Subtitled by: Nizar Ezzeddine
♪ [FOLK MELODY]
♪
♪ I knocked. I cried. ♪ ♪ she did not want to open ♪
♪ I had to put my head on a stone and slept ♪
♪
♪ My head on a stone, and legs near the threshold ♪
♪ Open up, virgin girl, be afraid of God ♪
♪
COLD WAR
MALE: And this is not too crude, primitive?
WOMAN: No, why?
Because every drunk guy was singing with us.
♪ [RECONNECTION - A CHOIR OF WOMEN SINGS A FOLK SONG]
♪
♪ Oh, Dana, my Dana, I will not marry you ♪
♪ And I will continue going out alone ♪
♪
♪ Oh, marriage, marriage... ♪
♪ There would not be a marriage with you ♪
♪
♪ I will not drink it, that court's wine ♪
♪ Because it hurts me and leaves me in headache ♪
♪ [RECORDING - SONG "I WILL NOT DRINK"]
♪
♪ Two hearts, four eyes ♪
♪ Oh, oh, oh ♪
♪ What cried during all day and night ♪
♪ Oh, oh, oh ♪
♪ That black eyes, which you cry ♪
♪ are not able to meet you again ♪
♪ Oh, oh, oh ♪
Poland, 1949
♪ [RECONNECTION - A CHOIR OF WOMEN SINGS A FOLK SONG]
♪
It's nice.
- What are they singing for? - It's for Lemkos.
I thought so.
What a pity!
- Why is it a pity? - Because it's not ours.
Mr. Kaczmarek, ours or not ours, it's none of your business.
[OPENING DOORS, GOING DOWN]
[PISSING]
[FLUTTER OF A BIRD'S WINGS]
[MOOING COWS]
Guys! You have the right to ask,
what are we doing here before the palace of landowners.
I have a duty to answer: Now this is your home.
And these doors lead to the world of music, song and dance.
That music that was born in the field of slavery.
The music of your grandfathers and great-grandparents.
Music of pain, harm, humiliation.
If it smiled - it was through tears.
Now you have the right to ask if we all will enter through this door.
I will tell you: absolutely not everyone.
Only the best of the best who will come inside.
and under the watchful eye of our pedagogues,
Those are who will enter the stages of Poland and the entire camp.
That's why I am calling you for a ruthless and noble fight.
with each other and with yourselves.
This is the end of the tragic fate of Jankov The Musician.
- Hurray! - [THE CROWD]: Hurray!
♪ [LOUD SINGING IN HIGHLANDER STYLE]
♪
- You think you need to know about notes? - They want it in a peasant way.
And you? What will you sing?
Something highlander.
And you?
I do not know yet.
Sing your song for us.
♪ I'm off to the water, ♪ ♪ come to the water, ♪
♪ How can I give you my hand ♪
♪ I give it to you, and.. ♪
Nice. I know it.
It's nice for two voices.
♪ I'm off to the water, ♪ ♪ come to the water, ♪
♪ We will not be with each other ♪
♪ Let's teach the horse to swim ♪
♪ So we will go with each other ♪
♪ Let's teach the horse to swim ♪
♪ So we will go with each other ♪
- Thanks a lot. - You're welcome.
Excuse me... The girl with the fringe...
Can you perform something alone?
- Sing? - Yes.
♪ [SONG IN RUSSIAN - "HEART"]
♪
- Thank you. - Just the refrain.
♪
- Where did you get it from? - From a film.
There was a mobile cinema in the countryside and showed a Russian film.
Its name was "Jolly Fellows".
- And what is it about? - About love! "Heart".
And how about you with dancing?
I know the basic steps, and I can learn the rest.
- That's great. Thank you. - Thank you.
That girl has a beautiful pure voice.
- Yes, but there's also something in her. - What is it?
Energy, tender. This is original.
If you say so.
♪ [LOCAL FOLK MUSIC]
Twelve dancers can be easily found.
Do you see yours?
What do you mean with "mine"?
The girl of "Heart".
She is very strange...
Oh, oh!
Nice girl.
And not even from Podhale, but from Tomaszow. Incredible.
- She has a good voice. - She even had a sentence.
What sentence?
- Apparently she killed her father. - What?
Supposedly. She was in jail for some time.
- How do you know that? - Kaczmarek checked it.
♪ [PIANO - A QUIET MELODY, KUJAWIAK]
♪
Your head, Zula!
♪
Heads up.
Well, now catch it properly.
- Fuck! - Fuck!
[VOCALIZING]
How was it with this father?
