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Hey, everyone.

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So now let's go ahead and continue on with their poses.

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Now, let's go and onto this post here.

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So once again, we did the same process, it'll just be to teach you how to draw this pose and it's

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all very, very simple because we do this, you're good.

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You guys are going to be doing this over and over.

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So well, I'm doing this and teaching you guys.

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It's going to be the same thing for you guys.

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And it's also going to be very good practice for you.

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So now let's go ahead and draw this.

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I always like to start with the head.

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Of course, I always like to start off with the cranium.

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Or the base of the head, you know, just kind of roughing it in.

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Make sure it's an appropriate size.

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It's looking more, you know, if the eyes are looking more frontal, but also kind of have a happier

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look, I'd like to put it a little bit more upward from here on out.

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I also like to draw the neck in the direction of the ribcage or the ribcage is more on the side.

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So you see it more kind of side view this time.

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Still, don't hesitate to draw the flat side of the pelvis, because that's so important.

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It's more like this instead of straight out like that, and then gesture wise, it looks like.

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Her pelvis, since I can't really see it, their address, it looks like it's a side.

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It kind of goes.

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I like that.

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Simply because we see this kind of going backwards, in fact, it might be a little bit more like.

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One second, let me go and do this pose real quick, let me just try and just understand it.

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So if you guys are confused on what direction the pelvises pose in the same direction as best as you

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can and try and understand where your pelvis is turning, that's a good way to figure out how you guys

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can do this.

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So let me go ahead and do that right quick and I'll come back and I got it.

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So basically what she is doing is that her pelvis is facing more this way.

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It's more to the side.

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Her left leg or the other, her left leg is going more, you know, towards the back, but then you

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turn your right leg this way, that's why it looks more forward.

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So I try that.

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It's actually quite doable and it's just a more turning motion.

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So you want the pelvis to be more like on the side, sort of like this, and it's facing a little bit

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up just to give it some nice little kick.

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So like her, if her turning point, especially her hip, her hip area is a little bit raised, it gives

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a more dynamic structure.

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So it's kind of like boop, you know.

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So keep in mind that, in fact, I'm going to make this a little bit smaller so I can just draw the

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whole posehn.

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And basically, from here on out, I'm basically going to just draw the legs and from here.

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I want to make sure that this is Ford.

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And this is pointing more towards the back, so I'm going to draw the calf in this area here just to

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kind of make sure that this is all in the right area.

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And then we can draw in the arms, it's more rested.

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Of course, when it comes to the ribcage, you want to end the elbow here.

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And in the.

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Arms.

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So once you have our best sketch, we can go ahead and draw in our we can draw in our body and that's

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going to be quite easy because we just have to fill it in with basic shapes.

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So we have our head here, which is pretty much already done.

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In fact, I'm just going to erase most of this here because this is just a very sketchy base.

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And I want you guys to draw on top on top of it and clean it up.

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Sorry.

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We go ahead and it was just a little bit shorter, closer to this, to this here.

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I like to draw on the side because I kind of like to draw from left to right because I'm already sorry

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if it looks like this drawing is always on the side on the side of the canvas here rather than the center.

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But I'm also at a tilted angle.

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So what I'm drawing, I kind of.

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And to get close to them, I kind of tell myself over a little bit.

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So here we have the face and we're finding it a little bit more, once you have a base, it's easy to

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refine and basically our neck is straight down.

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Make sure you have a good that has a good thickness is coming down from the cranium.

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And we have the shoulder.

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Raised up.

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It's a little bit like it's kind of like she's kind of raising her shoulder a little bit.

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And basically drag it down.

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From here on out, from the rib cage or the breast area.

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We can just draw in the body first, so here we have a little bit of a ribcage issue here and it's kind

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of disappeared, but that's because it's technically she's clothed.

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So we want to do is you want to drag ribcage down down to the pelvis box.

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And then curve it downward to the glutes.

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That's how you want to connect it.

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In fact, I should have made the pelvis block a little bit thicker, should be more like that.

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But now that you saw that, you can't go back now.

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So let me zoom in just a little bit more once again.

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And we see most of the posts here now, it's kind of go a little bit quicker, so I'm going to be using

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this brush again and I'm just going to be lucky in the gesture, just kind of filling in, using cylinders.

