you
ladies and gentlemen Robert Bauval was born in Alexandria Egypt in 1948 he came
to Britain in 1967 where he completed his higher education after graduating in
construction engineering in 1973 in London he worked in various parts of
Africa and the Middle East until 1985 in 1986 he began his research into the
Pyramid Texts the Giza monuments and their association with astronomy his
thesis on the correlation between Orion and the Giza pyramids was published in
the academic journal discussions in Egyptology in 1989 1990 his first book
the Orion mystery was an international bestseller and translated into 12
languages his latest book keeper Genesis co-authored with Graham Hancock of
course has become yet another bestseller despite traveling the world in his quest
for knowledge Robert Bauval discipling with his wife and two children in
tranquil Buckinghamshire here in England a long way from the pyramids and sounds
of Egypt perhaps but they I'm sure and never far from his thoughts at the end
of Roberts presentation he will be joined here by his close friend and
colleague Graham Hancock and together they will make a brief announcement
before showing you a unique short videotape but it's now time to jest get
further startling revelations and I might add marvellous images from a man
whose literary talents have made him a household name
quite literally throughout the world ladies and gentlemen your appreciation
please as you welcome mr. Robert Bava
well done girl my god people ask me how did Graham and myself get together it's
rather a long story and I'm told a much time tonight but the meeting point was
through our agents in London mr. bill Hamilton and I got a phone call from
bill Hamilton one day in early 93 and he said hey would you like to meet Graham
Hancock it's a great love to the matter of the sign of the ceiling but I said
you'll enjoy that he is a bit like you both the same you've traveled around the
world you're included in all these mysteries but there's something I'm sure
Robert that you'll be keen to know he can talk as much as you can I said I've
got to see that and indeed when I say we're almost at
par and we become very good friends it's been three years we've been working together and it's true the friendly
cooperation and respect mutual respect that you have for each other that keeper
of Genesis has come to be fingerprints of the gods Graham has made a most
compelling case that in our remote and dark past a lost civilization left its
mark its fingerprints all over the world in the forms of myths maps legends and
most impressively in the forms of huge monuments most striking the most ocean
of these fingerprints is surely the Giza necropolis in Egypt where do they stand the three great pyramids and the Sphinx
now there is a curious tradition curious legend stories
indeed even the ancient Egyptian themselves speak of survivors of the
gods that made their way to Egypt long long before that own civilization
matured and they're brought with them a legacy of knowledge of wisdom and
underneath the Giza necropolis somewhere below will stand the three great
pyramids and the Sphinx was buried or concealed hermetically this body of
knowledge in the form of sacred writings in the form of records possibly a Hall
of Records from this whole city from this lost civilization
now all Egyptologists archeologists philologists every single east on this
planet rejects the sort of theories the sort of stories to them this is merely
myth legend not worthy of any attention but as you will see we believe that this
particular myth is rooted in reality and what I never I will endeavour to do
tonight is to take you on a quest the whole idea is for you to join me and of
course gram on this quest for the hidden legacy of mankind is there or is there
not something there for us to retrieve and the best way to do it is to ask not
the Egyptologists indeed to ask the very people who might have been involved in
this matter of the legacy the ancient Egyptians themselves
I propose that tonight we shall let them speak we shall let the pyramid builders speak to us across time and we shall
speak which I shall speak to us as you will see using a most extraordinary and
precise language language that all of us can understand once once we can break
into the coding system and it is very simple provided that we understand the principles upon which this language is
based so I want you to imagine yourselves going to Egypt and going to
the Giza necropolis and they're undertaking the quest to search the
investigation and see where it leads step by step
there you are in front of the Giza necropolis and you meet the Great Sphinx
of Giza keeper of the necropolis behind them is the so-called second pyramid of
supposedly as Graham explained the Pharaoh Khafra who reigned in 2500 BC or
so and you wonder you look at this and you wonder because that's what this is about is to provoke an enormous question
in your mind what is this who left this what for
the same pyramid eliminated these days by the sound and light show using laser
light this is about sunset now imagine yourselves right at the top of the Great
Pyramid the Great Pyramid nearby it's about
somewhere here and you'll be standing atop and looking down at this site at
dawn on a very special dawn here we go
Graham and me perched on top of the Great Pyramid right at the apex and
we're looking down towards the Sphinx and here's the pyramid you saw
eliminated the second pyramid casting shadows with the Rising Sun
casting the shadow of the Rising Sun on the spring equinox this picture was
taken by Santa Grahams wife on the 22nd of March this year and we were there for this very specific reason to look and
the Rising Sun on the spring equinox bear this in mind
because it is the Rising Sun on the spring equinox that holds the ultimate
key to the riddle which we hope to unravel tonight you're looking now from high above to the get on the site of the
Giza necropolis the three great pyramids all together here you have the Great
Pyramid supposedly built by key ops the one that you were looking at the second
pyramid you were standing up there by the way looking down this way
and I was pointing somewhere in this direction towards a monument and here
the so-called third smaller pyramid now I will dispense with all the
measurements and figures concerning these monuments they're all laid out in
in my first book the Orion mystery and fingerprints of the gods and indeed also
innkeeper of Genesis so let's dispense with this but I want you to grasp in
your mind the awesome scale of this project the awesome gigantic scale that
you're looking at here and to do that in this picture is the Great Sphinx of Giza
it is as long as a city block as high as a ten-storey building much higher than
this ceiling above me and it is in this picture here it is like a little dinky toy
compared to the three giants in the back that is what you are looking at here 15
million tons of material quite hold cut into perfect blocks and raised in
perfect geometrical shapes the great pyramids times 480 feet above ground
level it contains six and a half million tons of material set in perfect
geometrical shape and set as you will see soon in perfect astronomical
alignment and you open your guidebook you open your Egyptological books that
you might have and the first thing that you told about these monuments is that
they are tombs they are tombs to house the body of three fellows three Pharaohs
who wanted the names their grandeur their power to be known forever and
forever that is why they built these monuments in order that posterity knows
how great and powerful they were that is what it would be told
and here is when you strike the first problem you're looking inside a graphic
representation of the so-called King's Chamber inside the Great Pyramid this is
a graphic representation done by the one of the engravers of napoleon
