PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...
YOU GUYS HAVE BEEN RUNNING A PROSTITUTION RING
WITH THIS WOMAN.
IF THE THREE OF YOU TESTIFY AGAINST HER,
THEN I WILL WALK OUT OF THIS DOOR AND LEAVE YOU ALONE.
WHAT DO YOU WANNA KNOW? I KNOW EVERYTHING.
I'M GETTIN' THE HELL OUTTA HERE.
SON, YOU WALK OUT OF THERE, YOU'RE GONNA BE ARRESTED.
LANDON, IF THIS STORY HITS
AND YOU CAN'T SPIN IT, YOU'RE FIRED.
THE MONEY HAS BEEN SENT ON REVERSE
BACK TO YOUR ACCOUNT.
MY ACCOUNT?
THE ACCOUNT IS IN THE NAME OF CRYER COMPANY.
OH! THAT'S NOT MY COMPANY.
WELL, THEN, WHOSE IS IT?!
[ SUSPENSEFUL MUSIC PLAYS ]
[sigh] EXPLAIN TO ME, ONE MORE TIME,
HOW THIS ACCOUNT GOT OPENED IN MY NAME.
Veronica Harrington.
[ SINISTER MUSIC PLAYS ]
WHAT DOES VERONICA HARRINGTON EVEN MEAN, LLOYD?
She called me and asked me to open the account.
‐WHAT?! ‐Yes!
AND YOU DID IT.
Yeah, she said she was trying
to hide some money from her husband
because of the divorce
and she wanted it in your name.
IF THE ACCOUNT IS IN MY NAME,
THEN I WANT YOU TO GIVE ME THAT MONEY.
I can't. Only the manager
of the company can do that.
Candace Young is the manager
of the company and it's only signer.
AND NONE OF THIS SOUNDED FAMILIAR TO YOU,
[ SUSPENSEFUL MUSIC PLAYS ] YOU FAT MORON?
I‐I'm sorry.
I‐I was ‐‐ I had my mind on some‐‐
[laughing] YOU'RE SORRY?
THA‐THAT'S JUST GREAT.
You know how Veronica is.
THAT'S JUST GREAT.
YOU'RE AN IDIOT, LLOYD!
♪♪♪♪
[ ENGINE SPUTTER‐STARTS ]
♪♪♪♪
[ Radio chatter ]
♪♪♪♪
‐[GRUNTING] ‐STAND UP.
[ COUGHS, GRUNTS ]
♪♪♪♪
‐C'MERE. C'MERE. ‐[GRUNTING]
YEAH.
WE KNOW WHAT YOU LIKE, HUH?
THERE YOU GO.
[ BARS CLANGING ] AH! GOD!
[ MUFFLED GRUNTING ]
[ GRUNTING ]
[ MUFFLED GRUNTING CONTINUES ]
[ GRUNTS ]
YEAH, THERE YOU GO.
UNH!
[ THUD ]
‐‐Captions by VITAC‐‐ www.vitac.com
CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS
♪♪♪♪
[ Ring ]
[ SUSPENSEFUL MUSIC PLAYS ]
[ Ring ] [ SIGH ]
Hello.
HANNA.
HEY, DID YOU FIND OUT WHERE THE MONEY IS?
No.
KATHERYN, THIS IS CRAZY!
THE WOMAN AT THE BANK
SAID IT WAS THE CRYER COMPANY.
YEAH, BUT HE SAYS IT'S NOT HIS ACCOUNT.
I DON'T KNOW WHAT'S GOING ON.
[scoff] WELL, YOU WANNA CALL HER?
No, Hanna, listen.
I DON'T UNDERSTAND THIS.
Hanna, listen to me!
I DON'T LIKE THIS AT ALL.
I DON'T WANT YOU TO GET UPSET.
WHAT IS IT?
[ SIGH ]
JIM LEFT HERE PISSED.
OKAY.
I don't think he's gonna come over there, but ‐‐
WAIT, WAIT, WAIT, WAIT, WAIT.
COME HERE?
Yes. WHY?
HE THINKS THERE'S SOME SORT OF GAME BEING PLAYED.
You know what, Katheryn?
If he comes over here ‐‐ That man better not
LISTEN. I‐I'M come over here.
ON MY WAY OVER THERE RIGHT NOW.
KATHERYN. If he comes there,
do not open the door.
YOU KNOW WHAT? I KNOW FOR DAMN SURE
HE BETTER NOT BRING HIS ASS OVER.
I'M ON MY WAY, OKAY?
I'M COMING RIGHT NOW.
♪♪♪♪
[ SIGH ]
♪♪♪♪
WHAT'S WRONG?
NOTHIN'.
WHAT IS IT?
KATHERYN JUST SAID JIM MIGHT BE COMIN' OVER HERE.
PLEASE, I WISH THE HELL HE WOULD.
Jim: LOOKS LIKE YOU'VE GOT YOUR WISH.
♪♪♪♪
NAH.
HELL, NAH. NAH, I KNOW DAMN WELL
THIS DUDE AIN'T IN THIS HOUSE.
♪♪♪♪
YOU WANNA PLAY GAMES WITH ME, BENNY?
♪♪♪♪
YO, YOU JUST WALKED UP IN HERE?
WHY THE HELL WOULDN'T I JUST WALK UP IN HERE?
THIS IS MY DAMN HOUSE.
‐OH, I WILL ‐‐ ‐BENNY. ‐WHAT?
‐THAT'S ALRIGHT. NO, NO. ‐THIS MOTHER [audio drop]
DONE LOST HIS DAMN MIND!
YES, HE'S DONE LOST HIS DAMN MIND!
AND HE WANTS HIS DAMN MONEY RIGHT NOW.
YO, GET YOUR ASS OUTTA HERE.
‐GET OUT. ‐YO, YO, YO,
I'M NOT LEAVIN' HERE, YO,
‐GET OUT. ‐'TIL I GET MY DAMN MONEY.
DID YOU HEAR WHAT I SAID? ‐WE AIN'T GOT YOUR DAMN MONEY.
NO, BUT YOUR CRAZY‐ASS BITCH SISTER DOES.
‐YO, SAY IT AGAIN. ‐TALK ABOUT MY DAUGHTER
‐YOUR CRA‐‐ ‐ONE MORE TIME. ‐MOVE, MA.
