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Hey, everyone, now let's get on to drawing some girls right standing poses have for the, I would

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say, very nice looking standing pose, as you guys can do for your characters.

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Granted, these are this is the standard kind of pose that has a nice line.

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This is a more cuter, more elegant kind of pose.

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And this has a more of a twist to it.

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And this one is definitely more on the Lolita kind of side.

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So let's get started drawing this, shall we?

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Let's go one by one, starting with this one here.

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And we're going to draw the clothes as well as well.

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I don't know if I'll draw the face exactly.

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Maybe I will, but I think I'll think about it for a second.

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But it was let's first start drawing our first one here.

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I will first start off by drawing the pose.

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Draw this very, very lightly.

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You have your face crosshairs.

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Enjoy your neck, which is facing forward, and then her chest is a little bit tilted up where you can

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see a little bit of the underside of her.

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The underside of or the underside of her breast here, so I can just map that out here, it looks more

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like that.

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So you want to make sure that our rib cage is facing a little bit upward.

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Because of that, she also has a little bit of a waist tilt, so this one her for this one, in order

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to have this kind of nice contrast, you want the rib cage facing up and then the pelvis be facing a

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little bit more downward.

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Just for some nice damit dynamic flow.

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And draw the inside of the pelvis.

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And we can draw them blocking out of the legs.

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And to have a nice contrapositive meeting, its opposite sides of this way, children are this way,

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pelvises this way, so that gives a more dynamic feel.

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And of course, when you reach the elbow, you want to make sure that it's within that the elbow or

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you reach the ribcage, the elbow lands here.

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You want to mark that.

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And then his her hands are around the thigh area.

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If you mark your knees to this area, your hand will be here and notice that the other arm has more

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kind of leaning in.

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So here's our big sketch now we can start.

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Go ahead and just draw on top, so just shade in or erase most of these lines here and think I will

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draw that maybe a little bit of the face so I can draw the face just a little bit more simplified.

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Retracing on top during the ears and for the neck, it's more straight.

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You have a trapezius kind of going straightforward and then her shoulder going in here for here, the

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shoulder ends about here.

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And based on this measurement, we can see that her chest or peck area or breast area is a little bit

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above and her breast is a little bit small.

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So I'm not going to make it like this one.

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Tiny from here, we can just drag it over to the other side.

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And this is the other side of the body.

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Kind of wanted to connect the peck down to the breast area and can even draw the clavicle at this point.

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Well, the shoulder to kind of reach a little bit out of out from the.

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The skeleton actually just maybe just going to raise this area and just redo this shoulder, reaches

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out from here.

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And then her forearm or her top part of the arm is a four cylinder lands right at the rib cage area.

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And you want to kicking it around the elbow and then back down to the wrist.

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And then we could just draw a basic part of the hand here.

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For the pelvic area or the waist area, you can connect this area like a little pillowcase

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to the pillowcase, kind of like kind of pinches right in this area, and then right out comes the hip.

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He had this little bulge here because this kind of part is your glutes, which is your butt area, and

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from here we have the area here.

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We have the crotch area and then just separate that little bit and here we have the thigh.

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Now, I drew her legs a little bit too long, so I'm just going to lasso this and drag it up just a

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little bit.

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And notice, when I'm drawing this, I'm making sure that my sketch, my base sketch is pretty much

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there, but I can always correct it.

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So this leg may not be in the same in the correct position.

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So I'm going to have to draw this more in the center.

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Notice how in the kneecap area we're going to draw a cylinder in this area here.

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This car gets a little bit wider from the bone and this also gets a little bit of a bulge.

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And then for the calf area, it gets thicker and thinner as it gets down to the feet.

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And the feet are like this because she's wearing high heels, therefore look makes her legs look longer.

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Now, let's do the other leg here.

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I'm going to just raise this more a little bit towards the right.

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And we can drop the first cylinder control story on Lipps and then near the end of the second one.

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Notice in the kneecap area, it's a little bit on the side here, so we see this little bulge out here.

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You want to draw that top?

