- Hi sisters.
James Charles here and welcome back to my Youtube channel.
Oh my God, you guys,
for today's video I am actually really, really excited
and I just wanna tumble right in
because today's video is literally
one of the most requested comments from you guys
probably ever in the history of this channel,
and I think I know why, too.
Obviously you guys know I love to play with makeup
and is my hobby and now thanks to all of you, sisters,
it is my job and I get to do it every single day.
But I probably never would have fell into my love for makeup
had it not stemmed from my love for art a few years ago.
When I was younger,
I would come home from school every single day
and spend hours and hours of my time drawing portraits,
whether charcoal or pencils,
sketching in my school notebooks or on my homework,
trying different paintings, scrapbooking,
literally you name it.
I was definitely trying to be creative
in some way, shape or form.
The title of my palette that is now released
obviously is Unleash Your Inner Artist,
which I feel it has definitely reflected
in my makeup style as well.
At this point you name it,
I pretty much painted every single day
on my face at this point,
everything from skeletons
and 3D special effects for Halloween time
to rainbow acid dripping down my skin
to even the aurora borealis literally
smacked up right here on my forehead.
And that brings me to today's brand new video.
My love for art
has definitely made a very large impact on my life
and somebody who also has an intense love for art
is Bob Ross.
If you don't know who Bob Ross is,
he's an icon and a legend.
RIP, gone way too soon.
But he truly changed the art industry
because of the fact that he would go on TV
for like 30-minute segments
and create a beautiful landscape painting.
But what was different about it
is that he was actually taking the audience
through the painting, step by step,
almost like a regular tutorial.
If you really think about it,
Bob Ross is kinda like the first ever "guru"
before bigger guru really every existed.
And he had an immense love and talent for painting.
But to most everyday people,
painting is very, very challenging
and he brought his knowledge and his skills
on a public platform, which at the time was TV,
and shared that with the world
and helped people at home learn how to be better painters,
just like I kinda do with makeup every single day.
For today's video, after literally thousands and thousands
of you guys commenting and asking for this,
I thought I would finally give it a go
and try following a Bob Ross painting tutorial on my face.
Super quickly before we jump into the video,
don't forget you guys this is one of the last videos
of my December GiveASlays
Every single upload during the month of December,
to say thank you to you guys,
I am giving away a Morphe x James Charles PR box
including the palette and the brush set,
a Sisters Apparel Artistry logo hoodie
sold out everywhere,
and a brand new 2018 Macbook Air.
All you have to do to enter is make sure
you're following on all my social media platforms,
including my Instagram, Twitter and Snapchat,
all of them will be right up here.
Subscribe to my Youtube channel by clicking
that big red Subscribe button down below
and come join the sisterhood.
And finally, thumbs up this video
as well as all my other December uploads
and leave a comment down below.
All the official rules and regulations
will be in the description box as well,
so make sure you read all those
for all the correct information
and so I don't get a sister sued.
Good look to you guys, thank you again.
And without further ado, let's jump into the video.
(instrumental music)
Alright, so I'm going through the Bob Ross Youtube channel.
I really want to do something very wintery
because it's the season.
And I found this one, which is called
Bob Ross: Reflections of Calm (Season 31 Episode 1).
Originally aired on February 22nd 1994,
literally before I was even born.
So let's see what Bob is gonna have us paint today.
(soft instrumental music)
Oh.
So, Mr. Ross.
I was gonna say my lawyer is gonna need to talk to him
but this video was filmed over 20 years ago.
The whole paintbrush idea, hello,
my intro, Unleash Your Inner Artist, that entire campaign.
Wow, maybe his lawyer though should be calling mine.
- Hello, I'm Bob Ross and I'd like to welcome you
to Series 31 of The Joy of Painting.
- He's so calm.
- If this is your first time with us
allow me to extend a personal invitation
for you to drag out your paints and your brushes
and paint along with us.
Tell you what, let's start right off today
and have 'em write all the colors across the screen--
- Titanium white.
- While they're doing that,
let me show you what I got up here.
- Phthalo blue.
- [Bob] Today I'm using an 18x20 canvas--
- Prussian blue.
- It's pre-stretched and double primed.
And then I've just covered the entire canvas
with a very thin coat of liquid white.
