1 00:02:34,870 --> 00:02:37,238 SIR! 2 00:02:37,306 --> 00:02:39,673 CAN YOU TELL ME WHERE I CAN FIND DOLLS INCORPORATED? 3 00:02:39,741 --> 00:02:41,409 ROOM 502. FIRST DOOR ON YOUR LEFT. 4 00:02:41,477 --> 00:02:42,410 THANK YOU. 5 00:02:56,208 --> 00:02:58,309 THESE ARE THE BROWNIES FROM THE VALLEY HIGH SCHOOL. 6 00:03:02,481 --> 00:03:05,516 THE GIRLS ARE HERE TO VISIT THE FACTORY, MR. FRANZ. 7 00:03:05,584 --> 00:03:08,052 YES, MR. FRANZ. 8 00:03:08,120 --> 00:03:10,121 HE'LL BE WITH YOU IN A MOMENT. 9 00:03:10,189 --> 00:03:12,290 I'M SURE THE GIRLS WOULD LIKE TO SEE THE DOLL DISPLAY 10 00:03:12,358 --> 00:03:13,724 WHILE THEY'RE WAITING. 11 00:03:13,792 --> 00:03:14,559 WELL, FINE. THANK YOU. 12 00:03:23,602 --> 00:03:25,670 I LIKE THE ONE OVER AT THE END. IT'S BEAUTIFUL. 13 00:03:25,737 --> 00:03:28,706 THEY'RE BEAUTIFUL. 14 00:03:28,774 --> 00:03:31,842 THEY'VE GOT SO MANY BEAUTIFUL DRESSES. 15 00:03:31,910 --> 00:03:35,480 I LIKE THE ONE OVER THERE BEST. 16 00:03:35,548 --> 00:03:36,614 [Little Girl] THERE ARE SO MANY. 17 00:03:41,253 --> 00:03:44,355 DON'T LET MR. FRANZ CATCH YOU. HE'S VERY FINICKY ABOUT THESE DOLLS. 18 00:03:44,423 --> 00:03:46,524 NOBODY'S ALLOWED TO TOUCH THEM. 19 00:03:46,591 --> 00:03:47,859 LET'S LOOK AT THE OTHER DOLLS. 20 00:04:37,326 --> 00:04:40,795 YOUNG LADY, DO YOU LIKE MY DOLLS? 21 00:04:40,863 --> 00:04:42,730 I THINK THEY'RE LOVELY. 22 00:04:42,798 --> 00:04:44,499 DO YOU REALLY? YOU MUST MEET SOME OF THEM. 23 00:04:54,743 --> 00:04:57,645 MY DOLLS ARE FASHIONED FROM ALL WALKS OF LIFE. 24 00:04:57,713 --> 00:04:59,247 HERE'S A BRIDE. ISN'T SHE LOVELY? 25 00:05:04,286 --> 00:05:06,821 AND OVER HERE, NOW LET ME SEE... 26 00:05:08,590 --> 00:05:09,991 A HOUSEWIFE GOING SHOPPING. 27 00:05:14,163 --> 00:05:18,166 AND HERE, OH MY, YES. SHE'S VERY IMPORTANT. 28 00:05:18,234 --> 00:05:20,435 THIS IS MY NURSE. SHE HELPS TO KEEP MY LITTLE PEOPLE WELL. 29 00:05:22,271 --> 00:05:24,906 WOULDN'T DO FOR ANYTHING TO HAPPEN TO THEM, WOULD IT, NURSE? 30 00:05:24,973 --> 00:05:27,175 YOU TREAT THEM LIKE REAL PEOPLE. 31 00:05:27,243 --> 00:05:30,645 BUT OF COURSE. THEY'RE MY FRIENDS. MY NAME IS FRANZ. 32 00:05:30,712 --> 00:05:33,181 WHAT'S YOURS, MY DEAR? SALLY REYNOLDS. 33 00:05:33,249 --> 00:05:35,716 YOU CAME ABOUT MY AD, I SUPPOSE. 34 00:05:35,784 --> 00:05:38,520 YES. BUT I DON'T THINK I'M THE GIRL FOR THE JOB. 35 00:05:39,588 --> 00:05:43,824 WAIT, PLEASE. 36 00:05:43,892 --> 00:05:46,026 LET ME BE THE JUDGE, HUH? HOW MUCH EXPERIENCE HAVE YOU HAD? 37 00:05:48,096 --> 00:05:50,798 VERY LITTLE. I WORKED A YEAR IN A COLLEGE BOOKSTORE, THAT'S ALL. 38 00:05:50,865 --> 00:05:53,033 MARRIED? NO. 39 00:05:53,101 --> 00:05:56,370 LIVE WITH YOUR FAMILY? I HAVEN'T ANY FAMILY. 40 00:05:56,438 --> 00:05:59,207 I'M SURE THERE'S SOMEBODY ELSE THAT'S BETTER QUALIFIED. 41 00:05:59,274 --> 00:06:01,342 YOU'RE EXACTLY THE ONE I WANT, MISS REYNOLDS. 42 00:06:01,410 --> 00:06:03,311 I'D LIKE YOU TO START RIGHT AWAY. 43 00:06:03,378 --> 00:06:05,580 I DON'T KNOW WHAT I'M SUPPOSED TO DO. 44 00:06:05,647 --> 00:06:08,148 JUST ANSWER THE PHONE, TAKE CARE OF MY ACCOUNTS 45 00:06:08,217 --> 00:06:10,685 AND MY CORRESPONDENCE. I'M NO GOOD AT PAPERWORK. 46 00:06:12,887 --> 00:06:14,788 I'M SORRY, MR. FRANZ. I COULDN'T. 47 00:06:14,856 --> 00:06:16,857 [Phone rings] 48 00:06:16,925 --> 00:06:19,427 I HAVE NO ONE TO HELP ME WITH MY DOLLS. I WORK ALONE. 49 00:06:19,494 --> 00:06:22,062 I NEED SOMEONE IN THE OFFICE. 50 00:06:22,130 --> 00:06:24,665 WHATEVER YOU DO, YOUR WORK WILL BE SATISFACTORY. 51 00:06:24,733 --> 00:06:27,602 I PAY THE USUAL WAGES, BUT IF THAT ISN'T ENOUGH, 52 00:06:27,669 --> 00:06:30,204 I COULD MANAGE A LITTLE MORE. WON'T YOU PLEASE TRY IT? 53 00:06:30,272 --> 00:06:31,805 JUST FOR A DAY OR TWO? 54 00:06:38,513 --> 00:06:41,616 DOLLS INCORPORATED. ONE MOMENT, PLEASE. 55 00:06:42,651 --> 00:06:44,452 A MR. GRANT FOR YOU. 56 00:06:44,519 --> 00:06:45,686 I'LL TAKE IT IN THE BACK ROOM. 57 00:07:06,908 --> 00:07:08,809 YES, MR. GRANT. 58 00:07:08,877 --> 00:07:11,646 I UNDERSTAND YOU HAD A SECRETARY NAMED JANET HALL? 59 00:07:11,713 --> 00:07:13,848 YES. MISS HALL USED TO WORK FOR ME. 60 00:07:13,915 --> 00:07:15,916 DO YOU HAVE ANY IDEA WHERE I CAN REACH HER? 61 00:07:15,984 --> 00:07:18,186 WELL, SHE LEFT LAST WEEK. 62 00:07:18,254 --> 00:07:20,388 SHE WAS GOING TO TAKE A BETTER POSITION WITH PATHE. 63 00:07:20,456 --> 00:07:22,290 YOU MIGHT TRY TO REACH HER THERE. 64 00:07:22,358 --> 00:07:24,559 THIS IS PATHE. SHE NEVER SHOWED UP. 65 00:07:24,627 --> 00:07:27,228 IF YOU SEE HER, WILL YOU HAVE HER GET IN TOUCH WITH ME? 66 00:07:27,296 --> 00:07:29,730 I'D BE GLAD TO. I'LL MAKE A NOTE OF IT. 67 00:07:29,798 --> 00:07:30,698 GOODBYE. THANK YOU.GOODBYE. 68 00:07:36,338 --> 00:07:37,205 [Knock on door] 69 00:07:43,412 --> 00:07:44,245 WHO IS IT? 70 00:07:44,313 --> 00:07:45,112 IT'S SALLY. 71 00:07:49,885 --> 00:07:52,387 MR. FRANZ, IF I'M TO WORK FOR YOU, I'LL NEED THE CASH LEDGER. 72 00:07:52,454 --> 00:07:55,056 CAN YOU TELL ME WHERE IT IS? 73 00:07:55,123 --> 00:07:58,059 I'M AFRAID I DON'T KNOW. JANET TOOK SUCH GOOD CARE OF THINGS. 74 00:07:59,961 --> 00:08:01,296 I'LL BE RIGHT OUT AND HELP YOU LOOK FOR IT. 75 00:08:26,221 --> 00:08:28,122 WELL, HELLO! 76 00:08:28,190 --> 00:08:30,008 WHO ARE YOU? 77 00:08:30,075 --> 00:08:32,560 MY NAME IS SALLY. I WORK FOR MR. FRANZ. 78 00:08:32,628 --> 00:08:33,928 SINCE WHEN? 79 00:08:33,996 --> 00:08:35,579 [Sally] SIX WEEKS AGO. 80 00:08:35,648 --> 00:08:38,265 DO YOU HAVE BUSINESS WITH MR. FRANZ? 81 00:08:38,333 --> 00:08:41,402 I SURE DO. I'M BOB WESTLEY. THE BEST SALESMAN IN ST. LOUIS. 82 00:08:41,469 --> 00:08:43,738 WELL, HE CAN'T BE DISTURBED RIGHT NOW. 83 00:08:43,805 --> 00:08:45,773 YOU MAY WAIT OR PERHAPS COME BACK LATER. 84 00:08:45,841 --> 00:08:48,308 [Bob] AT LEAST TELL HIM I'M HERE. 85 00:08:48,376 --> 00:08:50,144 BUT I'M SORRY, HE JUST CAN'T BE DISTURBED. 86 00:08:56,685 --> 00:08:59,086 HE'S NOT IN THE FACTORY. ARE YOU GONNA TELL ME WHERE HE IS? 87 00:09:04,392 --> 00:09:06,994 PLEASE, DON'T GET ME INTO TROUBLE. MR. FRANZ IS IN THE BACK ROOM. 88 00:09:08,296 --> 00:09:11,165 WHEN HE'S IN THAT ROOM, HE NEVER WANTS TO BE DISTURBED. 89 00:09:11,232 --> 00:09:14,401 ALL RIGHT, ALL RIGHT, DON'T GET EXCITED. 90 00:09:14,469 --> 00:09:16,671 BUT CAN'T YOU SEND UP SOME SMOKE SIGNALS OR SOMETHING? 91 00:09:16,738 --> 00:09:17,939 CALL HIM ON THE PHONE. 92 00:09:18,006 --> 00:09:20,207 HE'D BE FURIOUS. 93 00:09:20,275 --> 00:09:23,110 MR. FRANZ, FURIOUS? THEY DON'T COME ANY MILDER THAN HIM. 94 00:09:24,880 --> 00:09:26,413 ARE YOU AFRAID OF HIM? 95 00:09:26,481 --> 00:09:28,616 PLEASE, I'VE GOT WORK TO DO. 96 00:09:28,684 --> 00:09:30,150 IF YOU'LL EXCUSE ME, I'LL BE ABLE TO DO IT. 97 00:09:30,218 --> 00:09:32,653 LOOK. 98 00:09:32,721 --> 00:09:35,790 LET'S START ALL OVER AGAIN. I APOLOGIZE. 99 00:09:35,857 --> 00:09:38,025 I DON'T WANT TO GET YOU IN TROUBLE 100 00:09:38,093 --> 00:09:39,526 AND I WANT TO BE FRIENDS. OKAY? 101 00:09:41,897 --> 00:09:44,164 OKAY. 102 00:09:44,232 --> 00:09:46,801 ALL RIGHT, NOW THAT WE'RE FRIENDS, TELL ME THE TRUTH. 103 00:09:46,868 --> 00:09:48,268 ARE YOU AFRAID OF YOUR BOSS? 104 00:09:51,073 --> 00:09:54,842 NO, I'M NOT AFRAID OF HIM. 105 00:09:54,910 --> 00:09:58,212 MAYBE JUST A LITTLE. HE DOES GET A LITTLE PECULIAR AT TIMES. 106 00:10:01,182 --> 00:10:03,417 WHAT TIMES? 107 00:10:03,485 --> 00:10:06,988 WHEN HE TALKS TO THEM. HE'S SO SERIOUS. 108 00:10:07,055 --> 00:10:09,056 IT'S ALMOST AS IF HE EXPECTED THEM TO TALK BACK. 109 00:10:09,124 --> 00:10:11,058 WHO? 110 00:10:11,126 --> 00:10:12,426 WHY, THE DOLLS, OF COURSE. 111 00:10:12,494 --> 00:10:13,393 THE DOLL-- 112 00:10:28,844 --> 00:10:29,977 [Sally] WAIT. JUST A MINUTE. 113 00:10:34,649 --> 00:10:37,451 GOOD MORNING, SALLY. DREAMED UP ANYTHING NEW ABOUT THE BOSS? 114 00:10:38,987 --> 00:10:40,287 DOLLS INCORPORATED? 115 00:10:40,355 --> 00:10:43,590 IT'S ON THE FIFTH FLOOR. 116 00:10:43,658 --> 00:10:45,993 SECOND FLOOR! 117 00:10:46,061 --> 00:10:48,695 WELL, I CAN TAKE THE LETTER. I WORK THERE. 118 00:10:48,763 --> 00:10:50,898 ARE YOUMISS HALL? NO. 119 00:10:50,965 --> 00:10:53,667 WELL, IT'S REGISTERED. SOMEONE WILL HAVE TO SIGN FOR IT. 120 00:10:53,735 --> 00:10:56,437 MAYBE YOU BETTER SEE MR. FRANZ ABOUT IT. 121 00:10:56,505 --> 00:10:57,505 THIRD FLOOR! 