01:20:04,967 --> 01:20:08,834
It is almost like you
are riding a motor cycle.

1929
01:20:08,834 --> 01:20:11,666
Speaker:
Bevel your right leg.

1930
01:20:11,667 --> 01:20:13,934
Mike Carrasco:
Left leg up. Seven, eight.

1931
01:20:13,934 --> 01:20:17,533
Speaker:
Your left leg.

1932
01:20:17,533 --> 01:20:19,000
Mike Carrasco:
All right.

1933
01:20:19,000 --> 01:20:20,467
Okay.

1934
01:20:20,467 --> 01:20:27,299
So, from the top, slowly.
Five, six, seven, eight.

1935
01:20:27,300 --> 01:20:28,800
Speaker:
Go one and two.

1936
01:20:28,800 --> 01:20:30,300
Three and four.

1937
01:20:30,300 --> 01:20:31,533
Five and six.

1938
01:20:31,533 --> 01:20:33,734
And gold post down.

1939
01:20:33,734 --> 01:20:34,867
Left leg bevel.

1940
01:20:34,867 --> 01:20:38,600
Left leg bevel.

1941
01:20:38,600 --> 01:20:41,200
Mike Carrasco:
Next part is really simple.

1942
01:20:41,200 --> 01:20:44,467
This song is a James Brown song,
and in this part of the song

1943
01:20:44,467 --> 01:20:45,333
he says: So funky.

1944
01:20:45,333 --> 01:20:47,366
So what you are going to do is,
you're going to step over with

1945
01:20:47,367 --> 01:20:49,600
your right foot and you're
going to raise your right arm.

1946
01:20:49,600 --> 01:20:52,600
You're going to step over with the
left foot and raise your left arm.

1947
01:20:52,600 --> 01:20:55,767
(inaudible)

1948
01:20:55,767 --> 01:20:58,066
Speaker:
Make your arm pits
kind of interesting.

1949
01:20:58,066 --> 01:21:01,099
(laughter)

1950
01:21:01,100 --> 01:21:02,166
Mike Carrasco:
Seven, eight.

1951
01:21:02,166 --> 01:21:03,967
Speaker:
One, two.

1952
01:21:03,967 --> 01:21:09,767
Mike Carrasco:
Put your head down like
it smells really bad.

1953
01:21:09,767 --> 01:21:12,967
Speaker:
Have that character you all.

1954
01:21:12,967 --> 01:21:16,366
Mike Carrasco:
I want to see stank
face on every one --

1955
01:21:16,367 --> 01:21:21,633
Speaker:
Oh, there it is.
Just like that --

1956
01:21:21,633 --> 01:21:25,567
Mike Carrasco:
From the top. Slowly.

1957
01:21:25,567 --> 01:21:28,166
Speaker:
Five, six, seven, eight.

1958
01:21:28,166 --> 01:21:32,333
One and two, three and
four, hop, five and six,

1959
01:21:32,333 --> 01:21:34,799
go seven and eight, and funky.

1960
01:21:34,800 --> 01:21:35,367
Hey.

1961
01:21:35,367 --> 01:21:42,166
(inaudible)

1962
01:21:42,166 --> 01:21:44,900
Mike Carrasco:
Seven, eight, so funky.

1963
01:21:44,900 --> 01:21:46,567
Speaker:
Now, not funky on your breathe.

1964
01:21:46,567 --> 01:21:47,967
Funky on there.

1965
01:21:47,967 --> 01:21:54,700
It was like funky.

1966
01:21:54,700 --> 01:21:56,700
Mike Carrasco:
Five, six, seven, eight.

1967
01:21:56,700 --> 01:22:00,800
Speaker:
One and two, three
and four, five and six.

1968
01:22:00,800 --> 01:22:01,834
Seven and eight.

1969
01:22:01,834 --> 01:22:04,599
One, two.

1970
01:22:04,600 --> 01:22:07,000
Mike Carrasco:
All right. Moving on.

1971
01:22:07,000 --> 01:22:10,700
Next step is a
shuffle to your left.

1972
01:22:10,700 --> 01:22:15,467
After, it's so funky.
It is a hitchhiker.

1973
01:22:15,467 --> 01:22:18,165
You are reaching in and
you are pointing out.

1974
01:22:18,166 --> 01:22:20,000
You are using your left foot.

1975
01:22:20,000 --> 01:22:21,367
Sliding to the right.

1976
01:22:21,367 --> 01:22:22,633
Speaker:
Weight on your right leg.