- Okay, so Bob is gonna be painting on a canvas,
I'm gonna be painting on my forehead,
an equally as large surface.
A few months ago on my Instagram
I did an aurora borealis look
where I basically painted the entire aurora borealis
and like a winter scene on my forehead
and then I did an eye look inspired by it
and I really really love how it turned out.
So I think for today's video I wanna do the same thing,
kind of keep the painting up here
and maybe even do an eye look using the palette.
After the fact is like a little bonus tutorial moment.
I have my colors picked up right here,
I'm gonna use MakeUp Forever Flash palette.
And my canvas is already primed with foundation
and lots of powder and concealer.
- Tell you what,
let's start off with a little two-inch brush.
- Oh wait, he's saying I need a two-inch brush.
So I'll be using paint brushes for this?
I didn't prepare.
- [Bob] Here we are, we take a little touch of phthalo blue.
phthalo blue is a beautiful--
- Phthalo blue?
- Alright, let's go right up in here.
And we'll start
just making little exes. - Oh God.
Okay so it looks like it's a light blue,
so I'm gonna take this
and I'm gonna mix together some blues.
I'm just gonna use my hand as a palette
'cause I don't have a fancy Bob Ross actual palette.
That's like a good phthalo blue right there.
- Crisscross strokes.
That easy.
And we'll work all the way across the canvas.
- Crisscrossing.
- [Bob] We start at the top and work down.
That way the paint is continually mixing
with the liquid white that's already on the canvas
and automatically your sky will get lighter and lighter
as you work down toward the horizon.
- Oh, are you kidding me?
- [Bob] There, let the canvas work for you,
allow the colors and the paint,
everything to work together to make it easy.
- Are you kidding?
He just did an entire sky in literally one minute.
Is this a prank?
I'm using my crisscross technique
so I'm really just crisscrossing it for a little while.
I whish I had a two-inch brush,
I feel like that'd really help me out here.
Kind of really get this into the hairline,
because we gotta go all the way (laughs)
to the top of the canvas.
He said as you go down there'll be less and less product.
I don't know how, how do I just, hello?
Crisscross, crisscross, crisscross.
Lots of winter times (mumbles) for you and myself,
so we're just gonna move on to the next step.
- I think today, let's have still water.
So pull from the outside to in.
Like so.
It's all there is to it.
We'll go to the other side, do the same identical thing.
But I suggest--
- What?
- [Bob] If everything works just right,
It'll look like a sheen of lights
just streaking right across your water.
Sneaky but it works great.
- Sneaky but it works great.
Me in the video industry. (laughs)
I guess I'm gonna get some more of my blue color
and I'm gonna pull it in from the side.
He said to keep your brush straight
but I'm working on a not exactly flat canvas here
since this is a little, oops,
I just did what he said not to do.
Okay I'm already not following the tutorial,
pull inwards.
Sorry Bob.
Oops, there's my eyebrow.
I think my water's up too high.
We're gonna figure it out.
- I wanna darken the corners on this.
I'm gonna take a little Prussian blue.
Prussian blue is much much stronger than phthalo blue,
it's a beautiful blue.
And right there in the corners
I'm just gonna add a small amount of the Prussian blue.
- Oh, okay, great.
We finally get to add some forehead contour.
This I am definitely down for.
I'm gonna grab a little bit of blue
and maybe a little bit of black, even, too
to really deepen that up
and make it look like my forehead isn't 800 miles long.
- [Bob] When the painting is completely done,
its dark corners will help lead the eye
toward the center of the painting.
Let me put a little in the water too,
we don't want it left it out.
Okay, let's just blend that color 'til it's nice and smooth,
and we're in business.
- What?
I don't understand how he's doing it so fast.
He's done like three paint strokes
and there's the entire ocean.
Like, hello?
- No, it's not.
No, it's not.
- [Producer] Yes. - Is it?
- [Producer] Yes.
- Is it really?
- This is true.
I feel like if I had a canvas this wouldn't be as difficult.
I feel like I really set myself up for failure here
doing this on my own forehead.
Adding some dimension to the ocean, like Bobby said.
Oh my God, my hair.
Why did I let you guys talk me into this?
Like, are you serious?