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And then for the Cavs want to stick in this top Partons and then send it down and then for the feed,

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you want it to be a little bit inward just to give it some nice.

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Some nice.

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Kind of differentiation in different directions, so he is going out here.

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It makes more sense to go this way rather than just go out like that.

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So it makes it makes her look a little bit more taller, not taller, more dynamic.

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And.

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So I'm just going to waste all the most of the inner construction of the body here, because we have

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most of our drawing intact because we're going to be drawing clothes now.

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We're also going to draw this arm here.

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And her hands of her thumb and then her fingers, so so now let's draw her clothes and her clothes are

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pretty much easy.

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You just want to make sure that when you're drawing clothes that they are, but they overlap the body.

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So I'm just going to double this and I'm going to just draw on top.

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So this is our naked version here and this is our clothes version.

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So here we have a caller that drags along the chest area, make sure it's rounded and notice these little

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ruffles up here or these little folds up here.

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You want to in order to make it not look like it's sticking onto your body, you want to make sure that

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you're pulling up a fold up here.

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You know, over here, the shoulder seam do the same thing on the other side.

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And for the chest area here, we have this little corset looking pattern and the clothes overlap on

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top.

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So notice how my brush stroke is going around the form, not straight or not like this.

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It's going like this because of the direction of the ribcage.

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Get a little bit of detail here and there.

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Can I just read little lines, just indicate the details in the middle name a little seam on top.

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And we noticed there's not many there's not much folds in this in this shirt here, and that's because

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it's more tight.

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So the folds are less common, and especially since this is also a form fitting material, you don't

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really see many you don't see much folds in this area, but you see more folds towards the sleeve area

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like this little Hyflux one here.

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So you just want to add some tension along this area.

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I see folds along the sleeve as well, making sure that all the folds are curving around.

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The form it wanted sticking to the area or you don't want sticking to the skin, you want to look like

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she's wearing it and there's a little fold on top that kind of has a little pipe in it.

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So not as how these folds make it look a lot more realistic, makes it look a lot more like she's actually

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wearing the clothing.

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Now, here we have a little bit of some fabric over the wrist and then we have this little zigzag kind

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of folds.

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So we want to draw fold over and overlay on top.

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And kind of change the form of the sleeve and just, you know, that little movement makes it a lot

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different.

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And for the pants, you have a pants kind of just more like going around your waist.

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They're both going in a different direction here because it's kind of connected this way.

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It's connected in more of like a point.

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And notice how I'm not going to leave this mark here like that.

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I'm going to bring it over and just kind of show that there's an indentation.

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And that's just to show the depth of your clothing.

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Some guys might brush here because I don't like it, so I'm just going to make it more thinner.

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That's not the right brush.

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This one.

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There, that's better, I'm going to add a little button, made some straps here and notice these little

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zigzag folds here that happens when there's a lot of tightening in this area, when there's a lot more

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tighter clothes, the clothes get a little bit more stretched out.

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So there ruffles are their wrinkles look a little bit more stretchy and also just more frequent, more

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tight and more straight.

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So the straighter you fold are, the tighter your clothing is.

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Can add some steam lines from here.

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And then you have some Strader photos that show the tension between the legs, seen what the bottom

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area here.

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We can even draw a little bit of the rips by making this outline a little bit bolder.

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We can even draw some wear and tear by adding some little strings here.

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Can I even add some strings here as well, just these little details, give us some nice texture that's

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really important when you're drawing close.

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And however, stocks and these stocks are more like spiral folds because they're kind of spiraling around.

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You can see here they're going around around surface and they're kind of very bunched up.

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So you want to draw that drop like that, make sure that your lines are very spiral like.

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And when you join shoes, you want to block out the shape as well.

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So once we are the shoes, as are once we draw the socks and the shoes, the shoes, she's wearing this

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kind of heeled sneaker kind of like platform sneakers.

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Oh, not to mention we want to draw some detail in the legs.

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So when we draw the foot, we want to make sure that we put this in perspective.

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This is more like a toe or this is more like a form that looks like this.

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So you can see if you look at our shoe box ify it.

