1 00:00:48,840 --> 00:00:50,360 It is an incredible àlbum. 2 00:00:50,640 --> 00:00:53,520 The weekend was heard in KNAC. 3 00:00:53,880 --> 00:00:57,480 And one is going away to continue oyendo in the radio of the South of California 4 00:00:57,840 --> 00:01:01,040 Aqui in the store it has been an authentic madness. 5 00:01:01,360 --> 00:01:03,360 The Black Album. 6 00:01:03,560 --> 00:01:05,440 I believe that… 7 00:01:05,800 --> 00:01:09,680 Metallica was called ' ' '' but always I called ' ' Black Album to him ' '. 8 00:01:09,880 --> 00:01:11,880 It had a particular thing. 9 00:01:12,240 --> 00:01:14,520 It was a simple black cover, 10 00:01:14,720 --> 00:01:17,760 that it did not distract to us when oía the mûsica. 11 00:01:18,160 --> 00:01:20,720 We go to it They are the two in the morning. 12 00:01:21,800 --> 00:01:26,040 Nobody in L.A. està amusing itself. Estàn all in the bed. 13 00:01:27,040 --> 00:01:30,520 We are here, for that reason we go to the rock. 14 00:01:56,240 --> 00:02:00,840 From the beginning all the songs they are based on riff. 15 00:02:01,440 --> 00:02:04,680 To obtain good riff he is the main thing. 16 00:02:04,880 --> 00:02:08,200 As we are advancing, we added things. 17 00:02:08,840 --> 00:02:12,320 Riff is the support of all canciôn. 18 00:02:12,840 --> 00:02:16,000 First canciôn that we composed, 19 00:02:16,240 --> 00:02:19,840 tapeworm a fantàstico riff that Kirk Hammett composed. 20 00:02:20,040 --> 00:02:22,200 And asi surgiõ the Enter Sandmann. 21 00:02:37,640 --> 00:02:39,440 - This is riff - My riff. 22 00:02:39,640 --> 00:02:42,560 - first that you wrote - Yes, first. 23 00:02:42,760 --> 00:02:44,440 Brilliant one. 24 00:02:44,800 --> 00:02:46,440 Escribi 25 00:02:46,640 --> 00:02:48,560 to three in the morning. 26 00:02:52,080 --> 00:02:54,040 Very it was inspired 27 00:02:54,400 --> 00:02:58,600 and I said myself: ' ' I am going to compose riff very hard.'' 28 00:02:58,800 --> 00:03:00,800 No, I did not say anything of that. 29 00:03:02,240 --> 00:03:06,720 - and he was so not ocurriõ. - history is not this one. 30 00:03:07,080 --> 00:03:11,680 Riff of the àlbum is a little different of that he composed. 31 00:03:11,880 --> 00:03:17,320 It composed riff that was a part and later tapeworm another final part. 32 00:03:17,520 --> 00:03:20,240 Thus it was a sequence of parts. 33 00:03:20,600 --> 00:03:22,120 It touches riff original. 34 00:03:35,520 --> 00:03:40,160 Habria be completely different. Estaria Aûn living in East Bay. 35 00:03:41,240 --> 00:03:43,120 I had the idea 36 00:03:43,440 --> 00:03:48,360 to do it asi: three equal parts and the final part. 37 00:03:48,720 --> 00:03:51,040 I repeat the first part. 38 00:03:58,240 --> 00:04:00,760 He is lick hallucinating. 39 00:04:00,960 --> 00:04:05,040 It was completely powerful and extraordinary. 40 00:04:05,240 --> 00:04:08,400 It was a fantàstico clàsico rock, but intelligent. 41 00:04:08,600 --> 00:04:10,720 It had a futurist quality. 42 00:04:10,920 --> 00:04:14,440 It was different from old àlbumes of heavy metal. 43 00:04:14,640 --> 00:04:19,880 Different from which oiamos in the radio. This riff loaded the loudspeakers. 44 00:04:20,080 --> 00:04:22,600 Presentaciôn was one by itself. 45 00:04:22,800 --> 00:04:25,440 We are here, if they want as if no. 46 00:04:25,800 --> 00:04:27,520 These are outsiders. 47 00:04:27,720 --> 00:04:32,600 The four àlbumes of these types sôlo is heard in 10 radios of America. 48 00:04:32,800 --> 00:04:35,760 Sôlo did videoclip, at the end of the 4 àlbum. 49 00:04:36,280 --> 00:04:40,760 It was a garage band, that queria to make tours until the aim of its life. 50 00:04:41,120 --> 00:04:43,560 Independently of its statute, 51 00:04:43,760 --> 00:04:45,840 the band was developed 52 00:04:46,040 --> 00:04:50,840 in the press and the radios that they ponian heavy metal. 53 00:04:51,040 --> 00:04:53,880 To anybody Metallica interested to him. 54 00:04:54,240 --> 00:04:57,600 They did not glide to be the greater band of rock of the world. 55 00:05:00,360 --> 00:05:04,840 We had finished the tour of Justice nine months before, 56 00:05:05,040 --> 00:05:07,880 and we had concrete plans. 57 00:05:08,240 --> 00:05:12,080 Queriamos to try to compose simple songs. 58 00:05:12,280 --> 00:05:15,800 Simple, compared to the other songs. 59 00:05:16,160 --> 00:05:21,840 After oir the àlbum Justice, we saw that necesitàbamos orientaciõn. 60 00:05:24,920 --> 00:05:27,880 I am not despising the àlbum. 61 00:05:28,440 --> 00:05:31,880 He was correct then and it was well. 62 00:05:32,080 --> 00:05:34,320 But he is fàcil to recognize 63 00:05:34,520 --> 00:05:37,760 who produced it and who made the mixtures. 64 00:05:38,040 --> 00:05:43,040 Percusiôn and the violas estàn very high, that is, Lars and I. 65 00:05:57,840 --> 00:06:00,120 For my, the àlbum Justice 66 00:06:00,960 --> 00:06:04,920 not saliô very well, because not oía the low one. 67 00:06:05,120 --> 00:06:08,920 The reasons were several that they originated that. 68 00:06:09,120 --> 00:06:13,440 I was so responsible for that reason like demàs. 69 00:06:14,160 --> 00:06:16,400 I believe that they saw 70 00:06:16,600 --> 00:06:19,640 that they had to make a decision 71 00:06:20,000 --> 00:06:22,840 on which he was going to leave in its next album. 72 00:06:23,760 --> 00:06:25,840 Hacian always àlbumes 73 00:06:26,040 --> 00:06:30,720 in agreement with its knowledge musical comedies and tecnolõgicos. 74 00:06:31,120 --> 00:06:35,440 The Black Album had one orientaciôn musical different. 75 00:06:35,640 --> 00:06:38,520 He is absolutely overwhelming. 76 00:06:39,280 --> 00:06:42,800 It was a producer that wise to make albums, 77 00:06:43,000 --> 00:06:44,960 that it adored the radio. 78 00:06:45,320 --> 00:06:48,600 The cooperation between Bob Rock and the Metallica 79 00:06:48,960 --> 00:06:51,080 he was destined to the success. 80 00:06:51,720 --> 00:06:56,200 I went to see them Vancouver when they made the tour of Justice. 81 00:07:09,800 --> 00:07:11,680 Some months later 82 00:07:12,040 --> 00:07:14,360 his manager it contacted to mio 83 00:07:14,720 --> 00:07:16,560 in order to make the mixture of the album. 84 00:07:17,640 --> 00:07:21,040 After seeing them, I said to them: 85 00:07:21,840 --> 00:07:24,480 ' ' I want to produce your àlbum.'' 86 00:07:24,840 --> 00:07:27,600 Sentõ and was sincere with us. 87 00:07:27,960 --> 00:07:30,120 One seated and it said: 88 00:07:30,480 --> 00:07:34,440 ' ' I saw touch You in direct times and I listened to your discs. 89 00:07:35,480 --> 00:07:37,520 ' ' you have not recorded in a disc 90 00:07:37,880 --> 00:07:39,880 what you make in direct.'' 91 00:07:42,000 --> 00:07:46,040 And we thought: ' ' He pardons, but who you are tû ' ' 92 00:07:46,600 --> 00:07:50,080 Wise he at where this could arrive. 93 00:07:50,280 --> 00:07:53,600 Of certain way, that me inspirô. 94 00:07:53,960 --> 00:07:58,240 No longer he was sõlo Lars and I saying what was going to happen. 95 00:07:58,440 --> 00:08:00,880 We had a fifth member, 96 00:08:01,080 --> 00:08:04,160 that he would help us to obtain what we wanted. 97 00:08:05,320 --> 00:08:11,040 In previous works, each member recorded separately. 98 00:08:11,400 --> 00:08:14,880 I said to them cômo I was used to working. 99 00:08:15,080 --> 00:08:19,480 With me, the band touched in study and it approached canciõn of that form. 100 00:08:19,680 --> 00:08:21,920 They touched all together ones 101 00:08:22,120 --> 00:08:25,880 and asi gave him a feeling to canciõn. 102 00:08:27,880 --> 00:08:31,480 < Before, the objective era to obtain > < the perfect track of bateria. > 103 00:08:31,840 --> 00:08:36,400 He was sõlo James and I.It was touching and I tried to take the best track. 104 00:08:36,600 --> 00:08:40,440 We put bateria and tocàbamos until the 1 refrain. 105 00:08:40,800 --> 00:08:44,760 Volviamos atràs and tocàbamos until the second. 106 00:08:45,120 --> 00:08:49,560 Towards truely intense. We could not put the leg. 107 00:08:50,280 --> 00:08:54,480 Ours intenciôn never was to let take to us by the mûsica. 108 00:09:42,240 --> 00:09:43,920 It must be understood 109 00:09:44,120 --> 00:09:47,000 that then we were jõvenes, ingenuous and reserved. 110 00:09:47,480 --> 00:09:50,960 Nobody put with us. 111 00:09:51,280 --> 00:09:54,160 We had one fõrmula, it was thus and point. 112 00:09:54,560 --> 00:09:57,040 It would say that the first times, 113 00:09:57,400 --> 00:10:00,520 perhaps the three months of the àlbum, with reproducciôn, 114 00:10:00,880 --> 00:10:02,600 dificiles were enough. 115 00:10:03,480 --> 00:10:06,720 I believe that they distrusted a little me. 116 00:10:06,920 --> 00:10:09,840 My commentaries to its songs 117 00:10:10,240 --> 00:10:12,560 they happened unnoticed. 118 00:10:12,760 --> 00:10:14,680 I spoke and they ignored to me. 119 00:10:15,040 --> 00:10:18,520 The types of Anthrax and Megadeth they oppressed to us enough, 120 00:10:18,720 --> 00:10:20,840 with the pleasant melôdico and, you know 121 00:10:21,200 --> 00:10:22,720 This type is not timido. 122 00:10:22,920 --> 00:10:26,440 It seated alli and he said all his ideas. 123 00:10:26,640 --> 00:10:28,600 He sent the greater ones musical silly things. 124 00:10:29,200 --> 00:10:32,120 It was a period of changes. 125 00:10:32,320 --> 00:10:35,400 We had to know us, 126 00:10:35,600 --> 00:10:37,920 that to prove an a to us the others. 127 00:10:38,280 --> 00:10:41,600 Queriamos to have the security of which the type was good 128 00:10:41,800 --> 00:10:43,920 and that could develop to Metallica. 129 00:10:44,280 --> 00:10:46,480 Formerly, Bob was a woman. 130 00:10:47,760 --> 00:10:49,560 A hard type. 131 00:10:50,080 --> 00:10:54,160 - combed Well. - Bob was asi 10 years ago. 132 00:10:54,520 --> 00:10:57,520 We made him happen through everything and he sobreviviô. 133 00:10:57,880 --> 00:11:01,520 Why the type està single in the cover 134 00:11:01,720 --> 00:11:05,680 - Era the leader. - That girl commanded to you 135 00:11:05,960 --> 00:11:11,160 lntentàbamos to increase the sound màximo. 136 00:11:11,360 --> 00:11:13,160 lntentàbamos màximo volume 137 00:11:13,360 --> 00:11:16,720 of the guitars, bateria and the low ones. 138 00:11:17,080 --> 00:11:19,840 Queriamos the greater possible volume. 139 00:11:20,040 --> 00:11:21,680 And hard powerful. 140 00:11:22,040 --> 00:11:24,680 Now I like. He obtained the sound of Hetfield. 141 00:11:34,040 --> 00:11:37,000 The others àlbumes they were absolutely magnificos. 142 00:11:37,360 --> 00:11:40,360 But tapeworm the sound of a oriented guitar 143 00:11:40,600 --> 00:11:44,760 and almost there were no serious notes, aside from the guitars. 144 00:11:44,960 --> 00:11:49,040 When Bob Rock entrô, pasô the same with serious notes. 145 00:11:49,400 --> 00:11:51,520 The low notes they must be present. 