Oh my God, I'm gonna rip all my hair out.
This looks so bad.
He has literally...
I can see the sky and the ocean on his already,
and then mine, like, what is this?
I really just let's keep going.
Let me be positive.
Everything always turns out good in the end, so.
- This is where i really have a good time.
Just cleaning this old brush,
shake it off,
(thumping)
(laughs)
I just beat the devil out of it.
That really is a fun part of this whole technique.
- I'm just gonna clean my brush using a makeup wipe but,
I do love beating the devil out of certain things.
- Today, let's take,
really use a little bit of phthalo blue,
some Alizarin crimson,
a little bit of black.
A wanna make a little mountain in here,
I wanna make a dark lavender-looking color.
It's most important how you load the knife.
Cut across the paint and get the little roll
that lives right under the edge of the knife.
Okay, let's go up in here.
Right here.
Just decide where you think
this little mountain lives in your world
and drop it in.
Painting is a very individual thing.
We all see nature through different eyes
and that's the way you should paint it.
All we're looking for is the nice top edge,
we can't care less what's happening down below.
A brush that's good and dry
across the liquid whites on the canvas,
you can literally move color.
If you were working on a dry canvas right now,
you'd be in agony city.
- That's a mountain.
He just made a mountain in literally 30 seconds.
I can't put a knife on my face
so I guess I'm just gonna use a flat square brush,
which is sort of, as close I'm gonna get, right?
I don't know what else I would use.
Well, now I feel like my ocean's too tall.
I don't have room to put a mountain anywhere.
Now I have a blue forehead so what am I gonna do now?
Okay, he literally just, like,
tucked the brush and what happened?
He just was like, let me just scrape it on there.
Are you kidding me?
- Now we go back to the solid dark color
and come right up in here.
Let's--
- Oh no, hold on sweetie, I'm gonna need to pause.
Oh my God, here we go, another mountain.
Okay, so this one he said he wanted to be more
Crimson than blue.
So we're gonna take some red and mix it together here
and make it really nice and dark.
That's like a nice deep Crimson color.
- [Bob] We're gonna put a few little highlights on it,
but you decide where all the little protrusions
on your mountain live, little bumps.
And there is no right or wrong here.
- That's good. (laughs) - [Bob] The only rule
that we have here is the painting should make you happy,
you should enjoy it.
- That's a real mountain, how does he do this?
Are you kidding me?
That's a real mountain.
Oh my God.
- [Bob] Some are in their 90s,
they tell me they they never believed they could paint
and they've tried this and it's worked for 'em.
You can do it.
- I don't know about that, Bob.
- [Bob] One of the rules if you're painting mountains,
always remember, if you can see the entire mountain
it's always more distinct on the top
than it is on the bottom.
- Oh hey, good tip. - [Bob] 'Cause we have mist
and now we have wonderful pollution
that sort of lays around the bottom of the mountain--
- Oh Bob Cross getting political, okay.
So okay, when it comes to the bottom of these mountains
he literally just blends it away.
Okay, I need to pause, okay.
That's not good.
Oh wow, I really was excited for this video
and now I'm really not.
He takes a dry brush after that
and just goes in and just blends it away.
How?
I don't really know.
But we're gonna, clearly we need to figure it out.
Yeah.
Okay, this is not that bad.
It's no Bob Ross, that is for sure, but it's not bad.
- It's fun to take and reflect a mountain
right into the water.
- Oh God.
- [Bob] Now we're just looking for
a basic little reflection here,
we're not too worried about it being exact.
When you first start it's easier
to take the canvas off the easel and turn it upside down
and just basically repaint the mountain.
Just like we did, gonna pull that color.
- Oh my God.
How am I supposed to draw the same mountain again?
I don't even know what I did the first time.
Are you kidding me?
I am so focused right now it's not even funny.
I wanna make this actually good.
I can't flop.
Okay, that's not that bad.
Oh my God. (screams)
You're kidding.
Now I'm gonna blend it out, like Bob said.
Blend it upwards,
looks like a little reflection in the water.
♪ Who is that mountain I see ♪
♪ Staring straight back at me ♪
♪ When will its reflection show who it is inside ♪
Oh my God, look, it's a reflective mountain in the water.