- What father? - Your father.
What was it supposed to be?
Why you were in jail?
He made a mistake with my mother, so I showed him his fault with a knife.
He survived, do not be afraid.
♪ [PIANO]
Are you interested in me, because I have a talent or in general?
Try this note.
♪ [PIANO]
[VOCALIZING]
♪ [JAZZ MELODY]
♪
Good!
♪ [F. CHOPIN, "FANTAZJA-IMPROMPTU C-SHARP"]
♪
[RATTLE OF A SEWING MACHINE]
♪
[THUNDER]
♪
Pull, pull, higher the leg!
Well!
♪ [PIANO - FOLK MUSIC]
♪
Beautiful, Mateus, bravo!
♪
Hold the pace!
♪
We look at each other!
One, two, three, one, two, three, a pause, a turn!
One, two, three, one, two, three!
Warsaw, 1951
♪ Two hearts, four eyes ♪
[A CHOIR OF GIRLS]: ♪ Oh, oh, oh ♪
♪ What cried during all day and night ♪
♪ Oh, oh, oh ♪
♪ That black eyes, which you cry ♪
♪ are not able to meet you again ♪
♪ Oh, oh, oh ♪
♪ [ORCHESTRA]
♪ And I'm like a boy with no mother ♪
♪ Oh, oh, oh ♪
♪ And who'd love such a boy ♪
♪ Oh, oh, oh ♪
♪ Their heart will become a stone ♪
♪ who put that boy in this pain ♪
♪ Oh, oh, oh ♪
♪ [ORCHESTRA - FOLK MUSIC, OBEREK OPOCZYŃSKI] ♪
♪
[APPLAUSE]
I've had enough of this. It starts to irritate me.
Come on, we're going off.
- Wait, let me enjoy it. - Let them have fun.
We will also have fun.
I must tell you something.
I've never believe in all of this, in all of folk art.
And this... touched me deeply. What genius are you!
To make something so beautiful out of something like that?
Thank you.
This is the most beautiful day in my life.
♪ [INSIDE SOME SING THE FOLK SONG, "ŚWINIORZ"] ♪
♪
You've reached the priceless treasures of the national culture,
which is beautiful and glorious.
Your collection has great potential. I would like it to become our main program.
But I think it's time to enter new elements for the program:
something about land reform, global peace, and its threats.
A strong song about the leader of proletariat in the whole world.
Then we will appreciate it, and reward it.
In the future, who knows, maybe you'd visit Berlin, Prague, Budapest, Moscow..?
What do you think about it?
On behalf of the whole "Mazurka", thank you for appreciating our work,
but the program is based on authentic folk art.
The rural population does not sing about reform, peace, and leadership.
They just don't sing that. so it would be difficult.
[MINISTER]: I understand.
If you don't mind... I'm Kaczmarek Lech, The administrative manager.
Comrade Bielecka, I assure you that our nation
it is not that naive at all, including the villagers.
On the contrary. They will sing about these most important matters,
according to their hidden need,
if we give them the permission, and if we support them.
This is where I perceive the role of our Mazurka.
Thank you.
[MINISTER]: Thank you.
♪ About the wise, beloved ♪
♪ by the peoples of Stalin ♪
♪ Gorgeous songs still ♪
♪ arrange our age ♪
♪ About the wise, beloved ♪
♪ By the peoples of Stalin ♪
♪ Gorgeous songs still ♪
♪ arrange our age ♪
[CHOIR]: We vow you, Motherland...
[REPEAT AFTER A MAN]:
for the will of great patriots and revolutionaries...
...Feliks Dzerzhinsky and Karol Świerczewski...
We're going to Berlin.
For the youth festival in December.
Today Berlin, tomorrow Moscow, and the day after tomorrow God knows where!
[SWEARING CONTINUES]: ...and develop perpetual friendship
with a powerful Soviet state...
Do not you think that something must be done with this Janicka?
- What is up with her? - She is so depressed.
The band is supposed to be dyed as Polish folk, typically Slavic.
May God look at their eyes.
♪ [THE NATIONAL ANTHEM]
And about this Berlin, how do you know that?
From the minister.
♪
Okay, maybe I'm exaggerating. It is dyed.
♪ Do not say that we worth nothing, ♪ ♪ We shall be the masters of the world! ♪
♪ This is the final struggle ♪
[CRICKETS CHIRPING]
I will be with you always, everywhere and until the end of the world.
But I have to tell you something.
[QUESTING]: Hm?
I'm covering you.
