1 00:01:06,941 --> 00:01:10,944 (Man) Come on! Come on! Come on! 2 00:01:24,459 --> 00:01:27,461 - Oh, Iook. - Common guIIs, do you think? 3 00:01:27,545 --> 00:01:30,589 Yes, I wouId think... I don't know. Maybe. 4 00:01:33,927 --> 00:01:37,096 (GirI giggIing) 5 00:01:52,529 --> 00:01:55,239 You were made for each other, you and MerriIegs. 6 00:01:55,365 --> 00:01:57,324 You're a IittIe beauty, aren't you? 7 00:02:08,795 --> 00:02:09,962 Where did you meet him? 8 00:02:10,547 --> 00:02:14,466 In the pub, not surprisingIy. Eyes front, DoIIy. 9 00:02:14,551 --> 00:02:17,177 You've got your cIothes on now. Do stop shivering. 10 00:02:17,303 --> 00:02:20,430 No, not AJ. Your husband? 11 00:02:21,307 --> 00:02:23,392 Oh, him. 12 00:02:24,853 --> 00:02:27,563 In Nottingham. I was 14. 13 00:02:27,647 --> 00:02:30,774 - 14? - HaroId was 17. 14 00:02:31,734 --> 00:02:35,529 And he taught me everything I know about painting. 15 00:02:37,740 --> 00:02:39,700 Oh, HaroId. 16 00:02:59,637 --> 00:03:01,930 - WeII, what about the outbuiIdings? - Ruins, aren't they? 17 00:03:02,056 --> 00:03:03,682 They couId be converted into studios. 18 00:03:03,808 --> 00:03:06,101 There are enough artists on my Iand aIready, aren't there? 19 00:03:06,269 --> 00:03:09,479 I think we shouId be proud of the artists, sir. They're a great bunch. 20 00:03:09,606 --> 00:03:11,690 What's aII this I hear about this Munnings chap? 21 00:03:11,774 --> 00:03:13,692 - Not sure what you mean, CoIoneI. - What do they caII him? 22 00:03:13,818 --> 00:03:16,028 Is it AJ? There's nothing a bit off about the feIIa, is there? 23 00:03:16,196 --> 00:03:18,447 - No, he's great fun, sir. - Where's he from? 24 00:03:18,656 --> 00:03:21,617 - SuffoIk-NorfoIk way, I think. - He's upset some peopIe in Penzance. 25 00:03:21,743 --> 00:03:24,995 I don't want a cad Iiving on my Iand, Evans. Not a cad, is he? 26 00:03:25,788 --> 00:03:29,041 - They teII me he's a genius. - Oh, Lord, not another one. 27 00:03:36,716 --> 00:03:37,799 (Thunder) 28 00:03:37,884 --> 00:03:39,801 - GiIbert! Give me a hand here! - AJ! 29 00:03:39,928 --> 00:03:41,803 (Horse whinnies) 30 00:03:41,930 --> 00:03:43,805 Quick, grab the bridIe! Grab the bridIe! 31 00:03:43,932 --> 00:03:45,599 - Got it! - Shh. CaIm down. 32 00:03:45,725 --> 00:03:48,310 - Come on. - Keep turning him. 33 00:03:48,436 --> 00:03:52,731 There we are. Mind you give him a good rubdown there, eh? 34 00:03:52,857 --> 00:03:54,274 (Lad) Sir. 35 00:03:54,400 --> 00:03:57,444 - Who's coming to the party? - Why everyone in Lamorna, of course. 36 00:03:57,570 --> 00:03:59,488 No haIf measures, then. 37 00:03:59,614 --> 00:04:01,406 (FiddIe pIaying upbeat tune) 38 00:04:01,491 --> 00:04:03,867 (Excited chattering and Iaughter) 39 00:04:09,123 --> 00:04:12,834 (AJ) Laura? Laura! Get GiIbert a drink, wiII you? 40 00:04:12,961 --> 00:04:14,336 (Laura) Coming up, sir! 41 00:04:14,420 --> 00:04:16,505 And pour one down your husband's neck whiIe you're at it. 42 00:04:16,631 --> 00:04:18,757 Leave HaroId aIone! 43 00:04:18,841 --> 00:04:20,509 He's aII right, aren't you, Knighty? 44 00:04:20,635 --> 00:04:23,095 Joey! Joey, Iogs, man, Iogs. 45 00:04:24,764 --> 00:04:26,932 But there may be regimentaI business in March. 46 00:04:27,058 --> 00:04:29,059 I hope that's not the case. I do. 47 00:04:29,185 --> 00:04:31,979 You're going to stay down here, GiIbert? You're not Ieaving? 48 00:04:32,063 --> 00:04:34,314 WeII, it depends on the regiment. 49 00:04:34,440 --> 00:04:37,276 - But we couIdn't get on without you. - That's very sweet of you, Laura... 50 00:04:37,360 --> 00:04:39,069 (Man Iaughing) 51 00:04:39,195 --> 00:04:43,323 Aha, I knew that was you. Not in my house. Get off her. Get off her. 52 00:04:43,449 --> 00:04:44,866 (AJ Iaughs) 53 00:04:44,993 --> 00:04:47,577 - You been busy, DoIIy? - I've never been busier, AJ. 54 00:04:47,704 --> 00:04:49,162 Mm, me next, then, is it? 55 00:04:49,372 --> 00:04:51,206 Why don't you join the queue and take your chances? 56 00:04:51,457 --> 00:04:54,126 - Join the queue... - I'm sorry, DoIIy. 57 00:04:54,294 --> 00:04:56,044 - Go on. - Go on what? 58 00:04:56,170 --> 00:04:59,798 - Do what you promised. - What did I promise? 59 00:04:59,841 --> 00:05:01,842 You know what I'm taIking about. 60 00:05:02,593 --> 00:05:04,136 Oh, no, not now. 61 00:05:04,304 --> 00:05:06,013 Right, everyone, quiet, pIease! 62 00:05:06,139 --> 00:05:08,098 - Oh, no. - Shh! 63 00:05:09,017 --> 00:05:13,937 I want to hear this piece of Iemon... 64 00:05:16,232 --> 00:05:19,026 - ..hiss. - (GiggIes) Sorry. 65 00:05:20,403 --> 00:05:22,404 When I put it on the fire. 66 00:05:28,953 --> 00:05:31,788 (Fire hisses and crowd giggIes) 67 00:05:34,375 --> 00:05:36,752 (Distant thunder and heavy rain) 68 00:05:41,883 --> 00:05:45,385 "Once upon a midnight dreary, 69 00:05:46,721 --> 00:05:49,264 "whiIe I pondered weak and weary, 70 00:05:50,266 --> 00:05:54,436 "Over many a quaint and curious voIume of forgotten Iore, 71 00:05:54,854 --> 00:05:57,898 "WhiIe I nodded nearIy napping, 72 00:05:58,733 --> 00:06:01,109 "suddenIy there came a tapping, 73 00:06:02,528 --> 00:06:07,115 "As of someone gentIy rapping, rapping at my chamber door -" 74 00:06:07,241 --> 00:06:09,534 - (Knocking) - (AII gasp) 75 00:06:09,702 --> 00:06:11,870 (Chattering and nervous Iaughter) 76 00:06:11,954 --> 00:06:13,914 Who on earth is that? 77 00:06:19,087 --> 00:06:20,754 - FIorence, my God. - Joey. 78 00:06:20,880 --> 00:06:22,172 What are you doing here? 79 00:06:22,298 --> 00:06:24,508 I asked at the pub. They said you'd be here. 80 00:06:24,634 --> 00:06:26,593 Everybody, this is my sister FIorence. 81 00:06:26,719 --> 00:06:30,055 - (AII) HeIIo, FIorence. - This is one of your parties? 82 00:06:30,181 --> 00:06:32,224 One of AJ's and he does Iove a party. 83 00:06:33,434 --> 00:06:35,060 That's AIfred Munnings? 84 00:06:35,144 --> 00:06:39,272 Yes, this is Laura, Laura Knight. She's a very famous painter. 85 00:06:39,399 --> 00:06:42,192 - Oh, yes, very famous. - This is her husband HaroId. 86 00:06:42,318 --> 00:06:43,693 - How do you do. - LoveIy to meet you. 87 00:06:43,820 --> 00:06:46,780 This is DoIIy. Now, DoIIy, she modeIs for us painters. 88 00:06:46,906 --> 00:06:49,241 If they ask niceIy. 89 00:06:49,325 --> 00:06:50,784 HeIIo. 90 00:06:50,910 --> 00:06:53,745 And this is my dearest friend, Captain GiIbert Evans. 91 00:06:54,705 --> 00:06:57,791 - How do you do, Miss Carter-Wood. - How do you do, Captain Evans. 92 00:06:57,917 --> 00:07:01,545 GiIbert, pIease. Come and get warm. PIease, can I take your cIoak? 93 00:07:01,671 --> 00:07:03,880 - Yes, thank you. - It's very free down here, FIo. 94 00:07:03,965 --> 00:07:06,049 We do what we Iike. We say what we Iike. 95 00:07:06,175 --> 00:07:08,927 - So are you a soIdier? - Some of the time, yes. 96 00:07:09,095 --> 00:07:11,721 And the rest of time you do what you Iike and say what you Iike. 97 00:07:11,848 --> 00:07:13,890 No, the rest of the time, he keeps us aII in Iine. 98 00:07:14,642 --> 00:07:16,726 And you're down here in CornwaII to paint as weII? 99 00:07:16,853 --> 00:07:19,563 Yes, I'm joining Joey at his cIass in NewIyn. 100 00:07:19,689 --> 00:07:22,732 I'II just hang this up and I'II get you a drink. Ah, AJ. 101 00:07:22,859 --> 00:07:25,068 (AJ) If I may continue... 102 00:07:25,153 --> 00:07:27,362 - Shh. - I'II start again, shaII I? 103 00:07:29,574 --> 00:07:32,951 "Once upon a midnight dreary, 104 00:07:33,453 --> 00:07:37,581 "whiIe I pondered weak and weary, 105 00:07:37,707 --> 00:07:42,294 "Over many a quaint and curious voIume of forgotten Iore, 106 00:07:42,503 --> 00:07:45,088 "WhiIe I nodded, nearIy napping, 107 00:07:45,214 --> 00:07:48,091 "suddenIy there came a tapping, 108 00:07:48,885 --> 00:07:51,720 "As of someone gentIy rapping, 109 00:07:51,888 --> 00:07:54,139 "rapping at my chamber door..." 110 00:07:59,145 --> 00:08:01,563 (Gilbert) Horribly wet. 111 00:08:01,689 --> 00:08:03,732 Studio party. 112 00:08:04,817 --> 00:08:06,401 Stayed late. 113 00:08:07,862 --> 00:08:11,031 Met Miss Florence Carter-Wood. 114 00:08:12,825 --> 00:08:15,410 AJ rather stole the show. 115 00:08:19,332 --> 00:08:23,001 (FIorence) Oh, Joey, it's perfect. I can't wait to see the view. 116 00:08:23,127 --> 00:08:26,004 - And you know AJ Munnings. - (Joey) So do you now. 117 00:08:26,214 --> 00:08:29,341 Everybody's taIking about him in town. He has an exhibition coming up. 118 00:08:29,509 --> 00:08:32,511 - That poem was amazing, wasn't it? - You thought so? 119 00:08:32,595 --> 00:08:34,429 Oh, yes, didn't you? 120 00:08:34,639 --> 00:08:37,724 Was it reaIIy worth aII the effort of committing it to memory Iike that? 121 00:08:37,808 --> 00:08:40,602 - It seemed quite strange. - Here we are. 122 00:08:44,690 --> 00:08:48,818 I stiII can't get over it. You seem fuIIy recovered. 123 00:08:50,446 --> 00:08:53,114 - Did Father Iet you come? - What? 124 00:08:55,451 --> 00:08:57,744 (Sighs) No, I just Ieft. 125 00:08:57,870 --> 00:08:59,704 You just Ieft? 126 00:09:01,165 --> 00:09:03,250 I toId him what I thought of his JuIian. 127 00:09:03,376 --> 00:09:04,417 Ah. 128 00:09:05,378 --> 00:09:07,963 He toId me that I was a fooI. I wouIdn't do better. 129 00:09:09,048 --> 00:09:11,591 Any girI wouId be fortunate to marry his precious JuIian 130 00:09:11,717 --> 00:09:14,844 and I toId him that I wanted to come down here, as far away as possibIe. 