146 00:11:51,720 --> 00:11:55,560 They must carry out a part equal and sõlo not to do ' ' pun pun pun ' '. 147 00:11:55,920 --> 00:12:00,880 Later the fantàstica task came to adapt everything to two columns. 148 00:12:01,080 --> 00:12:02,600 We had to learn to do it. 149 00:12:15,960 --> 00:12:18,600 This is the track of guitars. 150 00:12:19,400 --> 00:12:21,680 lzquierda, right and apparatus to give ' ' to body '' to the sound. 151 00:12:22,640 --> 00:12:26,080 A guitar by person it was not sufficient. 152 00:12:26,520 --> 00:12:28,800 I had to touch three guitars. 153 00:12:29,160 --> 00:12:33,480 I touched ritmosy debian to be good.A sound barrier. 154 00:12:50,800 --> 00:12:53,200 The radios they already habian ear to speak of them. 155 00:12:53,560 --> 00:12:57,360 Fanes pressed enough so that they put Metallica, 156 00:12:57,680 --> 00:13:00,200 but they always resisted. 157 00:13:00,560 --> 00:13:02,280 Meanwhile they sent a àlbum 158 00:13:02,640 --> 00:13:04,360 that captô much atenciõn. 159 00:13:04,720 --> 00:13:07,640 He was hallucinating. 160 00:13:07,840 --> 00:13:11,800 It was very well produced and the sound was brilliant. 161 00:13:12,000 --> 00:13:14,200 The radios had to yield. 162 00:13:14,560 --> 00:13:19,040 We began to have another pûblico that sôlo oia Metallica once in a while 163 00:13:19,240 --> 00:13:23,720 and that them parecia a great band of heavy metal. 164 00:13:23,920 --> 00:13:27,720 They realized of which it was not sôlo a good àlbum of heavy metal, 165 00:13:27,920 --> 00:13:29,600 but a good àlbum of rock. 166 00:13:32,920 --> 00:13:35,040 For percusiôn 167 00:13:35,400 --> 00:13:39,320 we did between 30 and 40 takes for each canciõn. 168 00:13:39,520 --> 00:13:43,320 Queriamos to find verses màgicos, letters, were what was… 169 00:13:44,360 --> 00:13:45,920 Queriamos to adapt them 170 00:13:46,280 --> 00:13:49,000 and to make a ûnico take màgico. 171 00:13:49,360 --> 00:13:53,400 There were many cuts, alterations, màs courteous… 172 00:13:53,960 --> 00:13:55,880 It was a very slow process. 173 00:13:56,240 --> 00:13:57,960 It was a species of… 174 00:14:00,040 --> 00:14:03,480 It was the ûnico method available then. 175 00:14:03,680 --> 00:14:05,800 Nonteniamos digital assembly. 176 00:14:06,000 --> 00:14:09,480 In the end I remained with one casete with the cuts, clear. 177 00:14:10,760 --> 00:14:14,280 We liked to be here.Estàbamos to taste in time terms. 178 00:14:14,600 --> 00:14:17,760 There were no other bands saying:' ' '' sounds to uncle well. 179 00:14:17,960 --> 00:14:20,040 It was our site. 180 00:14:20,240 --> 00:14:22,440 We could close the door and nobody bothered to us. 181 00:14:22,800 --> 00:14:26,400 With the company of Bob everything quedõ better. 182 00:14:26,600 --> 00:14:30,600 We began to value the moment and our work. 183 00:14:30,800 --> 00:14:32,440 One was to take what we already did 184 00:14:32,640 --> 00:14:37,160 to a place where never we had been 185 00:14:38,360 --> 00:14:40,680 and to try to forget the past. 186 00:14:41,040 --> 00:14:43,040 - Està very ràpido. - Yes. 187 00:14:43,240 --> 00:14:48,680 It was a good example, for the rate that canciôn is due to use in one. 188 00:14:48,880 --> 00:14:51,040 We discussed much on this. 189 00:14:51,240 --> 00:14:54,200 That riff tapeworm a sound cheer, when it was touched ràpido. 190 00:14:54,400 --> 00:14:56,680 We had to retard the rate. 191 00:15:02,520 --> 00:15:05,640 Until with the mixture of the vowels he was too ràpido. 192 00:15:30,600 --> 00:15:34,760 We had ' ' the door '' a little opened and to Bob aprovechõ, 193 00:15:34,960 --> 00:15:37,280 abriõ aûn màs 194 00:15:37,480 --> 00:15:40,880 and us enseñô a new form to make mûsica. 195 00:15:41,080 --> 00:15:42,840 He was fantàstico. 196 00:15:43,200 --> 00:15:47,440 The 9 months that we happened in this room they were a true hell. 197 00:15:47,640 --> 00:15:49,600 Eramos… 198 00:15:51,160 --> 00:15:52,760 Eramos really obstinate. 199 00:15:53,160 --> 00:15:56,000 It knew that they were not going to serve those adjustments. 200 00:15:56,240 --> 00:15:58,800 I concentrated myself mainly in the rate. 201 00:15:59,000 --> 00:16:02,960 lntentaba to find the suitable rate. 202 00:16:04,000 --> 00:16:06,480 Towards the changes that way. 203 00:16:06,680 --> 00:16:10,240 It listened to the band and it tried to include/understand it. 204 00:16:22,000 --> 00:16:24,280 This him ocurriô to the U2. 205 00:16:26,000 --> 00:16:28,320 - a guitar of U2. - It is like… 206 00:16:28,520 --> 00:16:32,160 The peculiar thing it is that it makes wonders with this. 207 00:16:33,880 --> 00:16:36,080 Brilliant Està. 208 00:16:40,240 --> 00:16:42,360 Who tocõ this one 209 00:16:42,880 --> 00:16:44,600 - you Were, no - Yes. 210 00:16:44,800 --> 00:16:47,400 Later we had to give the return him, 211 00:16:48,200 --> 00:16:52,720 because when we did it it was not very popular. 212 00:16:56,120 --> 00:16:59,840 After oir canciôn million times we thought: 213 00:17:00,040 --> 00:17:03,440 why nonhaciamos things asi before 214 00:17:11,080 --> 00:17:13,000 The special thing of Sad But True… 215 00:17:13,200 --> 00:17:16,920 Riff of this canciôn it is of the best thing than I have heard. 216 00:17:17,120 --> 00:17:21,840 When I removed the tooth from the judgment, before being anestesiado, 217 00:17:22,080 --> 00:17:25,720 ûltimo which I remembered he was riff of Sad But True. 218 00:17:25,960 --> 00:17:28,280 This is mûsica to remove teeth. 219 00:17:32,840 --> 00:17:36,280 Lars and I different hour teniamos. 220 00:17:36,600 --> 00:17:39,040 It was a man at night. 221 00:17:39,480 --> 00:17:42,840 Queria to record at night and to sleep of day. 222 00:17:43,040 --> 00:17:44,760 I did not want that. 223 00:17:45,120 --> 00:17:48,720 He preferred to work of day, to make pauses and to see the sun. 224 00:17:49,080 --> 00:17:52,080 First I arrived and he touched the guitar for vowels, 225 00:17:52,280 --> 00:17:56,360 later Lars arrived and he made something in bateria and Bob… 226 00:17:56,560 --> 00:18:00,080 Bob was from in the morning, all along. 227 00:18:00,440 --> 00:18:02,960 Mayoria of times we did not sleep enough. 228 00:18:03,320 --> 00:18:05,320 Trabajàbamos much. 229 00:18:05,520 --> 00:18:10,600 I did not have a real idea of the àlbum as I believe that it had Lars. 230 00:18:11,280 --> 00:18:16,040 It had good songs, just as in the others àlbumes. 231 00:18:16,240 --> 00:18:20,160 Best ue habiamos composed and ibamos to send them. 232 00:18:20,520 --> 00:18:25,520 Holier Than Thou quedô list before Sandmans of the World. 233 00:18:25,880 --> 00:18:27,960 Lars knew, before recording, 234 00:18:28,160 --> 00:18:31,680 by ' ' we give '', that Sandman was canciõn suitable. 235 00:18:31,880 --> 00:18:34,200 I not it oi. 236 00:18:34,560 --> 00:18:37,840 Holier Than Thou it was the great bet. 237 00:18:38,040 --> 00:18:40,160 There was a weighty argument, 238 00:18:40,360 --> 00:18:44,800 being first canciôn of the àlbum and also first single. 239 00:18:45,000 --> 00:18:47,600 I said to them that they were not with me. 240 00:18:48,280 --> 00:18:50,240 Thus it counts as it were… 241 00:18:50,600 --> 00:18:52,360 Riff was that and energia… 242 00:18:52,720 --> 00:18:55,520 Later surgiô the letter and melodía. 243 00:18:55,720 --> 00:18:59,280 - Surgiõ the letter and was not single. - Sure nothing of single. 244 00:19:00,080 --> 00:19:02,720 Thus we thought: '' What we do ' ' 245 00:19:03,240 --> 00:19:06,280 You cannot say trivialities in the radio. 246 00:19:06,680 --> 00:19:10,200 I like the beginning of canciõn. 247 00:19:10,560 --> 00:19:12,600 I decide to me the moment 248 00:19:12,800 --> 00:19:16,760 in which your friend Tommy Lee llegõ and tû you were tocàndola. 249 00:19:17,000 --> 00:19:19,320 You had the true one to be able. 250 00:19:19,880 --> 00:19:22,160 It had a brilliant sound. 251 00:19:52,440 --> 00:19:57,000 That is interesting, in the mixture there is no much of that. 252 00:20:01,440 --> 00:20:03,640 The type està vomiting 253 00:20:03,840 --> 00:20:06,800 You want that it sounds like the Bons Jovi or Peter Frampton. 254 00:20:07,640 --> 00:20:09,320 That is. 255 00:20:10,400 --> 00:20:15,240 Also I decide that decias to me that, if we had ràpidos rates màs, 256 00:20:15,440 --> 00:20:19,120 we could make less things for producciõn 257 00:20:19,400 --> 00:20:23,160 and for the development of canciôn. 258 00:20:23,600 --> 00:20:28,120 Habia màs probabilities of which the slow songs màs 259 00:20:28,320 --> 00:20:32,720 they became towards other sites and of to be màs interesting. 260 00:20:32,920 --> 00:20:37,160 You thought that with ràpidos rates màs they were màs restricted. 261 00:20:37,360 --> 00:20:38,320 Exact one. 262 00:20:38,840 --> 00:20:42,880 He said to us that escuchàsemos and not sõlo that we heard. 263 00:20:43,720 --> 00:20:47,400 Debiamos to listen and to understand what happened, 264 00:20:47,600 --> 00:20:52,160 and cômo conjugated everything, so that canciõn could breathe. 265 00:21:03,480 --> 00:21:07,600 The bugle of the beginning of canciôn robô of algûn site 266 00:21:07,800 --> 00:21:09,880 and tocô of atràs forwards. 267 00:21:10,080 --> 00:21:14,440 - Thus nobody reconocia. - Yes, but I am going it to reveal now. 268 00:21:14,800 --> 00:21:17,520 Parecia a touch of ' ' Western Spaghetti ' '. 269 00:21:28,280 --> 00:21:30,800 Compound Habiamos other ballads, 270 00:21:31,000 --> 00:21:34,120 like Fade to Black and Welcome Home (Sanatarium). 271 00:21:34,480 --> 00:21:38,200 They had melõdicos verses and a refrain heavy. 272 00:21:38,400 --> 00:21:42,080 I thought badly that nonestaria to compose one canciõn 273 00:21:42,280 --> 00:21:45,880 in that the dinàmica was all the opposite. 274 00:22:43,680 --> 00:22:45,960 Yes, this one quedõ very well. 275 00:22:46,160 --> 00:22:49,320 The room gives a certain touch. 276 00:22:49,520 --> 00:22:54,560 - He is brilliant. - the rate adapts to the acûstica. 277 00:22:54,920 --> 00:22:59,800 For the sound of percusiôn we used several micrõfonos in the room 278 00:23:01,240 --> 00:23:04,160 and also much ecualizador. 279 00:23:04,360 --> 00:23:07,040 We were to where podiamos going. 280 00:23:07,240 --> 00:23:10,440 We worked weeks in the sound of bateria. 281 00:23:17,240 --> 00:23:22,200 We make a pause of 25 minutes, we changed the drum and we do another one. 282 00:23:22,560 --> 00:23:24,720 Us llevô long time 283 00:23:24,920 --> 00:23:27,880 until having lists some songs. 284 00:23:28,120 --> 00:23:30,640 But the songs they were spectacular. 285 00:23:31,320 --> 00:23:33,720 The clàsica acûstica. 286 00:23:33,920 --> 00:23:35,640 And armonia. 287 00:23:36,800 --> 00:23:38,480 It is a brilliant sound. 288 00:23:39,800 --> 00:23:41,240 Brilliant Està. 289 00:23:41,440 --> 00:23:44,600 - Not note much in versiõn final. - Then no. 290 00:23:48,680 --> 00:23:50,360 The Black Album, 291 00:23:51,400 --> 00:23:55,080 for my, he was màs fàcil < as far as my parts. > 292 00:23:55,440 --> 00:23:59,680 These songs pedian a certain type of single of guitar. 