What does that mean "I'm covering you"?
I go to Kaczmarek every week to make a confession.
But I am not saying anything that would harm you.
The worst thing is that he is attracted to me.
What is he asking you about?
That's what... what were you doing during the war or listening to slow music,
do you have dollars or do you believe in God.
Do you believe?
I do.
I knew it will be like this. Damn me, idiot.
What would you do in my place? I was for two years in jail.
Otherwise they would not accept me.
Wictor!
Good! I wish a dog fucks you, bourgeois! Graceless, arrogant!
If I wanted to fuck you up, I could've done it easily!
[WATER SPLASH]
♪ [SINGING SONG "HEART" IN RUSSIAN]
♪
[CRICKETS CHIRPING, SILENT CRACKLING OF FIRE]
♪ [MARCHING MUSIC] ♪
♪
Berlin is today, as you know, the front line
between the socialist camp and the imperialist camp.
Between the forces of peace and the revelers.
And on the front line, like any of the front lines, strange things may happen.
That is why we must open our eyes, be vigilant and responsible for each other.
And besides, you know what I am going to tell you,
Germany, however, is Germany.
And that's why if something happened it'd be the first and last time,
during the adventure of your life!
Excuse me.
[KNOCKING]
[DOOR OPENING]
400 meters take about ten minutes.
The Russian sector ends here. So I will be waiting here.
But what will I do there? Who will I be there?
You will be there with me. We'll be together.
I do not speak French or anything.
You will learn it. You have a good ear. You have a talent.
You are unique. I do not want to live without you.
Okay. They are coming.
♪ [LOCAL FOLK MUSIC]
♪
[APPLAUSE]
[STEPS]
What's up with you? There is a party. The comrades want to meet you.
Let me adjust my hair, okay? I'll be there right now.
You look nice.
Hurry up.
[IN GERMAN]: Poland, and East Germany.. [TRANSLATING]: Poland, Germany...
[IN GERMAN]: Good friendship.
[IN GERMAN]: Communist brothers.
...He refers to it as Communist friendship.
[IN GERMAN]: We are brothers Brothers and sisters.
We are brothers and sisters.
- [IN GERMAN]: Does it taste good? - [IN GERMAN]: Yes.
- [IN GERMAN]: It's homemade. - [IN GERMAN]: Really?
[IN GERMAN]: It is our specialty.
[IN GERMAN]: Thank you. It's very good.
- [IN GERMAN]: Fish is from the Baltic Sea. - [IN GERMAN]: Really?
♪ [RUSSIAN FOLK SONG, "KATYUSHA"] ♪
♪
Excuse me.
♪
♪ [JAZZ MUSIC] ♪
♪
♪ [OBEREK OPOCZYŃSKI IN THE JAZZ VERSION]
♪
Paris, 1954
Taxi!
[IN FRENCH]: The same order, please.
[IN FRENCH]: No, sir. I'm sorry, we're really closing now.
[IN FRENCH]: You can go to the " Marlette", if you want. They are open till morning.
[IN FRENCH]: But between us, as she has not come yet, she will not come.
Ah!
How long will you stay in Paris?
Tomorrow we're going back.
How are you living here?
Somehow it works.
I arrange, compose, play in a club.
Good in general.
Do you have somebody?
Yes.
Me too.
And what? Are you happy?
- I'll take you to the hotel. - Better not. You know how things are.
Just a little bit.
Nobody will see us.
Can you explain why you did not come that day?
I felt that we would fail.
I mean, not that we cannot escape...
But that something about me, that I'm worse.
How is it "worse"?
Worse than you...
Not the worst at all.
- You know what I mean. - I don't.
I know love is love, that's it.
I know one thing. I would not run away without you.
Don't walk further.
[IN FRENCH]: Were you with a whore?
[IN FRENCH]: I can't afford whores.
[IN FRENCH]: I was with the woman of my life.
[IN FRENCH]: Amazing.
[IN FRENCH]: Well, let me sleep then.
Yugoslavia, 1955
[OPENING DOORS]
Now it looks you are here somehow, right?
- Good morning. - Good morning.
- Do you have a ticket? - Yes.
I am very curious about what you'll say.
New program, new songs, one even Yugoslavian.
Such a nod to the hosts.
Nice.
In general, it has now gained momentum, and fame.
It is a pity you were not there. You were a talent.
I'll invite you to our lodge.
No, thanks. I have a very good place.
Good. Good. See you later.