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And of course, if you think this is playing a little bit weird because I changed my laptop just recently,

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so.

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Yeah, Harami anyways, and this actually looks a little bit wrong.

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So I'm just going to erase this here.

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It looks really different on PC or Windows kind of style, so.

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Oh well, bear with me here.

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So this is actually correct.

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This leg here, it's supposed to be down here.

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The cap on top, drag it down, then we can draw the foot, you can see that already kind of separated

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this insulin into cylinder's getting in my head.

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And that's why a lot of these shapes look very cylindrical, have this kind of roundish look.

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And then here we have our front leg as facing more forward.

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We just want to make it straight.

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And then when it reaches the bottom, you can just draw in the feed.

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Say they can do with the arms, can draw one arm here, kind of separated into two cylinders.

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This is the conjoining part.

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No, I can just go ahead and erase.

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In fact, I would even go as even just bring this up just a little bit.

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Wow, this looks really different on

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on on PC and so it's I got to get used to this.

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So just kind of refining it here and there.

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Once again, we can kind of walk in the hair, we don't focus on the hand too much, just kind of in

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the basic shape, it looks terrible.

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But, you know, don't worry about it too much.

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You can always find it later.

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So that is our second pose or third pose.

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I'm sorry that we can start drawing the features in it.

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So I'm going to actually enlarge this had a little bit because it looks like it needs some enlargement

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press shift.

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Well, not really.

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Actually, this is interesting.

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So I don't have to I guess for my computer, I don't have to press shift and control.

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I could just do it automatically.

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So that's kind of nice.

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Interesting.

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So here, I'm just going to draw in the hair just really, really roughly just understand that it's

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going past and scalp and fluffing out and the kind of partying in terms of the bangs, we can even just

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draw simple where we can go simply with the hair.

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So it's a little bit more wavy and this one can even draw a little bit of face.

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Let's zoom in.

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Get your little face off smiley face here

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and she looks a little bit more mature.

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Let's give her some more mature looking eyes, which is a little bit rounder.

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Make sure to stick in the eyeline and eyebrow making just a little bit narrower.

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Can even erase some of these settings here, not settings, some of these sites are just having so much

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computer stuff in my head.

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Some of these eraser lines or these these little lines here, let me just change my brush to a softer

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brush here.

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This is a bit smaller, so I like that.

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I see what I do here, OK?

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That's not it.

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And it changed.

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So it's Alz.

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Oh, well, we just change it manually here.

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Still got to get used to this there.

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It's better.

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Don't like this.

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Do another I.

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Make sure that the same level and if they're not just iRace.

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Of course, I will be able to fix this once I this looks really weird, let me go ahead and just change

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this real quick.

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So I'm going to just rotate what oh, I did on the wrong layer, as usual.

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Well, deselect.

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And then I'm just what I'm just going to do is see how much things I did, ok.

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I only did this much.

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Well actually let me see if I did anything here.

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OK, it's just the face.

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So I'm just going to go ahead and cut and then I'm going to merge on top of this layer where the rest

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of the layer is here.

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So this is the bottom layer.

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This is the top.

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And just going to merge it.

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Command and control E.

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I think the face looks a little bit finds a little bit wobbly, but it's OK.

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Now, let's draw her outfit, so let's erase most of her outfit here.

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Let's just go ahead and enlarge this and then just really lightly.

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You raise.

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Of course, we'll retrace later on.

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Now let's draw in her extraordinary draw in her outfit.

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So notice that when I'm drawing this here, I'm going to make sure I pay close attention to the sleeves

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so the sleeves look rather baggy that had this kind of seem when in the middle and that kind of goes

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into a pipe fold.

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Not really painful.

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Like it's more like a drape refold or a kind of like a drop fold.

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Sorry, you could see that kind of has these nice little layers here, some other folds here that are

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kind of more pipe like.

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And this gives kind of like a loose feeling of the sleeve.

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And we have some layers curling inward and then having let this little outer sleeve popping out as she

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does under sleeve underneath.

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I'm going to take a bus just a little bit smaller.

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I'm going to extend some folds underneath her belly or her breast area, and then I'm going to darken

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this area.

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Here are the arm.