293 00:24:00,040 --> 00:24:02,240 When we do the single ones, 294 00:24:02,440 --> 00:24:06,800 I am Lars and who instigamos to Kirk to do them. 295 00:24:09,920 --> 00:24:13,160 Kirk needs an impulse. 296 00:24:14,640 --> 00:24:20,080 Sôlo memory to touch some single ones in the premises, like in The Unforgiven. 297 00:24:20,440 --> 00:24:25,160 It must eat, sleep and breathe this single one until he is ready. 298 00:24:25,520 --> 00:24:27,000 He knew that podia to do it better. 299 00:24:27,560 --> 00:24:32,640 I composed a single one of guitar very complex. 300 00:24:32,840 --> 00:24:36,760 I very was excited with him and all they hated it. 301 00:24:37,120 --> 00:24:39,960 - For playing and it touches - Bond, tio. 302 00:24:40,160 --> 00:24:45,800 Now which already you entered heat, we are going to oir the single one of guitar of the year. 303 00:24:46,160 --> 00:24:50,520 I was stupid when choosing that piece of the video. 304 00:24:52,200 --> 00:24:55,080 But then it had many idiots in the study. 305 00:24:55,440 --> 00:24:58,880 I had to make a introspectiva, 306 00:24:59,200 --> 00:25:01,800 in order to be able to express that feeling. 307 00:25:02,320 --> 00:25:06,680 He fascinates to me the principle of that single one. 308 00:25:50,840 --> 00:25:54,760 Bob puts much with him. He says:Come already, guitar of the year. 309 00:25:55,000 --> 00:25:58,640 He says that he can, but much gets upset. 310 00:25:59,000 --> 00:26:04,360 A point arrives in which it touches furious. That take we used for àlbumes. 311 00:26:04,720 --> 00:26:08,280 You want to oir it with the voices It sings 312 00:26:10,280 --> 00:26:13,520 My voice està very badly. 313 00:26:14,520 --> 00:26:18,240 Not you pediria a single one of battery, if you did not have an arm. 314 00:26:18,520 --> 00:26:23,080 I really lost the voice when we made the Album Black. 315 00:26:23,440 --> 00:26:28,400 I exaggerated and that me llevô a a program of voice maintenance. 316 00:26:29,120 --> 00:26:32,240 I went to see a type that was singing 317 00:26:33,040 --> 00:26:35,440 in a church or a synagogue. 318 00:26:35,640 --> 00:26:38,360 I entered and was asustadisimo. 319 00:26:38,560 --> 00:26:42,080 Sentõ to the piano and was said: ' ' Very well.'' 320 00:26:42,280 --> 00:26:44,400 I sõlo thought:' ' iNo ' ' 321 00:26:44,600 --> 00:26:49,000 I saw the walls and I saw àlbumes of gold of other bands. 322 00:26:49,200 --> 00:26:51,920 For that reason I thought that it would have to try. 323 00:26:52,120 --> 00:26:57,040 He me entrenô the voice and I was able to emit notes again. 324 00:26:57,560 --> 00:27:01,440 He was very serious. It had knots and calluses. 325 00:27:01,760 --> 00:27:03,840 He consiguiô to fix it. 326 00:27:04,720 --> 00:27:07,720 I remained màs calm, 327 00:27:07,920 --> 00:27:11,840 but I did not arrive at lirico singer, although conseguiria wanted not it. 328 00:27:12,040 --> 00:27:13,800 Continuous singing like a sailor. 329 00:27:33,080 --> 00:27:37,240 It is the first time that I hear to somebody doing this so well. 330 00:27:37,560 --> 00:27:39,920 They never did one to me demo sôlo with ' ' na na na ' '. 331 00:27:42,600 --> 00:27:44,640 That was hallucinating. 332 00:27:44,840 --> 00:27:49,080 Often James escribia the letter 5 minutes before touching. 333 00:27:49,320 --> 00:27:52,400 This was the letter, but to you not you gustõ. 334 00:27:53,160 --> 00:27:57,920 One of the things that us it differentiates from other bands 335 00:27:58,280 --> 00:28:02,440 it is the fact that to James it likes to compose melodia before 336 00:28:02,800 --> 00:28:06,000 and later it puts the letter to him 337 00:28:06,360 --> 00:28:08,120 segûn certain syllables by line. 338 00:28:08,320 --> 00:28:11,680 I am not able to seat to me to read a novel or poem. 339 00:28:12,040 --> 00:28:15,120 I do not know to write pretty poems, 340 00:28:15,480 --> 00:28:17,880 that they finish being… 341 00:28:18,760 --> 00:28:21,040 They finish being the letter of the mûsica. 342 00:28:21,280 --> 00:28:26,120 I am not like Phil Lynott, one of my favourite letristas. 343 00:28:26,320 --> 00:28:30,320 It seated and escribia poems. I do not do that. 344 00:28:34,160 --> 00:28:35,440 You do not walk wasting time 345 00:28:35,720 --> 00:28:37,680 Everything was màs slow. 346 00:28:37,880 --> 00:28:42,000 We were centered in the details, instruments and the mûsica. 347 00:28:42,200 --> 00:28:46,760 This was perhaps a great influence so that it loosen 348 00:28:47,240 --> 00:28:49,360 and to make him understand that 349 00:28:49,560 --> 00:28:53,240 màs is something that to take the opposite and ' ' peace to the children ' '. 350 00:28:53,600 --> 00:28:58,680 The ûnico is to enter the interior and to be màs universal. 351 00:28:59,040 --> 00:29:01,440 When we began to speak of our feelings 352 00:29:03,800 --> 00:29:07,640 and of subjects like the things of the life. 353 00:29:09,040 --> 00:29:11,840 When we spoke on this, 354 00:29:13,880 --> 00:29:16,360 all people are touched. 355 00:29:17,040 --> 00:29:21,280 We cannot go against this, when we spoke of feelings 356 00:29:21,480 --> 00:29:24,760 and less towards the outer world. 357 00:30:01,480 --> 00:30:05,320 This sound was of a low one with six cords, right? 358 00:30:05,680 --> 00:30:07,560 Under 12 cords. 359 00:30:07,760 --> 00:30:11,720 - It pardons my matemàticas. - He is something that must be reviewed. 360 00:30:13,600 --> 00:30:15,720 Six were not sufficient. 361 00:30:16,080 --> 00:30:19,680 lntentamos with one of eight and no resultõ, for that reason we used one of 12. 362 00:30:20,040 --> 00:30:23,520 - and we obtained this powerful sound. - That sound. 363 00:30:23,720 --> 00:30:26,200 Twelve serious cords and notes. 364 00:30:26,400 --> 00:30:29,040 They seem Eastern sounds. 365 00:30:30,200 --> 00:30:35,080 It seems an Eastern instrument of percusiõn.Not parecia a low one. 366 00:30:35,680 --> 00:30:38,560 - It seems a piano. - But it is different. 367 00:30:38,920 --> 00:30:43,480 The simplicity of the mûsica permitiô that the vowels dominated. 368 00:30:43,680 --> 00:30:45,760 It was the first time that ocurriõ. 369 00:30:46,120 --> 00:30:51,520 If there are vowels, if somebody sings, canciõn must have a letter, 370 00:30:51,840 --> 00:30:53,040 then I do it. 371 00:30:53,360 --> 00:30:55,160 I said to him to James: 372 00:30:55,600 --> 00:30:58,320 If we obtained that… 373 00:30:58,680 --> 00:31:01,840 If the vocal part comes out well, 374 00:31:02,520 --> 00:31:06,400 people prestarà atenciôn and oiràn what we sang. 375 00:31:08,720 --> 00:31:12,440 lntenté to do that and to him it acabõ to be liked. 376 00:31:12,800 --> 00:31:16,840 Speaking of friendship, that did to break the ice between James and I. 377 00:31:17,360 --> 00:31:21,240 Està very well, but needs a little màs of soul. 378 00:31:21,440 --> 00:31:22,960 Màs ' ' Hetfield '' that that. 379 00:31:23,240 --> 00:31:25,520 Never estaria where I am today, 380 00:31:25,880 --> 00:31:27,520 if it were not by him, 381 00:31:27,720 --> 00:31:30,520 to give breath me. 382 00:31:30,720 --> 00:31:34,200 Me abriô a little the spirit 383 00:31:34,400 --> 00:31:37,920 until new styles to sing, new micrôfonos and feelings 384 00:31:38,120 --> 00:31:40,800 in order to obtain different styles in the vowels. 385 00:31:55,920 --> 00:31:58,520 ' ' the highway is my fiancèe.'' 386 00:31:58,720 --> 00:32:00,320 I believe that it is the motto 387 00:32:01,560 --> 00:32:03,880 of the prõximos two years and means. 388 00:32:04,680 --> 00:32:06,840 Better of the prõximos 10 years. 389 00:32:31,040 --> 00:32:34,120 Convirtiô in canciõn of that estàn in the highway, 390 00:32:34,320 --> 00:32:37,600 the equipment that accompanied to us, the life that we lived… 391 00:32:38,000 --> 00:32:42,880 We formed the band with 19 years and since then we are in tour. 392 00:32:43,720 --> 00:32:47,280 Now we include/understand that this one always was our home. 393 00:32:47,960 --> 00:32:51,080 I never hoped that this àlbum recepciôn had this 394 00:32:51,280 --> 00:32:54,360 I never thought 395 00:32:54,560 --> 00:32:57,000 that it had east impact in people. 396 00:32:57,280 --> 00:33:00,720 Empezõ to be successful when saliõ 397 00:33:00,920 --> 00:33:03,040 and màs has never stopped. 398 00:33:03,240 --> 00:33:05,120 We were ourselves of tour 399 00:33:06,640 --> 00:33:09,160 and the concerts they did not stop to appear. 400 00:33:09,480 --> 00:33:14,840 2 million copies were sold of a àlbum, and 5 million of the other. 401 00:33:15,040 --> 00:33:19,440 Like the àlbum it was a great international success, 402 00:33:19,720 --> 00:33:24,520 we could go to several premises to act, because there was demand. 403 00:33:25,800 --> 00:33:27,960 Convirtiô in one is turned endless. 404 00:33:28,160 --> 00:33:30,760 When we said that he was enough, 405 00:33:30,960 --> 00:33:34,960 oia:' ' But if since we touched here, we have sold màs 2.5 million. 406 00:33:35,160 --> 00:33:39,960 ' ' Although sõlo we act for fans that they want to see to us, 407 00:33:40,360 --> 00:33:43,040 espectàculo can be done great.'' 408 00:33:43,240 --> 00:33:44,960 And asi continuõ. 409 00:33:45,160 --> 00:33:48,360 Nonmemory whichever concerts gave. 410 00:33:48,560 --> 00:33:51,960 Almost 300 anywhere in the world. They were many. 411 00:33:52,320 --> 00:33:57,320 We did one turns together during two years. 412 00:33:57,880 --> 00:34:00,920 Entrõ much money, we knew much people. 413 00:34:01,120 --> 00:34:03,400 Us enganchõ the estrellato. 414 00:34:03,600 --> 00:34:05,640 Luckily, all we 415 00:34:05,840 --> 00:34:07,720 teniamos experience. 416 00:34:08,080 --> 00:34:12,400 Already habiamos dice several concerts, route many kilõmetros 417 00:34:12,600 --> 00:34:14,960 in order to include/understand what ocurria. 418 00:34:15,480 --> 00:34:19,280 All people know that when much or something drinks asi, 419 00:34:19,480 --> 00:34:23,760 it is good that we are prepared in order to face the following day. 420 00:34:24,160 --> 00:34:25,920 We cannot put to us ill. 421 00:34:26,120 --> 00:34:31,040 If 50 thousand people buy entrances and they want to see to us, is necessary to be well. 422 00:34:31,400 --> 00:34:36,480 Whenever a tour finishes, I enter a species of depresiõn. 423 00:34:36,680 --> 00:34:40,360 I must recover again my moment, 424 00:34:40,560 --> 00:34:43,120 my routine. 425 00:34:43,320 --> 00:34:45,960 To be of tour is like being… 426 00:34:47,640 --> 00:34:51,680 it is like traveling in a train that Km/h goes to 300. 427 00:34:51,880 --> 00:34:54,840 Later, the tour finishes and to the following day 428 00:34:55,200 --> 00:34:57,160 we are sôlo in the premises, 429 00:34:57,400 --> 00:35:00,120 given to we ourself 430 00:35:01,280 --> 00:35:04,880 and we asked ourselves: '' What towards before all this ' ' 431 00:35:46,960 --> 00:35:50,040 The àlbum has a human quality. 