[OPENING DOORS]
[IN SERBIAN]: ♪ Silver thread on Serbian cloth ♪
♪ In a thin yarn, fine stitches, says my beloved sweetheart ♪
♪ Milan... ♪
♪ Dearest ♪
♪ Kisses to you straight from Moravia ♪
♪ I promised my hand to touch Milan ♪
Silk thread, comes out my dreams ♪
A thin thread is coming out my dreams ♪
♪ [LIVE SERBIAN FOLK MUSIC]
♪
[APPLAUSE]
Where are you taking me?
[IN CROATIAN]: To Moscow.
Why? I'm here legally. I have a visa.
In France, I am a resident. I'm not Polish anymore.
We know all of that.
[IN CROATIAN]: Relax, you're not going to Moscow.
[IN CROATIAN]: You'll go to Zagreb, and from there to Paris or wherever you like.
[IN CROATIAN]: The Polish wanted us to send you back to Warsaw.
But it's not in your favor, right?
Fuck!
- Let me stay. One night. - The train is waiting.
Please understand, this is about a woman my love. My life...
And what? Do you want to come back to Warsaw with her?
"Femme fatale".
They say that Warsaw is Paris of the East.
[CHOIR]: ♪ And I'm like a boy with no mother ♪
♪ Oh, oh, oh ♪
♪ And who'd love such a boy ♪
♪ Oh, oh, oh ♪
♪ And I'm just remains of a boy and a voice ♪
♪ I will love as long as I live ♪
♪ Oh, oh, oh ♪
[CONVERSATION IN ITALIAN]
♪ [TENSIONED MUSIC] ♪
♪
Paris, 1957
MAN [IN FRENCH]: Wait! The piano does not fit here.
[IN FRENCH]: We will use it only in the murder scene.
[IN FRENCH]: The music came too early. Wait for the shadow to appear.
[IN FRENCH]: Well.
♪ [TENSIONED MUSIC] ♪
♪
- So you have a husband, right? - Yes.
I did that for us.
But a non-church wedding, so it does not count.
- What's your name now? - Gangarossa-Lichon.
- Ganga-what? - Gangarossa, It's a Sicilian surname.
The most important is that you are not married.
- Are you? - Come on!
I've been waiting for you.
[QUIET NOISE OF WATER]
[TWO RINGS]
♪ [RHYTHMIC JAZZ SONG] ♪
♪
♪ [QUIET JAZZ MUSIC]
♪
[IN JAZZ STYLE]: ♪ Two hearts, four eyes ♪
♪ Oh, oh, oh ♪
♪
♪ What cried during all day and night ♪
♪ Oh, oh, oh ♪
♪
♪ That black eyes, which you cry ♪
♪ are not able to meet you again ♪
♪
♪ And I'm like a boy with no mother ♪
♪ Oh, oh, oh ♪
♪
♪ And who'd love such a boy ♪
♪ Oh, oh, oh ♪
♪
♪ And I'm just remains of a boy and voice ♪
♪ I will love as long as I live ♪
♪
[APPLAUSE]
[ON THE MELODY "TWO HEARTS..."]: ♪ Le pendule a tué le temps ♪
♪ Qui de nous retiendra l'instant ♪
Aren't there too many of the letter "r" in a row?
No.
♪ Des amants ont fui survivants ♪
♪ Oh Mon Dieu ♪
This does not sit in the melody either.
How to say it, makes it sits.
And what does this have to do with "Heart"?
It's such a free translation.
I wonder who translated it? Do not say that is your writer!
Yes, what? Juliette did it for us for free.
I thought that.
What a stupid text.
"The pendulum killed time." "Oh my God". Really, oh my God!
She has also found a critic too. Juliette is a very good poet. So famous.
- They just publish an anthology of hers. - I will not sing it.
- Well, there will not be a record, then. - There will not be a record!
[UNSCREWING A TAP, WATER FLOWS]
♪ [RADIO - JAZZ SONG "THE MAN I LOVE"]
♪
And be nice to Michel, he can do a lot of things here.
Somehow we like each other, and you'll like that even more.
- Why more? - Because you're cute.
You have, what they call Slavic Charm.
Do not overdo it with makeup, because you know...
- What? - It's good.
And be yourself, do not get worried.
- With a tie or without? - With a tie.
[IN FRENCH]: Good evening. - Good evening.
- Who will be there? - People with different interests.
- Is your outstanding poet here too? - Probably.
Come on, she is harmless. After me, she had two boyfriends.
And for Michel, you can choose the whole thing by yourself.
[IN FRENCH]: Good evening.
