4
00:00:29,203 --> 00:00:31,103
>> Osgood: GOOD MORNING I'M
CHARLES OSGOOD THIS IS "SUNDAY
MORNING."

5
00:00:31,105 --> 00:00:34,207
CHARLES OSGOOD THIS IS "SUNDAY
MORNING."
NAMES OF FORMER TROPICAL STORM

6
00:00:34,209 --> 00:00:35,274
MORNING."
NAMES OF FORMER TROPICAL STORM
ERIKA ARE BEARING DOWN ON

7
00:00:35,276 --> 00:00:37,677
NAMES OF FORMER TROPICAL STORM
ERIKA ARE BEARING DOWN ON
SOUTHERN FLORIDA WITH REF IRAN

8
00:00:37,679 --> 00:00:39,546
ERIKA ARE BEARING DOWN ON
SOUTHERN FLORIDA WITH REF IRAN
THIS MORNING THAT CONTINUES A

9
00:00:39,548 --> 00:00:41,648
SOUTHERN FLORIDA WITH REF IRAN
THIS MORNING THAT CONTINUES A
DAY AFTER HURRICANE KATRINA HIT

10
00:00:41,650 --> 00:00:43,550
THIS MORNING THAT CONTINUES A
DAY AFTER HURRICANE KATRINA HIT
NEW ORLEANS WITH DEVASTATING

11
00:00:43,552 --> 00:00:44,851
DAY AFTER HURRICANE KATRINA HIT
NEW ORLEANS WITH DEVASTATING
AFFECT.

12
00:00:44,853 --> 00:00:46,519
NEW ORLEANS WITH DEVASTATING
AFFECT.
WE'LL HAVE MORE ON STORMS, PAST

13
00:00:46,521 --> 00:00:50,122
AFFECT.
WE'LL HAVE MORE ON STORMS, PAST
AND PRESENT IN A FEW MINUTES.

14
00:00:50,124 --> 00:00:51,524
WE'LL HAVE MORE ON STORMS, PAST
AND PRESENT IN A FEW MINUTES.
IT'S ON TO FAMILY BUSINESS A

15
00:00:51,526 --> 00:00:53,326
AND PRESENT IN A FEW MINUTES.
IT'S ON TO FAMILY BUSINESS A
POLITICAL PARTNERSHIP BETWEEN

16
00:00:53,328 --> 00:00:55,562
IT'S ON TO FAMILY BUSINESS A
POLITICAL PARTNERSHIP BETWEEN
FATHER AND A DAUGHTER WHO ARE

17
00:00:55,564 --> 00:00:57,397
POLITICAL PARTNERSHIP BETWEEN
FATHER AND A DAUGHTER WHO ARE
NOT IN THE LEAST AFRAID OF

18
00:00:57,399 --> 00:00:59,932
FATHER AND A DAUGHTER WHO ARE
NOT IN THE LEAST AFRAID OF
CONTROVERSIAL AS WE'LL SEE WHEN

19
00:00:59,934 --> 00:01:03,470
NOT IN THE LEAST AFRAID OF
CONTROVERSIAL AS WE'LL SEE WHEN
LEE COWAN PACE THEM A VISIT.

20
00:01:03,472 --> 00:01:04,904
CONTROVERSIAL AS WE'LL SEE WHEN
LEE COWAN PACE THEM A VISIT.
>> HE'S BEEN OUT OF OFFICE FOR

21
00:01:04,906 --> 00:01:06,205
LEE COWAN PACE THEM A VISIT.
>> HE'S BEEN OUT OF OFFICE FOR
YEARS NOW.

22
00:01:06,207 --> 00:01:09,509
>> HE'S BEEN OUT OF OFFICE FOR
YEARS NOW.
AND YET DICK CHENEY HAS HARDLY

23
00:01:09,511 --> 00:01:10,076
YEARS NOW.
AND YET DICK CHENEY HAS HARDLY
MELLOWED WITH AGE.

24
00:01:10,078 --> 00:01:12,746
AND YET DICK CHENEY HAS HARDLY
MELLOWED WITH AGE.
>> I DON'T KNOW IF YOU WANT TO

25
00:01:12,748 --> 00:01:14,981
MELLOWED WITH AGE.
>> I DON'T KNOW IF YOU WANT TO
BE LOUD, OR MOVIE ACTOR.

26
00:01:14,983 --> 00:01:17,550
>> I DON'T KNOW IF YOU WANT TO
BE LOUD, OR MOVIE ACTOR.
IF YOU ARE CRITICISM FREE THEN

27
00:01:17,552 --> 00:01:18,518
BE LOUD, OR MOVIE ACTOR.
IF YOU ARE CRITICISM FREE THEN
YOU'RE PROBABLY NOT DOING YOUR

28
00:01:18,520 --> 00:01:20,119
IF YOU ARE CRITICISM FREE THEN
YOU'RE PROBABLY NOT DOING YOUR
JOB.

29
00:01:20,121 --> 00:01:22,756
YOU'RE PROBABLY NOT DOING YOUR
JOB.
>> AHEAD ON "SUNDAY MORNING" HOW

30
00:01:22,758 --> 00:01:24,156
JOB.
>> AHEAD ON "SUNDAY MORNING" HOW
THE FORMER VICE PRESIDENT AND

31
00:01:24,158 --> 00:01:27,527
>> AHEAD ON "SUNDAY MORNING" HOW
THE FORMER VICE PRESIDENT AND
HIS DAUGHTER LIZ ARE STILL

32
00:01:27,529 --> 00:01:29,529
THE FORMER VICE PRESIDENT AND
HIS DAUGHTER LIZ ARE STILL
CASTING THEIR INFLUENCE.

33
00:01:29,531 --> 00:01:30,497
HIS DAUGHTER LIZ ARE STILL
CASTING THEIR INFLUENCE.
>> Osgood: CRUISING IN STYLE

34
00:01:30,499 --> 00:01:33,032
CASTING THEIR INFLUENCE.
>> Osgood: CRUISING IN STYLE
IS THE RIGHT OF SUMMER FOR THE

35
00:01:33,034 --> 00:01:36,269
>> Osgood: CRUISING IN STYLE
IS THE RIGHT OF SUMMER FOR THE
BOAT OWNERS CONOR KNIGHTON HAS

36
00:01:36,271 --> 00:01:38,405
IS THE RIGHT OF SUMMER FOR THE
BOAT OWNERS CONOR KNIGHTON HAS
BEEN MIXING WITH.

37
00:01:38,407 --> 00:01:42,475
EV: YOU GET TWO PREMIUM BLACK
NUWAVE OVEN PROS AND T ALLHE

38
00:01:42,477 --> 00:01:44,577
NUWAVE OVEN PROS AND T ALLHE
BONUS ITEMS-- AN OVER $700

39
00:01:44,579 --> 00:01:46,679
BONUS ITEMS-- AN OVER $700
VALUE-- AVAILABLE TODAY FOR ONLY

40
00:01:46,681 --> 00:01:49,282
VALUE-- AVAILABLE TODAY FOR ONLY
THREE PAYMENTS OF $39.95.

41
00:01:49,284 --> 00:01:50,917
THREE PAYMENTS OF $39.95.
QUANMITED AND

42
00:01:50,919 --> 00:01:52,519
QUANMITED AND
THIS OFFER MAY NOT BE AVAILABLE

43
00:01:52,521 --> 00:01:54,287
THIS OFFER MAY NOT BE AVAILABLE
TOMORROW, SO DON'T MISS OUT!

44
00:01:54,289 --> 00:01:55,922
TOMORROW, SO DON'T MISS OUT!
CALL AND ORDER RIGHT NOW!

45
00:01:55,924 --> 00:01:58,425
CALL AND ORDER RIGHT NOW!
[ś...]

46
00:01:58,427 --> 00:02:04,798
[ś...]
CALL THE NUMBER ON YOUR SCREEN.

47
00:02:04,800 --> 00:02:07,233
CALL THE NUMBER ON YOUR SCREEN.
[ś...]

48
00:02:07,235 --> 00:02:07,667
[ś...]
THE PRECING PROG

49
00:02:07,669 --> 00:02:08,501
THE PRECING PROG
WAS PAID PRENTATION R THE

50
00:02:08,503 --> 00:02:09,268
WAS PAID PRENTATION R THE
>> HE SHARED A

51
00:02:09,270 --> 00:02:11,871
BY THE MAKERS OF THE NUWAVE
PRECISION INTOP.

52
00:02:29,089 --> 00:02:35,528
CAN SAY, I DON'T KNOW WHAT WILL
HAPPEN TONIGHT.
JAMES CORDON STAR OF STAGE,

53
00:02:35,530 --> 00:02:38,030
HAPPEN TONIGHT.
JAMES CORDON STAR OF STAGE,
SCREEN AND LATE NIGHT TV COMING

54
00:02:38,032 --> 00:02:42,969
JAMES CORDON STAR OF STAGE,
SCREEN AND LATE NIGHT TV COMING
UP ON "SUNDAY MORNING."

55
00:02:42,971 --> 00:02:45,805
SCREEN AND LATE NIGHT TV COMING
UP ON "SUNDAY MORNING."
>> Osgood: WE'LL BE LOOKING

56
00:02:45,807 --> 00:02:47,540
UP ON "SUNDAY MORNING."
>> Osgood: WE'LL BE LOOKING
THIS MORNING AT TEN YEARS AFTER

57
00:02:47,542 --> 00:02:49,476
>> Osgood: WE'LL BE LOOKING
THIS MORNING AT TEN YEARS AFTER
DEADLY ENCOUNTER WITH HURRICANE

58
00:02:49,478 --> 00:02:52,278
THIS MORNING AT TEN YEARS AFTER
DEADLY ENCOUNTER WITH HURRICANE
KATRINA.

59
00:02:52,280 --> 00:02:54,213
DEADLY ENCOUNTER WITH HURRICANE
KATRINA.
STORY OF THE AFTERMATH IS ONE OF

60
00:02:54,215 --> 00:02:55,782
KATRINA.
STORY OF THE AFTERMATH IS ONE OF
EXTREMES AS MARTHA TEICHNER WILL

61
00:02:55,784 --> 00:02:56,950
STORY OF THE AFTERMATH IS ONE OF
EXTREMES AS MARTHA TEICHNER WILL
BE SHOWING US.

62
00:02:56,952 --> 00:02:57,183
EXTREMES AS MARTHA TEICHNER WILL
BE SHOWING US.
>> ?

63
00:02:57,185 --> 00:03:00,520
BE SHOWING US.
>> ?
IS ONE OF THE FIRST THINGS I SAW

64
00:03:00,522 --> 00:03:01,855
>> ?
IS ONE OF THE FIRST THINGS I SAW
WHEN I CAME INTO HERE FOR THE

65
00:03:01,857 --> 00:03:04,924
IS ONE OF THE FIRST THINGS I SAW
WHEN I CAME INTO HERE FOR THE
FIRST TIME THERE WAS A MOUND TEN

66
00:03:04,926 --> 00:03:08,828
WHEN I CAME INTO HERE FOR THE
FIRST TIME THERE WAS A MOUND TEN
STORIES HIGH OF DEBRIS.

67
00:03:08,830 --> 00:03:11,664
FIRST TIME THERE WAS A MOUND TEN
STORIES HIGH OF DEBRIS.
>> HOW COULD ANYBODY EVER CLEAN

68
00:03:11,666 --> 00:03:14,834
STORIES HIGH OF DEBRIS.
>> HOW COULD ANYBODY EVER CLEAN
UP THE COULD THREE-POINT NAMES.

69
00:03:14,836 --> 00:03:16,636
>> HOW COULD ANYBODY EVER CLEAN
UP THE COULD THREE-POINT NAMES.
TEN YEARS LATER NEW ORLEANS LOOK

70
00:03:16,638 --> 00:03:18,170
UP THE COULD THREE-POINT NAMES.
TEN YEARS LATER NEW ORLEANS LOOK
LIKE A DIFFERENT PLACE.

71
00:03:18,172 --> 00:03:20,607
TEN YEARS LATER NEW ORLEANS LOOK
LIKE A DIFFERENT PLACE.
>> THIS IS THE FRONT DOOR.

72
00:03:20,609 --> 00:03:23,710
LIKE A DIFFERENT PLACE.
>> THIS IS THE FRONT DOOR.
>> BUT NOT EVERYWHERE.

73
00:03:23,712 --> 00:03:25,277
>> THIS IS THE FRONT DOOR.
>> BUT NOT EVERYWHERE.
AHEAD THIS "SUNDAY MORNING" THE

74
00:03:25,279 --> 00:03:27,547
>> BUT NOT EVERYWHERE.
AHEAD THIS "SUNDAY MORNING" THE
LONG ROAD TO RECOVERY.

75
00:03:27,549 --> 00:03:29,849
AHEAD THIS "SUNDAY MORNING" THE
LONG ROAD TO RECOVERY.
>> Osgood: MICHELLE MILLER IS

76
00:03:29,851 --> 00:03:32,084
LONG ROAD TO RECOVERY.
>> Osgood: MICHELLE MILLER IS
IN THE KITCHEN WITH CHEF JOHN

77
00:03:32,086 --> 00:03:32,685
>> Osgood: MICHELLE MILLER IS
IN THE KITCHEN WITH CHEF JOHN
BESH.

78
00:03:32,687 --> 00:03:34,353
IN THE KITCHEN WITH CHEF JOHN
BESH.
STEVE HARTMAN MEETS A STORE

79
00:03:34,355 --> 00:03:36,022
BESH.
STEVE HARTMAN MEETS A STORE
KEEPER TRYING TO TURN HIS BIG

80
00:03:36,024 --> 00:03:38,791
STEVE HARTMAN MEETS A STORE
KEEPER TRYING TO TURN HIS BIG
EASY NEIGHBORHOOD AROUND.

81
00:03:38,793 --> 00:03:40,827
KEEPER TRYING TO TURN HIS BIG
EASY NEIGHBORHOOD AROUND.
BEN STEIN HAS THOUGHT ABOUT THE

82
00:03:40,829 --> 00:03:43,630
EASY NEIGHBORHOOD AROUND.
BEN STEIN HAS THOUGHT ABOUT THE
WILD SWINGS ON WALL STREET.

