Hey, everyone, now let's go on to sitting poses for girls, so here I have three poses because I don't
want to do too many.
But these can be these principles can be applied to, you know, every other city poses that you want
to do.
So let's get started.
I have three sitting poses to that one.
Two of them are kind of more side view, but one of them is cute, cuter, and one of them is more suave.
And then we have a front view.
So let's get started.
So let's get started with the front view here.
I want to commend it whoa, oh, oops, I want to command Jayate.
And so this is on a separate layer.
And I want to draw on top, so I want to understand the pose of this character here.
I want to see where she's facing and of course, she's facing front.
But I mean, like her head, where's her head facing her head is facing more towards the side in action.
But to draw a little bit later, got to make sure that.
It's more like this size, I'm going to make her head direction go this way, she's not looking down.
She's kind of looking kind of from far away.
Sorehead looks more like this, you can see more of the side of her head and just a little bit of the
profile, notice that her neck is facing a little bit downward because she's kind of leaning in in your
ribcage, which is facing forward or facing a little bit downward.
And we can even draw her arms kind of facing in this direction.
And they're close together.
So we can just draw very, very short.
Gestur or pelvis is facing downward.
And then we have her legs, you can draw the gesture of the kind of this little hip area here and then
we can draw the legs.
Down here.
So here is our pose real quick and then let's go ahead and erase most of it, because then we'll be
refining it later.
We want to erase that.
It's we want to erase enough that it's not too it's not too distracting.
So here we have this side of her face, which you can see a little bit of the bridge, and then we have
a little bit of the side of the face here.
So we see most of this angle when they when the head is a little bit turned.
So I'm going to actually Annam ify it, meaning I'm going to make a little bit cuter her ear here,
kind of towards the middle of the face right after the jaw line starts than we have her neck area.
Yeah, I've heard a clear mastoid muscle down here, and then we can have our trapezius muscle flowing
out from above.
So I'm going to do this real quick.
However, classical.
And then we have a breast area, but let's first go ahead and do her arms first because her arms notice
that they're overlapping it so attached to the neck area, you want it to go in front.
Notis had spent a little bit at the elbow area because this little lump, and that's because her elbows
kind of been a little bit forward since it's the same thing on the other side.
Make sure the arms are in front.
Even a little bit of the bust underneath.
And then we can even draw a little bit of the hip where it kind of curves downward.
Even a little bit of her hands, just really roughly.
And that we can connect her legs together, so I'm going to draw the middle part right here.
That's kind of what it looks like in the inside.
And then the knees are conjoined together.
Notice how the knees are facing a little bit more forward.
It's not super on the side.
I make sure that they're in the correct direction.
And we have had cabs.
And it's facing front both sides kind of sticking out a little bit.
And here we have our feet.
Feel free to draw in the sitting area as well.
So that's a sitting area that's basically like your base post.
Let me go ahead and copy it to the side.
I'm just going to duplicate it on one side and I'm going to draw detail on this one.
So let's once again erase most of the stuff, maybe parts of the parts of the
parts of the legs and area or the chest area can be erased and not the arms can always redraw it.
So let's draw in her hair first.
Her hair has a little bit of a strand flowing through the side of her face, and we have some bangs
parted.
Notice how there's a little bit of resting area or this kind of poof coming from her hair.
It's in a bob.
And it talks right behind her ear.
Even a little bit of her face as well.
Can you can you raise this area here, her nose here, just about halfway around her face?
And then her lips are a little bit in a kind of a smiling kind of position, so we want to just kind
of slightly make her slightly smile, her eyes look a little bit more mature or kind of it's more roundish,
not too round, but gentle kind of look.
And she's looking kind of far ahead.
You can even extend the eyelashes out from that as well.
She's looking from far away.
Let's add her pupils and put them in that direction.
That's an extra hair to.
Now, let's get a caller, in fact, I'm actually going to make her head just a little bit bigger just
because it looks bigger.
And just a little bit, that's a little too big, so I think it would make it just a little bit smaller.
There we have it.
I think it's a good size.
Now, let's draw a color on top.
Notice them drawing over the lines here.
I'm not making it stick to her body.
The color reaches about up until her bust and then she has little lips.
She has little cloth around her chest.