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So this looks like a box that's facing down in a box is kind of facing it to the side.

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You see the bottom part and we just.

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It looks more like that, and then the same thing goes with the platform, so I want to see it like

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that.

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And once we see it like that, it becomes easier to simplify the form and make it how it will shape

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you want.

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So I'm just going to draw a cylinder.

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And then a box that's facing down.

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And the feet and then platform underneath as well.

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So once we have that blocked out and we can get started on drawing in the shoes, let me do the other

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side here.

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So this shoe is facing more inward.

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Yes, your toe box is a little bit near.

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So it looks more like that now let's kind of just start simplifying the forms here, we're going to

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be racist once more and based on the basic shapes, we can just build on top.

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So we have our we have our two sleeved.

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I don't know how to say this.

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We have these little folds that kind of cover the front foot part of the foot where the laces are.

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So I want to just draw those two layers on top and then draw the cross, just draw the corset area where

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the toolbox leads into it.

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You want to a around for.

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And point it and then draw a little bit of an indication of a box here.

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So it looks like that and downward dog for those around it, kind of like a cylinder and then draw these

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little nooks and crannies, you know, cylindrical form.

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So that's how your shoes are, the size of the shoes, where the laces kind of attach to each other.

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Make sure that the shoe is overlapping the foot.

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Now, on the inside of this Autobytel area, you want to sharpen and draw the wedges of the platforms.

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That's your outfit.

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And for the hair and the face, you know, her hair is her hair line starts up here.

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You can see there that you can see the top of her head here, so you want to just draw that on top,

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making sure it's not sticking to the scalp, and then we can draw simple shapes of her hair where the

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direction is.

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You know, if it's kind of wavy, you know, we want to try to draw some ways to a hair.

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Can draw some hair over the body as well.

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It becomes they can just erase the inside, so notice how light and loose the lines are.

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So even if it's a kind of even if it's like here, it has a lot of strands in it, you don't want to

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draw all the strands, you want to keep it simple so it doesn't take away from the rest of the body.

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Maybe for the face, I can zoom in, look at her expression first, Yoda's with covid, smirking, confident

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look so we can erase this thing here.

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I can draw knows the middle from the eyes her she has a more serious look, so she has a probably more

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narrow eyes.

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Which are the bottom part, which to the other side?

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Make sure they end at the same area I lived.

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I borrow.

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And the eyes, the people's.

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Just kind of shaded in.

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And draw a little bit of the math as well.

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And for this expression, we want the centerpiece to be a little or the teeth part to be a little bit

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more open, and we can even draw at the bottom lip and shade it in just a little bit really lightly.

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That was a character, so no, move the eyes just a little bit lower because it looks a little bit higher

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right now.

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I can just refine this just a little bit more.

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There we go.

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So that is our first one.

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Now let's move on to our second, which is this cute one here.

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Now, for this one, we do the same process, you know, we can just draw our head real quick.

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She's facing more front.

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It's going to draw in the whole thing really loosely, she has kind of a long neck here, so her rib

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cage will start about here.

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And this one's very straightforward.

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This one does have much, much dynamic rib cage or pelvis movements.

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Even the shoulder movements are really straight.

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But we can also just to make the best of it somewhat, to have a rib cage, we want to make sure that

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our elbows are at this point.

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And that's where you want to make sure that your elbow is bent in this case, the really basic hand.

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From here, we want to draw just your line at this point.

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So from here you can see that.

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She's kind of going through this like a ship.

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Where her front leg is over here and then her back leg is going straight down and her pelvis is a little

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bit more straight.

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It's kind of facing down a little bit.

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You don't see in the dress, but if you look at the legs here, you can see the side of the legs.

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So that means you could see a little bit more of the legs from here.

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That's what the pelvis is this way.

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00:22:20,360 --> 00:22:28,460
When we have our basic sketch, we could just erase most of this or you raise a good amount and then

222
00:22:28,460 --> 00:22:29,820
start drawing over on top.

223
00:22:29,840 --> 00:22:32,570
So here we have the top part of her head.