122 00:11:04,812 --> 00:11:07,114 ARE YOU ANOTHER NEW MAN? SEEMS WE JUST GOT ONE LATELY. 123 00:11:07,182 --> 00:11:10,051 I'M SPECIAL DELIVERY. 124 00:11:10,118 --> 00:11:14,188 FOURTH FLOOR! 125 00:11:14,256 --> 00:11:16,157 WHATEVER HAPPENED TO THAT FRIENDLY FELLOW 126 00:11:16,224 --> 00:11:18,692 WHO BROUGHT THE MAIL FOR SO LONG? 127 00:11:18,760 --> 00:11:22,096 YOU MEAN OLD ERNIE? FUNNY THING, TWO DAYS BEFORE HE WAS TO RETIRE 128 00:11:22,164 --> 00:11:24,631 AND GET A PENSION, HE DISAPPEARED. 129 00:11:24,699 --> 00:11:26,567 STARTED OUT ONE MORNING WITH HIS MAIL SACK AND NEVER CAME BACK. 130 00:11:39,981 --> 00:11:44,118 [Phone rings] 131 00:11:48,190 --> 00:11:51,192 YES, MISS REYNOLDS. I'LL BE RIGHT OUT AND SIGN FOR IT. 132 00:12:07,942 --> 00:12:12,513 BOB. GOOD MORNING. I DON'T KNOW MISS HALL'S NEW ADDRESS, 133 00:12:13,781 --> 00:12:15,882 BUT I EXPECT HER TO STOP BY IN A DAY OR TWO. 134 00:12:17,552 --> 00:12:19,786 I'LL SEE SHE GETS THIS. THANK YOU. 135 00:12:19,854 --> 00:12:20,854 COME ON IN, BOB. 136 00:12:24,192 --> 00:12:25,593 SORRY IF I HURT YOUR FEELINGS. 137 00:12:33,935 --> 00:12:35,302 I'LL BE RIGHT WITH YOU, BOB. 138 00:12:47,282 --> 00:12:49,350 [Sally] HOW BEAUTIFUL! 139 00:12:49,417 --> 00:12:53,587 [Franz] YES, VERY NICE. 140 00:12:53,655 --> 00:12:56,723 THE PRICE DOESN'T SEEM TOO OUT OF LINE. 141 00:12:56,791 --> 00:13:00,661 I'LL TAKE FOUR GROSS OF THAT. 142 00:13:00,728 --> 00:13:02,396 WHAT DO YOU LIKE, MY DEAR? 143 00:13:02,464 --> 00:13:04,798 THIS ONE HERE. 144 00:13:04,866 --> 00:13:07,535 THE WHITE ORGANDY WITH THE BLUE RIBBONS. 145 00:13:07,602 --> 00:13:10,871 IT'S A PITY YOU CAN'T MODEL IT FOR US. 146 00:13:10,938 --> 00:13:13,907 [Franz] I CAN SEE IT WOULD BE VERY BECOMING ON YOU. YES. 147 00:13:13,975 --> 00:13:16,810 WELL, TWO GROSS OF THE STRAPLESS ORGANDY, 148 00:13:16,878 --> 00:13:19,446 AND TWO OF THE NEGLIGEE. 149 00:13:19,514 --> 00:13:21,549 [Salesman]HOW ABOUT LINGERIE TO GO WITH IT? 150 00:13:21,616 --> 00:13:23,834 [Franz] YES, YOU CAN PUT THAT IN, TOO. 151 00:13:23,902 --> 00:13:25,970 WHEN CAN YOU DELIVER THEM? 152 00:13:26,038 --> 00:13:28,205 [Franz] YES. [Salesman]TEN DAYS. ALL RIGHT? 153 00:13:28,273 --> 00:13:30,524 WILL THAT BE ALL, MR. FRANZ? 154 00:13:30,591 --> 00:13:33,127 [Franz] DO YOU MIND IF I KEEP THIS STRAPLESS ORGANDY? 155 00:13:33,195 --> 00:13:34,812 YOU CAN CHARGE IT TO MY ORDER. 156 00:13:34,880 --> 00:13:36,313 I THINK THAT'LL BE ALL RIGHT. 157 00:13:42,904 --> 00:13:45,706 THANK YOU, MR. FRANZ. THANK YOU, MISS. 158 00:13:45,773 --> 00:13:48,609 HERE, LET ME GET RID OF SOME OF THIS STUFF FOR YOU. 159 00:13:48,677 --> 00:13:50,444 MISS REYNOLDS, I DON'T KNOW WHAT I'D EVER DO WITHOUT YOU. 160 00:14:58,880 --> 00:14:59,913 [Phone rings] 161 00:15:04,586 --> 00:15:08,389 YES, MISS REYNOLDS. WHO? NO! 162 00:15:10,325 --> 00:15:13,627 BY ALL MEANS, TELL HIM I'LL BE RIGHT THERE. 163 00:15:13,695 --> 00:15:15,862 AN OLD FRIEND OUT OF THE PAST IS HERE TO SEE ME. 164 00:15:15,930 --> 00:15:17,831 SHALL WE CALL IT A DAY? 165 00:15:17,899 --> 00:15:20,267 I'D HAVE TO STOP SOON TO MIX MORE PLASTIC. 166 00:15:20,335 --> 00:15:22,603 SO, YOU'LL FORGIVEME, WON'T YOU? CERTAINLY, SIR. 167 00:15:28,810 --> 00:15:32,379 MY DEAR FRIEND,HOW ARE YOU? EMIL! 168 00:15:32,447 --> 00:15:34,281 EMIL,WHAT A SURPRISE. 169 00:15:34,349 --> 00:15:36,917 I DIDN'T EVEN KNOW YOU WERE IN THIS PART OF THE WORLD. 170 00:15:36,985 --> 00:15:39,620 I ARRIVEDYESTERDAY. WITH YOUR PUPPETS? 171 00:15:39,687 --> 00:15:42,789 OF COURSE. MY PUPPETS OPEN THEIR SHOW NEXT MONDAY. 172 00:15:45,627 --> 00:15:48,429 I SHOULD LIKE VERY MUCH FOR YOU TO COME AND MEET THEM. 173 00:15:48,497 --> 00:15:50,397 GOOD. OF COURSE, I SHOULD BE HAPPY TO. 174 00:15:50,465 --> 00:15:53,167 HOW DID YOU EVER FIND ME? 175 00:15:53,235 --> 00:15:56,203 WELL, I THOUGHT I'D NEED THE SERVICES OF A MARIONETTE-MAKER 176 00:15:56,271 --> 00:15:58,172 WHILE I WAS HERE. 177 00:15:58,240 --> 00:16:00,241 SO, I OPENED THE DIRECTORY AND THERE WAS YOUR NAME. 178 00:16:03,911 --> 00:16:06,514 IT'S BEEN A LONG TIME, FRANZ. NO MORE SHOW BUSINESS, HUH? 179 00:16:06,581 --> 00:16:08,682 NO, NO, I GAVE THAT UP. 180 00:16:08,750 --> 00:16:10,251 I JUST HAVE DOLLS NOW. 181 00:16:10,318 --> 00:16:11,752 DOLLS, HUH? 182 00:16:11,819 --> 00:16:14,488 MANY, MANY DOLLS, AS YOU CAN SEE. 183 00:16:14,556 --> 00:16:16,390 AS LONG AS YOU ENJOY IT. 184 00:16:16,458 --> 00:16:19,226 TELL ME, HOW'S YOUR DEAR EMMA? 185 00:16:19,294 --> 00:16:21,061 EMMA, EMMA... 186 00:16:24,899 --> 00:16:26,900 THE GIRL WITH THE BEAUTIFUL GOLDEN HAIR, YOUR WIFE. 187 00:16:29,171 --> 00:16:32,105 I HAVE TRIED SO LONG TO FORGET THAT NAME, 188 00:16:32,174 --> 00:16:35,075 I SOMETIMES ALMOST SUCCEED. 189 00:16:36,311 --> 00:16:39,680 SHE LEFT ME. 190 00:16:39,747 --> 00:16:42,349 WHEN DID THIS HAPPEN? 191 00:16:42,417 --> 00:16:44,518 MY MARIONETTES WERE PLAYING IN LUXEMBOURG. 192 00:16:46,688 --> 00:16:50,123 SHE RAN AWAY WITH SOMEONE SHE LIKED BETTER. AN ACROBAT. 193 00:16:51,125 --> 00:16:53,927 ACRO-- THAT MUST'VE HURT. 194 00:16:53,995 --> 00:16:57,931 HOW THAT MUST'VE HURT. 195 00:16:57,999 --> 00:17:00,634 BUT, I'M HAPPY NOW AT ANY RATE, AND THAT'S WHAT COUNTS. 196 00:17:01,636 --> 00:17:03,237 EMIL, LET ME TAKE YOU TO DINNER. 197 00:17:03,305 --> 00:17:06,106 WHY NOT, WHY NOT? 198 00:17:06,174 --> 00:17:09,376 WE'LL HAVE TIME TO STOP AT THE THEATER AND VISIT YOUR MARIONETTES. 199 00:17:09,444 --> 00:17:11,078 THAT'S AN EXCELLENT IDEA, FRANZ. 200 00:17:11,145 --> 00:17:13,714 SO, LET US GO. 201 00:17:13,781 --> 00:17:15,282 WAIT TILL YOU MEET MY LITTLE PUPPETS. 202 00:17:29,431 --> 00:17:31,932 BRAVO, BRAVO. 203 00:17:31,999 --> 00:17:35,502 EXCELLENT, FRANZ. EXCELLENT. 204 00:17:35,570 --> 00:17:39,340 YOU KNOW, I HAVEN'T SEEN A PERFORMANCE LIKE THAT IN AGES. 205 00:17:39,407 --> 00:17:42,075 WELL, WELL, WELL. THIS IS LIKE THE GOOD OLD DAYS, HUH, FRANZ? 206 00:17:44,312 --> 00:17:47,381 YOU WERE ONCE THE BEST IN OUR PROFESSION. 207 00:17:47,449 --> 00:17:50,484 YOU STILL COULD BE, IF YOU WANTED TO. 208 00:17:50,552 --> 00:17:53,387 WELL, YOU SEE, THINGS HAVE BEEN GETTING TOO MUCH FOR ME LATELY 209 00:17:53,455 --> 00:17:55,356 AND I'VE BEEN THINKING OF A PARTNER. 210 00:17:55,423 --> 00:17:56,857 WHAT ABOUT JOINING ME, HUH? 211 00:17:56,924 --> 00:17:59,126 IT DOESN'T INTEREST ME. 212 00:17:59,193 --> 00:18:02,162 WHY NOT? BECAUSE MY MARIONETTES ARE OLD AND NEED ATTENTION? 213 00:18:02,230 --> 00:18:04,798 I DON'T MIND REPAIRING THEM, IT ISN'T THAT. 214 00:18:04,866 --> 00:18:06,300 WHAT IS IT, THEN? 215 00:18:06,368 --> 00:18:08,902 I'M CONTENT IN MY DOLL FACTORY. 216 00:18:08,970 --> 00:18:13,173 ISN'T IT TIME WE ATE? 217 00:18:13,241 --> 00:18:16,610 DO YOU KNOW WHAT'S WRONG WITH YOU, MY FRIEND? 218 00:18:16,678 --> 00:18:19,446 WHY MUST SOMEONE WHO'S CONTENT WITH THINGS THE WAY THEY ARE 219 00:18:19,514 --> 00:18:22,683 ALWAYS HAVE SOMETHING WRONG WITH HIM? 220 00:18:22,751 --> 00:18:26,086 CONTENTMENT IS UNNATURAL. 221 00:18:26,154 --> 00:18:28,622 EMMA'S LEAVING MUST'VE DONE YOU A GREAT DEAL OF HARM, MY BOY. 222 00:18:28,690 --> 00:18:31,892 YOU THINK SO? 223 00:18:31,960 --> 00:18:34,962 YOU'VE RUN AWAY FROM LIFE. YOU'VE SURROUNDED YOURSELF 224 00:18:35,030 --> 00:18:38,498 WITH ALL SHAPES OF PEOPLE: THEIR FACES, THEIR LEGS, THEIR ARMS... 225 00:18:38,566 --> 00:18:41,201 EVEN LITTLE MANNEQUINS OF THEM. BUT NOT THEIR SPIRIT. 226 00:18:41,269 --> 00:18:42,936 YOU'RE AFRAID OF THAT. 227 00:18:43,004 --> 00:18:45,338 WELL, I'VE FOUND PEACE, ANYHOW. 228 00:18:45,406 --> 00:18:47,574 WILL IT LAST? 229 00:18:47,642 --> 00:18:51,078 I HAVE NO FEAR IT WON'T. I LOVE MY DOLLS AND I'M QUITE SURE. 230 00:18:51,880 --> 00:18:54,815 THEY'LL NEVER LEAVE ME. 231 00:18:54,883 --> 00:18:58,652 LET'S FORGET ABOUT THE PAST, EMIL, AND HAVE A GOOD TIME, HUH? 232 00:18:58,720 --> 00:19:02,389 LIVING IN THE PRESENT IS THE ONLY IMPORTANT THING. 233 00:19:02,456 --> 00:19:05,092 AFTER DINNER, WE'LL GO BACK TO MY SHOP, HUH? 234 00:19:05,160 --> 00:19:06,860 EXCELLENT IDEA. HOW ABOUT THAT? 235 00:19:41,012 --> 00:19:44,648 HAPPY? UH-HUH. 236 00:19:44,716 --> 00:19:47,651 DID YOU PICK THIS SHOW FOR ANY PARTICULAR REASON? 237 00:19:47,719 --> 00:19:50,788 I GET TIRED OF THE SAME THINGS ALL THE TIME. DON'T YOU? 238 00:19:50,855 --> 00:19:53,223 YES, I DO. SUCH AS WHAT? 239 00:19:55,193 --> 00:19:58,128 DOLLS. 