83
00:03:43,632 --> 00:03:46,032
BEN STEIN HAS THOUGHT ABOUT THE
WILD SWINGS ON WALL STREET.
BUT FIRST THE HEADLINES FOR THIS

84
00:03:46,034 --> 00:03:47,199
WILD SWINGS ON WALL STREET.
BUT FIRST THE HEADLINES FOR THIS
SUNDAY MORNING 09th OF AUGUST,

85
00:03:47,201 --> 00:03:50,670
BUT FIRST THE HEADLINES FOR THIS
SUNDAY MORNING 09th OF AUGUST,
2015.

86
00:03:50,672 --> 00:03:53,039
SUNDAY MORNING 09th OF AUGUST,
2015.
POWERFUL STORM WHIPPED ACROSS

87
00:03:53,041 --> 00:03:54,707
2015.
POWERFUL STORM WHIPPED ACROSS
THE PACIFIC NORTHWEST YESTERDAY,

88
00:03:54,709 --> 00:03:55,508
POWERFUL STORM WHIPPED ACROSS
THE PACIFIC NORTHWEST YESTERDAY,
TWO PEOPLE DIED.

89
00:03:55,510 --> 00:03:58,011
THE PACIFIC NORTHWEST YESTERDAY,
TWO PEOPLE DIED.
ONE OF THEM A 10-YEAR-OLD GIRL

90
00:03:58,013 --> 00:04:00,346
TWO PEOPLE DIED.
ONE OF THEM A 10-YEAR-OLD GIRL
HIT BAY FALLING TREE LIMB.

91
00:04:00,348 --> 00:04:03,016
ONE OF THEM A 10-YEAR-OLD GIRL
HIT BAY FALLING TREE LIMB.
IN THE PACIFIC, HURRICANE IS NOW

92
00:04:03,018 --> 00:04:06,185
HIT BAY FALLING TREE LIMB.
IN THE PACIFIC, HURRICANE IS NOW
A POWERFUL STORM AND EXPECTED TO

93
00:04:06,187 --> 00:04:07,654
IN THE PACIFIC, HURRICANE IS NOW
A POWERFUL STORM AND EXPECTED TO
PASS NORTH OF THE BIG ISLAND OF

94
00:04:07,656 --> 00:04:10,156
A POWERFUL STORM AND EXPECTED TO
PASS NORTH OF THE BIG ISLAND OF
HAWAII.

95
00:04:10,158 --> 00:04:11,925
PASS NORTH OF THE BIG ISLAND OF
HAWAII.
TEXAS POLICE SAY THAT THEY'RE

96
00:04:11,927 --> 00:04:14,160
HAWAII.
TEXAS POLICE SAY THAT THEY'RE
HOLDING A SUSPECT IN CONNECTION

97
00:04:14,162 --> 00:04:15,695
TEXAS POLICE SAY THAT THEY'RE
HOLDING A SUSPECT IN CONNECTION
WITH WHAT THEY CALLED THE COLD

98
00:04:15,697 --> 00:04:17,897
HOLDING A SUSPECT IN CONNECTION
WITH WHAT THEY CALLED THE COLD
BLOODED ASSASSINATION OF A

99
00:04:17,899 --> 00:04:20,066
WITH WHAT THEY CALLED THE COLD
BLOODED ASSASSINATION OF A
UNIFORMED SHERIFF'S DEPUTY.

100
00:04:20,068 --> 00:04:22,401
BLOODED ASSASSINATION OF A
UNIFORMED SHERIFF'S DEPUTY.
THE OFFICER WAS GUNNED DOWN AT A

101
00:04:22,403 --> 00:04:25,337
UNIFORMED SHERIFF'S DEPUTY.
THE OFFICER WAS GUNNED DOWN AT A
GAS STATION IN SUBURBAN HOUSTON

102
00:04:25,339 --> 00:04:26,606
THE OFFICER WAS GUNNED DOWN AT A
GAS STATION IN SUBURBAN HOUSTON
FRIDAY NIGHT WHILE FILLING UP

103
00:04:26,608 --> 00:04:29,375
GAS STATION IN SUBURBAN HOUSTON
FRIDAY NIGHT WHILE FILLING UP
HIS POLICE CRUISER.

104
00:04:29,377 --> 00:04:31,210
FRIDAY NIGHT WHILE FILLING UP
HIS POLICE CRUISER.
THE NEUROLOGIST AND BEST SELLING

105
00:04:31,212 --> 00:04:32,879
HIS POLICE CRUISER.
THE NEUROLOGIST AND BEST SELLING
AUTHOR KNOWN FOR HIS BOOKS OF

106
00:04:32,881 --> 00:04:34,614
THE NEUROLOGIST AND BEST SELLING
AUTHOR KNOWN FOR HIS BOOKS OF
THE QUIRKS OF THE HUMAN BRAIN

107
00:04:34,616 --> 00:04:36,049
AUTHOR KNOWN FOR HIS BOOKS OF
THE QUIRKS OF THE HUMAN BRAIN
HAS DIED AT HIS HOME IN

108
00:04:36,051 --> 00:04:38,918
THE QUIRKS OF THE HUMAN BRAIN
HAS DIED AT HIS HOME IN
NEW YORK.

109
00:04:38,920 --> 00:04:40,987
HAS DIED AT HIS HOME IN
NEW YORK.
HE WAS 82.

110
00:04:40,989 --> 00:04:43,056
NEW YORK.
HE WAS 82.
HE CALLED HIS BOOKS,

111
00:04:43,058 --> 00:04:46,125
HE WAS 82.
HE CALLED HIS BOOKS,
NEUROLOGICAL NOVEMBER ELSE.

112
00:04:46,127 --> 00:04:47,226
HE CALLED HIS BOOKS,
NEUROLOGICAL NOVEMBER ELSE.
BASEBALL FAN AT TURNER FIELD

113
00:04:47,228 --> 00:04:49,662
NEUROLOGICAL NOVEMBER ELSE.
BASEBALL FAN AT TURNER FIELD
HAS DIED AFTER FALLING FROM THE

114
00:04:49,664 --> 00:04:52,565
BASEBALL FAN AT TURNER FIELD
HAS DIED AFTER FALLING FROM THE
UPPER DECK DURING A GAME LAST

115
00:04:52,567 --> 00:04:52,932
HAS DIED AFTER FALLING FROM THE
UPPER DECK DURING A GAME LAST
NIGHT.

116
00:04:52,934 --> 00:04:55,401
UPPER DECK DURING A GAME LAST
NIGHT.
IT APPEARS TO HAVE BEEN AN

117
00:04:55,403 --> 00:04:55,668
NIGHT.
IT APPEARS TO HAVE BEEN AN
ACCIDENT.

118
00:04:55,670 --> 00:05:03,776
IT APPEARS TO HAVE BEEN AN
ACCIDENT.
A STELLAR IN SARATOGA.

119
00:05:06,213 --> 00:05:11,150
THE TRIPLE CROWN WINNER AMERICAN
PHARAOH'S EIGHTH RACE WINNING
STREAK.

120
00:05:11,152 --> 00:05:13,853
PHARAOH'S EIGHTH RACE WINNING
STREAK.
NOW MORE ON THE WEATHER.

121
00:05:13,855 --> 00:05:15,755
STREAK.
NOW MORE ON THE WEATHER.
HEAVY RAIN AND STRONG WINDS ARE

122
00:05:15,757 --> 00:05:17,323
NOW MORE ON THE WEATHER.
HEAVY RAIN AND STRONG WINDS ARE
EXPECTED IN FLORIDA AS REMNANTS

123
00:05:17,325 --> 00:05:20,392
HEAVY RAIN AND STRONG WINDS ARE
EXPECTED IN FLORIDA AS REMNANTS
OF TROPICAL STORM ERICA LOW

124
00:05:20,394 --> 00:05:20,627
EXPECTED IN FLORIDA AS REMNANTS
OF TROPICAL STORM ERICA LOW
ASHORE.

125
00:05:20,629 --> 00:05:21,393
OF TROPICAL STORM ERICA LOW
ASHORE.
RAIN AND COOLER TEMPERATURES

126
00:05:21,395 --> 00:05:24,097
ASHORE.
RAIN AND COOLER TEMPERATURES
WILL BE WELCOME IN THE FIRE

127
00:05:24,099 --> 00:05:25,064
RAIN AND COOLER TEMPERATURES
WILL BE WELCOME IN THE FIRE
STRICKEN NORTHWEST.

128
00:05:25,066 --> 00:05:28,868
WILL BE WELCOME IN THE FIRE
STRICKEN NORTHWEST.
THE WEEK AHEAD A POTPOURRI OF

129
00:05:28,870 --> 00:05:32,705
STRICKEN NORTHWEST.
THE WEEK AHEAD A POTPOURRI OF
TEMPERATURES AS AUGUST EASES>> N

130
00:05:32,707 --> 00:05:33,472
THE WEEK AHEAD A POTPOURRI OF
TEMPERATURES AS AUGUST EASES>> N
STINDEATION THIS SUMMER?

131
00:05:33,474 --> 00:05:36,142
TEMPERATURES AS AUGUST EASES>> N
STINDEATION THIS SUMMER?
WHO ABOUT HEADING BACK TO

132
00:05:36,144 --> 00:05:36,776
STINDEATION THIS SUMMER?
WHO ABOUT HEADING BACK TO
ANOTHER ERA.

133
00:05:36,778 --> 00:05:39,879
WHO ABOUT HEADING BACK TO
ANOTHER ERA.
>> WHE YOU'RE OUTN O ONE OF

134
00:05:39,881 --> 00:05:40,579
ANOTHER ERA.
>> WHE YOU'RE OUTN O ONE OF
THESE BOATS YOU'RE IN THE TIME

135
00:05:40,581 --> 00:05:41,681
>> WHE YOU'RE OUTN O ONE OF
THESE BOATS YOU'RE IN THE TIME
THAT THAT BOAT EXISTED.

136
00:05:41,683 --> 00:05:44,483
THESE BOATS YOU'RE IN THE TIME
THAT THAT BOAT EXISTED.
>> AHEAD ON "SUNDAY MORNING."

137
00:05:44,485 --> 00:05:45,317
THAT THAT BOAT EXISTED.
>> AHEAD ON "SUNDAY MORNING."
WOODEN BOATS.

138
00:05:45,319 --> 00:05:48,420
>> AHEAD ON "SUNDAY MORNING."
WOODEN BOATS.
>> Osgood: YOU COULD CALL HIM

139
00:05:48,422 --> 00:05:51,524
WOODEN BOATS.
>> Osgood: YOU COULD CALL HIM
A LATE BLOOMER OR TALENTED

140
00:05:51,526 --> 00:05:52,759
>> Osgood: YOU COULD CALL HIM
A LATE BLOOMER OR TALENTED
COMIC.

141
00:05:52,761 --> 00:05:55,261
A LATE BLOOMER OR TALENTED
COMIC.
THIS MORNING MARK PHILLIPS TALKS

142
00:05:55,263 --> 00:06:00,633
COMIC.
THIS MORNING MARK PHILLIPS TALKS
WITH LATE, LATE

143
00:06:05,438 --> 00:06:09,709
>> Osgood: TOPIARIES AFTER
HURRICANE KATRINA'S ASSAULT, THE
STORY OF NEW ORLEANS IS VERY

144
00:06:09,711 --> 00:06:11,443
HURRICANE KATRINA'S ASSAULT, THE
STORY OF NEW ORLEANS IS VERY
MUCH A TALE OF TWO CITIES.

145
00:06:11,445 --> 00:06:13,379
STORY OF NEW ORLEANS IS VERY
MUCH A TALE OF TWO CITIES.
SOME PARTS OF TOWN, RESTORATION

146
00:06:13,381 --> 00:06:14,847
MUCH A TALE OF TWO CITIES.
SOME PARTS OF TOWN, RESTORATION
AND REBIRTH.

147
00:06:14,849 --> 00:06:16,382
SOME PARTS OF TOWN, RESTORATION
AND REBIRTH.
OTHER PARTS FEW SIGNS OF ANY

148
00:06:16,384 --> 00:06:17,950
AND REBIRTH.
OTHER PARTS FEW SIGNS OF ANY
RECOVERY.

149
00:06:17,952 --> 00:06:20,687
OTHER PARTS FEW SIGNS OF ANY
RECOVERY.
OUR COVER STORY IS REPORTED BY

150
00:06:20,689 --> 00:06:24,057
RECOVERY.
OUR COVER STORY IS REPORTED BY
MARTHA TEICHNER.

151
00:06:24,059 --> 00:06:27,493
OUR COVER STORY IS REPORTED BY
MARTHA TEICHNER.
>> AS IF WE NEEDED REMINDING,

152
00:06:27,495 --> 00:06:29,796
MARTHA TEICHNER.
>> AS IF WE NEEDED REMINDING,
EVEN AFTER TEN YEARS HOW

153
00:06:29,798 --> 00:06:32,732
>> AS IF WE NEEDED REMINDING,
EVEN AFTER TEN YEARS HOW
TERRIBLE KATRINA REALLY WAS.

154
00:06:32,734 --> 00:06:35,068
EVEN AFTER TEN YEARS HOW
TERRIBLE KATRINA REALLY WAS.
AND WHAT A COOL LOESSAL FIASCO.

155
00:06:35,070 --> 00:06:38,738
TERRIBLE KATRINA REALLY WAS.
AND WHAT A COOL LOESSAL FIASCO.
>> WE ARE GOING TO DIE HERE.

156
00:06:38,740 --> 00:06:41,440
AND WHAT A COOL LOESSAL FIASCO.
>> WE ARE GOING TO DIE HERE.
>> THE HORROR SHOW AT THE

157
00:06:41,442 --> 00:06:41,741
>> WE ARE GOING TO DIE HERE.
>> THE HORROR SHOW AT THE
SUPERDOME.

