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Ok, welcome again.
We are here to talk about
show what you want to show
specifically because
here we have our illustration.
Already
little bit done.
And I want to ask you
what are the things to do first,
things you are
seeing in this picture.
What are the things that
all the objects
are sent
to your
eyes to watch.
The first thing you will be seeing and
the attention you will have is to the face
because everything
in this picture is going to the face.
As you can see,
curve is going to the face.
Here
helps with make this good
this way so
you have like
this line as
perimeter of
all the lines. Also this
takes you this.
So all the lines of this illustration
sends to,
send your eyes to her head
because
I want you to have attention of
in her face.
So
this is systematic of this point.
I will turn off all this.
So
you will have some
different compositions everytime
we are working with
different characters and different poses.
And it depends also in your intention
in the illustration
in what you want to show.
But the first thing I will recommend you
in this case is
think about what you want to show at first.
If you want the character face
to be looking at it. So
every element
in the illustration will
help your eyes to go
to the face of the character.
Okay.
For example, something like this.
And like this. And it's
a bit more exaggerated.
But here we have this arm here.
And if you have the hair
going something like this,
make the head a little bit more small.
So here you have the, the hair
for example, with the arms finished
in the face. And we have like
a box here that
all the attention,
the body also is going up.
This,
the hair is
also
going into some way as the body. But
going to the
face.
We can intensify that with
more hair if we want
that also ends like this.
So you are intensifying the face
in that case. And
the body,
the arms, the legs
and the different elements can help you
to make
your eyes go to the
things you want to show.
For example, if I want you to
see this wall
and make
the person secondary.
I can do it with
for example,
a bright.
It's important
to call the attention.
We need like
maybe this person don't have long hair but
maybe have a cave
that finish
close to this wall.
We can like this line,
something like this.
And we want
some curves also to help.
And attention to
this wall.
So in this composition, we have this.
So we are
putting the attention.
I can make it a bit more open I think.
That will be better.
When you have the attention to this,
have the cave that
ends here.
So he is doing something like this.
The clothes also are helping,
okay?
And the bright also calls attention for the
line here and the line here.
So make it like a point.
Okay?
So
you need to think about
not only the body
when you are trying to give
the attention of something
more specific than other thing that they
face for example.
But it's important to manage
and know what curves
and what is
the position of the body to play with
the different elements.
Right?
And play with in,
in different curves.
So
you can call the attention
really easy
with the help
not only of the body but also
of the elements.
With that, also it's important,
but also it's important to know what
curves you have in your figure.
And know also the area you are
working on because not
same have the area.
Like a movie
that you have all this
layer for work.
Right? And maybe you have like
a field.
And you want attention here.
Okay? Not is the same, something like that.
Or you want attention in,
in some composition that
have more than one character
for the angle
which
leaves the attention to
this character.
It goes also,
you have this.
This lines that
and the perspective also helps.
You can make also the character
with something like this.
And you will have the attention to
this part.
So you need to think
not only the pose but also the movements
and the lines of the pose to
add elements. And play with
them to help you to
move the attention to the place you want.
So coming back to
our illustration
it's the same here, as you can see,
because, for example, the hand not is,
this hand not is like
trying to
give us to the face but the length that
this handmade here
makes
our vision limited
to this area and this area.
But you can think like
if we have like what areas
is so seperated,
why this one not call more attention
than this one?
Especially because this one is more
big. But
it's because all the rest of elements is not
only this line. This line is principal line.
But the body
gives you to the face.
This hand
limits
again
this part.
So we are making the point of attention
more small.
This power also
gives you to the face.
The hair
gives you to the face.
Both hairs
give you to the face.
And in some way, the body also have like
this curve
here.
It's like finishing in the head.
So
everything is gonna lead you
to here.
So when you are doing your poses and or
when you are trying to use them to
make an illustration, a specific
illustration, try to play
with the pose and the curves that makes.
And the elements
that intensify the pose for
try to call attention of the eye.
And try to see where
drives you
because
it's really easy. It's something that
will be taking a bit of time to get used
to see it easy.
But
everytime you are finishing a piece,
I will recommend you to put like small.
And try to close your eyes and open again.
And try to see where are
the first thing your eyes are looking at.
So the first thing that
your eyes are looking at,
it will be the element that have
all the attention of
the illustration. In my case,
it's the face.
So
try to play with that elements because
I will explain it how to
get the attention to that.
And I hope
that little tips help you
to understand how to get
your eye to
the points that you want.