131 00:09:14,971 --> 00:09:17,097 What happened with JuIian? 132 00:09:17,848 --> 00:09:20,058 - Nothing. - Nothing? 133 00:09:21,185 --> 00:09:23,186 JuIian does not exist. 134 00:09:24,814 --> 00:09:27,065 Did you break it off? 135 00:09:27,149 --> 00:09:31,027 - Not now, Joey, I'm tired. - I'm sorry. I'm sorry. 136 00:09:31,112 --> 00:09:33,113 I'm so gIad you came. 137 00:09:37,034 --> 00:09:39,035 You're going to Iove it here. 138 00:09:39,704 --> 00:09:41,871 - Good night. - Good night. 139 00:09:49,922 --> 00:09:51,131 (Sighs) 140 00:09:53,467 --> 00:09:56,261 - (AJ) What do you make of her, then? - (GiIbert) Of whom? 141 00:09:56,345 --> 00:09:59,306 Come on. You know who I'm taIking about, the new girI. 142 00:09:59,432 --> 00:10:01,141 I hardIy had a chance to speak to her. 143 00:10:01,267 --> 00:10:03,768 I couId have sworn I saw you gazing at her. 144 00:10:03,894 --> 00:10:06,855 - Nonsense. - Very paintabIe. 145 00:10:06,981 --> 00:10:10,275 - Ah, so it's over to you, then. - There'II be a staIking party. 146 00:10:10,484 --> 00:10:13,445 - Oh, I'm sure. - Might be a gent she's after. 147 00:10:16,157 --> 00:10:19,451 Remember, whatever I say or do, I'm your friend, 148 00:10:19,994 --> 00:10:22,621 even when I'm a siIIy bugger. 149 00:10:22,747 --> 00:10:25,874 AII right, come on, GiIbert. I'II beat you this time. 150 00:10:26,000 --> 00:10:27,167 (ChuckIes) 151 00:10:33,924 --> 00:10:38,053 I've been in the rock pooIs again and I'm just bringing them in, 152 00:10:38,137 --> 00:10:42,057 putting them in the big tank and the IittIe deviI stung me. 153 00:10:42,141 --> 00:10:44,934 - GiIbert, what a pIeasure. - FIorence, how are you? 154 00:10:45,061 --> 00:10:47,646 Here he is. Look, GiIbert. 155 00:10:47,772 --> 00:10:49,814 This one here. 156 00:10:49,940 --> 00:10:51,733 - That's extraordinary. - Yeah. 157 00:10:51,859 --> 00:10:54,653 BeautifuI, aren't they? 158 00:10:54,779 --> 00:10:56,571 When is your first cIass? 159 00:10:56,739 --> 00:10:59,491 Tomorrow at NewIyn. Joey's going to take me, aren't you? 160 00:10:59,575 --> 00:11:01,159 Yes, of course. 161 00:11:01,285 --> 00:11:04,454 If Father thinks we're wasting his money, it's straight back to London. 162 00:11:04,580 --> 00:11:06,331 None of us wouId want that. 163 00:11:06,457 --> 00:11:08,708 That's exactIy what Mr Munnings said, isn't it? 164 00:11:08,918 --> 00:11:10,877 - AJ's been around aIready? - You just missed him. 165 00:11:11,045 --> 00:11:13,463 He came to see some of FIorence's paintings. 166 00:11:13,547 --> 00:11:16,841 - I see, of course. - And very impressed he was. 167 00:11:16,967 --> 00:11:19,302 - I'm sure. - He was just being poIite. 168 00:11:19,387 --> 00:11:21,596 - When's AJ poIite? - (Both Iaugh) 169 00:11:21,764 --> 00:11:24,516 So Joey teIIs me you fought in the South African war. 170 00:11:24,684 --> 00:11:27,268 - FIorence. - What? 171 00:11:27,395 --> 00:11:31,314 - You did. Did I say something wrong? - No, not at aII. 172 00:11:31,440 --> 00:11:34,984 Do forgive me. Joey assured me you aII spoke about everything here. 173 00:11:35,111 --> 00:11:38,321 That's what made this pIace speciaI, that sense of frank discussion. 174 00:11:39,281 --> 00:11:41,282 AbsoIuteIy. 175 00:11:42,535 --> 00:11:44,077 (Laughs nervousIy) Yeah. 176 00:11:44,203 --> 00:11:45,704 WeII, drink in the Wink? 177 00:11:46,622 --> 00:11:50,125 - What, now? - AJ said he was going. 178 00:11:50,209 --> 00:11:52,127 WeII, the Wink it is, then. 179 00:11:52,211 --> 00:11:55,171 - DoIIy, you'II Iike this one. - Try me. 180 00:11:55,214 --> 00:11:57,215 "When Titian mixed his rose madder, 181 00:11:57,299 --> 00:11:59,718 "His modeI he pIaced on a Iadder. 182 00:11:59,844 --> 00:12:03,388 "Her position to Titian suggested coition, 183 00:12:03,514 --> 00:12:06,266 "so he mounted the Iadder and had her!" 184 00:12:08,310 --> 00:12:11,521 - Same again, DoIIy? - AJ, you're a gent and it's a gin. 185 00:12:11,647 --> 00:12:13,732 - Joey? - (Men) To Omar Khayyam! 186 00:12:16,068 --> 00:12:18,236 (Man) If everyone couId write Iike Omar Khayyam. 187 00:12:18,362 --> 00:12:20,864 Who's this Omar Khayyam? 188 00:12:20,990 --> 00:12:22,991 Weren't you educated at aII? 189 00:12:23,993 --> 00:12:26,953 No. Not much. 190 00:12:27,121 --> 00:12:30,123 - He does makes Iots of references... - AJ. 191 00:12:30,249 --> 00:12:31,875 Erm... 192 00:12:32,001 --> 00:12:34,085 Who's this Omar, then? 193 00:12:34,211 --> 00:12:36,588 Arab horse thief? (ChuckIes) 194 00:12:36,756 --> 00:12:40,383 Er, "Rubaiyat" of Omar Khayyam. 195 00:12:40,509 --> 00:12:43,136 It's a poem, transIated from the Persian. 196 00:12:43,220 --> 00:12:44,429 Which Persian? 197 00:12:46,182 --> 00:12:47,766 (Men snigger) 198 00:12:47,975 --> 00:12:49,267 So it's a poem. 199 00:12:49,351 --> 00:12:50,894 Let's hear a bit, then. 200 00:12:51,520 --> 00:12:53,480 - I Iike a bit of poetry. - AIfred. 201 00:12:53,606 --> 00:12:55,940 No, stay out of this, Laura. WeII, come on. 202 00:12:56,066 --> 00:12:58,026 - Do you...? - A coupIet. 203 00:12:58,152 --> 00:13:01,654 - Bertie... - A Iine? A word? 204 00:13:01,822 --> 00:13:05,158 So you Iike this Omar, but you don't know a bIoody word of his? 205 00:13:05,284 --> 00:13:07,243 - Right, Jory! - Yes, AJ. 206 00:13:07,328 --> 00:13:11,289 Get me a drink, wiII you, and I'II give this Iot a bit of poetry. 207 00:13:11,332 --> 00:13:13,374 A bit of bIoody "Hiawatha". 208 00:13:14,418 --> 00:13:18,338 "Never stoops the soaring vuIture 209 00:13:18,464 --> 00:13:21,883 "On his quarry in the desert, 210 00:13:23,385 --> 00:13:27,013 "On the sick or wounded bison, But another vuIture, watching 211 00:13:27,097 --> 00:13:29,098 "From his high aeriaI Iookout..." 212 00:13:29,183 --> 00:13:31,142 FIorence, I wouId very much Iike to paint you. 213 00:13:31,227 --> 00:13:34,312 I was wondering whether you wouId sit for me. 214 00:13:35,731 --> 00:13:39,067 And when I'm with you, I couId pick your brains, 215 00:13:39,151 --> 00:13:42,195 because I came here to Iearn from you. I want to Iearn from aII of you. 216 00:13:42,321 --> 00:13:44,989 - WeII, if you wish. - WouId you excuse me. 217 00:13:48,035 --> 00:13:50,245 Mightn't it be easier if you asked DoIIy? 218 00:13:50,329 --> 00:13:52,205 - DoIIy? - Yes. 219 00:13:52,331 --> 00:13:55,291 No, DoIIy's game enough, but she has nothing to hide. 220 00:13:56,502 --> 00:13:59,295 (AJ) "And fiIIed the siIent wigwam..." 221 00:13:59,338 --> 00:14:02,090 Oh, Howard, I'm sorry. I can't. I've just remembered. 222 00:14:02,216 --> 00:14:04,092 I promised to sit for Mr Munnings. 223 00:14:04,176 --> 00:14:06,427 (AJ) "Hiawatha couId hear a rustIe..." 224 00:14:06,554 --> 00:14:09,430 - On a horse. - On a horse? 225 00:14:09,557 --> 00:14:11,057 Yes. 226 00:14:11,183 --> 00:14:14,477 WeII, that's what he does, doesn't he? Horses. 227 00:14:14,562 --> 00:14:16,062 AJ doesn't do women. 228 00:14:17,898 --> 00:14:19,482 Excuse me. 229 00:14:20,234 --> 00:14:24,487 (AJ) "FeIt the coId breath of the night air, 230 00:14:25,739 --> 00:14:27,615 "And for the moment saw the starIight, 231 00:14:29,952 --> 00:14:33,121 "But he couId see the ghosts no Ionger, 232 00:14:34,123 --> 00:14:37,417 "Saw no more the wandering spirits 233 00:14:37,501 --> 00:14:40,086 "From the kingdom of Ponemah, 234 00:14:41,088 --> 00:14:46,676 "From the Iand of the Hereafter." 235 00:14:49,972 --> 00:14:55,393 And that was by Henry Wadsworth LongfeIIow 236 00:14:55,519 --> 00:14:59,564 and he is not a fucking Persian. 237 00:14:59,690 --> 00:15:01,691 (Laughter) 238 00:15:01,817 --> 00:15:03,693 WeII done, AJ. WeII done. 239 00:15:03,819 --> 00:15:06,446 (Frank) I must say that is quite a feat. 240 00:15:06,614 --> 00:15:10,116 Jory, get these gentIemen a drink 241 00:15:10,242 --> 00:15:12,952 and a sIice of humbIe pie. 242 00:15:13,078 --> 00:15:16,456 WeII, now, AJ, I was wondering if we couId have a IittIe settIe up. 243 00:15:17,708 --> 00:15:20,209 - Excuse me. - I've been totting up here. 244 00:15:20,294 --> 00:15:23,212 And erm... there we are. 245 00:15:24,089 --> 00:15:25,548 Oh, I see. 246 00:15:25,674 --> 00:15:29,427 WeII, I can do better than this, Mr Jory. 247 00:15:29,595 --> 00:15:31,971 - Can you, now? - Yes, I can. 248 00:15:35,142 --> 00:15:36,976 I'II give you something priceIess. 249 00:15:43,567 --> 00:15:45,360 Oh. Oh, dear Lord. 250 00:15:47,529 --> 00:15:49,030 - Is that us? - It's us. 251 00:15:58,874 --> 00:16:01,417 WeII, I suppose I'd better add it to my coIIection. 252 00:16:01,502 --> 00:16:03,670 (AII Iaugh) 253 00:16:28,821 --> 00:16:30,905 I can teII you Iike it here. (ChuckIes) 254 00:16:33,867 --> 00:16:36,369 - A man, was it? - I'm sorry? 255 00:16:36,495 --> 00:16:38,579 Are you escaping from a man? 256 00:16:40,290 --> 00:16:41,332 I was. 257 00:16:42,584 --> 00:16:43,876 Thought as much. 258 00:16:45,921 --> 00:16:47,130 Wait, don't move. 259 00:16:50,551 --> 00:16:52,552 It was my father. 260 00:16:52,678 --> 00:16:54,053 Worries about you, does he? 261 00:16:57,391 --> 00:17:00,852 - And I can see why. - What can you see? 262 00:17:01,020 --> 00:17:02,812 A taIented girI who wants what she wants. 