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Hey, everyone, now let's go on to sitting poses for girls, so here I have three poses because I don't

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want to do too many.

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But these can be these principles can be applied to, you know, every other city poses that you want

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to do.

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So let's get started.

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I have three sitting poses to that one.

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Two of them are kind of more side view, but one of them is cute, cuter, and one of them is more suave.

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And then we have a front view.

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So let's get started.

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So let's get started with the front view here.

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I want to commend it whoa, oh, oops, I want to command Jayate.

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And so this is on a separate layer.

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And I want to draw on top, so I want to understand the pose of this character here.

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I want to see where she's facing and of course, she's facing front.

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But I mean, like her head, where's her head facing her head is facing more towards the side in action.

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But to draw a little bit later, got to make sure that.

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It's more like this size, I'm going to make her head direction go this way, she's not looking down.

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She's kind of looking kind of from far away.

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Sorehead looks more like this, you can see more of the side of her head and just a little bit of the

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profile, notice that her neck is facing a little bit downward because she's kind of leaning in in your

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ribcage, which is facing forward or facing a little bit downward.

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And we can even draw her arms kind of facing in this direction.

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And they're close together.

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So we can just draw very, very short.

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Gestur or pelvis is facing downward.

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And then we have her legs, you can draw the gesture of the kind of this little hip area here and then

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we can draw the legs.

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Down here.

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So here is our pose real quick and then let's go ahead and erase most of it, because then we'll be

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refining it later.

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We want to erase that.

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It's we want to erase enough that it's not too it's not too distracting.

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So here we have this side of her face, which you can see a little bit of the bridge, and then we have

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a little bit of the side of the face here.

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So we see most of this angle when they when the head is a little bit turned.

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So I'm going to actually Annam ify it, meaning I'm going to make a little bit cuter her ear here,

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kind of towards the middle of the face right after the jaw line starts than we have her neck area.

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Yeah, I've heard a clear mastoid muscle down here, and then we can have our trapezius muscle flowing

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out from above.

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So I'm going to do this real quick.

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However, classical.

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And then we have a breast area, but let's first go ahead and do her arms first because her arms notice

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that they're overlapping it so attached to the neck area, you want it to go in front.

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Notis had spent a little bit at the elbow area because this little lump, and that's because her elbows

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kind of been a little bit forward since it's the same thing on the other side.

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Make sure the arms are in front.

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Even a little bit of the bust underneath.

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And then we can even draw a little bit of the hip where it kind of curves downward.

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Even a little bit of her hands, just really roughly.

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And that we can connect her legs together, so I'm going to draw the middle part right here.

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That's kind of what it looks like in the inside.

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And then the knees are conjoined together.

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Notice how the knees are facing a little bit more forward.

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It's not super on the side.

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I make sure that they're in the correct direction.

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And we have had cabs.

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And it's facing front both sides kind of sticking out a little bit.

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And here we have our feet.

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Feel free to draw in the sitting area as well.

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So that's a sitting area that's basically like your base post.

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Let me go ahead and copy it to the side.

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I'm just going to duplicate it on one side and I'm going to draw detail on this one.

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So let's once again erase most of the stuff, maybe parts of the parts of the

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parts of the legs and area or the chest area can be erased and not the arms can always redraw it.

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So let's draw in her hair first.

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Her hair has a little bit of a strand flowing through the side of her face, and we have some bangs

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parted.

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Notice how there's a little bit of resting area or this kind of poof coming from her hair.

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It's in a bob.

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And it talks right behind her ear.

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Even a little bit of her face as well.

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Can you can you raise this area here, her nose here, just about halfway around her face?

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And then her lips are a little bit in a kind of a smiling kind of position, so we want to just kind

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of slightly make her slightly smile, her eyes look a little bit more mature or kind of it's more roundish,

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not too round, but gentle kind of look.

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And she's looking kind of far ahead.

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You can even extend the eyelashes out from that as well.

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She's looking from far away.

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Let's add her pupils and put them in that direction.

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That's an extra hair to.

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Now, let's get a caller, in fact, I'm actually going to make her head just a little bit bigger just

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because it looks bigger.

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And just a little bit, that's a little too big, so I think it would make it just a little bit smaller.

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There we have it.