- Keep your canvas and your paint
as thick and firm as possible.
- Oh I love it.
We love thick and firm as possible.
- [Bob] I'm gonna take a little white, a little black--
- A little white?
- [Bob] Make just a touch of gray.
- What's he doing now?
- Little roll of paint here will always load the knife.
A little roll of paint.
I don't want very distinct things today,
I just want the indication of little things happening.
No pressure, absolutely no pressure,
just let it--
- Is that how people paint mountains?
Oh my God.
This is, no.
- [Bob] Sometimes we put a lot of indication,
sometimes a few.
- He literally just painted an entire, oh my God.
This has got to be a joke.
- [Bob] No pressure on the knife.
I know I say that over and over in these shows
but it's probably the single, biggest--
- Oh my God, he...
- When they first start,
is applying too much pressure in the knife.
- He literally just ran the paintbrush over the area
with a little bit of white
and there all of a sudden is a mountain range.
I think this is so sick, though,
because you guys know that I've always loved art
but what I was really really good at
was drawing portraits with pencil and charcoal.
I still like painting but I really wasn't that great at it.
So learning these techniques is insane
because I never in a million years
would have tried this stuff
but it's not as hard as I would have thought.
Making some gray on the back of my hand.
I don't really know how to do this exactly.
I mean, not horrible, honestly.
Could be a lot better but could be a lot worse.
Just gonna touch up some areas
where I'm having a little bit of trouble here.
So when I did my aurora borealis a few months ago
I actually did do winter mountains in the photo
and they were white as opposed to a shadow mountain
like we're doing right now.
If you zoom in on the photo
there's a lot of dimensions and detail in the mountains.
And I will say I'm pretty proud
at how they ended up looking,
I feel like they looked pretty real.
That's because I spent literally an hour going in
and drawing tiny little black lines and dots
to symbolize rocks and shadows in the mountains.
When all I had to do is scrape it on there with a knife.
- We'll just take that same mountain color,
same mountain color, sort of a lavender.
We tap a little bit right into that two-inch brush.
Don't be afraid of this brush 'cause it's large,
it will do wonderful things.
- I love... (laughs)
Don't be afraid of this brush because it's large,
it will do wonderful things.
That is my motto in life, just not for brushes.
- [Bob] Now then, let's have some fun.
Some blue and some black and some Crimson,
let's put some brown in it, and some sap green.
- What?
- Basically all your dark colors.
There's one number six fan brush.
- Ew, fan brushes, are you kidding?
- [Bob] Just put a little bit of color right on the brush,
it's all there is to it.
- Gross, fan brushes literally do nothing.
There's literally no point in fan brushes,
they're the dumbest brush in literally all of existence.
- [Bob] We'll add a little white.
And then I'm just gonna take and grab that
and lift it upward, on to look like little trees.
Little closer to us but living very far away.
- Oh my God.
Suddenly I need a fan brush.
To make this little grass he had,
oh God let me pull this up,
he had like a green and some darkness.
Okay we're gonna put that over here.
I'm gonna use a little liner brush,
maybe to add some more dimension.
- We'll take the knife.
A little bit of dark sienna and Van Dyke brown,
mix 'em together--
- Here we go again.
- Our little roll of paint.
Let's go right up in here.
And with that, we'll just put the indication,
maybe like here, right there.
- Oh my God, that's a real shoreline.
This is crazy, oh my God, are you serious?
So a little bit of white.
And I noticed when he was playing around with the colors
he kinda let them them be messy.
So almost when he put some on there,
it kept some of that dimension.
Maybe that's the technique that I'm messing up a little bit,
it's that I'm trying too hard to make it look perfect.
(laughs) That didn't exactly work.
I think it's probably a lot more than just that technique
that I'm messing up.
- [Bob] A little bit of liquid white,
and we'll just cut a little water line.
If you put a little too much liquid white on there
and you think it's a little too strong,
just rub it, it will just be absorbed into the color.
It will go away.
- He's such a good teacher, that's what I will say too.
Everything that he's doing he makes it look so easy
but you actually get to watch him do the entire thing
as opposed to him just cutting to the finished product.
Okay, so, a little bit of white to sketch in the waterline.
Honestly, not horrible.
Not great, but still not horrible.