240 00:19:58,196 --> 00:20:00,597 WHY DON'T YOU ASK ME WHAT IT FEELS LIKE TO BE A FREAK? 241 00:20:00,665 --> 00:20:02,700 PLEASE, SIR, I... 242 00:20:02,767 --> 00:20:05,436 THIS IS HOW IT FEELS TO BE SO BIG YOU CAN STICK YOUR FIST 243 00:20:05,503 --> 00:20:07,237 THROUGH A CIRCUS TOP! 244 00:20:07,305 --> 00:20:10,941 [Colossal Man] LIKE A CLOWN! 245 00:20:11,008 --> 00:20:13,310 MR. FRANZ SAID YOU WERE GOING BACK TO ST. LOUIS TOMORROW. 246 00:20:15,112 --> 00:20:17,914 MAYBE. 247 00:20:17,982 --> 00:20:20,351 [Colossal Man] I CAN GROW TO BE 100 FEET TALL! 248 00:20:20,418 --> 00:20:22,319 AND I DON'T NEED A CHANGE OF WARDROBE. 249 00:20:22,387 --> 00:20:25,155 HOW WOULD YOU LIKE TO COME WITH ME? 250 00:20:25,223 --> 00:20:27,924 WHAT WOULD I DO IN ST. LOUIS? 251 00:20:27,992 --> 00:20:29,226 LIVE IN A PRETTY LITTLE HOUSE. 252 00:20:32,029 --> 00:20:36,099 BECOME MRS. BOB WESTLEY. 253 00:20:36,167 --> 00:20:37,634 [Colossal Man] "MAN LIVES THROUGH PLUTONIUM BLAST." 254 00:20:40,805 --> 00:20:44,241 THAT'S A GREAT JOKE, ISN'T IT, SERGEANT? 255 00:20:44,308 --> 00:20:46,977 WHY DO YOU THINK I'VE BEEN HANGING AROUND ALL THESE WEEKS? 256 00:20:47,044 --> 00:20:50,681 WHAT DO YOU SAY? 257 00:20:50,749 --> 00:20:53,384 I DON'T KNOWWHAT TO SAY. THEN DON'T SAY ANYTHING. 258 00:20:54,819 --> 00:20:57,254 [Colossal Man] WANT TO GO BACK AND TELL YOUR FRIENDS 259 00:20:57,321 --> 00:20:59,890 ABOUT THE MONSTER? THE CIRCUS FREAK? 260 00:20:59,957 --> 00:21:01,925 THAT'S RIGHT, SERGEANT. 261 00:21:01,993 --> 00:21:05,763 I'M A CIRCUS FREAK. HAVE A TENT, WILL TRAVEL. 262 00:21:05,830 --> 00:21:07,731 WHY DON'T YOU MAKE A SIGN SAYING: 263 00:21:07,799 --> 00:21:09,199 "SEE THE AMAZING COLOSSAL MAN"? 264 00:21:12,404 --> 00:21:15,171 SAY, I GOT A TERRIFIC IDEA. 265 00:21:15,239 --> 00:21:18,241 WHY DON'T WE FLY TO LAS VEGAS TOMORROW AND GET MARRIED? 266 00:21:18,309 --> 00:21:21,344 I COULDN'T LEAVE WITHOUT TELLING MR. FRANZ I'M GOING. 267 00:21:21,413 --> 00:21:24,648 WELL, LET ME TELL HIM. I'LL SEE HIM FIRST THING IN THE MORNING. 268 00:21:24,716 --> 00:21:26,717 YOU GET PACKED AND BE READY. I'LL PICK YOU UP AT 10:00. 269 00:21:26,785 --> 00:21:28,151 HOW'S THAT? 270 00:21:28,219 --> 00:21:30,053 WONDERFUL. 271 00:21:30,121 --> 00:21:33,089 [Colossal Man] I'M NOT GROWING, YOU'RE SHRINKING! 272 00:21:53,945 --> 00:21:55,813 [Phone rings] 273 00:22:00,718 --> 00:22:02,852 [Sally]HELLO? [Franz]MISS REYNOLDS. 274 00:22:02,920 --> 00:22:05,122 IS ANYTHING THE MATTER? WHEN YOU DIDN'T COME 275 00:22:05,190 --> 00:22:08,292 TO THE OFFICE THIS MORNING, I BEGAN TO WORRY. 276 00:22:08,359 --> 00:22:11,111 HASN'T MR. WESTLEY BEEN TO SEE YOU? 277 00:22:11,179 --> 00:22:13,346 YES, HE WAS HERE EARLIER, BUT HE'S LEFT. 278 00:22:13,414 --> 00:22:14,981 [Sally] WHERE DID HE GO? 279 00:22:15,049 --> 00:22:16,249 BACK TO ST. LOUIS, I BELIEVE. 280 00:22:20,488 --> 00:22:23,289 [Franz] MISS REYNOLDS? ARE YOU ALL RIGHT? 281 00:22:25,727 --> 00:22:27,744 YES. 282 00:22:27,812 --> 00:22:30,196 CAN I EXPECT YOU AT THE OFFICE THIS MORNING? 283 00:22:30,264 --> 00:22:32,666 YES. I'LL BE THERE. 284 00:22:32,734 --> 00:22:33,533 [Franz] ALL RIGHT. 285 00:22:46,280 --> 00:22:48,682 THERE YOU ARE. NOW THINGS ARE AS THEY SHOULD BE. 286 00:22:50,852 --> 00:22:53,387 BY THE WAY, I LEFT THE BILL FOR THOSE ST. LOUIS SHIPMENTS ON YOUR DESK. 287 00:22:54,355 --> 00:22:55,572 I'LL SEE TO THEM RIGHT AWAY. 288 00:23:01,145 --> 00:23:05,215 MR. FRANZ, DID BOB GO BY AIR? 289 00:23:05,282 --> 00:23:08,351 NO. BY TRAIN. I BELIEVE HE HAD HIS TICKET ALL READY. 290 00:23:08,419 --> 00:23:10,888 IT WAS VERY SUDDEN. 291 00:23:10,955 --> 00:23:13,156 HE'D BEEN NEGLECTING HIS BUSINESS LATELY. 292 00:23:13,224 --> 00:23:14,558 IT PROBABLY CAUGHT UP WITH HIM. 293 00:23:17,896 --> 00:23:21,064 DIDN'T HE TELL YOU ANYTHING ABOUT ME? 294 00:23:21,132 --> 00:23:24,801 YES, HE DID. HE TOLD ME THAT HE'D ASKED YOU TO MARRY HIM, 295 00:23:24,869 --> 00:23:28,005 AND THAT YOU HAD CONSENTED. WHEN'S IT TO BE? 296 00:23:28,072 --> 00:23:30,007 HE DIDN'T... I MEAN, WE HAVEN'T SET THE DATE. 297 00:23:32,510 --> 00:23:35,012 BOB GAVE ME TO UNDERSTAND THAT YOU WOULDN'T HAVE WORKED FOR ME 298 00:23:35,079 --> 00:23:37,347 AFTER YOU WERE MARRIED. 299 00:23:37,415 --> 00:23:40,918 I BEGGED HIM NOT TO TAKE YOU AWAY. I TOLD HIM HOW SAD IT IS 300 00:23:41,619 --> 00:23:42,786 WHEN PEOPLE GO. 301 00:23:45,823 --> 00:23:47,624 [Franz] OH, MY DEAR. 302 00:23:47,692 --> 00:23:50,493 I DIDN'T MEAN TO MAKE YOU UNHAPPY. 303 00:23:50,562 --> 00:23:54,130 IS IT BECAUSE HE DIDN'T COME AND SAY GOODBYE? 304 00:23:54,198 --> 00:23:57,601 THAT WASN'T THOUGHTFUL OF HIM. WILL YOU LISTEN TO AN OLD FRIEND? 305 00:23:59,470 --> 00:24:02,338 PERHAPS IT WOULD BE BETTER IF YOU TRIED TO FORGET HIM. 306 00:24:02,406 --> 00:24:06,209 I DON'T KNOW WHAT TO THINK. 307 00:24:06,277 --> 00:24:09,846 THAT'S NOT TRUE, I DO KNOW. 308 00:24:09,914 --> 00:24:12,348 BOB WOULDN'T TREAT ME THIS WAY IF HE COULD HELP IT. 309 00:24:12,416 --> 00:24:13,516 SOMETHING'S HAPPENED TO HIM. 310 00:24:20,357 --> 00:24:22,192 WHEN DID YOU MAKE THIS, MR. FRANZ? 311 00:24:22,259 --> 00:24:25,328 WHILE BOB WAS HERE. 312 00:24:25,396 --> 00:24:27,664 IT COULD BE HIM, ALMOST. 313 00:24:27,732 --> 00:24:31,001 THANK YOU FOR THE COMPLIMENT. 314 00:24:31,069 --> 00:24:34,137 THE AIM OF EVERY COMPOSER IS TO FIT THE WORLD 315 00:24:35,139 --> 00:24:37,941 WITHIN THE LIMITS OF HIS SYMPHONY. 316 00:24:38,009 --> 00:24:40,611 [Franz] A WRITER WANTS TO PUT ALL OF LIFE BETWEEN THE COVERS OF HIS BOOK. 317 00:24:42,714 --> 00:24:45,248 IF I CAN MAKE MY DOLLS IN THE IMAGE OF THOSE I KNOW AND LOVE, 318 00:24:45,917 --> 00:24:48,418 I'M SATISFIED. 319 00:24:48,486 --> 00:24:51,121 IT'S A SMALL TALENT, I KNOW, BUT I HAVE TO MAKE THE MOST OF IT. 320 00:24:51,956 --> 00:24:54,791 IT'S THE ONLY ONE I HAVE. 321 00:24:54,859 --> 00:24:57,460 I'LL BE OUT OF THE OFFICE FOR AN HOUR OR SO, MISS REYNOLDS. 322 00:25:22,120 --> 00:25:24,054 WILL YOU LOCK UP, MY DEAR? I HAVE MY OWN KEY. 323 00:26:30,037 --> 00:26:31,804 PARDON ME. 324 00:26:31,872 --> 00:26:34,374 CAN YOU TELL ME WHERE SERGEANT PATERSON IS? 325 00:26:34,442 --> 00:26:35,041 THANK YOU. 326 00:26:39,079 --> 00:26:41,248 SERGEANT PATERSON? YES. 327 00:26:41,315 --> 00:26:43,783 I'M SALLY REYNOLDS. THE MAN AT THE DESK SENT ME TO YOU. 328 00:26:43,851 --> 00:26:45,285 OH, YES. SIT DOWN, MISS REYNOLDS. 329 00:26:48,623 --> 00:26:51,424 HERE IT IS. 330 00:26:51,492 --> 00:26:54,060 YOU SAY IN THIS REPORT YOU MADE DOWNSTAIRS 331 00:26:54,128 --> 00:26:56,929 THAT YOUR FIANCE DISAPPEARED MYSTERIOUSLY. 332 00:26:56,997 --> 00:26:59,098 JUST WHAT DOES THAT MEAN? 333 00:26:59,167 --> 00:27:01,201 SOMETHING MR. FRANZ DID TO HIM. 334 00:27:01,269 --> 00:27:04,204 SUCH AS? 335 00:27:04,272 --> 00:27:07,440 MR. FRANZ DIDSOMETHING TO HIM. YOU SAID THAT. 336 00:27:09,277 --> 00:27:13,547 I DON'T KNOW HOW ELSE TO PUT IT. 337 00:27:13,614 --> 00:27:16,183 DID HE HIT HIM? DID HE SHOOT HIM? DID HE STRANGLE HIM? 338 00:27:16,250 --> 00:27:19,719 NO, HE... YOU WON'T BELIEVE ME. 339 00:27:21,755 --> 00:27:23,824 WELL, THAT'S MY BUSINESS. NOW TELL ME, JUST WHAT DID HE DO? 340 00:27:25,793 --> 00:27:29,863 HE MADE BOB INTO A DOLL. 341 00:27:29,931 --> 00:27:32,732 HE MADE YOUR FIANCE INTO A DOLL. I SEE. 342 00:27:35,369 --> 00:27:37,770 WE'LL LET YOU KNOW IF WE LEARN ANYTHING, MISS REYNOLDS. 343 00:27:37,839 --> 00:27:39,639 I KNEW YOU WOULDN'T BELIEVE ME. 344 00:27:39,707 --> 00:27:42,209 SUPPOSE THERE WERE SOME OTHER PEOPLE 345 00:27:42,276 --> 00:27:44,744 THAT DISAPPEARED THE SAME WAY? WOULD YOU DO SOMETHING THEN? 346 00:27:44,812 --> 00:27:46,880 THAT ALL DEPENDS. WHO WERE THEY? 347 00:27:46,948 --> 00:27:47,747 JANET HALL. 348 00:27:53,221 --> 00:27:54,754 ANYONE ELSE? A MAILMANNAMED ERNIE. 349 00:28:00,561 --> 00:28:03,096 ERNIE LARSON. GO ON. 350 00:28:03,164 --> 00:28:04,331 ISN'T THAT ENOUGH? 351 00:28:07,335 --> 00:28:09,702 I GUESS IT IS. 352 00:28:09,770 --> 00:28:11,437 OKAY. LET'S GO SEE THIS MR. FRANZ. 353 00:28:21,515 --> 00:28:23,149 HE'S TAKEN BOB DOWN. 354 00:28:23,217 --> 00:28:24,484 HE MUST HAVE HIM INSIDE. 355 00:28:35,178 --> 00:28:36,479 [Sergeant] IS THIS THE MAN? 356 00:28:36,547 --> 00:28:40,483 [Sally] YES. 357 00:28:40,551 --> 00:28:43,486 THE LADY SAYS YOU'VE BEEN MAKING PEOPLE DISAPPEAR MYSTERIOUSLY. 358 00:28:43,554 --> 00:28:45,955 [Sergeant] TURNING THEM INTO DOLLS. 