‐NO. ‐REALLY?
I'M NOT LEAVIN' UNTIL. I GET. MY MONEY.
WE DON'T HAVE IT.
THEN GET IT, FROM YOUR DAUGHTER.
HOW DOES SHE EVEN HAVE IT?
THE CRYER COMPANIES, HANNA.
THAT'S YOUR COMPANY.
ARE YOU REALLY THAT STUPID?
‐YO, YO, MA. ‐CALL ME ‐‐ THAT'S ALRIGHT.
‐YO, YO, MA. ‐NO, NO, NO, NO,
THAT'S ALRIGHT.
CALL ME STUPID ONE MORE DAMN TIME
AND SEE DON'T I JUST BURY THIS KNIFE
IN YOUR DAMN CHEST. ‐DO ME A FAVOR.
BURY IT IN MY CHEST. PUT ME OUT OF MY MISERY.
‐JIM. ‐YO, I'M TELLIN' YOU, MAN,
IF YOU DON'T GET YOUR ASS OUTTA HERE ‐‐
I TOLD YOU ALREADY, BENNY.
I'M NOT LEAVIN' UNTIL I GET MY MONEY.
AND HOW DID CANDACE EVEN GET THE MONEY?
SHE OPENED UP A COMPANY, AN ACCOUNT,
THE CRYER COMPANY.
SHE OWNS THE DAMN COMPANY, HANNA.
SHE WROTE A CHECK TO HERSELF WITH MY MONEY
AND I WANT IT BACK. ‐YOU KNOW WHAT?
GET OUT. GET OUTTA HERE. ‐I'M NOT GETTING OUTTA HERE.
DO YOU NOT HEAR WHAT ‐‐ ‐AND I SAID GET OUT!
‐MA, MOVE, LET ME. ‐I SAID I'M NOT LEAVIN'.
‐NO, STOP IT. ‐MOVE.
STOP IT!
YEAH, OKAY.
YOU'RE ALREADY HURT. STOP IT.
AW, DOES HIMS HAVE A BELLYACHE?
IMMA CALL CANDACE.
AMAZING HOW THINGS LIKE THAT CAN HAPPEN.
IMMA CALL CANDACE, BUT, FIRST, YOU NEED
TO GET THE HELL OUTTA HERE. ‐YOU BETTER DAMN WELL
CALL CANDACE, RIGHT. NOW. ‐YOU ‐‐
YOU NEED TO GET THE HELL OUTTA HERE.
I'M NOT GOIN' ANYWHERE, HANNA.
♪♪♪♪
I'M TRYIN' WITCHU, JIM.
I WANT MY MONEY.
SO GET THE BITCH ON THE PHONE.
♪♪♪♪
CALL MY DAUGHTER OUT HER NAME JUST ONE MORE TIME.
OKAY.
YOUR DAUGHTER IS A BITCH
AND YOU ARE THE BITCH WHO BIRTHED HER.
GET HER ON THE DAMN PHONE.
GET ME MY MONEY.
♪♪♪♪
[ SHUDDER, SNIFFLE ]
[ KNIFE CLATTERS ]
[ BREATHING DEEPLY ]
♪♪♪♪
BENJAMIN,
THIS MOTHER [audio drop] IS ALL YOURS.
♪♪♪♪
GET UP!
[ GRUNTS ]
[ GROANING ]
♪♪♪♪
GET YOUR BITCH ASS UP.
[ GROANING ]
♪♪♪♪
BITCH ASS OVER HERE.
FUCK!
[ GRUNTING ]
YOU LITTLE BITCH!
[ GRUNTING ]
AAH!
YOUR LITTLE BITCH ASS.
I WISH I HAD A CIGARETTE.
[ GROANS ]
AAH!
OH, SHIT.
THAT'S ENOUGH.
YEAH, THAT'S ENOUGH. THAT AIN'T ENOUGH.
[ GROANING ]
YOU SEE HOW QUICK HE STOPPED TALKIN' SHIT?
‐YEP. ‐COME UP IN THIS DAMN HOUSE.
WHAT'S WRONG WITCHU, MAN? GET YOUR ASS UP, HM?
WHAT HAPPENED TO ALL THAT GAME PLAY?
YOU WANNA PLAY SOME GAMES? ‐YES.
WE GONNA PLAY SOME GAMES RIGHT NOW.
GET YOUR ASS OUT HERE.
WELL, BENNY, I SAID STOP
ANYTIME YOU WANT.
COME ON, YOU SAID YOU WANNA PLAY A GAME?
‐YEAH. ‐LET'S PLAY.
‐[GRUNTING] ‐ASS DOWN HERE.
‐AAH! ‐OKAY, BENNY.
THAT'S ENOUGH.
ENOUGH!
DUMBASS.
HELL IS WRONG WITH YOU, MAN?
YOU MUST'VE LOST YOUR DAMN MIND,
COMIN' UP IN MY HOUSE LIKE THAT, HM?
THAT'S A GOOD, OLD FASHIONED,
HOOD ASS‐WHUPPIN' FOR YOU.
YOU REMEMBER THAT.
‐UNH! ‐THAT'S ENOUGH, BENNY!
THAT'S ENOUGH. ‐AND THAT'S AFTER
THAT BASTARD STABBED ME.
[ MOANING ]
DAMN IT. OPENED UP MY DAMN WOUND, MAN.
SON OF A [audio drop]
I DON'T KNOW HOW MANY WAYS I GOTTA TELL YOU THIS.
[ GASP, SNIFFLE ]
WE ARE FROM TWO DIFFERENT WORLDS
AND I AIN'T GOT A DAMN THING TO LOSE.
I WANT MY MONEY.
WHEN I GO BACK IN THERE,
IMMA CALL MY DAUGHTER AND IMMA TELL HER
TO SEND YOU YOUR MONEY.
‐GOOD, GOOD. ‐THAT'S ALL I CAN DO.
YOU HEAR ME?
THE NEXT TIME YOU COME AROUND HERE WITH THIS BULLSHIT!,
WE AIN'T GONNA BE DRAGGIN' YOU OUT HERE LIKE THIS!
YOUR ASS GON' BE LEAVIN' IN A WAGON,
GOIN' TO THE MORGUE.
‐[SCOFF] ‐DO YOU UNDERSTAND ME?