1977
01:22:22,633 --> 01:22:27,367
Mike Carrasco:
One, two, three, four.

1978
01:22:27,367 --> 01:22:33,400
Left.

1979
01:22:33,400 --> 01:22:35,834
Speaker:
Can the back row see that?

1980
01:22:35,834 --> 01:22:36,433
Okay.

1981
01:22:36,433 --> 01:22:40,367
Can we have the first six
rows down really quick.

1982
01:22:40,367 --> 01:22:42,100
Mike Carrasco:
Just the arms of this.

1983
01:22:42,100 --> 01:22:44,033
So funky.

1984
01:22:44,033 --> 01:22:47,900
Low, out, low out.

1985
01:22:47,900 --> 01:22:52,967
Low, out.

1986
01:22:52,967 --> 01:22:54,834
Speaker:
Hitchhike thumb
and hitchhike thumb.

1987
01:22:54,834 --> 01:22:56,367
Do you guys want to do it
from the top for you guys

1988
01:22:56,367 --> 01:22:57,867
in the back there.

1989
01:22:57,867 --> 01:23:01,734
One more time just for them.

1990
01:23:01,734 --> 01:23:06,700
Five, six, seven, eight, go
one and two, three and four.

1991
01:23:06,700 --> 01:23:09,099
Go hop, hop, six,
seven, and eight.

1992
01:23:09,100 --> 01:23:10,166
So funky.

1993
01:23:10,166 --> 01:23:10,800
Two.

1994
01:23:10,800 --> 01:23:11,734
And hitchhike.

1995
01:23:11,734 --> 01:23:12,934
And hitchhike.

1996
01:23:12,934 --> 01:23:14,233
And seven, eight.

1997
01:23:14,233 --> 01:23:15,166
Oh, it's only two.

1998
01:23:15,166 --> 01:23:17,266
Only two hitchhikes.

1999
01:23:17,266 --> 01:23:20,633
One more time like
that for you guys.

2000
01:23:20,633 --> 01:23:24,032
Mike Carrasco:
One more time for
guys in the back.

2001
01:23:24,033 --> 01:23:24,667
Speaker:
Here we go.

2002
01:23:24,667 --> 01:23:26,400
Five, six, seven, eight.

2003
01:23:26,400 --> 01:23:27,967
Go one up two.

2004
01:23:27,967 --> 01:23:28,933
Back and four.

2005
01:23:28,934 --> 01:23:30,300
Go hop, hop six.

2006
01:23:30,300 --> 01:23:31,367
Go seven up eight.

2007
01:23:31,367 --> 01:23:32,900
Go funky two.

2008
01:23:32,900 --> 01:23:33,700
Hitchhike.

2009
01:23:33,700 --> 01:23:37,200
And hitchhike and hop,
hop and actually hop.

2010
01:23:37,200 --> 01:23:38,032
We didn't get to that yet.

2011
01:23:38,033 --> 01:23:41,200
But we'll get to that shortly.

2012
01:23:41,200 --> 01:23:42,000
Everybody up.

2013
01:23:42,000 --> 01:23:48,266
Here we go.

2014
01:23:48,266 --> 01:23:50,400
Mike Carrasco:
On the hitchhiker,
a lot of steps.

2015
01:23:50,400 --> 01:23:53,567
If you switch pace, so one, two --

2016
01:23:53,567 --> 01:23:54,700
Speaker:
Two, three --

2017
01:23:54,700 --> 01:23:56,233
Mike Carrasco:
-- four, five.

2018
01:23:56,233 --> 01:24:04,367
(inaudible)

2019
01:24:04,367 --> 01:24:06,333
Speaker:
So you guys jump in place, your left foot where your right foot

2020
01:24:06,333 --> 01:24:07,599
was before.

2021
01:24:07,600 --> 01:24:10,333
Yeah.

2022
01:24:10,333 --> 01:24:12,333
Scuff it out of the place.

2023
01:24:12,333 --> 01:24:13,232
Perfect.

2024
01:24:13,233 --> 01:24:17,667
Two more minutes.

2025
01:24:17,667 --> 01:24:18,600
Here we go.

2026
01:24:18,600 --> 01:24:20,867
Mike Carrasco:
Five, six, seven, eight.

2027
01:24:20,867 --> 01:24:23,900
Speaker:
One, two, three -- again.

2028
01:24:23,900 --> 01:24:26,066
Mike Carrasco:
Sorry.