- We need to figure out what we're gonna put in here,
so let's take some Prussian blue, sap green, Crimson, brown.
Here's old two-inch brush, we'll take him.
Let's just block in some areas.
We're gonna have a big tree that lives right here.
This is sort of your bravery test
after you've worked so hard
to put in all those gorgeous things.
Then you come up here, some crazy, fuzzy-haired guy says,
"Put a big tree right over the top of it."
There.
- And it already looks like a tree.
Once again, he just painted an entire tree in 30 seconds.
So I have my little two-inch brush.
I'm gonna put that over here
'cause this is where the tree should go.
Oh-oh. (laughs)
So now we've hit a wall because that's not a tree
in any way, not even close.
Everything else was okay, this is like bad.
That's a blob of paint.
I don't know how he did that.
I'm just gonna keep going.
- When you paint, you begin to see things.
Let 'em happen, just let 'em happen.
Let 'em happen, don't worry about 'em.
Learn to compose as you paint,
learn to take advantage of what happens.
We call those happy accidents
and they can be your best friend.
- Oh my literal God, he is...
- [Bob] Maybe it comes right on down, right in there.
- Those are trees and those are trees in the reflection.
You're kidding, how, oh my God.
This is too challenging for me.
I also set myself up for failure
by doing this on my own face
but let's put some freaking trees in here.
What the hell, are you kidding?
How does he do that?
I mean, it could be worse?
Maybe if we used more of like a fluffy brush
as opposed to a pencil brush like this one
'cause it will add that texture.
No, that did not do anything.
Maybe it's like this, it's literally like rub.
That actually literally hurts.
Yes, this is it.
- [Bob] Of course, right underneath we need a reflection.
- Where's my brush?
- [Bob] We would need a reflection
so just pull it straight down.
There.
- Wait, what?
- [Bob] Give us a little instant reflection.
Tell you what, maybe there's a tree that lives right here.
We'll put some highlight on it so he'll show.
This one lives a little closer to us
so we can make out a little more detail on him.
There.
- Oh my God, that's an entire pine tree.
What the heck, oh my God.
No.
Okay, so. (grunts)
He put a tree right here, ish.
I'm just stippling this on from a real one,
I'm hoping that it looks good.
That looks so dumb, are you kidding me, how did he do that?
Now I'm annoyed because I actually wanted this to look good
and it's not looking good or fresh.
There's your freaking pine trees in the forefront, Bob.
What the, oh.
I don't understand how he does this so quickly.
- [Bob] We'll make a nice green color.
And then we can come right along in here
and place us a few little highlights on this tree,
that will snatch it right out of that background.
- That will snatch it right out, are you kidding?
Bob Ross, now a superstar beauty guru.
Wow, Bob Ross is really coming for my brains today.
Mixing together green and yellow
on the back of the hand, the little palette here.
(laughs) This is too hard, oh my God.
I really thought I was gonna be okay at this.
I'm now realizing that these trees
are forming a separate island to overlap the water.
And I did not get that memo before.
Oh no.
Like Bob said, we get to choose
where we wanna put our things in our world
so these trees are going in front.
They're loving their grass area right here.
Taking this into my own hands for a second,
we're just putting the grass right here,
we're dragging that brush upwards
to create the appearance of grass, just like Bob said.
Bob, sweetie, I am so sorry.
- [Bob] There they go.
- (sighs) What?
It just looks like he's painting...
Maybe Bob Ross is Mother Nature, conspiracy theory.
He just paints it in there.
- [Bob] A touch of liquid white,
just to give the indication of a waterline right in here.
- Well, now I feel stupid, I messed this whole thing up.
- Big tree lives.
- Okay, back to the big tree, great.
- [Bob] Here he comes, he comes right on down--
- Here he comes.
- [Bob] This is just dark color.
Maybe it comes all the way down here, I don't know.
That's the beauty of painting like this,
you don't have to know exactly where everything is at.
- We don't.
Trust me.
Okay, so, I'm gonna go back to this.
And I'm gonna hide away my mistakes
by using lots of dark colors
and making this tree a little bit more tree-like, so.
Let's make this a tree.
And it goes all the way down, just like Bob said.
That is the worst tree of all time, are you kidding me?