158
00:06:41,743 --> 00:06:44,476
>> THE HORROR SHOW AT THE
SUPERDOME.
CLOSE TO 25,000 PEOPLE WERE

159
00:06:44,478 --> 00:06:47,113
SUPERDOME.
CLOSE TO 25,000 PEOPLE WERE
TRAPPED THERE FOR DAYS IN THE

160
00:06:47,115 --> 00:06:47,646
CLOSE TO 25,000 PEOPLE WERE
TRAPPED THERE FOR DAYS IN THE
HEAT AND STINK.

161
00:06:47,648 --> 00:06:50,049
TRAPPED THERE FOR DAYS IN THE
HEAT AND STINK.
>> WE NEED TO FEED OUR BABIES.

162
00:06:50,051 --> 00:06:51,250
HEAT AND STINK.
>> WE NEED TO FEED OUR BABIES.
NEED TO GIVE OUR BABIES SOME

163
00:06:51,252 --> 00:06:53,686
>> WE NEED TO FEED OUR BABIES.
NEED TO GIVE OUR BABIES SOME
WATER.

164
00:06:53,688 --> 00:06:54,220
NEED TO GIVE OUR BABIES SOME
WATER.
>> THOUSA

165
00:06:54,222 --> 00:07:02,661
WATER.
>> THOUSA
INTO SEPTEMBER. CORDON.

166
00:07:02,663 --> 00:07:08,334
>> THOUSA
INTO SEPTEMBER. CORDON.
ś

167
00:07:13,673 --> 00:07:26,385
>> Osgood: BUT NEXT, TEN YEARS
R.AFTE

168
00:07:26,486 --> 00:07:32,125
SOMETHING AND LET'S FIX

169
00:07:47,574 --> 00:07:53,312
>> BEING THERE THE FIRST MONTHS
IT FELT LIKE, AM I WITTINGNESS
THE DEATH OF A GREAT AMERICAN

170
00:07:53,314 --> 00:07:53,512
IT FELT LIKE, AM I WITTINGNESS
THE DEATH OF A GREAT AMERICAN
CITY.

171
00:07:53,514 --> 00:07:55,447
THE DEATH OF A GREAT AMERICAN
CITY.
>> GARY RIVLIN COVERED KATRINA

172
00:07:55,449 --> 00:07:56,849
CITY.
>> GARY RIVLIN COVERED KATRINA
FOR THE "NEW YORK TIMES."

173
00:07:56,851 --> 00:08:00,019
>> GARY RIVLIN COVERED KATRINA
FOR THE "NEW YORK TIMES."
HIS NEW BOOK "KATRINA AFTER THE

174
00:08:00,021 --> 00:08:01,220
FOR THE "NEW YORK TIMES."
HIS NEW BOOK "KATRINA AFTER THE
FLOOD" HAS JUST BEEN PUBLISHED

175
00:08:01,222 --> 00:08:04,223
HIS NEW BOOK "KATRINA AFTER THE
FLOOD" HAS JUST BEEN PUBLISHED
BY CBS OWNED SIMON AND SHOESER.

176
00:08:04,225 --> 00:08:06,659
FLOOD" HAS JUST BEEN PUBLISHED
BY CBS OWNED SIMON AND SHOESER.
>> PEOPLE TALK ABOUT KATRINA

177
00:08:06,661 --> 00:08:07,960
BY CBS OWNED SIMON AND SHOESER.
>> PEOPLE TALK ABOUT KATRINA
BEING EQUAL OPPORTUNITY STORM.

178
00:08:07,962 --> 00:08:09,461
>> PEOPLE TALK ABOUT KATRINA
BEING EQUAL OPPORTUNITY STORM.
DIDN'T MAKE A DIFFERENCE IF YOU

179
00:08:09,463 --> 00:08:10,930
BEING EQUAL OPPORTUNITY STORM.
DIDN'T MAKE A DIFFERENCE IF YOU
WERE BLACK OR WHITE, RICH OR

180
00:08:10,932 --> 00:08:14,934
DIDN'T MAKE A DIFFERENCE IF YOU
WERE BLACK OR WHITE, RICH OR
POOR.

181
00:08:14,936 --> 00:08:16,702
WERE BLACK OR WHITE, RICH OR
POOR.
IF YOU WERE BLACK HOME OWNER

182
00:08:16,704 --> 00:08:17,970
POOR.
IF YOU WERE BLACK HOME OWNER
MORE THAN THREE TIMES MORE

183
00:08:17,972 --> 00:08:19,371
IF YOU WERE BLACK HOME OWNER
MORE THAN THREE TIMES MORE
LIKELY TO LOST YOUR HOME IN THE

184
00:08:19,373 --> 00:08:20,306
MORE THAN THREE TIMES MORE
LIKELY TO LOST YOUR HOME IN THE
FLOODING THAN IF YOU WERE A

185
00:08:20,308 --> 00:08:21,407
LIKELY TO LOST YOUR HOME IN THE
FLOODING THAN IF YOU WERE A
WHITE HOME OWNER.

186
00:08:21,409 --> 00:08:23,442
FLOODING THAN IF YOU WERE A
WHITE HOME OWNER.
JUST LIKE IT WASN'T EQUAL

187
00:08:23,444 --> 00:08:25,477
WHITE HOME OWNER.
JUST LIKE IT WASN'T EQUAL
OPPORTUNITY STORM IT IS NOT BEEN

188
00:08:25,479 --> 00:08:28,281
JUST LIKE IT WASN'T EQUAL
OPPORTUNITY STORM IT IS NOT BEEN
AN EQUAL OPPORTUNITY RECOVERY.

189
00:08:28,283 --> 00:08:30,349
OPPORTUNITY STORM IT IS NOT BEEN
AN EQUAL OPPORTUNITY RECOVERY.
>> THIS IS ONE OF THE FIRST

190
00:08:30,351 --> 00:08:32,584
AN EQUAL OPPORTUNITY RECOVERY.
>> THIS IS ONE OF THE FIRST
THINGS I SAW WHEN I CAME FOR THE

191
00:08:32,586 --> 00:08:33,152
>> THIS IS ONE OF THE FIRST
THINGS I SAW WHEN I CAME FOR THE
FIRST TIME.

192
00:08:33,154 --> 00:08:35,788
THINGS I SAW WHEN I CAME FOR THE
FIRST TIME.
THERE WAS A MOUND TEN STORIES

193
00:08:35,790 --> 00:08:38,057
FIRST TIME.
THERE WAS A MOUND TEN STORIES
HIGH OF DEBRIS.

194
00:08:38,059 --> 00:08:40,293
THERE WAS A MOUND TEN STORIES
HIGH OF DEBRIS.
AND I JUST REMEMBER PULLING TO

195
00:08:40,295 --> 00:08:43,129
HIGH OF DEBRIS.
AND I JUST REMEMBER PULLING TO
THE SIDE STUNNED I JUST BEGAN TO

196
00:08:43,131 --> 00:08:43,329
AND I JUST REMEMBER PULLING TO
THE SIDE STUNNED I JUST BEGAN TO
KEEP.

197
00:08:43,331 --> 00:08:45,832
THE SIDE STUNNED I JUST BEGAN TO
KEEP.
>>  CONNIE'S HOUSE A FEW BLOCKS

198
00:08:45,834 --> 00:08:47,700
KEEP.
>>  CONNIE'S HOUSE A FEW BLOCKS
AWAY LOOKED LIKE THIS AFTER

199
00:08:47,702 --> 00:08:51,704
>>  CONNIE'S HOUSE A FEW BLOCKS
AWAY LOOKED LIKE THIS AFTER
KATRINA.

200
00:08:51,706 --> 00:08:56,375
AWAY LOOKED LIKE THIS AFTER
KATRINA.
WHAT HAD BEEN HER MIDDLE CLASS

201
00:08:56,377 --> 00:08:57,076
KATRINA.
WHAT HAD BEEN HER MIDDLE CLASS
WHITE NEIGHBORHOOD LOOKED LIKE

202
00:08:57,078 --> 00:08:57,877
WHAT HAD BEEN HER MIDDLE CLASS
WHITE NEIGHBORHOOD LOOKED LIKE
THIS.

203
00:08:57,879 --> 00:09:00,412
WHITE NEIGHBORHOOD LOOKED LIKE
THIS.
>> WE WERE FORTUNATE BECAUSE MY

204
00:09:00,414 --> 00:09:01,914
THIS.
>> WE WERE FORTUNATE BECAUSE MY
HOME IS A TRI-PLEX.

205
00:09:01,916 --> 00:09:03,582
>> WE WERE FORTUNATE BECAUSE MY
HOME IS A TRI-PLEX.
WE LIVED ON SECOND AND THIRD

206
00:09:03,584 --> 00:09:05,784
HOME IS A TRI-PLEX.
WE LIVED ON SECOND AND THIRD
FLOOR WE DIDN'T LOSE EVERYTHING.

207
00:09:05,786 --> 00:09:10,356
WE LIVED ON SECOND AND THIRD
FLOOR WE DIDN'T LOSE EVERYTHING.
>> AFTER MOVING SIX TIMES, HER

208
00:09:10,358 --> 00:09:11,958
FLOOR WE DIDN'T LOSE EVERYTHING.
>> AFTER MOVING SIX TIMES, HER
FAMILY DARED TO GO HOME.

209
00:09:11,960 --> 00:09:15,161
>> AFTER MOVING SIX TIMES, HER
FAMILY DARED TO GO HOME.
IN JANUARY 2006, FOUR MONTHS

210
00:09:15,163 --> 00:09:15,561
FAMILY DARED TO GO HOME.
IN JANUARY 2006, FOUR MONTHS
AFTER THE STORM.

211
00:09:15,563 --> 00:09:20,432
IN JANUARY 2006, FOUR MONTHS
AFTER THE STORM.
>> IT WAS A VERY SAD PLACE TO

212
00:09:20,434 --> 00:09:20,599
AFTER THE STORM.
>> IT WAS A VERY SAD PLACE TO
BE.

213
00:09:20,601 --> 00:09:23,469
>> IT WAS A VERY SAD PLACE TO
BE.
>> WHEN I WALKED OUTSIDE I COULD

214
00:09:23,471 --> 00:09:27,373
BE.
>> WHEN I WALKED OUTSIDE I COULD
FEEL MYSELF JUST KIND OF SLIDE.

215
00:09:27,375 --> 00:09:28,707
>> WHEN I WALKED OUTSIDE I COULD
FEEL MYSELF JUST KIND OF SLIDE.
AND GOT TO THE POINT WHERE I

216
00:09:28,709 --> 00:09:30,442
FEEL MYSELF JUST KIND OF SLIDE.
AND GOT TO THE POINT WHERE I
TOLD MY HUSBAND, I DON'T THINK I

217
00:09:30,444 --> 00:09:33,746
AND GOT TO THE POINT WHERE I
TOLD MY HUSBAND, I DON'T THINK I
CAN DO THIS.

218
00:09:33,748 --> 00:09:35,214
TOLD MY HUSBAND, I DON'T THINK I
CAN DO THIS.
AND SO HE SAID, I THINK YOU HAVE

219
00:09:35,216 --> 00:09:35,814
CAN DO THIS.
AND SO HE SAID, I THINK YOU HAVE
A FIND A PURPOSE.

220
00:09:35,816 --> 00:09:37,683
AND SO HE SAID, I THINK YOU HAVE
A FIND A PURPOSE.
>> A FEW MONTHS LATER THE FORMER

221
00:09:37,685 --> 00:09:40,353
A FIND A PURPOSE.
>> A FEW MONTHS LATER THE FORMER
TENNIS TEACHER HAD BECOME A

222
00:09:40,355 --> 00:09:43,622
>> A FEW MONTHS LATER THE FORMER
TENNIS TEACHER HAD BECOME A
COMBINATION ANGIE'S LIST AND

223
00:09:43,624 --> 00:09:43,890
TENNIS TEACHER HAD BECOME A
COMBINATION ANGIE'S LIST AND
MR. CLEAN.

224
00:09:43,892 --> 00:09:46,392
COMBINATION ANGIE'S LIST AND
MR. CLEAN.
A WHIRLWIND RUNNING THE

225
00:09:46,394 --> 00:09:48,560
MR. CLEAN.
A WHIRLWIND RUNNING THE
ST. PAUL'S HOMECOMING CENTER.

226
00:09:48,562 --> 00:09:51,297
A WHIRLWIND RUNNING THE
ST. PAUL'S HOMECOMING CENTER.
HER JOB, CONNECTING PEOPLE TO

227
00:09:51,299 --> 00:09:53,032
ST. PAUL'S HOMECOMING CENTER.
HER JOB, CONNECTING PEOPLE TO
REFORCES.

228
00:09:53,034 --> 00:09:57,403
HER JOB, CONNECTING PEOPLE TO
REFORCES.
MARSHALING VOLUNTEERS TO GET HER

229
00:09:57,405 --> 00:09:58,637
REFORCES.
MARSHALING VOLUNTEERS TO GET HER
LAKE VIEW NEIGHBORS BACK IN

230
00:09:58,639 --> 00:09:58,971
MARSHALING VOLUNTEERS TO GET HER
LAKE VIEW NEIGHBORS BACK IN
THEIR HOUSES.

231
00:09:58,973 --> 00:10:02,074
LAKE VIEW NEIGHBORS BACK IN
THEIR HOUSES.
>> I REALIZED WE WERE IN A FIGHT

232
00:10:02,076 --> 00:10:04,710
THEIR HOUSES.
>> I REALIZED WE WERE IN A FIGHT
FOR OUR LIFE TO SAVE OUR

233
00:10:04,712 --> 00:10:05,044
>> I REALIZED WE WERE IN A FIGHT
FOR OUR LIFE TO SAVE OUR
NEIGHBORHOOD.

234
00:10:05,046 --> 00:10:07,679
FOR OUR LIFE TO SAVE OUR
NEIGHBORHOOD.
>> HOW DID YOU GO ABOUT THIS

235
00:10:07,681 --> 00:10:09,048
NEIGHBORHOOD.
>> HOW DID YOU GO ABOUT THIS
ASSAULT ON THE STORM?