2029
01:24:26,066 --> 01:24:30,599
Speaker:
Five, six, seven, eight, go one and two, three back four,

2030
01:24:30,600 --> 01:24:34,734
go hop, hop, and seven, up eight, go funky, two, hitchhike.

2031
01:24:34,734 --> 01:24:37,533
get ready, hitchhike now, scuff, hop.

2032
01:24:37,533 --> 01:24:41,200
Good.

2033
01:24:41,200 --> 01:24:44,733
Mike Carrasco:
Next step, real
quick, and we're done.

2034
01:24:44,734 --> 01:24:46,500
Seven, eight, one.

2035
01:24:46,500 --> 01:24:48,233
Speaker:
(unintelligible) again.

2036
01:24:48,233 --> 01:24:49,200
Mike Carrasco:
Two.

2037
01:24:49,200 --> 01:24:50,400
Speaker:
And two.

2038
01:24:50,400 --> 01:24:51,599
Mike Carrasco:
And that's the end
of the routine.

2039
01:24:51,600 --> 01:24:53,000
Speaker:
Heeeeey!

2040
01:24:53,000 --> 01:24:55,200
Mike Carrasco:
Left leg (inaudible).

2041
01:24:55,200 --> 01:24:58,867
Speaker:
Left leg (unintelligible).

2042
01:24:58,867 --> 01:24:59,834
Put it all together.

2043
01:24:59,834 --> 01:25:01,599
Mike Carrasco:
Put it all together, (inaudible).

2044
01:25:01,600 --> 01:25:03,367
Speaker:
Five, six, seven, eight.

2045
01:25:03,367 --> 01:25:04,900
Go one and two.

2046
01:25:04,900 --> 01:25:05,799
Three back four.

2047
01:25:05,800 --> 01:25:06,700
Go hop, hop.

2048
01:25:06,700 --> 01:25:08,166
And seven, go eight.

2049
01:25:08,166 --> 01:25:10,433
Go hip, ha, hitchhike.

2050
01:25:10,433 --> 01:25:12,433
And hitchhike and hop.

2051
01:25:12,433 --> 01:25:14,133
And a goal post, hey!

2052
01:25:14,133 --> 01:25:16,233
Good.

2053
01:25:16,233 --> 01:25:18,133
Can we go ahead and queue music?

2054
01:25:18,133 --> 01:25:19,567
All right.

2055
01:25:19,567 --> 01:25:28,700
♪♪ (James Brown's Get Up Offa That Thing playing) ♪♪

2056
01:25:28,700 --> 01:25:29,967
Here we go -- watch them real quick.

2057
01:25:29,967 --> 01:25:43,433
♪♪

2058
01:25:43,433 --> 01:25:45,934
Just watch -- five,
six, seven, and eight, go.

2059
01:25:45,934 --> 01:25:46,934
One and two.

2060
01:25:46,934 --> 01:25:47,934
Three back four.

2061
01:25:47,934 --> 01:25:49,000
And hop, hop hit.

2062
01:25:49,000 --> 01:25:49,967
Seven and eight.

2063
01:25:49,967 --> 01:25:51,099
Go hitchhike.

2064
01:25:51,100 --> 01:25:53,066
Three, four, hop, hop.

2065
01:25:53,066 --> 01:25:54,066
Hop, hop.

2066
01:25:54,066 --> 01:25:56,233
Da, da.

2067
01:25:56,233 --> 01:25:57,166
Whew!

2068
01:25:57,166 --> 01:25:58,000
Again.

2069
01:25:58,000 --> 01:26:00,767
♪♪

2070
01:26:00,767 --> 01:26:03,066
Are we ready to try -- you guys ready to try that with them?

2071
01:26:03,066 --> 01:26:05,767
Do you trust yourselves?

2072
01:26:05,767 --> 01:26:07,666
When in doubt, just
keep smiling, y'all.

2073
01:26:07,667 --> 01:26:11,500
When in doubt, just keep smiling.

2074
01:26:11,500 --> 01:26:12,333
So here we go.

2075
01:26:12,333 --> 01:26:13,967
Let's queue music.

2076
01:26:13,967 --> 01:26:16,633
♪♪ (James Brown's Get Up Offa That Thing playing) ♪♪

2077
01:26:16,633 --> 01:26:17,834
So now they're going to face this way;

2078
01:26:17,834 --> 01:26:19,367
is that going to help you guys?

2079
01:26:19,367 --> 01:26:20,867
Here we go.