♪♪♪♪
[ GASP ]
NO, THAT'S FINE. YOU AIN'T GOTTA ANSWER ME.
BUT I BET YOUR ASS WON'T DO THIS AGAIN.
♪♪♪♪
AND, JUST IN CASE YOU MIGHT BE FEELIN' A LITTLE LUCKY,
PLEASE DO IT.
♪♪♪♪
[ VEHICLE DOOR OPENS, CLOSES ]
OH!
♪♪♪♪
[crying] HE WAS IN THIS HOUSE!
I AM SO SORRY. ARE YOU CRAZY?!
WE GONNA HAVE TO MOVE!
NO, YOU DON'T.
GET YOUR ASS OUTTA HERE.
GET HOME!
I WANT. MY MONEY.
SHE DOESN'T. HAVE IT.
I THINK HE KNOWS THAT NOW.
GO.
♪♪♪♪
NOW!
♪♪♪♪
I AM SO SORRY.
♪♪♪♪
[ VEHICLE DOOR OPENS ]
[ VEHICLE DOOR CLOSES ]
[ ENGINE STARTS ] YOU DID THAT TO HIM?
NO.
BUT I UNLEASHED BENNY ON HIS ASS.
♪♪♪♪
I'M SORRY, HANNA. HE'S LOST HIS MIND.
NO, IT'S $8 MILLION.
HE GOT A RIGHT TO BE MAD,
BUT I DON'T HAVE HIS MONEY.
CANDACE DOES.
‐CANDACE? ‐THAT'S WHAT HE SAID.
‐WHAT?! ‐HE SAID SHE'S THE ONE
WHO OPENED UP THE ACCOUNT IN THE CRYER NAME,
BUT SHE'S ACTUALLY THE REAL OWNER.
HUH.
YEAH.
THAT GIRL.
DON'T START, KATHERYN.
I DON'T EVEN KNOW IF IT'S THE TRUTH.
NOT GONNA SAY A WORD.
I DON'T WANNA LOOK LIKE HIM.
WE GONNA HAVE TO MOVE.
NO, YOU DON'T!
NO! HE WALKED UP IN HERE WITH A KEY!
I KNOW, THAT BUT I WILL TAKE CARE OF HIM!
THAT'S WHAT YOU KEEP SAYIN', BUT HE WALKS AROUND HERE
WITH HIS DAMN PRIVILEGE LIKE HE OWNS THE DAMN WORLD!
WELL, HE THINKS HE OWNS THE DAMN WORLD!
I'LL HAVE TO SQUEEZE HIS BALLS A LITTLE TIGHTER
AND PROVE THAT HE DOESN'T.
YEAH, I'D SURE LIKE TO SEE THAT.
YEAH, WELL.
I'LL HANDLE IT. I PROMISE.
I GOTTA ‐‐
I GOTTA GO IN HERE AND CALL CANDACE.
HANNA, I'M REALLY SORRY.
IT'S ALL FINE, KATHERYN.
NO, IT'S NOT FINE.
[ SCOFF ] IT'S NOT FINE.
BUT AFTER THAT ASS‐WHUPPIN',
I'M NOT SURE I'M GONNA HAVE
TO DO MUCH OF ANYTHING.
YOU KNOW YOUR HUSBAND. HE WON'T STOP.
I CAN'T FIX STUPID, BUT I CAN SURE TRY.
♪♪♪♪
[ INDISTINCT CONVERSATIONS ]
WHAT THE HELL HAPPENED IN HERE?
HEY, WE NEED AN AMBULANCE BACK HERE!
JUSTIN!
JUSTIN.
YOU DO SOMETHIN' TO HIM?
HE WAS HITTIN' HISSELF ON THE BARS.
THEN WHY ARE HIS PANTS DOWN?
WELL, HE TRIED TO GET ONE OF US TO GET AT 'IM.
BUT WE DON'T GET DOWN LIKE THAT.
SON OF A ‐‐
HEY, RAY, WE NEED AN AMBULANCE, NOW.
IT'S BAD IN HERE.
♪♪♪♪
‐ALRIGHT. ‐DAMN.
♪♪♪♪
[ BANGING ON SCREEN DOOR ]
[ SUSPENSEFUL MUSIC PLAYS ]
♪♪♪♪
IT'S ROCKY.
♪♪♪♪
DID SOMEONE FOLLOW YOU HERE?
NO! I TOOK THE BACK WAY.
♪♪♪♪
WHAT ARE YOU DOIN'?
[ SIGH ]
I'M PACKING, GETTING THE HELL OUT OF HERE.
LOOK BRODERICK, YOU'VE GOTTA CALM DOWN.
THEY ARE NOT GOING TO DEPORT US.
LOOK, YOU DON'T KNOW WHAT I LEFT BEHIND
IN THAT COUNTRY, OKAY? I CAN'T GO BACK THERE!
LISTEN, THEY ARE NOT GOING TO DO IT!
HAVE YOU HEARD FROM R. K.?
‐NO. ‐THEN, YES, THEY WILL,
AND I CAN'T GO BACK THERE.
ALL WE GOTTA DO IS GIVE THEM CANDACE.
TOGETHER, WE CAN DO THAT. ‐NO, NO, NO, NO, NO, NO.
YOU GIVE THEM CANDACE.
OH, I BLOODY WILL.
WHAT IF R. K. ALREADY TALKED TO HER, HUH,
TOLD HER WHAT'S GOING ON?
THAT'S A CHANCE I'M WILLIN' TO TAKE.
SHE ALREADY BEAT THE HELL OUT OF YOU.
LOOK, I WANNA SEE HER GO DOWN, OKAY?
THIS ISN'T THE D. A.
THIS IS THE DEPARTMENT OF JUSTICE!
YES, THAT IS EXACTLY WHY
I AM PACKING AND GETTING THE HELL OUT OF HERE, OKAY?
AND WHAT'S YOUR PLAN, YOU JUST GONNA RUN?
♪♪♪♪
I'LL BE FINE.
WHERE? WHERE ARE YOU GONNA GO?
LOOK, IT'S NONE OF YOUR BUSINESS!
BRODERICK!
[ BANGING ON SCREEN DOOR ]
♪♪♪♪
WHO IS IT?
IT'S KATHERYN CRYER.
[ SIGHS ]
YOUR STALKER.
OPEN THE DOOR.
