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[Music]

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Let's start first by the basic way

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and only with two
black and white tones,

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We don't want to put
anything gray yet or anything,

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Now it's just to find

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some good composition

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and to find something interesting,

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something that above all,

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you have to think about
construction in silhouette,

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something that catches
attention and that can be cool,

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Then continue it.

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So do not worry when adding detail

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and let the eye play a little,

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let the brain start seeing things here

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and there is the
interesting thing about this exercise,

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well I will start sending forms

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and see what can come out
everything I'm going to use now

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are shapes and the selection tool

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and the paint tool,

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nothing better to see what I find here

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and I'm going to start
with a base for the floor,

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I'm separating everything
by layers and thus less mess,

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but well nothing happens because

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we will use black and white,

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Now it's very easy to separate them,

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and if we want to leave it clean after

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let's choose this over here

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Now I'm going to expand it

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selecting the selection tool

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and there it is and
I paint, there it is

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here we have this painted

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I'm going to hide it just in case

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and I will try to see
if I find any other way

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Tell me something is
with columns can be cool.

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or this one, I like it

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Perfect this can be very cool,

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as I explained before, I
transform the image to my liking

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something like that now the good
thing because with this form for example

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It has given me a lot of
information, from perspective.

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Now I will not be,

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very picky about perspective,

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I'm not going to do
everything by heart,

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but then later when
it polishes the image,

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yes, be much more careful,

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but not for now it's
more or less have a base,

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a basic notion of perspective,

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of knowing how it works,

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Try to put things in perspective.

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I'm going to erase
this that I don't like,

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let's see that the school is here,

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interesting I want to use a
column that I had here before

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I can make it perfect now,

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and I'm going to place
it in much the same way,

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I'm going to erase here a little,

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I put this under this layer
I'm going to erase a little,

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so you see a little bit
of the column here too

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and now I paint again and I'm
going to put another column,

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can I do the same or copy it
with control j doubled this layer

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and I have the same
column now if I can place it

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about the same way,

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What else can I put?

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Let's see what we found out there

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for now I'm just taking
care of the silhouette,

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then later,

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Try to get some detail but not much.

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Now I just want to
see if something works

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and of these I want to
do many this is the grace,

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I will make many
compositions of this style,

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and then I will stay with some

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who thinks he has more chicha,

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even this little artifact here,

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so I like it too,

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then I can erase it a
bit but I do like it,

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leave this kind of thing because
they call me evoke something here

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ruin something somewhat
interesting so I'm going to remove this

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I'm not interested and I'm going to
look for more ways to see what we found

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This is because it is interesting too.

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New layer I climb up I'm
going to change a little

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perspective I get a little more

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of little things around here
that break the silhouette a little

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so coarse this comes in handy always

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It would be cool to put
something around here,

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something that gives us more
perspective, I can paint it, I can use,

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I can paint it with
a brush for example

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or I can use somehow the same,

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If I see a way that interests me

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I use it, I will see what I find

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this one here is ok come on let's try,

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New layer, I put it and with
rotating and pressing control it transforms

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Let's see

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Perfect

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You see it even if it was
a column now then rotate it

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It becomes part of the
roof of the structure.

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I always like to rotate
the image here to the right,

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I always do this very
much throughout the year

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because that helps me see
if the composition works

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in both ways if you
do good then like this,

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image, image rotation,
flip horizontal canvas

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What happens is that I
have made a small short cut,

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that it is easy to do it
herself but well if you go here

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to image rotation

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I flip the horizontal
canvas I rotate the image

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if you don't have to see
that it works well in both ways

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Let's see what else I can

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Now that I see it a
little, it bothers me a little

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He is too inclined.

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What I'm going to do
now I'm going to select

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All layers if pulse control,

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I can select all the
layers that I have,

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less that of the ground than that of
the ground I want to leave it the same,

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and now with T control,

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You can also move it like that,

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a little more
straight was too inclined

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as we continue let's look for the ways

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let's see what we can put

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let's see is the arc if it works,

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if I'm going to make the
arc shape and with T control,

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transformed and
pressing the control key

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as always he
transformed it into perspective.