representing apparently when the arabs opened the Great Pyramid in the ninth
century in any case they found no inscriptions either inside or outside
the Great Pyramid or indeed in any of the other pyramids at giza and indeed as
Graham pointed out and I will emphasize later on on the swings these monuments
are totally and utterly anonymous and here comes the question if we are
dealing with powerful megalomania eccentric Kings who wanted everyone to
know how powerful they were where is their names why did they not tell us who
built those monuments and why it does not make sense now if there is an Egypt
alot a geologist in the crowd I would be told immediately that this is not quite
true above the ceiling of the King's Chamber as you would see later on in
other slides there are four there are five so-called relief chambers
Egyptologists are not quite sure what these chambers are about but in any case
in 1837 when these chambers were discovered the discoverers announced that they had found graffiti written
supposedly by some workmen and on one of these graffitis the name of Khufu Cheops
apparently could be read there is a lot of doubt as to the authenticity of this
graffiti it has even been suggested that the Explorers who open the chambers
above may have hoaxed it and it had plenty of
reasons to do so they had been researching the for months on end without finding anything and it seems
that they might have thought that at least they would have proved who the pyramid belong to in any case fraud or
North Road basically faint graffiti with the name
of Cheops put there by some unknown worker scribbling in some poor red paint
graffiti and Egyptologists sit on this data they consider it more than enough
to attribute this monument to King Gibbs well ladies and gentlemen if you go by
these standards then many buildings around the world Empire State Building
Canary Wharf and perhaps the public toilets in Trafalgar Square belong to
somebody called Kilroy certainly not enough evidence to allocate six and a
half million ton of archaic hi-tech so easily
the next problem you come along to face is this when where is King kelps no
bodies were ever found either inside or outside the greater to this day
King kurup's is nowhere to be found neither him remains or his treasures or
his tools or anything at all nothing but Egyptologist again are
satisfied that they have found King hips and you're looking at him
here it is a statue that was found 600 kilometers miles miles a thousand
kilometers to the south of the Great Pyramid and on this statue again faintly
inscribed what looks like the name of the skin you're looking at
enlarged photograph of this statue if you look at my fingers it is about that
big we are supposed to go home because the mystery solved this is it we have
found pink cups serious isn't it it is in a little glass box in some corner of the Cairo Museum passed by and ignored
by all the tourists because they can hardly see that puny little thing
representing the great builder of the Great Pyramid again very flimsy evidence did but is it
possible that the pyramid builders and the monuments were not mute that they
did speak eloquently that they spoke most powerfully but not in the language
that Egyptologists are accustomed to that they spoke the universal language
that we would call today scientific language and that's examined this
possibility because one thing that you will also read in a geological textbook
is that it is a fact it is not a question of theory it is a fact that the
Great Pyramid is perfectly perfectly constructed in scientific manner let me
explain what this means you're looking at an overhead of the Great Pyramid it
is set on a square base an area of 13 acres a gigantic area apparently you can
put 22 tennis courts in the day it's enormous the side of that square measures 230
meters 750 feet where you to work all around the great firm you'll be walking
almost a kilometer that is what you're confronted with but
that Square is so perfectly squared so perfectly set on the ground the angles
of each corner is as close as dammit to 90 degrees and in order to achieve this
then and now we need to apply very very careful surveying techniques I speak I
must say with a certain amount of experience now the construction engineer
and I've set out monuments myself and buildings in very difficult conditions
and I can tell you that you need a very good surveyor with very good instruments
to do this one of the things you need to do once you've set the rough corners of
the square is to ensure that the square is perfectly locked with the diagonal
that is how you know that you've got on the ground a perfect square but here is
something odd with this monument because when they build the monument they left an outcrop of rock measuring seven
meters high a bit lower than the ceiling but certainly high enough for the
builders not to be able to see across the diagonals to cut a long story short
what this means is that we're dealing with very very good
surveyors very good servants because they achieved what we today would have difficulty in achieving in those
circumstances we've got to accept this as a matter of fact what is also a matter of fact and most incredibly still
is that they set this square such that each face is perfectly directed to a
cardinal point a cardinal direction this means that this face this is the eastern
face it's directed perfectly due east due south due west and you know here is
this dark blob that you see here is the entrance of the Great Plain and you will see
let all the corridors galleries chambers and shafts as you will see I directed
along the north-south axis what we call the Meridian axis in a strong - such a
precision that again we are astounded today 5% of a single degree that is
Swiss watch precision take you from and therefore we must contend with something
else because you cannot achieve this precision not then not now unless you
aim at the passage of a star along what we call the Meridian axis of the sky
you need a pinpoint of light to aim at to get that kind of precision not the
Sun not the moon not a piece of stick it can only be done with the passage of a
star it is again a fact let me explain what this meet you know that the am i
blocking the view they believe some keep walking on the Stars the Sun the Moon the planets all rise in the east and
they rise and culminate at the middle they reach their highest point in the
transition at the meridian every day and then they slowly descend and set in the
West this Monument there is no doubt is locked to the passage of a star at the
militant the question is which star and when and why
now having driven the point that the pyramids of giza do not have actually
I'm being interrupted by a wonderful show here or some lady taking her
clothes off what's funny Calvin I'll have to move here
I'm Cheers having driven the point that the pyramid builders of Giza did not use
hieroglyphic texts but seem to be using astronomy somehow to express themselves
not one single word here you come to another anomaly another problem you're
looking at pyramids of the 5th and 6th dynasty the kings who followed
immediately the giza builders and clearly you're looking at shabbier poorer much less well constructed
pyramids here is one for example that has totally collapse hardly looking like
a pyramid at all nowhere near the quality and size and precision of their
predecessors but unlike their predecessors the in spirits are loaded
with hieroglyphic texts from floor to ceiling hundreds and hundreds of
hieroglyphic texts now the question is what do they say this is the logic of
investigation and not surprisingly as you look into those texts you will find
that they speak of the sky of the stars and particularly of a constellation the constellation of Orion and they identify
the constellation of Orion with a deity called Osiris and that's this region of
