Hey, everyone.
So now let's go ahead and continue on with their poses.
Now, let's go and onto this post here.
So once again, we did the same process, it'll just be to teach you how to draw this pose and it's
all very, very simple because we do this, you're good.
You guys are going to be doing this over and over.
So well, I'm doing this and teaching you guys.
It's going to be the same thing for you guys.
And it's also going to be very good practice for you.
So now let's go ahead and draw this.
I always like to start with the head.
Of course, I always like to start off with the cranium.
Or the base of the head, you know, just kind of roughing it in.
Make sure it's an appropriate size.
It's looking more, you know, if the eyes are looking more frontal, but also kind of have a happier
look, I'd like to put it a little bit more upward from here on out.
I also like to draw the neck in the direction of the ribcage or the ribcage is more on the side.
So you see it more kind of side view this time.
Still, don't hesitate to draw the flat side of the pelvis, because that's so important.
It's more like this instead of straight out like that, and then gesture wise, it looks like.
Her pelvis, since I can't really see it, their address, it looks like it's a side.
It kind of goes.
I like that.
Simply because we see this kind of going backwards, in fact, it might be a little bit more like.
One second, let me go and do this pose real quick, let me just try and just understand it.
So if you guys are confused on what direction the pelvises pose in the same direction as best as you
can and try and understand where your pelvis is turning, that's a good way to figure out how you guys
can do this.
So let me go ahead and do that right quick and I'll come back and I got it.
So basically what she is doing is that her pelvis is facing more this way.
It's more to the side.
Her left leg or the other, her left leg is going more, you know, towards the back, but then you
turn your right leg this way, that's why it looks more forward.
So I try that.
It's actually quite doable and it's just a more turning motion.
So you want the pelvis to be more like on the side, sort of like this, and it's facing a little bit
up just to give it some nice little kick.
So like her, if her turning point, especially her hip, her hip area is a little bit raised, it gives
a more dynamic structure.
So it's kind of like boop, you know.
So keep in mind that, in fact, I'm going to make this a little bit smaller so I can just draw the
whole posehn.
And basically, from here on out, I'm basically going to just draw the legs and from here.
I want to make sure that this is Ford.
And this is pointing more towards the back, so I'm going to draw the calf in this area here just to
kind of make sure that this is all in the right area.
And then we can draw in the arms, it's more rested.
Of course, when it comes to the ribcage, you want to end the elbow here.
And in the.
Arms.
So once you have our best sketch, we can go ahead and draw in our we can draw in our body and that's
going to be quite easy because we just have to fill it in with basic shapes.
So we have our head here, which is pretty much already done.
In fact, I'm just going to erase most of this here because this is just a very sketchy base.
And I want you guys to draw on top on top of it and clean it up.
Sorry.
We go ahead and it was just a little bit shorter, closer to this, to this here.
I like to draw on the side because I kind of like to draw from left to right because I'm already sorry
if it looks like this drawing is always on the side on the side of the canvas here rather than the center.
But I'm also at a tilted angle.
So what I'm drawing, I kind of.
And to get close to them, I kind of tell myself over a little bit.
So here we have the face and we're finding it a little bit more, once you have a base, it's easy to
refine and basically our neck is straight down.
Make sure you have a good that has a good thickness is coming down from the cranium.
And we have the shoulder.
Raised up.
It's a little bit like it's kind of like she's kind of raising her shoulder a little bit.
And basically drag it down.
From here on out, from the rib cage or the breast area.
We can just draw in the body first, so here we have a little bit of a ribcage issue here and it's kind
of disappeared, but that's because it's technically she's clothed.
So we want to do is you want to drag ribcage down down to the pelvis box.
And then curve it downward to the glutes.
That's how you want to connect it.
In fact, I should have made the pelvis block a little bit thicker, should be more like that.
But now that you saw that, you can't go back now.
So let me zoom in just a little bit more once again.