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I think it's a good size.

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Now, let's draw a color on top.

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Notice them drawing over the lines here.

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I'm not making it stick to her body.

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The color reaches about up until her bust and then she has little lips.

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She has little cloth around her chest.

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Draw the lines in here if you want as well, and then we have a little bow on top, which can be simplified

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by triangles and circles and rectangles.

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And here we have clothing or her sleeves, which is kind of a little pipe cylinders.

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And then we have the stretched out folds that stretch out from her that kind of stretch out from the

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scene line.

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Notice that we are on the underside of the edge of the underside of the area here.

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And then we have the shirt on top and you can draw some folds underneath.

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And then we can draw in the skirt, which will be a little bit interesting because notice how it lays

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flat when it reaches the surface.

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So you want to just draw out the silhouette of the skirt, have it roll over the the legs and lay it

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flat.

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In this case, I'm going to redraw the platform just because I wanted to map the perspective of the

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legs here.

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So I'm just going to this is where the surface is.

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With that, so now I'm going to be drawing some pleats and notice how the pleats kind of go rounded

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and they kind of end flat.

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But they still have this kind of pleated motion, so we still want to draw these lines in between and

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the lines can also show the motion as well.

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So you don't have to have everything straight like this.

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You want to make sure that they kind of flow over the form and therefore look kind of crinkled because

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that gives it more realistic realism.

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Can you even draw a little bit of her hand here?

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And make it bolder because it's in front and there we have our leg, just draw some form shapes to signify

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the stripes around her socks and then her sneakers, which are kind of like little loaf shaped.

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Shoes can just draw in the parts of the shoe and the main part that's a little bit thicker than the

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foot itself, just use all this.

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This oblong shape.

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And we have the platform underneath.

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Let's do the same thing on the other side of the ankle bone.

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Draw the foot.

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Under the platform.

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And there's our first sitting pose now it's gone to the second one second one's going to be the cuter

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version.

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And this we can add another layer and let's draw it so here we can draw in the pose, we can notice

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where her where the where she's looking at, she's looking towards us.

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So I'm going to put it more like this just because she's not looking up, she's kind of looking forward,

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so.

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Then we were neck, then we have a rib cage which is facing outward, and then we have an arm that's

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bent as if she was kind of like pushing back her hair.

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So just get the gesture and then we have the pelvis box, if we can see her belly is facing very, very

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upward, so the pelvis is facing upward here.

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Just to give us some dynamic flow.

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Then we can also do one leg and the leg is actually facing a little bit from the back because you can

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see the hind part of the leg, it's not completely side of you.

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So it looks like she kind of turned her leg here.

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I just move this and then we can add in the other other leg, which surpasses just a little bit, but

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ends in the same kind of direction.

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And we can even draw a little bit of the of her stick, have a little platform here just to get it some

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nice.

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So it doesn't just it just doesn't look like she's floating.

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Now let's get started with let's erase most of this and then we can refine it.

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So far from this pose, it looks like she's facing forward.

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So I'm just going to redraw this head.

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I'm going to lengthen the neck.

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And I'm going to draw in her shoulder, which kind of overlaps on top of her collarbone is here, and

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her other shoulders kind of almost non-existent because it's so like hidden from the back in perspective.

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So it's lower but higher up here.

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And then we have her arm.

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That is facing forward from the elbow.

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So if you want to draw that, you basically will have to draw.

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A cylinder facing up this way.

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So it looks like it's going to space and then you can draw her.

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And they control the rest of her hands.

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Same thing with the bus.

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It's actually she's a little bit busty up here because you can see the upper part where the lower part

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of her breast area.

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In fact, I was actually demure a little bit a little bit flat.

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But does it really matter?

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I want this to curve.

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Have the rib cage protrude out.

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And I'm actually going to move the pelvis box just a little bit because it looks a little bit high or

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low, sorry, it's going up like this looks better.

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And I'm going to refine the drawing, so one leg is going to be up here, that's the leg in front.

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Can simplify into cylinder's, but.

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If you don't want to, then that's fine, just make sure that you kind of understand the mapping of

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the basic shapes.

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I have a buttock here resting on the platform and from here we have the leg and her leg looks really

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long.

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So I'm going to shorten this to here about.