432 00:35:51,200 --> 00:35:52,880 I believe that, 433 00:35:53,720 --> 00:35:55,920 with the songs and the vowels… 434 00:35:56,280 --> 00:36:00,720 I believe that James gave a great jump with this àlbum, 435 00:36:01,840 --> 00:36:04,000 mainly as soon as 436 00:36:04,360 --> 00:36:06,720 to which he wanted to reach. 437 00:36:07,080 --> 00:36:11,560 It was a very personal àlbum. People consiguiô to feel… 438 00:36:11,920 --> 00:36:15,560 Està sensaciõn of which a real band està acting. 439 00:36:15,760 --> 00:36:17,720 In certain way construcciôn was one, 440 00:36:17,920 --> 00:36:20,160 piece to piece. 441 00:36:20,520 --> 00:36:23,560 But in general sensaciõn was had 442 00:36:24,960 --> 00:36:26,560 of which a person touched. 443 00:36:26,920 --> 00:36:31,520 I always tried to reveal the personalities of the band. 444 00:36:32,640 --> 00:36:36,480 lntenté to do àlbumes that to people it liked to hear. 445 00:36:44,160 --> 00:36:48,960 The idea for Nothing Else Matters màs or less was a luck. 446 00:36:49,160 --> 00:36:51,640 It was speaking on the telephone, 447 00:36:51,840 --> 00:36:55,400 with the guitar in the lap. 448 00:36:55,840 --> 00:37:00,720 It was speaking and I began to touch the four notes of this form. 449 00:37:01,080 --> 00:37:03,720 They were open notes… 450 00:37:05,000 --> 00:37:08,080 Later I said: ' ' I must hang.'' 451 00:37:08,280 --> 00:37:11,040 I began asi making agreed. 452 00:37:11,920 --> 00:37:13,960 And he was so empezô. 453 00:37:16,560 --> 00:37:20,120 This màs must be the clean sound. 454 00:37:26,800 --> 00:37:30,040 It is touched with the fingers and it has a certain brightness. 455 00:37:32,280 --> 00:37:35,320 In Nothing Else Matters 456 00:37:35,520 --> 00:37:38,040 the letter speaks to be in tour, 457 00:37:38,400 --> 00:37:40,840 to miss the fiancèe. 458 00:37:41,040 --> 00:37:42,480 At heart 459 00:37:42,840 --> 00:37:46,440 it speaks of the distance, of the bows and all that. 460 00:37:46,640 --> 00:37:49,200 The fiancèes come and they go away. 461 00:37:49,400 --> 00:37:53,840 One canciõn remains whenever mean something for somebody. 462 00:37:54,200 --> 00:37:59,520 It is a brotherly bow. It means something for us four. 463 00:38:18,240 --> 00:38:20,640 The sentimental Hetfield. 464 00:38:26,320 --> 00:38:29,400 Without tricks, something real. 465 00:38:30,120 --> 00:38:31,840 That is not good. 466 00:38:33,440 --> 00:38:35,280 Desafinado Està. 467 00:38:35,640 --> 00:38:37,840 I am speaking of the assembly. 468 00:38:40,200 --> 00:38:44,520 Màs harmonizations, that I never used in others àlbumes. 469 00:38:45,360 --> 00:38:50,000 - Not conocias these harmonizations - No.Quizà of other ballads. 470 00:38:51,080 --> 00:38:54,680 Although after first armonias we have never stopped. 471 00:39:02,960 --> 00:39:06,800 Intenciôn was not my that canciõn of Metallica was one. 472 00:39:07,000 --> 00:39:10,560 Canciõn for me was one, on my feelings. 473 00:39:10,880 --> 00:39:15,440 He was very personal for a band. I never thought that they liked. 474 00:39:15,640 --> 00:39:18,880 It thought that they were going to say that it was not for Metallica. 475 00:39:19,080 --> 00:39:23,400 It was composing for me. I believe that Lars or somebody oyõ… 476 00:39:23,760 --> 00:39:26,160 and they said:' ' That is good.'' 477 00:39:26,360 --> 00:39:30,480 Pense I ': ' ' They hope.What I do ' ' 478 00:39:34,200 --> 00:39:39,520 Always me gustô much Brian May and its orquestaciones in guitar, 479 00:39:39,720 --> 00:39:42,840 the ûnicas notes and the harmonizations of three parts. 480 00:39:43,040 --> 00:39:45,600 Thus I did it in Nothing Else Matters. 481 00:39:45,800 --> 00:39:49,440 I wrote the part of the cords with an arc of energia. 482 00:39:49,800 --> 00:39:51,960 Nothing Else Matters 483 00:39:52,160 --> 00:39:54,240 he was sõlo one canciôn of a àlbum, 484 00:39:55,520 --> 00:40:00,240 to that they are not podian to put you limit, neither paràmetros, nor border. 485 00:40:00,440 --> 00:40:03,760 This canciôn could simply be 486 00:40:03,960 --> 00:40:07,640 what imaginaciõn it could create. 487 00:40:08,440 --> 00:40:11,560 When Bob sugiriõ the orchestra, 488 00:40:12,440 --> 00:40:15,080 clear that queria to try it. 489 00:40:16,240 --> 00:40:18,920 Serious interesting. 490 00:40:19,280 --> 00:40:22,240 Tapeworm nor idea of cômo not to do it. 491 00:40:22,440 --> 00:40:26,800 He was ashamed, because nonwise nor I know to write mûsica. 492 00:40:27,800 --> 00:40:31,400 When the orchestra arrives, I have explicàrselo 493 00:40:31,600 --> 00:40:33,280 Cômo works this 494 00:40:33,480 --> 00:40:37,200 Serà that I will be aqui seated and I will say to the quartet of cords: 495 00:40:37,440 --> 00:40:42,440 '' First aqui, later aqui ' ' Nor in the guitar I know notes. 496 00:40:43,400 --> 00:40:47,920 And Bob said to me:' ' you are not oppressed, we will look for who writes.'' 497 00:40:48,280 --> 00:40:53,160 A day they called to me:'' Quieres to do this canciôn with the Metallica ' ' 498 00:40:53,720 --> 00:40:56,160 I ask ': '' the Metallica wants orchestra ' ' 499 00:40:56,360 --> 00:40:58,640 He was very strange. 500 00:40:58,960 --> 00:41:01,440 I requested to them that they sent canciõn to me. 501 00:41:01,640 --> 00:41:04,600 It did not know what they hoped, 502 00:41:04,800 --> 00:41:07,520 because it was not they fan of the Metallica. 503 00:41:07,720 --> 00:41:11,840 But it knew and it knew them what type of mûsica they hacian, or that believed. 504 00:41:13,640 --> 00:41:17,760 Canciõn me sorprendiõ truely.It was a ballad. 505 00:41:18,120 --> 00:41:21,600 It could limit to me to follow melodía, 506 00:41:28,000 --> 00:41:29,960 although he would be boring. 507 00:41:37,240 --> 00:41:42,000 To the orchestras they do not like to touch asi, is not interesting for them. 508 00:41:42,200 --> 00:41:44,840 For that reason I composed a line. 509 00:41:56,520 --> 00:41:59,640 And I sent casetes to them of return. 510 00:42:00,600 --> 00:42:03,480 And as it happens in the Rock ' n' Roll, 511 00:42:04,160 --> 00:42:06,480 the telephone not sonõ. 512 00:42:06,680 --> 00:42:09,840 Nobody llamõ saying: ' ' Brilliant, we like.'' 513 00:42:10,040 --> 00:42:12,240 I threw it to vacio. 514 00:42:12,600 --> 00:42:15,200 When we touched it for the first time, 515 00:42:15,400 --> 00:42:17,960 we thought:'' What we have done ' ' 516 00:42:18,400 --> 00:42:22,160 - Later we were accustomed. - Bob, we must speak with you. 517 00:42:22,520 --> 00:42:26,720 Now that I think it, podiamos to have increased its part. 518 00:42:27,080 --> 00:42:30,360 I decide to me the orchestra. 519 00:42:31,040 --> 00:42:33,160 In the mixture, I decide to me that they lowered 520 00:42:33,520 --> 00:42:34,840 the sound of the orchestra. 521 00:42:35,120 --> 00:42:37,680 They left a little in the àlbum. 522 00:42:37,880 --> 00:42:39,680 After the launching, 523 00:42:40,040 --> 00:42:43,840 I gained many prizes throughout the year. 524 00:42:44,240 --> 00:42:47,360 I went to the delivery of the Grammies in New York. 525 00:42:47,720 --> 00:42:51,640 It was seated between the pûblico, when Metallica subiô to the scene 526 00:42:51,840 --> 00:42:55,880 They touched very high and very well. 527 00:42:56,080 --> 00:42:58,120 They were really brilliant. 528 00:42:58,320 --> 00:43:02,440 I realized of which they were a great band of Rock ' n' Roll. 529 00:43:02,640 --> 00:43:06,200 I went to the frames and I entered its dressing room. 530 00:43:07,000 --> 00:43:10,760 I said to them: ' ' Hello, I am Michael Kamen.'' 531 00:43:10,960 --> 00:43:15,040 ' ' I Was who escribiõ the guidelines of Nothing Else Matters.'' 532 00:43:16,440 --> 00:43:18,560 ' ' they enchanted those guidelines to Us.'' 533 00:43:19,400 --> 00:43:23,280 ' ' You are very simpàticos, but in the àlbum almost they do not notice.'' 534 00:43:23,480 --> 00:43:27,200 ' ' Already, but '' hears this. And they removed a thing from the suitcase. 535 00:43:27,920 --> 00:43:30,800 We called to him ' ' the Versiõn of the Elevator ' '. 536 00:43:31,000 --> 00:43:35,360 He was màs similar that we found to mûsica of supermarket. 537 00:43:35,560 --> 00:43:40,240 It was the voice of James, a guitar and the orchestra. 538 00:43:40,600 --> 00:43:43,120 They said:' ' he enchants.'' to Us 539 00:43:43,320 --> 00:43:47,000 ' ' Listening this. We go to send it this way.'' 540 00:43:47,200 --> 00:43:50,720 I said to them:'' Sabe'is a thing You are hallucinating. 541 00:43:50,920 --> 00:43:54,600 You would have to give concerts with orchestra.'' 542 00:43:54,800 --> 00:43:57,240 And they said: '' a whole concert ' ' 543 00:43:57,440 --> 00:43:59,360 Respondi that yes. 544 00:43:59,800 --> 00:44:03,360 They said that they were going it to think. 545 00:44:03,560 --> 00:44:07,680 We talked a little màs and later we took leave. 546 00:44:29,720 --> 00:44:31,360 They spent eight years. 547 00:44:31,560 --> 00:44:33,480 Eight years whole. 548 00:44:33,720 --> 00:44:36,400 Suddenly, sonõ the telephone. 549 00:44:38,040 --> 00:44:42,520 My agent said:' ' Cliff Burnstein and Peter said to me 550 00:44:42,720 --> 00:44:46,280 that Metallica harà the concert.'' - ' ' What concert.' ' 551 00:44:46,480 --> 00:44:51,440 -''Aquel of which you spoke.'' recently - ' ' RecentlyHe was in another life.'' 552 00:45:21,880 --> 00:45:25,480 Nowadays, the important thing it is to do something. 553 00:45:25,920 --> 00:45:31,120 Everything està related to the process creative, and to the creativity. 554 00:45:31,320 --> 00:45:35,520 Now nobody feels 555 00:45:35,720 --> 00:45:39,120 to think about the successes, in the sales and all that. 556 00:45:39,320 --> 00:45:42,880 For ten years sôlo thought about that. 557 00:45:43,080 --> 00:45:45,640 At the moment, my preocupaciõn 558 00:45:45,880 --> 00:45:48,880 it is if the band can coexist, 559 00:45:49,080 --> 00:45:52,200 if we have freedom in order to make those things 560 00:45:52,400 --> 00:45:57,120 and to make discs with orchestras clàsicas, with songs 561 00:45:57,320 --> 00:45:59,320 and other madnesses. 562 00:45:59,680 --> 00:46:02,200 This is the essence of the success. 563 00:46:02,400 --> 00:46:04,480 At the moment, to be a success band 564 00:46:04,680 --> 00:46:08,480 it means not to satisfy to anybody, sôlo to the instinct and corazõn. 565 00:46:09,000 --> 00:46:11,280 Thus they are the Metallica. 566 00:46:12,560 --> 00:46:16,320 They are ûnicos in the world. They do not make the things of ' normal ' form ' '. 567 00:46:16,520 --> 00:46:20,840 They do not jump with network, nor they produce popular mûsica. 568 00:46:31,560 --> 00:46:35,000 Watching towards atràs, I see much work. 569 00:46:35,200 --> 00:46:40,920 When I hear casetes, I hear the working hours, the time. 570 00:46:41,120 --> 00:46:44,560 I hear all the difficulties. 