236
00:10:09,050 --> 00:10:10,682
>> HOW DID YOU GO ABOUT THIS
ASSAULT ON THE STORM?
>> DO NOT WAIT FOR THE

237
00:10:10,684 --> 00:10:10,983
ASSAULT ON THE STORM?
>> DO NOT WAIT FOR THE
GOVERNMENT.

238
00:10:10,985 --> 00:10:12,285
>> DO NOT WAIT FOR THE
GOVERNMENT.
THAT BECAME OUR MOTTO.

239
00:10:12,287 --> 00:10:13,252
GOVERNMENT.
THAT BECAME OUR MOTTO.
PEOPLE WOULD SAY, WELL I'M GOING

240
00:10:13,254 --> 00:10:15,687
THAT BECAME OUR MOTTO.
PEOPLE WOULD SAY, WELL I'M GOING
TO WAIT FOR -- GOING TO WAIT

241
00:10:15,689 --> 00:10:16,289
PEOPLE WOULD SAY, WELL I'M GOING
TO WAIT FOR -- GOING TO WAIT
FOR -- THE GOVERNMENT IS GOING

242
00:10:16,291 --> 00:10:17,290
TO WAIT FOR -- GOING TO WAIT
FOR -- THE GOVERNMENT IS GOING
TO DO THIS, RIGHT?

243
00:10:17,292 --> 00:10:18,590
FOR -- THE GOVERNMENT IS GOING
TO DO THIS, RIGHT?
IT'S LIKE, NO.

244
00:10:18,592 --> 00:10:20,826
TO DO THIS, RIGHT?
IT'S LIKE, NO.
I DON'T THINK SO.

245
00:10:20,828 --> 00:10:22,361
IT'S LIKE, NO.
I DON'T THINK SO.
GOVERNMENT DIDN'T EVEN SHOW UP

246
00:10:22,363 --> 00:10:23,862
I DON'T THINK SO.
GOVERNMENT DIDN'T EVEN SHOW UP
WHEN WE WERE STRANDED AT THE

247
00:10:23,864 --> 00:10:24,897
GOVERNMENT DIDN'T EVEN SHOW UP
WHEN WE WERE STRANDED AT THE
DOME FOR FIVE DAYS.

248
00:10:24,899 --> 00:10:26,065
WHEN WE WERE STRANDED AT THE
DOME FOR FIVE DAYS.
WHY DO YOU THINK THEY'RE GOING

249
00:10:26,067 --> 00:10:29,135
DOME FOR FIVE DAYS.
WHY DO YOU THINK THEY'RE GOING
TO SHOW UP TO HELP GUT OUR

250
00:10:29,137 --> 00:10:31,503
WHY DO YOU THINK THEY'RE GOING
TO SHOW UP TO HELP GUT OUR
SCHOOLS AND CHURCHES AND

251
00:10:31,505 --> 00:10:32,838
TO SHOW UP TO HELP GUT OUR
SCHOOLS AND CHURCHES AND
BUSINESSES AND WHY DO YOU THINK

252
00:10:32,840 --> 00:10:34,273
SCHOOLS AND CHURCHES AND
BUSINESSES AND WHY DO YOU THINK
THAT?

253
00:10:34,275 --> 00:10:35,541
BUSINESSES AND WHY DO YOU THINK
THAT?
>> WE NEED TO DO THIS.

254
00:10:35,543 --> 00:10:37,676
THAT?
>> WE NEED TO DO THIS.
>>  THIS IS WOP OF OUR SUCCESS

255
00:10:37,678 --> 00:10:38,077
>> WE NEED TO DO THIS.
>>  THIS IS WOP OF OUR SUCCESS
STORIES ACTUALLY.

256
00:10:38,079 --> 00:10:39,645
>>  THIS IS WOP OF OUR SUCCESS
STORIES ACTUALLY.
>> AND THEY DID.

257
00:10:39,647 --> 00:10:43,749
STORIES ACTUALLY.
>> AND THEY DID.
CONNIE UDDO'S ORGANIZATION AND

258
00:10:43,751 --> 00:10:43,983
>> AND THEY DID.
CONNIE UDDO'S ORGANIZATION AND
OTHERS.

259
00:10:43,985 --> 00:10:45,851
CONNIE UDDO'S ORGANIZATION AND
OTHERS.
THERE ARE REMINDERS KATRINA, THE

260
00:10:45,853 --> 00:10:47,853
OTHERS.
THERE ARE REMINDERS KATRINA, THE
HIGH WATER LINE IS IMMORTALIZED

261
00:10:47,855 --> 00:10:49,322
THERE ARE REMINDERS KATRINA, THE
HIGH WATER LINE IS IMMORTALIZED
AT STARBUCKS.

262
00:10:49,324 --> 00:10:53,625
HIGH WATER LINE IS IMMORTALIZED
AT STARBUCKS.
BUT LAKE VIEW IS BACK.

263
00:10:53,627 --> 00:10:55,928
AT STARBUCKS.
BUT LAKE VIEW IS BACK.
A SUPERMARKET OPENED IN 2010.

264
00:10:55,930 --> 00:10:58,831
BUT LAKE VIEW IS BACK.
A SUPERMARKET OPENED IN 2010.
THE HNDS MORE BAKED ON

265
00:10:58,833 --> 00:11:02,868
A SUPERMARKET OPENED IN 2010.
THE HNDS MORE BAKED ON
OVERPASSES ALONG THE INTERSTATE.

266
00:11:02,870 --> 00:11:04,070
THE HNDS MORE BAKED ON
OVERPASSES ALONG THE INTERSTATE.
>> HE JUST COULDN'T TAKE IT N

267
00:11:04,072 --> 00:11:04,270
OVERPASSES ALONG THE INTERSTATE.
>> HE JUST COULDN'T TAKE IT N
MORE.

268
00:11:04,272 --> 00:11:07,639
>> HE JUST COULDN'T TAKE IT N
MORE.
>> MORE THAN 1800 PEOPLE DIED

269
00:11:07,641 --> 00:11:12,578
MORE.
>> MORE THAN 1800 PEOPLE DIED
ACROSS THE GULF CW COHODULS THI.

270
00:11:12,580 --> 00:11:15,914
>> MORE THAN 1800 PEOPLE DIED
ACROSS THE GULF CW COHODULS THI.
PRO SEEMED MORE OUT OF TOUCH,

271
00:11:15,916 --> 00:11:18,617
ACROSS THE GULF CW COHODULS THI.
PRO SEEMED MORE OUT OF TOUCH,
T BUEN OSHRA FEM DIRECTOR

272
00:11:18,619 --> 00:11:19,218
PRO SEEMED MORE OUT OF TOUCH,
T BUEN OSHRA FEM DIRECTOR
MIKE BROWN.

273
00:11:19,220 --> 00:11:20,719
T BUEN OSHRA FEM DIRECTOR
MIKE BROWN.
>> DOING A HECK OF A JOB.

274
00:11:20,721 --> 00:11:22,921
MIKE BROWN.
>> DOING A HECK OF A JOB.
>> NEW ORLEANS MAYOR RAY NAGIN

275
00:11:22,923 --> 00:11:25,224
>> DOING A HECK OF A JOB.
>> NEW ORLEANS MAYOR RAY NAGIN
LET LOOSE ON A RADIO BROADCAST.

276
00:11:25,226 --> 00:11:28,060
>> NEW ORLEANS MAYOR RAY NAGIN
LET LOOSE ON A RADIO BROADCAST.
>> GET OFF YOUR OSSES LET'S DO

277
00:11:28,062 --> 00:11:28,260
LET LOOSE ON A RADIO BROADCAST.
>> GET OFF YOUR OSSES LET'S DO
STILL.

278
00:11:28,262 --> 00:11:30,997
>> GET OFF YOUR OSSES LET'S DO
STILL.
ALMOST ENTIRELY AFRICAN THE

279
00:11:30,999 --> 00:11:32,031
STILL.
ALMOST ENTIRELY AFRICAN THE
BIGGEST [BLEEP] IN THE HISTORY

280
00:11:32,033 --> 00:11:32,764
ALMOST ENTIRELY AFRICAN THE
BIGGEST [BLEEP] IN THE HISTORY
HIOF TSOU C.NTRY

281
00:11:32,766 --> 00:11:37,003
BIGGEST [BLEEP] IN THE HISTORY
HIOF TSOU C.NTRY
>> 80% OF NEW ORLEANS WAS FLOOD

282
00:11:37,005 --> 00:11:37,736
HIOF TSOU C.NTRY
>> 80% OF NEW ORLEANS WAS FLOOD
ED.

283
00:11:37,738 --> 00:11:40,373
>> 80% OF NEW ORLEANS WAS FLOOD
ED.
BILLIONS OF GALLONS OF WATER

284
00:11:40,375 --> 00:11:41,307
ED.
BILLIONS OF GALLONS OF WATER
SWEPT OVER THE CITY.

285
00:11:41,309 --> 00:11:45,677
BILLIONS OF GALLONS OF WATER
SWEPT OVER THE CITY.
 MSOH BECAUSE OF THE STORM

286
00:11:45,679 --> 00:11:47,246
SWEPT OVER THE CITY.
 MSOH BECAUSE OF THE STORM
ITSELF BUT BECAUSE THE LEVEES

287
00:11:47,248 --> 00:11:48,647
 MSOH BECAUSE OF THE STORM
ITSELF BUT BECAUSE THE LEVEES
GA W.AY

288
00:11:48,649 --> 00:11:50,582
ITSELF BUT BECAUSE THE LEVEES
GA W.AY
THE FLOOD WALLS BROKE.

289
00:11:50,584 --> 00:11:52,584
GA W.AY
THE FLOOD WALLS BROKE.
MORE ON THAT LATER.

290
00:11:52,586 --> 00:11:54,620
THE FLOOD WALLS BROKE.
MORE ON THAT LATER.
>> THIS WAS THE FRONT DOOR.

291
00:11:54,622 --> 00:11:57,189
MORE ON THAT LATER.
>> THIS WAS THE FRONT DOOR.
>> SOMEONE ELSE'S ROOF WAS ON

292
00:11:57,191 --> 00:11:59,525
>> THIS WAS THE FRONT DOOR.
>> SOMEONE ELSE'S ROOF WAS ON
TOP OF BET BEE BELL'S HOUSE WHEN

293
00:11:59,527 --> 00:12:01,660
>> SOMEONE ELSE'S ROOF WAS ON
TOP OF BET BEE BELL'S HOUSE WHEN
THE RETIRED SOCIAL WORKER

294
00:12:01,662 --> 00:12:04,063
TOP OF BET BEE BELL'S HOUSE WHEN
THE RETIRED SOCIAL WORKER
FINALLY WAS ALLOWED BACK FOR A

295
00:12:04,065 --> 00:12:06,765
THE RETIRED SOCIAL WORKER
FINALLY WAS ALLOWED BACK FOR A
LOOK A MONTH AFTER KATRINA.

296
00:12:06,767 --> 00:12:07,666
FINALLY WAS ALLOWED BACK FOR A
LOOK A MONTH AFTER KATRINA.
THE CITY DEMOLISHED IT.

297
00:12:07,668 --> 00:12:11,437
LOOK A MONTH AFTER KATRINA.
THE CITY DEMOLISHED IT.
>> YOU KNOW, I JUST TRIED TO BE

298
00:12:11,439 --> 00:12:12,871
THE CITY DEMOLISHED IT.
>> YOU KNOW, I JUST TRIED TO BE
STRONG AND NOT LET IT REALLY

299
00:12:12,873 --> 00:12:15,141
>> YOU KNOW, I JUST TRIED TO BE
STRONG AND NOT LET IT REALLY
AFFECT ME TOO MUCH.

300
00:12:15,143 --> 00:12:16,975
STRONG AND NOT LET IT REALLY
AFFECT ME TOO MUCH.
BECAUSE I DON'T WANT TO RUN MY

301
00:12:16,977 --> 00:12:18,344
AFFECT ME TOO MUCH.
BECAUSE I DON'T WANT TO RUN MY
BLOOD SUGAR UP.

302
00:12:18,346 --> 00:12:19,912
BECAUSE I DON'T WANT TO RUN MY
BLOOD SUGAR UP.
>> HER INSURANCE SETTLEMENT NO

303
00:12:19,914 --> 00:12:21,813
BLOOD SUGAR UP.
>> HER INSURANCE SETTLEMENT NO
WHERE NEARLY ENOUGH TO REBUILD.

304
00:12:21,815 --> 00:12:24,050
>> HER INSURANCE SETTLEMENT NO
WHERE NEARLY ENOUGH TO REBUILD.
THE BANK TOOK MOST OF IT TO PAY

305
00:12:24,052 --> 00:12:26,385
WHERE NEARLY ENOUGH TO REBUILD.
THE BANK TOOK MOST OF IT TO PAY
OFF HER MORTGAGE ANYWAY.

306
00:12:26,387 --> 00:12:29,288
THE BANK TOOK MOST OF IT TO PAY
OFF HER MORTGAGE ANYWAY.
>> CONSTRUCTION ABOUT TO START

307
00:12:29,290 --> 00:12:30,789
OFF HER MORTGAGE ANYWAY.
>> CONSTRUCTION ABOUT TO START
ON BETTY BELL'S LOT.

308
00:12:30,791 --> 00:12:33,492
>> CONSTRUCTION ABOUT TO START
ON BETTY BELL'S LOT.
BUT IT'S TAKEN TEN YEARS OF

309
00:12:33,494 --> 00:12:34,693
ON BETTY BELL'S LOT.
BUT IT'S TAKEN TEN YEARS OF
FIGHTING AND INTERVENTION OF

310
00:12:34,695 --> 00:12:37,763
BUT IT'S TAKEN TEN YEARS OF
FIGHTING AND INTERVENTION OF
LOCAL ADVOCACY GROUP TO GET HER

311
00:12:37,765 --> 00:12:39,698
FIGHTING AND INTERVENTION OF
LOCAL ADVOCACY GROUP TO GET HER
BARELY ENOUGH MONEY FOR A HOUSE

312
00:12:39,700 --> 00:12:40,933
LOCAL ADVOCACY GROUP TO GET HER
BARELY ENOUGH MONEY FOR A HOUSE
ONE-THIRD THE SIZE OF HER OLD

313
00:12:40,935 --> 00:12:41,500
BARELY ENOUGH MONEY FOR A HOUSE
ONE-THIRD THE SIZE OF HER OLD
ONE.