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I'm also going to do is I'm going to just kind of edit this here as well.

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We had the back of the leg.

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And then we have the foot simplified.

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And we have the other leg that protrudes out just a little bit.

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It's kind of like a hair out.

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We have the.

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Like going out like this and kind of like kind of surpassing this one.

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In fact, this is supposed to be a little bit shorter because it's raised higher.

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So that is our second pose and we can go out and copy this and we're going to detail her right about

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now.

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Let me go ahead and embrace some of these Harry lines here.

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If your lines or carry, don't worry about it.

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I know I stress a lot that you shouldn't have Harry lines, but that I'm just telling you guys have

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this some good habits so that it becomes a lot easier for you guys to oops.

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So it becomes a lot easier for you guys to draw smoother lines.

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Now, let's add in some detail, so she's wearing a sailor uniform as well, I just found these poses

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because I thought they were cute.

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So sorry.

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They look kind of repetitive.

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But I also want you guys to show or to see how this looks in different views.

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So having a little sailor uniform on is quite nice, actually, because then it shows the different

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views.

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Let's go ahead and draw her head.

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So her head has some bangs, we were being starting from the top and they're kind of blunt, so we're

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going to just kind of simplify the shape and draw on the side fringe along with it.

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Notice that we have this little pocket area that kind of shows the form of the hair, and then we have

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the little cute ears.

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Now, the form of the ears as well, I can tell that it's kind of crinkled.

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Now I have her scalp up here.

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And looks like her, she has some pigtails, so I'm going to draw some little tension lines around here

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and I'm going to just draw some loose ponytails here on both sides.

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So it looks like she has quite some nice round eyes in this picture, so I think round eyes will be

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very fitting.

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Let's draw her nose, her mouth.

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And still her eyes, I don't want her eyes to be blocked by the the hair, so I'm going to also add

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some eyebrows over it so we can see her expression.

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The other side have a little bit more skewed.

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Let's draw the people's.

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I don't know if I want to draw this ending part, because it looks cuter when it ends at the eyebrow,

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at the eyeball here, I think that's a lot cuter.

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I'm actually going to make her head just a little bit bigger so it looks more cutesy.

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I tend to make Laura heads quite small here just because I don't want to I don't want to risk it being

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too too out there.

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So that's good.

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Not too worried about the hand, because I'm not focused on the hand is unposed, I'm actually going

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to make her neck just a little bit thinner because it doesn't look too manly.

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Let's draw her color so color overlays on top and you can see little bit of this side here, but then

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you can see a little bit more of the other side.

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The side has more detail because it's kind of turning.

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And we have her little bow area here kind of overlapping on top.

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Notice how I make the ribbon just overlap on top of the breast so it looks rounded.

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And then she has a shirt on top which kind of clips outward and has some middle buttons to it.

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So let's draw on the basic form of the shirt connected to the sleeve.

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And you raised the inside of the body.

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Except for the stomach area, and we can draw in the same line of the sleeve, it's got like a circular

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shape and then draw the bagginess of it.

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So I would say widens around the elbow area, that kind of crinkles a little bit.

227
00:22:41,240 --> 00:22:45,380
And you see this flat bottom here, you want to just kind of curve it over.

228
00:22:48,830 --> 00:22:55,910
So what I realized again was that her head won her hands to still a little bit too small, but to her

229
00:22:55,910 --> 00:22:57,170
neck looks a little bit long.

230
00:22:57,170 --> 00:22:58,310
So I'm going to lower this.

231
00:23:02,240 --> 00:23:03,500
I'm going to make this even bigger.

232
00:23:08,530 --> 00:23:09,130
That's good.

233
00:23:09,430 --> 00:23:16,530
I think that's perfect, any straight lines I'm going to erase and just Redrock.

234
00:23:22,870 --> 00:23:23,980
I think she's a cute girl.

235
00:23:24,980 --> 00:23:27,310
I don't know how much makeup she has, but it doesn't matter, I guess.

236
00:23:30,690 --> 00:23:37,200
So now let's erase the underside of her or the underlaying sketch, and then we can follow through by

237
00:23:37,200 --> 00:23:42,630
drawing some forms, such as drawing some ruffles that show that there's like a form underneath.