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I like the fact that I will use again,

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to put you here in the
background control T again,

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you see suddenly is that
the eye starts to generate

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lots of cool images,

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You start to see forms there
even if there is nothing yet

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only one silhouette is
how good the brain has

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the brain tends to fill gaps

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and well it helps us to see
things that I see one thing here

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that interests me,
and you see another one,

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This is the grace of the exercise.

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I'm going to put here a couple
of characters more than anything

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for first to have,

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to have a little sense of size,

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because if you don’t put
anything we can rely on

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and so expose a rock for example,

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You don't know how big the rock is

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can be a piece of rock can be

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a small pebble and plants

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well also but if you
put a person, an animal

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We already know what
size you are going to have,

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then we can establish a scale,

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a relationship of elements that
is why it always comes very well,

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put some bird are very cliché,

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but it is true that they
help a lot about everything

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when you want to do
things on a large scale,

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because if you now put
this character like that,

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for example it has changed a lot,

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Now it seems to be a tiny temple.

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If we leave it as it is now
the thing that charges much more

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magnificence I will try to establish

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I think now that more or less,

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I have something that interests me.

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It's not over, but I want

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set the light direction a bit,

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right now it's just a silhouette,

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so now with white yes I can start

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to add some element,

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that gave me some information

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Where does the light go from?

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I'm going to put this here,

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and this and let's see.

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Ok this helps.

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I'm going to erase a little
because it's too much over here

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and so I am living
where the light is going

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you see, suddenly it
starts to charge volume

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and I'm going to do the same
thing I'm going to apply the J control

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and I'm going to put it here and
I'm going to erase quite a bit here

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I'm not very interested, I
just want to leave a little

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look suddenly as you
start to see a lot of volume

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where there was
nothing and basically we are

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only playing with two
shades of black and white,

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Well, we continue to
accommodate an interesting way

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something is missing here
in the background but hey

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I want to add this and
then later when we add

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Another grayscale.

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Right now I just
want what I was saying,

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apply a silhouette that we like

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and add a composition that we like,

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and then add a little
intuit where the light will go

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This helps us a lot later,

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well I can paint a little too

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we are seeing many ways it
can be with a white brush,

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new layer

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and I'm about to paint around
here a little to make straight lines

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If for example I already have

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I'm in free hands that I say freehand,

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if you want to make a straight
line by pressing the shift key,

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you click, do you see it?

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and as long as you press, you
will continue to make straight lines.

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This can be quite useful especially

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when you do some architectural form,

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It comes very useful as you
see I am using a hard brush,

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without any texture
like this for example

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or without any without
any gradient like this,

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This is done much later,

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Right now I just want
to use hard painters

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because I don't want to
add any other details,

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This has been very finite.

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We are going to put
something here a little more black

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to expand the size of the east roof,

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we can add another column here

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that we give more form later.

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So something is more or
less felt around here,

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What else can we put?

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The east roof doesn't
convince me to be so open,

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Well, let's get some other way

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let's see if I find something
decent around here that helps me

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the bad thing that sometimes
I don't work in so many ways,

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what happens I've left them all

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so you have all here

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but the truth is
that I am telling you,

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I prefer to make a selection first

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in about 10-15 ways with a maximum

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and use only those now
that because put many,

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because I don't want
you all to have later

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but make different sets if you want

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one with forms of nature another

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and you are not going crazy that
in the end with four or five ways

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you can make many compositions,

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this one can serve me

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let's put it in perspective too,

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I'm going to erase
this from here I like it.

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I like a lot,

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I really like it I mean
it is with the concept

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Have a good time and
then, little by little,

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I could do much more complex things,

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but I already tell
you with this technique,

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notice that we take a little time

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and we already have
something very decent here,

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even then you could start
by calling the art director

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and say hey look how you see it,

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How do you see the
shape? How is it going?