359 00:28:46,023 --> 00:28:48,625 WHY, MISS REYNOLDS, WHAT MADE YOU SAY SUCH A THING? 360 00:28:49,926 --> 00:28:52,462 [Franz] THAT'S PERFECTLY RIDICULOUS. 361 00:28:52,530 --> 00:28:55,731 [Sergeant] IS THAT WESTLEY? 362 00:28:55,799 --> 00:28:58,434 [Sergeant] HOW COME IT LOOKS JUST LIKE HER BOYFRIEND? 363 00:28:58,502 --> 00:29:01,871 I MODEL ALL MY DOLLS AFTER PEOPLE I KNOW AND LIKE. 364 00:29:01,938 --> 00:29:04,707 PEOPLE I LIKE TO HAVE NEAR ME. 365 00:29:04,775 --> 00:29:07,577 [Franz] THERE'S NOTHING WRONG WITH THAT, IS THERE? 366 00:29:07,645 --> 00:29:09,045 [Sergeant] MAY ISEE IT, PLEASE? [Franz] CERTAINLY. 367 00:29:15,318 --> 00:29:16,853 IT'S LIFELIKE, ALL RIGHT. 368 00:29:16,921 --> 00:29:18,755 [Franz] I SHOULD HOPE SO. 369 00:29:18,822 --> 00:29:20,657 BUT I ASSURE YOU, IT'S ONLY A DOLL. 370 00:29:22,459 --> 00:29:23,560 WATCH. 371 00:29:34,505 --> 00:29:36,372 [Franz] WHAT DID YOU EXPECT, DEAR? 372 00:29:36,440 --> 00:29:37,707 THEY'RE ONLY MADE OF PLASTIC. 373 00:29:44,314 --> 00:29:46,950 YOU SEE, HERE'S A WHOLE CASE FULL OF THEM. 374 00:29:52,289 --> 00:29:54,624 LOOKS LIKE YOUR BOYFRIEND KIND OF TOOK A POWDER, DOESN'T IT? 375 00:29:56,827 --> 00:29:59,796 OKAY. I'LL PUT THROUGH A TRACER ON HIM, ANYWAY. BE SEEING YOU. 376 00:30:01,098 --> 00:30:03,583 FEEL FREE TO DROP IN ANYTIME, SERGEANT. 377 00:30:03,651 --> 00:30:04,384 [Sergeant] THANK YOU. 378 00:30:25,839 --> 00:30:27,940 YOU WEREN'T THINKING OF GOING TOO, WERE YOU, DEAR? 379 00:30:28,009 --> 00:30:30,076 OF COURSE. 380 00:30:30,144 --> 00:30:33,713 PLEASE, DON'T. IT WOULD MAKE ME SO UNHAPPY. 381 00:30:33,780 --> 00:30:37,150 DO YOU REALLY EXPECT ME TO WORK FOR YOU AFTER ALL THIS? 382 00:30:37,218 --> 00:30:40,053 I THINK OF YOUR PRETTY EYES AND YOUR LOVELY VOICE, 383 00:30:40,121 --> 00:30:42,989 AND THE BEAUTIFUL FLOWERS ON YOUR DESK, AND I ASK MYSELF, 384 00:30:43,991 --> 00:30:46,092 HOW COULD I EVER BEAR TO LET YOU GO? 385 00:30:46,160 --> 00:30:47,660 BUT IT'S IMPOSSIBLE. 386 00:30:47,728 --> 00:30:50,696 NOW WHY DO YOU SAY THAT, MY DEAR? 387 00:30:50,764 --> 00:30:52,932 BECAUSE I CAN'T STAND BEING IN THIS PLACE ANOTHER MINUTE. 388 00:30:55,936 --> 00:30:57,803 IT'S LOCKED. 389 00:30:57,871 --> 00:31:00,940 OPEN THE DOOR. IT'S LOCKED. NO, NO! 390 00:31:03,043 --> 00:31:04,494 [Intense, high-pitched drone] 391 00:31:40,848 --> 00:31:44,951 [Franz] BE CAREFUL, MY DEAR. 392 00:31:45,019 --> 00:31:47,721 YOU AREN'T AFRAID OF ME, ARE YOU? WHY, I'M YOUR FRIEND. 393 00:31:50,357 --> 00:31:53,860 [Franz] YOU MUSTN'T FEEL BAD, MISS REYNOLDS. 394 00:31:53,928 --> 00:31:56,630 IT'S TIME FOR YOU TO PUT ON YOUR NEW CLOTHES. 395 00:31:56,697 --> 00:31:58,898 YOU DON'T WANT TO MEET YOUR FIANCE DRESSED IN NOTHING BUT A NAPKIN, 396 00:31:58,966 --> 00:32:01,600 DO YOU? 397 00:32:01,668 --> 00:32:03,903 [Franz] HERE THEY ARE. 398 00:32:03,971 --> 00:32:05,371 FIRST YOUR TOILET ARTICLES. 399 00:32:09,342 --> 00:32:10,376 [Franz] AND YOUR STOCKINGS. 400 00:32:14,248 --> 00:32:16,949 AND THE DRESS. 401 00:32:17,017 --> 00:32:20,319 IT'S VERY PRETTY. YOU REMEMBER YOU SELECTED THIS YOURSELF? 402 00:32:23,356 --> 00:32:25,958 [Franz] YOU WANT TO MAKE YOURSELF LOOK NICE, I'M SURE. 403 00:32:26,026 --> 00:32:28,928 YOU'RE GOING TO MEET BOB. SHALL I HELP YOU? 404 00:32:35,235 --> 00:32:36,302 THAT'S BETTER. 405 00:33:08,902 --> 00:33:12,238 HE'S ONLY ASLEEP, MISS REYNOLDS. WHAT YOU MIGHT CALL 406 00:33:12,306 --> 00:33:14,090 A STATE OF SUSPENDED ANIMATION. 407 00:33:14,158 --> 00:33:18,978 BOB! 408 00:33:19,046 --> 00:33:21,680 [Franz] BE PATIENT. HE'LL BE WITH YOU IN A MINUTE. 409 00:33:21,748 --> 00:33:23,716 THIS FRESH AIR WILL REVIVE HIM IN NO TIME. 410 00:33:47,324 --> 00:33:49,558 YOU DON'T KNOW HOW MUCH I ENJOY THESE LITTLE REUNIONS. 411 00:34:05,342 --> 00:34:08,044 [Franz] YOU FUNNY LITTLE PEOPLE. 412 00:34:08,112 --> 00:34:10,279 I WONDER WHY IT IS YOU ALWAYS HATE ME SO AT FIRST. 413 00:34:12,049 --> 00:34:15,251 I HAVEN'T REALLY HARMED YOU. 414 00:34:15,318 --> 00:34:18,521 [Franz] YOU GET THE BEST CARE. I NEVER LET YOU GET TOO WARM OR COLD, 415 00:34:19,823 --> 00:34:22,291 TOO HUNGRY OR TOO TIRED. YOU SHOULD BE GRATEFUL. 416 00:34:23,560 --> 00:34:25,494 THINK. 417 00:34:25,562 --> 00:34:29,132 NO DAILY GRIND, NO BUDGET PROBLEMS, NO TAXES OR DEBTS 418 00:34:30,400 --> 00:34:32,468 OR FAMILY TO SUPPORT. I SEE TO EVERYTHING. 419 00:34:35,105 --> 00:34:38,674 AND IT'S NEVER DULL. YOU SLEEP AWAY THE BORING HOURS IN YOUR JARS, 420 00:34:39,709 --> 00:34:43,413 AND WHEN I WAKE YOU, IT'S ONLY TO HAVE FUN. 421 00:34:43,480 --> 00:34:45,515 TO ENJOY SOME NEW TREAT I'VE THOUGHT UP FOR YOU. 422 00:34:48,618 --> 00:34:51,354 [Franz] DON'T YOU SEE HOW FORTUNATE YOU ARE? 423 00:34:51,422 --> 00:34:54,190 YOU HAVE NOTHING TO DO ALL THE REST OF YOUR LITTLE LIVES BUT BE HAPPY. 424 00:34:55,625 --> 00:34:58,727 THAT'S WHAT YOU THINK! CHANGE US BACK THE WAY WE WERE! 425 00:35:01,165 --> 00:35:03,199 I LIKE YOU BETTER THE WAY YOU ARE. 426 00:35:03,267 --> 00:35:04,900 ARE YOU GOING TO KEEP US THIS SIZE? 427 00:35:04,968 --> 00:35:07,170 ALWAYS. 428 00:35:07,237 --> 00:35:09,605 WHAT HAVE YOU DONE TO US? 429 00:35:09,673 --> 00:35:13,042 WOULD YOU REALLY LIKE TO KNOW? IT'S MY SECRET, BUT I DON'T THINK 430 00:35:13,110 --> 00:35:15,644 YOU'LL GIVE ME AWAY. IT'S A VERY SIMPLE PRINCIPLE, REALLY. 431 00:35:29,526 --> 00:35:32,595 NOTICE HOW THIS SLIDE PROJECTOR THROWS A VISUAL IMAGE. 432 00:35:32,662 --> 00:35:34,197 I CAN MAKE IT ANY SIZE I CHOOSE. 433 00:35:40,137 --> 00:35:42,705 WHEN I PUSH IT CLOSER TO THE WALL, THE PICTURE BECOMES SMALLER. 434 00:35:44,808 --> 00:35:47,944 [Franz] BEING OF AN INQUIRING MIND, I ASKED MYSELF ONE DAY 435 00:35:48,011 --> 00:35:51,080 IF I COULDN'T DO THE SAME WITH LIVING THINGS. 436 00:35:51,148 --> 00:35:54,250 I REASONED THAT IF I COULD PASS THEM THROUGH A DEVICE 437 00:35:54,317 --> 00:35:57,286 SIMILAR IN PRINCIPLE TO THIS SLIDE PROJECTOR 438 00:35:57,354 --> 00:36:00,256 THEN I WOULD BE ABLE TO PROJECT THESE LIVING THINGS 439 00:36:00,323 --> 00:36:01,958 TO ANY SIZE THAT I WOULD CHOOSE. 440 00:36:04,594 --> 00:36:05,962 THIS IS THE ANSWER I FOUND. 441 00:36:26,900 --> 00:36:29,168 HERE, TOMMY. TOMMY, TOMMY, TOMMY. 442 00:36:34,141 --> 00:36:38,577 TO PROJECT A COMPLEX MOLECULAR STRUCTURE SUCH AS A MAN OR A CAT, 443 00:36:40,613 --> 00:36:43,315 IT'S ONLY NECESSARY TO CHANGE THEM INTO ENERGY FIRST. 444 00:36:43,383 --> 00:36:46,485 MUCH AS THE LIGHT IN THAT SLIDE PROJECTOR. 445 00:36:46,553 --> 00:36:50,056 I SOON FOUND OUT THAT THE MOST PRACTICAL WAY 446 00:36:50,123 --> 00:36:52,824 TO CAUSE THIS CHANGE WAS TO BREAK DOWN THE MOLECULAR STRUCTURE 447 00:36:53,793 --> 00:36:55,528 BY MEANS OF HIGH-FREQUENCY VIBRATION. 448 00:36:58,465 --> 00:37:01,267 NOW, WITH THIS TUNING FORK, I WILL SET UP A SONIC VIBRATION. 449 00:37:08,908 --> 00:37:12,711 JUST AS THE GLASS DISINTEGRATED THROUGH THE RESONANT FREQUENCY 450 00:37:12,779 --> 00:37:15,681 SENT OUT BY THIS TUNING FORK, SO WILL A LIVING THING DISINTEGRATE 451 00:37:15,748 --> 00:37:17,783 TO ITS RESONANT FREQUENCY. 452 00:37:17,850 --> 00:37:20,219 OF COURSE, IT'S A MUCH HIGHER FREQUENCY. 453 00:37:20,287 --> 00:37:21,520 THERE YOU ARE, TOMMY. 454 00:37:24,791 --> 00:37:25,891 NOW, WATCH THIS. 455 00:37:31,164 --> 00:37:32,298 ALL RIGHT, KITTY. I HAVE SOMETHING FOR YOU. 456 00:37:44,560 --> 00:37:45,493 [Intense, high-pitched drone] 457 00:37:55,737 --> 00:37:57,037 NOW, WATCH THE CAT. 458 00:38:21,963 --> 00:38:23,931 YOU REMEMBER TOMMY, MISS REYNOLDS. 459 00:38:23,999 --> 00:38:26,667 [Franz] HE ALWAYS LIKED YOU. 460 00:38:26,735 --> 00:38:30,855 TAKE HIM. 461 00:38:30,922 --> 00:38:33,440 BEING SO SMALL, HE MAY FEEL STRANGE AT FIRST. 462 00:38:33,509 --> 00:38:36,744 [Franz] PET HIM. 463 00:38:36,812 --> 00:38:39,413 I MUST GET SOME OF THE OTHER LITTLE PEOPLE WHO LIVE WITH ME. 464 00:38:39,481 --> 00:38:40,781 I WANT THEM TO MEET YOU. 465 00:40:05,583 --> 00:40:09,186 HELLO, BIG BOY. WHO'S YOUR FRIEND? 466 00:40:09,254 --> 00:40:12,322 [Franz] MISS REYNOLDS, MAY I INTRODUCE MISS LANE? 467 00:40:12,390 --> 00:40:13,858 CALL ME GEORGIA. THEY ALL DO. 468 00:40:19,364 --> 00:40:21,799 GLAD TO MEET YOU, SALLY. WELCOME TO THE TOY DEPARTMENT. 469 00:40:23,702 --> 00:40:26,270 [Laurie] HI, KIDS. 470 00:40:26,337 --> 00:40:29,439 THIS IS LAURIE. SHE'S A SWELL KID. LAURIE MEET BOB AND SALLY. 