And we see most of the posts here now, it's kind of go a little bit quicker, so I'm going to be using
this brush again and I'm just going to be lucky in the gesture, just kind of filling in, using cylinders.
And of course, if you think this is playing a little bit weird because I changed my laptop just recently,
so.
Yeah, Harami anyways, and this actually looks a little bit wrong.
So I'm just going to erase this here.
It looks really different on PC or Windows kind of style, so.
Oh well, bear with me here.
So this is actually correct.
This leg here, it's supposed to be down here.
The cap on top, drag it down, then we can draw the foot, you can see that already kind of separated
this insulin into cylinder's getting in my head.
And that's why a lot of these shapes look very cylindrical, have this kind of roundish look.
And then here we have our front leg as facing more forward.
We just want to make it straight.
And then when it reaches the bottom, you can just draw in the feed.
Say they can do with the arms, can draw one arm here, kind of separated into two cylinders.
This is the conjoining part.
No, I can just go ahead and erase.
In fact, I would even go as even just bring this up just a little bit.
Wow, this looks really different on
on on PC and so it's I got to get used to this.
So just kind of refining it here and there.
Once again, we can kind of walk in the hair, we don't focus on the hand too much, just kind of in
the basic shape, it looks terrible.
But, you know, don't worry about it too much.
You can always find it later.
So that is our second pose or third pose.
I'm sorry that we can start drawing the features in it.
So I'm going to actually enlarge this had a little bit because it looks like it needs some enlargement
press shift.
Well, not really.
Actually, this is interesting.
So I don't have to I guess for my computer, I don't have to press shift and control.
I could just do it automatically.
So that's kind of nice.
Interesting.
So here, I'm just going to draw in the hair just really, really roughly just understand that it's
going past and scalp and fluffing out and the kind of partying in terms of the bangs, we can even just
draw simple where we can go simply with the hair.
So it's a little bit more wavy and this one can even draw a little bit of face.
Let's zoom in.
Get your little face off smiley face here
and she looks a little bit more mature.
Let's give her some more mature looking eyes, which is a little bit rounder.
Make sure to stick in the eyeline and eyebrow making just a little bit narrower.
Can even erase some of these settings here, not settings, some of these sites are just having so much
computer stuff in my head.
Some of these eraser lines or these these little lines here, let me just change my brush to a softer
brush here.
This is a bit smaller, so I like that.
I see what I do here, OK?
That's not it.
And it changed.
So it's Alz.
Oh, well, we just change it manually here.
Still got to get used to this there.
It's better.
Don't like this.
Do another I.
Make sure that the same level and if they're not just iRace.
Of course, I will be able to fix this once I this looks really weird, let me go ahead and just change
this real quick.
So I'm going to just rotate what oh, I did on the wrong layer, as usual.
Well, deselect.
And then I'm just what I'm just going to do is see how much things I did, ok.
I only did this much.
Well actually let me see if I did anything here.
OK, it's just the face.
So I'm just going to go ahead and cut and then I'm going to merge on top of this layer where the rest
of the layer is here.
So this is the bottom layer.
This is the top.
And just going to merge it.
Command and control E.
I think the face looks a little bit finds a little bit wobbly, but it's OK.
Now, let's draw her outfit, so let's erase most of her outfit here.
Let's just go ahead and enlarge this and then just really lightly.
You raise.
Of course, we'll retrace later on.
Now let's draw in her extraordinary draw in her outfit.
So notice that when I'm drawing this here, I'm going to make sure I pay close attention to the sleeves
so the sleeves look rather baggy that had this kind of seem when in the middle and that kind of goes
into a pipe fold.
Not really painful.
Like it's more like a drape refold or a kind of like a drop fold.
Sorry, you could see that kind of has these nice little layers here, some other folds here that are
kind of more pipe like.
And this gives kind of like a loose feeling of the sleeve.
And we have some layers curling inward and then having let this little outer sleeve popping out as she
does under sleeve underneath.
I'm going to take a bus just a little bit smaller.