238
00:23:42,930 --> 00:23:50,400
So here we have the seam line across and then we have some buttons going downward.

239
00:23:53,520 --> 00:23:58,720
So sometimes phones and phones alone will under well, make you understand what's actually underneath

240
00:23:58,720 --> 00:24:00,120
the underneath the clothing.

241
00:24:02,150 --> 00:24:04,920
We have some the waistband of the skirt.

242
00:24:08,870 --> 00:24:12,650
When I notice here that this looks a little bit high, so I'm going to lower this.

243
00:24:19,280 --> 00:24:25,400
Notice that there's like a little gap in between and know going to just draw the basic shape, which

244
00:24:25,400 --> 00:24:29,540
is just a droopy cone, skirts are basically just cone shape.

245
00:24:29,540 --> 00:24:30,650
They just disappear.

246
00:24:43,780 --> 00:24:46,810
And then we can draw the pleated skirt kind of going across.

247
00:24:46,830 --> 00:24:52,290
Notice how the pleats get a little bit constricted as it gets toward the tension point, which is the

248
00:24:52,290 --> 00:24:54,990
bent area, and then later on, it relaxes.

249
00:24:57,230 --> 00:24:57,890
Such as here.

250
00:25:04,890 --> 00:25:07,320
And it relaxes as it gets to the to the ground.

251
00:25:09,010 --> 00:25:10,620
And here we have her socks.

252
00:25:13,630 --> 00:25:16,360
And then our shoes, which kind of overlap her heel.

253
00:25:18,310 --> 00:25:20,570
Has as a forward flop.

254
00:25:22,780 --> 00:25:29,380
I kind of drew her foot with her shoe already in and her feet in mind, so you can also do that.

255
00:25:30,640 --> 00:25:31,900
I'm just going to refine this.

256
00:25:34,120 --> 00:25:39,720
Is the hill, this is the front of the foot, and that kind of makes it look a little bit long.

257
00:25:41,670 --> 00:25:49,050
The main shoe and then we have the sew and it gets gradually thicker as it reaches the heel.

258
00:25:49,080 --> 00:25:49,930
I like these kind of shoes.

259
00:25:49,930 --> 00:25:50,610
They're really cute.

260
00:25:54,160 --> 00:25:57,060
So thin out this area here because it looks a little bit thick.

261
00:26:10,120 --> 00:26:14,650
So it should be a little bit thinner, I think dogs better.

262
00:26:17,390 --> 00:26:19,390
She's had quite a bit thin girl, isn't she?

263
00:26:20,690 --> 00:26:26,300
Anyways, now let's continue on with the left leg or the right leg, actually, and the side that's

264
00:26:26,300 --> 00:26:27,410
also making it rather thin.

265
00:26:29,740 --> 00:26:32,780
This time, we can see a little bit of where it ends.

266
00:26:35,020 --> 00:26:41,650
The forefront of the shoe that we have, the back part and the side kind of protrudes outward.

267
00:27:25,310 --> 00:27:30,060
I want to put this out a little bit more and then we have.

268
00:27:33,740 --> 00:27:42,320
Our other shoe, so that is our second pose and let's get started on our third one, which is the last

269
00:27:42,320 --> 00:27:47,120
and more suave looking one, she's probably like a very cool girl here.

270
00:27:47,300 --> 00:27:53,130
Anyways, this one, you can kind of see that the perspective is a little bit changed.

271
00:27:53,630 --> 00:27:55,960
Notice that actually looking up towards her.

272
00:27:56,450 --> 00:27:58,670
So I want to kind of give her this kind of cool attitude.

273
00:27:58,680 --> 00:28:03,740
I usually when it comes to looking up or angles where you look up at the character kind of shows dominance

274
00:28:03,740 --> 00:28:06,300
for the character, like, you know, the kind of looking down at you.

275
00:28:06,710 --> 00:28:08,390
So this pose is actually quite perfect.

276
00:28:09,730 --> 00:28:12,800
Can draw the pose looking down at you.

277
00:28:18,120 --> 00:28:25,440
She's kind of slouched, so you can draw her saw her, her ribcage kind of facing towards this way here.