♪♪♪♪
HI.
♪♪♪♪
MM. YOU BOTH ARE HERE.
THIS IS MY LUCKY DAY. [ SCREEN DOOR SLAMS ]
[ DOOR CLOSES ]
WELL, MAYBE NOT.
EXCUSE ME?
I'VE REALLY GOTTA BE GOIN'.
NO, YOU DON'T.
YES, I DO. I'M SORRY.
ARE YOU REALLY LEAVING?
YES.
WHAT IS THIS, FREAK OUT ON KATHERYN DAY?
LET HIM GO.
I'M SORRY.
♪♪♪♪
[ SIGH ]
[ SLAM ]
[ SCREEN DOOR SLAMS ] HUH.
YOU'LL DO.
I HAVE TO LEAVE.
LEAVE?
MM‐HMM. I QUIT.
[scoff] WHAT ARE YOU TALKING ABOUT?
I HAVE TO GO, OKAY?
IT'S ‐‐ ‐WHAT'S WRONG?
♪♪♪♪
IT'S THE DEPARTMENT OF JUSTICE.
THEY KNOW.
KNOW...WHAT?
ABOUT THE RING WE WERE RUNNING.
I THOUGHT I TOLD YOU TO SHUT THAT DOWN.
WELL, WE DID, WE DID, WE DID, BUT, BUT ‐‐
WELL, BUT WHAT?
IT'S CANDACE, OKAY? THEY'RE ‐‐ THEY'RE ‐‐
WHAT ABOUT HER?
SHE'S AT LARGE. THEY'RE JUST ‐‐
TH‐THEY'RE LOOKING FOR HER. TH‐THEY'RE THREATENING US
WITH DEPORTATION, UNLESS WE HELP.
WELL, HELP THEM.
IT'S MORE COMPLICATED THAN THAT.
R.K. IS MISSING, TOO, AND ‐‐
HOLD ON A SECOND.
WHAT ARE YOU TALKING ABOUT?
[ SUSPENSEFUL MUSIC CLIMBS ] LOOK, I ‐‐
LOOK, I HAVE TO LEAVE.
I‐I GOTTA GO.
I CAN HELP YOU, BRODERICK.
♪♪♪♪
NO, NO, I‐I DON'T THINK YOU CAN.
YES, I CAN.
I DON'T WANT YOU TO GO.
♪♪♪♪
WHAT ARE YOU SAYING TO ME, HUH?
I WAS JUST SEX TO YOU.
♪♪♪♪
I REALLY LIKE YOU, BRODERICK.
♪♪♪♪
NO, YOU DON'T.
[scoff] YEAH, I DO.
♪♪♪♪
AND I WANNA HELP YOU.
I KNOW I CAN.
♪♪♪♪
LET ME HELP YOU.
♪♪♪♪
YOU SURE?
YES.
COME WITH ME.
WHERE WOULD WE GO?
SOMEPLACE THAT'S SAFE.
I CAN TAKE CARE OF YOU.
♪♪♪♪
[ ZIPPER WHIRRING ]
♪♪♪♪
OKAY, BUT I CAN'T GO BACK TO THE HOTEL.
TRUST ME.
♪♪♪♪
COME.
♪♪♪♪
‐SURE? ‐LEAVE ALL THAT.
I'LL SHOW YOU A WHOLE NEW WORLD.
♪♪♪♪
LEAD THE WAY.
♪♪♪♪
OW.
GOT THIS STUFF ALL OVER THE FLOOR.
IT LOOKS LIKE THE STITCHES HELD.
GOOD, SO I CAN KICK HIS ASS.
NO, YOU DON'T NEED TO DO ALL OF THAT.
I AM GONNA CALL YOUR SISTER.
YOU GOT THIS ALL
OVER THE CHAIR, BENNY. ‐MA, JUST ASK FIRST, HM?
I WILL.
I DON'T KNOW.
[ SUCKS TEETH ]
HM.
[ WIPES PALMS ]
[ PIANO PLAYS MELANCHOLY TUNE ]
[ GRUMBLE‐SIGH ]
[ BEEP ]
[ Ring ]
Hi, this is Candace.
PSSH. [ BEEP ]
♪♪♪♪
NO ANSWER?
NO.
YOU CALL HER. ‐I ALREADY TRIED.
NO ANSWER?
CALLED TWICE. I LEFT SOME MESSAGES.
SHE DOIN' THIS ON PURPOSE, THEN.
MAMA.
COME ON, BENNY. SHE IS DOIN' THIS ON PURPOSE.
COME ON.
I WANTED DESPERATELY TO BELIEVE ‐‐
WELL, LOOK, WHO KNOWS? MAYBE SHE DID THAT
BEFORE SHE CAME AND TALKED TO US.
WELL, THEN IF THAT'S THE CASE, SHE'LL GIVE IT BACK!
‐MAMA. ‐LOOK, THIS MAN IS TRYIN'
TO KILL YOU OVER THIS MONEY
AND YOUR SISTER'S HOLDIN' ONTO IT!
LOOK, WE DON'T KNOW THAT.
OKAY, BENNY. I'M JUST TELLIN' YOU NOW,
IF SHE DON'T GIVE IT BACK,
THEN THAT IS PROOF THAT SHE DON'T CARE NOTHIN'
ABOUT ME OR YOU. ‐MAMA.
I'M JUST SAYIN', BENNY.
"MONEY IS THE ROOT OF ALL EVIL."
WE'LL JUST HAVE TO SEE HOW DEEP HER ROOTS GO.
LET ME GET THIS STRAIGHT.
YOU QUOTIN' SCRIPTURE AFTER CUSSING THAT MAN OUT?
[scoff] ALRIGHT.
AND YOU'RE GONNA SAY THAT TO ME
AFTER WHUPPIN' THAT MAN'S ASS?
YEAH, WELL, I AIN'T QUOTIN' SCRIPTURE.
[ SUSPENSEFUL MUSIC PLAYS ]
♪♪♪♪
[ BIRDS CHIRPING ]
♪♪♪♪
[ Ring ]
Hi, this is Candace.
You know what to do.
CANDACE, BABY GIRL, CALL ME BACK, ALRIGHT?
THEY AFTER YOU. BYE.
[ BIRDS CHIRPING ]
[ SUSPENSEFUL MUSIC PLAYS ]
SO?