571 00:46:44,920 --> 00:46:47,040 I said to him to Bob Rock: 572 00:46:47,240 --> 00:46:51,320 ' ' After sending the àlbum, no we were spoken almost in a year. 573 00:46:51,520 --> 00:46:53,480 He was horrible. 574 00:46:53,680 --> 00:46:57,520 Never habia made a àlbum that he had been so dificil for me. 575 00:46:57,720 --> 00:47:00,720 Sôlo two years màs late… 576 00:47:00,920 --> 00:47:05,360 After ' ' the Black Album '', queria not to return to see it. 577 00:47:07,120 --> 00:47:11,120 Later ocurriô something strange. Spent 2 years we became friends. 578 00:47:11,480 --> 00:47:13,120 Friends of the soul. 579 00:47:13,320 --> 00:47:17,560 Later he was brilliant and since then it has been a wonder. 580 00:47:17,800 --> 00:47:21,040 I do not imagine to do àlbumes without him. 581 00:47:21,400 --> 00:47:24,640 Surgiõ of a màgico place. 582 00:47:24,840 --> 00:47:27,720 In the songs there is no discusiõn possible. 583 00:47:28,080 --> 00:47:30,200 And the amazing thing it is to continue thus. 584 00:47:30,560 --> 00:47:33,640 The Black Album sells millõn of copies to the year. 585 00:47:34,560 --> 00:47:36,360 Of is Dark Side the Moon 586 00:47:36,720 --> 00:47:41,440 Probably it does not have another àlbum of heavy metal, 587 00:47:41,760 --> 00:47:46,880 that it sounds so well and that has so many clàsicas songs. 588 00:47:47,480 --> 00:47:49,720 Habia many advantages. 589 00:47:50,640 --> 00:47:54,400 Suitable songs, with the suitable producer, 590 00:47:54,680 --> 00:47:59,200 with a new attitude, one good grabaciõn and timing perfect. 591 00:47:59,720 --> 00:48:02,360 For us, he was long and slow. 592 00:48:02,560 --> 00:48:06,720 We constructed a family that one worries. 593 00:48:06,920 --> 00:48:10,000 We are not sõlo a fashion, a newness. 594 00:48:11,200 --> 00:48:14,560 We constructed something and you feel well 595 00:48:14,840 --> 00:48:16,760 with ' ' the Black Album ' '. 596 00:48:17,120 --> 00:48:21,120 To have a àlbum of these in our race 597 00:48:21,320 --> 00:48:23,480 he is something amazing. 598 00:49:49,510 --> 00:49:51,341 Lars and I 599 00:49:51,790 --> 00:49:55,146 habiamos already happened through much. 600 00:49:56,110 --> 00:50:00,740 We grew together, we are like a family. 601 00:50:02,150 --> 00:50:06,143 Previously I had problems with the family. 602 00:50:07,350 --> 00:50:12,299 The mûsica attracted to me and convirtiô in my better friend. 603 00:50:12,510 --> 00:50:18,107 It always could count on the mûsica, for that reason decidi to begin to touch. 604 00:50:18,310 --> 00:50:21,586 Me ayudõ enough to surpass bad moments. 605 00:50:21,790 --> 00:50:24,907 When I knew Lars, 606 00:50:27,150 --> 00:50:31,507 he also habia had problems relatives, almost all in the band. 607 00:50:31,710 --> 00:50:35,623 Or the parents were separated or they had died. 608 00:50:37,710 --> 00:50:40,543 Lars and I we happened through much together. 609 00:50:40,750 --> 00:50:42,980 We have a great mutual respect. 610 00:50:43,310 --> 00:50:47,747 I am with this type it does màs of average life, almost 19 years. 611 00:50:48,550 --> 00:50:51,383 Often, I already know what is going to say. 612 00:50:51,710 --> 00:50:55,180 lntentamos to maintain to us independent. 613 00:50:56,750 --> 00:51:01,028 There were moments in that apetecia to say to us: 614 00:51:01,230 --> 00:51:03,790 '' What stupidity estàs doing ' ' 615 00:51:04,830 --> 00:51:08,186 They are moments, it comprises of the growth 616 00:51:08,390 --> 00:51:10,950 and of the development. 617 00:51:12,390 --> 00:51:17,418 We are like brothers. We hated ourselves and we are wanted. 618 00:51:17,750 --> 00:51:22,778 The rubbing causes one energia, that it has his value. 619 00:51:23,110 --> 00:51:27,069 That cannot be excluded from a project. 620 00:51:28,110 --> 00:51:31,341 James and I, as you are due of to have given account, 621 00:51:31,550 --> 00:51:36,465 we are different one from the other and we have different origins. 622 00:51:37,830 --> 00:51:43,462 We always found a way to solve it everything. 623 00:51:43,750 --> 00:51:47,106 Although sometimes he is very dificil. 624 00:51:47,430 --> 00:51:52,345 Sometimes, we were frustrated mutually when we compose songs. 625 00:51:53,070 --> 00:51:56,346 Sometimes, that gives origin to good ideas. 626 00:51:56,870 --> 00:51:59,464 He is uniôn of two personalities. 627 00:52:00,150 --> 00:52:01,583 Although… 628 00:52:02,310 --> 00:52:04,301 As we become greater, 629 00:52:04,950 --> 00:52:08,260 ours relaciôn becomes màs educated. 630 00:52:08,470 --> 00:52:10,665 Thus he is not so bad. 631 00:52:10,870 --> 00:52:12,906 Formerly he was asi: 632 00:52:13,910 --> 00:52:16,868 ' ' iVete to the excrement ' ' 633 00:52:17,630 --> 00:52:20,098 Now we worried màs 634 00:52:20,310 --> 00:52:24,269 of which he is better for canciôn or for the project. 635 00:52:24,470 --> 00:52:28,827 Now relaciõn is a little màs… Hatred to use this word. 636 00:52:29,190 --> 00:52:30,623 Màs is a little adult. 637 00:52:30,950 --> 00:52:34,738 Sometimes, he is very dificil to compose. 638 00:52:34,950 --> 00:52:39,899 When it does not come out well, we got upset and we finished taking the blame one to the other. 639 00:52:40,310 --> 00:52:41,743 But… 640 00:52:41,950 --> 00:52:47,422 Sometimes, it is difficult to relax and to have an open attitude. 641 00:52:48,950 --> 00:52:51,828 But for as much time it has been thus. 642 00:52:53,150 --> 00:52:56,938 It is amused to try to make the things together. 643 00:52:57,750 --> 00:53:00,184 We already know as everything works. 644 00:53:00,390 --> 00:53:06,147 It is good for having by detràs 20 years of work altogether. 645 00:53:06,870 --> 00:53:09,020 We gave some concerts 646 00:53:09,230 --> 00:53:12,142 in Europe, May of 1990. 647 00:53:13,830 --> 00:53:15,707 Razôn in individual was no one. 648 00:53:15,910 --> 00:53:20,779 Later we wanted to make a pause of 9 months after the tour deJustice. 649 00:53:21,110 --> 00:53:22,543 and… 650 00:53:25,230 --> 00:53:27,619 the tour terminõ in Glasgow. 651 00:53:28,550 --> 00:53:33,829 During weeks, each one was going to follow with its life. 652 00:53:34,270 --> 00:53:39,219 The idea was to find us weeks later in San Francisco, 653 00:53:39,430 --> 00:53:42,627 in order to think about ours fifth àlbum. 654 00:53:43,150 --> 00:53:45,027 That ûltima night, 655 00:53:45,870 --> 00:53:48,509 in that James gave one me casete 656 00:53:48,710 --> 00:53:51,986 with its new ideas, 657 00:53:52,190 --> 00:53:54,658 that he considered the best ones. 658 00:53:54,990 --> 00:53:57,709 They are casetes with riffs of the tour. 659 00:53:58,270 --> 00:54:01,387 Half an hour it finds out with riff. 660 00:54:01,590 --> 00:54:03,262 ' ' No, it hopes, asi ' ' '. 661 00:54:03,790 --> 00:54:06,862 ' ' Headresses million times, until quedarte with the main idea.'' 662 00:54:07,070 --> 00:54:09,425 Kirk never stopped to touch 663 00:54:09,630 --> 00:54:13,987 and teniamos that to help him to mount riffs a little. 664 00:54:14,190 --> 00:54:18,820 Oimos Lars and I casetes of riffs and we did one selecciôn. 665 00:54:19,150 --> 00:54:21,584 Constructed Habia the study. 666 00:54:22,630 --> 00:54:25,588 Usàbamos this word of a very free form. 667 00:54:25,910 --> 00:54:28,265 It was a room in my house, in Berkeley. 668 00:54:30,030 --> 00:54:34,342 It was good to compose songs. 669 00:54:34,750 --> 00:54:38,948 Gustô to always compose to us in the small and strange premises. 670 00:54:39,150 --> 00:54:41,584 Habitaciõn is one 671 00:54:41,790 --> 00:54:46,181 with many carpets, batteries, guitars and equipment of grabaciôn. 672 00:54:46,390 --> 00:54:50,781 My house in Berkeley it was the suitable premises. 673 00:54:52,590 --> 00:54:57,869 James apareciô and he was so we began. 674 00:54:58,190 --> 00:55:01,739 Reuniamos us e we improvised with riffs. 675 00:55:03,190 --> 00:55:06,148 We do that from the first day. 676 00:55:06,390 --> 00:55:09,860 Since then we tried to make something different. 677 00:55:10,070 --> 00:55:14,780 lntentamos to make something different and it is so the songs arise. 678 00:55:15,110 --> 00:55:19,820 He is something that happens, he is not something thought. 679 00:55:20,590 --> 00:55:24,299 A day they appear all here, we seated, 680 00:55:24,670 --> 00:55:29,664 a atmõsfera is created, we drink beers… We heard… 681 00:55:30,030 --> 00:55:35,104 Oimos the new disparatadas ideas that each one grabõ since then. 682 00:55:35,310 --> 00:55:40,623 The beginning of the process it is simply to hear the ideas. 683 00:55:42,350 --> 00:55:47,549 We analyzed its ideas during days, some already known. 684 00:55:48,790 --> 00:55:52,829 Also already it knew the ideas Kirk and some of Jason. 685 00:55:53,150 --> 00:55:55,027 I believe that Enter Sandman 686 00:55:55,230 --> 00:55:59,303 he was first canciõn that we composed 687 00:55:59,550 --> 00:56:03,259 for the Black âlbum, after the one of Justice. 688 00:56:03,470 --> 00:56:05,904 It was in house of Lars in Berkeley. 689 00:56:06,110 --> 00:56:09,580 At that time, I vivia in Marin. 690 00:56:10,310 --> 00:56:13,586 lba to its house pràcticamente all the days. 691 00:56:14,590 --> 00:56:17,548 I have excess fines of speed that proves it. 692 00:56:17,750 --> 00:56:20,901 The passage took half an hour. 693 00:56:22,350 --> 00:56:26,901 We composed the Black âlbum when I remained without membership card to lead. 694 00:56:28,230 --> 00:56:31,028 In two weeks they fined five times to me, 695 00:56:33,350 --> 00:56:38,868 trying to arrive alli to compose. Lars lived to a side of a hill. 696 00:56:39,070 --> 00:56:41,948 It was precise to raise 104 steps. 697 00:56:42,550 --> 00:56:47,021 I put myself in form composing for the Black Album. 698 00:56:47,230 --> 00:56:50,939 Pero Enter Sandman tapeworm riff of Kirk. 699 00:56:51,190 --> 00:56:53,704 Casete of riffs was one of his. 700 00:56:54,270 --> 00:57:00,027 We saw that he would be good canciôn. I believe that he was good elecciõn. 701 00:57:00,950 --> 00:57:05,501 Riff of Enter Sandman it was first with that we worked. 702 00:57:05,710 --> 00:57:07,905 We composed this canciôn 703 00:57:08,110 --> 00:57:11,227 and, if it is heard well, 704 00:57:11,430 --> 00:57:13,466 introducciôn, transiciôn and the refrain, 705 00:57:13,670 --> 00:57:16,980 it is seen that everything comes from same riff, in relaciõn to the agreed ones. 706 00:57:17,190 --> 00:57:20,387 It is as if canciõn was one -- riff. 707 00:57:22,030 --> 00:57:25,784 Sorprendiõ to have to us composed that canciôn so simple. 708 00:57:26,110 --> 00:57:28,704 Some songs are made up of almost predestined form. 709 00:57:28,950 --> 00:57:33,182 With others we must make an effort to us, to work enough 710 00:57:34,270 --> 00:57:37,626 and, sometimes, never they work. Thus we make them bad. 711 00:57:37,870 --> 00:57:43,103 It is not worth the trouble to have average songs like support. 