278
00:28:29,170 --> 00:28:38,400
Was shoulder kind of slacks here and then her pelvis, we can see the side of this of her of her leg

279
00:28:38,400 --> 00:28:39,990
here, so it's more tore.

280
00:28:39,990 --> 00:28:42,420
It's more angled upward because we're looking up at it.

281
00:28:46,400 --> 00:28:47,490
It's a very rough estimate.

282
00:28:47,750 --> 00:28:56,930
These boxes are perfect and we have her arm kind of slouched, another arm slouched, and then we have

283
00:28:58,010 --> 00:29:04,340
her for her first leg kind of going up and then down and then laying flat.

284
00:29:04,910 --> 00:29:11,000
And then the other leg kind of short is a bit shortened because it's not a step.

285
00:29:13,630 --> 00:29:15,950
And that is basically the basic gist of this post.

286
00:29:16,270 --> 00:29:20,810
Now let's go ahead and you race and the refind helps us a little bit too much.

287
00:29:22,870 --> 00:29:25,630
So let's draw her draw her head, her head.

288
00:29:25,750 --> 00:29:27,640
You can see a little bit of her eyebrow ridge.

289
00:29:30,750 --> 00:29:37,100
And then you can draw the rest of her face kind of as if there's a cheek gland going downward and so

290
00:29:37,110 --> 00:29:38,200
she looks a little bit more mature.

291
00:29:38,220 --> 00:29:40,160
I'm going to make her a little bit more angular as well.

292
00:29:44,100 --> 00:29:44,970
Not to angular.

293
00:29:45,010 --> 00:29:49,590
She looked masculine, but but angular enough that she looks tough.

294
00:29:50,220 --> 00:30:00,870
Then we have her neck, which flows from the cranium, then we have her shoulder, which is facing a

295
00:30:00,870 --> 00:30:03,690
little bit more upward and kind of protrudes out.

296
00:30:03,690 --> 00:30:07,930
And she has a little bit thickness along to a lot of her arm here.

297
00:30:07,950 --> 00:30:09,690
So you want to make a thick up at the front.

298
00:30:15,090 --> 00:30:19,830
For the back, you want to give some space, can I give a little bit of.

299
00:30:22,820 --> 00:30:25,100
Kind of some fat.

300
00:30:27,040 --> 00:30:27,980
Because she looks a little.

301
00:30:28,010 --> 00:30:34,360
She's definitely thicker than the other girls that I drew in this lecture, but either way, I still

302
00:30:34,360 --> 00:30:36,970
want to make sure that the body type is of the body type is different.

303
00:30:36,970 --> 00:30:38,750
You want to, you know, draw accordingly.

304
00:30:39,070 --> 00:30:41,950
So here her back looks a little bit smooth.

305
00:30:42,400 --> 00:30:44,110
Going to move this just a little bit closer.

306
00:30:45,100 --> 00:30:46,170
She doesn't have too much fat.

307
00:30:46,180 --> 00:30:47,830
She's quite average in her bill.

308
00:30:47,830 --> 00:30:48,680
That's quite nice.

309
00:30:48,700 --> 00:30:50,110
So it's quite a refresher.

310
00:30:50,470 --> 00:30:51,310
Not too skinny

311
00:30:53,680 --> 00:30:58,390
slouches just a bit just to show that kind of cool and suave look.

312
00:31:02,770 --> 00:31:05,230
And then her leg protrudes out.

313
00:31:11,320 --> 00:31:15,790
Notice that kind of faces up a little bit and then goes downward to the calves.

314
00:31:17,030 --> 00:31:19,590
You can see the underside of the of the leg here.

315
00:31:22,110 --> 00:31:27,330
Because you're looking up at her, it looks like this, you see the bottom part of the you can see the

316
00:31:27,330 --> 00:31:32,970
bottom part of the cylinder and then as you go downward to more, this is basically your eye level,

317
00:31:32,970 --> 00:31:33,810
which is the caps.

318
00:31:34,380 --> 00:31:39,540
If you're looking down, if you end up looking down at the subject, like, for instance, the shoes,

319
00:31:41,520 --> 00:31:43,170
your horizon line is just a little bit above.

320
00:31:43,170 --> 00:31:50,080
If you kind of just see eye line or like completely, almost completely front view, it's more towards

321
00:31:50,100 --> 00:31:50,630
eye level.