471 00:40:29,507 --> 00:40:31,608 HOW ARE YOU? HELLO. 472 00:40:31,677 --> 00:40:34,679 GOSH, I'M AWFULLY SLEEPY. HOW LONG DID HE PUT ME AWAY THIS TIME? 473 00:40:34,746 --> 00:40:37,281 FOR A COUPLE OF MONTHS, ANYHOW. 474 00:40:37,348 --> 00:40:40,884 [Georgia] YOU MISSED A LOT OF FUN: A PICNIC IN A FLOWER BOX, DANCES, 475 00:40:40,952 --> 00:40:43,087 AND A MOONLIGHT SWIMMING PARTY IN THE SINK. 476 00:40:43,155 --> 00:40:46,690 ALL BECAUSE I WOULDN'T SING FOR HIM. 477 00:40:46,758 --> 00:40:49,793 HI, LAURIE. LONG TIME, NO SEE. HI, EVERYBODY. 478 00:40:49,861 --> 00:40:53,097 WELL, HI, STAN. SAY HELLO TO BOB AND SALLY. 479 00:40:53,165 --> 00:40:55,766 [Georgia] AND IF IT ISN'T MAC! PRIDE OF THE MARINE CORPS. 480 00:40:55,833 --> 00:40:57,768 MEET BOB AND SALLY. 481 00:40:57,835 --> 00:41:00,237 WELL, WELCOME, STRANGER. THE OLD FRANZ IS LEARNING 482 00:41:00,305 --> 00:41:02,473 HOW TO PICK 'EM BETTER ALL THE TIME. 483 00:41:02,541 --> 00:41:04,842 WHEN ARE WE GONNA GET THIS PARTY ROLLING? 484 00:41:04,910 --> 00:41:07,227 [Georgia] YEAH, LET'S GO! WHAT ARE WE WAITING FOR? 485 00:41:07,295 --> 00:41:08,595 WE GOT A NEW ARRIVAL HERE TO CELEBRATE. 486 00:41:35,240 --> 00:41:37,141 I HAVE SOME REFRESHMENTS FOR OUR LITTLE PARTY. 487 00:41:39,511 --> 00:41:41,612 A PETIT FOUR. 488 00:41:41,679 --> 00:41:44,748 A KNIFE TO CUT IT WITH. 489 00:41:44,816 --> 00:41:46,584 SOME TINY LITTLE CUPS AND SAUCERS. 490 00:41:49,087 --> 00:41:51,188 AND A MINIATURE BOTTLE OF CHAMPAGNE. 491 00:41:59,580 --> 00:42:01,682 [Franz] PLEASE HELP YOURSELVES. 492 00:42:01,750 --> 00:42:04,084 I'M AFRAID I'M A LITTLE TOO CLUMSY TO SERVE MY GUESTS 493 00:42:04,151 --> 00:42:05,252 WHEN THEY'RE AS SMALL AS YOU. 494 00:42:10,392 --> 00:42:11,892 [Georgia] OH, BOY. GREAT! [Mac] THIS IS FOR YOU. 495 00:42:18,500 --> 00:42:22,636 A TOAST TO THE NEW MEMBERS OF THE FAMILY, SALLY AND BOB. 496 00:42:24,406 --> 00:42:26,673 [Laurie] ARE YOU TWO ENGAGED? 497 00:42:26,741 --> 00:42:29,009 SAY, WHEN'S THE WEDDING GOING TO BE? 498 00:42:29,077 --> 00:42:31,345 YOU'D BETTER ASK HIM. 499 00:42:31,413 --> 00:42:33,980 POOR BOB AND SALLY. 500 00:42:34,049 --> 00:42:36,716 [Franz] THERE'S NO ONE YOUR SIZE WHO CAN MARRY YOU. 501 00:42:36,784 --> 00:42:38,419 I'LL HAVE TO SEE WHAT I CAN DO ABOUT IT, SOMETIME. 502 00:42:44,042 --> 00:42:46,977 STOP! ALL OF YOU STOP! HOW CAN YOU BE SO CALM? 503 00:42:47,045 --> 00:42:50,514 CALL FOR HELP, RUN, DO SOMETHING, ANYTHING BUT THIS! 504 00:42:50,582 --> 00:42:53,984 WHAT'S THE MATTER WITH HER, ANYWAY? I GOT USED TO THIS SIZE 505 00:42:54,052 --> 00:42:56,953 IN ABOUT 10 MINUTES. BELIEVE ME, BROTHER, I KIND OF LIKE IT. 506 00:42:58,256 --> 00:43:00,891 I AIN'T NEVER HAD IT SO EASY IN MY LIFE. 507 00:43:00,958 --> 00:43:03,694 LOOK AT IT THIS WAY. WE'RE IN A JAM, 508 00:43:03,761 --> 00:43:05,996 AND WE HAVE TO MAKE THE BEST OF IT FOR THE TIME BEING. 509 00:43:08,633 --> 00:43:11,134 I KNOW HOW SHE FEELS. I TOOK IT PRETTY HARD, TOO. 510 00:43:11,203 --> 00:43:13,604 BUT WE SOMETIMES HAVE TO DO THINGS WE DON'T WANT 511 00:43:13,672 --> 00:43:16,073 JUST TO HAVE SOME FREEDOM LIKE THIS. 512 00:43:16,140 --> 00:43:19,243 LISTEN, HE DROPS A CAPSULE IN YOUR JARS TO PUT YOU TO SLEEP. 513 00:43:19,311 --> 00:43:21,278 [Mac] DON'T BREATHE ANY OF IT. [Stan] PIPE DOWN, HE'S COMING BACK. 514 00:43:37,562 --> 00:43:38,795 COME ON, BABY, LET'S GO. 515 00:43:49,507 --> 00:43:50,307 [Mac] ROCK IT! 516 00:44:11,812 --> 00:44:13,881 NOW, LAURIE, YOU MUST SING FOR US. 517 00:44:13,948 --> 00:44:16,383 NO. I DON'T WANT TO SING. 518 00:44:16,450 --> 00:44:18,318 [Franz] BUT YOU WILL, MY DEAR, OR BACK IN THE BOTTLE YOU GO. 519 00:44:33,200 --> 00:44:37,004 ¶ YOU'RE A DOLLY, YOU'RE A DOLLY ¶ 520 00:44:38,806 --> 00:44:41,909 ¶ YOU'RE SO CUTE AND LOVELY, DEAREST LITTLE DOLL ¶ 521 00:44:43,845 --> 00:44:47,814 ¶ SAY YOU WANT ME TO BE NEAR YOU ¶ 522 00:44:49,667 --> 00:44:53,503 ¶ TO BE YOURS FOREVER MORE, MY LITTLE DOLL ¶ 523 00:44:54,956 --> 00:44:58,892 ¶ YOU'RE SO PRECIOUS, YOU'RE SO DARLING ¶ 524 00:45:00,895 --> 00:45:04,264 ¶ YOU'RE ALL THAT I COULD WANT, A LIVING DOLL ¶ 525 00:45:05,967 --> 00:45:09,402 ¶ NEVER LEAVE ME, DON'T DECEIVE ME ¶ 526 00:45:11,405 --> 00:45:13,774 ¶ STAY WITH ME FOREVER MORE, MY LIVING DOLL ¶ 527 00:45:16,644 --> 00:45:18,845 ¶ NEVER LEAVE ME, DON'T DECEIVE ME ¶ 528 00:45:18,913 --> 00:45:22,315 [Doorbell rings] 529 00:45:22,383 --> 00:45:25,552 ¶ STAY WITH ME FOREVER MORE, MY LIVING DOLL ¶ 530 00:45:31,759 --> 00:45:33,294 [Knock on door] 531 00:45:37,432 --> 00:45:39,233 YES? 532 00:45:39,301 --> 00:45:41,969 I WAS PASSING BY AND SAW THE LIGHT IN YOUR WINDOW. 533 00:45:42,037 --> 00:45:44,972 I THOUGHT YOU MIGHT BE LONESOME, SO I DROPPED IN. YOU MIND? 534 00:45:45,040 --> 00:45:47,341 THAT WAS KIND OF YOU, EMIL. HOW DID YOUR OPENING NIGHT GO? 535 00:45:49,210 --> 00:45:51,812 WONDERFUL, WONDERFUL. 536 00:45:51,879 --> 00:45:54,081 COME AND SIT DOWN AND I'LL TELL YOU ALL ABOUT IT. 537 00:45:54,149 --> 00:45:56,083 LET ME PUT THINGS AWAY, HUH? 538 00:45:56,151 --> 00:45:58,953 BUT IT WILL ONLY TAKE ONE MINUTE. 539 00:45:59,020 --> 00:46:01,688 YOU MUST HEAR WHAT HAPPENED LAST NIGHT. COME. SIT DOWN. 540 00:46:02,623 --> 00:46:05,426 FIRST OF ALL, EVERYBODY WAS THERE. 541 00:46:05,493 --> 00:46:07,711 BUT EVERYBODY! 542 00:46:07,778 --> 00:46:10,247 HE'S GOT SOMEBODY OUTSIDE. 543 00:46:10,315 --> 00:46:14,051 THE TELEPHONE. 544 00:46:14,118 --> 00:46:16,519 THE POLICE. DOES ANYBODY KNOW THEIR NUMBER? 545 00:46:16,587 --> 00:46:18,521 I SHOULD REMEMBER. I CALLED THEM JUST YESTERDAY. 546 00:46:32,737 --> 00:46:34,171 [Bob] HURRY UP. 547 00:46:41,145 --> 00:46:43,413 POLICE DEPARTMENT. POLICE DEPARTMENT! 548 00:46:45,884 --> 00:46:49,419 WE'RE AT DOLLS INCORPORATED! FIFTH FLOOR OF THE TILFORD BUILDING! 549 00:46:50,121 --> 00:46:52,089 PLEASE HURRY! 550 00:46:52,156 --> 00:46:53,690 POLICE DEPARTMENT! 551 00:46:53,758 --> 00:46:55,959 ANYBODY ON THIS LINE? 552 00:46:56,027 --> 00:46:59,562 HE CAN'T HEAR ME. IT'S THE MUSIC. 553 00:46:59,630 --> 00:47:01,464 BUT IF WE STOP IT, FRANZ IS SURE TO COME BACK. 554 00:47:04,335 --> 00:47:09,239 TILFORD BUILDING! FIFTH FLOOR! DOLLS INCORPORATED! 555 00:47:10,141 --> 00:47:12,876 ANYBODY ON THIS LINE? 556 00:47:12,944 --> 00:47:16,446 HELP! HELP! 557 00:47:18,316 --> 00:47:20,583 HELP! 558 00:47:20,651 --> 00:47:22,419 WHAT'S THE USE? 559 00:47:22,486 --> 00:47:24,187 NOBODY CAN HEAR LITTLE PEOPLE LIKE US. 560 00:47:24,255 --> 00:47:25,722 ISN'T IT AWFUL TO THINK 561 00:47:25,790 --> 00:47:27,524 THERE ARE PEOPLE ALL AROUND US, 562 00:47:27,591 --> 00:47:30,027 AND WE CAN'T EVEN GET THROUGH TO THEM. 563 00:47:30,094 --> 00:47:32,562 AND THEN, RIGHT AFTER THE FIRST ACT, WHO DO YOU SUPPOSE CAME-- 564 00:47:32,630 --> 00:47:34,998 EMIL, I SIMPLY HAVE TO GO NOW. 565 00:47:35,066 --> 00:47:37,367 NOW WAIT A MINUTE, FRANZ. WAIT. 566 00:47:37,435 --> 00:47:40,237 YOU DON'T KNOW WHO CAME BACKSTAGE TO CONGRATULATE ME. 567 00:47:40,305 --> 00:47:43,840 JUST A MINUTE. I HAVE TO TAKE CARE OF THE RECORD PLAYER. 568 00:47:43,908 --> 00:47:46,709 THERE, YOU SEE. THE RECORD PLAYER TAKES CARE OF ITSELF. 569 00:47:46,777 --> 00:47:49,813 COME ON, LET ME FINISH IT. FRANZ, LISTEN. I TELL YOU, 570 00:47:50,915 --> 00:47:54,284 IT WAS LIKE THE GOOD OLD DAYS IN BRUSSELS. 571 00:47:54,352 --> 00:47:56,519 NOW, WILL YOU GUESS THE NAME OF THE PARTY WHO CAME BACKSTAGE? 572 00:47:56,587 --> 00:47:58,088 TRY, TRY. 573 00:47:58,156 --> 00:48:00,390 I CAN'T GUESS. YOU TELL ME. 574 00:48:00,458 --> 00:48:02,426 [Bob] THE MACHINE. 575 00:48:02,493 --> 00:48:04,928 I WAS WONDERING IF WE COULD GO THROUGH IT THE OTHER WAY 576 00:48:04,996 --> 00:48:06,596 AND COME OUT OUR RIGHT SIZE. 577 00:48:06,664 --> 00:48:08,548 HE SAID IT WORKS LIKE A PROJECTOR. 578 00:48:08,616 --> 00:48:11,284 I'LL BET I COULD FIGURE OUT THE CONTROLS. 579 00:48:11,352 --> 00:48:14,121 IT MAY NOT BE A GOOD IDEA TO FOOL WITH IT. YOU MIGHT GET KILLED. 580 00:48:14,189 --> 00:48:16,289 I DON'T CARE. I'M WILLING TO RISK IT. 581 00:48:16,357 --> 00:48:18,491 I AM, TOO. WHO WOULDN'T BE? 582 00:48:18,559 --> 00:48:21,161 WELL, ONE'S ENOUGH. IT ONLY TAKES ONE OF US TO GO FOR HELP. 583 00:48:21,229 --> 00:48:23,797 [Bob] SHALLWE TRY IT? [All] YEAH. 584 00:48:23,865 --> 00:48:27,434 HOLD IT, YOU'RE LIVING DOLLS, BUT I WAS ONE OF HIS FIRST PUPPETS. 