224
00:22:36,000 --> 00:22:40,020
Being a little bit rounder this time, because she's her features are rounder.

225
00:22:42,950 --> 00:22:44,820
For a neck, it's a little bit thinner.

226
00:22:46,890 --> 00:22:48,140
Her trapezius.

227
00:22:51,580 --> 00:22:58,690
On both sides and her shoulders are very relaxed, so you don't get arch them up or anything.

228
00:23:01,040 --> 00:23:06,200
So for here, I'm going to destroy underbody, she looks like she has smaller, smaller bust size.

229
00:23:06,230 --> 00:23:12,140
I'm just going to make it very small across the ribcage.

230
00:23:13,040 --> 00:23:19,580
And from here on, looks like her waist is kind of turning a little bit.

231
00:23:19,800 --> 00:23:26,810
We're kind of just making a little bit of a kind of an upper movement up here.

232
00:23:34,770 --> 00:23:37,690
And then we have her glued, glued area.

233
00:23:39,780 --> 00:23:42,040
So this is what I would imagine on the inside.

234
00:23:43,170 --> 00:23:45,630
She said she has her legs crossed over on one side.

235
00:23:45,630 --> 00:23:51,630
It will kind of give this kind of feel to it, or you have the crotch area being blocked by the leg.

236
00:23:57,380 --> 00:24:01,870
From here, we can draw in our cylinder, which is facing upward, actually, because you can see that

237
00:24:01,880 --> 00:24:05,450
this motion is more going up.

238
00:24:13,590 --> 00:24:17,040
Kathy is going downward.

239
00:24:19,460 --> 00:24:24,430
We draw the base of a foot and this one can just draw underneath.

240
00:24:27,680 --> 00:24:31,040
The calf inside the cylinder.

241
00:24:34,800 --> 00:24:44,060
We can draw the remaining foot, so it's very structural and in very looks just standing straight.

242
00:24:44,080 --> 00:24:48,340
So I'm just going to tilt this just a little bit just to give us a more dynamic look.

243
00:24:50,110 --> 00:24:52,520
Actually, I think this looks fine.

244
00:24:53,410 --> 00:25:01,810
So now when it comes to the arms, her arm from here is not blocked unless it's to here.

245
00:25:05,080 --> 00:25:08,410
I want to draw the elbow bent.

246
00:25:14,060 --> 00:25:16,670
Raise it up a little bit more until the rest area.

247
00:25:26,850 --> 00:25:30,530
And then we can just draw the face of the hand here.

248
00:25:35,040 --> 00:25:42,180
So it looks like her thumb is more upward because she's holding her hair, Pinky.

249
00:25:42,210 --> 00:25:43,560
It's kind of more withdrawn.

250
00:25:50,960 --> 00:25:57,480
Palm is facing up, so I'm just going to just race a little bit of this just because we're not focusing

251
00:25:57,480 --> 00:26:03,050
on the hand too much or focusing on the gesture polls, but just want to put it in here.

252
00:26:08,140 --> 00:26:10,540
And her hand is resting neatly on her side.

253
00:26:23,220 --> 00:26:29,910
Control in the elbow area where it's ending from the rib cage.

254
00:26:33,170 --> 00:26:34,190
I don't like this hand.

255
00:26:37,930 --> 00:26:43,330
But once we have this all done, we can move on to the clothes.

256
00:26:46,860 --> 00:26:48,330
Could you make this just a little bit thinner?

257
00:26:55,000 --> 00:26:57,720
And actually, that's that's just a little bit there.

258
00:27:07,180 --> 00:27:08,860
For the hand, I think I'm just going to.

259
00:27:13,120 --> 00:27:22,050
Some area here, then Pinki area, just draw the hand, really.

260
00:27:24,790 --> 00:27:30,310
Steadily, I don't like this pose is awkward when it's like this.

261
00:27:31,280 --> 00:27:35,050
I think actually looking upon closer inspection, it looks more straight.

262
00:27:35,050 --> 00:27:39,060
So I'm just going to turn this around and look this up just a little bit.