the sky where Orien is and you will see other constellations as well
they call or at least it's Nan's rated here by the geologists who translate
this the netherworld it's the wrong term read it's too hazy for me they actually
have a word for this the ancient Egyptians they call it the do what and
when they mention the word they mention a specific area of the sky and at this
stage we know that it contained all right and therefore now we have a cue we
have something to carry on with our investigation and see if these dials
have anything to do with a star that we are trying to find linked to the Great
Pyramid now here is a curious passage in those
spirit acts we have the king the king identified to the deity or Silas I will
explain why in a moment but here is the interesting thing we have the pediment identified to a science the construction
of the pyramid identified to a science now this is very interesting because if
you make the transposition between Osiris and his stellar counterpart
alright then what we're being told here is to look into a connection between the
parent and the constellation of Orion that again is the process of investigational logic now what we seem
to have here unavoidably is a hieroglyphic language availing a more powerful a more scientific language I
will coin the word Astro griffix we have hieroglyphics veiling astral lifx that's
what we've got now let's see what this means let me explain
what you see because those pictures are rather small here is the Giza necropolis
with the Sphinx and those pyramids anonymous but containing powerful
astronomical alignments to the stuff and seemingly related or inviting us to
relate them to something to do with the constellation of Orion at this stage
whereas here we have the immediate later pyramids with chambers loaded with
hieroglyphic texts and what we should normally do according to my logic is that we should take this allegorical
language of astronomy and put it back its original images in its original
glyphs if you like they're astro glyphs to look at the part of the sky which
they invite us to consider and try and make sense as to what they're trying to
tell us and particularly what these people were trying to do this is the right approach i will give you a
similarity between the kind of work we do in construction and this approach the
scientific approach under construction engineers as i've said and I've built
many projects around the world and the way we do it is this we get drawings
given to us by an architect and these drawings bear signs and symbols and
mathematical symbols and our job is to convert these back into the original idea to actually build what the
architect had in mind what he doesn't want us to do is to look at these
drawings and write a story about write a book but we are simply taking them in
the wrong direction and I give a little analogy as to how these kind of problems
work as children we all play the little game
I wish the court in France the broken telephone if I whisper a distorted
message or very faintly in the year of this gentleman are you waiting sitting
there and he would pass on the message by whispering down the line and so forth
and so far by the time it gets to the last person on the row it is all distorted we know how this works we used
to play this at school that's the trouble is if you take it in
the wrong direction what you should have done if you didn't quite understand it is to make me repeat what I said and
this is basically what we're asking or they're asking us we have to get back in
the right direction well the problem is that this isn't at all what classical
Egyptology have done when the texts were when the coding of the hieroglyphic text was broken in 1822 it fell into the
hands of classical scholars classical academics most of them at the time
studying cultures like ancient Greece and so forth there was no science with
apology as a matter of fact and overnight the science of Egyptology we
are told was born being classical academics what they did was to take this
texts and translate them in classical languages and in our own modern
languages in English French and Italian in German and that is what they did and
what they've done really is they've taken it in the wrong direction
because it suddenly began to appear to them as some sort of bizarre mumbo-jumbo
of superstitious priests writing about the skies and the Pharaohs in what appeared to them totally
incomprehensible meets so there are passages there I'll go very briefly
because typical example of the sort of thing
that happened and it's still happening there's a passage that leads to do what
this region that we have identified the region of Orion and to Osiris the do
what beats your feet to the dwelling place of Orion and another one has been
translated as the do what beats your hands to the dwelling place over right although we can still discern the
astronomical lingo through those translations they begin to get distorted
they appear indeed to be some mumbo-jumbo that is what you get and
really what we've done is for the last fifteen years we've been arguing that
the direction is this way by the classical Egyptologists refused to
consider this direction for the simple reason that they don't believe that the
ancient builders were any good astronomers indeed that they knew very
little but a strong or any science as we understand science today that is the
problem but it stands out like a sore thumb that the people were dealing with
here not only knew about astronomy Jersey but could understand the way
astronomy the skies could be used to convey information and messages through
the ages so let's examine that possibility let's see what the ancient
Egyptians themselves had to say and what they tell us with force one thing they insist upon over and over again in the
text is that their civilization was a legacy from the gods that they got their
civilization handed down brought down by the gods and this is how they tell us
the story they tell us that the universal die T autumn manifested himself in the Sun as
attendre self created a couple in turn this couple created the earth goddess
sorry the sky brothers and the earth God and from the womb of the sky goddess
emerge for anthropomorphic human formed stellar deities who were sent down to
earth and two of them Osiris and his sister wife Isis became the first rulers
the first divine couple to rule the land of Egypt a land and a kingdom
established in a period they call kept zippy literally translating as the first time they established a kingdom of the
first time in Egypt that Z what we would call today Genesis the kingdom of
Genesis now we are told - that this kingdom this divine kingdom of the first
time was established in the region that today we call the men fight necropolis
the Memphis region where today stands the great pyramids and the Sphinx so
this is what they tell us we have to read their text and this is what it does
now we are faced with a sort of Hamlet story Osiris was killed by his brother
his jealous brother and his body was cut into 14 pieces scattered all over the
land of Egypt and his wife Isis was left without a child without a successor to
take over this kingdom of the first time she gathers back all the pieces of the
body of his Isles brings him back to life using her magical powers
it becomes played and eventually she bears a son called Horus Horus is the
first God king of Egypt and it is from Horus that emerges the divine line of kings of Pharaohs of Egypt the Horus
kings they believe themselves to be the reincarnation the body of incarnation of
Horus the sons of Osiris that is the myth this is what they turns meanwhile they tell us what happened to my Zyliss
they tell us in no uncertain terms that he departed back to the gods back to the
sky and established another kingdom in the sky another kingdom of the first time and this kingdom they call as I've