- Let's take, we'll use some of that yellow.
- Oh, it's a yellow tree trunk.
- Mix them on the two-inch brush though.
Let's go, right in here
and let's begin picking up some highlights,
just the corner of the brush.
If you've got a very thick, dry paint up on the canvas
you can put this right on here.
- Oh my God.
- [Bob] Now our yellows are made just a little bit thinner--
(grunts)
What?
Okay so before we move on to the next step
I wanna pause for a second
and actually move away from the tutorial
and fix a mistake that I made early on
which was putting the lighter mountain on the edge
as I opposed to in the middle.
So we have this entire area of my forehead completely blank
so I think I want to try to do another big tree over here
since I butchered this one so badly.
Just to, one, fix it a little bit,
make it a more composed painting,
but also, two, to get a little bit more practice in.
So if I put it over here,
just like sketching in this little thing.
This is my number two brush.
That looks already a million times better
than the first one.
Okay, love that, love me making progress.
Next we add a little bit of green on the landscape
so I'm gonna do that as well, over here.
Just sketching it in.
Not really caring 'cause it's our world
and we get to place the green wherever we want it to be
so I'm just gonna put it right here,
kinda right underneath my eyebrow.
So next I'm just gonna take a little bit of that landscape
and we're just gonna blend it downwards.
Should probably do some on this side too.
So taking some more yellow and green for some dimension,
gonna stipple it right on here.
Oh, slightly too yellow.
No worries though, we're just gonna take our two-inch brush
and just type right over top of it.
Just blend it away.
We have the liquid white underneath so no worries.
I forgot to add in my tree trunk,
with a little bit of brown
and a little bit of titanium white
before adding in the details.
Let's do that now.
Can't believe it slipped my mind.
- No. (laughs)
Maybe a little bit of white.
Perhaps it's a birch tree.
We get to choose, it's our world.
Never gonna go back in (mumbles) dimension.
Just grabbing a little bit of green
and a little bit of yellow,
mixing it together on the palette,
stippling it right on there.
Oh my god, that's a tree.
I feel like I need to add some more dimension into my grass,
I feel like my gras is looking slightly flat.
So I'm gonna grab some yellow and some green,
just like the trees,
and just going in, slightly stippled, just like he said.
And then lift it right upwards, just like up.
It creates the illusion of grass
in the foreground of the painting.
I'm acting like I know exactly what I'm talking about
but in reality I have no idea.
Great, back to the tutorial.
- I wanna show you an easy way of making a fantastic effect.
One side only, I will put a little light color.
So you get dark and light.
Now watch, watch, little stone lives right there.
And wherever you want 'em.
- This... (sighs)
- You just drop 'em in.
Several little stones, put some little grassy things
right around here.
Look at that, see, it brings it all together.
Little yellow ochre there too.
- He makes it look so easy, oh my gosh.
- And we'll put just the indication
of a little waterline here and there,
sort of bring it all together.
Just to bring it together.
Shoot, I think we got a finished painting here.
Really hope you've enjoyed this
and hope you'll join us for--
- No. - The rest of this
television series.
And from all of us here, I'd like to wish you happy painting
and God bless, my friend.
(instrumental music)
- Oh wow.
I guess we're done.
It was for real almost as if he was throwing the paint
on the canvas and it was just working.
Which is one thing that I've talked about in my videos
a lot of times that you shouldn't do as an artist
because it doesn't work that way,
but Bob Ross is magical and it is working.
Clearly for me it isn't.
So much just happened.
We literally painted an entire mountain and forest landscape
on my freaking forehead,
my hand's palette, as you can tell,
is covered with every color you could possibly imagine
and I'm really happy with how this look turned out.
Just for fun I thought I'd clean up this palette
super quickly and take out my palette
and do a super quick and easy Bob Ross inspired eye look,
just to pull the whole face together.
Let's get started, again.
I'm gonna brown my eyelids,
as always, using my Morphe M173 brush
and my MAC (mumbles) paint pot.
Grabbing an M456 I'm gonna dip into the shape of Daddy,
deep, dark, mat green and pack this in an outer V shape
and then with a (mumbles) I'm just bringing that shade
right into the crease.
