THE CROWD
We have accumulated a good amount of information
throughout the previous lessons
and I hope you have made many discoveries and findings.
For this lesson they have to gather all that
in a single image or in a group of images,
what I call "the crowd", which is where we will make a selection
Everything good to do our "line-up".
What will work with the concept they want to portray
in his final "line-up" because we have to choose
what kind of characters, what kind of personalities
but we will see that in the next lesson.
Now join me in the notebook so you can see what I did.
Here I already have a collection of characters
that throughout the previous drawings I found interesting
or that I wanted to rescue for my final project.
Some have appeared in drawings,
some have appeared for only
discoveries made with cuts, for example these two.
This cucumber head appeared in the deformation lesson.
If you do this what you can do
is to trace, put a sheet on top,
as a way of repeating and exaggerating
and more pronounced and more interesting distortions.
I'm going back to the previous one so they can see.
Here there is not so much personality in the stroke.
They are a bit more unequal, there is no good symmetry,
there are the general ideas and here I decided to be more geometric,
I cut waistlines, widened hips
I was much more marked with the proportions.
And, in addition, reminder of where the waists are.
And I also begin to determine directions of looks, of heads.
They can go back to tracing, if they wish,
and when they re-tracing they can already make a finer stroke
and start putting in new ingredients.
The images alone begin to tell them:
"This I can lean towards a certain attitude or clothing."
For example, everything round your body
I found it interesting to contrast it with a square hat.
The contrast of one form with respect to another.
Or for example the figure of this lady that I have done several times,
I already put funny breasts and wavy hair.
I liked this one here, it's a kind of monk.
You can see how it started, a drop head started
and had a rectilinear body
that didn't start being rectilinear, it started with this form,
but then I turned it straight and then returned to the drop form.
That is part of the process
And that is something that I highly recommend.
Don't marry any idea, keep changing all the time.
This is the ideal time to stop.
It is not the end of a phase, but it is the beginning
of a new creation period.
I have twenty characters here.
You may have less or more, but we will make a selection
and based on that selection we will be more specific
about facial features, things of clothing.
With this we end the unity of the body
and in the next unit we will start
with something very good that are five very important tips
to recap things we already saw
and they will give you new information.