WHAT DO YOU MEAN BY "SO"?
JUST WHAT I SAID.
HAVE YOU NOT LOOKED AT THE EVIDENCE?
WHO'S YOUR BOSS?
MY SUPERIOR IS MADISON.
NO, HIS BOSS, THE BOSS.
THE BOSS, UM,
DIRECTOR OF THE FBI,
THE U.S. ATTORNEY GENERAL,
THE PRESIDENT OF THE UNITED STATES.
MAYBE YOU'D LIKE TO SPEAK TO ONE OF THEM.
HM.
YOU DRAG ME OUT OF MY HOME.
YOU BRING ME HERE TO ASK ME QUESTIONS
ABOUT THINGS I KNOW NOTHING ABOUT.
THIS GUY HERE?
HE SAYS [chuckle]
YOU HIRED HIM TO BUILD A BOMB.
[laughs] WELL, HE'S LYING.
♪♪♪♪
WE HAVE HIS WORD.
MM.
AGAIN, LET ME EXPLAIN SOMETHING TO YOU, MR. FBI,
WHICH MUST STAND FOR
FOOLISH, BLIND, AND IGNORANT.
HAVE YOU SEEN THIS YOUNG MAN'S RAP SHEET?
OH, YEAH. WE HAVE.
ARE YOU SURE?
YES, I'M SURE.
WELL, LOOK UP A CASE
WHERE HE WAS CHARGED WITH MURDER.
A CASE WHERE
YOU REPRESENTED HIM?
YES. AND LOOK AT ALL THE FALSE STATEMENTS
HE MADE AGAINST WITNESSES.
WELL, YOU REPRESENTED HIM.
I DON'T HAVE TO DO THAT.
WHY DON'T YOU TELL ME? WHY DID HE WALK?
HE WALKED BECAUSE I'M VERY GOOD
AT WHAT I DO, SIR.
NOW, YOU LISTEN.
I WILL BRING UP COMPLAINTS AGAINST YOU,
AGAINST THE STATE, AGAINST THE FBI,
HELL, AGAINST THE WHOLE COUNTRY.
YOU HAVE ME SITTING IN HERE IN THIS DRESS
AND YOU HAVE NOTHING,
BASED ON THE WORD OF A THUG,
AGAINST ME, A SEASONED ATTORNEY
WHO'S WELL‐RESPECTED IN THIS COMMUNITY.
A WOMAN WHO SO DESPERATELY WANTED
TO DESTROY HER RIVAL,
HER HUSBAND.
I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
DID HE MAKE YOU THAT MAD
WHEN HE WAS WITH THAT YOUNGER WOMAN?
♪♪♪♪
MISTER...?
AGENT, AGENT MORRIS.
AH, MISTER
AGENT MORRIS. [ SIGH ]
HAVE YOU TAKE A CLOSER LOOK AT YOUR VICTIM?
YES, WE HAVE.
OKAY. THEN YOU KNOW THAT SHE WAS A WHORE.
SEE? YOU'RE STILL CALLIN' NAMES.
NO, THAT IS THE PROPER NAME FOR SOMEONE
WHO SELLS THEIR BODY FOR SEX.
MRS. HARRINGTON.
DON'T TELL ME.
THE FBI DIDN'T KNOW
THAT SHE WAS A WHORE.
AH. REALLY?
YOU DIDN'T KNOW THAT SHE HAD A PIMP
AND A DRUG DEALER WHO WAS IN A GANG?
IN THE GANG WITH YOUR WITNESS AGAINST ME.
YOU DIDN'T KNOW ANY OF THAT, HUH?
ASK HIM IF HE KNOWS A WARWICK MENCY LEWIS.
SEE, THERE WAS A VENDETTA AGAINST HIM
AND HE WANTED HER DEAD.
YES, WELL, WE ‐‐ WE KNEW ALL THAT.
REALLY?
UH‐HUH.
THEN WHY ARE YOU BADGERING ME?
MAYBE YOU DIDN'T DO ALL OF YOUR HOMEWORK.
OH, NO, WE ‐‐ WE HAVE.
NO, YOU HAVEN'T.
SO WHAT I SUGGEST YOU DO IS GO AND TALK TO THEM
WHILE I CALL MY MANICURIST
AND RESCHEDULE MY APPOINTMENT FOR LATER.
TWENTY YEARS LATER.
[ SUSPENSEFUL MUSIC CLIMBS ]
AND YOU MADE ANOTHER MISTAKE
BY PLACING ME UNDER ARREST.
WELL, AS I SEE IT,
YOU CAME IN HERE VOLUNTARILY.
YOU'RE NOT UNDER ARREST.
AH.
IS THAT THE GAME YOU WANT TO PLAY?
WHAT GAMES?
OKAY, WELL, I WANNA MAKE MY PHONE CALL, OKAY?
I WANNA CALL SEVERAL JUDGES.
MM. SEVERAL JUDGES.
WELL, NO ONE'S STOPPING YOU.
I MEAN, YOU'RE NOT UNDER ARREST.
OKAY. WELL, THEN, I'M LEAVING.
NOT SO FAST.
MAKE YOUR CALL.
♪♪♪♪
[ RING ]
DAVID?
Hello.
HI.
YES. CAN YOU OPEN THE DOOR?
I'M HERE TO SEE YOU.
Um, I have been arrested.
WHAT?!
WHY?
YES, I'M AT THE FBI HEADQUARTERS.
WHAT HAPPENED?
I NEED YOU TO COME DOWN HERE.
WHAT HAVE YOU DONE?
They arrested me.
WHAT'S THE CHARGE?
UH, SOMETHING ABOUT DOMESTIC TERRORISM
AND A BOMB GOING OFF.
♪♪♪♪
ARE YOU LYIN' TO ME?
I NEED YOU TO COME DOWN HERE, DAVID.
OKAY, FINE. I'M ‐‐ I'M ON MY WAY.
But wait. Uh ‐‐
CAN YOU GO IN MY HOUSE
AND BE SURE THAT KID DOESN'T TAKE ANYTHING?
What ‐‐ what kid?
UH, MY YOUNG LOVER.
He's in my house.
SURE.
The key is above the door.
OKAY, FINE.
I'll see you soon.