Draw the lines in here if you want as well, and then we have a little bow on top, which can be simplified
by triangles and circles and rectangles.
And here we have clothing or her sleeves, which is kind of a little pipe cylinders.
And then we have the stretched out folds that stretch out from her that kind of stretch out from the
scene line.
Notice that we are on the underside of the edge of the underside of the area here.
And then we have the shirt on top and you can draw some folds underneath.
And then we can draw in the skirt, which will be a little bit interesting because notice how it lays
flat when it reaches the surface.
So you want to just draw out the silhouette of the skirt, have it roll over the the legs and lay it
flat.
In this case, I'm going to redraw the platform just because I wanted to map the perspective of the
legs here.
So I'm just going to this is where the surface is.
With that, so now I'm going to be drawing some pleats and notice how the pleats kind of go rounded
and they kind of end flat.
But they still have this kind of pleated motion, so we still want to draw these lines in between and
the lines can also show the motion as well.
So you don't have to have everything straight like this.
You want to make sure that they kind of flow over the form and therefore look kind of crinkled because
that gives it more realistic realism.
Can you even draw a little bit of her hand here?
And make it bolder because it's in front and there we have our leg, just draw some form shapes to signify
the stripes around her socks and then her sneakers, which are kind of like little loaf shaped.
Shoes can just draw in the parts of the shoe and the main part that's a little bit thicker than the
foot itself, just use all this.
This oblong shape.
And we have the platform underneath.
Let's do the same thing on the other side of the ankle bone.
Draw the foot.
Under the platform.
And there's our first sitting pose now it's gone to the second one second one's going to be the cuter
version.
And this we can add another layer and let's draw it so here we can draw in the pose, we can notice
where her where the where she's looking at, she's looking towards us.
So I'm going to put it more like this just because she's not looking up, she's kind of looking forward,
so.
Then we were neck, then we have a rib cage which is facing outward, and then we have an arm that's
bent as if she was kind of like pushing back her hair.
So just get the gesture and then we have the pelvis box, if we can see her belly is facing very, very
upward, so the pelvis is facing upward here.
Just to give us some dynamic flow.
Then we can also do one leg and the leg is actually facing a little bit from the back because you can
see the hind part of the leg, it's not completely side of you.
So it looks like she kind of turned her leg here.
I just move this and then we can add in the other other leg, which surpasses just a little bit, but
ends in the same kind of direction.
And we can even draw a little bit of the of her stick, have a little platform here just to get it some
nice.
So it doesn't just it just doesn't look like she's floating.
Now let's get started with let's erase most of this and then we can refine it.
So far from this pose, it looks like she's facing forward.
So I'm just going to redraw this head.
I'm going to lengthen the neck.
And I'm going to draw in her shoulder, which kind of overlaps on top of her collarbone is here, and
her other shoulders kind of almost non-existent because it's so like hidden from the back in perspective.
So it's lower but higher up here.
And then we have her arm.
That is facing forward from the elbow.
So if you want to draw that, you basically will have to draw.
A cylinder facing up this way.
So it looks like it's going to space and then you can draw her.
And they control the rest of her hands.
Same thing with the bus.
It's actually she's a little bit busty up here because you can see the upper part where the lower part
of her breast area.
In fact, I was actually demure a little bit a little bit flat.
But does it really matter?
I want this to curve.
Have the rib cage protrude out.
And I'm actually going to move the pelvis box just a little bit because it looks a little bit high or
low, sorry, it's going up like this looks better.
And I'm going to refine the drawing, so one leg is going to be up here, that's the leg in front.
Can simplify into cylinder's, but.
If you don't want to, then that's fine, just make sure that you kind of understand the mapping of
the basic shapes.
I have a buttock here resting on the platform and from here we have the leg and her leg looks really
long.
So I'm going to shorten this to here about.
I'm also going to do is I'm going to just kind of edit this here as well.
We had the back of the leg.
And then we have the foot simplified.
And we have the other leg that protrudes out just a little bit.
It's kind of like a hair out.
We have the.
Like going out like this and kind of like kind of surpassing this one.
In fact, this is supposed to be a little bit shorter because it's raised higher.
So that is our second pose and we can go out and copy this and we're going to detail her right about
now.
Let me go ahead and embrace some of these Harry lines here.
If your lines or carry, don't worry about it.