263
00:27:48,050 --> 00:27:51,600
They are just going to do this for now.

264
00:28:00,340 --> 00:28:07,000
I'm actually going to turn this area just a little bit, this top part just rotated.

265
00:28:09,110 --> 00:28:10,970
There looks more straight.

266
00:28:13,410 --> 00:28:19,260
I'm going to move this up a little bit, and now I'm going to draw the clothes on top of her, so I'm

267
00:28:19,260 --> 00:28:25,320
just going to duplicate this over on one side and I'm going to start drawing.

268
00:28:26,420 --> 00:28:33,000
So far, her clothes know that this is kind of like a very loose kind of fabric.

269
00:28:34,980 --> 00:28:41,100
I'm going to erase some of the base shape of this here in the arms because I'm just going to be drawing

270
00:28:41,100 --> 00:28:42,960
sleeves on top as part.

271
00:28:42,960 --> 00:28:44,020
I can just erase a little bit.

272
00:28:44,760 --> 00:28:51,690
So when it comes to the clothes, I want to just map out the basic outline of the clothing, you know,

273
00:28:51,690 --> 00:28:55,200
where the sleeves at, you know, sleeves are here and more puffy.

274
00:28:55,780 --> 00:28:57,720
So I'm making sure that it is, you know.

275
00:28:57,720 --> 00:29:02,100
Well, Balloon to the core has a balloon sleeve slightly on this side.

276
00:29:02,130 --> 00:29:07,710
You know, I want this part to be wrapped around the wrap around a cylinder and then poof, out.

277
00:29:12,580 --> 00:29:17,830
You can even draw the clothing or the body inside because it's kind of a transparent clothing, and

278
00:29:17,830 --> 00:29:21,760
if we're here, we want to draw where the clothing answer ends right about here.

279
00:29:21,760 --> 00:29:23,260
And then it also poofs out.

280
00:29:23,680 --> 00:29:24,670
So you want to draw that?

281
00:29:24,670 --> 00:29:28,320
It puts out and it could create some nice folds.

282
00:29:28,780 --> 00:29:31,840
And from here, we want to show that this is a this is a nice, cute skirt.

283
00:29:36,290 --> 00:29:39,920
The band, the waist band is here, and then we want to just.

284
00:29:41,930 --> 00:29:42,530
Draw.

285
00:29:44,680 --> 00:29:49,510
The basic shape of the skirt, so notice that this is kind of like almost like a resting like a drop

286
00:29:49,510 --> 00:29:51,270
fold or a pipe of almost.

287
00:29:52,090 --> 00:29:53,380
So I want to just draw.

288
00:29:55,840 --> 00:30:01,270
Some if you want to try this kind of fall, you monster from the top and then curl it up.

289
00:30:05,250 --> 00:30:12,780
And do the same thing on the other side, and then we can even overlap the clothing on top or underneath

290
00:30:12,790 --> 00:30:19,120
the hand and said the other side, if you want to draw fold, you want to draw the top part and then

291
00:30:19,120 --> 00:30:21,540
the inner part as well.

292
00:30:30,180 --> 00:30:31,470
That is the basic

293
00:30:33,810 --> 00:30:35,130
shape of the clothing.

294
00:30:35,220 --> 00:30:37,560
Now, can you raise most of this leg area here?

295
00:30:37,560 --> 00:30:38,310
Because I don't need it.

296
00:30:46,870 --> 00:30:49,970
Now, let's go into the details of the clothing, the clothing.

297
00:30:49,990 --> 00:30:51,100
I'm going to start with Ruffles.

298
00:30:51,220 --> 00:30:53,950
I'm just going to grace these inner parts here.

299
00:30:56,610 --> 00:31:06,290
It looks like that her collar is fastened by a by a string or black string bow tie belt thing, so can

300
00:31:06,300 --> 00:31:07,700
I just want to draw the shape of that?

301
00:31:08,430 --> 00:31:09,750
I don't know why it's like this.

302
00:31:10,590 --> 00:31:17,080
And I can see here that this area kind of gives a nice little gap and it has this nice pattern.