[ BEEP ] [ SNIFF ]
♪♪♪♪
[ KEY JINGLES ]
♪♪♪♪
[ BIRDS CHIRPING ]
‐HELL ARE YOU DOING? ‐SHIT.
♪♪♪♪
I'M DRINKIN'. WHAT THE HELL
IT LOOK LIKE I'M DOIN'?
AH!
GET OUT.
WAIT, WAIT. YOU'RE THE EX, RIGHT?
♪♪♪♪
I'M 'BOUT TO BE YOUR ASS‐WHUPPIN',
IF YOU DON'T GET OUTTA HERE.
LOOK, MAN, I KNOW IT'S HARD.
HEARTBREAK AIN'T EVER EASY, MAN.
[ SNIFF ]
BUT, LISTEN, I'M A GUEST OF YOUR WIFE'S, ALRIGHT?
SO I KNOW YOU DIDN'T MEAN NO DISRESPECT,
BUT I'M DRINKIN' RIGHT NOW.
VERONICA'S NOT HERE.
WANT ME TO CALL THE POLICE?
[scoff] YOU GONNA SNITCH?
YOU GONNA CALL THE POLICE?
I'M A GUEST OF YOUR WIFE'S, MAN.
GET OUT.
‐AYE! ‐NOW.
DON'T ‐‐ AYE, MAN, GET YOUR DAMN HANDS OFF ME.
YOU KNOW HOW TO FIGHT? ‐GET OUT.
DON'T COME BACK HERE!
‐CRAZY‐ASS OLD MAN. ‐EVER.
NO, YOU ARE NOT GETTING IN THAT CAR.
♪♪♪♪
LOOK, SHE SAID I COULD TAKE IT.
GIVE ME THE KEYS.
‐COME ON, MAN. ‐NOW, DAMN IT!
FINE.
‐UH‐HUH. ‐I'LL LEAVE IT.
BUT JUST SO YOU KNOW,
I PUT IT ON HER.
‐WELL, THAT'S FINE. JUST ‐‐ ‐ALL NIGHT.
KEEP WALKIN' WHILE YOU'RE TALKIN'.
♪♪♪♪
[ HORN BLEATS ]
♪♪♪♪
‐WHAT DO YOU THINK? ‐ALRIGHT, WE HAVE HER
ON CAMERA, TALKING TO CANDACE YOUNG.
SHE'S TIED TO THE CRYERS.
‐YES. ‐HOLD ON.
IS SHE RIGHT ABOUT THIS WILL GUY?
‐SHE IS. ‐AND THE NEW GIRLFRIEND?
MM‐HMM.
THEN SHE CAN BEAT US IN COURT.
WE'VE BUILT CASES ON LESS.
I DON'T CARE ABOUT ANY OF THAT.
SHE MURDERED SOMEONE.
I'M AFTER THE BIGGER FISH HERE, MORRIS.
SO WHAT DO YOU WANT ME TO DO?
LET HER GO. WE GOT NOTHIN'.
WE HAVE HIS WORD.
LET HER GO. SHE'S RIGHT.
JUST TAKE A LOOK AT HER TRACK RECORD.
SHE'LL EAT 'IM ALIVE IN COURT.
‐[SIGH] ‐I'M ONLY AFTER CANDACE YOUNG.
RIGHT.
♪♪♪♪
[ DOOR OPENS ]
MM.
[ SUSPENSEFUL MUSIC INTENSIFIES ]
YOU'RE FREE TO GO.
YEAH, I KNEW THAT.
♪♪♪♪
AND I WILL SEE YOU IN COURT.
♪♪♪♪
[ Ring ]
Hello.
WHAT'S UP, MAN?
WYATT?
What?
ARE YOU HIGH?
NAH, NO.
YES, YOU ARE.
DUDE, YOU NEED TO RELAX, BRO.
What do you want?
[ SIGH ]
JUST CALLIN' TO TELL YA I'M GONNA DO IT.
WHAT? DO WHAT?
I'M GONNA KILL EVERYBODY IN THE HOUSE.
[scoff] Right. You know what?
I'VE ALREADY TOLD YOU, OVER AND OVER AGAIN,
DO NOT CALL ME HIGH!
SOME KINDA FRIEND YOU ARE.
Yeah, okay.
JUST CALLING TO SAY GOODBYE.
WELL, BYE.
I'M GONNA KILL EVERYBODY IN THIS HOUSE
AND THEN I'M GONNA DO MYSELF, MAN.
OH, YEAH? OKAY.
You don't believe me.
NO! NOW, GOODBYE.
Goin' out in a blaze of glory.
WYATT OF THE WILD WILD WEST.
WYATT, I‐I ‐‐
LOOK, I‐I'M DONE WITH THIS, OKAY?
GOODBYE. ‐You'll see.
YEP, ALRIGHT, BYE.
[ BEEP ]
♪♪♪♪
[ BEEP ]
[ THUD ]
[ RING ]
WHO'S THIS? [ RING ]
HELLO.
Woman: Jeffrey Harrington?
YES.
Are you related to Justin?
NO, I'M NOT.
I'M SORRY.
HE HAS YOU LISTED AS NEXT OF KIN?
♪♪♪♪
NO, I'M NOT.
Well, I'm sorry.
UH, WAIT, WAIT, WAIT, WAIT. UM ‐‐
WH‐WHAT IS THIS ABOUT?
I'm sorry. I'm calling from county medical.
He was in a bad accident.
WHAT KIND OF AN ACCIDENT?
Well, we don't know. He's being treated here
at the hospital and we need next of kin.
♪♪♪♪
OH. UM, I‐IS, IS IT BAD?
I'm sorry. If you're not related,
I can't talk to you.
‐WAIT, WAIT, WAIT, UM ‐‐ ‐I'm sorry, sir.
WAIT, WAIT, WAIT, WAIT. UM, WH‐WHERE IS HE?
‐I'm sorry. ‐WAIT, WAIT, WAIT, WAIT.
NO, I AM, I AM. [ Click ]
H‐HELLO. HELLO? HELLO?
♪♪♪♪
DAMN IT. TSK.
[ BEEP ]
♪♪♪♪
KEYS.
♪♪♪♪
[ BIRDS CHIRPING ]
♪♪♪♪
SO,
IS THAT ALL THEY SAID?
THEY HAVE NOTHING.
OKAY.
♪♪♪♪
THAT MAKES YOU HAPPY?