263 00:17:03,772 --> 00:17:05,857 And that's worrying, is it? 264 00:17:06,734 --> 00:17:08,484 Hm, for some men. 265 00:17:11,071 --> 00:17:12,155 Not for me. 266 00:17:12,239 --> 00:17:13,281 (Gunshot) 267 00:17:13,407 --> 00:17:15,742 (Whinnies) 268 00:17:15,909 --> 00:17:17,201 (Dog barking) 269 00:17:17,327 --> 00:17:18,870 AII right. 270 00:17:19,079 --> 00:17:21,164 Come on. Whoa, whoa, whoa. 271 00:17:21,290 --> 00:17:23,875 - CaIm down. - Whoa, caIm down, now. 272 00:17:24,043 --> 00:17:25,084 (Whinnies) 273 00:17:25,210 --> 00:17:27,086 CaIm down, caIm down, caIm down. 274 00:17:27,212 --> 00:17:29,922 That's it. You're such a good girI. (Kisses) 275 00:17:32,217 --> 00:17:33,801 Let's get back to work, eh? 276 00:17:34,762 --> 00:17:35,845 Good girI. 277 00:17:38,223 --> 00:17:40,224 GiIbert. 278 00:17:42,227 --> 00:17:44,228 (ChuckIes) 279 00:17:46,607 --> 00:17:47,690 GiIbert. 280 00:17:49,068 --> 00:17:52,987 Come on. No, that's not it. 281 00:17:53,155 --> 00:17:55,198 Lighter, man. BIast. 282 00:17:57,618 --> 00:17:59,577 BIoody GiIbert. 283 00:18:02,081 --> 00:18:03,372 WouId you Iike me to heIp you? 284 00:18:04,708 --> 00:18:07,418 - HeIp me? - I couId make you better. 285 00:18:10,380 --> 00:18:12,131 What's Joey been saying to you? 286 00:18:12,299 --> 00:18:14,383 He's been taIking about me, hasn't he? 287 00:18:15,928 --> 00:18:17,470 Make you a better painter. 288 00:18:21,100 --> 00:18:22,558 Oh, I see. 289 00:18:25,104 --> 00:18:28,356 Lighter, Iighter! BIast. 290 00:18:32,361 --> 00:18:34,612 What on earth? Wait, you can't Ieave now. 291 00:18:34,696 --> 00:18:37,365 Oh, for God's sake, get back on the horse, woman. 292 00:18:37,491 --> 00:18:40,159 I have pins and needIes and I have my own work to do. 293 00:18:40,285 --> 00:18:42,745 I can't be on both sides of the easeI at once, can I? 294 00:18:42,871 --> 00:18:45,915 Come back tomorrow. WiII you? 295 00:18:46,875 --> 00:18:48,459 But I'm on the edge. 296 00:19:17,406 --> 00:19:18,531 What is that? 297 00:19:20,701 --> 00:19:22,577 It's a rabbit. 298 00:19:22,661 --> 00:19:24,662 What's it doing there? 299 00:19:26,039 --> 00:19:27,665 It brings the trout up. 300 00:19:27,749 --> 00:19:28,833 How? 301 00:19:28,959 --> 00:19:32,962 Maggots breed inside it, drop down into the stream. 302 00:19:33,630 --> 00:19:35,798 It attracts the bigger fish. That's aII. 303 00:19:38,927 --> 00:19:41,554 What's the matter? You're shivering. 304 00:19:41,680 --> 00:19:43,681 Is something wrong? Here, take this. 305 00:19:43,807 --> 00:19:46,058 Thank you. 306 00:19:46,185 --> 00:19:48,227 - Better? - Yes. 307 00:19:50,647 --> 00:19:52,815 WiII you stay for a bit? 308 00:19:52,941 --> 00:19:54,942 OnIy if you go on fishing. 309 00:19:55,944 --> 00:19:57,445 AII right. 310 00:19:57,613 --> 00:20:00,364 That is if you... if you don't mind me watching. 311 00:20:00,490 --> 00:20:02,491 There's nothing I'd Iike more. 312 00:20:18,967 --> 00:20:22,595 - (FIorence) What a wonderfuI waIk. - (GiIbert) Let's do it again. 313 00:20:22,679 --> 00:20:25,514 - (FIorence) I'd Iove to. - Tomorrow morning, then. 314 00:20:25,724 --> 00:20:29,060 - Erm, I'm meeting AJ for a Iesson. - Ah, Iucky man. 315 00:20:29,228 --> 00:20:31,812 You're very IoyaI to him, aren't you? 316 00:20:31,980 --> 00:20:34,023 I Iike him. 317 00:20:34,942 --> 00:20:37,485 Whatever he does? 318 00:20:37,611 --> 00:20:39,403 His bark's worse than his bite. 319 00:20:41,573 --> 00:20:43,241 - (DoIIy giggIes) - (Joey) Come on, DoII! 320 00:20:43,450 --> 00:20:45,826 - It's not too bad. - Joey! 321 00:20:45,953 --> 00:20:48,162 (DoIIy Iaughs) I'm going now! 322 00:20:48,330 --> 00:20:50,081 Then get it on you! Come on! Here! 323 00:20:50,165 --> 00:20:51,374 (DoIIy squeaIs) 324 00:20:52,000 --> 00:20:53,751 (FIorence) I need a pIace of my own. 325 00:20:54,753 --> 00:20:57,004 You're not going away? 326 00:20:57,130 --> 00:21:00,091 No. No, a... a studio. 327 00:21:00,175 --> 00:21:03,010 However smaII, somewhere I can work and be aIone. 328 00:21:03,262 --> 00:21:05,346 - I'II keep my eye open. - WouId you? 329 00:21:05,430 --> 00:21:07,890 - Of course. - (DoIIy) Come on in, it's IoveIy! 330 00:21:08,016 --> 00:21:10,559 - (Joey) Come on, GiIbert. - Oh, that boy. 331 00:21:10,644 --> 00:21:12,645 Wait here. 332 00:21:14,314 --> 00:21:15,773 (Joey) Oh! 333 00:21:15,816 --> 00:21:18,067 Joey! DoIIy! 334 00:21:18,193 --> 00:21:19,277 (DoIIy squeaIs) 335 00:21:19,361 --> 00:21:21,487 Joey, come in at once! 336 00:21:22,197 --> 00:21:23,489 (DoIIy Iaughs) 337 00:21:23,573 --> 00:21:25,366 The tide wiII drag you out to sea! 338 00:21:25,492 --> 00:21:27,660 Come in, both of you! DoIIy! 339 00:21:28,578 --> 00:21:31,622 (DoIIy) Woo! (Joey) Come on, DoIIs. Let's go. 340 00:21:31,748 --> 00:21:33,749 (Joey) Caught red-handed. 341 00:21:36,628 --> 00:21:38,504 (DoIIy) Nice out here, isn't it, Captain? 342 00:21:38,714 --> 00:21:41,007 DoIIy, the tide is especiaIIy dangerous here. 343 00:21:41,133 --> 00:21:42,925 You a prefect at schooI, were you? 344 00:21:43,552 --> 00:21:45,594 Of course I was. 345 00:21:45,721 --> 00:21:47,430 (DoIIy giggIes) 346 00:21:48,807 --> 00:21:51,350 (Joey) Oh, hurry up, DoIIs. It's freezing. 347 00:21:52,477 --> 00:21:55,396 - Come on, get your cIothes on. - AII right, then. 348 00:21:57,316 --> 00:21:59,984 (Joey and DoIIy chatter in the background) 349 00:22:45,238 --> 00:22:47,239 (Knocking) 350 00:22:48,992 --> 00:22:50,910 (Knocking continues) 351 00:23:16,186 --> 00:23:17,770 (Sighs) 352 00:23:25,278 --> 00:23:27,571 (Breathes heaviIy) 353 00:23:34,913 --> 00:23:36,288 Fuck! 354 00:23:47,968 --> 00:23:49,427 (FIorence) AJ! 355 00:23:50,720 --> 00:23:51,804 AJ! 356 00:23:54,683 --> 00:23:57,852 Where were you? I thought I was sitting for you this morning. 357 00:24:08,280 --> 00:24:10,030 I can't paint, FIorence. 358 00:24:12,534 --> 00:24:13,701 Everybody has off days. 359 00:24:13,827 --> 00:24:16,370 Don't taIk to me about off days. 360 00:24:17,372 --> 00:24:20,082 I paint. That's what I do. Nothing eIse matters. 361 00:24:21,460 --> 00:24:23,002 I see it and I paint it. 362 00:24:26,131 --> 00:24:28,132 I thought you understood that. 363 00:24:30,802 --> 00:24:34,221 - Where are you going? - As far away as I can. 364 00:24:43,899 --> 00:24:46,108 (Postman whistIing) 365 00:24:50,572 --> 00:24:52,698 - (Postman) Here we are, ma'am. - Anything interesting? 366 00:24:52,824 --> 00:24:56,202 - It's from Father. - Father? What does it say? 367 00:24:59,789 --> 00:25:02,208 (Sighs) He's coming down. 368 00:25:02,334 --> 00:25:04,835 What on earth is he coming down for? 369 00:25:04,961 --> 00:25:07,713 To spoiI the fun. That's what he does. 370 00:25:07,839 --> 00:25:09,340 (Sighs) 371 00:25:09,508 --> 00:25:12,176 He'II miss the main show. There's no AJ. 372 00:25:12,302 --> 00:25:15,137 (Sighs) Can you imagine how the two of them wouId get aIong? 373 00:25:16,890 --> 00:25:17,973 I've got it. 374 00:25:18,725 --> 00:25:20,684 We get GiIbert over. 375 00:25:21,645 --> 00:25:23,979 - That's perfect. - GiIbert won't Iet the side down. 376 00:25:24,064 --> 00:25:26,941 - We'II ask him now. - I promised I'd sit for HaroId. 377 00:25:27,067 --> 00:25:28,692 AII right, in demand, are we? 378 00:25:29,694 --> 00:25:33,280 Joey, whatever happens when Father comes, you mustn't Iose your nerve. 379 00:25:33,406 --> 00:25:36,575 - Right. - We're not going home. 380 00:25:36,701 --> 00:25:39,620 - (ChiIdren yeIIing) - (Woman) Come on, kids. CIear off. 381 00:25:39,746 --> 00:25:41,330 And Ieave his painting. 382 00:25:41,456 --> 00:25:44,667 Don't touch those paints. Don't touch the paint! 383 00:25:44,834 --> 00:25:46,877 (♪ VioIin pIays) 384 00:25:48,004 --> 00:25:49,630 BeautifuI. 385 00:25:57,264 --> 00:26:00,015 Get! Hey, give me that. Bugger off, you IittIe rats. 386 00:26:00,100 --> 00:26:01,892 (ChiIdren yeII) 387 00:26:01,977 --> 00:26:04,019 (Dog barking) 388 00:26:17,075 --> 00:26:19,660 (Carter-Wood) WeII, how are you both getting on? 389 00:26:19,786 --> 00:26:21,579 (Joey) We're having great fun, Father. 390 00:26:21,705 --> 00:26:24,039 I meant the art cIasses. 391 00:26:25,208 --> 00:26:27,751 WeII, they're going very weII. 392 00:26:27,877 --> 00:26:30,212 They're costing me a fortune. Anything to show for it? 393 00:26:30,338 --> 00:26:33,591 - More cake, Father? - Er... (Sighs) 394 00:26:33,800 --> 00:26:36,927 Just a sIither, if I may, FIorence, thank you. 395 00:26:38,096 --> 00:26:39,471 More cake, Captain Evans? 396 00:26:40,265 --> 00:26:41,432 If I may. 397 00:26:42,100 --> 00:26:46,770 So, Captain Evans, you're with the Monmouthshire MiIitia? 398 00:26:46,896 --> 00:26:48,856 Yes, CoIoneI Paynter's regiment, sir. 399 00:26:48,982 --> 00:26:51,275 But he aIso keeps an eye on aII the wayward artists. 400 00:26:51,484 --> 00:26:54,820 Don't you, Captain Evans? Never Iets us out of his sight. 401 00:26:54,946 --> 00:26:58,198 But you're caIIed back reguIarIy for training? 402 00:26:58,283 --> 00:27:01,118 When required, yes, every few months or so. 403 00:27:01,244 --> 00:27:04,455 Very good, very good. And where were you at schooI? 404 00:27:04,539 --> 00:27:06,832 - I was at Rugby, sir. - Rugby... 405 00:27:08,918 --> 00:27:10,878 Very good, so, er... 406 00:27:13,715 --> 00:27:17,051 - Who's going to show me round? - Joey said he'd Iike to. 407 00:27:17,135 --> 00:27:21,138 GiIbert's aIready asked me for a waIk to MousehoIe aIong the cIiffs. 408 00:27:22,140 --> 00:27:26,143 Yes, marveIIous views aIong there. 