322
00:31:51,000 --> 00:31:58,560
If you're if you can see that, if you can see that you see the bottom sides of things, that means

323
00:31:58,560 --> 00:32:01,370
you're the the subject is above your horizon line.

324
00:32:01,380 --> 00:32:02,740
So I don't know if that made sense.

325
00:32:03,030 --> 00:32:06,940
So let me go ahead and just demonstrate.

326
00:32:07,410 --> 00:32:10,380
So let's say if you're looking at here, this looks more front view.

327
00:32:10,380 --> 00:32:16,080
You're not looking above it, although you kind of are like around here is about your eye line.

328
00:32:16,080 --> 00:32:18,020
I would say anything below it.

329
00:32:18,060 --> 00:32:20,790
You can look on the top of things and anything above it.

330
00:32:20,790 --> 00:32:27,650
You can see the bottom sides accuse me of the of the forms.

331
00:32:27,660 --> 00:32:28,530
So that's what I mean.

332
00:32:28,710 --> 00:32:29,940
Hopefully that made more sense.

333
00:32:30,600 --> 00:32:31,640
Sometimes I don't think.

334
00:32:31,650 --> 00:32:33,660
But anyways, let's continue.

335
00:32:39,740 --> 00:32:42,440
Can draw in her shoe or foot.

336
00:32:47,460 --> 00:32:53,130
And let's join her second, oh, we forgot to draw her other arm, which kind of goes downward.

337
00:32:58,420 --> 00:33:03,640
It kind of bends forward, so you can see only a partial bit of her hand and let's draw in her other

338
00:33:03,640 --> 00:33:09,370
arm, which has this kind of nice lump for the elbow.

339
00:33:22,250 --> 00:33:32,870
Let me have her hand here now to her other leg that's going straight down, you see a little bit the

340
00:33:32,870 --> 00:33:33,980
calf area here.

341
00:33:46,130 --> 00:33:47,460
And that is the main post.

342
00:33:47,870 --> 00:33:55,730
So now let's go ahead and copy and paste, so I'm going to lasso tool this and then I'm going to duplicate.

343
00:33:57,110 --> 00:34:00,410
Well, maybe I'll make this just a little bit smaller so I can duplicate.

344
00:34:16,750 --> 00:34:19,300
They're better now, let's go do the last one.

345
00:34:20,010 --> 00:34:23,080
So our last one, we can draw her face or let's draw her hair first.

346
00:34:23,410 --> 00:34:31,630
Her hair is kind of her hair lines up here and see if there's some nice twirls on top that show.

347
00:34:31,840 --> 00:34:39,670
Some nice beach waves in Jauhari can draw a little bit of her ear.

348
00:34:42,320 --> 00:34:50,180
And notice how the hair kind of flows at the back of her head, and then we have her other hair on the

349
00:34:50,180 --> 00:34:52,920
other side of her hair, kind of a nice little waves.

350
00:34:53,150 --> 00:34:54,300
You don't have to do all the ways.

351
00:34:54,300 --> 00:34:59,140
You just draw or indicate that there's a lot of ways by just blocking out the arm.

352
00:35:02,450 --> 00:35:11,180
And simply just drawing a big mass on top, so her hair goes all the way down to where the legs are,

353
00:35:11,180 --> 00:35:12,200
which is really, really low.

354
00:35:12,230 --> 00:35:13,980
Maybe she has extensions on or something.

355
00:35:15,410 --> 00:35:19,640
I would say indicate more towards the bottom because that shows some nice little detail and maybe towards

356
00:35:19,640 --> 00:35:20,600
a little bit towards the back.

357
00:35:21,230 --> 00:35:23,900
But you don't want to draw too much attention away from the details.

358
00:35:25,670 --> 00:35:26,360
You don't want to draw.

359
00:35:26,390 --> 00:35:29,110
You don't want to draw away the attention of the figure.

360
00:35:29,660 --> 00:35:31,720
So I would just say kind of just draw them here and there.

361
00:35:31,730 --> 00:35:33,160
Don't worry too much about the details.

362
00:35:34,280 --> 00:35:39,710
Now for her face, she looks a little bit too sharp, so I'm going to rounded out a little bit.