712 00:57:43,310 --> 00:57:47,383 It is not worth the trouble. We want that all is good. 713 00:57:47,590 --> 00:57:52,345 they must be sõlidas. 714 00:57:52,950 --> 00:57:56,829 When riff does not work it is left a side. 715 00:57:58,390 --> 00:58:02,508 So we began to touch it, we knew it. 716 00:58:03,190 --> 00:58:05,943 Sandman quedô ràpidamente lists. 717 00:58:06,270 --> 00:58:09,262 He was strange, because it was first canciôn that we composed. 718 00:58:09,470 --> 00:58:13,702 But also it was for that already habiamos mûsica compound 719 00:58:13,910 --> 00:58:18,267 and sôlo we looked for melodía to him vocal spent long time already. 720 00:58:18,470 --> 00:58:21,985 It always happened the same. 721 00:58:22,430 --> 00:58:26,548 James and I composed hardly the mûsica of canciôn. 722 00:58:27,110 --> 00:58:31,820 Later, little by little, it elaborated 723 00:58:33,310 --> 00:58:36,620 melodía and vocal stereotypes. 724 00:58:37,470 --> 00:58:42,385 The letter was always ûltimo.He it wrote 5 minutes before singing. 725 00:58:42,590 --> 00:58:44,706 But it was related to melodia. 726 00:58:45,430 --> 00:58:47,500 When Enter Sandman… 727 00:58:47,710 --> 00:58:52,420 Aûn nonteniamos name for her, he was as soon as canciõn nûmero one. 728 00:58:54,190 --> 00:58:58,069 We were not able to find one melodia vocal for her.He was strange. 729 00:58:58,270 --> 00:59:02,343 But, of certain form, convirtiô in the foundation, 730 00:59:02,550 --> 00:59:05,269 orientaciõn of all the àlbum. 731 00:59:05,590 --> 00:59:08,900 What songs they touched to me in Vancouver 732 00:59:11,110 --> 00:59:15,706 I believe that it was Sandman.We touched the seven songs that estàn here. 733 00:59:20,110 --> 00:59:23,341 James tocô the single ones of guitar 734 00:59:23,550 --> 00:59:25,825 and the low ones I was James and. 735 00:59:39,390 --> 00:59:41,221 We are raising. 736 01:00:11,470 --> 01:00:15,179 - Before we did not like the low ones. - Then no. 737 01:00:20,310 --> 01:00:21,743 Well, uncle. 738 01:00:28,790 --> 01:00:31,588 Amplifying what serious that 739 01:00:31,790 --> 01:00:34,258 Debia to be Mark 4. 740 01:00:35,390 --> 01:00:36,823 Pretty what… 741 01:00:49,350 --> 01:00:53,138 This was before the jump. The idea was yours. 742 01:00:54,270 --> 01:00:55,225 Surely 743 01:00:55,630 --> 01:00:58,667 I decide that that to me ocurriô in preproducciôn. 744 01:01:11,070 --> 01:01:13,061 It follows the mûsica, you see 745 01:01:13,270 --> 01:01:18,549 When me tocastéis this, aûn not habia vocal. 746 01:01:19,230 --> 01:01:23,018 - Habia in the others. - What others 747 01:01:23,390 --> 01:01:25,346 You can oir them. 748 01:01:25,550 --> 01:01:29,463 Sôlo we wrote the letter for this one much later. 749 01:01:31,030 --> 01:01:33,908 Not even it has I title. 750 01:01:34,110 --> 01:01:36,749 And all the others have. 751 01:01:44,150 --> 01:01:45,583 Now we have a single one. 752 01:01:52,710 --> 01:01:54,541 Eras tû 753 01:02:09,470 --> 01:02:10,903 It is truth 754 01:02:19,710 --> 01:02:21,507 Cômo is to continuaciõn 755 01:02:42,030 --> 01:02:43,782 Come, Randy, already està well 756 01:02:43,990 --> 01:02:44,390 Techniques of grabaciõn of battery 757 01:02:44,390 --> 01:02:48,906 Techniques of grabaciõn of battery 758 01:02:49,110 --> 01:02:52,785 10 years and 45 thousand vodkas with tônica màs late… 759 01:02:52,990 --> 01:02:56,107 I do not decide to me very well. 760 01:02:57,350 --> 01:03:01,389 Sôlo I know that it was a very creative time. 761 01:03:02,230 --> 01:03:06,746 We had constantly new ideas. 762 01:03:07,870 --> 01:03:10,748 Also it was a very aggressive time. 763 01:03:11,630 --> 01:03:16,021 Elecciôn of tracks of percusiõn she was enough hard. 764 01:03:18,150 --> 01:03:23,144 I was…I believe that now I have a little màs of self-confidence. 765 01:03:23,990 --> 01:03:27,949 But, at that time, 766 01:03:29,070 --> 01:03:32,062 she was a dificil person to treat. 767 01:03:32,710 --> 01:03:36,020 For example, she appeared when me apetecia. 768 01:03:36,390 --> 01:03:38,904 When he was ready, allà went I. 769 01:03:39,110 --> 01:03:44,184 ' ' Now I am going to eat, now I do this.'' ' ' Now it does not desire to me, now if.'' 770 01:03:44,630 --> 01:03:48,828 Then it said to them: ' ' iTios, I am ready, now ' ' 771 01:03:49,390 --> 01:03:51,779 It was so it tolerated to me. 772 01:03:51,990 --> 01:03:55,141 Tensiôn was an energy with much. 773 01:03:55,870 --> 01:03:59,658 For Enter Sandman we obtained riff… 774 01:04:00,470 --> 01:04:02,665 He is a little liante. 775 01:04:02,950 --> 01:04:06,465 I believe that we did almost 50 takes 776 01:04:07,390 --> 01:04:09,187 for percusiôn. 777 01:04:10,790 --> 01:04:15,659 Lars wanted to touch it, but no conseguia everything of once. 778 01:04:15,870 --> 01:04:19,988 First haciamos the verses, and soon the refrain. 779 01:04:20,190 --> 01:04:24,103 Equal Haciamos in the other parts and uniamos everything. 780 01:04:24,430 --> 01:04:29,550 To make a track of percusiõn so intense sôlo with take, 781 01:04:31,070 --> 01:04:34,062 serious almost a miracle. 782 01:04:34,270 --> 01:04:39,219 Then we finished using the technique of ' ' trims and beats ' '. 783 01:04:39,590 --> 01:04:43,947 We chose the best parts and we united them. 784 01:04:44,150 --> 01:04:49,270 We remained with sôlo take, with the buscàbamos elements that. 785 01:04:49,550 --> 01:04:51,142 Feeling, 786 01:04:52,230 --> 01:04:53,663 attitude 787 01:04:55,190 --> 01:04:56,623 and sound. 788 01:04:58,270 --> 01:05:02,502 Lars the headress with much vigor. 789 01:05:03,430 --> 01:05:07,309 Queriamos to obtain a sound… 790 01:05:07,510 --> 01:05:11,628 Lars could do 3, 4 or 5 takes of percusiõn, 791 01:05:11,910 --> 01:05:15,903 but teniamos that to change the skins of the battery, that was burst. 792 01:05:16,230 --> 01:05:18,107 Briefly, 793 01:05:18,310 --> 01:05:20,870 we tried to do the following thing, 794 01:05:21,070 --> 01:05:24,267 to abstract the thought of which we did, 795 01:05:25,110 --> 01:05:30,867 we tried that outside a physical and nonmental experience. 796 01:05:31,790 --> 01:05:35,988 When a àlbum takes place, they press us at several levels: 797 01:05:36,390 --> 01:05:41,145 money, time of study, without errors, not to leave the boys badly. 798 01:05:41,350 --> 01:05:43,580 lntentamos to arrive to the center of cuestiôn. 799 01:05:43,790 --> 01:05:48,068 lntentamos to catch moments of mûsica in one casete, 800 01:05:48,270 --> 01:05:51,307 without thinking about them while the haciamos. 801 01:05:51,510 --> 01:05:57,062 This era the objective, at least for the track of percusiôn. 802 01:05:57,950 --> 01:05:59,906 Bàsicamente, we recorded casete. 803 01:06:00,150 --> 01:06:01,981 After recording 804 01:06:02,190 --> 01:06:04,704 pasàbamos the following month 805 01:06:04,910 --> 01:06:09,461 oyendo it everything and joining the best parts. 806 01:06:09,790 --> 01:06:14,420 Lars, James and Bob heard everything. They heard lostakes of battery 807 01:06:14,630 --> 01:06:16,586 No, sõlo Lars and Bob. 808 01:06:16,790 --> 01:06:19,668 A day took at least. 809 01:06:20,230 --> 01:06:25,509 I cut and beat until being with a final track of percusiõn. 810 01:06:26,670 --> 01:06:31,505 Trabajàbamos as much, that the sounds always agreed. 811 01:06:31,710 --> 01:06:35,908 It worked very well. It was the first time that we did that. 812 01:06:36,110 --> 01:06:40,023 It had a certain lightness, a position, 813 01:06:40,230 --> 01:06:45,987 a dawn, that never habiamos been able to catch before. 814 01:06:46,350 --> 01:06:49,148 We never thought 815 01:06:49,710 --> 01:06:54,784 to catch the sound of a form that seemed in direct, 816 01:06:57,030 --> 01:07:02,741 mainly in a study. He was hallucinating. 817 01:07:09,830 --> 01:07:14,858 The track of percusiôn was so good, that we used it in all the songs. 818 01:07:17,750 --> 01:07:20,867 Through that, we were able to do nine tracks màs of percusiõn. 819 01:07:30,270 --> 01:07:34,980 We removed party of a great oval room. 820 01:07:37,030 --> 01:07:42,787 This wall and the one of atràs smooth surfaces tenian. 821 01:07:43,310 --> 01:07:48,145 We retired all the sonofletores of the ceiling. 822 01:07:48,910 --> 01:07:54,143 But it was not the sufficient stop and we bought a plywood. 823 01:07:54,950 --> 01:08:00,263 We varnished it and we hung it over the smooth surface, 824 01:08:00,470 --> 01:08:02,904 by almost all the room. 825 01:08:03,110 --> 01:08:06,227 We finished having a great room ' ' in direct ' '. 826 01:08:06,430 --> 01:08:11,185 We wasted long time, we used several combined micrõfonos. 827 01:08:11,390 --> 01:08:16,669 I do not know well cuàntos we used. Quizàs 40 ô 50 for percusiôn, 828 01:08:16,870 --> 01:08:20,943 by all the corners, the ceiling for the sound of the guitar. 829 01:08:21,150 --> 01:08:24,699 Different micrôfonos for all the especificos sounds, 830 01:08:24,910 --> 01:08:28,346 for example, acute, serious sounds, close by and far… 831 01:08:28,550 --> 01:08:30,268 In the end 832 01:08:31,710 --> 01:08:35,669 we remained with 20 ô 21 tracks of percusiôn. 833 01:08:37,190 --> 01:08:40,102 Thus it sounded. 834 01:08:41,030 --> 01:08:43,749 With cuàntas tracks we remained in the end 835 01:08:43,950 --> 01:08:48,501 In this canciõn I am not safe, but quizàs four. 836 01:08:51,630 --> 01:08:54,064 Precisàbamos one for the guitars, 837 01:08:54,270 --> 01:08:59,298 one for the single one, one for the low ones and another one for the vowels. 838 01:08:59,510 --> 01:09:01,705 Usually they are two or three by canciôn. 839 01:09:02,030 --> 01:09:06,387 The style of Lars he is quite conventional. 840 01:09:06,670 --> 01:09:09,184 But, with time, 841 01:09:09,390 --> 01:09:14,987 I finished learning, to appreciate its style. 842 01:09:16,550 --> 01:09:19,269 I am thinking about an example. 843 01:09:19,830 --> 01:09:23,379 They asked if he hears James with fonendoscopio. 844 01:09:25,510 --> 01:09:29,423 I saw a program of your series, 845 01:09:31,390 --> 01:09:34,746 on the àlbum Whós Next, of the The Who. 846 01:09:35,750 --> 01:09:37,706 It spoke of Keith Moon. 847 01:09:37,910 --> 01:09:43,428 Personally, I believe that Lars he is very similar to Keith Moon. 848 01:09:43,630 --> 01:09:46,428 I think that he is similar to good baterias 849 01:09:46,950 --> 01:09:49,987 like Bonham, Keith Moon, Ginger Baker. 850 01:09:50,230 --> 01:09:53,222 It does not touch simply through canciõn. 851 01:09:53,870 --> 01:09:57,658 Are surrounded feelings. Lars hears the mûsica. 852 01:09:58,390 --> 01:10:04,147 They are normal batteries, with many tricks in the sleeve. 