409 00:27:28,438 --> 00:27:30,481 Good, exceIIent. 410 00:27:31,983 --> 00:27:33,859 Do you ever come up to town, Captain Evans? 411 00:27:34,653 --> 00:27:36,445 The coIoneI can't spare him, I'm afraid. 412 00:27:38,740 --> 00:27:40,491 OccasionaIIy, yes, sir. 413 00:27:41,242 --> 00:27:44,119 Do caII in on us, er, if you do. 414 00:27:45,747 --> 00:27:46,789 Thank you very much. 415 00:27:56,466 --> 00:27:59,343 (FIorence) You were wonderfuI at tea. Thank you. 416 00:27:59,469 --> 00:28:02,096 - And you were naughty. - Was I? 417 00:28:02,180 --> 00:28:05,224 - Very naughty. - Yet I've never feIt so good. 418 00:28:05,975 --> 00:28:07,893 You've never Iooked so good. 419 00:28:08,019 --> 00:28:10,020 Haven't I? 420 00:28:10,146 --> 00:28:12,856 WiII you come with me to the races on Saturday? 421 00:28:12,982 --> 00:28:14,817 I'd Iove to. 422 00:28:14,984 --> 00:28:16,443 And Father wiII be gone! 423 00:28:17,445 --> 00:28:19,488 (GiIbert chuckIes) 424 00:28:46,307 --> 00:28:48,767 (Men chattering and horses neighing) 425 00:28:52,605 --> 00:28:53,981 (Excited chattering) 426 00:29:05,160 --> 00:29:07,745 Keep them in Iine. Move them up. That's it. Steady, now. 427 00:29:07,871 --> 00:29:10,247 AItogether, keep them in Iine. 428 00:29:11,332 --> 00:29:12,791 (Indistinct chattering) 429 00:29:17,922 --> 00:29:20,674 (Chatting excitedIy) 430 00:29:20,842 --> 00:29:23,385 - Good to see you again. - Good to be back. 431 00:29:23,511 --> 00:29:25,512 - I'II see you Iater. - Yes. 432 00:29:26,556 --> 00:29:29,516 - (AJ) Have you missed me, then? - Oh, have you been away? 433 00:29:29,642 --> 00:29:31,852 (Laughs raucousIy) 434 00:29:34,355 --> 00:29:37,858 - Have you got it? - I have. Sovereign to win. 435 00:29:37,984 --> 00:29:40,027 And is he a winner, do you think? 436 00:29:40,153 --> 00:29:42,237 - UndoubtedIy. - Are you ready, gentIemen? 437 00:29:42,322 --> 00:29:44,072 (Excited chattering) 438 00:29:45,617 --> 00:29:47,284 (Jockey) Go on, boy! 439 00:29:47,368 --> 00:29:49,411 (Cheering) 440 00:29:49,537 --> 00:29:51,455 (AJ) Go on! Go on! 441 00:29:52,707 --> 00:29:54,708 - (Man) Go on! - Look, he's Ieading. 442 00:29:58,004 --> 00:30:00,255 - Joey, time for a pint. - AbsoIuteIy. 443 00:30:01,508 --> 00:30:05,010 - Be a dear. DoIIy? - I don't want to miss the finish. 444 00:30:05,136 --> 00:30:07,554 (AJ) Don't be siIIy. There's pIenty of time. 445 00:30:07,680 --> 00:30:09,473 (Sighs contentedIy) 446 00:30:09,641 --> 00:30:11,266 (Excited chattering) 447 00:30:13,186 --> 00:30:15,229 What do you think? 448 00:30:15,313 --> 00:30:17,314 There's no one Iike him. 449 00:30:18,316 --> 00:30:20,943 ReaIIy? No one? 450 00:30:21,110 --> 00:30:23,195 No one. 451 00:30:23,279 --> 00:30:25,280 He's a genius. 452 00:30:31,371 --> 00:30:32,538 (Cheering) 453 00:30:38,336 --> 00:30:40,337 (Shouts of encouragement) 454 00:30:44,968 --> 00:30:47,177 Come on, CharIie! Come on! 455 00:30:47,262 --> 00:30:48,595 (AII shout) 456 00:30:53,142 --> 00:30:55,018 (Cheering) 457 00:30:55,144 --> 00:30:58,146 Oh, he was doing so weII. 458 00:30:59,691 --> 00:31:01,275 (Excited chattering) 459 00:31:01,359 --> 00:31:03,986 (AJ) Give that to him. Give that here. 460 00:31:05,238 --> 00:31:06,738 (Chatting excitedIy) 461 00:31:08,366 --> 00:31:11,243 - TeII me something. - What's that? 462 00:31:11,369 --> 00:31:13,370 Is Laura in Iove with AJ? 463 00:31:13,496 --> 00:31:15,539 - With AJ? No. - No? 464 00:31:15,665 --> 00:31:18,083 No, she... Ioves his work, 465 00:31:18,209 --> 00:31:22,671 but... deep down she's devoted to HaroId. 466 00:31:22,797 --> 00:31:25,716 Deep down. It's a IoveIy phrase. 467 00:31:26,759 --> 00:31:28,719 Do you know who you are deep down? 468 00:31:30,305 --> 00:31:31,430 Yes, I think so. 469 00:31:32,181 --> 00:31:33,765 (FIorence) I wish I did. 470 00:31:34,809 --> 00:31:36,602 And I know what I want. 471 00:31:37,729 --> 00:31:41,732 ♪ That's why I'm IoneIy 472 00:31:41,816 --> 00:31:45,944 ♪ No home at aII 473 00:31:46,029 --> 00:31:49,990 ♪ I broke her heart, pet 474 00:31:50,116 --> 00:31:54,077 ♪ After the baII 475 00:31:55,163 --> 00:31:59,458 (AII) ♪ After the baII is over 476 00:31:59,542 --> 00:32:02,920 ♪ After the break of morn 477 00:32:03,046 --> 00:32:04,421 Morn! Morn! 478 00:32:04,547 --> 00:32:07,633 ♪ After the dancers Ieaving 479 00:32:07,759 --> 00:32:11,595 ♪ After the stars are gone 480 00:32:11,721 --> 00:32:16,016 ♪ Many a heart is aching 481 00:32:16,142 --> 00:32:20,270 ♪ If you couId read them aII 482 00:32:20,396 --> 00:32:24,816 ♪ Many of the hopes that have vanished 483 00:32:24,984 --> 00:32:30,113 ♪ After the baII ♪ 484 00:32:30,239 --> 00:32:32,532 (HaroId) Oh, very good. 485 00:32:32,659 --> 00:32:34,534 Oh, I wish I couId pIay. 486 00:32:34,619 --> 00:32:36,662 So do I. I... 487 00:32:36,788 --> 00:32:38,956 That was fantastic. Where did you Iearn to sing? 488 00:32:40,291 --> 00:32:43,460 It's so beautifuI down here, isn't it? 489 00:32:43,586 --> 00:32:45,128 Yes, it is. 490 00:32:45,254 --> 00:32:47,547 It's the most beautifuI pIace I've ever been to. 491 00:33:00,019 --> 00:33:02,354 - FIorence. - Yes. 492 00:33:07,694 --> 00:33:10,654 - I've something I want to ask you. - Yes. 493 00:33:10,780 --> 00:33:13,699 What on earth are you doing mooning about out here? 494 00:33:13,825 --> 00:33:15,534 We're dancing inside 495 00:33:15,660 --> 00:33:19,746 and onIy yesterday you said how much you Ioved dancing. 496 00:33:19,831 --> 00:33:22,290 And I am the best dancer in Lamorna. 497 00:33:22,417 --> 00:33:24,459 Eh, GiIbert? Come on. 498 00:33:36,347 --> 00:33:38,181 (Sighs) 499 00:33:58,202 --> 00:34:02,289 FIorence! 500 00:34:07,545 --> 00:34:09,546 I need you this afternoon. 501 00:34:09,672 --> 00:34:12,340 - I'm sorry, I can't. I'm busy. - Busy doing what? 502 00:34:12,467 --> 00:34:13,592 Sketching. 503 00:34:13,676 --> 00:34:15,385 In your bedroom? 504 00:34:15,511 --> 00:34:18,889 Hey. WeII, bring it with you. 505 00:34:20,391 --> 00:34:22,309 WeII, come on. What are you waiting for? 506 00:34:23,519 --> 00:34:26,229 - Give me ten minutes. I'II be down. - I'II give you five. 507 00:34:30,568 --> 00:34:32,903 - What have you been up to? - Me? 508 00:34:33,071 --> 00:34:34,946 - Mm. - Oh, you're not interested. 509 00:34:35,114 --> 00:34:38,408 - No, don't stand up. - I am going to draw you now. 510 00:34:38,534 --> 00:34:40,327 No, you're bIoody not. 511 00:34:40,453 --> 00:34:44,206 You have toId me a number of times that you'd heIp me. 512 00:34:44,332 --> 00:34:46,750 Yes and I wiII, once this is finished. 513 00:34:47,418 --> 00:34:51,338 You... you storm off. You don't teII me where you're going. 514 00:34:51,464 --> 00:34:53,673 You come back and you use me. 515 00:34:54,383 --> 00:34:55,926 It's aII you, isn't it? 516 00:34:56,094 --> 00:34:58,470 WeII, now it's my turn. 517 00:34:59,180 --> 00:35:00,347 Sit down, pIease. 518 00:35:02,850 --> 00:35:05,185 (Sighs) Right. 519 00:35:05,311 --> 00:35:07,395 Knees together. 520 00:35:10,399 --> 00:35:13,110 - This is not easy for me. - It's not easy for me either. 521 00:35:13,236 --> 00:35:15,737 - I feeI Iike a bIoody fooI. - Oh, poor you. 522 00:35:20,243 --> 00:35:24,162 Laura says that you are going to be the most famous artist in EngIand. 523 00:35:24,288 --> 00:35:27,040 (ChuckIes) 524 00:35:27,208 --> 00:35:28,917 No, she'II be the famous one. 525 00:35:29,418 --> 00:35:30,794 Energy of six. 526 00:35:30,920 --> 00:35:32,504 But she's a woman. 527 00:35:33,464 --> 00:35:35,006 - Is she? - (GiggIes) 528 00:35:36,384 --> 00:35:38,885 - That's very rude. - You shouIdn't have Iaughed, then. 529 00:35:42,932 --> 00:35:45,725 I think I saw your father the other day in the Iane. 530 00:35:46,811 --> 00:35:49,020 Not easy to miss, is he, Mr Carter-Wood? 531 00:35:49,188 --> 00:35:50,730 (GiggIes) Nor are you. 532 00:35:50,857 --> 00:35:54,359 Yes, a different breed, though. 533 00:35:55,486 --> 00:35:56,820 Different stabIe. 534 00:35:57,655 --> 00:36:01,199 - Quite a different cIass. - Does that matter? 535 00:36:01,325 --> 00:36:02,659 Does it to you? 536 00:36:04,662 --> 00:36:07,455 No. No, it doesn't. 537 00:36:08,332 --> 00:36:09,958 Oh, come on, are you feeIing brave yet? 538 00:36:13,880 --> 00:36:15,881 I'm not sure what I'm feeIing. 539 00:36:16,883 --> 00:36:19,092 (Sighs) 540 00:36:20,553 --> 00:36:22,554 Yes, aII right, you may Iook. 541 00:36:22,680 --> 00:36:25,682 And here is Mr AJ Munnings. 542 00:36:28,603 --> 00:36:31,438 - It's a rabbit. - So it is. 543 00:36:32,064 --> 00:36:33,857 There's more to you than meets the eye. 544 00:36:35,318 --> 00:36:37,110 Is there? 545 00:36:38,070 --> 00:36:39,613 Look, take this section here. 546 00:36:41,199 --> 00:36:45,535 Just here. Come on. Come on, girI. A IittIe bit more. That's it. 547 00:36:45,661 --> 00:36:47,662 Good girI. Good. 548 00:37:02,094 --> 00:37:04,137 Dodger, here. 549 00:37:05,264 --> 00:37:06,890 Oh. 550 00:37:07,016 --> 00:37:08,892 (Dog whines) 551 00:37:09,018 --> 00:37:10,227 Ah. 552 00:37:12,939 --> 00:37:14,105 (Sighs) 553 00:37:34,460 --> 00:37:36,086 May I have a Iook? 554 00:37:37,004 --> 00:37:38,380 Of course. 555 00:37:49,558 --> 00:37:51,559 Thank you, Mr Munnings. 556 00:38:23,509 --> 00:38:25,385 (Sighs) 557 00:38:40,443 --> 00:38:43,320 (AJ) You have to be daring and boId. 558 00:38:43,446 --> 00:38:46,698 Layer the paints out how you feeI they shouId be Iayered. 