I'm going to extend some folds underneath her belly or her breast area, and then I'm going to darken
this area.
Here are the arm.
I'm going to refine the Hans.
He's going to split it into.
Index finger, middle finger.
Fourth finger.
This is the news from here on one side, and I'm going to just simply go ahead and draw in the other
hand, that hurts or hurt their fingers kind of curl over.
It's kind of hard to really see, honestly.
Well, I'm just not going to draw this is too complicated.
So I'm just what I'm just going to do is.
Simply by the hand, I don't like this hand.
Really do something like this, kind of keep your hand a bit closed.
Maybe instead of having her hand kind of all like that, can maybe have her carry some papers just to
make it something kind of fun.
She can wear her bracelet on top, just draw a cylinder on top, a little circular lips over her, over
her.
Arm here with gas and rubber bands so secure so she doesn't drop all the papers, but notice how when
it comes to her skirt, it folds in from her waist and they can draw a nice little balloon shape or
this kind of like this flowing mushroom because she will draw some ruffles that can twist their shorts,
twist it around.
Fold in the other areas here, such as the edges.
That's worked pretty smoothly.
I'm really happy about this.
So let me zoom out.
This is what it looks like so far.
And then we can draw in the remaining of the legs here, just talking.
These are just here.
Then we can draw in her legs, she actually looks appears to be a little bit longer.
So what I'm going to do is I'm just going to extend this just a little bit.
And just going to retrace.
Do the same thing on the other side, can extend the leg a little bit just to give us some more room.
Notice how the foot is facing forward in this image, because you're looking at it from the front so
you can see most of the side.
Shoes are still the same, we just want to draw the buckles, overlapping the foot, and then have it
kind of curl down and draw the form underneath the foot of another, we have another strap on top.
Then you can see a little platform underneath the foot.
The city on the other side, although this is kind of more back looking, so you want to add a little
platform underneath.
I would kind of go over.
And then draw the heel, notice how the strap kind of wraps around the foot and one direction and then
through the back.
You still want to draw the straps as if you're going over the foot.
So it looks more natural.
That is how you draw your third pose.
So now let's go into the final one, which is the cutesy kind of style, and these are good illustrations
as well.
So I'm going to do as and then Comanche control to enlarge this and then we can just draw the pose.
Now, the pose as once again, we're start with the gesture.
I just start off the head and then generally understand where the wreckage is going, it's feet that's
facing forward, you want to drop this forward.
Just below that is our pelvis, which is facing a little bit upward this time because you just kind
of pull your hips a little bit forward.
And this is what her shoulders look like, her shoulders look like one of them is facing upward, you
have her hand here at the end and then we have her other hand kind of extending outward onto a dress
to make this just a little bit smaller.
OK, so now I'm starting to get used to a little bit more of the oops, but more of the controls here,
so I'm just kind of I kind of switch my controllers back to default of what I had back and when I had
my Mac.
But anyways, let's continue with the gesture.
So even though we can't see the gesture, like what?
The complete body, because the dress is covered, we can still kind of understand where the flow of
the body is because of the legs.
Give the hint.
So it looks like it's going out and the kind of straight and have this kind of nice little curve at
the bottom.
Cynthia on the other side and the sort of slightly bent and that's kind of generally how you want to
do it, and also take note that when you drop your hand, your hand is not too far from kneecap.
So using that kind of measurement here, you can kind of tell where the kneecaps will be now and fill
this out.
They have a robust area here.
Our neck.
In fact, I'm glad you raised just a little bit here.
They're going to do the same thing, just going to quickly and quickly draw the soap.
Notice how a wrap the figure or the waist area around the ribcage and then I gently kind of just bring
it back around the pelvis.
And from here on, we have our legs, which are a little bit long because it looks like she's wearing
some platform heels.
But you can see that it generally goes downward, it gets thick up at the bottom above, and then the
patella starts thinning out and then it gets stuck again and then it goes thin.