said the do what the do once so let's have a good look and this to what they
are attracting our attention to a part of the sky with great significance to
their myths their Genesis here is that part of the sky or part of that part of
the sky and you can see the constellation of Orion I'm having
problems with my pointer I wonder if somebody can get me another one I'll use
this one meanwhile the constellation over line with the characteristic three stars the belt stars of Orion's butt and
you can see the constellation of Orion
you
the three stars of Orion's belt and here you see the star series it was
identified to Isis Isis the consort of Orion azides when she died she too
became stellar lighting and joined Osiris in the duet along the banks of
what they call the winding waterway which they identified to the terrace 2:9
the Milky Way and this is the setup the do what in circles as you will see another constellation on the other side
of the Milky Way and this is the constellation of Leo so this is the
region of the sky that we are asked to know to understand and to see what it has to do with a parrot business and
this has nothing to do with the pyramid and I'm inclined to crack the standard
joke I have I will do that because it always works I hope I get a giggle from
you I keep saying that Graham Hancock puts this slide to put me off in my talk
it's the kind of little standard joke we have you know and I'm kind of confused
and I'm not quite sure what I'm supposed to do now to stop the talk or what it is
something that I'm sure a lot of you may know what it is it is not a cheap
Mexican Posca
or one of those praying drugs it is known as the a cerebral interstellar
message it is the first message sent by us mankind to the stars in an attempt to
communicate with a possible civilization outside our galactic system it was
transmitted to m13 a galaxy 25,000 light-years away from us now I don't know why I didn't choose something
nearer maybe they don't want an answer but nonetheless that's what they did in
1974 and this is how it works it is composed of 1679 bits of information now
we get radio messages constantly coming from the stars and vice-versa and the
reason is that there is background noises that the stars make and they're
not necessarily at all intelligent messages that just noise but if you get
1679 bits of its formation transmitted by radio message you listen because it
is a prime number if you get a prime number coming across you listen because it means this is intelligent and more so
because this particular prime number is the product of two other prime numbers
23 and 73 and the suggestion is to split the bits of information in rows or 23 by
73 and you get this peculiar image and what it is is at the top you have a counting convention here you have
information about the genes and DNA of the creature the human creature as that
is here were given data concerning the population on this planet and the position of our planet in a solar system
this represents the Sun and the third planet our planet is
offset near the creature to show that we are from the third planet planet Earth
information about the telescope the radio telescope its eyes and so forth
in short what you're looking at here is the way that we're trying to communicate
with an unknown civilization across time and space and the reason we use this
language this Astra graphic language this scientific language is because
there is no need sending a message in English or in Turkish or in French
simply because it doesn't work that way they were not understand they would
understand this nowhere no matter where they are they will understand this
everywhere in m13 or whatever galaxy which was to send it to if there are
intelligent people so that's the idea there is another one here known as the
Voyager message it is stuck or inside a club or Voyager one that was sent
outside our solar system in 1976 it's just cut out our sources in
the last few years and it's heading towards the Stars again
information about coordinates or where we are the earth information on how to play a record apparently there's record
inside that sleeve that is entitled the sounds of the earth whatever sounds they
have maybe Madonna singing or things that other now I'm going to be asking
this question with all seriousness are we getting a message are we getting
a message from whoever built that I am NOT suggesting that we are getting an
extraterrestrial message although some have I'm not suggesting that at all I'm
suggesting with all seriousness we are suggesting there I'm Hancock and myself
that we have all the ingredients of a clever scientific as prolific message the way that we do
attempting to communicate with some distant civilization existing somewhere
else are we getting a message across time from a lost source deep into our
past somebody was desperately trying to pass on a message the ingredients are
the question is is it a message or not let's look at this more closely you will
recall that the emphasis of the pyramid builders was to ensure that the
monuments were perfectly set perfectly set along the north-south axis the
Meridian axis looking at the cross section of the Great Pyramid along the
north-south axis and you would enter the monument on the North Face down a
descending passageway here's the so-called subterranean chamber up an ascending corridor the so-called Queen's
Chamber into a Grand Gallery into the so called King's Chamber here by the way
are the so-called relief relief chambers where these their fittings were found and here are what Egyptologists still
call today the air shafts they haven't whoever did this diagram hasn't even
bothered to show shafts although we know they exist
indeed one of them is the most mysterious shaft indeed it has a little
door at the end of it and we'll be talking about this door and also the
possible chamber under the Sphinx when I conclude my talk the reason these shots
are not shown on this diagram is because the Egyptologists we did this diagram
adhered to the so-called abandonment theory they believed they still believed
that the builder of the Great Pyramid abandoned the lower chamber then moved
into a higher chamber here and then abandoned the second chamber to finally settle for the King's Chamber or what
they call the King's Chamber you need this abandonment theory to make
the tomb theory work because you cannot have a tomb with three chambers because they would have cut the body of the
Pharaon cliparts and therefore Egyptologists have convinced themselves
that this is what they're looking at builders who change their mind in a
monument of that size and scale and finally ended up with a chamber above
well let me tell you this you do not abandon such work indeed you do not fool
around with a monument like this when you are building a monument of six and a
half million tonnes of material the architect does not fool around with it I
can tell you these are not abandoned chains as you will see indeed certainly they hold the key this chamber in
particular to one of the major riddles of this money so the Meridian the
meridian is the emphasis of the builders but having obsessively set the great
parent on the ground along the north-south axis along this meridian
axis you come to another problem they set the other two pyramids along an
angle of 45 degrees to the middle and they set a third smaller pyramid offset
from that diagonal line and you have to ask the question the next point in the investigation is why what are they
trying to do what message is that what glyph are we looking on the ground here
and that is what we have to answer well people who attempted to break into the
understanding of these stellar connections began in 1964 a major breakthrough came when two researchers
Virginia Trimble an astronomer and Alexander by the way energy apologist