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and I could say hey look
well, no, the scale is very large,

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Very small or why not change the
silhouette because I don't like it.

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here we no longer
say enough information

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like to start a conversation

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with the art director,
with only 15 minutes,

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we already have
something very very presentable

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to see is not to teach or anything,

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but at this moment
we could already have,

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a little conversation
with the art director

241
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and tell him hey look
this is what I'm thinking,

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you see it works, how
do you see the scale?

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is that the form is interesting

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Did it continue or not?
You are here you can already

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start seeing enough things

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and you can start a conversation

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already more direct
with the art director,

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and it can solve many headaches

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that's why sometimes I think
the importance of the assembly

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It is very valid
especially in video games,

251
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because you can start now
in a video game production

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make yourself a piece, concept
in 3d or something very curved

253
00:10:07,187 --> 00:10:09,138
because if you don't like
that or you have to change it,

254
00:10:09,138 --> 00:10:10,408
will be thrown away

255
00:10:10,408 --> 00:10:12,817
It is time but above all it
is also money for the company.

256
00:10:12,817 --> 00:10:13,718
this in your house

257
00:10:13,718 --> 00:10:16,015
Yes, you can throw in your
home as long as you want,

258
00:10:16,015 --> 00:10:17,716
but here you have to
know how to economize,

259
00:10:17,716 --> 00:10:20,617
you have to go fast and
that's why that technique

260
00:10:20,617 --> 00:10:24,119
that's why I explain to you that it is
very easy to make this type of compositions

261
00:10:24,119 --> 00:10:27,445
you get done on a 20th
day if you want the next day

262
00:10:27,445 --> 00:10:31,049
you put them with a folder
with the art director and comment

263
00:10:31,049 --> 00:10:32,349
and you haven't wasted any time

264
00:10:32,349 --> 00:10:34,750
and you have a lot
of material to teach

265
00:10:34,750 --> 00:10:37,379
and that for you for
later for future concept,

266
00:10:37,379 --> 00:10:39,687
I will not add a bit of selection here

267
00:10:39,687 --> 00:10:40,950
I will add some light.

268
00:10:40,950 --> 00:10:42,763
One of the things that
I also want to tell you,

269
00:10:42,763 --> 00:10:45,330
Look, this is very cool too.

270
00:10:45,330 --> 00:10:47,025
I like it, I love
painting with selections,

271
00:10:47,025 --> 00:10:49,325
I always make a selection
because it stays the whole line,

272
00:10:49,325 --> 00:10:52,153
you see it, everything
stays very, very hard

273
00:10:52,153 --> 00:10:54,281
and I really like
when the line stays so,

274
00:10:54,281 --> 00:10:56,655
that everything looks very
marked What happens? Sometimes

275
00:10:56,655 --> 00:10:57,755
when I paint with the selection,

276
00:10:57,755 --> 00:10:59,669
I don't like the selection here,

277
00:10:59,669 --> 00:11:03,536
it bothers me a lot
then if I press control H,

278
00:11:03,536 --> 00:11:05,286
because I listen to the
selection, it did not eliminate it

279
00:11:05,286 --> 00:11:07,062
the selection is
still here as you see,

280
00:11:07,062 --> 00:11:08,573
the good thing about
this that I can paint,

281
00:11:08,573 --> 00:11:11,411
without having the pain of
being there with the national team,

282
00:11:11,411 --> 00:11:13,572
that bothers a lot and if
you want to show it again,

283
00:11:13,572 --> 00:11:15,374
with control h,
there you have it again.