303
00:31:17,080 --> 00:31:22,730
So I'm going to draw with the pattern is on it, you know, kind of where there's no pattern.

304
00:31:24,630 --> 00:31:26,690
So it looks like this area doesn't have a pattern.

305
00:31:27,150 --> 00:31:32,310
And from here, I'm going to draw some ruffles going downward to kind of like, you know, zigzags,

306
00:31:32,310 --> 00:31:33,330
folder of boards.

307
00:31:33,780 --> 00:31:37,570
I'm going to just go draw them in the direction where they're kind of centered.

308
00:31:37,590 --> 00:31:44,310
So since her skirt is tucked in, I want to make sure that those folds are showing that it's being tucked

309
00:31:44,310 --> 00:31:44,550
in.

310
00:31:44,970 --> 00:31:47,280
So stuff like, I'm going to erase this band here.

311
00:31:52,620 --> 00:32:00,860
To show that this is overlapping on top of this band and that all these folks are going downward and

312
00:32:00,860 --> 00:32:04,700
from here we can show that this is kind of like a balloon kind of fold.

313
00:32:04,970 --> 00:32:10,670
So it's like a very puffy and therefore kind of gives us this like, you know, really floaty and very

314
00:32:11,210 --> 00:32:12,200
nice texture.

315
00:32:17,990 --> 00:32:27,080
From here, I can also draw Ford's facing downward, a lot of the fools just tend to mimic on what direction

316
00:32:27,080 --> 00:32:27,980
the gravity is pulling it.

317
00:32:28,010 --> 00:32:33,140
So if it's going downward, if you're if you're it's like a dress or something like that, the folds

318
00:32:33,140 --> 00:32:33,500
go down.

319
00:32:33,560 --> 00:32:34,550
It's not going to go up.

320
00:32:34,550 --> 00:32:35,840
Almost a win's catching it.

321
00:32:43,500 --> 00:32:45,780
We can darken these or Boldon, these lines appear.

322
00:32:53,220 --> 00:32:55,970
So that's it for a photo now we can just draw the shoes.

323
00:32:56,020 --> 00:33:03,420
The shoes will be quite easy because it's just a box to draw in the inner parts of the foot.

324
00:33:04,770 --> 00:33:06,660
You know, that's her that's her toe area.

325
00:33:07,920 --> 00:33:11,610
And underneath it is a platform and it's a little bit wider.

326
00:33:15,920 --> 00:33:27,710
What can I draw a little bit of a cylinder in this and we draw for buckles top, middle and bottom,

327
00:33:28,760 --> 00:33:34,340
and these buckles here show nicely the forms of the foot.

328
00:33:36,240 --> 00:33:39,260
This is actually more like a top topic.

329
00:33:39,680 --> 00:33:43,880
Show the peekaboo kind of shoe style.

330
00:33:44,420 --> 00:33:48,320
So it's around and you see the toes kind of just peeking out right there.

331
00:33:55,210 --> 00:33:56,540
Even the buckles.

332
00:34:11,910 --> 00:34:13,140
We can emphasize.

333
00:34:17,490 --> 00:34:26,850
So her foot is facing downward and on top are the forms of the peekaboo kind of style.

334
00:34:40,630 --> 00:34:43,060
Here we had the buckle up here.

335
00:34:47,850 --> 00:34:48,750
Buckle up their.

336
00:34:56,860 --> 00:34:59,280
Notice how they're not sticking onto the feet.

337
00:34:59,290 --> 00:35:00,940
They're kind of hovering over it.

338
00:35:05,060 --> 00:35:07,970
And actually indicate a little bit of the health back.

339
00:35:11,770 --> 00:35:12,430
Platform.

340
00:35:17,150 --> 00:35:22,550
That's how I would draw this part and we can draw a little bit of the kneecap area here.

341
00:35:25,520 --> 00:35:30,470
In fact, I'm actually going to stick in this area because it looks a little bit thicker coming from

342
00:35:30,950 --> 00:35:31,730
side here.

