在盒子里呆了一段时间后，让我们开始以不同的方式看待事物 After spending some good amount of time inside the boxes, let's start seeing things in different
的方式。 ways.
一个好的开始是在水平方向探索脖子，而不是垂直方向。 A good starting point is to explore the neck more horizontally instead of vertical.
所以把这些融入到你的演奏中最好的方法就是让你自己置身于 So the best way to incorporate this onto your playing is to put yourself in situations where
你的弦比平时少了。 you have less strings than the usual.
通过简单地去掉使用吉他所有琴弦的想法，它已经 By simply taking off the idea of using all the strings of your guitar, it's already
足够让你的大脑选择不同的道路，也足够让你的双手做出不同的选择 enough to make your brain to take different paths and also your hands to make different
动作。 moves.
所以从现在开始，你会少关注形状，少关注图案，多关注有意识的音符。 So from now on, you will be less about shapes, less patterns, and more intentional notes.
这是我们真正要全身心投入工作的时候。 This is the time where we are really going to put our ears into work.
让我给你们看一些例子。 Let me show you some examples.
在一个字符串的情况下，这可能是最难的，因为你完全 So in a one string situation, this is probably the hardest because again, you get completely
走出你的舒适区。 out of your comfort zone.
所以你习惯了… So you were used to just...
现在你要从这个方向转到这个方向。 And now you're going to have to move from this sort of direction to this.
这就是事情看起来很简单的时候。 And that's when things could kind of look simple.
但另一方面，因为你在创造力方面有更多的限制。 But on the other hand, because you have more limitation in terms of creativity.
这就迫使你更有意识地使用你想要使用的音符。 So that kind of forces you to be more intentional with the notes you want to use.
所以要…… So be...
当我说一根弦的时候，它不一定只有一根弦，比如 And when I mean by one string, it doesn't necessarily need to be only one string, like
假装你拿走了所有的五根弦。 pretending that you took all five strings.
它更像是一次一个字符串。 It's just more like one string at a time.
例如，一旦你的手指已经在G弦上，你就不会垂直移动 So once you already have your finger in the G string, for example, you don't move vertical
了。 anymore.
你只要沿水平方向走。 You just go in a horizontal way.
我可以在这里展示一个很好的例子，它使用了这种心态， And there's a very nice example that I could show here that uses this sort of mentality,
这是重力的独唱，凝胶之歌。 which is the solo of gravity, the gel mare song.
如果你看，这个独奏的开头，实际上是他在演奏G大调五声调 If you see, the beginning of that solo, it's literally him playing the G major pentatonic
但是从单弦的角度来看。 but in a one string perspective.
我不能完美地演奏它，但它是这样的。 I'm not going to be able to play it perfectly, but it's something like this.
你知道，再一次，有这种一根弦的策略很酷， You know, so again, the cool thing about having this sort of strategy of the one string,
它让你更多地以幻灯片播放者的身份思考。 it kind of sets you to think more as a slide player.
话虽如此，这也迫使你使用一些，你知道，各种技术， And with that being said, that also forces you to use some, you know, types of technique,
包括幻灯片本身。 including the slide itself.
我的意思是，让我在这里演奏一个和弦进行，我可以给你们展示一些例子。 So I mean, let me play a chord progression here and I can try to show you some examples.
现在是E大调，对吧? So we are in key of E major, okay?
我将试着演奏大部分的E大调五声音符，但只从一个弦的角度。 And I'm going to try to play most of E major pentatonic notes, but in just one string perspective.
试着添加一些幻灯片，一些微幻灯片之类的东西。 And try to add some slides, some micro slides and things like that.
所以应该是这样的。 So it would be something like this.
无论如何，这里有一些例子，你可以 So anyways, here are some of the examples that you could
只用一个五声和弦来探索。 explore by just using the one string with the pentatonics.
另一件很酷的事情是，你知道，利用优势 Well another thing which is kind of cool to mess around with is, you know, take advantage
你只是练习，你知道，你胡乱摆弄，你知道， of the open strings as well and you just practice, you know, you mess around with, you know,
这里有一些序列。 some sort of sequences here.
我喜欢做的一件事是，再一次，只是在声音和类似的东西上做文章 So one thing that I like to do, again, just to mess around with sounds and things like
我要做的是这种序列在字符串之间，我从 that, what I do is this sort of sequence where in between the strings, I change from
从大调到小调。 major to minor.
这里只举一个例子，我将保留低E，我们有参考。 So just one example here, I'm going to just keep the low E, so we have the reference.