284
00:11:15,374 --> 00:11:18,075
And another thing to reverse
the selection now I paint here,

285
00:11:18,075 --> 00:11:20,052
if you want to paint
outside instead of inside,

286
00:11:20,052 --> 00:11:22,442
Well, with shift yi control,

287
00:11:22,442 --> 00:11:24,146
the i key, you see
that it has changed,

288
00:11:24,146 --> 00:11:25,789
and now I can paint outside

289
00:11:25,789 --> 00:11:28,543
from the other part of the selection

290
00:11:28,543 --> 00:11:32,135
and if I press again
shift control and the i key,

291
00:11:32,135 --> 00:11:35,257
and I paint again inside,

292
00:11:35,257 --> 00:11:37,536
well, this is very
useful for painting,

293
00:11:37,536 --> 00:11:39,671
then I use a lot also
at the beginning no,

294
00:11:39,671 --> 00:11:42,023
I did not see the grace
but when you catch the taste,

295
00:11:42,023 --> 00:11:43,700
It is very interesting.

296
00:11:43,700 --> 00:11:47,757
Well, something like that
including some light here too,

297
00:11:47,757 --> 00:11:49,770
Here we can also paint a little more.

298
00:11:49,770 --> 00:11:51,538
if it were a rock or part,

299
00:11:51,538 --> 00:11:53,318
You see it? It's good that
you don't paint anything,

300
00:11:53,318 --> 00:11:55,648
you're just marking light and shadow

301
00:11:55,648 --> 00:11:57,911
but the eye does the
rest, start filling

302
00:11:57,911 --> 00:11:59,822
and you start there
to see a lot of things,

303
00:11:59,822 --> 00:12:01,354
What else can we put here?

304
00:12:01,354 --> 00:12:03,385
A little thicker here we can intuit

305
00:12:03,385 --> 00:12:05,497
here a little the
shape of the columns,

306
00:12:05,497 --> 00:12:07,301
as you have seen
before in the reference

307
00:12:07,301 --> 00:12:09,596
I have a lot of references and always

308
00:12:09,596 --> 00:12:11,729
I have them on hand, don't
be afraid to use references,

309
00:12:11,729 --> 00:12:13,398
I always say that people sometimes too

310
00:12:13,398 --> 00:12:17,124
It seems to be a sin,
references are the best there is

311
00:12:17,124 --> 00:12:18,935
is that it will avoid many problems,

312
00:12:18,935 --> 00:12:20,116
they always have light references,

313
00:12:20,116 --> 00:12:23,322
lighting, architecture

314
00:12:23,322 --> 00:12:25,163
and keep them always at
hand, what I told you before

315
00:12:25,163 --> 00:12:28,710
so you have to be looking for later,

316
00:12:28,710 --> 00:12:30,848
waste time looking for references.

317
00:12:30,848 --> 00:12:32,447
What I like is when I start painting

318
00:12:32,447 --> 00:12:35,372
is to have everything at
hand, it avoids a lot of problems,

319
00:12:35,372 --> 00:12:37,723
Well, let's continue, I
guess it's clear to you

320
00:12:37,723 --> 00:12:42,731
where does the light come if you
see the white areas you are from here

321
00:12:42,731 --> 00:12:46,081
and here is where
the light is affecting,

322
00:12:46,081 --> 00:12:48,453
there is still information on
the floor light or anything else,

323
00:12:48,453 --> 00:12:52,768
but good for you to
see where the shots go.

324
00:12:52,768 --> 00:12:58,135
If it is clear to us, well,
the light would come from here

325
00:12:58,135 --> 00:13:01,273
something like that,

326
00:13:01,273 --> 00:13:04,369
which will surely
generate quite long shadows

327
00:13:04,369 --> 00:13:07,155
good is for you to keep in mind,

328
00:13:07,155 --> 00:13:10,971
I think that right now
you have to add perspective

329
00:13:10,971 --> 00:13:15,257
Because I am getting pretty complex.

330
00:13:15,257 --> 00:13:18,218
I already think I put more elements,

331
00:13:18,218 --> 00:13:21,356
I want them to be well
placed in perspective.

332
00:13:21,356 --> 00:13:24,046
So I will explain how
to use Perspective Tools.

333
00:13:24,046 --> 00:13:27,080
[Music]