585 00:48:27,501 --> 00:48:29,937 I DESERVE THE RIGHT TO BE THE GUINEA PIG. OKAY? 586 00:48:30,004 --> 00:48:32,439 ALL RIGHT, MAC. IF THAT'S THE WAY YOU WANT IT. 587 00:48:32,506 --> 00:48:34,341 YOU KNOW WHAT CAN HAPPEN IF I MAKE A MISTAKE. 588 00:48:34,408 --> 00:48:35,843 COME ON, LET'S GO. 589 00:48:35,910 --> 00:48:38,078 IF IT WORKS, YOU'LL NEED CLOTHES. 590 00:48:38,146 --> 00:48:40,697 I'M PRETTY SURE HE KEEPS OUR OLD ONES IN THAT CLOSET. 591 00:48:40,764 --> 00:48:43,066 [Stan] THAT'S RIGHT. I SAW HIM HANG MINE UP IN THERE. 592 00:48:43,133 --> 00:48:46,503 WELL, COME ON. LET'S GO. 593 00:48:46,571 --> 00:48:50,206 YOU THREE GIRLS BETTER STAY UP HERE. I'LL WORK THE CONTROLS. 594 00:48:50,274 --> 00:48:52,409 STAN, YOU GO TO THE DOOR AND KEEP AN EYE OUT FOR FRANZ. 595 00:48:52,477 --> 00:48:53,243 [Stan] JUST A MINUTE. 596 00:49:01,118 --> 00:49:02,018 [Bob] THERE YOU GO. 597 00:49:30,281 --> 00:49:31,648 COME ON, LET'S GO. 598 00:51:13,217 --> 00:51:14,985 [Intense, high-pitched drone] 599 00:51:22,109 --> 00:51:24,411 HOW SPLENDID FOR YOU. 600 00:51:24,479 --> 00:51:27,681 SO, I SAID TO MYSELF, I SAID, "AT LAST I'M BEING APPRECIATED." 601 00:51:29,216 --> 00:51:31,285 I COULD HAVE WEPT FOR HAPPINESS, FRANZ. 602 00:51:31,352 --> 00:51:34,254 AND I AM HAPPY FOR YOU. MAY I GO NOW? 603 00:51:34,322 --> 00:51:37,657 I SHOULDN'T DETAIN YOU LIKE THIS, SHOULD I? YOU GO ON AND... 604 00:51:37,725 --> 00:51:40,493 I HAVE TO BE ALONE IN THIS KIND OF WORK. YOU UNDERSTAND? 605 00:51:41,963 --> 00:51:42,562 [Stan] HOLD IT! 606 00:51:47,451 --> 00:51:49,653 WHY DON'T YOU GO AND DO WHAT YOU HAVE TO DO 607 00:51:49,720 --> 00:51:52,422 AND I'LL TALK TO YOU WHILE YOU WORK? 608 00:51:52,489 --> 00:51:55,058 NO, NO. I'D RATHER GIVE YOU MY UNDIVIDED ATTENTION, OLD FRIEND. 609 00:51:55,993 --> 00:51:57,894 SO TELL ME, WHAT HAPPENED THEN? 610 00:52:00,464 --> 00:52:01,130 OKAY. 611 00:52:17,432 --> 00:52:18,281 WE'D BETTER GET BACK. 612 00:53:00,775 --> 00:53:02,409 WHAT ABOUT A NIGHTCAP WITH ME, HUH? 613 00:53:02,477 --> 00:53:04,143 I ONLY WISH I COULD. 614 00:53:04,211 --> 00:53:06,346 SO, LUNCH TOMORROW THEN, HUH? 615 00:53:06,414 --> 00:53:08,248 CERTAINLY. I'LL CALL FOR YOU ABOUT NOON. 616 00:53:08,315 --> 00:53:11,284 EXCELLENT. EXCELLENT. 617 00:53:11,352 --> 00:53:14,554 I SUPPOSE THERE'S NOTHING MORE FOR US TO SAY BUT GOODNIGHT, HUH? 618 00:53:14,622 --> 00:53:16,656 LET'S BE BOLD AND GET IT OVER WITH. GOODNIGHT. 619 00:53:37,461 --> 00:53:37,944 [Mac] COME ON, STAN. 620 00:53:47,655 --> 00:53:50,724 YOU'VE HAD ENOUGH FUN FOR TONIGHT. COME TO BED QUICKLY NOW. IT'S TIME. 621 00:54:22,306 --> 00:54:24,641 [Doorbell rings] 622 00:54:24,709 --> 00:54:25,575 COME IN. 623 00:54:31,883 --> 00:54:33,984 SERGEANT, HOW ARE YOU? 624 00:54:34,051 --> 00:54:37,286 FINE, MR. FRANZ. 625 00:54:37,354 --> 00:54:40,156 YOU DON'T MIND IF I GO ON WITH MY WORK, DO YOU? 626 00:54:40,224 --> 00:54:41,958 I'M SHORTHANDED AND I'VE FALLEN WAY BEHIND. 627 00:54:45,429 --> 00:54:48,297 I NOTICE YOU'RE ADVERTISING FOR ANOTHER SECRETARY. 628 00:54:48,365 --> 00:54:50,400 YES, IT'S QUITE A PROBLEM KEEPING HELP THESE DAYS. 629 00:54:53,137 --> 00:54:56,305 HOW'D YOU HAPPEN TO LOSE SALLY REYNOLDS? 630 00:54:56,373 --> 00:54:59,175 SHE WENT TO ST. LOUIS, I BELIEVE. HER FIANCE LIVES THERE, YOU KNOW. 631 00:55:01,311 --> 00:55:03,513 WELL, I COULD HAVE SAVED HER THE TRIP. 632 00:55:03,581 --> 00:55:06,750 WHY? HAVE YOU NEWS OF HIM? 633 00:55:06,817 --> 00:55:11,120 WELL, HE DIDN'T SHOW UP AT HOME, AND WE'VE BEEN ASKED 634 00:55:12,222 --> 00:55:15,091 TO DO MORE SOME MORE CHECKING ON HIM HERE. 635 00:55:15,159 --> 00:55:17,594 HOW STRANGE. WHAT DO YOU SUPPOSE COULD HAVE BECOME OF HIM? 636 00:55:19,329 --> 00:55:21,397 WELL, THAT'S WHAT I CAME TO ASK YOU. 637 00:55:21,465 --> 00:55:22,165 [Doorbell rings] 638 00:55:30,041 --> 00:55:33,009 MISTER, CAN YOU FIX MY DOLLY? 639 00:55:33,077 --> 00:55:35,111 WILL YOU EXCUSE ME? 640 00:55:35,179 --> 00:55:37,714 TAKE CARE OF YOUR CUSTOMER. I'LL JUST LOOK AROUND. 641 00:55:42,186 --> 00:55:43,887 WELL, LET'S SEE WHAT WE CAN DO FOR YOU. 642 00:55:48,192 --> 00:55:51,194 [Franz] TELL ME, WHAT'S YOUR DOLLY'S NAME? 643 00:55:51,261 --> 00:55:53,663 [Little Girl] SUSIE. SHE GOT RUN OVER. 644 00:55:53,731 --> 00:55:57,634 OH, DEAR, DEAR. HOW DID THAT HAPPEN? 645 00:55:57,702 --> 00:56:01,304 SHE RAN OUT IN THE STREET WHILE I WASN'T LOOKING. 646 00:56:01,371 --> 00:56:03,172 THAT WASN'T NICE OF HER, WAS IT? 647 00:56:03,240 --> 00:56:05,842 SHE'S A BAD DOLLY. 648 00:56:05,910 --> 00:56:08,945 YOU KNOW, YOU OUGHT TO SPANK HER WHEN SHE DISOBEYS. 649 00:56:09,013 --> 00:56:11,648 I DO, BUT IT DOESN'T SEEM TO DO ANY GOOD. 650 00:56:14,051 --> 00:56:16,086 ARE YOUR DOLLIES LIKE THAT? 651 00:56:16,153 --> 00:56:19,522 THEY DO GET RATHER HEADSTRONG SOMETIMES. 652 00:56:19,590 --> 00:56:20,890 [Sergeant] MR. FRANZ? 653 00:56:20,958 --> 00:56:22,592 WHAT'S IN HERE? 654 00:56:22,659 --> 00:56:24,627 [Franz] JUST A WORKROOM. 655 00:56:24,695 --> 00:56:27,063 WELL, MAY SEE IT, PLEASE? 656 00:56:27,131 --> 00:56:29,665 THERE'S NOTHING THERE THAT WOULD INTEREST YOU, SERGEANT. 657 00:56:29,733 --> 00:56:32,735 I GO THERE WHENEVER I'M LONELY. 658 00:56:32,803 --> 00:56:34,837 I WOULD LIKE TO SEE IT. MAY I HAVE THE KEY, PLEASE? 659 00:56:39,910 --> 00:56:40,843 THANK YOU. 660 00:56:49,786 --> 00:56:51,821 YOU HAVE SO MANY DOLLIES. 661 00:56:51,889 --> 00:56:54,757 THEY MUST GIVE YOU LOTS OF TROUBLE. 662 00:56:54,825 --> 00:56:58,495 YES, BUT THEY'RE NICE. I NEVER GET LONELY AND THAT MAKES UP FOR IT. 663 00:57:00,514 --> 00:57:01,247 [Little Girl] LOOK! 664 00:57:08,655 --> 00:57:09,789 ISN'T THAT CUTE? 665 00:57:13,360 --> 00:57:14,794 [Little Girl] CAN I HAVE IT? 666 00:57:14,861 --> 00:57:16,029 NO, DEAR. NO, NO. 667 00:57:16,096 --> 00:57:18,264 PLEASE. WHY NOT? 668 00:57:18,332 --> 00:57:20,766 EVERYBODY WOULD WANT TO KNOW WHERE YOU GOT IT. 669 00:57:20,834 --> 00:57:23,102 YOU KNOW, GROWNUPS ASK SO MANY AWKWARD QUESTIONS. 670 00:57:23,170 --> 00:57:24,703 BETTER GIVE IT TO ME. 671 00:57:24,771 --> 00:57:26,572 DON'T TAKE IT AWAY FROM ME. I WANT IT. 672 00:57:28,893 --> 00:57:31,027 WHAT DO YOU CALL THIS THING IN HERE? 673 00:57:31,095 --> 00:57:32,795 YOU CAN PLAY WITH IT UNTIL I GET BACK. 674 00:57:38,218 --> 00:57:40,787 OH, THAT? WHAT DOES IT LOOK LIKE TO YOU? 675 00:57:41,722 --> 00:57:43,623 YOU GOT ME. 676 00:57:43,691 --> 00:57:46,359 YOU KNOW WHAT A PHOTOGRAPHIC ENLARGER IS, DON'T YOU? 677 00:57:46,427 --> 00:57:48,227 WELL, THIS WORKS JUST THE OPPOSITE. 678 00:57:48,295 --> 00:57:50,129 I USE IT TO MAKE MODELS OF PEOPLE. 679 00:57:50,197 --> 00:57:52,532 WOULDN'T YOU LIKE TO SEE HOW IT WORKS? 680 00:57:52,599 --> 00:57:54,434 SOME OTHER TIME. I'VE GOT TO BE RUNNING ALONG. 681 00:58:04,261 --> 00:58:06,029 WHAT YOU GOT THERE, LITTLE GIRL? LET'S SEE. 682 00:58:11,501 --> 00:58:15,638 A TAPE RECORDING INSIDE. 683 00:58:15,706 --> 00:58:16,873 [Franz] DO YOU LIKE IT? [Little Girl] UH-HUH. 684 00:58:24,849 --> 00:58:26,716 CAN I HAVE IT? 685 00:58:26,784 --> 00:58:29,619 NO. BUT YOU CAN COME AND PLAY WITH IT ANYTIME YOU LIKE. 686 00:58:29,686 --> 00:58:30,920 AND THE CAT? 687 00:58:30,988 --> 00:58:35,458 YES. THAT, TOO. 688 00:58:35,525 --> 00:58:38,294 ABOUT THOSE MISSING PEOPLE, I'LL BE CHECKING WITH YOU LATER. 689 00:58:38,362 --> 00:58:40,230 I DO HOPE YOU FIND THEM SOON, SERGEANT. 690 00:58:40,297 --> 00:58:41,564 THANK YOU. BYE, HONEY. 691 00:58:44,835 --> 00:58:46,069 NOW, I'LL FIX YOUR DOLLY. 692 00:58:55,645 --> 00:58:58,448 THIS IS ONE OF THE BEST PUPPETS YOU EVER HAD, EMIL. 693 00:58:58,515 --> 00:59:01,284 IT'S ONE OF THE BEST JEKYLL AND HYDES THERE EVER WAS. 694 00:59:01,352 --> 00:59:04,153 IT WAS MADE BY SCHWARTZ, IN THE GOOD OLD DAYS IN PRAGUE. 695 00:59:04,221 --> 00:59:07,090 BUT A FUNNY THING, EVERY TIME THE CUE COMES FOR JEKYLL 696 00:59:07,157 --> 00:59:10,460 TO CHANGE INTO HYDE, NOTHING HAPPENS. 697 00:59:10,527 --> 00:59:12,996 DID YOU BRING ME BACK HERE AT THIS LATE HOUR 698 00:59:13,063 --> 00:59:15,764 BECAUSE YOUR STAR PUPPET WAS A LITTLE TEMPERAMENTAL? 699 00:59:15,832 --> 00:59:18,501 PLEASE, FRANZ. PLEASE UNDERSTAND MY PREDICAMENT. 700 00:59:18,568 --> 00:59:21,371 THERE ARE ONLY THREE PEOPLE IN THE WORLD I TRUST TO CURE HIM. 701 00:59:21,438 --> 00:59:23,973 MARIANI, WHO'S IN MILAN. 