559 00:38:46,824 --> 00:38:49,534 Just do as you feeI just as Iong as you feeI it. 560 00:38:49,660 --> 00:38:52,829 Paint Iike that or Iike this. 561 00:38:54,582 --> 00:38:56,249 Like Laura? 562 00:38:56,834 --> 00:38:57,876 No. 563 00:38:58,544 --> 00:39:00,754 - Like you? - Yes. 564 00:39:02,340 --> 00:39:08,553 Do not under any circumstances paint Iike this. 565 00:39:10,264 --> 00:39:12,265 (Hums) 566 00:39:16,228 --> 00:39:19,356 Because that is Piss-casso, that is. 567 00:39:19,482 --> 00:39:22,108 - That is piss. - We wouIdn't want that, wouId we? 568 00:39:22,276 --> 00:39:27,364 No, we wouId not that, so be boId. Be... be brave. 569 00:39:27,531 --> 00:39:29,657 Dive in at the deep end. 570 00:39:29,784 --> 00:39:30,867 That's art. 571 00:39:32,870 --> 00:39:34,871 Come here. 572 00:39:38,000 --> 00:39:40,585 Look at me. Stay there. 573 00:39:44,465 --> 00:39:45,548 Look at me. 574 00:39:50,763 --> 00:39:54,140 Because I wiII bring you aIive 575 00:39:56,018 --> 00:39:59,896 And I wiII capture you... forever. 576 00:40:02,149 --> 00:40:04,734 Years from now they'II Iook at you... 577 00:40:08,823 --> 00:40:11,533 ..and they'II know exactIy what I was thinking. 578 00:40:14,745 --> 00:40:16,913 You and I are getting on rather niceIy. 579 00:40:17,039 --> 00:40:18,915 - You think so? - Yes, very niceIy. 580 00:40:19,875 --> 00:40:21,876 Does that surprise you? 581 00:40:23,796 --> 00:40:25,422 You civiIise me. 582 00:40:25,548 --> 00:40:27,966 Is that what you want, Mr Munnings, to be civiIised? 583 00:40:28,092 --> 00:40:29,884 Yes, Miss Carter-Wood. 584 00:40:32,096 --> 00:40:33,263 Is that aII you want? 585 00:40:35,057 --> 00:40:36,266 No. 586 00:40:38,853 --> 00:40:40,520 So I'm going to ask you something. 587 00:40:42,565 --> 00:40:44,774 - Are you? - Just once. 588 00:40:45,776 --> 00:40:47,026 You are? 589 00:40:49,321 --> 00:40:50,488 WiII you marry me? 590 00:40:58,247 --> 00:41:01,499 - Yes. Yes, I wiII. - (Laughs) I knew you wouId. 591 00:41:01,625 --> 00:41:06,671 I knew you wouId. Yes, yes, yes, yes, yes, yes, yes, yes! Yes! 592 00:41:06,797 --> 00:41:08,756 (ChuckIes) Oh. 593 00:41:12,344 --> 00:41:13,928 - Laura. - GiIbert. 594 00:41:14,013 --> 00:41:15,930 You won't beIieve what I have to teII you. 595 00:41:15,973 --> 00:41:17,140 What is it? 596 00:41:18,017 --> 00:41:20,143 So you haven't heard. 597 00:41:22,271 --> 00:41:25,148 - AJ has just caIIed round. - ReaIIy? What's he up to now? 598 00:41:25,316 --> 00:41:26,816 They're engaged. 599 00:41:28,152 --> 00:41:29,986 Who? Who's engaged? 600 00:41:30,988 --> 00:41:32,906 FIorence and AJ. 601 00:41:41,832 --> 00:41:43,333 Right. 602 00:41:46,712 --> 00:41:48,505 WeII, thank you for teIIing me. 603 00:41:48,631 --> 00:41:50,006 I'm so sorry. 604 00:41:51,091 --> 00:41:53,593 We both are. 605 00:41:53,719 --> 00:41:55,720 You'II come and see us, won't you? 606 00:41:56,972 --> 00:41:58,973 Yes, I expect so. 607 00:42:43,727 --> 00:42:45,687 (BeII rings) 608 00:42:47,940 --> 00:42:49,357 Mr Munnings. 609 00:42:49,483 --> 00:42:50,650 (ChuckIes) 610 00:42:50,818 --> 00:42:55,697 Yes, that's me. WeII, where is the oId boy? 611 00:42:55,823 --> 00:42:57,865 Mr Carter-Wood is in the drawing room, sir. 612 00:42:57,992 --> 00:42:59,242 Very good. 613 00:43:00,911 --> 00:43:04,122 - Ah, good afternoon. - How do you do. 614 00:43:04,331 --> 00:43:06,165 - How do you do. - A Iong oId journey for you. 615 00:43:06,292 --> 00:43:09,043 No, no, I Iike to be on the move. PIenty to catch the eye. 616 00:43:10,838 --> 00:43:12,839 Do sit down. 617 00:43:20,347 --> 00:43:24,017 Missed you, it seems, when I was down in Lamorna. 618 00:43:24,143 --> 00:43:25,226 Yes, 619 00:43:25,686 --> 00:43:28,605 out and about, doing what I do. 620 00:43:31,066 --> 00:43:33,234 - Some tea, I thought. - I thought maybe... 621 00:43:33,360 --> 00:43:35,695 Yes, tea, I think. 622 00:43:38,198 --> 00:43:40,867 In my experience, I have to say, 623 00:43:41,910 --> 00:43:45,455 artists are an irresponsibIe bunch, who often faiI to provide 624 00:43:45,623 --> 00:43:48,541 a proper home for themseIves, Iet aIone a wife and famiIy. 625 00:43:48,667 --> 00:43:51,419 Yes, that does sound Iike us. 626 00:43:53,005 --> 00:43:56,299 My daughter has not been short of suitors, Mr Munnings. 627 00:43:56,467 --> 00:43:58,718 - I shouId think not. - And as for you, 628 00:43:59,178 --> 00:44:01,721 as a token of your intent 629 00:44:01,805 --> 00:44:05,266 and before we can discuss any serious arrangements, 630 00:44:05,351 --> 00:44:06,934 I wouId expect you 631 00:44:07,019 --> 00:44:09,479 to earn 1 ,000 guineas a year. 632 00:44:14,318 --> 00:44:15,401 Done. 633 00:44:16,487 --> 00:44:17,779 I do aIready. 634 00:44:19,031 --> 00:44:21,491 Do you? Oh, of course. 635 00:44:21,575 --> 00:44:25,203 But you know, the most important thing 636 00:44:25,329 --> 00:44:27,497 is that you make her happy. 637 00:44:27,665 --> 00:44:29,374 Mm? 638 00:44:29,500 --> 00:44:30,917 Of course. 639 00:44:32,336 --> 00:44:34,337 Cheerio. 640 00:44:38,509 --> 00:44:39,676 (AJ) Are you happy? 641 00:44:41,720 --> 00:44:43,429 (FIorence) Very. 642 00:44:44,181 --> 00:44:46,224 (AJ) I shouId think so. 643 00:44:49,770 --> 00:44:51,771 Have you seen GiIbert IateIy? 644 00:44:53,107 --> 00:44:54,357 OnIy from a distance. 645 00:44:54,483 --> 00:44:56,234 He's stopped coming to the pub. 646 00:44:59,488 --> 00:45:01,197 Perhaps he has a Iot to do. 647 00:45:02,825 --> 00:45:05,993 He did write me the most IoveIy Ietter congratuIating us. 648 00:45:06,120 --> 00:45:07,912 AIways the gent is our GiIbert. 649 00:45:10,916 --> 00:45:12,583 Oh, come on. That's enough of that. 650 00:45:12,710 --> 00:45:14,127 Let's have a Iook. 651 00:45:45,284 --> 00:45:47,326 (♪ Jauntyjig) 652 00:45:47,453 --> 00:45:49,454 (AJ hums) 653 00:45:51,457 --> 00:45:55,293 To the most beautifuI girI in the whoIe worId! 654 00:45:55,461 --> 00:45:57,503 (Cheering) 655 00:45:59,131 --> 00:46:01,174 Second, second most beautifuI. 656 00:46:01,258 --> 00:46:03,176 CongratuIations. (Kisses) 657 00:46:03,260 --> 00:46:05,595 To the Iove birds. 658 00:46:05,763 --> 00:46:07,972 What do you think he sees in her? 659 00:46:09,266 --> 00:46:14,604 - What do you see in him? - He's fun, HaroId. Fun. 660 00:46:14,772 --> 00:46:16,898 You'II be saying he's a force of nature next. 661 00:46:17,399 --> 00:46:19,817 (Laura) Perhaps she thinks she'II change him. 662 00:46:19,902 --> 00:46:23,988 - Fat chance. - Some girIs are Iike that. 663 00:46:24,114 --> 00:46:26,073 Before they're married. 664 00:46:26,992 --> 00:46:28,451 (AJ mumbIes drunkenIy) 665 00:46:28,577 --> 00:46:30,161 Knighty! 666 00:46:30,245 --> 00:46:31,579 (Howard) Evening. 667 00:46:31,705 --> 00:46:33,915 - You seen FIorence's new work? - I have. 668 00:46:34,082 --> 00:46:36,125 Howard has been very encouraging. 669 00:46:36,251 --> 00:46:39,253 - Do you Iike it? - I do. I do. 670 00:46:39,338 --> 00:46:42,632 - BoIder, more striking. - Yes, as Iong as she takes her time. 671 00:46:42,716 --> 00:46:46,844 No, no, no, no, Knighty. Strike whiIe the iron's hot, HaroId. 672 00:46:47,805 --> 00:46:50,890 That's what FIorence and I do, isn't it, mm? 673 00:46:51,016 --> 00:46:53,100 Ah, the oId boy. 674 00:46:53,185 --> 00:46:56,312 GiIbert, oId boy, haven't seen you in a whiIe. 675 00:46:57,231 --> 00:47:00,066 TerribIy busy speII. You know how the coIoneI is. 676 00:47:03,320 --> 00:47:07,615 - I've been up to London. - Yes? Another exhibition, is it? 677 00:47:07,741 --> 00:47:10,034 No, I wish it was. OId Carter-Wood. 678 00:47:11,119 --> 00:47:12,745 Prospects, aII that nonsense. 679 00:47:14,540 --> 00:47:16,541 How did you find him? 680 00:47:17,668 --> 00:47:20,127 I found him a siIIy oId bugger. 681 00:47:20,254 --> 00:47:21,879 (ChuckIes) 682 00:47:22,047 --> 00:47:25,174 (Man) There they are, the Iove birds. 683 00:47:37,354 --> 00:47:39,355 (♪ Romantic tune) 684 00:47:56,874 --> 00:47:58,875 (Footsteps) 685 00:48:18,979 --> 00:48:21,188 I'm onIy resting my eyes. 686 00:48:23,942 --> 00:48:25,735 (GiggIes) 687 00:48:27,029 --> 00:48:28,487 PIease do carry on. 688 00:48:35,704 --> 00:48:37,288 May I ask you something? 689 00:48:39,041 --> 00:48:40,833 Of course. 690 00:48:41,001 --> 00:48:44,837 When you're painting, you often hit the canvas quite hard. 691 00:48:45,672 --> 00:48:47,757 It's so different to Laura and HaroId 692 00:48:47,841 --> 00:48:51,344 and the technique that they use to appIy paint. I... 693 00:48:51,428 --> 00:48:54,138 - It often Iooks quite er... - What? 694 00:48:55,182 --> 00:48:58,809 - CIumsy? - No, not cIumsy at aII. 695 00:48:59,770 --> 00:49:01,687 - I was just wondering - - Just wondering? 696 00:49:04,066 --> 00:49:06,025 Just wondering, were you? 697 00:49:10,030 --> 00:49:12,281 You'd betterjust take a bIoody good Iook. 698 00:49:12,407 --> 00:49:14,450 Look at my right eye. Do you see? 699 00:49:14,576 --> 00:49:16,535 - Look at my right eye. Look. - I'm Iooking. 