314
00:12:41,502 --> 00:12:46,272
ONE-THIRD THE SIZE OF HER OLD
ONE.
>> IT'S NOT WHAT I HAD.

315
00:12:46,274 --> 00:12:48,474
ONE.
>> IT'S NOT WHAT I HAD.
AT LEAST I'M GETTING SOMETHING.

316
00:12:48,476 --> 00:12:51,110
>> IT'S NOT WHAT I HAD.
AT LEAST I'M GETTING SOMETHING.
IT TOOK A LONG TIME TO GET TO

317
00:12:51,112 --> 00:12:51,410
AT LEAST I'M GETTING SOMETHING.
IT TOOK A LONG TIME TO GET TO
THIS POINT.

318
00:12:51,412 --> 00:12:55,747
IT TOOK A LONG TIME TO GET TO
THIS POINT.
>> FOR BELL THE PROBLEM WAS WAS

319
00:12:55,749 --> 00:12:56,848
THIS POINT.
>> FOR BELL THE PROBLEM WAS WAS
RODE HOME.

320
00:12:56,850 --> 00:12:59,485
>> FOR BELL THE PROBLEM WAS WAS
RODE HOME.
THE $10 BILLION FEDERALLY FUNDED

321
00:12:59,487 --> 00:13:01,920
RODE HOME.
THE $10 BILLION FEDERALLY FUNDED
PROGRAM INTENDED TO BRIDGE THE

322
00:13:01,922 --> 00:13:03,389
THE $10 BILLION FEDERALLY FUNDED
PROGRAM INTENDED TO BRIDGE THE
GAP TO PROVIDE HOME OWNERS

323
00:13:03,391 --> 00:13:05,624
PROGRAM INTENDED TO BRIDGE THE
GAP TO PROVIDE HOME OWNERS
ENOUGH MONEY TO REBUILD.

324
00:13:05,626 --> 00:13:08,227
GAP TO PROVIDE HOME OWNERS
ENOUGH MONEY TO REBUILD.
FOR MANY, MANY KATRINA VICTIMS

325
00:13:08,229 --> 00:13:11,029
ENOUGH MONEY TO REBUILD.
FOR MANY, MANY KATRINA VICTIMS
IT ENDED UP A BUREAUCRATIC

326
00:13:11,031 --> 00:13:11,297
FOR MANY, MANY KATRINA VICTIMS
IT ENDED UP A BUREAUCRATIC
NIGHTMARE.

327
00:13:11,299 --> 00:13:15,033
IT ENDED UP A BUREAUCRATIC
NIGHTMARE.
A SYMBOL OF INCOMPETENCE, FOR

328
00:13:15,035 --> 00:13:16,335
NIGHTMARE.
A SYMBOL OF INCOMPETENCE, FOR
RESIDENTS OF AFRICAN AMERICAN

329
00:13:16,337 --> 00:13:18,670
A SYMBOL OF INCOMPETENCE, FOR
RESIDENTS OF AFRICAN AMERICAN
NEIGHBORHOODS SUCH AS THE LOWER

330
00:13:18,672 --> 00:13:19,838
RESIDENTS OF AFRICAN AMERICAN
NEIGHBORHOODS SUCH AS THE LOWER
KNIGHT WARD IT WAS A SYMBOL OF

331
00:13:19,840 --> 00:13:21,607
NEIGHBORHOODS SUCH AS THE LOWER
KNIGHT WARD IT WAS A SYMBOL OF
SOMETHING ELSE.

332
00:13:21,609 --> 00:13:23,375
KNIGHT WARD IT WAS A SYMBOL OF
SOMETHING ELSE.
DISCRIMINATION.

333
00:13:23,377 --> 00:13:25,644
SOMETHING ELSE.
DISCRIMINATION.
RODE HOME BASED ITS PAYMENT

334
00:13:25,646 --> 00:13:27,012
DISCRIMINATION.
RODE HOME BASED ITS PAYMENT
FORMULA ON THE VALUE OF A

335
00:13:27,014 --> 00:13:28,214
RODE HOME BASED ITS PAYMENT
FORMULA ON THE VALUE OF A
PROPERTY BEFORE KATRINA.

336
00:13:28,216 --> 00:13:30,116
FORMULA ON THE VALUE OF A
PROPERTY BEFORE KATRINA.
IN NEW ORLEANS, HISTORICALLY,

337
00:13:30,118 --> 00:13:31,917
PROPERTY BEFORE KATRINA.
IN NEW ORLEANS, HISTORICALLY,
HOMES IN AFRICAN AMERICAN

338
00:13:31,919 --> 00:13:35,020
IN NEW ORLEANS, HISTORICALLY,
HOMES IN AFRICAN AMERICAN
NEIGHBORHOODS HAVE BEEN VALUED

339
00:13:35,022 --> 00:13:36,688
HOMES IN AFRICAN AMERICAN
NEIGHBORHOODS HAVE BEEN VALUED
SIGNIFICANTLY LOWER THAN SIMILAR

340
00:13:36,690 --> 00:13:39,225
NEIGHBORHOODS HAVE BEEN VALUED
SIGNIFICANTLY LOWER THAN SIMILAR
HOMES IN WHITE NEIGHBORHOODS.

341
00:13:39,227 --> 00:13:40,859
SIGNIFICANTLY LOWER THAN SIMILAR
HOMES IN WHITE NEIGHBORHOODS.
NEVER MIND THE CONSTRUCTION

342
00:13:40,861 --> 00:13:42,928
HOMES IN WHITE NEIGHBORHOODS.
NEVER MIND THE CONSTRUCTION
COSTS ARE THE SAME REGARDLESS.

343
00:13:42,930 --> 00:13:44,530
NEVER MIND THE CONSTRUCTION
COSTS ARE THE SAME REGARDLESS.
>> IT'S JUST A FUNDAMENTAL FLAW

344
00:13:44,532 --> 00:13:46,665
COSTS ARE THE SAME REGARDLESS.
>> IT'S JUST A FUNDAMENTAL FLAW
IN THE PROGRAM.

345
00:13:46,667 --> 00:13:48,467
>> IT'S JUST A FUNDAMENTAL FLAW
IN THE PROGRAM.
IN FACT NOT JUST ME SAYING THAT

346
00:13:48,469 --> 00:13:50,302
IN THE PROGRAM.
IN FACT NOT JUST ME SAYING THAT
A FEDERAL JUDGE ENDED UP

347
00:13:50,304 --> 00:13:52,904
IN FACT NOT JUST ME SAYING THAT
A FEDERAL JUDGE ENDED UP
CONCLUDING THAT THE RODE HOME

348
00:13:52,906 --> 00:13:55,174
A FEDERAL JUDGE ENDED UP
CONCLUDING THAT THE RODE HOME
PROGRAM DID DISCRIMINATE AGAINST

349
00:13:55,176 --> 00:13:55,674
CONCLUDING THAT THE RODE HOME
PROGRAM DID DISCRIMINATE AGAINST
BLACK HOME OWNERS.

350
00:13:55,676 --> 00:13:58,110
PROGRAM DID DISCRIMINATE AGAINST
BLACK HOME OWNERS.
>> NOT THAT THEY WERE NOT MADE

351
00:13:58,112 --> 00:13:59,478
BLACK HOME OWNERS.
>> NOT THAT THEY WERE NOT MADE
AWARE THAT IT WAS NOT A GOOD

352
00:13:59,480 --> 00:14:03,382
>> NOT THAT THEY WERE NOT MADE
AWARE THAT IT WAS NOT A GOOD
POLICY.

353
00:14:03,384 --> 00:14:05,751
AWARE THAT IT WAS NOT A GOOD
POLICY.
I SAW THIS PERSONALLY APPEALED

354
00:14:05,753 --> 00:14:08,120
POLICY.
I SAW THIS PERSONALLY APPEALED
TO THE POWERS TO BE TO NOT USE

355
00:14:08,122 --> 00:14:08,654
I SAW THIS PERSONALLY APPEALED
TO THE POWERS TO BE TO NOT USE
THAT POLICY.

356
00:14:08,656 --> 00:14:10,856
TO THE POWERS TO BE TO NOT USE
THAT POLICY.
>> ONE OF THE CITY'S MOST

357
00:14:10,858 --> 00:14:13,959
THAT POLICY.
>> ONE OF THE CITY'S MOST
PROMINENT AFRICAN AMERICAN

358
00:14:13,961 --> 00:14:16,362
>> ONE OF THE CITY'S MOST
PROMINENT AFRICAN AMERICAN
LEADERS,AL DEN McDONALD HEADS

359
00:14:16,364 --> 00:14:17,863
PROMINENT AFRICAN AMERICAN
LEADERS,AL DEN McDONALD HEADS
LIBERTY BANK AND DUST COMPANY.

360
00:14:17,865 --> 00:14:19,998
LEADERS,AL DEN McDONALD HEADS
LIBERTY BANK AND DUST COMPANY.
AFTER KATRINA HIS HEADQUARTERS,

361
00:14:20,000 --> 00:14:22,734
LIBERTY BANK AND DUST COMPANY.
AFTER KATRINA HIS HEADQUARTERS,
HIS BRANCHES AND HIS OWN HOME

362
00:14:22,736 --> 00:14:23,935
AFTER KATRINA HIS HEADQUARTERS,
HIS BRANCHES AND HIS OWN HOME
WERE ALL DEVASTATED.

363
00:14:23,937 --> 00:14:26,772
HIS BRANCHES AND HIS OWN HOME
WERE ALL DEVASTATED.
BUT HE MANAGED TO KEEP THE BANK

364
00:14:26,774 --> 00:14:26,972
WERE ALL DEVASTATED.
BUT HE MANAGED TO KEEP THE BANK
OPEN.

365
00:14:26,974 --> 00:14:28,707
BUT HE MANAGED TO KEEP THE BANK
OPEN.
>> WE'RE THE LOUISIANA MADE,

366
00:14:28,709 --> 00:14:30,576
OPEN.
>> WE'RE THE LOUISIANA MADE,
LOUISIANA PROUD.

367
00:14:30,578 --> 00:14:30,909
>> WE'RE THE LOUISIANA MADE,
LOUISIANA PROUD.
LIBERTY BANK.

368
00:14:30,911 --> 00:14:32,878
LOUISIANA PROUD.
LIBERTY BANK.
>> HAS IN THE PAST TEN YEARS

369
00:14:32,880 --> 00:14:35,581
LIBERTY BANK.
>> HAS IN THE PAST TEN YEARS
BUILT IT INTO ONE OF THE LARGEST

370
00:14:35,583 --> 00:14:36,148
>> HAS IN THE PAST TEN YEARS
BUILT IT INTO ONE OF THE LARGEST
MINORITY-OWNED BANKS IN THE

371
00:14:36,150 --> 00:14:39,918
BUILT IT INTO ONE OF THE LARGEST
MINORITY-OWNED BANKS IN THE
UNITED STATES.

372
00:14:39,920 --> 00:14:41,353
MINORITY-OWNED BANKS IN THE
UNITED STATES.
BUT THIS SPEAKS VOLUMES.

373
00:14:41,355 --> 00:14:44,590
UNITED STATES.
BUT THIS SPEAKS VOLUMES.
THE LIBERTY BANK BUILDING AN

374
00:14:44,592 --> 00:14:45,991
BUT THIS SPEAKS VOLUMES.
THE LIBERTY BANK BUILDING AN
AFRICAN AMERICAN NEW ORLEANS

375
00:14:45,993 --> 00:14:48,760
THE LIBERTY BANK BUILDING AN
AFRICAN AMERICAN NEW ORLEANS
EAST, MAROONED, SURROUNDED BY

376
00:14:48,762 --> 00:14:51,430
AFRICAN AMERICAN NEW ORLEANS
EAST, MAROONED, SURROUNDED BY
WHAT WAS A MILLION SQUARE FOOT

377
00:14:51,432 --> 00:14:52,565
EAST, MAROONED, SURROUNDED BY
WHAT WAS A MILLION SQUARE FOOT
MALL BEFORE KATRINA.

378
00:14:52,567 --> 00:14:54,633
WHAT WAS A MILLION SQUARE FOOT
MALL BEFORE KATRINA.
>> WHEN I TAKE A LOOK AT WHAT

379
00:14:54,635 --> 00:14:56,502
MALL BEFORE KATRINA.
>> WHEN I TAKE A LOOK AT WHAT
HAPPENED AND WHAT DIDN'T HAPPEN,

380
00:14:56,504 --> 00:15:02,374
>> WHEN I TAKE A LOOK AT WHAT
HAPPENED AND WHAT DIDN'T HAPPEN,
YOU COULD SEE THAT THE ABILITY

381
00:15:02,376 --> 00:15:04,643
HAPPENED AND WHAT DIDN'T HAPPEN,
YOU COULD SEE THAT THE ABILITY
OF MONEY HELPED COMMUNITIES TOOD

382
00:15:04,645 --> 00:15:09,648
YOU COULD SEE THAT THE ABILITY
OF MONEY HELPED COMMUNITIES TOOD
ON.

383
00:15:09,650 --> 00:15:17,789
OF MONEY HELPED COMMUNITIES TOOD
ON.
 ś

384
00:15:17,791 --> 00:15:22,928
ON.
 ś
IN NEW ORLEANS, HAPPY OR SAD. TY

385
00:15:22,930 --> 00:15:24,830
 ś
IN NEW ORLEANS, HAPPY OR SAD. TY
OFNA, DAN

386
00:15:24,832 --> 00:15:27,600
IN NEW ORLEANS, HAPPY OR SAD. TY
OFNA, DAN
LOWER NINTH WARDRE WHE THE MOSTS

387
00:15:27,602 --> 00:15:32,904
OFNA, DAN
LOWER NINTH WARDRE WHE THE MOSTS
THIS IS WHAT ITKS LOO LIKE,E SU.