♪ [IN THE BACKGROUND - JAZZ MUSIC]
- [IN FRENCH]: Hey, Wiktor! - This is Michel.
This Michel. This is Zula.
[IN FRENCH]: Nice to meet you. I was longing to see you. I've heard a lot about you.
- [IN FRENCH]: It's nice. Thank you. - [IN FRENCH]: You are welcome.
[IN FRENCH] How did the movie come out?
[IN FRENCH] Excellently. We are pleased. It's also good news for you.
- [IN FRENCH] I am happy for you. - [IN FRENCH] And for you.
[IN POLISH]: I'll let you talk to each other, and I will go and look around.
[IN FRENCH] She has a character.
[IN FRENCH]: Good evening.
[IN FRENCH] Sorry. Good evening.
- [IN FRENCH] I was thinking a lot about your text. - [IN FRENCH] Yeah? Which one?
- [IN FRENCH] Of my song. - [IN FRENCH] Ah, yes.
[IN FRENCH] "The pendulum killed time." That's nice, but I do not understand it.
[IN FRENCH] Really? It's a metaphor.
[IN FRENCH] Which means what?
[IN FRENCH] That time does not matter when you are in love.
[IN FRENCH] Do you like staying here?
[IN FRENCH] In Paris? It's OK.
[IN FRENCH] It must have been shocking too.
[IN FRENCH] Shocking? Why?
[IN FRENCH] Cinemas, cafes, restaurants, shops, etc...
[IN FRENCH] Honestly, between us, I had a better life in Poland.
[IN FRENCH] Really? Then why did you run away?
[IN FRENCH] I did not run away. I married an Italian man, I left legally.
[IN FRENCH] Have you ever been to Palermo?
[IN FRENCH] No.
[IN FRENCH] What a pity!
[IN FRENCH] It was nice to meet you.
[CONVERSATION IN FRENCH, CHATTERING]
[IN FRENCH] Excuse me.
[IN POLISH]: What the fuck did you tell him?
- About what? - That I pretended to be a highlander.
That I was in jail. That I killed my father.
Even that I danced for Stalin in the Kremlin!
- But that's cool. - Why is that?
- Because I wanted to highlight you. - Highlight me?
- This is how things work here. - How is that?
I don't know.
Edith Piaf worked in a brothel, and that makes them love her more.
She was in a brothel. Why did you that for me?
And Giovanni was not an aristocrat, he only traded in crystals.
I have no words. I though it's in your favor. Shall we go home?
I met your mistress.
Good. Nice looking, but...
Arrogant. But in total, you fit each other.
[A MAN SPEAKS IN FRENCH]
Metaphor!
Idiot.
He is a jerk.
It's hard.
Zula, do not worry.
Let things go as they are.
I love him a lot.
[KNOCKING] Zula, are you OK?
- What are you doing here? - Go out, I just felt sad.
Not now, honey. We're going to "Eclipse".
- Everyone is gathering. - Well. Give me a moment.
♪ [MELANCHOLY JAZZ SONG]
♪
♪ [ENERGETIC ROCK AND ROLL SONG]
♪
In Poland, you were a guy, and here you are someone different.
No, maybe I'm just stupid to fell like this..
[IRONICAL]: But it's beautiful in general, we're in Paris...
I love you by all my strength.
And when it comes to Michel, do not worry about it at all.
We've signed a contract. I'll handle everything.
♪ [PEACEFUL JAZZ MUSIC]
♪
♪ [FOLK SONG "DOLINA" IN JAZZ VERSION WITH FRENCH LYRICS] ♪
♪
Stop!
What?
This is empty.
Empty?!
We have only 40 minutes left. Please, don't waste them for us.
Well. I'll do it right. You will see that by yourself.
What matters is "yourself".
Everything is here for you.
Believe in yourself.
I do believe in myself. I don't believe in you.
Can we?
[IN FRENCH]: Start over.
♪
♪ [JAZZ SONG, ADAPTED VERSION OF "TWO HEARTS" WITH A FRENCH LYRICS]
♪
What is so sad?
See. Our first child.
Bastard.
What happened?
Actually nothing.
It was great.
The French know what they are doing.
And Michel is a masterful in everything. He fucked me six times in the night.
Not like a Polish artist in exile.
Does this make me understand?
[KNOCKING]
[IN FRENCH]: Come out!
[IN FRENCH]: Excuse me.
- [IN FRENCH]: What did you do with her? - [IN FRENCH]: Nothing. She came back.
[IN FRENCH]: To Poland.