who happily for us was also an architect and they investigated the meaning of the
so-called air shafts in the Great Pyramid there are two of them heading
south you can see a and B heading towards the south meridian that
particular area of the sky that the monument is locked and two others
directed to the North Meridian of the sky
and they had a hunch that these were not airshaft at all now by the way being an
architect who had studied every single tomb in Egypt and who had never seen
anything ever ventilated any monument that was supposed to be a tomb
ventilated for the very simple reason that it doesn't make sense to ventilate
a dead body no need to ventilate a dead body it's as if you would take what's in
your fridge and put it in the garden that's the same analogy yet there is no
need to ventilate as well but even if they wanted to ventilate the dead body
for reasons that that they had they would not build shafts on the incline because it's a very difficult thing to
do if you simply want ventilation it's the same thing as building a chimney on
the incline across this structure it is a nightmare it involves all sorts of
problems and it is unnecessary because what you can do if you really want to
ventilate this chamber is to leave a course of the masonry the horizontal
course with a gap that's what you need to do all the way to the outside and you
would achieve ventilation so obviously these had a much more important and mysterious significance and their hunch
proved to be correct they thought that these shaft were linked to the stops in
the same way that the monument was and
what they found out is this and in order to work out which stars and when they
had a hunch of course that had something to do with the constellation of Orion
this constellation in the duet of Osiris and they had to use what Graham
explained briefly the precession phenomena the precession of the
equinoxes and I will explain this extremely quickly because I want to
dispense with all the jargon precession is one of those things that some
incredible reason we are not very familiar with it in the general Baili knowledge that we have we
all know we've known since with children we taught this at school
that the earth is a globe that it rotates on its axis in 24 hours we know
that we get the effect of night and day every schoolboy knows it we know that the Earth revolves around the Sun in 365
days and a quarter and we get the effects of the season but this planet
has a third motion it wobbles and it wobbles very slowly indeed in cycles of 26,000 years we do not feel this wobble
what appears to happen is that if you were to observe the precession and cycle
now we can do that by using computers today you can have the sky on your
monitor screen use a processional program and press the button and say
precess the sky and this sky would appear to move in cycles of 26,000 years
and the effect you have is this the sky the star field appears to see so
backwards and forward in 26,000 years that is it that is precession that's all
you need to know and indeed it's as simple as that so having established
that the sky seasons backwards and forwards or appears to season backwards
and forwards in 26,000 years if you were to freeze the constellation of Orion at
its passage at the Meridian at the specific direction that the monument is locked at and you were to observe this
precession cycle this is what you would see the constellation of Orion would begin its present cycle in about 10,500
BC at the time of the pyramid age 2,000 450 BC or so it will be at 45 degrees
altitude as seen from the Great Pyramid and today roughly today with average its
maximum position in that cycle and then it will
begin to go down in a couple of century and start another cycle in short up and
down up and down in cycles of 26,000 years in this current cycle 10,500 BC is
the beginning and what they discovered is this that the southern shaft in the
King's Chamber pointed to Orion's belt the center of the constellation of Orion
the center of this the white region this Orion land of the first time in the sky
in case you are wondering how this works physically this is a diagram that shows it very well imagine yourself standing
in front of the Great Pyramid looking at the Meridian looking due south and
speeding up the procession sight the constellation of Orion would be here at
the beginning of its current cycle in 10500 BC at this altitude at the pyramid
age and today this is where you would see it this is what happened and this is
what they seem to have had in mind to create a link between the Great Pyramid and that area on the ground through the
Heartland the very center of this what Osirian region in the sky and here we
come to some interesting terminology because they had a name for this region
in the sky this central region they called it Ross tau it literally means the entrance to the afterworld and
because we're dealing with a stellar world I will use the terminology that
the BBC used when it is a documentary on on the or I'm asleep
they used the terminology the gateway to the stars or if you prefer the Hollywood
version is target the Stargate you will see that this Stargate is also
a time gate but let's carry on with the sequence of our logic now here is
another odd thing they had a name for the area where it stands the three pyramids and the Sphinx the Giza
necropolis we call this the Giza necropolis they called it Rostow they
also called it the Stargate and therefore what you have here is two
stargates one on the ground one in the sky linked by a shaft that is what we
have now
twenty years after battery and Virginia Trimble in 1983 I came along and I
worked out the alignment of the southern shaft in the Queen Stream the so-called
abandoned chamber with its abandoned shafts and I worked out the alignment and not surprisingly I found out that it
pointed to the star series the star of Isis the companion of Osiris all right
and therefore it was obvious that the pyramids were not mute at all
they were expressing themselves in very powerful stellar language in this Astra
glyphic means and they were directing our attention to these specific stars in the sky and that is what they want us to
do they went to a lot of trouble to do that
and we should follow the cues they tell me that the human mind works like a
hologram that you have a left brain and the right brain and somewhere in the
middle is an interface and you get those bright ideas in the morning like who's
supposed to do the dishes tonight and things like that I'm not sure how it
works I don't sense left brain and right brain but I know that something of the
sort happened in my mind in 1983 because I began to look at that the white region
that sky region with the Milky Way in the Silesia Nile and so forth and I was
thinking parents I was thinking parents I began to think in a sort of dualistic form like those people who wrote the
texts as above so below type of thinking and when isolated all the pyramids of
the fourth - here--is are those crossed out payments those Giza pyramids those gateway pyramids I began to see that
there was quite a striking similarity with the Milky Way and the Nile and the
layout of the parent and the next thing that was obvious to do was to have a damn good look at this Rostow in the sky
those three stars of the belt of Orion and he
it is a picture taken by the Laurel Observatory and as I drew a line across
the two stars of equal magnitude or equal size apparently I noticed that the
third smaller star was offset to the left or to the east and I quickly
realized and what you had was a correlation that the monuments on the
ground the rostow on the ground was in correlation with its counterpart in the
sky now there was a problem and this is it this is what they must have had in
mind to correlate those three holographic stars architectural stars call them what you like with these three