702 00:59:24,041 --> 00:59:27,377 AURIAC, BUT HE'S IN PARIS, AND YOU. 703 00:59:27,444 --> 00:59:29,812 YOU KNOW PERFECTLY WELL I NEVER COULD RESIST FLATTERY. 704 00:59:31,382 --> 00:59:33,782 HOW MUCH TIME CAN I HAVE TO WORK ON HIM? 705 00:59:33,850 --> 00:59:36,619 WELL, YOU SEE, WE HAVE A MATINEE TOMORROW AT 2:00. 706 00:59:36,686 --> 00:59:39,188 IT WOULD BE TRAGIC TO RETURN ALL THAT MONEY FOR THE TICKETS. 707 00:59:39,256 --> 00:59:41,090 CAN YOU HAVE HIM READY THAT SOON? 708 00:59:41,158 --> 00:59:44,227 I'LL TRY, EVEN IF IT TAKES ME ALL NIGHT. 709 00:59:44,294 --> 00:59:48,131 AND, ONE MORE THING, HOW MUCH IS THIS GONNA COST? 710 00:59:48,198 --> 00:59:51,334 NOTHING. THAT'S THE LEAST I CAN DO FOR AN OLD FRIEND. 711 00:59:52,102 --> 00:59:55,238 THANK YOU, THANK YOU. 712 00:59:55,305 --> 00:59:58,041 MAY A DEAR OLD FRIEND ASK YOU SOMETHING OF A PERSONAL NATURE? 713 00:59:58,608 --> 01:00:00,676 CERTAINLY. 714 01:00:00,744 --> 01:00:03,012 WHAT ARE YOU UP TO THAT BRINGS THE POLICE OVER TO ASK ME 715 01:00:03,080 --> 01:00:04,980 ALL SORTS OF QUESTIONS? 716 01:00:05,049 --> 01:00:07,150 WHEN WAS THIS? THIS AFTERNOON. 717 01:00:07,217 --> 01:00:10,319 A POLICE SERGEANT NAMED PATERSON. 718 01:00:10,387 --> 01:00:12,688 HE COMES TO MY HOTEL ROOM,AND IT SOUNDS FANTASTIC, 719 01:00:14,591 --> 01:00:17,393 HE ASKED ME IF YOU WERE IN THE HABIT OF MAKING PEOPLE DISAPPEAR. 720 01:00:19,430 --> 01:00:22,331 I SUPPOSE YOU TOLD HIM I DO IT ALL THE TIME? 721 01:00:22,399 --> 01:00:24,833 BUT SERIOUSLY, IT'S BAD BUSINESS TO HAVE POLICE PRYING 722 01:00:24,901 --> 01:00:26,869 INTO YOUR AFFAIRS. 723 01:00:26,937 --> 01:00:30,406 EMIL, I'M QUITE SERIOUS. IF I THOUGHT I WAS BEING WATCHED 724 01:00:30,474 --> 01:00:33,509 I WOULD FIND LIFE INTOLERABLE. NOW, BE A GOOD FELLOW, WILL YOU, 725 01:00:34,945 --> 01:00:38,013 AND TELL THE NIGHT DOORMAN TO LET ME IN THE THEATER LATER ON. 726 01:00:38,082 --> 01:00:40,649 I'LL HAVE TO GIVE MR. HYDE A TRYOUT WHEN HE'S FINISHED. 727 01:00:40,717 --> 01:00:42,151 I'LL RUN ALONG NOW. I'LL DO IT ON MY WAY HOME. 728 01:00:47,191 --> 01:00:49,625 I DON'T SUPPOSE I HAVE TO TELL YOU HOW GRATEFUL I AM TO YOU, FRANZ. 729 01:00:49,693 --> 01:00:50,759 NONSENSE. 730 01:00:57,334 --> 01:00:58,167 GOOD NIGHT, EMIL. 731 01:01:01,505 --> 01:01:02,472 AND GOODBYE. 732 01:01:49,086 --> 01:01:51,921 [Franz] SORRY YOU'RE AWAKE, MISS REYNOLDS. 733 01:01:51,989 --> 01:01:53,956 MAKES EVERYTHING MUCH MORE DIFFICULT. 734 01:01:56,143 --> 01:01:58,377 WHAT ARE YOU GOING TO DO? 735 01:01:58,445 --> 01:02:02,314 THE POLICE HAVE BEEN ASKING MY FRIEND, EMIL, QUESTIONS. 736 01:02:02,382 --> 01:02:05,268 THEY'RE GETTING TOO CLOSE. THAT LEAVES ME ONLY ONE COURSE. 737 01:02:06,436 --> 01:02:08,137 YOU'LL FREE US, WON'T YOU? 738 01:02:08,205 --> 01:02:10,139 YOU'LL MAKE US OUR RIGHT SIZE AGAIN? 739 01:02:10,207 --> 01:02:12,441 [Franz] AND BE DEPRIVED OF YOUR COMPANY? 740 01:02:12,509 --> 01:02:16,512 NO, I COULDN'T LET THAT HAPPEN. 741 01:02:16,580 --> 01:02:19,448 CAN'T YOU SEE? IT'S BETTER THAT WE ALL BOW OUT TOGETHER. 742 01:02:21,518 --> 01:02:24,821 [Franz] PLEASE, DON'T BE FRIGHTENED. 743 01:02:24,888 --> 01:02:27,690 CAN'T YOU SEE? IT'S MUCH BETTER THAT WE ALL MEET DEATH TOGETHER 744 01:02:27,757 --> 01:02:30,793 THAN FOR ANY ONE OF US TO BE LEFT ALONE. 745 01:02:30,861 --> 01:02:32,561 THERE'S NOTHING WORSE THAN LONELINESS. 746 01:02:36,733 --> 01:02:39,635 WAIT. WAIT, I HAVE A SPLENDID IDEA. 747 01:02:39,703 --> 01:02:42,589 YES, WE'LL HAVE A GOING-AWAY PARTY 748 01:02:42,656 --> 01:02:45,858 FOR ALL OF US. A CELEBRATION. 749 01:02:45,926 --> 01:02:49,261 EMIL ASKED ME TO FIX HIS PUPPET AND LEAVE IT AT THE THEATER. 750 01:02:49,329 --> 01:02:51,564 WE'LL HAVE OUR PARTY THERE. A THEATER PARTY. 751 01:02:53,133 --> 01:02:54,801 [Franz] NOW, LET'S ALL GET READY. 752 01:03:18,926 --> 01:03:21,694 SAY, WHAT'S THE MATTER WITH BEING A BOTTLE BABY? 753 01:03:21,761 --> 01:03:24,563 LOOK AT THE SERVICE WE GET. THE OLD BOY IS REALLY LETTING GO. 754 01:03:26,366 --> 01:03:29,168 HE'S BEEN GIVING US PARTIES LIKE THEY'RE GOING OUT OF STYLE. 755 01:03:29,236 --> 01:03:33,039 AND TONIGHT, A THEATER PARTY NO LESS. 756 01:03:33,106 --> 01:03:35,474 YOU BETTER ENJOY IT, GEORGIA, AS IT MAY BE OUR LAST. 757 01:03:37,177 --> 01:03:38,544 WHAT ARE YOU TALKING ABOUT? 758 01:03:38,611 --> 01:03:41,547 SALLY! 759 01:03:41,614 --> 01:03:44,250 TELL HER. 760 01:03:44,318 --> 01:03:47,653 HE SAID THAT TONIGHT... 761 01:03:47,721 --> 01:03:49,889 HE SAID TONIGHT HE WAS TO KILL US ALL AND GOING HIMSELF, TOO. 762 01:03:52,425 --> 01:03:54,460 WE'D BETTER HURRY UP AND DRESS. WE'LL TELL THE BOYS. 763 01:04:16,934 --> 01:04:19,669 BOB, BOB, HE SAID HE'S GOING TO-- 764 01:04:19,737 --> 01:04:22,171 YEAH, I KNOW. WE HEARD YOU TELL GEORGIA. 765 01:04:22,239 --> 01:04:24,473 IF I WAS JUST MY OLD SIZE FOR FIVE MINUTES. 766 01:04:24,541 --> 01:04:26,442 LET'S TRY THE PHONE. THERE'S NO MUSIC NOW. 767 01:04:26,510 --> 01:04:28,544 MAYBE THEY'LL HEAR US. 768 01:04:28,612 --> 01:04:30,412 SURE. AND SO WOULD FRANZ. HE'S JUST OUTSIDE THE DOOR. 769 01:04:32,382 --> 01:04:35,885 HEY, THE WINDOW. IT'S SLIGHTLY OPEN. 770 01:04:35,953 --> 01:04:37,987 MAYBE WE COULD SIGNAL SOMEBODY. 771 01:04:38,055 --> 01:04:39,889 SURE WE CAN. WE'RE ONLY FIVE STORIES UP. 772 01:04:42,359 --> 01:04:44,861 HERE'S SOME PAPER. GET SOMETHING TO WRITE WITH. 773 01:04:44,928 --> 01:04:46,228 LAURIE, KEEP AN EYE OUT FOR FRANZ. 774 01:04:51,935 --> 01:04:54,070 HERE'S AN OLD PAINTBRUSH. IT'S ALL DRIED UP. 775 01:04:54,138 --> 01:04:56,873 SAY, HOW ABOUT USING SOME OF THIS LIPSTICK? 776 01:04:56,940 --> 01:04:59,108 [Stan] HERE'S A PENCIL. [Bob] GREAT. BRING IT ON OVER. 777 01:05:03,714 --> 01:05:06,248 [Bob] LET'S SEE NOW. I'LL WRITE, "HELP! SEND POLICE!" 778 01:05:06,316 --> 01:05:10,386 [Georgia] YES. 779 01:05:10,453 --> 01:05:11,387 [Mac] COME ON [Georgia] HURRY UP. 780 01:05:18,528 --> 01:05:21,263 [Bob] GET THAT PENCIL OUT OF THE WAY. PUSH SOME OF THAT STUFF BACK. 781 01:05:27,838 --> 01:05:28,971 [Mac] AIM IT GOOD. 782 01:05:39,199 --> 01:05:42,167 NOW, SHALL WE TAKE A TAXI TO THE THEATER? 783 01:05:42,235 --> 01:05:44,303 I THINK THAT WOULD BE A NICE TREAT. 784 01:05:44,370 --> 01:05:47,006 OF COURSE, YOU WON'T BE ABLE TO SEE OUT THE WINDOW, 785 01:05:47,074 --> 01:05:49,608 BUT I DON'T THINK YOU'LL MIND THAT LITTLE INCONVENIENCE. 786 01:05:49,676 --> 01:05:51,444 AT LEAST, YOU'LL BE ABLE TO HEAR 787 01:05:51,511 --> 01:05:53,446 WHAT THE CITY SOUNDS LIKE AT NIGHT 788 01:05:53,513 --> 01:05:56,099 BECAUSE THIS TIME, I SHAN'T PUT YOU TO SLEEP. 789 01:05:56,166 --> 01:05:58,067 [Franz] YOU'VE BEEN VERY GOOD. THIS IS YOUR REWARD. 790 01:07:14,961 --> 01:07:16,495 YOU ALL RIGHT, MR. FRANZ? 791 01:07:16,563 --> 01:07:19,899 YES, YES, FINE. 792 01:07:19,966 --> 01:07:22,735 [Janitor] KIND OF LONESOME IN A THEATER WITH NOBODY AROUND. 793 01:07:22,803 --> 01:07:24,970 NOT TO ME. I HAVE MY PUPPETS TO KEEP ME COMPANY. 794 01:07:26,539 --> 01:07:28,640 BUT YOU'VE BEEN AT IT ALL NIGHT. 795 01:07:28,709 --> 01:07:30,943 I THOUGHT MAYBE I'D GET YOU SOME MORE COFFEE. 796 01:07:31,011 --> 01:07:34,246 NO, NO MORE COFFEE. I STILL HAVE PLENTY. 797 01:07:34,314 --> 01:07:36,782 DON'T COME ON THE STAGE! 798 01:07:36,850 --> 01:07:38,517 ALL RIGHT, ALL RIGHT. NO MORE COFFEE. 799 01:07:53,549 --> 01:07:56,685 I'VE GOT ONE OF THOSE CAPSULES THAT HE USES TO PUT US TO SLEEP. 800 01:07:56,752 --> 01:07:59,288 IF WE COULD SLIP IT IN HIS COFFEE... 801 01:07:59,356 --> 01:08:02,992 IT MAY NOT PUT HIM TO SLEEP, BUT IT'D SLOW HIM DOWN SOME. 802 01:08:03,059 --> 01:08:04,659 [Mac] WHERE'D YOU GET IT? [Bob] THE LAST TIME HE PUT US AWAY. 803 01:08:09,632 --> 01:08:12,335 NOW THEN, I THINK OUR PUPPET FRIEND DR. JEKYLL IS READY FOR A TRIAL. 804 01:08:14,537 --> 01:08:16,805 GOOD EVENING, LADIES AND GENTLEMEN, 805 01:08:16,874 --> 01:08:20,776 I AM DR. JEKYLL. I HAVE DISCOVERED A STRANGE DRUG. 806 01:08:22,445 --> 01:08:25,414 IT IS ABLE TO FREE MY EVIL NATURE FROM WHAT IS GOOD IN ME. 807 01:08:26,849 --> 01:08:28,984 [Franz as Jekyll] THEN I BECOME THE SINISTER MONSTER, MR. HYDE. 808 01:08:30,988 --> 01:08:34,023 WITH THE ASSISTANCE OF A FEW MEMBERS OF OUR AUDIENCE, 809 01:08:34,091 --> 01:08:37,559 I'D LIKE TO PUT ON ONE OF THE SCENES FROM OUR LITTLE PLAY. 810 01:08:37,627 --> 01:08:38,960 [Franz as Jekyll] WHICH ONE OF YOU WILL VOLUNTEER? 811 01:08:42,799 --> 01:08:46,068 COME NOW, WE MUSTN'T KEEP DR. JEKYLL WAITING. 