853 01:10:04,630 --> 01:10:07,986 Clear that also I like. 854 01:10:08,190 --> 01:10:13,947 Since already there am saying, I like màs the style of Lars. 855 01:10:14,870 --> 01:10:19,898 He is original.It touches segûn the mûsica, is not something thought. 856 01:10:26,550 --> 01:10:31,340 This was an example. Before never the habiamos obtained. 857 01:10:32,110 --> 01:10:34,908 Bateria, the guitars and the mûsica. 858 01:10:35,190 --> 01:10:37,146 I remained astonished… 859 01:10:37,350 --> 01:10:42,663 Oi demo of Zappa Two five months before. 860 01:10:46,230 --> 01:10:51,987 It seems that there was an interval of years between the works and nonmonths. 861 01:10:53,950 --> 01:10:58,978 You understand to me It is what it seems to me when I hear it. 862 01:11:00,790 --> 01:11:05,739 Everything is one cuestiôn of rate.Asi that we smoothed the rate, is better. 863 01:11:06,470 --> 01:11:07,903 He is right that. 864 01:11:08,110 --> 01:11:12,501 It is what you said.It seems that the mûsica he was always in each canciôn. 865 01:11:12,710 --> 01:11:15,827 When you touched to me we give them, 866 01:11:16,270 --> 01:11:20,707 he was everything, sôlo there we recorded of different form. 867 01:11:20,990 --> 01:11:26,144 What it gave us, or better, what it gave life him to the àlbum. 868 01:11:26,350 --> 01:11:28,580 Feeling, soul. 869 01:11:28,790 --> 01:11:32,066 The together guitar and drum they were very well. 870 01:11:32,270 --> 01:11:35,899 To people it enchants that part to him when they hear this canciôn. 871 01:11:36,750 --> 01:11:39,059 He is hallucinating 872 01:11:39,270 --> 01:11:39,470 The single one of guitar of Kirk Hammett in Wherever l May Roam 873 01:11:39,470 --> 01:11:44,180 The single one of guitar of Kirk Hammett in Wherever l May Roam 874 01:11:44,390 --> 01:11:49,100 The single one of guitar of Wherever I May Roan begins asi. 875 01:11:57,030 --> 01:12:01,308 It seems right of Hendrix. 876 01:12:01,550 --> 01:12:04,018 It is completely the style of Hendrix. 877 01:12:04,390 --> 01:12:06,665 I always meant that to him to people, 878 01:12:06,990 --> 01:12:12,144 and I never did it, because it did not want to be known to rob single of guitar. 879 01:12:12,350 --> 01:12:16,423 But all the people who touch, she robs single or riffs of guitar. 880 01:12:17,390 --> 01:12:21,019 Sôlo queria a dinàmico beginning for the single one. 881 01:12:21,350 --> 01:12:25,821 The sound is constant. The humming stays. 882 01:12:26,190 --> 01:12:27,987 He is guay. 883 01:12:33,310 --> 01:12:34,538 Fantàstico. 884 01:12:35,710 --> 01:12:41,262 Canciõn, due to riff main, it sounds Eastern. 885 01:12:41,710 --> 01:12:45,419 I thought that one would be enjoyed to use one scales frígia dominant, 886 01:12:45,790 --> 01:12:50,022 that it sounds to something quite Eastern. This serious for my selecciõn of notes. 887 01:12:50,550 --> 01:12:52,427 And resultõ very good. 888 01:12:52,670 --> 01:12:59,143 The concept is the following one:several Eastern sounds in one canciôn. 889 01:12:59,470 --> 01:13:00,903 Resultõ well. 890 01:13:01,230 --> 01:13:04,142 The second single one of guitar in the end 891 01:13:05,070 --> 01:13:08,028 it is totally improvised and espontàneo. 892 01:13:08,230 --> 01:13:12,064 Surgiõ espontàneamente. Fluyõ. 893 01:13:12,710 --> 01:13:15,429 We made four or five attempts. 894 01:13:15,630 --> 01:13:20,750 What it is heard in the àlbum, improvisaciõn is my. 895 01:13:20,950 --> 01:13:26,707 It must have been one of my better creative moments. 896 01:13:27,510 --> 01:13:33,267 Sôlo I knew that there was a single one when Bob me pidiô that touched that part. 897 01:13:33,710 --> 01:13:35,940 - he did not have when requesting it. - Exact. 898 01:13:36,150 --> 01:13:38,186 Nobody knew it. 899 01:13:38,390 --> 01:13:41,302 While, we decided that it had to have a single one in the final part. 900 01:13:42,030 --> 01:13:43,463 He said to me: 901 01:13:43,670 --> 01:13:48,903 ' ' He begins like ûltimo, with long notes, 902 01:13:49,110 --> 01:13:51,499 later he begins to develop.'' 903 01:14:05,750 --> 01:14:10,187 When there are vowels, the guitars they do minuendo vice versa and. 904 01:14:15,430 --> 01:14:18,979 - conversaciõn Is like one. - Like an unfolding. 905 01:14:19,670 --> 01:14:21,388 It goes up to here. 906 01:14:23,790 --> 01:14:25,826 Aqui begins to diminish. 907 01:14:33,150 --> 01:14:38,304 - Now nobody makes minuendos. - last Whattowards ahead and atràs. 908 01:14:38,630 --> 01:14:40,666 The dinàmica is brilliant. 909 01:14:41,550 --> 01:14:45,589 This is the part that it is not heard in the àlbum. 910 01:14:55,270 --> 01:14:57,659 - Hallucinating - Guay 911 01:14:57,990 --> 01:15:02,541 - That part is happening. - No longer oía that… 912 01:15:02,790 --> 01:15:05,429 For 10 years, insurance. Guay 913 01:15:05,630 --> 01:15:05,910 Jason Newsted speaks on My Friend Of Misery 914 01:15:05,910 --> 01:15:10,540 Jason Newsted speaks on My Friend Of Misery 915 01:15:10,750 --> 01:15:15,870 My contribuciõn to the Black âlbum it was the subject My Friend Of Misery. 916 01:15:16,070 --> 01:15:19,187 He was second canciõn that I composed with Metallica. 917 01:15:19,390 --> 01:15:22,746 And it was the second àlbum that I did with them. 918 01:15:22,950 --> 01:15:24,747 It was already member towards five years. 919 01:15:24,950 --> 01:15:30,582 I am going to touch like it was originally, 920 01:15:31,110 --> 01:15:33,749 like està in casete that I gave to Lars and James. 921 01:15:34,110 --> 01:15:39,867 In the end he was not so quedô, but originally he was asi. 922 01:16:48,790 --> 01:16:51,384 He was something similar to this. My Friend Of Misery. 923 01:16:51,710 --> 01:16:55,908 instruments of the Black Album. 924 01:16:56,110 --> 01:17:00,228 I thought that ibamos to continue having one canciôn instrumental. 925 01:17:01,390 --> 01:17:03,028 But in the end no. 926 01:17:03,350 --> 01:17:09,027 Canciôn was one that I elaborated sõlo, with my màquina of four tracks. 927 01:17:09,230 --> 01:17:14,350 Trabajàbamos with casetes and the idea it was to oir mûsica màs possible, 928 01:17:14,630 --> 01:17:16,461 of diverse bands and styles. 929 01:17:17,270 --> 01:17:22,060 Later pasàbamos everything by the funnel and in the filter 930 01:17:22,390 --> 01:17:24,381 and veiamos which left. 931 01:17:24,590 --> 01:17:27,150 Whatever màs varied is what oimos, màs colorful is the result. 932 01:17:27,350 --> 01:17:29,227 Then it was the concept that existia. 933 01:17:29,430 --> 01:17:33,548 Nontapeworm as much experience as listener as I have today. 934 01:17:33,750 --> 01:17:37,060 He was not understanding either in the different styles from mûsica. 935 01:17:37,270 --> 01:17:41,343 But I tried to hear Soul, Funk and other types of mûsica. 936 01:17:41,550 --> 01:17:46,499 Oi Black Sabbath and Hendrix, in order to give origin to new ideas. 937 01:17:46,710 --> 01:17:51,181 It is always good for oir our old teachers, 938 01:17:51,390 --> 01:17:55,542 in order to remember ours origenes, of where surgiô our style. 939 01:17:56,190 --> 01:18:00,661 Later we can refresh and to hear other things. 940 01:18:00,990 --> 01:18:04,824 Bands of Trip-Hop or of Hip-Hop, 941 01:18:05,390 --> 01:18:09,941 or something that new generaciôn must to give.New artists. 942 01:18:10,390 --> 01:18:13,029 He always comes well, be the one who is. 943 01:18:14,190 --> 01:18:16,465 This is what we tried to do todavia today. 944 01:18:18,190 --> 01:18:19,623 Brilliant one. 945 01:18:20,030 --> 01:18:20,390 Bob Rock in the Desert 946 01:18:20,390 --> 01:18:24,781 Bob Rock in the Desert 947 01:18:24,990 --> 01:18:29,506 When I decided to work with the Metallica, 948 01:18:29,710 --> 01:18:32,304 I had to take one decisiôn. 949 01:18:33,390 --> 01:18:37,178 I worked with the Bons Jovi. Richie Sambora and I am friends. 950 01:18:37,390 --> 01:18:42,066 He dijo:''Quiero me to make a àlbum in solitaire and I want that you produce.'' 951 01:18:42,270 --> 01:18:48,027 Decisiôn had to take one, to choose between a friend and a band. 952 01:18:50,190 --> 01:18:53,148 I finished going to me of vacations with my family, 953 01:18:53,350 --> 01:18:57,138 with my children and my woman. We went to cross the desert, 954 01:18:58,550 --> 01:19:00,700 near the Grand Canyon. 955 01:19:00,910 --> 01:19:04,869 We went very well, when we saw to a Indian in the border, 956 01:19:05,070 --> 01:19:10,781 in the middle of the nothing, with a T-shirt of the Metallica. 957 01:19:11,470 --> 01:19:15,349 I said directly: ' ' iDios mineThis is a signal ' ' 958 01:19:15,550 --> 01:19:17,620 After 160 kms, we stopped to throw combustible. 959 01:19:17,830 --> 01:19:21,948 When I went to pay, they were the Metallica in the radio. 960 01:19:22,470 --> 01:19:25,940 It was rare oírlos in the radio. I had to make a call. 961 01:19:26,150 --> 01:19:29,586 I said:' ' Richie, pardons, but I must do this.'' 962 01:19:29,790 --> 01:19:30,070 Mezcla, the Original ones and the aim of history 963 01:19:30,070 --> 01:19:34,700 Mezcla, the Original ones and the aim of history 964 01:19:34,910 --> 01:19:37,470 Màs dificil of the mixture, 965 01:19:37,670 --> 01:19:42,949 it was to have to make the first mixture of first versiôn of Sandman. 966 01:19:43,150 --> 01:19:47,587 Thus, this meant 967 01:19:47,910 --> 01:19:51,027 the sound of the Black Album. 968 01:19:51,230 --> 01:19:53,698 It was a first launching, 969 01:19:53,910 --> 01:19:58,859 tapeworm that to cause impact, to say something on which they tried. 970 01:19:59,070 --> 01:20:01,345 That tardõ about 10 days. 971 01:20:01,550 --> 01:20:05,179 Debiamos to happen through the fact of knowing what sounded well. 972 01:20:05,390 --> 01:20:07,858 We had to find one orientaciôn. 973 01:20:08,070 --> 01:20:13,349 And later everything what came. When we obtained what we wanted, 974 01:20:13,550 --> 01:20:17,384 and to all people him gustõ Sandman, cômo sounded and everything, 975 01:20:17,590 --> 01:20:22,869 cuestiõn was one to adapt the other songs to that space. 976 01:20:23,950 --> 01:20:28,023 But dice the size of the songs 977 01:20:28,230 --> 01:20:32,189 and everything what we did, it corresponds to much work. 978 01:20:32,390 --> 01:20:35,382 Almost in the end we remained without time 979 01:20:35,590 --> 01:20:39,583 and, with some songs, we had that to make mixtures ràpidas. 980 01:20:39,790 --> 01:20:42,987 I believe that Holier Than Thou 981 01:20:44,030 --> 01:20:46,498 tardõ four or five hours in being ready. 982 01:20:46,710 --> 01:20:48,541 One was situaciõn difficult. 983 01:20:48,750 --> 01:20:54,427 4, 5 hours for Holier Than Thou, 10 days for Sandman.He was asi '… 984 01:20:54,750 --> 01:20:59,949 The launching of the àlbum was glided for six months before. 985 01:21:00,310 --> 01:21:03,541 We had to give haste us. 986 01:21:03,750 --> 01:21:08,346 In order to send it, debiamos to give the masters to the discogràficas companies. 