在高E弦上，我卡住了E大调五声音。 And on the high E string, I jam over E major pentatonic sound.
然后转到B弦，转到小调五声，都是E调， And then when I move to the B string, I move to the minor pentatonic sound, both in E,
E调，E调，就像这样。 and in E, and in the key of E, so something like this.
好了，现在我们有了两个字符串 All right, now that we have two strings as in
作为一种选择，我们也有更好更广泛的创意空间。 an option, we also have a better and wider range for our creativity.
在这个场合，我最喜欢做的一件事就是抓住片段 And one of the things that I like to do the most in this occasion is to grab the fragments
我们过去学过的形状，但把它们放在一个水平的角度。 of the shapes that we learned in the past, but put them in a horizontal perspective.
再说一次，我们只讨论一次使用两个字符串。 Again, we're just talking about using two strings at a time.
所以你会像这样，我要在这里设置鼓点，我在演奏 So you would be something like this, I'm going to set the drum beat here, I'm playing
每分钟83下。 at 83 BPM.
我们选一个调，a小调五声。 And let's pick a key, A minor pentatonic.
现在，我将只使用高E弦和B弦。 So right now, I'm going to be using only the high E string and the B string.
再次，我将使用碎片，但在一个水平的角度。 And again, I'm going to use the fragments, but in a horizontal perspective.
你会是这样的。 You would be something like this.
然后我可以开始添加一些变化，比如 And then I could start adding some variations, something like
然后我可以移动到不同的字符串，同样，还是用两个字符串 that, then I can move to different strings, and again, still just using two strings at
一段时间。 a time.
你知道，诸如此类的事情。 You know, stuff like that.
这很酷，因为当我在这里做最后一次运行时，它有点 And it's kind of cool because while I was doing the very last run here, it kind of
让我想起了那个非常著名的吉他舔，或者里奇·科特森和格雷格的把戏 made me think of that very famous guitar lick or the trick that Ritchie Cotsen and Greg
我们一直在使用。 Howe use all the time.
实际上，你知道，它非常适合这种情况，就像这样。 And it's actually, you know, it works perfectly for this case, which is something like this.
我们还是在A小调，我们回到B和高E弦。 We're still in key of A minor and we're back to the B and high E string.
他们所做的是，当然，我不像他们那样演奏，但是，这个 What they do is something like, of course, I don't play this like them, but again, this
也可能是一个很好的资源，你可以在你想要的情况下使用 could be also a great source for you to use in situations that, again, you just want
为了摆脱这种状态，你知道，开始用不同的方式看待事物。 to get out of the shape and, you know, start seeing things in a different way.
我来解释一下这个技术是怎么回事。 So let me try to explain here what this technique is about.
所以我们喜欢两小节。 So we kind of do like two bars.
所以我们把五声音阶联系起来，但是，在这两个弦的世界里。 So we connect the pentatonic scale, but again, in this two strings universe.
我们要做的是，我们把这些形状连接起来用这种条形，就像混合的 And what we do is, so we connect the shapes using this sort of bar and like the hybrid
选择技术。 picking technique.
一次又一次。 And again.
这些都是一些很好的例子 So, yeah, those are a couple of good examples of how to
在这个双弦的场景中，乱用五声音阶。 mess around with the pentatonic, but in this two string scenario.
我看看还有没有别的事。 Let me see if there's other thing.
是的，我们可以做的另一件很酷的事情是，你知道，使用一些双止点技术 Yes, so another cool thing we could do is, you know, having some double stops technique
在这。 on this.
有一种非常著名的感觉，尤其是在R&B世界，就像这样。 And there's a very famous sort of feel, especially in the R&B world, which is something like this.
你可以把它当作两条弦的思路。 And you could use this as this two string mentality.
想象一下，如果我们在这里，在E大调，这是舔。 So imagine if we're here in key of E major, and this is the lick.
所以你可以用它作为一个很酷的东西，你知道，你也可以这样做 So you could use that as well as a cool thing to, you know, you could also do that
不过是E小调。 but in key of E minor.
这是一个棘手的部分，所以你必须以一种不可能的方式向后滑动 And this is the tricky part, so you kind of have to slide back in a way where it doesn't
听起来像，所以你可以做的另一个变化是我结束的这种序列 sound like, so another variation you could do is this sort of sequence that I ended
用来做独唱，实际上就像是在这首歌的副歌之前 up using for a solo, actually it's like right before the chorus of this song called
本·卡米诺的《世界上更少的人》 Less Man in the World by the Ben Camino.