[ SIGH ]
WILL YOU STOP THAT?
♪♪♪♪
OKAY.
WE NEED TO TALK.
ABOUT HOW I'M GONNA GET YOU
AND JIM AND KATHERYN OFF?
♪♪♪♪
I DON'T NEED YOU THAT WAY.
NEED TO TALK ABOUT US.
ALRIGHT, COME ON.
MNH‐MNH, MNH‐MNH, MNH‐MNH, NOT THERE.
‐OKAY. ‐WE DON'T SIT THERE, REMEMBER?
OKAY.
NOW, I'M GONNA GO UPSTAIRS,
BE SURE THIS BOY DIDN'T ROB ME...
MM‐HMM.
...AND I'LL MEET YOU OUT BY THE POOL.
I'LL BE WAITING FOR YOU THERE.
OKAY.
♪♪♪♪
VERONICA.
[sigh] [dully] YES, DAVID.
I STILL LOVE YOU.
♪♪♪♪
I STILL LOVE YOU.
♪♪♪♪
BUT YOU GOT A LOTTA MAKING UP TO DO, HONEY.
YES.
♪♪♪♪
[ SLURPING ]
[ GULP ]
OH!
THE HELL HAPPENED TO YOU?
LEAVE ME ALONE.
♪♪♪♪
DID YOU BREAK INTO THE WINE REFRIGERATOR?
KINDA LIKE SOMEBODY BROKE YOUR RIBS?
♪♪♪♪
[ SIGH ]
DAMN IT, WYATT. WHAT AM I GONNA DO?
LOOK, I DIDN'T BREAK INTO IT, ALRIGHT?
WHAT'S IN THE CAN?
S‐SODA.
‐SODA? ‐YEAH.
REALLY? GIMME THAT.
‐WHAT ARE YOU DOING? ‐[SNIFF]
EH.
WYATT, YOU KNOW,
I'M SO SICK AND TIRED OF THIS SHIT.
♪♪♪♪
OKAY.
ALRIGHT, KEEP PUSHIN' ME.
‐[SCOFF] ‐KEEP PUSHIN' ME
AND WE'LL SEE WHAT HAPPENS. ‐YOU KNOW SOMETHING, SON?
YOU ARE A LOSER. YOU ARE A JUNKIE
AND I NEED YOU TO GET OUTTA MY FACE
RIGHT NOW, ALRIGHT?!
I'M IN A LOTTA SHIT!
[ CLATTER ]
OKAY. [ SIGH ]
[ RING ]
‐SON OF A ‐‐ ‐YEAH, YEAH.
GO, GET OUTTA HERE. [ RING ]
KEEP PUSHIN' ME AND SEE WHAT HAPPENS.
YEAH, I CAN'T WAIT TO SEE WHAT HAPPENS.
[ RING ] GO ON, GET OUTTA HERE.
♪♪♪♪
[ RING ]
WHAT?!
MY NAME IS SCOTT BARWON.
What do you want?!
You're a bit hostile today, aren't you?
WHO THE HELL ARE YOU AND WHAT DO YOU WANT?
I'M CALLING TO ARRANGE A PRIVATE MEETING.
I'm gonna ask you this
ONE MORE TIME, SCOTT:
WHO. ARE YOU?
Just listen.
I'M CALLING TO ARRANGE A MEETING WITH SOMEONE
who is very interested in you helping them.
AND WHO IS THIS SOMEONE?
MR. CRYER, HE IS
VERY POWERFUL.
WHO THE HELL IS HE, SCOTT?
SIR, DO WE NEED TO TELL YOU ALL THAT WE HAVE ON YOU?
YES, YOU DO.
I'M CALLING FROM THE ATTORNEY GENERAL'S OFFICE.
LOOK, YOU JUST TELL JOHN ‐‐
‐WHO IS JOHN? ‐Really?
YOU'RE CALLING FROM THE ATTORNEY GENERAL'S OFFICE
IN GEORGIA AND YOU DON'T KNOW HIS NAME?
I'M ALREADY DEALING WITH THE LOCAL D. A.
Maybe you didn't hear me.
I DIDN'T SAY I WAS CALLING FROM THE STATE ATTORNEY.
I SAID THE ATTORNEY GENERAL.
♪♪♪♪
WHY WOULD HE WANT TO MEET WITH ME?
MR. CRYER, I'M JUST CALLING TO SET UP A MEETING
WITH A VERY POWERFUL PERSON.
Are you interested, or not?
YES.
YES, I WOULD, VERY MUCH.
THIS CAN BENEFIT YOU GREATLY.
THANK YOU.
I'M SORRY I YELLED IN THE BEGINNING.
BE NEAR YOUR HOME TONIGHT.
WE WILL CALL YOU.
♪♪♪♪
[ BEEP ]
[ SCOFF ]
[ CRICKETS CHIRPING ]
[ TRAFFIC WHOOSHING ]
[ SUSPENSEFUL MUSIC PLAYS ]
♪♪♪♪
[ BEEP ]
[ Ring ]
[ RING ]
REALLY?
[ RING ] [ SCOFF ]
Hello?
HI, JIM.
Let me tell you something.
I'M CALLING TO TELL YOU
I'M GIVING YOU YOUR MONEY BACK.
ARE YOU, NOW?
Yes.
WELL, YOU'D BETTER, CANDACE.
DON'T THREATEN ME.
I'M TRYING REALLY HARD TO BE NICE.
YOU KNOW THAT'S MY MONEY.
AND I'M TELLING YOU ‐‐
I better have it tonight.
♪♪♪♪
[ SIGH ]
AGAIN, DON'T THREATEN ME.
I'M CALLING
BECAUSE I'M GIVING YOU YOUR MONEY BACK.
I NEED YOUR ACCOUNT NUMBER.
I DON'T TRUST YOU, CANDACE.
WELL, HOW IN THE HELL AM I SUPPOSED
TO SEND YOU YOUR MONEY?
Let me ask you something, sweetheart,
WHY ARE YOU GIVING ME MY MONEY BACK?
IS IT BECAUSE YOU'RE WITH THE PRESIDENT‐ELECT?
I DON'T NEED IT.
I'M TRYING TO TURN OVER A NEW LEAF.
WELL, YEAH. SURE.
♪♪♪♪
JUST GIVE ME YOUR ACCOUNT NUMBER, PLEASE.