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I'm going to refine the Hans.

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He's going to split it into.

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Index finger, middle finger.

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Fourth finger.

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This is the news from here on one side, and I'm going to just simply go ahead and draw in the other

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hand, that hurts or hurt their fingers kind of curl over.

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It's kind of hard to really see, honestly.

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Well, I'm just not going to draw this is too complicated.

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So I'm just what I'm just going to do is.

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Simply by the hand, I don't like this hand.

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Really do something like this, kind of keep your hand a bit closed.

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Maybe instead of having her hand kind of all like that, can maybe have her carry some papers just to

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make it something kind of fun.

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She can wear her bracelet on top, just draw a cylinder on top, a little circular lips over her, over

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her.

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Arm here with gas and rubber bands so secure so she doesn't drop all the papers, but notice how when

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it comes to her skirt, it folds in from her waist and they can draw a nice little balloon shape or

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this kind of like this flowing mushroom because she will draw some ruffles that can twist their shorts,

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twist it around.

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Fold in the other areas here, such as the edges.

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That's worked pretty smoothly.

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I'm really happy about this.

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So let me zoom out.

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This is what it looks like so far.

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And then we can draw in the remaining of the legs here, just talking.

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These are just here.

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Then we can draw in her legs, she actually looks appears to be a little bit longer.

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So what I'm going to do is I'm just going to extend this just a little bit.

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And just going to retrace.

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Do the same thing on the other side, can extend the leg a little bit just to give us some more room.

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Notice how the foot is facing forward in this image, because you're looking at it from the front so

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you can see most of the side.

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Shoes are still the same, we just want to draw the buckles, overlapping the foot, and then have it

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kind of curl down and draw the form underneath the foot of another, we have another strap on top.

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Then you can see a little platform underneath the foot.

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The city on the other side, although this is kind of more back looking, so you want to add a little

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platform underneath.

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I would kind of go over.

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And then draw the heel, notice how the strap kind of wraps around the foot and one direction and then

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through the back.

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You still want to draw the straps as if you're going over the foot.

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So it looks more natural.

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That is how you draw your third pose.

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So now let's go into the final one, which is the cutesy kind of style, and these are good illustrations

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as well.

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So I'm going to do as and then Comanche control to enlarge this and then we can just draw the pose.

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Now, the pose as once again, we're start with the gesture.

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I just start off the head and then generally understand where the wreckage is going, it's feet that's

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facing forward, you want to drop this forward.

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Just below that is our pelvis, which is facing a little bit upward this time because you just kind

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of pull your hips a little bit forward.

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And this is what her shoulders look like, her shoulders look like one of them is facing upward, you

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have her hand here at the end and then we have her other hand kind of extending outward onto a dress

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to make this just a little bit smaller.

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OK, so now I'm starting to get used to a little bit more of the oops, but more of the controls here,

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so I'm just kind of I kind of switch my controllers back to default of what I had back and when I had

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my Mac.

231
00:19:48,740 --> 00:19:50,540
But anyways, let's continue with the gesture.

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So even though we can't see the gesture, like what?

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00:19:53,760 --> 00:19:58,050
The complete body, because the dress is covered, we can still kind of understand where the flow of

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00:19:58,050 --> 00:19:59,340
the body is because of the legs.

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00:19:59,340 --> 00:19:59,890
Give the hint.

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00:20:00,540 --> 00:20:04,830
So it looks like it's going out and the kind of straight and have this kind of nice little curve at

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the bottom.

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00:20:07,660 --> 00:20:13,000
Cynthia on the other side and the sort of slightly bent and that's kind of generally how you want to

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00:20:13,000 --> 00:20:17,950
do it, and also take note that when you drop your hand, your hand is not too far from kneecap.

240
00:20:17,960 --> 00:20:23,950
So using that kind of measurement here, you can kind of tell where the kneecaps will be now and fill

241
00:20:23,950 --> 00:20:24,520
this out.

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00:20:30,220 --> 00:20:32,070
They have a robust area here.

243
00:20:33,820 --> 00:20:34,510
Our neck.

244
00:20:39,510 --> 00:20:41,640
In fact, I'm glad you raised just a little bit here.