而我作为客人在那里。 And there's me there as a guest.
我做的一个拍子是五声的，但还是在两根弦的情况下。 There's one lick that I do that is literally pentatonic, but again in this two string situation.
我们选一个调，B小调，在B小调五声音阶里，我们可以做点什么 So let's just grab a key here, B minor, so in B minor pentatonic, we could do something
像这样，我知道我用的这个音符不适合B小调五声， like this, and I know that I use this note that doesn't fit in the B minor pentatonic,
但我只是想把它作为一种很酷的练习方式，你知道，让脖子形象化 but I just want to show this as a cool way to practice, you know, to visualize the neck
更多的是水平方向。 more in a horizontal way.
所以我要在这里敲鼓，看看我能不能…… So having to drum beat here, let's see if I could...
对，这样的东西，在双字符串透视图中使用是很酷的。 Yeah, so stuff like that, it's kind of cool to use when you are in this two string perspective.
是的，我喜欢用的另一件事就是探索我的 Yeah, another thing that I love using in this two note perspective is to explore my
弯曲技术。 bending technique.
所以这是我想出的这个序列，它是音符幻灯片音符，我们在这里 So there's this sequence that I came up with, it's note slide band note, and we are here
在A小调中，我们只用G弦和B弦。 in key of A minor, and we're just going to use the G string and the B string.
听起来是这样的。 So it's something, it would sound like this.
所以我们在演奏A小调五声，但还是在水平的角度，使用 So we're playing the A minor pentatonic, but again in a horizontal perspective and using
技巧，也就是乐队，对吧? technique, which is the band, right?
让我看看，让我试着在这里加上一些额外的增益，这样听起来会好一点。 So let me see, let me try to put some extra gain here, so it sounds a little better.
随着鼓点的节拍，它听起来就像这样。 So with the drum beat, it would sound something like this.
耶，耶，耶，耶，耶，耶，耶，耶，耶，耶，耶，耶，耶，耶，耶 Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
是的，是的，所以无论如何，这些是你可以用来探索的一些变化 yeah, yeah, yeah, so anyways, these are some of the variations that you could use exploring
这是两个音符的视角。 this two notes perspective.
好了，现在一次有三个字符串， Okay, now with three strings at a time,
我觉得这里最酷的事是 I think the coolest thing to do here
是为了探索主题，你知道吗? is to explore the motifs, you know?
你现在有三根弦， You'll have three strings now,
现在动作开始了， so now the movements start making,
开始更好地沟通 start to communicate a little better
要把形状的本质表现出来， in terms of bringing that essence of the shapes,
尽管它仍然是水平的， even though it's still in a horizontal perspective,
但我觉得现在就声音而言 but I feel like now in terms of sound,
它能更好地与事物沟通 it communicates better with the things
你已经习惯了。 that you already used to.
我们可以这样做。 So we could do something like this.
现在我们一次有三个字符串 So now we have three strings at a time
我们要演奏B小调的曲子 and we're gonna be playing something B minor,
而我只是在瞎混 and I'm just gonna be messing around
就像我通常做的那样， with the possibilities or variations that I normally do,
你知道吗? you know?
所以。 So.
所以对于这个，乱弄一下也不错 So for this, it would be nice to mess around
以6为一组。 with this sort of groups of six.
或者像这样。 Or like this, right here.
最酷的事情是现在有了三组， The coolest thing of having the groups of three now,
因为我们可以找到这些区域 it's because we can find these areas
就像非常像，你知道， where it's just like very like, you know,
很简单，因为其实是同一个动作。 easy because it's literally the same movement.
是的。 Yeah.
你知道，像这样的事情， You know, so things like that,
我觉得这样做很好。 I think it's really nice to do.
还有一件事我忘了说 And there's also one thing that I forgot to mention
关于两个弦的可能性， about the two string possibility,
就是用八度，你知道吗? which is to use the octaves, you know?
这是一种技巧，或者，我不知道， And this is a technique or, I don't know,
这是我一直在用的替代方法， an alternative that I use all the time,
你知道的，每当我想独唱的时候 you know, whenever I'm coming up with a solo
或者是即兴创作。 or an improvisation.
所以我可以直接用八度 So I could literally just use octaves
和小调五声调，你懂吗? and harmonize the minor pentatonic, you know?
就像这样。 Something like this.
同样，它有一个水平的视角。 And again, it has that horizontal point of view.
