1 00:00:00,213 --> 00:00:05,213 In this movie, I'll show you how to create the final Warhol variation on the male portrait, 2 00:00:05,213 --> 00:00:12,213 which includes some additional depth in the background as well as these colored but opaque shadows. 3 00:00:12,213 --> 00:00:17,213 Go ahead and switch over this base version of the composition, which includes this very 4 00:00:17,213 --> 00:00:20,213 small palette of colors shown in the upper left corner of the image. 5 00:00:20,213 --> 00:00:24,213 I'll go ahead and scroll down to the bottom of the Layers panel, and I'll click on the 6 00:00:24,213 --> 00:00:29,213 background layer to make it active and then I'll press the I key to switch to my Eye Dropper 7 00:00:29,213 --> 00:00:33,213 tool, make sure that Sample is set to All Layers up here in the Control panel, and then 8 00:00:33,213 --> 00:00:38,213 click in the yellow swatch, the second one from the left, then press Alt+Backspace or 9 00:00:38,213 --> 00:00:42,213 Option+Delete in order to fill the background with yellow. 10 00:00:42,213 --> 00:00:46,213 Now we have a couple of different colors going on in the background. 11 00:00:46,213 --> 00:00:50,213 Now I'll click on the Flat Fan layer to make it active, and in order to give it just a 12 00:00:50,213 --> 00:00:57,213 little bit of painterly depth, I'll click on the fx icon and I'll choose Inner Shadow 13 00:00:57,213 --> 00:01:00,213 and that will bring up these default settings here. 14 00:01:00,213 --> 00:01:04,213 The black shadow doesn't look right at all, so I'll click on the color swatch in order 15 00:01:04,213 --> 00:01:08,213 to bring up the Color Picker dialog box, and then I'll move my eye dropper cursor out into 16 00:01:08,213 --> 00:01:13,213 the image window and click on that medium green background in order to lift it. 17 00:01:13,213 --> 00:01:16,213 Even though that's the same shade of green that's already at work in the background, 18 00:01:16,213 --> 00:01:22,213 because the Blend Mode is set to Multiply by default, we end up getting these darker interactions. 19 00:01:22,213 --> 00:01:27,213 Now I'll click OK in order to accept that effect, and I'll increase the Opacity value to 100%. 20 00:01:27,213 --> 00:01:32,213 A Distance value of 5 pixels is fine. You want the Choke to be set to 0%. 21 00:01:32,213 --> 00:01:38,213 Tab to the Size value and press Shift+Up arrow in order to increase it to 15 pixels and then I'll click OK. 22 00:01:38,213 --> 00:01:45,213 And you can see that it appears as if the yellow--even though it's in back of the green layer--is a little bit raised. 23 00:01:45,213 --> 00:01:51,213 Now I'll click on the man layer in order to make it active, and I want to infuse these shadows with red. 24 00:01:51,213 --> 00:01:56,213 I'll try out that same approach that I showed you in the past couple of movies, I'll click 25 00:01:56,213 --> 00:02:02,213 on the fx icon at the bottom of the panel and choose Color Overlay and I do want this 26 00:02:02,213 --> 00:02:06,213 exact shade of red, that is to say if I click on the color swatch, the Hue value is set 27 00:02:06,213 --> 00:02:11,213 to 0 degrees, the Saturation is 100%, and the Brightness is 100% as well. 28 00:02:11,213 --> 00:02:17,213 Go ahead and click OK and I'll change the Blend Mode as in the past to Screen. 29 00:02:17,213 --> 00:02:21,213 And that ends up producing too bright of an effect outside of the shadows, as you can 30 00:02:21,213 --> 00:02:27,213 see here, so I'll click on Blending Options over in the left-hand list and then turn on 31 00:02:27,213 --> 00:02:31,213 Blend Interior Effects as Group, which has done the trick in the past. 32 00:02:31,213 --> 00:02:36,213 However, if I click OK in order to accept that change, you can see that we get these, 33 00:02:36,213 --> 00:02:42,213 well, I would say unfortunate interactions in the white areas of the hair as well as 34 00:02:42,213 --> 00:02:44,213 in the white portions of the eyes. 35 00:02:44,213 --> 00:02:47,213 Now you may or may not find that to be exactly what you're looking for. 36 00:02:47,213 --> 00:02:53,213 If not, and you want these shadows to be uniformly this bright shade of red throughout, here is what you do. 37 00:02:53,213 --> 00:02:57,213 Go ahead and turn off the Effects that are assigned to the man layer, then click on the 38 00:02:57,213 --> 00:03:00,213 color fills group in order to make it active. 