And then grabbing an M433 I'm gonna dip into Social Blade
in the bottom left-hand corner
and use that to buff out the edges.
First pack in the eye color on there
and then just use light circular motions
to defuse out that edge.
Pack a little bit of Daddy into that outer corner.
Mixing together a tiny little bit of Daddy
and a little bit of Tea on our M506 as well,
and we're just gonna use this to deepen off the outer V.
Grabbing a little bit of concealer and an M124 brush
I'm going to quickly cut the crease.
Now, on another M124 brush I'm gonna dip into the shade
Quack, and I'm gonna give it a quick spritz
of some sun-in spray.
And I'm gonna pop this shade
right in the middle of the crease.
And then always with any of that excess shadow
that's left on the brush
I'm just going to blend in that edge
so there's no harsh line on that top crease.
With that same brush
we're gonna grab a little bit of Ring Light
and give that a spritz of some sun-in spray as well.
And I'm gonna pop that in the inner corner
and overlap it right over top, that Quack,
to make it kind of an omber metallic shade.
Dipping into a tiny bit of Bee
and I'm gonna pop that in the inner corner.
Gonna highlight my inner corners with some yellow,
just like Bob Ross did with his trees.
For the lower lash I'm gonna grab a little bit of Cola
and pack this right up against the lash line.
I'm gonna tap into both Playground
and a little bit of Brother
to kinda make a more phthalo blue type of mixture,
if you will (chuckles),
and use it to buff out a little bit of Cola.
And finally to finish off this eye look
I'm just gonna grab the Vivid Brights light yellow liner
and use this to cut the crease.
Gonna quickly curl my lashes
and pop in a little bit of MAC Extended Play mascara.
And then finally popping on a little lash in this style,
So Extra Miami.
I almost forgot, last but certainly not least,
gonna grab an M431 and dip into Face,
the highlighter shade in the palette,
and use this to highlight the brown bone.
Alright sisters, that is how you guys can create
this super simple Bob Ross inspired eye makeup look.
I wonder if you guys at home watching that were like,
"Oh my God, how did he even do that?"
Just like I was watching Bob's tutorial earlier on.
I'm gonna go and finish the other eye off camera quickly
and I'll be right back with the final look and my thoughts.
Alright sisters, I am back.
I drew in the other eye off camera quickly,
some highlighter used in the shade of Face
from my palette, of course,
and a brown tone liquid lipstick
just to match with the whole tree vibe.
And you guys,
I think that this is our Bob Ross makeup tutorial
all complete.
You guys, I had so much fun filming this video today.
Oh my God.
I'm almost mad myself that I waited this long to do it,
but like I said in the beginning of this video,
I've always loved art and had such a passion for it
but painting was never something that I was that great at,
and for my videos I am definitely a perfectionist
so I was super nervous going into this today, but.
Following the Bob Ross tutorial made it so much easier
than I would've expected.
He was so calm and so sweet and slow,
which is really great for beginners like me.
And also, I was really really shook at first because
he was doing so many different little tips and techniques
that made the painting come together so fast.
I was like literally watching magic
in front of your very eyes.
But actually watching him doing it
and explain how the different techniques work
made it easy for me to try to recreate it as well.
It is very obvious to me why so many people loved
and watched Bob Ross,
not only were his paintings literally iconic,
he is so incredibly talented,
but also as well he is genuinely such a great teacher.
He explained everything so so well
and you could just tell he has a true love
for what he does.
And his impact on the art world
of bringing painting and all of his techniques
to the everyday consumer will never be forgotten.
I think that is all for today's video.
If you guys did enjoy this as much as I did,
please don't forget to give a big thumbs up down below.
Come through, you sisters, support and love.
It means so so so much to me.
And also leave me a comment,
let me know how do you think I did on my Bob Ross painting.
I definitely think if this were on a canvas,
it will probably be really really good and fresh.
I'm definitely dying to test out more painting techniques
very very soon, but I wanna know what you guys think.
If you have not already,
don't forget to click that big red Subscribe button
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This video's sister shout-out goes to sister Lana.
Thank you so much, love, for always following and supporting
(mumbles) so so so much.
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Really hope you enjoyed this
and hope you'll join us for the rest of this Youtube series.
And from all of us here,
happy painting and God bless, my friends.
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