388
00:15:32,906 --> 00:15:33,905
LOWER NINTH WARDRE WHE THE MOSTS
THIS IS WHAT ITKS LOO LIKE,E SU.
A NEW AMERICAN

389
00:15:33,907 --> 00:15:35,774
THIS IS WHAT ITKS LOO LIKE,E SU.
A NEW AMERICAN
ONFORE THE STO.RM

390
00:15:35,776 --> 00:15:38,944
A NEW AMERICAN
ONFORE THE STO.RM
LY 37% OF ITS PRECOULD

391
00:15:38,946 --> 00:15:41,247
ONFORE THE STO.RM
LY 37% OF ITS PRECOULD
THREE-POINT NARES DENTS HAVE

392
00:15:41,249 --> 00:15:41,513
LY 37% OF ITS PRECOULD
THREE-POINT NARES DENTS HAVE
RETURNED.

393
00:15:41,515 --> 00:15:43,415
THREE-POINT NARES DENTS HAVE
RETURNED.
BRAD PITT'S MAKE ITIG RHT AND

394
00:15:43,417 --> 00:15:45,417
RETURNED.
BRAD PITT'S MAKE ITIG RHT AND
OTHER CHARITIES HAVE B

395
00:15:45,419 --> 00:15:46,552
BRAD PITT'S MAKE ITIG RHT AND
OTHER CHARITIES HAVE B
REHU ODSF

396
00:15:46,554 --> 00:15:48,721
OTHER CHARITIES HAVE B
REHU ODSF
WERE DESTROYED.

397
00:15:48,723 --> 00:15:51,657
REHU ODSF
WERE DESTROYED.
THE CLOSEST THING TO ARYCE

398
00:15:51,659 --> 00:15:55,361
WERE DESTROYED.
THE CLOSEST THING TO ARYCE
STORE OPENED LAST YEAR. 100,000N

399
00:15:55,363 --> 00:16:00,399
THE CLOSEST THING TO ARYCE
STORE OPENED LAST YEAR. 100,000N
AMERICAN NEW ORLEANSIANS GONE.

400
00:16:00,401 --> 00:16:03,469
STORE OPENED LAST YEAR. 100,000N
AMERICAN NEW ORLEANSIANS GONE.
THE NEW NEW ORLEANS LOOKS

401
00:16:03,471 --> 00:16:04,069
AMERICAN NEW ORLEANSIANS GONE.
THE NEW NEW ORLEANS LOOKS
FAMILIAR.

402
00:16:04,071 --> 00:16:07,606
THE NEW NEW ORLEANS LOOKS
FAMILIAR.
BUT MAY NEVER QUITE BE THE BIG

403
00:16:07,608 --> 00:16:15,714
FAMILIAR.
BUT MAY NEVER QUITE BE THE BIG
EASY AGAIN.

404
00:16:44,410 --> 00:16:48,447
>> A NIGHTMARE THAT MANY HOME
OWNERS DEALT WITH IS SUDDENLY
AND SHOCKINGLY RE-EMERGING WITH

405
00:16:48,449 --> 00:16:50,216
OWNERS DEALT WITH IS SUDDENLY
AND SHOCKINGLY RE-EMERGING WITH
LETTERS DEMAND THANK HOME OWNERS

406
00:16:50,218 --> 00:16:51,650
AND SHOCKINGLY RE-EMERGING WITH
LETTERS DEMAND THANK HOME OWNERS
PAY BACK TECHS OF THOUSANDS OF

407
00:16:51,652 --> 00:16:53,285
LETTERS DEMAND THANK HOME OWNERS
PAY BACK TECHS OF THOUSANDS OF
DOLLARS EVEN IF THEY FOLLOWED

408
00:16:53,287 --> 00:16:59,491
PAY BACK TECHS OF THOUSANDS OF
DOLLARS EVEN IF THEY FOLLOWED
ALL THE RULES.

409
00:17:17,143 --> 00:17:21,780
>> Osgood: AND NOW A PAGE FROM
OUR SUNDAY MORNING ALMANAC.
AUGUST 30th, 1901.

410
00:17:21,782 --> 00:17:23,448
OUR SUNDAY MORNING ALMANAC.
AUGUST 30th, 1901.
114 YEARS AGO TODAY.

411
00:17:23,450 --> 00:17:25,918
AUGUST 30th, 1901.
114 YEARS AGO TODAY.
THE DAY A BRITISH INVENTOR TRULY

412
00:17:25,920 --> 00:17:30,823
114 YEARS AGO TODAY.
THE DAY A BRITISH INVENTOR TRULY
CLEANED UP.

413
00:17:30,825 --> 00:17:35,327
THE DAY A BRITISH INVENTOR TRULY
CLEANED UP.
HUBERT CECIL BOOTH BY PERFECTING

414
00:17:35,329 --> 00:17:37,930
CLEANED UP.
HUBERT CECIL BOOTH BY PERFECTING
THE USE OF SUCTION TO REMOVE A

415
00:17:37,932 --> 00:17:40,966
HUBERT CECIL BOOTH BY PERFECTING
THE USE OF SUCTION TO REMOVE A
CARPET'S GRIT AND GRIME.

416
00:17:40,968 --> 00:17:43,301
THE USE OF SUCTION TO REMOVE A
CARPET'S GRIT AND GRIME.
SMALLER VACUUM CLEANERS SOON

417
00:17:43,303 --> 00:17:45,137
CARPET'S GRIT AND GRIME.
SMALLER VACUUM CLEANERS SOON
FOLLOWED AS DID COMPETITIVE

418
00:17:45,139 --> 00:17:46,939
SMALLER VACUUM CLEANERS SOON
FOLLOWED AS DID COMPETITIVE
MANUFACTURERS, EACH MAKING ITS

419
00:17:46,941 --> 00:17:47,973
FOLLOWED AS DID COMPETITIVE
MANUFACTURERS, EACH MAKING ITS
OWN DISTINCT CLAIM.

420
00:17:47,975 --> 00:17:50,042
MANUFACTURERS, EACH MAKING ITS
OWN DISTINCT CLAIM.
AS IN THIS BRITISH TV AD FROM

421
00:17:50,044 --> 00:17:52,310
OWN DISTINCT CLAIM.
AS IN THIS BRITISH TV AD FROM
THE 1950s.

422
00:17:52,312 --> 00:17:54,113
AS IN THIS BRITISH TV AD FROM
THE 1950s.
>> IT FLOATS.

423
00:17:54,115 --> 00:17:55,114
THE 1950s.
>> IT FLOATS.
THE HOOVER CONSTELLATION FLOATS

424
00:17:55,116 --> 00:17:56,048
>> IT FLOATS.
THE HOOVER CONSTELLATION FLOATS
ON AIR.

425
00:17:56,050 --> 00:17:58,583
THE HOOVER CONSTELLATION FLOATS
ON AIR.
FLOATS ON ITS OWN CUSHION EVER

426
00:17:58,585 --> 00:17:58,884
ON AIR.
FLOATS ON ITS OWN CUSHION EVER
AIR.

427
00:17:58,886 --> 00:17:59,618
FLOATS ON ITS OWN CUSHION EVER
AIR.
FLOATS WITH YOU THROUGH HOUSE

428
00:17:59,620 --> 00:17:59,818
AIR.
FLOATS WITH YOU THROUGH HOUSE
WORK.

429
00:17:59,820 --> 00:18:01,887
FLOATS WITH YOU THROUGH HOUSE
WORK.
>> AND THE FULL STABLE OF VACUUM

430
00:18:01,889 --> 00:18:03,255
WORK.
>> AND THE FULL STABLE OF VACUUM
CLEANERS THROUGH THE AGES WAS ON

431
00:18:03,257 --> 00:18:05,124
>> AND THE FULL STABLE OF VACUUM
CLEANERS THROUGH THE AGES WAS ON
VIEW WHEN OUR OWN BILL GEIST

432
00:18:05,126 --> 00:18:07,425
CLEANERS THROUGH THE AGES WAS ON
VIEW WHEN OUR OWN BILL GEIST
DROPPED IN ON THE 15th ANNUAL

433
00:18:07,427 --> 00:18:09,561
VIEW WHEN OUR OWN BILL GEIST
DROPPED IN ON THE 15th ANNUAL
CONVENTION OF THE VACUUM CLEANER

434
00:18:09,563 --> 00:18:12,297
DROPPED IN ON THE 15th ANNUAL
CONVENTION OF THE VACUUM CLEANER
COLLECTORS CLUB BACK IN 2002.

435
00:18:12,299 --> 00:18:14,667
CONVENTION OF THE VACUUM CLEANER
COLLECTORS CLUB BACK IN 2002.
>> IT'S A CLEAN HOBBY.

436
00:18:14,669 --> 00:18:20,039
COLLECTORS CLUB BACK IN 2002.
>> IT'S A CLEAN HOBBY.
>> CLUB PRESIDENT CHARLIE

437
00:18:20,041 --> 00:18:22,708
>> IT'S A CLEAN HOBBY.
>> CLUB PRESIDENT CHARLIE
WATROUS ASSURED BILL THAT VACUUM

438
00:18:22,710 --> 00:18:23,308
>> CLUB PRESIDENT CHARLIE
WATROUS ASSURED BILL THAT VACUUM
CLEANER COLLECTORS ARE NORMAL

439
00:18:23,310 --> 00:18:23,709
WATROUS ASSURED BILL THAT VACUUM
CLEANER COLLECTORS ARE NORMAL
EVERY DAY PEOPLE.

440
00:18:23,711 --> 00:18:25,644
CLEANER COLLECTORS ARE NORMAL
EVERY DAY PEOPLE.
>> WE HAVE EVERYONE FROM DOCTORS

441
00:18:25,646 --> 00:18:27,146
EVERY DAY PEOPLE.
>> WE HAVE EVERYONE FROM DOCTORS
TO EXECUTIVE SECRETARIES,

442
00:18:27,148 --> 00:18:29,481
>> WE HAVE EVERYONE FROM DOCTORS
TO EXECUTIVE SECRETARIES,
AIRLINE PERSONNEL, BEAUTICIANS,

443
00:18:29,483 --> 00:18:30,949
TO EXECUTIVE SECRETARIES,
AIRLINE PERSONNEL, BEAUTICIANS,
WE HAVE EVERYTHING.

444
00:18:30,951 --> 00:18:33,552
AIRLINE PERSONNEL, BEAUTICIANS,
WE HAVE EVERYTHING.
>> THEY ALL SHARED A FASCINATION

445
00:18:33,554 --> 00:18:35,921
WE HAVE EVERYTHING.
>> THEY ALL SHARED A FASCINATION
WITH TECHNOLOGY THAT WOULD HAVE

446
00:18:35,923 --> 00:18:37,823
>> THEY ALL SHARED A FASCINATION
WITH TECHNOLOGY THAT WOULD HAVE
MADE HUBERT CECIL BOOTH PROUD.

447
00:18:37,825 --> 00:18:40,826
WITH TECHNOLOGY THAT WOULD HAVE
MADE HUBERT CECIL BOOTH PROUD.
>> THE MECHANICS OF HOW THE

448
00:18:40,828 --> 00:18:43,228
MADE HUBERT CECIL BOOTH PROUD.
>> THE MECHANICS OF HOW THE
VACUUM WORKS:  THE FAN GOING

449
00:18:43,230 --> 00:18:44,396
>> THE MECHANICS OF HOW THE
VACUUM WORKS:  THE FAN GOING
AROUND THE BRUSH ROLL GOING

450
00:18:44,398 --> 00:18:46,999
VACUUM WORKS:  THE FAN GOING
AROUND THE BRUSH ROLL GOING
AROUND THE BELT.

451
00:18:47,001 --> 00:18:47,900
AROUND THE BRUSH ROLL GOING
AROUND THE BELT.
IF YOU NOTICE OVER THE STARTING

452
00:18:47,902 --> 00:18:51,269
AROUND THE BELT.
IF YOU NOTICE OVER THE STARTING
LINE.

453
00:18:51,271 --> 00:18:52,938
IF YOU NOTICE OVER THE STARTING
LINE.
>> Osgood: AFTER SEVERAL

454
00:18:52,940 --> 00:18:53,772
LINE.
>> Osgood: AFTER SEVERAL
ROUNDS COLLECTORS RAISED THEIR

455
00:18:53,774 --> 00:18:54,439
>> Osgood: AFTER SEVERAL
ROUNDS COLLECTORS RAISED THEIR
VOICES IN SONG.

456
00:18:54,441 --> 00:19:01,680
ROUNDS COLLECTORS RAISED THEIR
VOICES IN SONG.
 ś

457
00:19:01,682 --> 00:19:02,981
VOICES IN SONG.
 ś
>> Osgood: SO MUCH FOR THAT

458
00:19:02,983 --> 00:19:05,483
 ś
>> Osgood: SO MUCH FOR THAT
OLD SAYING, NATURE ABHORS A

459
00:19:05,485 --> 00:19:12,991
           g rkin

460
00:19:14,929 --> 00:19:15,293
    <i> bring t the be.</i>

461
00:19:15,394 --> 00:19:16,161
    I want tHello...

462
00:19:16,964 --> 00:19:17,429
      I nt to goown...

463
00:19:17,464 --> 00:19:18,197
            Noooo.

464
00:19:18,199 --> 00:19:18,731
...but tn if I wt to
       me back ain...

465
00:19:18,733 --> 00:19:19,198
            Yes...

466
00:19:19,233 --> 00:19:19,898
...but tn if I wt to
       me's perfe....

467
00:19:20,901 --> 00:19:22,634
    Now th we've aed an
 myavorite rt is toe able

468
00:19:23,370 --> 00:19:24,069
    to la lile bit..

469
00:19:24,105 --> 00:19:24,770
    ...lift e head u

470
00:19:25,305 --> 00:19:26,171
       anIt feelsike

471
00:19:26,207 --> 00:19:26,872
       I'm st cradl.