39 00:03:00,213 --> 00:03:04,213 Press and hold the Alt key or the Option key on the Mac and click the black/white circle 40 00:03:04,213 --> 00:03:08,213 at the bottom of the Layers panel and choose Solid Color. 41 00:03:08,213 --> 00:03:12,213 Then go ahead and name this layer white and click OK. 42 00:03:12,213 --> 00:03:17,213 Inside the color picker dialog box, just go ahead and drag to the upper left corner of 43 00:03:17,213 --> 00:03:22,213 the color field in order to fill the layer with white and click OK once again. 44 00:03:22,213 --> 00:03:27,213 Now scroll up to the top of the list and turn off the swatches layer so that we're seeing 45 00:03:27,213 --> 00:03:32,213 just the shadows, that is to say the shadows associated with the male model, as well as-- 46 00:03:32,213 --> 00:03:40,213 if I press Ctrl+0 or Command+0 on the Mac to zoom out slightly --those associated with the framing effect as well. 47 00:03:40,213 --> 00:03:44,213 With nothing but the shadows visible, switch over to the Channels panel, and let's convert 48 00:03:44,213 --> 00:03:51,213 those shadows to a selection outline by pressing the Ctrl key or the Command key on a Mac and clicking on RGB. 49 00:03:51,213 --> 00:03:56,213 That will go ahead and select the white regions and deselect the black ones. 50 00:03:56,213 --> 00:04:00,213 That's the opposite of the effect we want, so go up to the Select menu and choose the 51 00:04:00,213 --> 00:04:05,213 Inverse command, or you can press Ctrl+Shift+I or Command+Shift+I on a Mac. 52 00:04:05,213 --> 00:04:09,213 Now switch back to the Layers panel and turn off the frame layer, then scroll down the 53 00:04:09,213 --> 00:04:14,213 list and turn off that man layer, as well as the layer of white. 54 00:04:14,213 --> 00:04:18,213 Now scroll back up to the top of the list and click on the swatches layer, and we're 55 00:04:18,213 --> 00:04:24,213 going to create a new layer to house our opaque shadows by pressing Ctrl+Shift+N or Command+Shift+N 56 00:04:24,213 --> 00:04:29,213 on a Mac, and then call this layer color outlines and click OK. 57 00:04:29,213 --> 00:04:32,213 Now let's go ahead and lift that shade of red, and the easiest way to do that is to 58 00:04:32,213 --> 00:04:34,213 bring back the swatches for a moment. 59 00:04:34,213 --> 00:04:39,213 I still have my eye dropper active, so I'll click in that final swatch in order to load 60 00:04:39,213 --> 00:04:41,213 the bright red as a foreground color. 61 00:04:41,213 --> 00:04:45,213 Turn off the swatches layer, make sure the color outlines layer is still selected and 62 00:04:45,213 --> 00:04:50,213 that you still have a selection outline at work, and then press Alt+Backspace or Option+Delete 63 00:04:50,213 --> 00:04:54,213 on the Mac in order to fill this selection with red. 64 00:04:54,213 --> 00:05:01,213 Now if you press Ctrl+D or Command+D on a Mac, you can see that we are left with these absolutely opaque shadows. 65 00:05:01,213 --> 00:05:07,213 Press the F key a couple of times in order to fill the screen with the image, and I'll zoom in as well. 66 00:05:07,213 --> 00:05:12,213 And this is the final version of the composition, complete with the multicolor and slight depth 67 00:05:12,213 --> 00:56:01,213 in the background, as well as these bright opaque shadows and texture patterns, here inside Photoshop.