保持B小调不变。 So again, keeping B minor.
你会变成那样的人，知道吗? You'll be something like that, you know?
是的。 So yeah.
还有一件事我想跟你谈谈，关于你占我便宜的事 So, there's another thing I'd love to talk to you, which is about you taking advantage
在五声音阶中最容易的。 of the easy paths when it comes to pentatonics.
举个例子，在这里，如果我们在D小调上，如果我们抓住形号 So, for example, here, if we are on the key of D minor, and if we grab the shape number
形状1和形状4，我们会看到这种相互运动，我称之为 one and the shape number four, we're going to see this mutual movement, which I called
随着方块的移动。 as the square moves.
所以，让我们在这里为你播放整个形状。 So, let's play the entire shape here for you.
第一种形状是这样的。 So, shape number one goes like this.
我们有这个，形状4，我们有这个。 So, we have here, and shape number four, we have this.
当然，字符串有点不同。 So, of course, the strings are a little different.
在第6、第5、第4个形状1上，在第4个形状上，它开了 It's on the sixth, fifth, and fourth on the shape one, and on the shape four, it's on
第五，第四，第三串。 the fifth, fourth, and third string.
但无论如何，你应该利用这些路径，有一种方法可以做到 But anyways, you should take advantage of these paths, and there is a way you could
用那个方阵来演奏五声。 play a pentatonic using that square moves.
我不会把它归类为垂直或水平。 And I wouldn't categorize this as either vertical or horizontally.
所以，我会说这是一个乏味的方向，一切都是相互联系的。 So, I would say it's just in a bland direction, everything's all connected.
所以，你可以有一种方法来玩这个领域，那就是… So, you could have one way of playing this in this area, which is...
或者你也可以用这个区域来玩。 Or you could also play like this using this area.
所以，使用这个方块移动，你可以这样玩，这里，你可以这样玩。 So, using this square moves, you could play like this, and here, you can play like this.
这就是全连通的形状。 So, this is the all connected shape.
所以，你听起来就像打鼓一样。 So, you would sound like this with a drum beat.
所以，为什么我喜欢这个全连接的形状是因为你可以用它作为一个非常好的 So, why do I like this all connected shape is because you could use that as a very nice
也许可以开始一个独奏，或者，我不知道，也许可以用这种方式来创作一个即兴片段 way to maybe to start a solo, or, I don't know, maybe create a riff using this sort
这就是为什么我认为在这里再次提到这一点非常重要。 of movement, and that's why I think it's really important to mention this here again.
那么，想象一下，让我们试着在这里做这个，想象我们在这里有一个独奏，也许 So, imagine, let's just try to do this here, imagine we have a solo to play here, and maybe
你不知道该做什么，你不知道如何开始独唱，或者你想逃跑 you don't know what to do, you don't know how to start a solo, or maybe you want to run
远离那种典型的…… away from that typical...
这是一个非常，我不会说可预测的，但绝对是最常见的开始独奏的方式之一。 Which is a very, I wouldn't say predictable, but definitely one of the most common ways to start a solo.
你可以这样做。 You could do something like this.
无论如何，这对你们来说只是一个不足的变化。 So, anyways, this is just an under variation for you.
在我们进入下一步之前，我想给你们看一个非常小的东西，那就是 Before we move on to the next step, I'd like to show you a very less thing, which is the
五声音阶，但每根弦有三个音符。 pentatonic, but in a three note per string.
我不怎么用这个方法，但我觉得给你们展示一下很好，尤其是 I don't use this method very much, but I think it's nice to show it to you guys, especially
如果你更喜欢金属或那种硬摇滚学校。 if you're more into metal or that sort of hard rock school.
这是一个很多金属人都会做的形状，我将在这里用一个调 This is a shape that a lot of metal guys do it, and I'm going to be here in a key of
E小调，非常金属调。 E minor, very metal key.
每个弦有三个音符，这就是为什么我们从D开始，它是这样的。 So, it's three notes per string, so that's why we start in D, so it goes like this.
所以，每弦有三个音符，特别是如果你想使用交替演奏 So, having this as the three note per string kind of, especially if you want to use alternate
采摘或连击，对这种形状更有效。 picking or legato, it kind of works better for this type of shape.
让我们试着练习一下。 Let's try to practice this a little bit.
让我们试一试。 Let's try it.
差不多就是这样。 Something like that.
现在我们的思想更开放了，是时候来点真正的乐趣了。 So now that we are a little bit more open minded, it's time to get some real fun.