I know I stress a lot that you shouldn't have Harry lines, but that I'm just telling you guys have
this some good habits so that it becomes a lot easier for you guys to oops.
So it becomes a lot easier for you guys to draw smoother lines.
Now, let's add in some detail, so she's wearing a sailor uniform as well, I just found these poses
because I thought they were cute.
So sorry.
They look kind of repetitive.
But I also want you guys to show or to see how this looks in different views.
So having a little sailor uniform on is quite nice, actually, because then it shows the different
views.
Let's go ahead and draw her head.
So her head has some bangs, we were being starting from the top and they're kind of blunt, so we're
going to just kind of simplify the shape and draw on the side fringe along with it.
Notice that we have this little pocket area that kind of shows the form of the hair, and then we have
the little cute ears.
Now, the form of the ears as well, I can tell that it's kind of crinkled.
Now I have her scalp up here.
And looks like her, she has some pigtails, so I'm going to draw some little tension lines around here
and I'm going to just draw some loose ponytails here on both sides.
So it looks like she has quite some nice round eyes in this picture, so I think round eyes will be
very fitting.
Let's draw her nose, her mouth.
And still her eyes, I don't want her eyes to be blocked by the the hair, so I'm going to also add
some eyebrows over it so we can see her expression.
The other side have a little bit more skewed.
Let's draw the people's.
I don't know if I want to draw this ending part, because it looks cuter when it ends at the eyebrow,
at the eyeball here, I think that's a lot cuter.
I'm actually going to make her head just a little bit bigger so it looks more cutesy.
I tend to make Laura heads quite small here just because I don't want to I don't want to risk it being
too too out there.
So that's good.
Not too worried about the hand, because I'm not focused on the hand is unposed, I'm actually going
to make her neck just a little bit thinner because it doesn't look too manly.
Let's draw her color so color overlays on top and you can see little bit of this side here, but then
you can see a little bit more of the other side.
The side has more detail because it's kind of turning.
And we have her little bow area here kind of overlapping on top.
Notice how I make the ribbon just overlap on top of the breast so it looks rounded.
And then she has a shirt on top which kind of clips outward and has some middle buttons to it.
So let's draw on the basic form of the shirt connected to the sleeve.
And you raised the inside of the body.
Except for the stomach area, and we can draw in the same line of the sleeve, it's got like a circular
shape and then draw the bagginess of it.
So I would say widens around the elbow area, that kind of crinkles a little bit.
And you see this flat bottom here, you want to just kind of curve it over.
So what I realized again was that her head won her hands to still a little bit too small, but to her
neck looks a little bit long.
So I'm going to lower this.
I'm going to make this even bigger.
That's good.
I think that's perfect, any straight lines I'm going to erase and just Redrock.
I think she's a cute girl.
I don't know how much makeup she has, but it doesn't matter, I guess.
So now let's erase the underside of her or the underlaying sketch, and then we can follow through by
drawing some forms, such as drawing some ruffles that show that there's like a form underneath.
So here we have the seam line across and then we have some buttons going downward.
So sometimes phones and phones alone will under well, make you understand what's actually underneath
the underneath the clothing.
We have some the waistband of the skirt.
When I notice here that this looks a little bit high, so I'm going to lower this.
Notice that there's like a little gap in between and know going to just draw the basic shape, which
is just a droopy cone, skirts are basically just cone shape.
They just disappear.
And then we can draw the pleated skirt kind of going across.
Notice how the pleats get a little bit constricted as it gets toward the tension point, which is the
bent area, and then later on, it relaxes.
Such as here.
And it relaxes as it gets to the to the ground.
And here we have her socks.
And then our shoes, which kind of overlap her heel.
Has as a forward flop.
I kind of drew her foot with her shoe already in and her feet in mind, so you can also do that.
I'm just going to refine this.
Is the hill, this is the front of the foot, and that kind of makes it look a little bit long.
The main shoe and then we have the sew and it gets gradually thicker as it reaches the heel.
I like these kind of shoes.
They're really cute.
So thin out this area here because it looks a little bit thick.
So it should be a little bit thinner, I think dogs better.
She's had quite a bit thin girl, isn't she?
Anyways, now let's continue on with the left leg or the right leg, actually, and the side that's
also making it rather thin.