700 00:49:16,703 --> 00:49:17,828 (Sighs) 701 00:49:17,996 --> 00:49:20,456 And the reason for this, my dear FIorence, 702 00:49:20,582 --> 00:49:23,834 the reason for this cIumsiness, my dear Miss Carter-Wood, 703 00:49:24,002 --> 00:49:27,171 is that I'm compIeteIy bIind in my right eye. 704 00:49:28,298 --> 00:49:32,551 BIinded as a boy, by a bIackthorn, chasing a bIoody, siIIy dog. 705 00:49:32,678 --> 00:49:35,054 And that is why this... 706 00:49:36,306 --> 00:49:40,434 ..bumps into that. 707 00:50:04,626 --> 00:50:06,585 (Sobs) 708 00:50:09,089 --> 00:50:11,132 FIo, come on. Hey. 709 00:50:11,258 --> 00:50:13,259 (SniveIs) 710 00:50:14,553 --> 00:50:19,807 It's a big change ahead of you... and it's a big step. 711 00:50:22,019 --> 00:50:23,728 But he's a great man AJ. 712 00:50:25,939 --> 00:50:27,273 He's going to be famous. 713 00:50:28,525 --> 00:50:31,402 Yes. You're right. 714 00:50:32,320 --> 00:50:34,363 Of course you're right. 715 00:50:34,489 --> 00:50:35,573 Yes? 716 00:50:37,075 --> 00:50:38,451 Hey. 717 00:50:38,535 --> 00:50:41,037 (Sobs) 718 00:50:41,163 --> 00:50:43,122 AII right. 719 00:50:54,676 --> 00:50:56,635 (ReeI of fishing rod) 720 00:50:59,681 --> 00:51:00,931 Any Iuck? 721 00:51:03,435 --> 00:51:04,643 Not yet. 722 00:51:05,687 --> 00:51:08,397 I don't suppose there's any news on my hut. 723 00:51:08,982 --> 00:51:12,068 SureIy once you're married, you'II have everything you need. 724 00:51:13,153 --> 00:51:15,905 No, I stiII need a pIace of my own. 725 00:51:18,617 --> 00:51:19,950 Do you? 726 00:51:20,118 --> 00:51:22,787 Yes. Somewhere that I can be away from everybody eIse. 727 00:51:22,913 --> 00:51:25,372 I'II have a word with the coIoneI when I get back. 728 00:51:25,499 --> 00:51:27,416 Back? From where? 729 00:51:27,501 --> 00:51:29,502 I'm wanted for a training exercise. 730 00:51:30,754 --> 00:51:32,797 You won't miss the wedding, though, wiII you? 731 00:51:32,923 --> 00:51:34,465 When is it, exactIy? 732 00:51:36,843 --> 00:51:38,469 Two weeks from Saturday. 733 00:51:39,179 --> 00:51:42,181 - Two weeks Saturday? - You'II be there, won't you? 734 00:51:45,310 --> 00:51:46,560 PIease. 735 00:52:05,914 --> 00:52:07,832 (Dog whines) 736 00:52:19,427 --> 00:52:21,470 (Door opens) 737 00:52:25,559 --> 00:52:27,393 Fancy a drink? 738 00:52:27,561 --> 00:52:28,769 Now? 739 00:52:30,021 --> 00:52:32,481 - Can I come in or was I... - No, pIease do. 740 00:52:42,909 --> 00:52:45,661 Bit of a strange request, to teII you the truth. 741 00:52:45,745 --> 00:52:47,705 Sit down. 742 00:52:49,833 --> 00:52:51,167 (Grunts) 743 00:52:54,087 --> 00:52:58,174 I have to go up to London earIy, a few things to do, this and that. 744 00:52:59,301 --> 00:53:02,219 And one way or another, I won't be back before the wedding. 745 00:53:04,222 --> 00:53:06,223 And it's soon, I hear. 746 00:53:09,186 --> 00:53:11,187 Mm, the point is... 747 00:53:11,938 --> 00:53:14,690 ..FIorence and I wouId Iike you to accompany her to London. 748 00:53:14,774 --> 00:53:15,816 Me? 749 00:53:18,570 --> 00:53:20,905 - What about Joey? - No, it has to be you. 750 00:53:21,865 --> 00:53:23,866 I think she needs you with her. 751 00:53:26,536 --> 00:53:30,873 You mean a great deaI to me, GiIbert. You mean a great deaI to both of us. 752 00:53:31,041 --> 00:53:32,249 You know that. 753 00:53:33,710 --> 00:53:35,544 You do reaIise what you're asking me? 754 00:53:35,670 --> 00:53:37,087 Yes, of course I do. 755 00:53:40,550 --> 00:53:41,759 We need your heIp. 756 00:53:46,223 --> 00:53:48,224 (Sighs) AII right. 757 00:53:49,809 --> 00:53:50,976 Top man. 758 00:54:06,243 --> 00:54:07,701 Morning. 759 00:54:11,456 --> 00:54:13,374 - FIorence. - I know what you're thinking. 760 00:54:13,500 --> 00:54:16,627 I know what you're going to say, but pIease don't. 761 00:54:16,753 --> 00:54:19,880 Come on! Come on! None of this mooning about. 762 00:54:20,048 --> 00:54:23,092 PIenty to see in here. PIenty to see. 763 00:54:23,301 --> 00:54:25,302 One thing in particuIar. 764 00:54:25,762 --> 00:54:28,472 What wouId ConstabIe make of this Iot, eh? 765 00:54:29,474 --> 00:54:33,560 I cannot beIieve that I've dreaded rejection from this bunch of pansies. 766 00:54:34,729 --> 00:54:36,772 - I rather Iike this one. - Huh? 767 00:54:36,856 --> 00:54:38,274 It has something. 768 00:54:38,400 --> 00:54:39,775 You do, do you? 769 00:54:39,901 --> 00:54:42,319 Yes, the bIues and reds, I think they work. 770 00:54:43,363 --> 00:54:45,739 I'd Ieave the art to the artists if I were you, my Iove. 771 00:54:49,953 --> 00:54:52,204 I've seen better work in a Cornish urinaI. 772 00:54:52,414 --> 00:54:57,334 And this is why you're here. May I present "Morning Ride". 773 00:55:14,019 --> 00:55:16,020 (Breathes heaviIy) 774 00:55:18,815 --> 00:55:20,149 What do you think? 775 00:55:21,818 --> 00:55:22,985 Is it me? 776 00:55:24,779 --> 00:55:25,988 WeII, it's a picture of you. 777 00:55:26,114 --> 00:55:27,781 What about the other one? 778 00:55:28,241 --> 00:55:30,409 Yes, he has caught them, hasn't he? 779 00:55:30,535 --> 00:55:32,494 No, I mean the gypsy woman. 780 00:55:32,620 --> 00:55:34,788 I hadn't noticed her. 781 00:55:34,873 --> 00:55:37,124 WeII, have a good Iook... 782 00:55:38,084 --> 00:55:39,501 ..because she... 783 00:55:40,920 --> 00:55:43,839 because that is one of his as weII. 784 00:55:46,468 --> 00:55:49,386 - And DoIIy. - DoIIy? 785 00:55:49,512 --> 00:55:53,390 You didn't know? You're his friend and you didn't know. 786 00:55:53,516 --> 00:55:55,017 No, not DoIIy, I doubt they... 787 00:55:55,143 --> 00:55:59,605 Because now the whoIe worId knows about AJ and his women, 788 00:56:00,815 --> 00:56:02,649 of whom I am one. 789 00:56:05,570 --> 00:56:07,071 Then why...? 790 00:56:08,865 --> 00:56:09,990 Why? 791 00:56:12,285 --> 00:56:14,912 Why am I happy one day and bored the next? 792 00:56:17,165 --> 00:56:19,750 I can't begin to account for it, can you? 793 00:56:21,252 --> 00:56:25,089 It's aII so... unaccountabIe. 794 00:56:28,218 --> 00:56:33,555 It is a strange feeIing, having given oneseIf away so IightIy. 795 00:56:35,934 --> 00:56:37,059 LightIy? 796 00:56:39,270 --> 00:56:40,562 But then... 797 00:56:42,982 --> 00:56:44,983 ..AJ is a genius. 798 00:56:46,152 --> 00:56:48,195 And there's no one eIse in the worId Iike him. 799 00:56:52,033 --> 00:56:53,534 And he Ioves me. 800 00:56:54,786 --> 00:56:57,955 (FIorence) I'II ask him to take that down and he wiII. 801 00:57:00,166 --> 00:57:01,625 Excuse me. 802 00:57:02,961 --> 00:57:04,086 A quick word. 803 00:57:05,964 --> 00:57:08,257 I'm not going to do it tomorrow. 804 00:57:09,843 --> 00:57:12,010 - Oh, you're not? - No. 805 00:57:14,472 --> 00:57:16,473 But you wiII be there? 806 00:57:20,103 --> 00:57:22,146 I don't know. 807 00:57:22,272 --> 00:57:24,064 Oh. 808 00:57:25,108 --> 00:57:27,109 But I... 809 00:57:27,193 --> 00:57:28,735 I'm sure Joey wiII step in. 810 00:57:31,865 --> 00:57:33,282 Up to you. 811 00:57:43,293 --> 00:57:46,753 (♪ Romantic baIIad pIays) 812 00:58:20,246 --> 00:58:22,831 PeopIe at the back, a IittIe bit in, thank you very much. 813 00:58:22,957 --> 00:58:27,628 - AJ, if you Iove me, take it down. - Take what down? 814 00:58:27,712 --> 00:58:29,796 AJ, I meant what I said. 815 00:58:30,840 --> 00:58:33,175 Take it down. If you Iove me, take it down. 816 00:58:34,177 --> 00:58:38,180 My portrait? My portrait of you? Are you mad? 817 00:58:38,306 --> 00:58:42,976 No, I'm not. Leave your other women up there, but take me down. 818 00:58:48,399 --> 00:58:52,945 WeII, friends, my SuffoIk friends... 819 00:58:53,029 --> 00:58:54,571 (Cheering) 820 00:58:54,697 --> 00:58:56,740 - Sons of the soiI. - (AII) Yeah! 821 00:58:56,824 --> 00:58:59,409 And my... Cornish friends. 822 00:58:59,619 --> 00:59:02,204 (Cheering) 823 00:59:02,330 --> 00:59:06,291 My Cornish famiIy in a manner of speaking, 824 00:59:06,417 --> 00:59:08,418 who see the worId as I do, 825 00:59:08,586 --> 00:59:10,796 who capture the worId as it passes.... 826 00:59:11,965 --> 00:59:15,342 ..who see the sparkIe of the sea, 827 00:59:15,468 --> 00:59:17,803 or the shimmering coat of a horse. 828 00:59:18,805 --> 00:59:21,557 And the Iight of a beauty on a IoveIy day. 829 00:59:21,683 --> 00:59:22,849 (AII) Hear, hear. 830 00:59:23,893 --> 00:59:26,812 And what a beauty she is. 831 00:59:26,938 --> 00:59:29,356 (AII) Hear, hear. 832 00:59:29,482 --> 00:59:31,567 I'm truIy a very Iucky man, 833 00:59:32,277 --> 00:59:35,362 because I get to see this wonderfuI woman 834 00:59:35,446 --> 00:59:39,074 for the rest of my Iife, but if you want to see FIorence 835 00:59:39,659 --> 00:59:41,118 you don't have to go to FIorence. 836 00:59:41,286 --> 00:59:42,327 (Laughter) 837 00:59:42,453 --> 00:59:44,413 You don't even have to go to Paris. 838 00:59:44,581 --> 00:59:45,914 (Laughter) 839 00:59:46,040 --> 00:59:48,417 If you want to see this beautifuI woman, 840 00:59:48,585 --> 00:59:51,044 captured for aII time, 841 00:59:51,129 --> 00:59:54,006 aII you need do is go to the RoyaI Academy. 842 00:59:54,090 --> 00:59:55,173 (AII gasp) 843 00:59:55,258 --> 00:59:58,885 Yes, go directIy to room nine. 844 00:59:59,012 --> 01:00:01,597 The rest is a Ioad of oId nonsense in my opinion. 845 01:00:01,723 --> 01:00:03,265 (Laughter) 846 01:00:03,391 --> 01:00:05,767 And go and see my beautifuI wife. 847 01:00:08,396 --> 01:00:10,606 I'd Iike to raise a gIass 848 01:00:10,732 --> 01:00:17,112 and toast Mrs AJ Munnings. 849 01:00:17,155 --> 01:00:20,532 (AII) To Mrs Munnings. 850 01:00:20,700 --> 01:00:22,701 (Happy chattering) 851 01:00:28,875 --> 01:00:30,334 (AJ) I wanted to say... 852 01:01:13,670 --> 01:01:45,951 (Breathes heaviIy) 853 01:01:51,999 --> 01:01:53,041 (Cork pops) 854 01:02:21,195 --> 01:02:23,321 - To you, GiIbert. - Cheers. 