- [IN FRENCH]: To Poland? - [IN FRENCH]: Yes, to Poland.
♪ [JAZZ MUSIC - IMPROVISATIONS ON POLISH FOLK SONGS] ♪
♪
♪ [WIKTOR PLAYS LOUDER AND LOUDER, UNLIKE THE REST OF THE MUSICIANS] ♪
♪
♪ [THIS TIME HE PLAYS SLOWER AND THAT DESTROYED ALL THE MUSIC] ♪
♪
♪ [THE POLISH NATIONAL ANTHEM] ♪
♪
[BELL]
Hello?
Did I get to Mazurka?
Mazurek, in Bialaczow.
0418.
Give me Zuzanna Lichoń, please.
Lichoń.
Zula.
She just came back.
I understand.
Do not you know where she is?
I do not know how to help you.
You are not a Frenchman. And not Polish anymore.
As for us, for Poland, you do not exist.
But honestly, what made you decide to leave?
I'm Polish.
- Sir, give me a break. - I do.
You'd escaped, betrayed us, and lied about us.
You left young people who trusted in you.
You don't love Poland, sir.
- I do. - You do not.
But there is a solution.
If you sincerely regret your actions...
You have a special position in the artistic circles of Paris, right?
You know people from different spheres.
[TRAIN SOUND]
Poland, 1959
SOLDIERS: ♪ What does this friend remind you? ♪
♪ What does she remind you? ♪ ♪ What does this friend remind you? ♪
[EXPLOSIONS IN DISTANT]
Good day.
[A CAR DRONE]
You look horrible.
How many years?
Fifteen.
That supposed to be good.
Illegally crossed the boundary in both directions
and I was spying for the British.
You have ten minutes.
What have we done?
- I'll wait for you. - Come on!
Find another normal guy who can support you.
Such man is not born yet.
I'll get you out of here.
[CHEERFUL SONG]: ♪ Bajo bongo, bajo bongo ♪
♪ Bajo bongo, o bongo Baja ♪
♪ Bajo bongo, bajo bongo ♪
♪ Through the world length and breadth this is the song today ♪
♪ Bajo bongo, bajo bongo ♪
♪ Bajo bongo, o bongo Baja ♪
♪ Who knows this beautiful dance? Who dances like me? ♪
♪ O, bajo bongo, O, bongo Baja ♪
♪
♪ Bongo la, bongo la, bongo la, la, la ♪
♪ La, la, la, la, la ♪
♪ Bongo la, bongo la, bongo la, la, la ♪
♪ La, la, la, la, la ♪
[HUMMING]: ♪ Bajo bongo... ♪
It's nice that you found the time. Come on, Peter, do not be sad.
You'll introduce yourself to him.
Peter.
Hi.
He is shy.
- Does he look like me? - A photocopy.
So what? will you come back to music?
- Not really. - Yeah.
I am glad that you managed to get out of there. It was not easy.
But the deputy minister is our neighbor, and a good friend.
Thank you very much. I'm grateful, really.
I heard your Paris record. Very pretty.
Great arrangement.
It would be good to play it again, here with us, in Polish.
Zula would surely agree with that. By the way, too.
[APPLAUSE]
Mum is coming.
[CLINK OF BROKEN GLASSES]
I love you, but I have to puke now.
Stay at the banquet.
There will be a lot of interesting people from the world of art.
Come on, come on...
♪ [IN DISTANCE - A MERRY SONG]
Take me away from here.
That is why I am here.
But this time forever.
Repeat after me..
Me, Wiktor Warski, I am taking you, Zuzanna Lichoń, as my wife...
...and I swear I will never leave you in any case, until death.
I, Zuzanna Lichoń, take you, Wiktor Warski, as my husband
...and I swear I will never leave you in any case, until death.
Help us in that, God.
You take more because you are heavier.
I am yours now.
Forever and ever.
[CRICKETS CHIRPING]
Come to the other side.
There will be a better view from there.
"To my Parents"
♪ [PIANO - CALM MUSIC] ♪
♪ [J. S. BACH, "GOLDBERG'S VARIATIONS: ARIA"] ♪
♪
HEARING IMPAIRED SUBTITLE SOURCE: CULTURE FOUNDATION WITHOUT BARRIER
PREPARED BY: PRZEMYSŁAW ZDROK
ENGLISH SUBTITLE BY: NIZAR EZZEDDINE
♪
♪ [THE FOLK SONG "I"M OFF TO THE WATER"] ♪
♪
[CRICKETS CHIRPING]