245
00:20:46,950 --> 00:20:55,140
They're going to do the same thing, just going to quickly and quickly draw the soap.

246
00:20:55,770 --> 00:21:02,160
Notice how a wrap the figure or the waist area around the ribcage and then I gently kind of just bring

247
00:21:02,160 --> 00:21:05,910
it back around the pelvis.

248
00:21:13,240 --> 00:21:17,560
And from here on, we have our legs, which are a little bit long because it looks like she's wearing

249
00:21:17,560 --> 00:21:18,610
some platform heels.

250
00:21:20,610 --> 00:21:26,700
But you can see that it generally goes downward, it gets thick up at the bottom above, and then the

251
00:21:26,700 --> 00:21:31,470
patella starts thinning out and then it gets stuck again and then it goes thin.

252
00:21:35,100 --> 00:21:36,120
And then we have our foot.

253
00:21:46,240 --> 00:21:51,330
And her feet look a little bit bigger because it looks like it's kind of in a skewed perspective, so

254
00:21:51,330 --> 00:21:58,560
it looks like you have a Kabali facing down perspective in this on the feet and then you have a kind

255
00:21:58,560 --> 00:22:01,290
of almost looking up version on her chest.

256
00:22:01,530 --> 00:22:06,150
So it's kind of very fish, not fish, but just very, very skewed camera angle.

257
00:22:06,150 --> 00:22:07,080
You want to take note of that?

258
00:22:08,490 --> 00:22:16,320
So notice how when it comes to the feet here, it's very, very down where you're basically looking

259
00:22:16,620 --> 00:22:17,850
almost straight down at it.

260
00:22:17,850 --> 00:22:21,060
So it kind of goods at a very interesting angle here.

261
00:22:22,270 --> 00:22:25,450
Let's see the other leg and also make your legs longer.

262
00:22:25,470 --> 00:22:30,570
So notice that even though proportions don't really change very much to the camera angle, it looks

263
00:22:30,780 --> 00:22:32,730
like the legs do look a lot longer.

264
00:22:35,470 --> 00:22:39,790
And all of these are just kind of through basic shapes and forms, so.

265
00:22:41,910 --> 00:22:43,560
We had the other foot.

266
00:22:48,810 --> 00:22:56,180
And control the strap over on top and notice how the rawness of it is following the curve of the foot

267
00:22:56,820 --> 00:23:00,510
so it's not to run is just a little bit round enough that it forms around the foot.

268
00:23:01,290 --> 00:23:04,590
Here we have the socks because just mark where those are.

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00:23:07,830 --> 00:23:16,260
And then we can you raise a little bit of this arm here just so we can have enough room to draw the

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00:23:16,260 --> 00:23:17,010
rest of the clothes?

271
00:23:21,340 --> 00:23:25,410
Notice, I don't focus too much on the details of the clothes because I can always come in later but

272
00:23:25,420 --> 00:23:31,180
always focus on the main clothing, one of our clothes, I always make sure that every parts of the

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00:23:31,450 --> 00:23:36,910
clothing is already intact and that ruffles or or patterns like this kind of pattern doesn't really

274
00:23:36,910 --> 00:23:40,350
matter as much as long as the clothing is correct that you're good.

275
00:23:40,360 --> 00:23:41,470
And then we have an arm.

276
00:23:42,710 --> 00:23:44,380
Arm is a lot thinner than the sleeves.

277
00:23:47,500 --> 00:23:49,180
So this looks a little bit more relaxed.

278
00:23:54,200 --> 00:24:01,150
I know it could just block in her hand here does have to be perfect and we have our other hand, we

279
00:24:01,150 --> 00:24:05,380
have the pinky leaning against or the face leaning against the hand.

280
00:24:05,380 --> 00:24:09,010
So and the pinky is kind of in the way.

281
00:24:09,010 --> 00:24:12,340
So we don't pinky and the rest, we can just follow along.

282
00:24:13,460 --> 00:24:16,090
And then we have her arm and her arm.

283
00:24:17,140 --> 00:24:21,460
We just see the end where the elbow is an elbow is is where the end of the ribcage is.

284
00:24:27,770 --> 00:24:31,070
And then her shoulder kind of protrudes out and then connects.

285
00:24:35,040 --> 00:24:36,250
Now, what about her face?