343
00:35:38,920 --> 00:35:46,270
And it's actually looks smaller, so I'm going to shrink this command t and put it more behind this

344
00:35:46,270 --> 00:35:48,670
foot, so it looks like she's kind of standing in the distance in this.

345
00:35:48,670 --> 00:35:52,900
But now we can just draw indication of the kneecap.

346
00:35:55,510 --> 00:36:01,510
Notice the roundness of the kneecap that's kind of bulging outward, I draw that up and then kind of

347
00:36:01,630 --> 00:36:03,930
make sure that the forms of the leg are flowing down.

348
00:36:05,170 --> 00:36:08,110
A lot of overlaps in this drawing.

349
00:36:08,670 --> 00:36:13,030
Now we can just draw in her hair, which is sort of like sideswiped.

350
00:36:26,200 --> 00:36:33,060
Can draw the hair over the scalp and draw the hair in front.

351
00:36:44,630 --> 00:36:48,680
And for the nose, we can draw a little dot.

352
00:36:55,810 --> 00:36:57,130
For the now 25.

353
00:37:01,060 --> 00:37:02,020
We it upward.

354
00:37:12,470 --> 00:37:17,180
And then her eyes are a little bit more gentler, so I wouldn't make them a little bit rounder.

355
00:37:21,110 --> 00:37:27,140
And kind of narrower as well, because she's not opening her eyes fully, it's kind of like, you know,

356
00:37:27,140 --> 00:37:28,850
since she has a smile on.

357
00:37:31,810 --> 00:37:34,910
It's a little bit more like that.

358
00:37:40,840 --> 00:37:42,520
Can I add a little blush to it as well?

359
00:37:42,910 --> 00:37:43,830
Let's do the other side.

360
00:38:10,830 --> 00:38:13,630
So now let's go with the little details in her shirt.

361
00:38:14,550 --> 00:38:18,320
This is rather intricate and this looks a little bit more like lace.

362
00:38:18,690 --> 00:38:25,350
So just to simplify it and just draw some little swirls here and there and kind of just indicate like

363
00:38:25,350 --> 00:38:30,680
some little dots or some, like, nice detail of lace going around.

364
00:38:30,690 --> 00:38:36,120
So you don't have to do much other than just kind of fill in the space with whatever you want.

365
00:38:36,120 --> 00:38:40,500
You can do flowers, you can do little, you know, dots here and there.

366
00:38:40,500 --> 00:38:45,150
You can do more swirls and anything that can kind of fill in that little space.

367
00:38:45,690 --> 00:38:50,400
And sometimes you can do patterns, you know, maybe could be a web to kind of look or anything like

368
00:38:50,400 --> 00:38:50,490
that.

369
00:38:50,490 --> 00:38:52,680
But right now, I'm just going to go a little bit more intricate.

370
00:38:57,330 --> 00:39:01,290
I just surrounding the area with this.

371
00:39:14,000 --> 00:39:20,210
And there we have it, so I'm just going to go ahead and fix the hand again because I don't want to

372
00:39:20,210 --> 00:39:22,700
leave that out, especially because it's a hard pose.

373
00:39:23,840 --> 00:39:26,420
I don't want to just avoid it because it's hard.

374
00:39:27,800 --> 00:39:29,810
So I'm going to just take a look at the wrist.

375
00:39:29,810 --> 00:39:31,370
And this wrist looks like it's going upward.

376
00:39:33,080 --> 00:39:38,390
And for the hand, I want to make sure that the hand is a good place.

377
00:39:38,390 --> 00:39:45,350
So it looks like this is the bottom part of the hand and the further away it is goes further away from

378
00:39:45,350 --> 00:39:45,770
here.

379
00:39:45,890 --> 00:39:46,850
Another box.

380
00:39:51,420 --> 00:39:57,020
We can just draw the basic shape of the hands here and the thumb.

381
00:39:58,500 --> 00:40:01,180
So it looks a lot better now that we put in the basic shapes.

382
00:40:02,010 --> 00:40:07,440
Now can just erase the basic shape here, most of it at least, just keep the base intact.

383
00:40:08,140 --> 00:40:09,090
Then I can start with the thumb.