855 01:02:24,782 --> 01:02:26,366 - (Gasps) - I say. 856 01:02:26,492 --> 01:02:28,660 (Breathes heaviIy) 857 01:02:30,246 --> 01:02:31,955 I'm not interrupting anything. 858 01:02:32,081 --> 01:02:34,082 (Breathes heaviIy) 859 01:02:36,669 --> 01:02:38,795 - FIorence! - (Breathes heaviIy) 860 01:02:40,256 --> 01:02:42,257 FIorence! 861 01:02:43,259 --> 01:02:45,302 (Low murmuring) 862 01:02:45,428 --> 01:02:47,471 CaII a doctor! FIorence? 863 01:02:47,597 --> 01:02:49,598 (Joey) Did she faII? 864 01:02:50,641 --> 01:02:52,642 (Worried chattering) 865 01:03:10,161 --> 01:03:13,997 (Gilbert) Where and when she got the poison l do not know. 866 01:03:15,208 --> 01:03:19,419 They took her to the London Hospital and, thank God, saved her life. 867 01:03:22,381 --> 01:03:24,966 Now they're coming back to Lamorna 868 01:03:25,092 --> 01:03:26,676 and staying here... 869 01:03:27,845 --> 01:03:29,846 ..at the hotel. 870 01:03:33,309 --> 01:03:34,559 GiIbert... 871 01:03:34,685 --> 01:03:37,020 GiIbert. (Sighs) 872 01:03:38,064 --> 01:03:40,065 (AJ) Good to see you, oId boy. 873 01:03:43,069 --> 01:03:45,237 What's for dinner, hmm? 874 01:03:46,405 --> 01:03:47,823 Come on. 875 01:03:47,949 --> 01:03:52,744 - You heard Joey's staying in London? - Yes, very sudden, wasn't it? 876 01:03:52,912 --> 01:03:55,038 No appeaI, I'm afraid. Father was adamant. 877 01:03:55,873 --> 01:03:59,084 He preferred Iife to art, didn't he, our Joey? 878 01:03:59,210 --> 01:04:01,962 - What exactIy do you mean? - He preferred Iife to art. 879 01:04:03,089 --> 01:04:05,048 Nothing wrong with that. 880 01:04:06,008 --> 01:04:07,509 Preferred DoIIy to daubing. 881 01:04:07,635 --> 01:04:08,760 (ChuckIes) 882 01:04:08,928 --> 01:04:11,221 So what's he up to now? 883 01:04:11,347 --> 01:04:13,223 At it hammer and tongs, I imagine. 884 01:04:14,350 --> 01:04:16,935 You can hardIy bIame him... DoIIy. 885 01:04:19,230 --> 01:04:21,940 (AJ) Time for a drink, I think. GiIbert? 886 01:04:23,234 --> 01:04:24,860 Yes, thought as much. 887 01:04:25,778 --> 01:04:27,487 (CIears throat) Mrs Jory! 888 01:04:28,239 --> 01:04:30,657 He insisted on coming back straightaway. 889 01:04:32,076 --> 01:04:33,118 I'm sorry? 890 01:04:33,786 --> 01:04:36,246 He seems on top form when you're near. 891 01:04:37,206 --> 01:04:38,957 He wanted you to come back here? 892 01:04:39,083 --> 01:04:40,166 Yes. 893 01:04:41,002 --> 01:04:43,378 And... and you had no choice? 894 01:04:44,046 --> 01:04:45,755 I had a choice. 895 01:04:48,467 --> 01:04:51,136 As my father wouId say, I've made my bed. 896 01:04:51,888 --> 01:04:54,055 Now it seems as though I must Iie on it... 897 01:04:55,474 --> 01:04:57,475 and in it. 898 01:05:00,980 --> 01:05:02,731 So you'II stiII want that studio, then? 899 01:05:03,816 --> 01:05:05,817 More than anything in the worId. 900 01:05:11,574 --> 01:05:13,575 (Distant rain and wind) 901 01:05:29,550 --> 01:05:31,551 (AJ) It's good to see him, though. 902 01:05:32,845 --> 01:05:33,929 (FIorence) Very. 903 01:05:37,183 --> 01:05:38,433 (AJ) Good oId GiIbert. 904 01:05:45,524 --> 01:05:47,567 It feeIs better being here. 905 01:05:49,236 --> 01:05:52,238 Yes, I think it wiII be better, for both of us. 906 01:05:55,326 --> 01:05:57,327 (AJ) Yes, I thought it wouId have... 907 01:05:59,163 --> 01:06:01,331 ..pIeased you. 908 01:06:01,457 --> 01:06:03,083 It does. 909 01:06:06,963 --> 01:06:08,964 You couId aIways taIk to Laura... 910 01:06:10,633 --> 01:06:12,467 ..about things. 911 01:06:13,469 --> 01:06:15,387 You know, woman to woman and aII. 912 01:06:21,894 --> 01:06:23,895 (Distant rain and thunder) 913 01:06:45,167 --> 01:06:47,585 - It's perfect. - There's a few things need doing. 914 01:06:47,753 --> 01:06:49,921 No, it's perfect. 915 01:06:55,386 --> 01:06:58,138 (FIorence) Somebody eIse has moved into the cottage. 916 01:07:30,087 --> 01:07:32,088 Thank you so much. 917 01:07:32,882 --> 01:07:34,466 I'm gIad you Iike it. 918 01:07:35,176 --> 01:07:37,552 I'm going to fetch my things. WiII you wait here? 919 01:07:37,636 --> 01:07:38,762 What, now? 920 01:07:38,888 --> 01:07:41,598 - Yes, wiII you wait for me? - Of course. 921 01:08:02,912 --> 01:08:04,954 (Man) Morning, AJ. (AJ) Morning. 922 01:08:06,332 --> 01:08:08,333 (Breathes heaviIy) 923 01:08:15,007 --> 01:08:16,883 (Door opening) 924 01:08:36,195 --> 01:08:37,403 Ah. 925 01:08:49,917 --> 01:08:51,251 AJ. 926 01:08:52,711 --> 01:08:53,878 You're Iooking weII. 927 01:08:56,006 --> 01:08:57,215 Roses in your cheeks. 928 01:08:58,801 --> 01:09:01,761 Yes, you are Iooking weII. 929 01:09:02,638 --> 01:09:04,013 Am I? 930 01:09:04,932 --> 01:09:06,182 Suits you. 931 01:09:07,059 --> 01:09:08,518 You shouId get out more. 932 01:09:11,522 --> 01:09:14,482 I am. I'm going now in fact. 933 01:09:16,193 --> 01:09:18,361 - Going where? - Don't. 934 01:09:22,074 --> 01:09:23,366 Come on. 935 01:09:24,952 --> 01:09:26,619 Let's be seeing you. 936 01:09:27,997 --> 01:09:30,748 - AII of you. - AJ, not now. 937 01:09:32,918 --> 01:09:34,377 So when is now? 938 01:09:36,172 --> 01:09:40,675 Not in the day, not in the night, not this week, not next week, 939 01:09:40,843 --> 01:09:42,886 not sometimes, not ever. 940 01:09:43,012 --> 01:09:45,263 - Just not now. - Yes now! 941 01:09:46,473 --> 01:09:49,684 Go on. Try that again. Try that again. 942 01:09:49,810 --> 01:09:51,811 (YeIIs and gasps) 943 01:09:52,813 --> 01:09:57,275 Why don't you do what you bIoody weII shouId do? 944 01:10:03,657 --> 01:10:05,325 Ow! 945 01:10:05,451 --> 01:10:07,118 (FIorence yeIIs) 946 01:10:07,286 --> 01:10:09,037 - Aow! - (FIorence gasps) 947 01:10:09,205 --> 01:10:10,413 Don't you dare. 948 01:10:10,497 --> 01:10:11,831 I'm not your gypsy! 949 01:10:11,957 --> 01:10:14,542 - No. - And I'm not DoIIy! 950 01:10:14,627 --> 01:10:15,960 You're damn right you're not. 951 01:10:25,054 --> 01:10:27,639 - (Sobs) - FIorence, what is it? 952 01:10:27,723 --> 01:10:30,058 No, don't touch me! 953 01:10:30,226 --> 01:10:31,267 (Sobs) 954 01:10:31,393 --> 01:10:33,478 It's aII right. It's aII right. 955 01:10:33,604 --> 01:10:36,439 (Sobs hystericaIIy) 956 01:11:09,431 --> 01:11:11,432 (Door cIoses) 957 01:11:47,886 --> 01:11:49,887 I just wanted to say... 958 01:11:56,937 --> 01:11:59,147 I just wanted to say that she's toId me. 959 01:12:00,816 --> 01:12:01,941 ToId you? 960 01:12:03,819 --> 01:12:05,653 ToId you what? 961 01:12:05,779 --> 01:12:07,155 About the hut. 962 01:12:08,907 --> 01:12:10,908 - Wherever it is. - Oh, it's nothing. 963 01:12:12,494 --> 01:12:16,831 I'm happy to do it for her, for you, for both of you. 964 01:12:17,916 --> 01:12:20,543 It's been made crystaI cIear to me that it's out of bounds. 965 01:12:24,798 --> 01:12:28,176 Come to think of it, to teII you the truth, quite a bit is out of bounds. 966 01:12:32,639 --> 01:12:35,058 - Sit down, AJ. - I don't want to sit down. 967 01:12:39,563 --> 01:12:41,439 It used to be so easy, didn't it? 968 01:12:44,943 --> 01:12:47,070 Paint, 969 01:12:47,196 --> 01:12:49,155 have a drink... 970 01:12:49,907 --> 01:12:54,160 ..ride, everything fuII tiIt. 971 01:12:58,415 --> 01:13:00,416 But this... 972 01:13:03,754 --> 01:13:05,755 God, this beats me. 973 01:13:09,051 --> 01:13:11,094 (Sighs) 974 01:13:11,220 --> 01:13:13,888 The whoIe fucking business. 975 01:13:16,809 --> 01:13:18,434 (Sighs) 976 01:13:27,194 --> 01:13:29,195 (Whinny of horse and street bustIe) 977 01:13:33,492 --> 01:13:34,909 Dodge! 978 01:13:35,035 --> 01:13:36,494 (Car horn) 979 01:13:36,620 --> 01:13:39,247 - (Dodge barks) - Morning, Iadies. Morning, AJ. 980 01:13:57,516 --> 01:13:58,641 Thank you. 981 01:13:59,810 --> 01:14:01,811 - Morning. - Good morning. 982 01:14:02,813 --> 01:14:04,981 Oh, I've just seen oId HaroId in his car. 983 01:14:05,983 --> 01:14:07,483 Exciting, isn't it? 984 01:14:08,110 --> 01:14:09,610 Is it? 985 01:14:09,736 --> 01:14:11,154 Stink of petroI. 986 01:14:12,656 --> 01:14:15,741 - Is the stink of petroI exciting? - AII I meant was that er... 987 01:14:15,868 --> 01:14:17,326 The hunt is exciting. 988 01:14:18,245 --> 01:14:20,496 The smeII of a horse, that's exciting. 989 01:14:21,498 --> 01:14:24,125 Besides, he never goes anywhere, does he? 990 01:14:24,293 --> 01:14:26,085 Runs around after Laura. 991 01:14:26,211 --> 01:14:27,962 Perhaps that is because he Ioves her. 992 01:14:32,551 --> 01:14:33,843 Is that what you want, is it? 993 01:14:35,554 --> 01:14:38,347 Errand boy? Lap dog? 994 01:14:44,771 --> 01:14:48,149 I have appIied for a position in Africa, surveying. 995 01:14:49,693 --> 01:14:51,569 I'II be hearing within the month. 996 01:14:51,987 --> 01:14:54,489 Not back to South Africa? You're not going back there? 997 01:14:54,656 --> 01:14:56,908 - It's West Africa, Nigeria. - Nigeria? 998 01:14:57,993 --> 01:15:00,036 But for how Iong? 999 01:15:00,162 --> 01:15:02,497 - I might not get it. - How Iong, she asked? 1000 01:15:04,791 --> 01:15:06,250 Three years. 1001 01:15:08,170 --> 01:15:10,796 (AJ) Jumping off to the jungIe. 1002 01:15:10,923 --> 01:15:12,798 Fuck Africa. I need you here. 1003 01:15:12,883 --> 01:15:14,884 She needs you here. Some bIoody friend you are. 1004 01:15:15,010 --> 01:15:16,344 - AJ... - And taIking of a friend, 1005 01:15:16,553 --> 01:15:19,680 I'd Iike to offer you a bit of advice because I've seen something of Iife. 1006 01:15:19,806 --> 01:15:22,058 You've seen a IittIe bit, but you don't know what you're taIking about. 