This time, we can see a little bit of where it ends.
The forefront of the shoe that we have, the back part and the side kind of protrudes outward.
I want to put this out a little bit more and then we have.
Our other shoe, so that is our second pose and let's get started on our third one, which is the last
and more suave looking one, she's probably like a very cool girl here.
Anyways, this one, you can kind of see that the perspective is a little bit changed.
Notice that actually looking up towards her.
So I want to kind of give her this kind of cool attitude.
I usually when it comes to looking up or angles where you look up at the character kind of shows dominance
for the character, like, you know, the kind of looking down at you.
So this pose is actually quite perfect.
Can draw the pose looking down at you.
She's kind of slouched, so you can draw her saw her, her ribcage kind of facing towards this way here.
Was shoulder kind of slacks here and then her pelvis, we can see the side of this of her of her leg
here, so it's more tore.
It's more angled upward because we're looking up at it.
It's a very rough estimate.
These boxes are perfect and we have her arm kind of slouched, another arm slouched, and then we have
her for her first leg kind of going up and then down and then laying flat.
And then the other leg kind of short is a bit shortened because it's not a step.
And that is basically the basic gist of this post.
Now let's go ahead and you race and the refind helps us a little bit too much.
So let's draw her draw her head, her head.
You can see a little bit of her eyebrow ridge.
And then you can draw the rest of her face kind of as if there's a cheek gland going downward and so
she looks a little bit more mature.
I'm going to make her a little bit more angular as well.
Not to angular.
She looked masculine, but but angular enough that she looks tough.
Then we have her neck, which flows from the cranium, then we have her shoulder, which is facing a
little bit more upward and kind of protrudes out.
And she has a little bit thickness along to a lot of her arm here.
So you want to make a thick up at the front.
For the back, you want to give some space, can I give a little bit of.
Kind of some fat.
Because she looks a little.
She's definitely thicker than the other girls that I drew in this lecture, but either way, I still
want to make sure that the body type is of the body type is different.
You want to, you know, draw accordingly.
So here her back looks a little bit smooth.
Going to move this just a little bit closer.
She doesn't have too much fat.
She's quite average in her bill.
That's quite nice.
So it's quite a refresher.
Not too skinny
slouches just a bit just to show that kind of cool and suave look.
And then her leg protrudes out.
Notice that kind of faces up a little bit and then goes downward to the calves.
You can see the underside of the of the leg here.
Because you're looking up at her, it looks like this, you see the bottom part of the you can see the
bottom part of the cylinder and then as you go downward to more, this is basically your eye level,
which is the caps.
If you're looking down, if you end up looking down at the subject, like, for instance, the shoes,
your horizon line is just a little bit above.
If you kind of just see eye line or like completely, almost completely front view, it's more towards
eye level.
If you're if you can see that, if you can see that you see the bottom sides of things, that means
you're the the subject is above your horizon line.
So I don't know if that made sense.
So let me go ahead and just demonstrate.
So let's say if you're looking at here, this looks more front view.
You're not looking above it, although you kind of are like around here is about your eye line.
I would say anything below it.
You can look on the top of things and anything above it.
You can see the bottom sides accuse me of the of the forms.
So that's what I mean.
Hopefully that made more sense.
Sometimes I don't think.
But anyways, let's continue.
Can draw in her shoe or foot.
And let's join her second, oh, we forgot to draw her other arm, which kind of goes downward.
It kind of bends forward, so you can see only a partial bit of her hand and let's draw in her other
arm, which has this kind of nice lump for the elbow.
Let me have her hand here now to her other leg that's going straight down, you see a little bit the
calf area here.
And that is the main post.
So now let's go ahead and copy and paste, so I'm going to lasso tool this and then I'm going to duplicate.
Well, maybe I'll make this just a little bit smaller so I can duplicate.
They're better now, let's go do the last one.
So our last one, we can draw her face or let's draw her hair first.
Her hair is kind of her hair lines up here and see if there's some nice twirls on top that show.
Some nice beach waves in Jauhari can draw a little bit of her ear.
And notice how the hair kind of flows at the back of her head, and then we have her other hair on the
other side of her hair, kind of a nice little waves.
You don't have to do all the ways.
You just draw or indicate that there's a lot of ways by just blocking out the arm.