286
00:24:36,270 --> 00:24:41,220
Her face seems to be actually a little bit bigger, so I'm going to make it just a bit rounder and a

287
00:24:41,220 --> 00:24:41,730
bit bigger.

288
00:24:48,200 --> 00:24:49,010
It's a bit better.

289
00:24:50,900 --> 00:24:58,460
Now, let's enlarge this just a little bit so we can draw the rest of her body so her eyes, I would

290
00:24:58,700 --> 00:25:02,720
even though her eyes are kind of small, her eyes are very innocent looking, so I would make them rather

291
00:25:02,720 --> 00:25:03,740
large instead.

292
00:25:05,090 --> 00:25:06,260
Well, oops.

293
00:25:09,970 --> 00:25:15,970
We have our nose and then we have her eye line and we have her lip.

294
00:25:27,890 --> 00:25:34,010
Her lip is kind of like a pouty look, but just as a performer, we could just do something like our

295
00:25:34,020 --> 00:25:34,790
rounded lip.

296
00:25:37,970 --> 00:25:42,680
And I could have opened and then we can add in some nice little lip gloss.

297
00:25:48,190 --> 00:25:53,230
So we can also make the face just a little bit rounder there.

298
00:26:01,610 --> 00:26:11,330
So I also vary depending on the vibe of the character you want it to be around if it's innocent looking

299
00:26:11,330 --> 00:26:13,970
and more slanted if it's more serious looking.

300
00:26:14,960 --> 00:26:18,320
So notice, I'm just kind of making sure that each of the eye is quite equal.

301
00:26:21,600 --> 00:26:23,550
And that the size of the eye, is it too big?

302
00:26:24,410 --> 00:26:26,270
It's definitely before the end of the nose.

303
00:26:28,950 --> 00:26:30,470
The highlights just simplify it.

304
00:26:34,490 --> 00:26:37,490
And then her eyebrows kind of rest upward.

305
00:26:40,250 --> 00:26:42,530
I can add a little bit of blush for some added effect.

306
00:26:46,130 --> 00:26:54,710
And yeah, it's pretty much pretty good, her proportions are very, very long, and once again, that's

307
00:26:54,710 --> 00:26:55,580
because of the camera angle.

308
00:26:55,590 --> 00:26:58,910
So it looks like she has some bangs covering her head.

309
00:26:59,510 --> 00:27:02,870
So I'm just going to go ahead and just draw some strands really, really lightly.

310
00:27:10,690 --> 00:27:16,270
Kind of covers her bit of a forehead just a little bit, and then she has the headband, so her headband

311
00:27:16,270 --> 00:27:17,890
looks like it connects at one point.

312
00:27:18,620 --> 00:27:23,560
So you want to draw those, draw that accordingly, where it's like there's two bulging kind of strands

313
00:27:23,560 --> 00:27:27,520
up at the top covered by her ear.

314
00:27:40,970 --> 00:27:47,200
And then her back of the head kind of protrudes out a little bit and it goes straight down.

315
00:27:50,250 --> 00:27:57,480
So her puffy sleeves kind of get this kind of very puffy, puffy kind of shape, so I notice a really

316
00:27:57,480 --> 00:28:07,920
big ruffle on top of this arm here and I'm going to erase most of this body just so it doesn't interfere

317
00:28:07,920 --> 00:28:08,820
with everything else.

318
00:28:09,120 --> 00:28:11,340
I'm going to just see race up to there.

319
00:28:13,040 --> 00:28:17,780
So her arm, her sleeve is kind of surrounding her arm.

320
00:28:18,150 --> 00:28:20,700
Same with the other sleeve.

321
00:28:20,700 --> 00:28:22,050
And it's very, very poofy.

322
00:28:23,010 --> 00:28:26,640
And we have our other sleeve that is a little bit more skin tight on her arm.

323
00:28:26,640 --> 00:28:27,810
So that's what it looks like.

324
00:28:28,110 --> 00:28:30,690
You just want to overlap the forms on top of her body.

325
00:28:34,460 --> 00:28:43,330
And this is more so like a like a draping kind of fold or fold up here with the cuffs.

326
00:28:44,400 --> 00:28:45,810
These are really, really big folds.