384
00:40:09,300 --> 00:40:15,840
So thumb looks like it's kind of bending, beating back and going straight up.

385
00:40:24,200 --> 00:40:30,560
For the Pinki muscle here, I'm going to go back from the box, I'm going to make sure that the back

386
00:40:30,560 --> 00:40:36,760
of the palm is upright, then I go for the pinky basic shape, the pinky.

387
00:40:38,150 --> 00:40:41,210
I'm just going to draw that in.

388
00:40:43,420 --> 00:40:48,510
I'm going to go with the fourth finger or the ring finger, whichever you want to call it, I call fourth

389
00:40:48,520 --> 00:40:51,290
thing because that's what my mom always called one of her practice piano.

390
00:40:51,700 --> 00:40:59,590
Do whatever you want and then the middle finger and then looks like her.

391
00:41:02,150 --> 00:41:14,560
It looks like her son actually covers most of the most of the hand here, so I'm just going to you and

392
00:41:14,570 --> 00:41:15,230
just fix it.

393
00:41:19,130 --> 00:41:19,700
And the.

394
00:41:22,230 --> 00:41:27,260
Then the index finger kind of just blends in with the thumb because it's like kind of holding her hair.

395
00:41:28,350 --> 00:41:30,290
So, yeah, now that's a lot better.

396
00:41:30,870 --> 00:41:35,550
So that other way now we can kind of shade and maybe a little bits of her hair.

397
00:41:35,550 --> 00:41:38,830
Bookishness has kind of black or it is black.

398
00:41:38,850 --> 00:41:41,520
I'm just going to shade it in just for some differentiation.

399
00:41:47,970 --> 00:41:51,270
You don't have to do this, but I recommend it just a little bit.

400
00:41:52,980 --> 00:41:57,810
It's kind of a big brush and just brushing it across.

401
00:42:04,660 --> 00:42:09,590
And even using a little bit of the darker areas to kind of put some texture into the hair as well,

402
00:42:11,470 --> 00:42:15,710
and the same thing with the dress, I'm just going to show you that in one value real quick.

403
00:42:22,190 --> 00:42:24,980
You notice that I can also do this with, like, a big brush.

404
00:42:27,720 --> 00:42:31,290
So I don't have to worry too much about, you know, using just a small brush for everything.

405
00:42:34,130 --> 00:42:34,720
It's small.

406
00:42:34,790 --> 00:42:37,460
No worries, just make it smaller.

407
00:42:40,070 --> 00:42:44,290
And notice, I'm not pressing hard, I'm just only pressing lightly, so it gives us a nice gradient.

408
00:42:44,720 --> 00:42:48,950
And now what we can do is we could just say, listen, don't use a little bit darker.

409
00:42:52,010 --> 00:42:53,630
Shade in this area here.

410
00:43:13,690 --> 00:43:18,670
Notice I'm not using a hard edge, I'm just using quite soft edges, and those make it darker if I need

411
00:43:18,670 --> 00:43:23,110
to, this darker area will show the form of the flap here.

412
00:43:23,800 --> 00:43:24,910
I'm just going to shade that in.

413
00:43:25,470 --> 00:43:26,320
Same with the back.

414
00:43:29,150 --> 00:43:30,820
And they could do the same for the shoes as well.

415
00:43:34,570 --> 00:43:39,750
I'm just going to do it very simply, leaving a little bit of highlight along the straps.

416
00:43:40,260 --> 00:43:43,180
So notice I left a little highlight here, right here.

417
00:43:43,590 --> 00:43:46,470
That's because I just want to, you know, give it some texture that way.

418
00:43:56,280 --> 00:44:00,490
And I could add some dark areas here just to give us some nice sheen.

419
00:44:16,780 --> 00:44:17,450
And here we are.

420
00:44:17,470 --> 00:44:21,250
So that's going to be part one of this video, I'm going to continue the rest of the poses in the next

421
00:44:21,250 --> 00:44:21,920
one now.

422
00:44:21,930 --> 00:44:23,290
So you guys, the next one by.