987 01:21:08,550 --> 01:21:10,984 For that, we had that to finish it in that day. 988 01:21:11,190 --> 01:21:13,260 For that reason we had that to begin with the mixture. 989 01:21:13,470 --> 01:21:17,019 While we made the mixture, James aûn was singing in another room. 990 01:21:17,230 --> 01:21:21,348 Estàbamos so impatient, that there were two rooms of mixture. 991 01:21:21,670 --> 01:21:26,380 He was dificil to sing some of ûltimas songs. 992 01:21:27,150 --> 01:21:30,779 The time us presionõ until the end. 993 01:21:30,990 --> 01:21:35,700 We had to obtain it. He was all ready one except the àlbum. 994 01:21:37,390 --> 01:21:38,869 For that reason… 995 01:21:39,070 --> 01:21:44,827 I had to train the voice.Then, estàbamos in A & N Studios. 996 01:21:45,190 --> 01:21:50,708 Haciamos the mixture of songs, doblaje of guitars and cantàbamos. 997 01:21:50,910 --> 01:21:55,267 They were to ours disposiciõn, four or five rooms of the study. 998 01:21:55,470 --> 01:21:59,179 I decide to me to begin to sing Holier Than Thou 999 01:22:01,950 --> 01:22:05,659 and my voice not salia well. 1000 01:22:05,870 --> 01:22:10,944 It was scared to spoil it again.It had to sing much. 1001 01:22:11,270 --> 01:22:16,105 While acabàbamos the àlbum, filmàbamos the paper clip of Enter Sandman. 1002 01:22:16,310 --> 01:22:22,101 We had all the work of press and publicity. 1003 01:22:22,870 --> 01:22:26,021 A month before the launching of the àlbum, 1004 01:22:26,230 --> 01:22:30,223 situaciôn she was truely caõtica. 1005 01:22:30,430 --> 01:22:34,821 Although, in the middle of the chaos, usually it arises the instinct. 1006 01:22:35,030 --> 01:22:38,818 And when it is tried… 1007 01:22:39,030 --> 01:22:44,388 When we do not have time, a luxury element, 1008 01:22:45,390 --> 01:22:46,823 also it is good, 1009 01:22:47,190 --> 01:22:52,947 because it forces to us to be màs instinctive and to think màs quickly. 1010 01:22:53,630 --> 01:22:58,909 There were many and long discussions, mainly due to the mixtures. 1011 01:22:59,110 --> 01:23:04,104 What must be aheadThe battery, the singerAll want ahead. 1012 01:23:04,310 --> 01:23:08,826 But somebody must be detràs, 1013 01:23:09,030 --> 01:23:13,308 to verify if everything comes out well. 1014 01:23:15,030 --> 01:23:20,582 That is the idea of being three-dimensional. Somebody must remain detràs. 1015 01:23:21,870 --> 01:23:27,149 We needed many tests and diverse mixtures 1016 01:23:27,790 --> 01:23:29,906 in order to include/understand for where dirigiamos us. 1017 01:23:30,230 --> 01:23:33,142 In a normal day, we decided, we make one sesiôn fotogràfica, 1018 01:23:33,350 --> 01:23:36,547 we verified the mixtures, 1019 01:23:36,750 --> 01:23:41,665 we released ourselves giving interviews and we returned to verify the mixtures. 1020 01:23:42,190 --> 01:23:44,340 James sang during two hours, 1021 01:23:44,550 --> 01:23:48,668 while I worried with the interviews and the videos. 1022 01:23:48,990 --> 01:23:53,142 Later he returned to verify the mixture.It was so it did. 1023 01:23:53,350 --> 01:23:55,818 And it was so they transcurrian the 16 hours of the day. 1024 01:23:56,030 --> 01:24:00,945 Later, sôlo I needed to go to the famous Rainbow Barn Grill, 1025 01:24:02,150 --> 01:24:06,382 to drink one wins in order to forget the problems the day. 1026 01:24:09,830 --> 01:24:14,346 It was a tremendous mess, in all the senses. 1027 01:24:14,550 --> 01:24:18,941 I believe that at that time teniamos about 26 years. 1028 01:24:19,150 --> 01:24:22,779 The Guns ' N' Roses they recorded at the end of the street. 1029 01:24:22,990 --> 01:24:25,504 The Skid Row also was close. 1030 01:24:26,270 --> 01:24:31,424 The city emanated energy, he was fantàstico. 1031 01:24:33,670 --> 01:24:38,505 These bands were working in his àlbumes at the same time. 1032 01:24:40,630 --> 01:24:43,906 It was a libertinism at all the levels. 1033 01:24:44,110 --> 01:24:47,341 He was amused and totally outside control. 1034 01:24:47,550 --> 01:24:52,499 The best part was when juntàbamos us with the Guns ' N' Roses, 1035 01:24:53,470 --> 01:24:57,179 we put in together problems, but sôlo they attracted the press. 1036 01:24:57,390 --> 01:25:02,544 He was brilliant, because we had reputaciõn of to be controlled people. 1037 01:25:02,750 --> 01:25:06,106 We were so bad like demàs, 1038 01:25:06,310 --> 01:25:10,986 but not him contàbamos to the relations pûblicas which we had done. 1039 01:25:11,190 --> 01:25:12,703 Those were demàs that hacian that, 1040 01:25:12,910 --> 01:25:18,428 and, of some form, our names they never appeared. 1041 01:25:18,630 --> 01:25:22,589 This type of behavior durõ some months. 1042 01:25:22,790 --> 01:25:25,623 It was the great madness and very amused. 1043 01:25:25,950 --> 01:25:31,707 Later we made the mixture digital for DAT and analõgico. 1044 01:25:32,790 --> 01:25:36,066 Also we made the mixture for another format. 1045 01:25:37,390 --> 01:25:40,666 The call Dash format. 1046 01:25:40,870 --> 01:25:44,749 He is very similar to Sony Multi-Tracks. 1047 01:25:44,950 --> 01:25:50,707 At that time, sincronizaciõn not salia very well in digitalis. 1048 01:25:50,910 --> 01:25:53,060 Nonteniamos the references of sincronizaciõn. 1049 01:25:53,270 --> 01:25:58,219 We went to New York and, later of several nights in target 1050 01:25:58,430 --> 01:26:00,785 and a year of much work, 1051 01:26:00,990 --> 01:26:03,584 Randy and I teniamos the gray skin. 1052 01:26:03,790 --> 01:26:08,102 The airport was a madness. I believe that I arrived the previous day. 1053 01:26:08,310 --> 01:26:11,063 They made the mixture of one canciõn 1054 01:26:11,270 --> 01:26:13,500 and aûn tenian that to do remix of another one. 1055 01:26:13,710 --> 01:26:17,544 Later we left running alli, we did not sleep. 1056 01:26:17,750 --> 01:26:22,870 When we arrived, the masters had such sounds of the digital system. 1057 01:26:23,070 --> 01:26:26,904 You do not imagine as we felt. We said all:'' God mio ' ' 1058 01:26:27,110 --> 01:26:31,023 Mounted Habiamos the àlbum. 1059 01:26:31,230 --> 01:26:35,906 It was incredible. It thought that it died to me. 1060 01:26:36,110 --> 01:26:39,147 Quickly we took the DATs and we heard them. 1061 01:26:39,350 --> 01:26:41,910 The sound was fantàstico. 1062 01:26:42,110 --> 01:26:45,261 We had… 1063 01:26:45,470 --> 01:26:48,940 to do again the assembly of the àlbum, 1064 01:26:49,150 --> 01:26:53,109 in any study of the zone this of Manhattan. 1065 01:26:53,310 --> 01:26:57,019 Alli tenian the system, 1066 01:26:57,230 --> 01:26:59,539 with which we could make the assembly. 1067 01:26:59,750 --> 01:27:04,505 We made the masters with George and the assembly in another study. 1068 01:27:04,710 --> 01:27:08,828 We ran to give to George casete with the assembly. 1069 01:27:09,030 --> 01:27:12,261 George made the masters and in that night mandô everything. 1070 01:27:12,470 --> 01:27:15,189 It was a madness. 1071 01:27:15,390 --> 01:27:17,950 We finished to two in the morning. 1072 01:27:18,150 --> 01:27:22,063 After as much work, it did not have nor a bar to drink a glass. 1073 01:27:22,270 --> 01:27:26,183 Later we found one… 1074 01:27:26,390 --> 01:27:31,987 Aûn I decide that the bar to me Nell's was called, in Manhattan. 1075 01:27:32,190 --> 01:27:36,820 Alli estàbamos the four, Lars, James, Randy and I.Like deads. 1076 01:27:37,110 --> 01:27:42,059 Sôlo estàbamos we in the bar drinking to three in the morning. 1077 01:27:43,190 --> 01:27:45,226 Thank heavens that we finished. 1078 01:27:45,590 --> 01:27:47,546 Jamàs me olvidarà. 1079 01:27:47,750 --> 01:27:52,699 It was incredible.Nor we obtained to celebrate it, estàbamos very tired. 1080 01:27:53,190 --> 01:27:56,546 During a time very we were worried. 1081 01:27:56,750 --> 01:28:01,187 The good thing was that George Marino, the one that made the masters… 1082 01:28:01,390 --> 01:28:06,339 Pasô an pleasant thing. When we arrived there, 1083 01:28:06,550 --> 01:28:11,499 George and other people they had oido the àlbum 1084 01:28:11,710 --> 01:28:14,099 and they said that tapeworm a good sound. 1085 01:28:14,310 --> 01:28:18,269 they compare it to the Black Album. 1086 01:28:18,470 --> 01:28:23,863 It is a pride that somebody compares other works to ours: 1087 01:28:24,070 --> 01:28:29,303 of the Black Album in our àlbum.'' 1088 01:30:38,910 --> 01:30:42,186 The God That Failed goes on the forced salary 1089 01:30:44,750 --> 01:30:50,507 to belong to certain religiõn, when he was young. 1090 01:30:53,470 --> 01:30:58,180 My parents educated to me like Christian cientifico. 1091 01:30:59,750 --> 01:31:03,459 This means that we did not believe in the doctors… 1092 01:31:03,750 --> 01:31:09,507 Religiõn has good things, but for a boy it is difficult to understand it. 1093 01:31:11,030 --> 01:31:15,706 It is of those religions that they are included/understood better of adult. 1094 01:31:15,910 --> 01:31:18,549 Meanwhile, already we have gone to the doctor and we know which one is. 1095 01:31:18,750 --> 01:31:22,538 Bàsicamente, it is the mind over the matter. 1096 01:31:22,750 --> 01:31:28,507 Like boy, for me it was very dificil to be educated in this religiõn. 1097 01:31:28,750 --> 01:31:32,709 It could not go to certain classes of health. 1098 01:31:32,910 --> 01:31:38,268 In primary, we want to be with the friends, equal being to them. 1099 01:31:38,470 --> 01:31:44,227 They tenian books of health and I no he could learn on the human body, 1100 01:31:44,910 --> 01:31:48,186 because the body it is as soon as the armor of the soul. 1101 01:31:48,390 --> 01:31:51,985 It is not either precise to know, one did not go away to the doctor, 1102 01:31:52,190 --> 01:31:55,102 because God cures our evils. 1103 01:31:55,310 --> 01:31:58,347 Thus it had that to raise to me and to leave the class. 1104 01:31:58,550 --> 01:32:02,065 The companions asked to me why he had to leave. 1105 01:32:02,270 --> 01:32:06,946 And again he explained to them the history of religiôn. 1106 01:32:07,150 --> 01:32:11,189 With seven years, this is not something that it is wanted to do continuously. 1107 01:32:11,390 --> 01:32:16,510 It could not play fûtbol, no it needed to make exàmenes physical… 1108 01:32:16,710 --> 01:32:18,587 It was completely… 1109 01:32:20,310 --> 01:32:26,067 It felt to me like an extraterrestrial one. 1110 01:32:26,710 --> 01:32:30,180 By rare that it seems, it felt to me mentally ill. 1111 01:32:31,630 --> 01:32:35,339 Canciõn The God That Failed 1112 01:32:35,550 --> 01:32:38,189 it is as a trip to that alienaciõn 1113 01:32:39,510 --> 01:32:41,705 and its consequences. 1114 01:32:45,270 --> 01:32:49,548 For some people, this I title can be very strong. 1115 01:32:50,390 --> 01:32:53,939 They think that Metallica està attacking religiõn. 1116 01:32:54,310 --> 01:32:57,985 The thoughts are sôlo that boy tapeworm. 1117 01:32:58,190 --> 01:33:02,786 Nobody that can prohibit me. It is like a autoterapia.