363
00:35:40,790 --> 00:35:42,470
So it still looks really nice.

364
00:35:43,690 --> 00:35:50,330
The bridge of the nose is up here, the bottom of her nose, you can see, and you can draw a little

365
00:35:50,330 --> 00:35:53,360
smirk and maybe even some lip, some lipstick on.

366
00:35:57,070 --> 00:36:00,400
And she would have some more mature eyes, so her eyes would be a bit more slanted.

367
00:36:04,690 --> 00:36:08,470
And her eyebrows would be thicker and more relaxed on top.

368
00:36:11,470 --> 00:36:12,840
I should be looking down at you.

369
00:36:15,250 --> 00:36:17,740
Just Cynthia on the left side, keep being slanted.

370
00:36:26,800 --> 00:36:29,250
And that's how I would draw this I here.

371
00:36:30,060 --> 00:36:38,140
In fact, it looks a little bit low, so I'm just going to say, yeah, it looks better there looks

372
00:36:38,140 --> 00:36:38,710
pretty good.

373
00:36:38,710 --> 00:36:40,930
If you could even add some more eyeshadow on top.

374
00:36:40,960 --> 00:36:43,180
In fact, I'm going to warp this just a little bit.

375
00:36:46,030 --> 00:36:46,870
That's not what I wanted.

376
00:36:47,380 --> 00:36:47,770
What?

377
00:36:48,040 --> 00:36:49,470
Oh, no.

378
00:36:50,860 --> 00:36:53,140
Oh, I'm so.

379
00:36:58,210 --> 00:36:59,860
I can't believe I just did that.

380
00:37:00,730 --> 00:37:04,120
Well, I'm going to have to do this over, so I'm just going to have to do.

381
00:37:04,150 --> 00:37:05,140
Oh, no.

382
00:37:05,750 --> 00:37:06,700
OK, you know what?

383
00:37:06,710 --> 00:37:09,520
Let me let me just go ahead and open recent.

384
00:37:11,260 --> 00:37:15,530
Oh, no, I'm so, so dumb.

385
00:37:15,550 --> 00:37:16,600
OK, you know what?

386
00:37:16,600 --> 00:37:18,050
I'm just going to stop here.

387
00:37:18,700 --> 00:37:19,810
What did I just do?

388
00:37:19,900 --> 00:37:21,070
I'm so dumb.

389
00:37:21,070 --> 00:37:24,940
I should have just I'm gonna have to try to find a way back to.

390
00:37:27,280 --> 00:37:29,510
I'm going to try to find a way back to be this fast.

391
00:37:29,530 --> 00:37:33,640
Let me go back and just just pause and I'll come back once I.

392
00:37:34,840 --> 00:37:35,780
That's really frustrating.

393
00:37:35,800 --> 00:37:36,740
Sorry about that, guys.

394
00:37:36,760 --> 00:37:37,720
I'll be right back.

395
00:37:38,830 --> 00:37:45,820
OK, well, I can get the file back because I didn't save that at all, unfortunately.

396
00:37:45,820 --> 00:37:54,460
So I luckily I have some images from the video such as this, very these very blurry ones.

397
00:37:54,790 --> 00:38:00,880
So I don't think I'm going to end up having this kind of I mean, I could take a lot of it, could take

398
00:38:00,880 --> 00:38:02,200
a bit of work to redo these.

399
00:38:02,500 --> 00:38:05,320
I'll try to find a simpler way to just make them sharper again.

400
00:38:05,800 --> 00:38:07,670
But if not, these are the cut.

401
00:38:08,530 --> 00:38:13,690
I don't know if I want to redraw them, but luckily, I think thank goodness these were all in the video.

402
00:38:13,960 --> 00:38:15,360
So you got to see the whole process of it.

403
00:38:15,370 --> 00:38:16,510
Bennewitz It's just continue.

404
00:38:16,510 --> 00:38:24,850
Let's continue doing this one and let's just end it quickly because I'm just so irritated at myself.

405
00:38:24,850 --> 00:38:25,450
Oh, my goodness.

406
00:38:25,450 --> 00:38:27,280
OK, let's continue on.

407
00:38:27,820 --> 00:38:30,190
So I'm just going to find this area here once again.