812 01:08:46,136 --> 01:08:49,405 [Franz] MISS REYNOLDS, YOU WILL PLAY THE GOOD DOCTOR'S FIANCE. 813 01:08:49,472 --> 01:08:52,291 GEORGIA, YOU WILL BE HIS VICTIM. AND, NOW LET ME SEE, 814 01:08:53,126 --> 01:08:56,095 FOR DR. JEKYLL'S BEST FRIEND... 815 01:08:56,163 --> 01:08:59,015 YES, BOB, YOU SHOULD BE VERY GOOD IN THE PART. 816 01:08:59,082 --> 01:09:00,950 THE REST OF YOU JUST SIT BACK AND ENJOY YOURSELVES. 817 01:09:03,603 --> 01:09:06,405 ALL RIGHT, YOU'RE ON, MISS REYNOLDS. I'LL PROMPT YOU ON WHAT TO DO. 818 01:09:08,691 --> 01:09:10,759 GO AHEAD, DARLING. KEEP HIS EYES OFF THE COFFEE CUP. 819 01:09:25,575 --> 01:09:27,742 TELL HIM HE'S BEEN STRANGE LATELY AND ASK HIM WHAT'S THE MATTER. 820 01:09:30,180 --> 01:09:32,781 YOU'VE BEEN STRANGE LATELY. TELL ME WHAT'S THE MATTER. 821 01:09:32,849 --> 01:09:34,917 NOTHING, MY DEAR. NOTHING AT ALL. 822 01:09:34,985 --> 01:09:38,020 IT'S ONLY YOUR IMAGINATION. 823 01:09:38,088 --> 01:09:41,140 YOU MUST PLAY UP TO HIM. REMEMBER, YOU LOVE HIM. 824 01:09:41,208 --> 01:09:42,541 SAY SO. TELL HIM HE CAN TRUST YOU. 825 01:09:45,812 --> 01:09:49,014 YOU KNOW I LOVE YOU. WHY CAN'T YOU BE KIND TO ME? 826 01:09:49,082 --> 01:09:52,367 NO. MORE CONVINCING, DEAR. TRY IT AGAIN. 827 01:09:52,435 --> 01:09:54,936 YOU KNOW I LOVE YOU. WHY CAN'T YOU BE KIND TO ME? 828 01:09:55,004 --> 01:09:57,706 THAT'S IT, MY DEAR. THAT'S IT. 829 01:09:57,773 --> 01:10:00,375 [Franz as Jekyll] THINGS ARE DIFFERENT NOW. 830 01:10:00,443 --> 01:10:03,412 THEY CAN NEVER BE CHANGED BACK AGAIN. 831 01:10:03,480 --> 01:10:05,114 PERHAPS IT WOULD BE BEST 832 01:10:05,181 --> 01:10:07,432 IF WE STOPPED SEEING ONE ANOTHER. 833 01:10:07,500 --> 01:10:10,236 THERE IS DANGER HERE FOR YOU AND I WOULDN'T WANT 834 01:10:10,303 --> 01:10:12,471 ANYTHING TO HAPPEN TO YOU. 835 01:10:12,539 --> 01:10:15,541 ASK HIM TO CONFIDE IN YOU. 836 01:10:15,609 --> 01:10:19,278 WHY WON'T YOU TELL ME WHAT'S WRONG? 837 01:10:19,346 --> 01:10:22,648 I HAVE TRAVELED THE ROAD OF NO RETURN. THERE IS NO GOING BACK. 838 01:10:24,417 --> 01:10:27,319 ONLY DEATH CAN FREE ME FROM THE CURSE I HAVE PUT UPON MYSELF. 839 01:10:28,521 --> 01:10:31,757 [Sally screams] 840 01:10:31,824 --> 01:10:33,992 WHY YOU'RE MORE OF A FIEND THAN I THOUGHT! 841 01:10:34,060 --> 01:10:36,094 IF YOU'RE GONNA KILL US, GET IT OVER WITH! 842 01:10:36,162 --> 01:10:37,746 CUT OUT THIS CAT-AND-MOUSE GAME! 843 01:10:37,813 --> 01:10:40,382 BOB, DON'T RUIN OUR LAST ACT. 844 01:10:40,450 --> 01:10:44,386 LOOK AT THIS PUPPET DOWN HERE, FRANZ. LOOK AT IT CLOSELY! 845 01:10:44,454 --> 01:10:47,489 IT'S A MONSTER ALL RIGHT, BUT NOT HALF THE MONSTER YOU ARE! 846 01:10:52,762 --> 01:10:55,130 STOP IT, BOB! THE PUPPET! YOU'RE DESTROYING THE PUPPET! 847 01:11:02,272 --> 01:11:03,772 STOP IT, I TELL YOU! STOP IT! 848 01:11:08,044 --> 01:11:09,528 [Sally screams] 849 01:11:09,596 --> 01:11:10,829 WHO'S THERE? 850 01:11:10,897 --> 01:11:12,030 ME AGAIN. 851 01:11:12,098 --> 01:11:13,732 DON'T COME ON THE STAGE! 852 01:11:13,800 --> 01:11:15,867 I TOLD YOU I DON'T WANT TO BE DISTURBED. 853 01:11:15,935 --> 01:11:17,569 I HEARD YOU SHOUTING AND I THOUGHT-- 854 01:11:17,637 --> 01:11:19,070 YOU THOUGHT WHAT? 855 01:11:19,138 --> 01:11:21,407 MAYBE YOU WANT SOME MORE COFFEE. 856 01:11:21,474 --> 01:11:23,342 NO, NO, YOUR COFFEE'S FINE AND STILL HAVE PLENTY. 857 01:11:34,454 --> 01:11:36,087 BOB! 858 01:11:36,155 --> 01:11:38,924 MISS REYNOLDS! 859 01:11:38,991 --> 01:11:40,258 WHERE HAVE YOU RUN TO? 860 01:11:46,499 --> 01:11:49,134 WHERE ARE YOU HIDING? WHERE ARE YOU? 861 01:11:50,337 --> 01:11:52,103 DON'T RUN AWAY FROM ME! 862 01:12:16,913 --> 01:12:20,616 COME, IT'S TIME FOR US TO GO! 863 01:12:20,683 --> 01:12:23,419 WHO ARE YOU TALKING TO, ANYWAY? 864 01:12:23,487 --> 01:12:27,105 HAVEN'T YOU HEARD A VENTRILOQUIST PRACTICE THROWING HIS VOICE? 865 01:12:27,173 --> 01:12:29,541 [Georgia] HELP! WE'RE HERE. [Laurie] STOP HIM! HELP! 866 01:12:32,112 --> 01:12:33,345 I'VE HEARD ABOUT ENOUGH. 867 01:12:37,867 --> 01:12:40,001 THERE MUST BE SOMEBODY NEARBY! 868 01:12:40,069 --> 01:12:41,903 IT'S 5:30 IN THE MORNING. MOST PEOPLE ARE IN BED NOW. 869 01:12:41,971 --> 01:12:43,405 IT'S HOPELESS! 870 01:12:43,473 --> 01:12:45,607 LET'S GET TO FRANZ'S AND THE MACHINE. 871 01:12:45,675 --> 01:12:47,342 IF WE MAKE IT, WE'LL COME BACK FOR THE OTHERS. 872 01:12:47,410 --> 01:12:48,009 IT'S THIS WAY. 873 01:12:57,303 --> 01:13:00,772 SECOND AND MAIN. AND WE HAVE TO GO TO SEVENTH AND HILL. 874 01:13:00,840 --> 01:13:03,742 HOW FAR IS IT? ABOUT A MILE,I THINK. 875 01:13:03,809 --> 01:13:06,678 WHEN WE'RE OUR SIZE, THAT'S THE EQUIVALENT OF 6 MILES. 876 01:13:06,746 --> 01:13:08,514 HOW CAN WE MAKE IT, BOB? 877 01:13:08,581 --> 01:13:10,249 WE'RE NOT GONNA MAKE IT STANDING HERE. COME ON. 878 01:13:24,147 --> 01:13:26,815 WHO ARE YOU LOOKING FOR? 879 01:13:26,883 --> 01:13:28,584 DID YOU SEE THEM LEAVE? 880 01:13:28,652 --> 01:13:31,220 THEM? WHO? 881 01:13:31,288 --> 01:13:32,054 NEVER MIND. 882 01:13:42,199 --> 01:13:44,099 ARE YOU SURE IT'S THIS WAY? 883 01:13:44,167 --> 01:13:45,568 I THINK SO. I WAS ALMOST SURE THAT IT WAS. 884 01:13:49,539 --> 01:13:52,575 WAIT, BOB. LOOK, IT'S THE FACTORY. COME ON, LET'S HURRY. 885 01:13:52,642 --> 01:13:54,776 WE HAVE TO GO TO THE FIFTH FLOOR. 886 01:13:54,844 --> 01:13:57,179 THE ELEVATOR OPERATOR WON'T BE ON FOR AT LEAST AN HOUR. 887 01:13:57,247 --> 01:13:59,615 WE CAN'T OPERATE IT OURSELVES. 888 01:13:59,683 --> 01:14:02,050 WHAT ABOUTFREIGHT? WHAT DO YOU MEAN? 889 01:14:02,118 --> 01:14:04,386 WELL, THERE MUST BE A FREIGHT ELEVATOR AROUND BACK. 890 01:14:04,454 --> 01:14:06,488 WHEN DO THEY MAKE DELIVERIES? 891 01:14:06,556 --> 01:14:08,557 I DON'T KNOW. SHIPMENTS USUALLY COME IN BEFORE I GET TO WORK. 892 01:14:08,625 --> 01:14:09,425 COME ON. 893 01:14:18,284 --> 01:14:19,318 [Bob] HEY, WAIT! 894 01:14:23,289 --> 01:14:25,224 IT'S ALL RIGHT. HE'LL BE BACK FOR ANOTHER LOAD IN A MINUTE. 895 01:14:25,291 --> 01:14:26,391 BOB, LOOK! 896 01:14:48,197 --> 01:14:50,565 BOB, LOOK, THE LABEL! IT'S FOR MR. FRANZ. 897 01:15:14,274 --> 01:15:15,641 GO ON, GET OUT! 898 01:15:44,270 --> 01:15:45,737 DOLLS INCORPORATED 899 01:16:29,098 --> 01:16:32,167 WE'RE IN LUCK. HE LEFT THE DOORS OPEN. 900 01:16:32,234 --> 01:16:33,601 [Sound of key in the door] 901 01:16:51,888 --> 01:16:54,005 [Little Girl] MR. FRANZ! 902 01:16:54,073 --> 01:16:56,475 MR. FRANZ! 903 01:16:56,543 --> 01:16:59,578 WHAT'S THE MATTER, HONEY? 904 01:16:59,646 --> 01:17:03,582 ISN'T MR. FRANZ IN? LET ME TRY. 905 01:17:03,650 --> 01:17:06,718 [Sergeant] WELL, IT LOOKS LIKE WE BOTH MISSED HIM, DOESN'T IT? 906 01:17:06,786 --> 01:17:09,455 YOU LIKE HIM, DON'T YOU? BECAUSE HE MAKES DOLLIES? 907 01:17:09,522 --> 01:17:10,756 [Little Girl] AND PEOPLE, TOO. 908 01:17:10,824 --> 01:17:12,324 PEOPLE? 909 01:17:12,391 --> 01:17:14,259 LITTLE PEOPLE. 910 01:17:14,327 --> 01:17:16,895 HE MAKES LITTLE PEOPLE, DOES HE? HOW? 911 01:17:16,963 --> 01:17:20,398 OUT OF BIG ONES WITH A MACHINE. 912 01:17:20,467 --> 01:17:23,068 REAL LITTLE PEOPLE? PEOPLE THAT WALK AND TALK AND EVERYTHING? 913 01:17:23,135 --> 01:17:25,471 HOW DO YOU KNOW? 914 01:17:25,538 --> 01:17:28,239 MR. FRANZ SHOWED ME. HE SAID, SOMETIMES WHEN I'M GOOD 915 01:17:28,307 --> 01:17:30,275 I CAN PLAY WITH THEM. 916 01:17:30,343 --> 01:17:32,611 [Sergeant] HE ISN'T HERE TO LET YOU PLAY WITH THEM, 917 01:17:32,679 --> 01:17:34,680 AND THAT'S WHY YOU'RE UNHAPPY? 918 01:17:34,747 --> 01:17:37,015 [Little Girl] HE SAID I COULD PLAY WITH HIS KITTY. 919 01:17:37,083 --> 01:17:39,751 [Sergeant] OH, A KITTY? 920 01:17:39,819 --> 01:17:43,355 [Little Girl] A LITTLE, TINY KITTY. MR. FRANZ KEEPS IT IN A MATCHBOX. 921 01:17:44,958 --> 01:17:46,892 HE MADE IT IN HIS MACHINE. 922 01:17:46,960 --> 01:17:49,027 [Sergeant] I SEE. 923 01:17:49,095 --> 01:17:51,196 ISN'T IT TIME YOU WERE GOING TO SCHOOL? 924 01:17:51,263 --> 01:17:54,032 WELL, COME ON. I'M GOING TO TAKE YOU THERE. 925 01:17:54,100 --> 01:17:57,603 LITTLE PEOPLE. CAT IN A MATCHBOX. COME ON. 926 01:18:31,353 --> 01:18:32,587 [Bob] GET AWAY FROM THAT DOOR. 927 01:18:35,658 --> 01:18:38,860 COME ON, SALLY. WE'LL CALL THE POLICE. 928 01:18:38,928 --> 01:18:40,662 DON'T LEAVE ME. PLEASE DON'T LEAVE ME. 929 01:18:42,765 --> 01:18:45,200 DON'T LEAVE ME! I'LL BE ALONE. 930 01:19:04,386 --> 01:19:09,057 THE END