stars in the sky the land the heartland the rostow of the what with those three pyramids representing the Rostow the
Gateway on the ground now this is what they must have had in mind but there is
a problem and here it is
if you were to observe the passage of the three stars of Orion's belt the
roster starts at the Meridian in 2500 BC although the images are the same the
picture of the stars appears to be tilted far too much at an angle of 75
degrees to the Meridian not matching what you have on the ground this is a
bit dark because of the light it is the first second and third pyramid with its characteristic direction of 45 degrees
to the Meridian the stars appear to be in the wrong place at that date
the wrong place well perhaps the question should be formulated in a different way maybe the stars are not in
the wrong place but at the wrong time and the world time like this holographic
thoughts began to float in my mind time time time time time and when I met
Graham Hancock we tossed these ideas backwards and forwards and suddenly we
shall wait a minute wait a minute this is a glyph on the ground representing
the deities iris who is told by the text to be the god of the first time the
stars have a first time and that in our current precession cycle they begin the
cycle they have their first time in 10500 BC are they trying to tell us
something are they trying to tell us consider these stars you know now what
to look at but remember they have to do with the first time of this deity and we
tried it and when we did that when we brought the Stars down on our computer
to 10,500 BC at the beginning at the first time of their cycle we got a lock the Stars conveniently moved and settled
at 45 degrees let me explain how this works how you can do it on your computer
this is not speculation this is not theory this is astronomical fact the
question is not whether this is a fact or not is whether this is a coincidence and I hope to convince you as I go along
that it is nothing of the sort
you're looking at a computer reconstruction of the sky in 2500 BC and
here is the three stars of Orion's belt crossing the Meridian in 2500 C and you
can see that they are slanted sharply at about 40 75 degrees to the Malaysian and the Milky Way too is kind of skew whiff
but if we go to the beginning of the current precession cycle to the first
time of the stars this is what we have in 10500 ec the stars conveniently look
at the angle required to match them on the ground and so does the Milky Way
align itself with its counterpart in the sky if it is a coincidence it is a
million to one for instance but let me drive this point strongly and it's
important because if we are right and I believe we are then the implications are
tremendous and this information will lead us precisely to where the legacy is
as you will see
here is a computer reconstruction of the bell stars in 2500 scene I've
superimposed a protractor on the screen here is the Meridian and here are the three stars crossing the Meridian at the
angle of 75 degrees in 2005 MBC what we would like them to be is to match the
45-degree angle that is achieved by the three pyramids and when you go down to
the first time in ten thousand five MBC this is what they lock fact verifiable facts
what they're telling us is that the land where this pyramid stand this glyph of
Osiris the glyph of Osiris the god of the first time is done on the ground in
a manner that represents the stars as they were seen in the first time that is
the message this is the land of the first time or if you prefer the land of
Genesis let's check this out the first indication that we weren't looking at the coincidence was this although they
called the necropolis lost down they had another name for it they called it the
horizon it's as if they imagined the three pyramids with the Sphinx as you
shall see also within that area encompassed by an artificial horizon on
the ground and it's divided into two parts we've said that the eastern
horizon is where the stars rise and curiously here on the western side of
this artificial horizon at 27 degrees from the center of the origin at the
bearing of 27 degrees our three little parents on the edge of the artificial
horizon it's inviting us to consider the setting of certain stars these three
pyramids look like a reduced scale model of the other three but not at an angle
of 45 degrees to the meridian but at the right angle east-west the stars set in
the West if we look at the three stars of Orion's belt setting in the West in
10,000 finally see we again get a lock here they are at the bearing of 27
degrees from the center of the artificial horizon in fact what we've
got is a reproduction of the artificial horizon mimicking what is on the real
horizon again a lot but there is something else something
else that is extremely important about those stars and death dates and this is it when the stars of Orion's belt
when this gateway the star gates strikes the meridian in 10500 BC when they
strike to match the pattern on the ground of their counterparts they do so
at a very specific time and that it only occurs and only occurs I emphasize in
10500 see they strike the meridian when the Sun is rising due east due east
on the day of the spring equinox remember the enemy standing atop of the pyramid looking down and pointing
somewhere on the day of the spring equinox
because what we're pointing at is this
and let me explain before what has happened before you see this thing that
we're trying to see in the sky we have in a sense traveled through a Stargate
our mind now has gone through a time gate we have gone down to the skies of
10,500 ici we are now in the skies of 10,000 for LDC and we have followed the
clues consider this constellation think of it in terms of its first time we go
and we get a lock now consider that this happens and only happens in 10500 see when the Sun is rising on the spring
equals their drawing our attention to the Rising Sun on the spring Eclipse
there's something important there in the sky that they desperately want us to
know about if we are intelligent if we can get the prime number transmitted
that's what they're doing and what is there what we're pointing at is the swings the Sphinx is looking due east on
the day of the Rising Sun at the spring equinox
as all of us know the Sun does not rise at the same place throughout the year on
the day of the summer solstice it rises here and if you were at Giza it will be
28 degrees to the left of juist it will be rising here go six months later to the winter sources and would be
rising here 28 degrees to the right of the east and on the equinox it rises due
east the Sphinx is gazing due east on the day of the spring equinox the fact
this picture was taken on the day of the spring equinox this year so the Sphinx
is with that question and equinoctial marker and in this case the clue is in a
clinical marker of the spring we are asked to consider and to see in the sky
what the Sphinx is looking at on that spring equinox in 10500 BC what can
there be for us to be so interested and for them to have gone to all this
trouble to convey the message I will dispense with the identification of the
Sphinx Graham has so eloquently described the argument there is no question about this thing being an image
of Catherine it is not referring it is a fact this is established we have gone
through the textual argument the inventory Stella as Graham Hancock has
described which Egyptologists dispense as some sort of fiction whereas as you
were told they much rely on the famous syllable tough I hope you've covered this grammar was a way of you thank you
we've done that now let's look at this fella carefully graham has shown you
this the famous syllable with the Ray enclosed and what it tells us that's
what this teller is telling us is that the side shoe was not built for her fro
and anybody else it was built for Adam har Mackies now we have encountered Adam