327
00:28:45,810 --> 00:28:49,410
And notice that the bigger the folds are in, the more and the less folds.

328
00:28:49,410 --> 00:28:51,690
There are depends on how tight your clothing is.

329
00:28:51,960 --> 00:28:59,600
I don't see much clothing or I don't see much big tight clothing or ruffles separately bending parts.

330
00:28:59,880 --> 00:29:01,970
So this clothing must be quite rough.

331
00:29:02,350 --> 00:29:06,570
Rough must be quite loose, especially the sleeves area.

332
00:29:06,570 --> 00:29:08,160
So I'm just trying hard choker here.

333
00:29:08,160 --> 00:29:10,440
I'm just going to simplify it by just drawing a simple choker.

334
00:29:11,310 --> 00:29:13,800
And then I see her a little lace area here.

335
00:29:22,360 --> 00:29:25,450
And I can see here that she has little bit of a bow in the middle.

336
00:29:26,290 --> 00:29:27,600
Let's just draw that real quick.

337
00:29:28,900 --> 00:29:35,860
Yeah, a centerpiece and then a fanned out cloth and have a ruffle or fold in between.

338
00:29:37,780 --> 00:29:39,940
And it looks like it has like a rounded kind of.

339
00:29:40,930 --> 00:29:47,080
Shape I have only seen find this because I don't want to take too long of this, so so it looks like

340
00:29:47,080 --> 00:29:54,670
here that there's also a little bit of round ribbons or some crisscross ribbons across her dress, which

341
00:29:54,670 --> 00:29:55,420
is quite cute.

342
00:29:56,720 --> 00:30:07,390
And then we have a little sleeve area, a little steam line, and then we have the sleeve and a sleeve

343
00:30:07,390 --> 00:30:13,030
kind of puffs out towards or kind of balloons out towards the end.

344
00:30:13,180 --> 00:30:18,700
So I want to just put in a shape and then understand what the ruffles are going.

345
00:30:19,030 --> 00:30:23,790
The Zaroff overlapping on top of the wrist and one down here as well.

346
00:30:27,350 --> 00:30:29,150
Kind of just overlaps each other.

347
00:30:31,490 --> 00:30:34,400
So I'm just going to erase this area here.

348
00:30:36,720 --> 00:30:37,590
Make a little cough.

349
00:30:40,570 --> 00:30:47,980
Make a little pocket or a sleeve area for the remaining part of the sleeve, and then we can draw the

350
00:30:47,980 --> 00:30:49,000
hand really simply.

351
00:30:53,950 --> 00:30:59,140
For the body, it just looks quite simple because it's really just a piece of cloth kind of just hanging

352
00:30:59,140 --> 00:31:02,410
out and having a little.

353
00:31:04,830 --> 00:31:07,560
Bow tied around her waist waist.

354
00:31:15,100 --> 00:31:20,770
And then she has her address, which kind of puts out word in a baggy form of whey or baggie kind of

355
00:31:20,770 --> 00:31:25,450
way, and then it reaches about at her thigh area.

356
00:31:25,480 --> 00:31:28,780
So just a little bit above her kneecaps.

357
00:31:28,780 --> 00:31:30,220
So I would just say it ends here.

358
00:31:35,070 --> 00:31:37,070
Stretches out a little bit towards the end.

359
00:31:41,630 --> 00:31:45,950
Kind of blocks the sleeves a little bit here, too, so I'm just going to erase the remaining parts

360
00:31:45,950 --> 00:31:46,730
of the legs here.

361
00:31:52,470 --> 00:31:56,940
And then notice where the folds are, the folds kind of cling on to the middle part here with a bow

362
00:31:56,940 --> 00:32:01,380
is or the ribbon is, and it kind of gives out these little tight folds.

363
00:32:02,940 --> 00:32:06,330
And then there's also a little kind of like a little seam.

364
00:32:07,500 --> 00:32:09,360
And then you want to follow the ruffles.

365
00:32:09,360 --> 00:32:13,710
So wherever it goes, wherever the ruffles go, and you can move it up and follow the form.

366
00:32:17,140 --> 00:32:20,560
Can even just draw a little bit of a line just to kind of indicate the detail.