1007 01:15:22,142 --> 01:15:26,312 AJ, do you know what we did in South Africa when we were starving? 1008 01:15:26,438 --> 01:15:28,981 No breakfast Iike this, no breakfast at aII, no Iunch. 1009 01:15:29,107 --> 01:15:31,776 No dinner, no food. Do you know what we did? 1010 01:15:31,902 --> 01:15:34,445 You Iike horses, don't you, AJ? You Iove them. We both do. 1011 01:15:34,613 --> 01:15:38,324 WeII, we kiIIed them. We beheaded them, we skinned them 1012 01:15:38,450 --> 01:15:41,035 and we boiIed them into soup, horse soup. 1013 01:15:44,081 --> 01:15:47,625 Horse soup, so do not taIk to me about what you have seen. 1014 01:15:47,751 --> 01:15:50,253 Do not taIk to me about petroI and, above aII, 1015 01:15:50,337 --> 01:15:53,256 do not taIk to me about art and Iife! 1016 01:16:10,232 --> 01:16:13,234 (Breathes heaviIy and sighs) 1017 01:16:29,876 --> 01:16:31,961 Stay where you are. 1018 01:16:32,045 --> 01:16:34,255 (Breathes heaviIy) 1019 01:16:34,381 --> 01:16:36,090 Don't move. 1020 01:16:39,344 --> 01:16:41,345 Stay exactIy as you are forever. 1021 01:16:49,062 --> 01:16:51,314 (Gasps) You aIready have the Ietter, haven't you? 1022 01:16:53,734 --> 01:16:55,151 (Whispers) Yes. 1023 01:16:55,277 --> 01:16:57,278 And you're going to accept? 1024 01:16:58,280 --> 01:16:59,864 I must. 1025 01:17:02,659 --> 01:17:03,951 Hm. 1026 01:17:05,245 --> 01:17:08,497 Howard says there may be another war. What wiII you do then? 1027 01:17:08,624 --> 01:17:11,042 (Breathes) I'II join my regiment if I have to. 1028 01:17:42,532 --> 01:17:44,492 (Knocking) 1029 01:17:48,330 --> 01:17:49,455 (Sighs) 1030 01:17:49,581 --> 01:17:51,082 There's no drink here, AJ. 1031 01:17:52,042 --> 01:17:53,167 You know. 1032 01:17:54,294 --> 01:17:56,962 He caIIed in, yes. 1033 01:17:59,216 --> 01:18:02,176 Joey gone, DoIIy gone. 1034 01:18:02,844 --> 01:18:07,223 GiIbert... (Sighs) going. 1035 01:18:07,349 --> 01:18:09,141 Going. 1036 01:18:11,937 --> 01:18:13,479 Gone. 1037 01:18:13,605 --> 01:18:15,106 Yes. 1038 01:18:16,692 --> 01:18:18,275 They're aII gone. 1039 01:18:18,360 --> 01:18:20,903 You'd better sit down for a moment. 1040 01:18:23,490 --> 01:18:26,826 Friends, one sees how it ends. 1041 01:18:29,454 --> 01:18:31,205 "A woman Iooks, 1042 01:18:32,332 --> 01:18:34,375 "Or a man Iies. 1043 01:18:35,961 --> 01:18:37,837 "And the pIeasant brooks, 1044 01:18:38,755 --> 01:18:41,173 "And the quiet skies, 1045 01:18:43,260 --> 01:18:45,136 "Ruined with brawIing, 1046 01:18:45,220 --> 01:18:47,221 "And caterwauIing, 1047 01:18:48,390 --> 01:18:50,349 "Enchant no more, 1048 01:18:51,768 --> 01:18:53,978 "As they did before, 1049 01:18:56,106 --> 01:18:58,524 "And so it ends, 1050 01:18:58,734 --> 01:19:00,151 "With friends." 1051 01:19:08,201 --> 01:19:09,535 Thank you. 1052 01:19:11,580 --> 01:19:12,955 Life goes on, AJ. 1053 01:19:13,749 --> 01:19:18,043 - (ExhaIes) Yes, it certainIy does. - And you have a wife now. 1054 01:19:21,089 --> 01:19:24,049 - She's no wife. - What on earth do you mean? 1055 01:19:24,134 --> 01:19:25,760 She's with him. 1056 01:19:26,470 --> 01:19:28,345 That's what I mean. 1057 01:19:38,190 --> 01:19:42,777 Do you know that we're sitting on 264 miIIion years of rock? 1058 01:19:43,779 --> 01:19:45,070 No. 1059 01:19:48,825 --> 01:19:51,118 I'm going to paint you now. CIose your eyes. 1060 01:19:57,459 --> 01:19:59,502 Does AJ know? 1061 01:20:01,004 --> 01:20:02,296 He knows. 1062 01:20:06,843 --> 01:20:09,261 - What on earth...? - I'm painting. I'm painting you. 1063 01:20:09,346 --> 01:20:12,556 - Give in. Just give in. - Stop it. Stop. (Laughs) 1064 01:20:30,492 --> 01:20:33,536 And, Captain Evans, did you know... 1065 01:20:36,289 --> 01:20:40,417 Did you know they've put a teIegraph cabIe aII the way under the sea? 1066 01:20:40,544 --> 01:20:42,253 AII the way to America. 1067 01:20:43,588 --> 01:20:45,631 Imagine aII of that cabIe, 1068 01:20:45,757 --> 01:20:48,968 aII those voices saying, "I Iove you", echoing aIong it. 1069 01:20:50,887 --> 01:20:52,888 WiII you write to me every day? 1070 01:20:59,020 --> 01:21:01,063 Where shaII I write? 1071 01:21:02,357 --> 01:21:04,358 The hoteI. 1072 01:21:05,735 --> 01:21:07,695 Are you sure you'II stiII be here? 1073 01:21:10,282 --> 01:21:12,283 You're so beautifuI. 1074 01:21:14,578 --> 01:21:16,579 My beautifuI soIdier. 1075 01:21:18,498 --> 01:21:20,499 My captain. 1076 01:21:38,560 --> 01:21:42,062 Why can't there be a teIegraph cabIe to Nigeria? 1077 01:21:42,188 --> 01:21:44,189 (Breathes heaviIy) 1078 01:21:45,692 --> 01:21:47,067 There wiII be. 1079 01:21:57,787 --> 01:21:58,829 (Sighs) 1080 01:21:59,039 --> 01:22:01,332 It's Iike a summer's day, isn't it? 1081 01:22:05,420 --> 01:22:07,421 Summer in February. 1082 01:22:11,051 --> 01:22:12,551 Which train is it? 1083 01:22:19,100 --> 01:22:21,101 The first one in the morning. 1084 01:22:26,566 --> 01:22:28,609 Come back for me. 1085 01:22:30,987 --> 01:22:32,988 I wiII. 1086 01:22:34,157 --> 01:22:35,658 TeII me again. 1087 01:22:40,538 --> 01:22:46,251 I Iove you. 1088 01:23:04,813 --> 01:23:06,814 (Distant bang of door) 1089 01:23:34,342 --> 01:23:35,759 (Motor starts) 1090 01:23:57,198 --> 01:24:45,662 (Breathes heaviIy) 1091 01:24:53,671 --> 01:24:55,255 (Sighs) 1092 01:25:11,815 --> 01:25:13,816 - Afternoon, madam. - HeIIo. 1093 01:25:17,487 --> 01:25:19,154 (HaroId) FIorence. 1094 01:25:19,280 --> 01:25:20,531 Mm-hmm. 1095 01:25:20,615 --> 01:25:22,616 I was just wondering how your work is coming aIong. 1096 01:25:26,830 --> 01:25:28,413 It's gone. 1097 01:25:30,041 --> 01:25:31,333 I can't. 1098 01:25:32,460 --> 01:25:33,877 Yes, you can. 1099 01:25:35,713 --> 01:25:37,506 UnIess he comes back. 1100 01:25:45,306 --> 01:25:46,932 Some tea, I think. 1101 01:25:50,186 --> 01:25:51,687 Are you going to come to the party? 1102 01:25:52,814 --> 01:25:57,526 Oh, er, I expect so. We aIways do. 1103 01:25:57,652 --> 01:26:00,070 Fancy dress wouIdn't be the same without you. 1104 01:26:01,364 --> 01:26:02,906 Does he know? 1105 01:26:03,867 --> 01:26:05,284 What? 1106 01:26:06,536 --> 01:26:08,162 Oh, come on, FIorence. 1107 01:26:13,459 --> 01:26:14,918 I can't teII him. 1108 01:26:16,963 --> 01:26:20,674 You'II have to... fairIy soon. 1109 01:26:27,724 --> 01:26:29,099 It's not his. 1110 01:26:34,564 --> 01:26:35,814 Are you sure? 1111 01:26:43,907 --> 01:26:45,449 It can't be his. 1112 01:26:46,534 --> 01:26:48,368 (Chattering and Iaughter) 1113 01:26:48,494 --> 01:26:51,663 (♪ Jazz band on gramophone) 1114 01:26:59,505 --> 01:27:02,257 (Indistinct chattering) 1115 01:27:09,682 --> 01:27:12,851 (Indistinct) 1116 01:27:34,457 --> 01:27:37,793 (Music drowns Laura out) 1117 01:27:47,428 --> 01:27:49,429 (FIorence) AJ's coming over to us. 1118 01:27:52,141 --> 01:27:54,726 What are you up to, Laura? 1119 01:27:54,811 --> 01:27:56,979 Painting some fishermen over in NewIyn. 1120 01:27:57,063 --> 01:27:59,147 No. 1121 01:27:59,315 --> 01:28:00,649 Not that. 1122 01:28:02,151 --> 01:28:03,193 With her? 1123 01:28:03,861 --> 01:28:05,445 What were you up to just now? 1124 01:28:05,571 --> 01:28:07,823 - We were just taIking. - Just taIking. 1125 01:28:09,409 --> 01:28:11,410 Just taIking. 1126 01:28:12,787 --> 01:28:13,870 Look at her. 1127 01:28:17,875 --> 01:28:20,585 (Gramophone record scratches and music stops) 1128 01:28:20,712 --> 01:28:21,753 (AII gasp) 1129 01:28:25,174 --> 01:28:26,550 Go on. 1130 01:28:27,343 --> 01:28:28,760 Off you go. 1131 01:28:31,514 --> 01:28:32,973 You whore! 1132 01:28:33,141 --> 01:28:35,142 (Crowd murmurs) 1133 01:28:48,448 --> 01:28:50,198 FIorence, my dear, are you aII right? 1134 01:28:50,325 --> 01:28:51,450 Oh. 1135 01:28:52,243 --> 01:28:54,161 (Breathes heaviIy) 1136 01:29:03,004 --> 01:29:05,422 (Thunder) 1137 01:29:10,261 --> 01:29:12,262 (Thunder and wind howIing) 1138 01:29:30,865 --> 01:29:45,712 (Indistinct) 1139 01:29:45,838 --> 01:29:48,215 (Thunder) 1140 01:30:30,133 --> 01:30:32,134 (GIass smashing and groaning) 1141 01:30:46,566 --> 01:31:14,259 (Breathes heaviIy) 1142 01:31:32,403 --> 01:31:34,196 (Cork pops) 1143 01:31:38,701 --> 01:31:41,661 (Gasping) 1144 01:33:00,491 --> 01:33:02,492 (Man) How do? 1145 01:33:03,494 --> 01:33:05,245 (Woman) Captain Evans. 1146 01:33:28,894 --> 01:33:30,770 GiIbert. 1147 01:33:30,855 --> 01:33:32,689 HaroId. 1148 01:33:35,109 --> 01:33:37,527 Good to see you. 1149 01:33:37,737 --> 01:33:39,654 Very good. 1150 01:33:55,630 --> 01:33:59,424 So you don't want me to come with you? 1151 01:33:59,634 --> 01:34:01,551 No, thank you. 1152 01:34:06,307 --> 01:34:08,767 Do give my Iove to Laura, won't you? 1153 01:34:08,893 --> 01:34:11,478 I wiII. I wiII. 1154 01:34:11,646 --> 01:34:14,272 One moment. One moment, there's... 1155 01:34:14,398 --> 01:34:16,399 There's this for you. 1156 01:34:24,992 --> 01:34:26,868 Thank you, HaroId. 1157 01:34:26,994 --> 01:34:28,536 (CIears throat) 1158 01:35:40,943 --> 01:35:45,113 (AJ) Dear Gilbert, one day you'll come back to Lamorna. 1159 01:35:45,239 --> 01:35:47,240 l know you will. 1160 01:35:48,451 --> 01:35:54,539 And when you do, l hope that you will accept this from your old friend. 1161 01:35:54,623 --> 01:35:56,666 AJ.