as the Creator God the God of Genesis the god of the first time who is har
Marcus well we have to contend here with a Grecian rendition of an Egyptian
ancient Egyptian term it actually means Horan Achatz
translating as Horus in the horizon you remember that they call the necropolis
the horizon and they see the strings as Horus of the horizon that's what they're telling us they're telling us something
else they're telling us that this horse of the arise in the horizon of Giza is marking the splendid place of the
beginning of time here is a typical confusion this broken telephone this
message being transmitted through translation a little bit distorted
because you will see that what the translator should have done is actually
luckily put a little annotation to tell us what is the real translation is that
the beginning of time the splendid place of the beginning of time is literally
literally the first time step zabi which we have dated in 10500
BC with our own calendrical system using the stars of Orion's belt
tap the ancient Egyptians themselves a Horus King high initiate is saying the swings is marking the splendid place of
tap double of course ignored and dispensed by
Egyptologists let's see who is the Sphinx if we use this kind of logic they tell us horan Akkad Horus in the origin
but we can understand this Horus is a deity the son of Osiris at the first
time and they speak of the Sphinx being a marker of the first time well we have
a date now Horus in the origin but they also nominate the Sphinx horn acting
with a certain difference Horus of the arisal remember this dual way of playing
around with the thoughts clearly they're inviting us to consider a celestial
Horus of the right one they call hot active Horus of the real horizon let's
examine this but first let's deal with another animalistic situation with
Egyptology they say that the pyramid builders and those who compose the
Pyramid Texts did not mention these things indeed the ancient Egyptians do not talk about the Sphinx Egyptologist
Ellis until the new king and tilted Moses and other pharaohs put these
fellows at Giza and nominate these things or a market and product they are right there are no references to horn
and a head in your eyes and horse India rising in the pen
thanks but remember remember the ostrogothic
language now this is like saying that if you were to examine the four Gospels
there won't be a reference of Jesus this was the greatest monument they built then and surely they would have referred
to it well they did they did so because the Pyramid Texts contain hundreds and
hundreds of references to whole acting Horace of the arising the astronomical
this teller 20 of whoever Horace in the horizon is supposed to represent now
let's look at this very good the horrors King undergoes a journey we are told in the Pyrenees
the Horus king is the living son of Osiris and before he will depart and
join our Zyliss in the sky he represents the life force
on the ground he represents the Sun there is no question about it and in his
journey he is asked to identify himself to the son and undertake a journey on
the land and in the sky simultaneous intellectually projecting himself as the
Sun disc in the sky and the final moment the culmination moment the apotheosis of
his journey is this they tell him to position himself seventy days before the sunrise on the day of the summer sources
seventy days before an Italian that he is to position himself on the banks of
the winding waterway near the celestial bull all this information is in the
Pyramid Texts you will find it in keeper well we can reconstruct that the Pyramid
Texts were compiled in 2500 BC we set our computer to 2500 BC and we go to the summer solstice this is what you would
see in the east in the summer sources 70 days before the event 70 days before the
summer solstice and sure enough when you do that again verifiable facts you'll find that the Sun is indeed position
next to the bull of the sky Taurus on the banks of the Milky Way they tell us
this and when we check it it is so and they tell us now the Horus King the
solar disc must cross the celestial river and reach the eastern horizon
seventy days late and when he does so he would coalesce he will merge become one with or acting with Horus of the horizon
so let's see what happens we simply follow instructions and when we do that
this is what happens 70 days later the Sun is in the pose of the constellation
of Leo he is merged he is entering or lactic forest of the horizon and if
Horak T is Leo and if alack T is column Akkad and if I am added in strings then
Leo is the counterpart of the strings he is his last your twin it is a fact
now there is a problem with this situation we're looking at the summer
solstice of 2005 MBC and it occurs as we have said 28 degrees to the right of due
east remember these things looked the east now we know for sure that the
ancient Egyptians were extremely clever as products we have shown this we know
for sure that they were capable of aligning monuments to incredible precision 5% of a single degree on a
monument that six and a half million tons in weight they have proved their
ability to align monuments to the solstices one example is this you're
looking at the rising of the Sun this picture taken by santa-santa Hancock on the day of the winter solstice at the
temple of karnak you're looking at the axis of the temple along those marvelous
problems and the Sun rising bang on precisely in the alignment of the axis on the winter solstice you go on the
other side of the line it looks on and you're looking at the so called colossi
of memnon monuments statues that weigh a thousand tons very very difficult to
move and they were aligned perfectly again to the Rising Sun they gaze of the
Rising Sun at the winter solstice they knew how to do it and then you had to do it with precision and with big monuments
there's no question about so why did they make that radical foppa this error
why does Horace Hindi arisin the Sphinx is he gazing due east and not at his
celestial counterpart horrors of the earth could it be
possible that these people who were line monuments to 5% of single degree make a
mistake of 28 degrees why is Horace of the horizon in the
wrong place again are we asking the question in the wrong way is it possible
that horse are realizing that Leo is not in the wrong
wrong time is the time when he would align perfectly with his counterpart on
the ground in this way well there is and for that we must consider another
mechanistic event happening in the sky with the precession of the equinoxes
we've seen how the precession of the equinoxes causes Orion's belt to see so
up and down well what we have also is an effect influencing the position of the
Sun at the spring equinox the station of the Sun at the spring equinox along what
we call the zodiacal belt or the ecliptic belts you'd only seen half of
it here there is 12 constellation across which the Sun appears to travel in its
annual course but because of the precession of the equinoxes the position
where the Sun is during the spring equinox now for example in the pyramid
age it will be about here near the constellation of Taurus but because of
precession the constellation appeared to move like a carousel so that the points of the spring equinox changes with the
background constellation let me explain this in visual terms if you were to
stand in front of the Sphinx today in his pose looking due east at the spring
equinox today this is what with the Sun rising due east of the spring equinox
and the background stars are Pisces and equate this is the position the point of
the spring Eclipse soon the constellation of Aquarius will appear to
shift so it occupies the background behind the Sun
this is why you say that the Age of Aquarius is soon to come at the time of