367
00:32:25,540 --> 00:32:32,560
And then we have the remaining little pleats, I will call them, more like folds at the end, because

368
00:32:32,560 --> 00:32:33,940
it's kind of they look like a pipe.

369
00:32:34,630 --> 00:32:38,650
What I want you guys to do is just kind of draw in one ruffle over the other.

370
00:32:39,550 --> 00:32:41,410
It doesn't matter how perfect it is.

371
00:32:41,410 --> 00:32:46,380
You just want to draw it and overlap on top and keep it around.

372
00:32:48,430 --> 00:32:53,920
Notice that when it folds out, it becomes a bit more straight and that she has a little bag on top

373
00:32:53,920 --> 00:32:56,440
of on top of her.

374
00:32:56,450 --> 00:32:57,960
So we have a little chain link.

375
00:32:58,870 --> 00:33:03,470
And let's just draw a simple bag just like a little bit.

376
00:33:03,930 --> 00:33:06,040
Maybe we can do something like a little Elipse.

377
00:33:09,220 --> 00:33:14,830
Kind of look like a squashed cylinder, but I want it to be more like like that.

378
00:33:20,400 --> 00:33:25,260
So here is her dress, you can add a little bow at the back just for some customization.

379
00:33:28,710 --> 00:33:36,720
In darkened areas where anything, if there's anything in front of the dress or anything, make it bolder,

380
00:33:36,720 --> 00:33:40,500
so there's arm in front of the dress, I want to make that bolder edge, at least.

381
00:33:40,920 --> 00:33:43,970
And I want to make this chain line just a little bit bolder as well.

382
00:33:49,340 --> 00:33:50,690
Same thing with the bow here.

383
00:33:51,290 --> 00:33:57,530
I'm going to turn on my smoothie just a little bit there and then I'm going to zoom in on her legs and

384
00:33:57,530 --> 00:34:01,070
just kind of clean this up here before we end this video.

385
00:34:01,790 --> 00:34:05,720
I'm trying to go a little bit faster so I don't take you know, I don't bore you guys too much.

386
00:34:06,230 --> 00:34:10,010
So I think from now on, I'm going to just try and condense my videos a little bit more.

387
00:34:11,600 --> 00:34:20,750
I'll try to add for the stockings or the little stock, just a little socks, Cardross, a little ruffles

388
00:34:21,260 --> 00:34:26,300
and surrounding socks just to match with the dress very quick.

389
00:34:28,510 --> 00:34:32,190
And that's pretty much it for this video, so let me go ahead and compile all these.

390
00:34:32,470 --> 00:34:34,990
Let me actually make the lines of the legs a little bit darker.

391
00:34:36,860 --> 00:34:38,620
Let's see here we have this one here.

392
00:34:39,420 --> 00:34:40,540
It's kind of like a fashion line.

393
00:34:40,840 --> 00:34:41,830
We have this one.

394
00:34:48,100 --> 00:34:52,540
We have you see the one well.

395
00:34:55,110 --> 00:35:00,900
We have this one here right at the pose line here, I'm going to.

396
00:35:02,720 --> 00:35:03,530
Cut this.

397
00:35:06,750 --> 00:35:12,580
I have this one here and then lastly, this one cute.

398
00:35:14,010 --> 00:35:16,410
Some pretty proud that he's actually so cut.

399
00:35:19,700 --> 00:35:27,230
So they're on a separate layer and simply do that and then we can do.

400
00:35:30,730 --> 00:35:36,250
Simply enlarge these, so they're all at the same height.

401
00:35:41,950 --> 00:35:46,190
This one can be a little bit smaller there, so that's pretty much it for this video.

402
00:35:46,210 --> 00:35:47,400
Let me know what you guys think.

403
00:35:47,410 --> 00:35:50,440
I hope that you guys enjoyed this and learned a lot from this as well.

404
00:35:50,860 --> 00:35:53,160
And I really enjoyed doing this as well.

405
00:35:53,170 --> 00:35:57,910
So let me go ahead and Darren, take this put this open and see this line here.

406
00:35:58,300 --> 00:35:59,500
Anyways, that's if it this video.

407
00:35:59,500 --> 00:36:02,350
Let me know what you guys think and I'll see you guys the next one by.