OKAY.
I'LL TEXT IT TO YOU.
THANK YOU.
Hey.
I'LL BE LOOKING FOR THE MONEY TONIGHT.
OKAY.
THANK YOU VERY MUCH, MISS YOUNG.
AND I'VE ALREADY TOLD YOU THIS BEFORE, JIM.
DO NOT MESS WITH MY BROTHER.
Sure.
♪♪♪♪
[ BEEP ]
♪♪♪♪
[ DOUBLE CHIME ]
♪♪♪♪
[ KNOCKING ]
SIR?
YES.
I'M SORRY.
♪♪♪♪
IS THAT IT?
IT'S EVERYWHERE.
♪♪♪♪
THANK YOU.
♪♪♪♪
THE PRESS IS OUTSIDE.
♪♪♪♪
[sigh] DAMN.
WHERE IS SHE?
UPSTAIRS.
SHOULD WE TAKE HER OUT THROUGH THE BACK?
THERE IS NO BACK WAY.
I MEAN THROUGH THE GARAGE.
IN THE TRUNK.
♪♪♪♪
LET ME THINK A MOMENT PLEASE.
YES, SIR.
♪♪♪♪
AND, OLIVER?
YES.
♪♪♪♪
TELL LANDON HE'S FIRED.
♪♪♪♪
YES, SIR.
♪♪♪♪
Those men. I mean, look at this.
You call this presidential?
And, as we've been talking about this hour,
the president‐elect has been seen with this woman.
She's an admitted escort.
She blackmails men.
I mean, look at these pictures!
Go to our website. Check it out.
There's no way this woman belongs near the White House,
or the president, needless to say.
[ SIGH ]
WHAT DO YOU WANT?
I NEED PEACE.
♪♪♪♪
OKAY, WELL,
I HAVE SOMETHING TO TELL YOU.
OKAY.
♪♪♪♪
IF JEFFERY INSISTS ON SEEING THESE MEN,
THEN I THINK WE SHOULD HAVE HIM COMMITTED.
VERONICA ‐‐
♪♪♪♪
NO, NO, IT'S A NICE PLACE WHERE THEY GO.
THEY MEDITATE. THEY PRAY.
IT'S IN THE MOUNTAINS OF UTAH.
SOME PEOPLE HAVE ACTUALLY LEFT THERE STRAIGHT.
[ SCOFFING ]
I DON'T BELIEVE THAT.
SEEING THEM TOGETHER,
IT'S DISGUSTING, BABE.
‐VERONICA. ‐I HATE IT.
I HATE THAT FOR OUR SON.
WE ARE NOT GOING TO DO THAT TO OUR SON.
I SEE.
SO YOU'RE NOT REALLY TRYING
TO GET BACK TOGETHER. OKAY.
I AM.
♪♪♪♪
YOU'RE LYING.
NOW, WHAT IS IT THAT YOU WANT?
♪♪♪♪
I WANT YOU.
♪♪♪♪
THE WAY WE WERE.
OKAY, THEN, WELL,
WE NEED TO MAKE OUR SON STRAIGHT. [chuckle]
ALREADY TALKED TO THE PEOPLE.
THEY'RE ‐‐ THEY'RE READY.
IT WON'T. WORK.
IT WORKED FOR HIS FATHER.
WHAT THE HELL YOU ARE YOU TALKIN' ABOUT NOW?
I'M NOT GAY. I NEVER WAS.
♪♪♪♪
YOU ARE NOT HIS FATHER.
♪♪♪♪
WHAT?
♪♪♪♪
I HAD AN AFFAIR.
♪♪♪♪
WE WEREN'T GETTING ALONG.
WE WERE HAVING A HARD TIME GETTING PREGNANT.
[ WATER LAPPING ]
AND SO I FELL IN THE ARMS OF SOMEONE ELSE.
[ CHUCKLE ]
GOT PREGNANT.
♪♪♪♪
I WAS GOING TO LEAVE YOU FOR HIM.
♪♪♪♪
THEN, I WALKED IN ON HIM WITH ANOTHER MAN.
WAIT.
♪♪♪♪
YOU ‐‐
WAIT, WHO?
WHAT?!
DO YOU EVER SEE WILLIAM?
WILLIAM WHO?
WILLIAM, YOUR COWORKER.
YOUR COLLEAGUE WILLIAM.
YOU EVER SEE HIM?
HE'S THE SPITTING IMAGE OF JEFFERY.
HM?
I'M SURPRISED YOU NEVER NOTICED.
♪♪♪♪
NO, I‐I DID NOT.
♪♪♪♪
SO.
♪♪♪♪
DO YOU...
♪♪♪♪
[ GRUMBLE ]
...YOU STILL WANT TO GET BACK TOGETHER?
♪♪♪♪
HM? ‐NO.
I DIDN'T THINK SO.
♪♪♪♪
I JUST ‐‐
♪♪♪♪
I JUST WANNA BE CLOSE TO YOU.
[ SNIFFLE ]
♪♪♪♪
WHY?
♪♪♪♪
SO I CAN DO WHAT I SAID I WOULD.
♪♪♪♪
WHAT'S THAT? [ SNIFFLE ]
♪♪♪♪
KILL YOU.
♪♪♪♪
DON'T.
♪♪♪♪
DAVID. [gasp] DAVID.
ANH! AAH AAH! AAH AAH!
AAH!
♪♪♪♪
AAH!
♪♪♪♪
AH! AGH! AH!
ANH!
♪♪♪♪
NEXT, ON "THE HAVES AND THE HAVE NOTS"...
LOOK, I'M SORRY, OKAY?
I THOUGHT WE HAD IT HANDLED.
‐BYE. ‐YOU CAN'T GO OUT OF THAT DOOR.
WATCH ME.
Jim: How the hell could you
lose control like that, David?
I HAD TO DO IT.
YOU HAVE TO TRASH HER
AND DISCREDIT HER.
IT COULD GET UGLY.
YOU ARE IN LOVE WITH HIM.
SO WHAT IF I AM?
R.K. They crawling all over the place
with surveillance of you and the president together.
I MEAN, EVERYTHING, CANDACE.
SHIT IS HITTIN' THE FAN.
♪♪♪♪
[ SHIMMERING TUNE PLAYS ]
♪♪♪♪