Now the sketches done,
either your drone it or you traced it.
And now we will begin with the color,
which is really the most fun part.
This is what I prefer.
And maybe it's okay for you if I give you my color palettes,
if it's a basis where you can work from it.
But if you don't need it, that's cool.
We'll go ahead and be brave.
Although I'm trying to stay realistic here,
I'm not going in crazy colors like I did in my pop art portrait class present.
So we'll go for the color.
We will be using a ton of layers.
So I won't bother to rename each and every layer.
The only one I named as a sketch.
That's all and everything else.
Well, it will be a mess.
But let's embrace the mess.
Sometimes creativity is really messy and that's okay for us.
So let's lower the opacity of the sketch,
maybe 50 percent or whatever.
Now, everything will be done below the sketch.
So let's other layer,
and I need to have my reference photo.
And I think it's interesting if we use
a reference feature because we can import an image.
And the Got saying was this.
As you have two different and interesting things with this,
is you can press here and take a color.
And second, you are using
less battery than splitting the screen with camera roll on the side.
I have noticed this and let me,
let me tell you this is important when you are painting for ours.
Important thing.
So the ID of everything as making patches and purchase.
We'll be done with lasso tool on free hand.
And you will tap on color fill.
So you have the little bucket here,
it's coming blue, meaning that I have this brownish here.
So whatever shape and make,
once I close the shape,
it's filled with brown ventricle.
So we are building layers on top of each other.
Was a bit of transparency,
was a bit of layer modes.
Let me explain everything.
First thing to do as working on the face and make,
I would say you the background layer for the face.
So let's take a brownish whatever you want.
Maybe take you here.
Doesn't really matter.
Alum.
My style is to make tap, tap, tap.
So coming from here.
And just try to follow my line.
But with straight lines.
Let's go until the complete hairline.
Another way is to draw, sorry.
Another way is to draw with your select tool and you can have really organic shape.
But for this time,
I think it's better because we will be layering everything.
So this is my base layer and it should be opaque,
completely opaque was maximum capacity.
This is everything we are building on top of this.
So let's place the layer below and make the neck.
And the neck can already be a bit darker,
as well as the ear.
And I'm below the face.
So let's go directly here.
And when you are still on the lasso tool,
you can make other shapes. Quite cool.
Great.
Hair will be on top of it and I might.
Okay, so let's begin with the darkest parts, with the shadows.
So let's place a layer on top of the face,
set it to multiply and lower the opacity about 75 percent.
And the thing is,
we are going to mix the color or spreading,
go back and forth.
We all see different colors.
I would say, I see,
I want a purple.
You have maybe to make some tests,
some tries because multiply is getting the color darker.
So don't go too dark.
Let me show you if I take this purple and I make a shape, it's really dark.
So maybe I can get a lighter purple, maybe less intense.
And make patch with the shadow.
Been looking at the photo and I see kind of triangle here.
This is what shows the cheekbone.
And overlapping.
Everything you see.
Overlapping. Maybe it's too much overlap.
The ER because it's already very dark.
I'm making kind of hair that is here.
There is some thing here.
So it's really fast because everything is filled.
As you go. I see
a really huge shadow under the nose.
Tap, tap, tap.
I said that Don't bother too much at this stage.
Just pure fun. And out here.
Okay, so press on the lasso tool again.
Every single field.