And then we have our foot.
And her feet look a little bit bigger because it looks like it's kind of in a skewed perspective, so
it looks like you have a Kabali facing down perspective in this on the feet and then you have a kind
of almost looking up version on her chest.
So it's kind of very fish, not fish, but just very, very skewed camera angle.
You want to take note of that?
So notice how when it comes to the feet here, it's very, very down where you're basically looking
almost straight down at it.
So it kind of goods at a very interesting angle here.
Let's see the other leg and also make your legs longer.
So notice that even though proportions don't really change very much to the camera angle, it looks
like the legs do look a lot longer.
And all of these are just kind of through basic shapes and forms, so.
We had the other foot.
And control the strap over on top and notice how the rawness of it is following the curve of the foot
so it's not to run is just a little bit round enough that it forms around the foot.
Here we have the socks because just mark where those are.
And then we can you raise a little bit of this arm here just so we can have enough room to draw the
rest of the clothes?
Notice, I don't focus too much on the details of the clothes because I can always come in later but
always focus on the main clothing, one of our clothes, I always make sure that every parts of the
clothing is already intact and that ruffles or or patterns like this kind of pattern doesn't really
matter as much as long as the clothing is correct that you're good.
And then we have an arm.
Arm is a lot thinner than the sleeves.
So this looks a little bit more relaxed.
I know it could just block in her hand here does have to be perfect and we have our other hand, we
have the pinky leaning against or the face leaning against the hand.
So and the pinky is kind of in the way.
So we don't pinky and the rest, we can just follow along.
And then we have her arm and her arm.
We just see the end where the elbow is an elbow is is where the end of the ribcage is.
And then her shoulder kind of protrudes out and then connects.
Now, what about her face?
Her face seems to be actually a little bit bigger, so I'm going to make it just a bit rounder and a
bit bigger.
It's a bit better.
Now, let's enlarge this just a little bit so we can draw the rest of her body so her eyes, I would
even though her eyes are kind of small, her eyes are very innocent looking, so I would make them rather
large instead.
Well, oops.
We have our nose and then we have her eye line and we have her lip.
Her lip is kind of like a pouty look, but just as a performer, we could just do something like our
rounded lip.
And I could have opened and then we can add in some nice little lip gloss.
So we can also make the face just a little bit rounder there.
So I also vary depending on the vibe of the character you want it to be around if it's innocent looking
and more slanted if it's more serious looking.
So notice, I'm just kind of making sure that each of the eye is quite equal.
And that the size of the eye, is it too big?
It's definitely before the end of the nose.
The highlights just simplify it.
And then her eyebrows kind of rest upward.
I can add a little bit of blush for some added effect.
And yeah, it's pretty much pretty good, her proportions are very, very long, and once again, that's
because of the camera angle.
So it looks like she has some bangs covering her head.
So I'm just going to go ahead and just draw some strands really, really lightly.
Kind of covers her bit of a forehead just a little bit, and then she has the headband, so her headband
looks like it connects at one point.
So you want to draw those, draw that accordingly, where it's like there's two bulging kind of strands
up at the top covered by her ear.
And then her back of the head kind of protrudes out a little bit and it goes straight down.
So her puffy sleeves kind of get this kind of very puffy, puffy kind of shape, so I notice a really
big ruffle on top of this arm here and I'm going to erase most of this body just so it doesn't interfere
with everything else.
I'm going to just see race up to there.
So her arm, her sleeve is kind of surrounding her arm.
Same with the other sleeve.
And it's very, very poofy.
And we have our other sleeve that is a little bit more skin tight on her arm.
So that's what it looks like.
You just want to overlap the forms on top of her body.
And this is more so like a like a draping kind of fold or fold up here with the cuffs.
These are really, really big folds.
And notice that the bigger the folds are in, the more and the less folds.
There are depends on how tight your clothing is.
I don't see much clothing or I don't see much big tight clothing or ruffles separately bending parts.