Jesus it was the constellation of Pisces would have been behind here this is why
the Christians use the iconography of the fish it was the beginning of the
astrology Age of Pisces with the Egyptians they knew this very well
because here you see the sunrise in one and the spring equinox in 1400 BC the
time of Tutankhamun in the constellation of Aries the RAM and we know that the
Kanaga fee of the ancient Egyptians at the time was intensely to do with runs
the alleyways at Karnak and at Luxor our Ram monuments and here
is the constellation of Taurus in 2500 BC that constellation would have been
behind the Sun in 2500 I see the age that the Sphinx is supposed to have been
built according to Egyptologist and at that age the age of the bull the
Egyptians knew that this was the age of the book because they started the so
called APIs cult the book of the bull the the cult of the APIs book we know
that the ancient Greeks also did that in the time of the Chronos civilization
they knew that this was the age of the book they would have built an
equinoctial marker to match the age they did not they did not build a gigantic
ball they built a gigantic lion as an attraction market this is what they had
in mind
a marker to mark a certain age what is that it well it is precise at the time
when the constellation of Orion marks its first time 10,500 BC you will
remember that as the constellation of Orion strikes the meridian in 10500 see
in this configuration the Sun is rising Jewish the spring equinox
this is what you would see at precisely that marking the age of Leo now
what makes this an unlikely Christmas is this
when the Sun strikes your eyes juist for you to turn 90 degrees and look at
this Meridian direction the direction that the pyramid builders have insisted
we should look at we will see the constellation of Orion striking the
midden we have exactly a lock happening and only happening in 10500 this is what
has the constellation striking its low point in 10,000 5mb see admitted in
mimicking the pattern that you have on the ground with the Sphinx looking due
east and with this representation in the sky we have gone through the geological
argument suggesting that the Sphinx is much older and possibly related to the
end of the last ice age matching the date of 10,500 BC we now have two
Sciences suggesting this but let's look closer we need to be absolutely sure
that this is not a coincidence not that I believe that it is so far we've had more compilation of coincidence that
sooner or later we have to stop saying it's winter but let's make sure because we're dealing with something that is so
utterly important that we cannot be uncertain about and this is it
there is a major causeway digit the geologists call this contraption that
you see on the ground a causeway linking the central pyramid
to a temple near the strength you're not even sure if it is attempted passing
along the boundaries of the pit in which the Sphinx rest they call it a causeway because they believe that it served as a
cause they believe that the body of the king honest LED was dragged up this
causeway now this causeway is made of blocks of a hundred tons
it's gigantic and they tell us that what dating the survey this cause we serve
was to drag the body of a dead King only once for five minutes or 20 minutes to
place him inside this pyramid and of course that we haven't found the body
doesn't bother them at all frankly this is like saying that we build the m6 motorway for only to use it once for
somebody to skate down use the skateboard only once on it
spotty ridiculous a hundred town blocks to build a causeway for that kind of use
what they have not noticed because they do not think in this way is that this causeway has a very important
astronomical alignment it is directed fourteen degrees to the right of the east to the south of due east they went
to a lot of trouble to link and twin push our attention now to a direction
fourteen degrees passing next to the Sphinx let's follow
the clues here you are the Sun rising at 14 degrees to the left or to the to the
right to the south of us now you remember that the amplitude between the
summer sources and the spring equinox is 28 degrees as seen from Giza it does not take a genius to work out
that 14 degrees is half again and it is a very important angle to the ancients
the we call it to data cross portal because it happens the Sun rises at
exactly that point one month before the spring egg nodes what they're telling us
is that something is happening and it's becoming active one month before the
spring equinox follow it follow it and see what happens follow it to the spring
equinox and see what happens that is what they're telling us
so let's do that
the Sphinx another framed picture I'm afraid but we didn't have a bad one at
this stage here is his rump expose his head and he's looking Dewey's and here
is the causeway pointing 14 degrees to the Rising Sun one month before the
spring equinox let's go to 10,500 ec we are in 10,500 C and let's look let's see
what they want us to see now is it possible that what they want us to see
is something to do with this Horace India rising a Horace figure an
arrow 9 figure sitting inside the horizon he is cut within the bedrock of
Giza and probably the terminology means he is inside you all right let's see if
that is what they want us to look at when it is because when we bring the
sunrise at 14 degrees on the day that they tell us to do so along the causeway
we see that the constellation of Leo is half risen with only its shoulder and
head sticking out of the horizon the real horizon and when you transpose this
on the ground this
Horace in the horizon matching this counterpart in the horizon as they tell us as they invite us to find
Horace in your Eisen the Sphinx looking at the nine facing the line east in fact
are transposed a picture of the strings in the sky looking at the Milky Way I
don't need to use the terrestrial map I have it in the sky and they're asking us to consider this point where the Sun is
exactly on the day of the spring equinox below the constellation of Leo in ten
thousand five and BC and only in ten thousand fantasy they're drawing our
attention to this place the Genesis place do we have around DeVoe in the sky
in this place is that what they're trying to tell us well let's remember
the dualistic language know what they try to tell us here is the constellation
here is the strings we're looking at a point at a place they consider to be the
Genesis time ten thousand five we see below the ramp of the celestial line we
transpose this on the ground and this is what we have
points a possible chamber a Genesis chamber
let's see if I can focus this area below the rump of the Sphinx now so far
we have follow the clues step-step we have reasoned out we have spoken these
astra glyphs we have received the message and we begin to see that they are drawing our attention to this place
on the ground if the clues are right this is what they
tell us to do but is there evidence that something is there where there is grain
may have pointed this out but when John Anthony West did is geological world in
1991 to 93 the uses more graphic equipment and identified a chamber a
rectangular cavity a chamber underneath the front paws of the Sphinx we are suggesting that there is a link and that
here we will find the so-called Genesis chain
perhaps the Hall of Records do we have around the Buddha does mankind have on
the vu with Genesis there well as I am speaking in November 1995
somebody entered a cannon under the Sphinx a cannon at the rump of the Sphinx leading to precisely the place
where we have indicated who has entered the cannon who is the shadowy figure
that we see here I will end my talk here and I will hand the floor to Graham
Hancock we have an important announcement to make concerning this
matter and concerning also what's happening inside the great favor thank
you very much