472
00:19:28,275 --> 00:19:29,007
   <i> Righnow,</i>
     <i>  select mpur$0</i>

473
00:19:29,009 --> 00:19:30,642
  <i> adjuable matesses se.</i>

474
00:19:30,677 --> 00:19:31,476
   <i> Righnow,</i>
     <i>  </i>Plus getur best

475
00:19:31,511 --> 00:19:32,211
        <i> financing offer</i>

476
00:19:32,246 --> 00:19:33,946
    <i> of 0% APR for 72 months.</i>

477
00:19:35,414 --> 00:19:37,116
OF SUMMER.  <i> Amera's numb one</i>

478
00:19:39,186 --> 00:19:40,753
<i> TEMPUREDIC retler todaeep happ.</i>

479
00:19:48,962 --> 00:19:55,367
IT'S NOT ABOUT GETTING FROM
POINT A TO POINT B.
THERE'S A MATERIAL DIFFERENCE.

480
00:19:55,369 --> 00:19:57,502
POINT A TO POINT B.
THERE'S A MATERIAL DIFFERENCE.
>> YOUR BOAT IS OUT ON THE LAKE

481
00:19:57,504 --> 00:19:59,037
THERE'S A MATERIAL DIFFERENCE.
>> YOUR BOAT IS OUT ON THE LAKE
AND THE LAKE IS SURROUNDED BY

482
00:19:59,039 --> 00:20:00,639
>> YOUR BOAT IS OUT ON THE LAKE
AND THE LAKE IS SURROUNDED BY
WOODS.

483
00:20:00,641 --> 00:20:05,443
AND THE LAKE IS SURROUNDED BY
WOODS.
THERE NOR FIBERGLASS TREES.

484
00:20:05,445 --> 00:20:09,281
WOODS.
THERE NOR FIBERGLASS TREES.
SO, REALLY YOUR WOOD BOAT, YOUR

485
00:20:09,283 --> 00:20:10,215
THERE NOR FIBERGLASS TREES.
SO, REALLY YOUR WOOD BOAT, YOUR
WOODEN SPEED BOAT HAS PERMISSION

486
00:20:10,217 --> 00:20:12,317
SO, REALLY YOUR WOOD BOAT, YOUR
WOODEN SPEED BOAT HAS PERMISSION
FROM THE LAKE TO BE THERE.

487
00:20:12,319 --> 00:20:15,187
WOODEN SPEED BOAT HAS PERMISSION
FROM THE LAKE TO BE THERE.
>> MATT SMITH RUNS

488
00:20:15,189 --> 00:20:16,822
FROM THE LAKE TO BE THERE.
>> MATT SMITH RUNS
WOODYBOATER.COM A WEBSITE

489
00:20:16,824 --> 00:20:19,224
>> MATT SMITH RUNS
WOODYBOATER.COM A WEBSITE
DEVOTED TO THE JOYCE OF CLASSIC

490
00:20:19,226 --> 00:20:19,557
WOODYBOATER.COM A WEBSITE
DEVOTED TO THE JOYCE OF CLASSIC
WOODEN BOATS.

491
00:20:19,559 --> 00:20:20,592
DEVOTED TO THE JOYCE OF CLASSIC
WOODEN BOATS.
>> THEY'RE BEAUTIFUL.

492
00:20:20,594 --> 00:20:21,794
WOODEN BOATS.
>> THEY'RE BEAUTIFUL.
THEY'RE ABSOLUTELY STUNNING.

493
00:20:21,796 --> 00:20:23,528
>> THEY'RE BEAUTIFUL.
THEY'RE ABSOLUTELY STUNNING.
IT IS REALLY LIKE A STEINWAY,

494
00:20:23,530 --> 00:20:24,163
THEY'RE ABSOLUTELY STUNNING.
IT IS REALLY LIKE A STEINWAY,
YOU KNOW.

495
00:20:24,165 --> 00:20:29,101
IT IS REALLY LIKE A STEINWAY,
YOU KNOW.
IT'S A GRAND PIANO ON THE WATER.

496
00:20:29,103 --> 00:20:31,503
YOU KNOW.
IT'S A GRAND PIANO ON THE WATER.
>> A GRAND PIANO THAT CAN SKIM

497
00:20:31,505 --> 00:20:33,371
IT'S A GRAND PIANO ON THE WATER.
>> A GRAND PIANO THAT CAN SKIM
THE WATER AT SPEEDS OF UP TO 40

498
00:20:33,373 --> 00:20:35,307
>> A GRAND PIANO THAT CAN SKIM
THE WATER AT SPEEDS OF UP TO 40
MILES AN HOUR.

499
00:20:35,309 --> 00:20:37,676
THE WATER AT SPEEDS OF UP TO 40
MILES AN HOUR.
ACROSS THE COUNTRY ENTHUSIASTS

500
00:20:37,678 --> 00:20:39,311
MILES AN HOUR.
ACROSS THE COUNTRY ENTHUSIASTS
GATHER AT SHOWS TO MARVEL AT

501
00:20:39,313 --> 00:20:41,613
ACROSS THE COUNTRY ENTHUSIASTS
GATHER AT SHOWS TO MARVEL AT
THESE WOODEN WORKS OF ART THAT

502
00:20:41,615 --> 00:20:42,714
GATHER AT SHOWS TO MARVEL AT
THESE WOODEN WORKS OF ART THAT
FLOURISHED IN AMERICAN WATERS

503
00:20:42,716 --> 00:20:45,117
THESE WOODEN WORKS OF ART THAT
FLOURISHED IN AMERICAN WATERS
FROM THE 1920s TO THE '50s.

504
00:20:45,119 --> 00:20:47,585
FLOURISHED IN AMERICAN WATERS
FROM THE 1920s TO THE '50s.
>> THANKS FOR SHARING THE BOAT,

505
00:20:47,587 --> 00:20:47,820
FROM THE 1920s TO THE '50s.
>> THANKS FOR SHARING THE BOAT,
BROTHER.

506
00:20:47,822 --> 00:20:48,153
>> THANKS FOR SHARING THE BOAT,
BROTHER.
>> AWESOME.

507
00:20:48,155 --> 00:20:50,022
BROTHER.
>> AWESOME.
>> TO THE BOATING FAITHFUL THIS

508
00:20:50,024 --> 00:20:53,025
>> AWESOME.
>> TO THE BOATING FAITHFUL THIS
ANNUAL GATHERING IN AHGONAC,

509
00:20:53,027 --> 00:20:54,426
>> TO THE BOATING FAITHFUL THIS
ANNUAL GATHERING IN AHGONAC,
MICHIGAN IS MORE OF A

510
00:20:54,428 --> 00:20:57,362
ANNUAL GATHERING IN AHGONAC,
MICHIGAN IS MORE OF A
PILGRIMAGE.

511
00:20:57,364 --> 00:20:59,531
MICHIGAN IS MORE OF A
PILGRIMAGE.
>> THESE ARE THE WATERS THAT

512
00:20:59,533 --> 00:21:00,966
PILGRIMAGE.
>> THESE ARE THE WATERS THAT
YOUR POWER BOAT WANTS TO BE ON.

513
00:21:00,968 --> 00:21:03,468
>> THESE ARE THE WATERS THAT
YOUR POWER BOAT WANTS TO BE ON.
IN THE DAP, IN EVERY TURN OF THE

514
00:21:03,470 --> 00:21:04,769
YOUR POWER BOAT WANTS TO BE ON.
IN THE DAP, IN EVERY TURN OF THE
PROPELLER I.T. WANTS TO BE HERE.

515
00:21:04,771 --> 00:21:05,437
IN THE DAP, IN EVERY TURN OF THE
PROPELLER I.T. WANTS TO BE HERE.
THIS IS THE SPOT.

516
00:21:05,439 --> 00:21:07,572
PROPELLER I.T. WANTS TO BE HERE.
THIS IS THE SPOT.
>> THAT'S BECAUSE MORE THAN 100

517
00:21:07,574 --> 00:21:14,847
THIS IS THE SPOT.
>> THAT'S BECAUSE MORE THAN 100
YEARS AGO AMERICA'S POWER

518
00:21:14,849 --> 00:21:16,014
>> THAT'S BECAUSE MORE THAN 100
YEARS AGO AMERICA'S POWER
GETTING -- BOATING INDUSTRY WAS

519
00:21:16,016 --> 00:21:16,781
YEARS AGO AMERICA'S POWER
GETTING -- BOATING INDUSTRY WAS
LARGELY BORN HERE.

520
00:21:16,783 --> 00:21:19,051
GETTING -- BOATING INDUSTRY WAS
LARGELY BORN HERE.
ONE OF THE FOUNDING FATHERS,

521
00:21:19,053 --> 00:21:20,585
LARGELY BORN HERE.
ONE OF THE FOUNDING FATHERS,
CHRISTOPHER COLUMBUS SMITH, YES,

522
00:21:20,587 --> 00:21:23,621
ONE OF THE FOUNDING FATHERS,
CHRISTOPHER COLUMBUS SMITH, YES,
THAT IS HIS REAL NAME, COMBINED

523
00:21:23,623 --> 00:21:25,057
CHRISTOPHER COLUMBUS SMITH, YES,
THAT IS HIS REAL NAME, COMBINED
BOATS AND ENGINES WITH MASS

524
00:21:25,059 --> 00:21:26,992
THAT IS HIS REAL NAME, COMBINED
BOATS AND ENGINES WITH MASS
PRODUCTION.

525
00:21:26,994 --> 00:21:29,494
BOATS AND ENGINES WITH MASS
PRODUCTION.
HIS COMPANY EVENTUALLY NAMED

526
00:21:29,496 --> 00:21:31,129
PRODUCTION.
HIS COMPANY EVENTUALLY NAMED
CHRIS-CRAFT QUICKLY BECAME

527
00:21:31,131 --> 00:21:32,564
HIS COMPANY EVENTUALLY NAMED
CHRIS-CRAFT QUICKLY BECAME
SYNONYMOUS WITH FAST-PACED FUN

528
00:21:32,566 --> 00:21:36,268
CHRIS-CRAFT QUICKLY BECAME
SYNONYMOUS WITH FAST-PACED FUN
IN THE SUN.

529
00:21:36,270 --> 00:21:38,670
SYNONYMOUS WITH FAST-PACED FUN
IN THE SUN.
 ś

530
00:21:38,672 --> 00:21:41,340
IN THE SUN.
 ś
>> IN ITS HEYDAY HOW BIG WAS

531
00:21:41,342 --> 00:21:41,639
 ś
>> IN ITS HEYDAY HOW BIG WAS
CHRIS-CRAFT?

532
00:21:41,641 --> 00:21:43,775
>> IN ITS HEYDAY HOW BIG WAS
CHRIS-CRAFT?
>> PUT IT IN TERMS TODAY I'D SAY

533
00:21:43,777 --> 00:21:44,776
CHRIS-CRAFT?
>> PUT IT IN TERMS TODAY I'D SAY
LIKE GENERAL MOTORS OF THE

534
00:21:44,778 --> 00:21:46,478
>> PUT IT IN TERMS TODAY I'D SAY
LIKE GENERAL MOTORS OF THE
BOATING INDUSTRY.

535
00:21:46,480 --> 00:21:49,314
LIKE GENERAL MOTORS OF THE
BOATING INDUSTRY.
>> PETE OWNS THE ALGONAC HARBOR

536
00:21:49,316 --> 00:21:51,850
BOATING INDUSTRY.
>> PETE OWNS THE ALGONAC HARBOR
CLUB ON THE SITE OF THE ORIGINAL

537
00:21:51,852 --> 00:21:52,251
>> PETE OWNS THE ALGONAC HARBOR
CLUB ON THE SITE OF THE ORIGINAL
CHRIS-CRAFT PLANT.

538
00:21:52,253 --> 00:21:56,488
CLUB ON THE SITE OF THE ORIGINAL
CHRIS-CRAFT PLANT.
>> IF DETROIT IS MOTOR CITY, IS

539
00:21:56,490 --> 00:21:57,289
CHRIS-CRAFT PLANT.
>> IF DETROIT IS MOTOR CITY, IS
ALGONAC MOTOR BOAT CITY.

540
00:21:57,291 --> 00:22:00,325
>> IF DETROIT IS MOTOR CITY, IS
ALGONAC MOTOR BOAT CITY.
>> THAT'S WHAT WE CALL IT.

541
00:22:00,327 --> 00:22:01,927
ALGONAC MOTOR BOAT CITY.
>> THAT'S WHAT WE CALL IT.
IT'S WHERE IT ALL BEGAN.

542
00:22:01,929 --> 00:22:04,863
>> THAT'S WHAT WE CALL IT.
IT'S WHERE IT ALL BEGAN.
TO THE BOATING INDUSTRY WHAT

543
00:22:04,865 --> 00:22:06,198
IT'S WHERE IT ALL BEGAN.
TO THE BOATING INDUSTRY WHAT
HENRY FORD DEARBORN WERE TO THE

544
00:22:06,200 --> 00:22:06,899
TO THE BOATING INDUSTRY WHAT
HENRY FORD DEARBORN WERE TO THE
CAR INDUSTRY.

545
00:22:06,901 --> 00:22:10,869
HENRY FORD DEARBORN WERE TO THE
CAR INDUSTRY.
>> WITH DETROIT 50 MILES AWAY

546
00:22:10,871 --> 00:22:12,704
CAR INDUSTRY.
>> WITH DETROIT 50 MILES AWAY
CHRIS-CRAFT BORROWED MORE THAN

547
00:22:12,706 --> 00:22:14,106
>> WITH DETROIT 50 MILES AWAY
CHRIS-CRAFT BORROWED MORE THAN
ASSEMBLY LINE FROM THE CAR

548
00:22:14,108 --> 00:22:15,274
CHRIS-CRAFT BORROWED MORE THAN
ASSEMBLY LINE FROM THE CAR
INDUSTRY, OCCASIONALLY BORROWED

549
00:22:15,276 --> 00:22:18,310
ASSEMBLY LINE FROM THE CAR
INDUSTRY, OCCASIONALLY BORROWED
PARTS.

550
00:22:18,312 --> 00:22:20,312
INDUSTRY, OCCASIONALLY BORROWED
PARTS.
>> THIS HAS MUSTANG STEERING

551
00:22:20,314 --> 00:22:22,480
PARTS.
>> THIS HAS MUSTANG STEERING
WHEEL WITH JUST CHRIS-CRAFT EM

552
00:22:22,482 --> 00:22:23,515
>> THIS HAS MUSTANG STEERING
WHEEL WITH JUST CHRIS-CRAFT EM
GULF OF MEXICO.