So this clothing must be quite rough.
Rough must be quite loose, especially the sleeves area.
So I'm just trying hard choker here.
I'm just going to simplify it by just drawing a simple choker.
And then I see her a little lace area here.
And I can see here that she has little bit of a bow in the middle.
Let's just draw that real quick.
Yeah, a centerpiece and then a fanned out cloth and have a ruffle or fold in between.
And it looks like it has like a rounded kind of.
Shape I have only seen find this because I don't want to take too long of this, so so it looks like
here that there's also a little bit of round ribbons or some crisscross ribbons across her dress, which
is quite cute.
And then we have a little sleeve area, a little steam line, and then we have the sleeve and a sleeve
kind of puffs out towards or kind of balloons out towards the end.
So I want to just put in a shape and then understand what the ruffles are going.
The Zaroff overlapping on top of the wrist and one down here as well.
Kind of just overlaps each other.
So I'm just going to erase this area here.
Make a little cough.
Make a little pocket or a sleeve area for the remaining part of the sleeve, and then we can draw the
hand really simply.
For the body, it just looks quite simple because it's really just a piece of cloth kind of just hanging
out and having a little.
Bow tied around her waist waist.
And then she has her address, which kind of puts out word in a baggy form of whey or baggie kind of
way, and then it reaches about at her thigh area.
So just a little bit above her kneecaps.
So I would just say it ends here.
Stretches out a little bit towards the end.
Kind of blocks the sleeves a little bit here, too, so I'm just going to erase the remaining parts
of the legs here.
And then notice where the folds are, the folds kind of cling on to the middle part here with a bow
is or the ribbon is, and it kind of gives out these little tight folds.
And then there's also a little kind of like a little seam.
And then you want to follow the ruffles.
So wherever it goes, wherever the ruffles go, and you can move it up and follow the form.
Can even just draw a little bit of a line just to kind of indicate the detail.
And then we have the remaining little pleats, I will call them, more like folds at the end, because
it's kind of they look like a pipe.
What I want you guys to do is just kind of draw in one ruffle over the other.
It doesn't matter how perfect it is.
You just want to draw it and overlap on top and keep it around.
Notice that when it folds out, it becomes a bit more straight and that she has a little bag on top
of on top of her.
So we have a little chain link.
And let's just draw a simple bag just like a little bit.
Maybe we can do something like a little Elipse.
Kind of look like a squashed cylinder, but I want it to be more like like that.
So here is her dress, you can add a little bow at the back just for some customization.
In darkened areas where anything, if there's anything in front of the dress or anything, make it bolder,
so there's arm in front of the dress, I want to make that bolder edge, at least.
And I want to make this chain line just a little bit bolder as well.
Same thing with the bow here.
I'm going to turn on my smoothie just a little bit there and then I'm going to zoom in on her legs and
just kind of clean this up here before we end this video.
I'm trying to go a little bit faster so I don't take you know, I don't bore you guys too much.
So I think from now on, I'm going to just try and condense my videos a little bit more.
I'll try to add for the stockings or the little stock, just a little socks, Cardross, a little ruffles
and surrounding socks just to match with the dress very quick.
And that's pretty much it for this video, so let me go ahead and compile all these.
Let me actually make the lines of the legs a little bit darker.
Let's see here we have this one here.
It's kind of like a fashion line.
We have this one.
We have you see the one well.
We have this one here right at the pose line here, I'm going to.
Cut this.
I have this one here and then lastly, this one cute.
Some pretty proud that he's actually so cut.
So they're on a separate layer and simply do that and then we can do.
Simply enlarge these, so they're all at the same height.
This one can be a little bit smaller there, so that's pretty much it for this video.
Let me know what you guys think.
I hope that you guys enjoyed this and learned a lot from this as well.
And I really enjoyed doing this as well.
So let me go ahead and Darren, take this put this open and see this line here.
Anyways, that's if it this video.
Let me know what you guys think and I'll see you guys the next one by.