2080
01:26:20,867 --> 01:26:30,400
♪♪

2081
01:26:30,400 --> 01:26:33,500
Hear that groove, y'all.

2082
01:26:33,500 --> 01:26:34,600
You guys ready?

2083
01:26:34,600 --> 01:26:36,033
Deep breath in.

2084
01:26:36,033 --> 01:26:39,934
Five, six, and five, six
and seven -- here we go!

2085
01:26:39,934 --> 01:26:43,967
One and two, three, four, five
and six, and seven and funky.

2086
01:26:43,967 --> 01:26:49,467
Eight, hitchhike, and
hitchhike, and up down and a-ha!

2087
01:26:49,467 --> 01:26:50,933
Good.

2088
01:26:50,934 --> 01:26:52,633
(applause)

2089
01:26:52,633 --> 01:26:56,000
One more time.

2090
01:26:56,000 --> 01:26:56,800
Here we go.

2091
01:26:56,800 --> 01:26:58,900
One more time from the top.

2092
01:26:58,900 --> 01:27:00,366
Make it count, make it count.

2093
01:27:00,367 --> 01:27:02,367
Last time, you guys.

2094
01:27:02,367 --> 01:27:03,500
With a smile on your face.

2095
01:27:03,500 --> 01:27:04,567
Get funky.

2096
01:27:04,567 --> 01:27:05,633
Hey, hey!

2097
01:27:05,633 --> 01:27:10,500
♪♪ (James Brown's Get Up Offa That Thing playing) ♪♪

2098
01:27:10,500 --> 01:27:11,500
Are you ready now?

2099
01:27:11,500 --> 01:27:19,066
♪♪

2100
01:27:19,066 --> 01:27:20,633
Here we go.

2101
01:27:20,633 --> 01:27:22,032
Get ready.

2102
01:27:22,033 --> 01:27:24,100
And five, six, and seven -- here we go!

2103
01:27:24,100 --> 01:27:28,100
Hop, hop, boom, sha, and
bah, bah, and da, da, da, da.

2104
01:27:28,100 --> 01:27:29,133
Get funky -- hey!

2105
01:27:29,133 --> 01:27:32,200
Three and four and five and six and seven and eight.

2106
01:27:32,200 --> 01:27:33,233
Ha, ha!

2107
01:27:33,233 --> 01:27:34,700
Good.

2108
01:27:34,700 --> 01:27:35,733
♪♪

2109
01:27:35,734 --> 01:27:37,767
Give one more round of applause
for SUPER CR3W, you guys.

2110
01:27:37,767 --> 01:27:40,532
(applause)

2111
01:27:40,533 --> 01:27:42,667
Thank you Mikey
and SUPER CR3W!

2112
01:27:42,667 --> 01:27:43,700
Excellent.

2113
01:27:43,700 --> 01:27:46,834
Guys, thank you so much for
participating in the first White

2114
01:27:46,834 --> 01:27:48,900
House dance workshop.

2115
01:27:48,900 --> 01:27:51,700
And we want to say thank you
to a few very special people.

2116
01:27:51,700 --> 01:27:56,032
We first want to say how much we
honor and appreciate the great

2117
01:27:56,033 --> 01:27:58,100
Judith Jamison
sitting over here,

2118
01:27:58,100 --> 01:27:59,367
what this day is all about.

2119
01:27:59,367 --> 01:28:05,233
(cheers and applause)

2120
01:28:05,233 --> 01:28:08,233
And we want to say thank you to our pianist Glen who came to

2121
01:28:08,233 --> 01:28:09,667
play for us today.

2122
01:28:09,667 --> 01:28:11,433
(cheers and applause)

2123
01:28:11,433 --> 01:28:13,400
And we want to say thank you
to all of your teachers who

2124
01:28:13,400 --> 01:28:14,933
brought you here today.

2125
01:28:14,934 --> 01:28:17,867
(cheers and applause)

2126
01:28:17,867 --> 01:28:19,600
And I want to say
thank you to you.

2127
01:28:19,600 --> 01:28:21,266
It's been a pleasure
doing this with you.

2128
01:28:21,266 --> 01:28:23,066
Now you should get
your belongings,

2129
01:28:23,066 --> 01:28:25,166
go outside for some refreshments
and you are going to come back

2130
01:28:25,166 --> 01:28:26,767
and see the show.

2131
01:28:26,767 --> 01:28:27,633
All right.

2132
01:28:27,633 --> 01:28:28,900
So thank you very
much, everybody.