408
00:38:30,190 --> 00:38:31,060
I'm going to just.

409
00:38:33,880 --> 00:38:35,320
Redraw on top.

410
00:38:39,760 --> 00:38:41,950
And a little bit of muscle towards the neck.

411
00:38:45,510 --> 00:38:49,500
And then add her kind of broad ish looking top here.

412
00:38:53,780 --> 00:38:59,150
So it might look a little bit Jenky, I hope not, but hopefully it still looks good and good in your

413
00:38:59,150 --> 00:38:59,450
eyes.

414
00:39:01,010 --> 00:39:05,000
So here we have the other arm laid in front.

415
00:39:06,080 --> 00:39:08,340
We can draw the hand in this one if you want.

416
00:39:08,900 --> 00:39:15,320
I'm just going to simplify it and just kind of put in three, four and five.

417
00:39:25,810 --> 00:39:31,760
Then we have her jeans, which are on top, and it kind of cuts out if you want to dress in jeans,

418
00:39:31,770 --> 00:39:32,610
feel free to do that.

419
00:39:32,640 --> 00:39:37,740
I'm going to do some ruffles on top or some fours that are kind of almost like zigzag folds and they're

420
00:39:37,740 --> 00:39:39,750
very thin because of this material.

421
00:39:45,490 --> 00:39:53,290
So it kind of comes out and sticks to the bottom of the lake and knows that there's a nice little stitch

422
00:39:53,290 --> 00:40:05,170
line along this side of the jeans and this tension line across as well, and notice that her belly kind

423
00:40:05,170 --> 00:40:09,340
of overlaps on top of her belt.

424
00:40:16,240 --> 00:40:22,630
I'm so the reason why I accidentally closed it was because I thought that my command or my hotkey was

425
00:40:22,630 --> 00:40:26,440
warped, which is which usually on my Mac was commendable because I changed it.

426
00:40:26,770 --> 00:40:30,250
But I do not know that this was actually this default.

427
00:40:30,250 --> 00:40:33,790
One was was actually closing the program or closing the file.

428
00:40:33,840 --> 00:40:35,400
So sorry about that, guys.

429
00:40:35,410 --> 00:40:38,480
I hope that it's not too, too big of an issue for you guys.

430
00:40:38,500 --> 00:40:45,820
I'll try my best to recover most of these drawings and put them sharper or make them sharper and upload

431
00:40:45,820 --> 00:40:46,380
it for you guys.

432
00:40:46,390 --> 00:40:51,730
But anyways, let's just continue some having some nice zigzag lines along the stitch lines and kind

433
00:40:51,730 --> 00:40:53,920
of see that they're kind of going in this.

434
00:40:54,530 --> 00:40:57,280
The gravity is pulling them in this kind of downward direction.

435
00:40:57,610 --> 00:41:01,480
And also there's some spiral folds which kind of fold around the form.

436
00:41:03,580 --> 00:41:10,600
And then here we have Shiu, which I'll just draw very simply, which is the front of the foot or the

437
00:41:10,600 --> 00:41:11,050
tongue?

438
00:41:12,850 --> 00:41:13,480
The back.

439
00:41:17,170 --> 00:41:18,710
The laces.

440
00:41:25,670 --> 00:41:26,320
Then.

441
00:41:29,340 --> 00:41:38,140
The sole same thing on the other side, tongue of the tongue of the shoe, kind of goes upward and then

442
00:41:38,140 --> 00:41:38,860
lays flat.

443
00:41:43,490 --> 00:41:45,420
Anyway, that's it for this video, guys.

444
00:41:45,560 --> 00:41:46,610
Let me know what you guys think.

445
00:41:46,620 --> 00:41:52,670
This was quite fun to do and yeah, sorry about the inconvenience right over there, but I mean, sometimes

446
00:41:52,670 --> 00:41:54,680
accidents happen and right when I'm recording.

447
00:41:54,950 --> 00:41:56,630
But anyways, thanks for watching, guys.

448
00:41:56,630 --> 00:41:58,370
I hope that this was beneficial for you guys.

449
00:41:58,370 --> 00:41:59,630
And I'll see you guys in the next one.

450
00:41:59,900 --> 00:42:00,320
Bye bye.