And simply just drawing a big mass on top, so her hair goes all the way down to where the legs are,
which is really, really low.
Maybe she has extensions on or something.
I would say indicate more towards the bottom because that shows some nice little detail and maybe towards
a little bit towards the back.
But you don't want to draw too much attention away from the details.
You don't want to draw.
You don't want to draw away the attention of the figure.
So I would just say kind of just draw them here and there.
Don't worry too much about the details.
Now for her face, she looks a little bit too sharp, so I'm going to rounded out a little bit.
So it still looks really nice.
The bridge of the nose is up here, the bottom of her nose, you can see, and you can draw a little
smirk and maybe even some lip, some lipstick on.
And she would have some more mature eyes, so her eyes would be a bit more slanted.
And her eyebrows would be thicker and more relaxed on top.
I should be looking down at you.
Just Cynthia on the left side, keep being slanted.
And that's how I would draw this I here.
In fact, it looks a little bit low, so I'm just going to say, yeah, it looks better there looks
pretty good.
If you could even add some more eyeshadow on top.
In fact, I'm going to warp this just a little bit.
That's not what I wanted.
What?
Oh, no.
Oh, I'm so.
I can't believe I just did that.
Well, I'm going to have to do this over, so I'm just going to have to do.
Oh, no.
OK, you know what?
Let me let me just go ahead and open recent.
Oh, no, I'm so, so dumb.
OK, you know what?
I'm just going to stop here.
What did I just do?
I'm so dumb.
I should have just I'm gonna have to try to find a way back to.
I'm going to try to find a way back to be this fast.
Let me go back and just just pause and I'll come back once I.
That's really frustrating.
Sorry about that, guys.
I'll be right back.
OK, well, I can get the file back because I didn't save that at all, unfortunately.
So I luckily I have some images from the video such as this, very these very blurry ones.
So I don't think I'm going to end up having this kind of I mean, I could take a lot of it, could take
a bit of work to redo these.
I'll try to find a simpler way to just make them sharper again.
But if not, these are the cut.
I don't know if I want to redraw them, but luckily, I think thank goodness these were all in the video.
So you got to see the whole process of it.
Bennewitz It's just continue.
Let's continue doing this one and let's just end it quickly because I'm just so irritated at myself.
Oh, my goodness.
OK, let's continue on.
So I'm just going to find this area here once again.
I'm going to just.
Redraw on top.
And a little bit of muscle towards the neck.
And then add her kind of broad ish looking top here.
So it might look a little bit Jenky, I hope not, but hopefully it still looks good and good in your
eyes.
So here we have the other arm laid in front.
We can draw the hand in this one if you want.
I'm just going to simplify it and just kind of put in three, four and five.
Then we have her jeans, which are on top, and it kind of cuts out if you want to dress in jeans,
feel free to do that.
I'm going to do some ruffles on top or some fours that are kind of almost like zigzag folds and they're
very thin because of this material.
So it kind of comes out and sticks to the bottom of the lake and knows that there's a nice little stitch
line along this side of the jeans and this tension line across as well, and notice that her belly kind
of overlaps on top of her belt.
I'm so the reason why I accidentally closed it was because I thought that my command or my hotkey was
warped, which is which usually on my Mac was commendable because I changed it.
But I do not know that this was actually this default.
One was was actually closing the program or closing the file.
So sorry about that, guys.
I hope that it's not too, too big of an issue for you guys.
I'll try my best to recover most of these drawings and put them sharper or make them sharper and upload
it for you guys.
But anyways, let's just continue some having some nice zigzag lines along the stitch lines and kind
of see that they're kind of going in this.
The gravity is pulling them in this kind of downward direction.
And also there's some spiral folds which kind of fold around the form.
And then here we have Shiu, which I'll just draw very simply, which is the front of the foot or the
tongue?
The back.
The laces.
Then.
The sole same thing on the other side, tongue of the tongue of the shoe, kind of goes upward and then
lays flat.
Anyway, that's it for this video, guys.
Let me know what you guys think.
This was quite fun to do and yeah, sorry about the inconvenience right over there, but I mean, sometimes
accidents happen and right when I'm recording.
But anyways, thanks for watching, guys.
I hope that this was beneficial for you guys.
And I'll see you guys in the next one.
Bye bye.