553
00:22:23,517 --> 00:22:29,621
WHEEL WITH JUST CHRIS-CRAFT EM
GULF OF MEXICO.
>> JUST RIGHT DOWN THE STREET.

554
00:22:29,623 --> 00:22:32,958
GULF OF MEXICO.
>> JUST RIGHT DOWN THE STREET.
BUT IN THE 1960 ROSS FIBERGLASS

555
00:22:32,960 --> 00:22:34,326
>> JUST RIGHT DOWN THE STREET.
BUT IN THE 1960 ROSS FIBERGLASS
BECAME NATIONAL.

556
00:22:34,328 --> 00:22:36,261
BUT IN THE 1960 ROSS FIBERGLASS
BECAME NATIONAL.
IT BROUGHT BOATLOADS OF

557
00:22:36,263 --> 00:22:38,730
BECAME NATIONAL.
IT BROUGHT BOATLOADS OF
COMPETITORS.

558
00:22:38,732 --> 00:22:40,132
IT BROUGHT BOATLOADS OF
COMPETITORS.
CHRIS-CRAFT EVENTUALLY STOPPED

559
00:22:40,134 --> 00:22:44,303
COMPETITORS.
CHRIS-CRAFT EVENTUALLY STOPPED
MAKING WOODEN BOATS ALTOGETHER.

560
00:22:44,305 --> 00:22:45,938
CHRIS-CRAFT EVENTUALLY STOPPED
MAKING WOODEN BOATS ALTOGETHER.
>> HOW FAST DOES THIS GO ANYWAY?

561
00:22:45,940 --> 00:22:48,540
MAKING WOODEN BOATS ALTOGETHER.
>> HOW FAST DOES THIS GO ANYWAY?
>> A VINTAGE CHRIS-CRAFT BOAT

562
00:22:48,542 --> 00:22:51,310
>> HOW FAST DOES THIS GO ANYWAY?
>> A VINTAGE CHRIS-CRAFT BOAT
GOT THE STAR TREATMENT IN 1981

563
00:22:51,312 --> 00:23:02,520
>> A VINTAGE CHRIS-CRAFT BOAT
GOT THE STAR TREATMENT IN 1981
FILM "ON GOLDEN POND."

564
00:23:17,971 --> 00:23:20,072
>> Osgood: CRUISING IN STYLE
IS GREAT WAY TO PASS YOUR TIME
IF YOU'RE A PLACE ENJOYING SOME

565
00:23:20,074 --> 00:23:24,476
IS GREAT WAY TO PASS YOUR TIME
IF YOU'RE A PLACE ENJOYING SOME
CALM WATERS.

566
00:23:24,478 --> 00:23:25,643
IF YOU'RE A PLACE ENJOYING SOME
CALM WATERS.
WE'RE CASTING OFF.

567
00:23:25,645 --> 00:23:29,581
CALM WATERS.
WE'RE CASTING OFF.
>> THE CLASSIC SIGHT

568
00:23:29,583 --> 00:23:30,782
WE'RE CASTING OFF.
>> THE CLASSIC SIGHT
VARNISH JOB WHO KNOWS WHY.

569
00:23:30,784 --> 00:23:35,653
>> THE CLASSIC SIGHT
VARNISH JOB WHO KNOWS WHY.
>>

570
00:23:35,655 --> 00:23:37,922
VARNISH JOB WHO KNOWS WHY.
>>
MAHOGANY CLAD MOTOR BOAT, SLEEK.

571
00:23:37,924 --> 00:23:42,995
>>
MAHOGANY CLAD MOTOR BOAT, SLEEK.
AN AMBASSADOR OF BY GONE ERA.

572
00:23:42,997 --> 00:23:49,767
MAHOGANY CLAD MOTOR BOAT, SLEEK.
AN AMBASSADOR OF BY GONE ERA.
FANS OF THIEVESLEGA ENT CRAFT YF

573
00:23:49,769 --> 00:23:50,735
AN AMBASSADOR OF BY GONE ERA.
FANS OF THIEVESLEGA ENT CRAFT YF
THESE BOATS YOU'RE IN THE TIME

574
00:23:50,737 --> 00:23:53,438
FANS OF THIEVESLEGA ENT CRAFT YF
THESE BOATS YOU'RE IN THE TIME
THAT THAT BOAT EXISTED.

575
00:23:53,440 --> 00:23:55,273
THESE BOATS YOU'RE IN THE TIME
THAT THAT BOAT EXISTED.
YOU ARE INHERITING AT THAT

576
00:23:55,275 --> 00:23:57,409
THAT THAT BOAT EXISTED.
YOU ARE INHERITING AT THAT
MOMENT ALL THE HISTORY THAT THAT

577
00:23:57,411 --> 00:23:58,276
YOU ARE INHERITING AT THAT
MOMENT ALL THE HISTORY THAT THAT
BOAT LIVED.

578
00:23:58,278 --> 00:23:59,311
MOMENT ALL THE HISTORY THAT THAT
BOAT LIVED.
IT LIVES IN THE WOOD.

579
00:23:59,313 --> 00:24:00,112
BOAT LIVED.
IT LIVES IN THE WOOD.
IT COMES OUT.

580
00:24:00,114 --> 00:24:08,220
IT LIVES IN THE WOOD.
IT COMES OUT.
YOU FEEL IT.

581
00:24:21,467 --> 00:24:26,538
>> Osgood: STILL TO COME.
UP ALL HOURS WITH JAMES CORE
DONE.

582
00:24:45,892 --> 00:24:52,264
 ś
>> IT'S "SUNDAY MORNING" ON CBS.
HERE AGAIN IS

583
00:24:52,266 --> 00:24:52,530
>> IT'S "SUNDAY MORNING" ON CBS.
HERE AGAIN IS
UNIVERSE.

584
00:24:52,532 --> 00:24:53,265
HERE AGAIN IS
UNIVERSE.
JAMES CORDEN

585
00:24:53,267 --> 00:24:57,369
UNIVERSE.
JAMES CORDEN
GETTINBACK OUTN THE WATTE

586
00:24:57,371 --> 00:24:59,437
JAMES CORDEN
GETTINBACK OUTN THE WATTE
>> THIS BOAT CAME IN WE TOOK

587
00:24:59,439 --> 00:25:01,073
GETTINBACK OUTN THE WATTE
>> THIS BOAT CAME IN WE TOOK
BOTTOM OFF STARTED REPLANG

588
00:25:01,075 --> 00:25:01,306
>> THIS BOAT CAME IN WE TOOK
BOTTOM OFF STARTED REPLANG
FRAMES.

589
00:25:01,308 --> 00:25:08,013
BOTTOM OFF STARTED REPLANG
FRAMES.
>> WAYNE AND HIS TEAM SPENTUNTLG

590
00:25:08,015 --> 00:25:08,914
FRAMES.
>> WAYNE AND HIS TEAM SPENTUNTLG
FASTENING, VARNISHINTHESG OLDE

591
00:25:08,916 --> 00:25:13,218
>> WAYNE AND HIS TEAM SPENTUNTLG
FASTENING, VARNISHINTHESG OLDE
BOATS BACK TO LIFE.'S GORGEOUS D

592
00:25:13,220 --> 00:25:15,787
FASTENING, VARNISHINTHESG OLDE
BOATS BACK TO LIFE.'S GORGEOUS D
THAT COULD BE MOST ITO BE RIGHTN

593
00:25:15,789 --> 00:25:17,990
BOATS BACK TO LIFE.'S GORGEOUS D
THAT COULD BE MOST ITO BE RIGHTN
YOE WORLD TO GET A GOOD VARNISH.

594
00:25:17,992 --> 00:25:19,424
THAT COULD BE MOST ITO BE RIGHTN
YOE WORLD TO GET A GOOD VARNISH.
UR MOTHER-IN-LAW HAS TO BEN

595
00:25:19,426 --> 00:25:21,459
YOE WORLD TO GET A GOOD VARNISH.
UR MOTHER-IN-LAW HAS TO BEN
A GOOD MOOD, HUMIDITY, HEAT,

596
00:25:21,461 --> 00:25:23,028
UR MOTHER-IN-LAW HAS TO BEN
A GOOD MOOD, HUMIDITY, HEAT,
DUST, YOU COULD HAVE A BAD

597
00:25:23,030 --> 00:25:24,796
A GOOD MOOD, HUMIDITY, HEAT,
DUST, YOU COULD HAVE A BAD
A LITTLE FUN WITH THE

598
00:25:24,798 --> 00:25:27,132
DUST, YOU COULD HAVE A BAD
A LITTLE FUN WITH THE
 EVENTUALLY A BOAT CAN GO FROM

599
00:25:27,134 --> 00:25:29,968
A LITTLE FUN WITH THE
 EVENTUALLY A BOAT CAN GO FROM
LOOKING LIKE THIS TO SOMETHING

600
00:25:29,970 --> 00:25:33,305
 EVENTUALLY A BOAT CAN GO FROM
LOOKING LIKE THIS TO SOMETHING
LIKE THIS.

601
00:25:33,307 --> 00:25:37,943
LOOKING LIKE THIS TO SOMETHING
LIKE THIS.
A CRAFT CAPABLE OF TRANSPORTING

602
00:25:37,945 --> 00:25:44,116
LIKE THIS.
A CRAFT CAPABLE OF TRANSPORTING
PASSENGERS BACK TO ANOTHER ERA.

603
00:25:44,118 --> 00:25:49,054
A CRAFT CAPABLE OF TRANSPORTING
PASSENGERS BACK TO ANOTHER ERA.
>> WHENLAUGH.

604
00:25:49,056 --> 00:25:52,291
PASSENGERS BACK TO ANOTHER ERA.
>> WHENLAUGH.
HE'S BREAKING THROUGH ON TO THE

605
00:25:52,293 --> 00:25:52,925
>> WHENLAUGH.
HE'S BREAKING THROUGH ON TO THE
AMERICAN CELEBRITY W LIST THESE

606
00:25:52,927 --> 00:25:54,659
HE'S BREAKING THROUGH ON TO THE
AMERICAN CELEBRITY W LIST THESE
DAYS WITH THE HELP SOME OF

607
00:25:54,661 --> 00:25:54,993
AMERICAN CELEBRITY W LIST THESE
DAYS WITH THE HELP SOME OF
FRIENDS.

608
00:25:54,995 --> 00:26:03,101
DAYS WITH THE HELP SOME OF
FRIENDS.
>> SHALL WE BEGIN?

609
00:26:04,470 --> 00:26:12,610
>> YOU NEVER KNOW WHAT YOU'RE
GOING TO GET.
 ś

610
00:26:12,612 --> 00:26:14,212
GOING TO GET.
 ś
>> BUT FAME AND RECOGNITION ARE

611
00:26:14,214 --> 00:26:20,018
 ś
>> BUT FAME AND RECOGNITION ARE
NOT NEW TO JAMES CORDEN.

612
00:26:20,020 --> 00:26:20,953
>> BUT FAME AND RECOGNITION ARE
NOT NEW TO JAMES CORDEN.
HE'S BEEN THERE BEFORE.

613
00:26:20,955 --> 00:26:24,189
NOT NEW TO JAMES CORDEN.
HE'S BEEN THERE BEFORE.
>> MR. JAMES CORDEN FOR SERVICES

614
00:26:24,191 --> 00:26:24,656
HE'S BEEN THERE BEFORE.
>> MR. JAMES CORDEN FOR SERVICES
TO DRAMA.

615
00:26:24,658 --> 00:26:25,857
>> MR. JAMES CORDEN FOR SERVICES
TO DRAMA.
>>  RECENTLY RECEIVING AN ORDER

616
00:26:25,859 --> 00:26:28,327
TO DRAMA.
>>  RECENTLY RECEIVING AN ORDER
OF THE BRITISH EMPIRE AT

617
00:26:28,329 --> 00:26:29,394
>>  RECENTLY RECEIVING AN ORDER
OF THE BRITISH EMPIRE AT
BUCKINGHAM PALACE, NO ONE WILL

618
00:26:29,396 --> 00:26:31,029
OF THE BRITISH EMPIRE AT
BUCKINGHAM PALACE, NO ONE WILL
BE SURPRISED IF IT'S SIR JAMES

619
00:26:31,031 --> 00:26:33,665
BUCKINGHAM PALACE, NO ONE WILL
BE SURPRISED IF IT'S SIR JAMES
NEXT.

620
00:26:33,667 --> 00:26:35,700
BE SURPRISED IF IT'S SIR JAMES
NEXT.
IT'S TRAJECTORY TO STARDOM HE

621
00:26:35,702 --> 00:26:37,569
NEXT.
IT'S TRAJECTORY TO STARDOM HE
TRACES BACK TO HERE, THE

622
00:26:37,571 --> 00:26:40,405
IT'S TRAJECTORY TO STARDOM HE
TRACES BACK TO HERE, THE
NATIONAL THEATER IN LONDON WHERE

623
00:26:40,407 --> 00:26:41,440
TRACES BACK TO HERE, THE
NATIONAL THEATER IN LONDON WHERE
WE MET JUST BEFORE HE WAS DUE TO

624
00:26:41,442 --> 00:26:42,941
NATIONAL THEATER IN LONDON WHERE
WE MET JUST BEFORE HE WAS DUE TO
LEAVE FOR THE U.S.

625
00:26:42,943 --> 00:26:45,077
WE MET JUST BEFORE HE WAS DUE TO
LEAVE FOR THE U.S.
IT'S WHERE HE HAD HIS BREAK OUT

626
00:26:45,079 --> 00:26:46,644
LEAVE FOR THE U.S.
IT'S WHERE HE HAD HIS BREAK OUT
ROLE TEN YEARS AGO IN THE

627
00:26:46,646 --> 00:26:48,680
IT'S WHERE HE HAD HIS BREAK OUT
ROLE TEN YEARS AGO IN THE
ORIGINAL PRODUCTION OF "THE

628
00:26:48,682 --> 00:26:50,148
ROLE TEN YEARS AGO IN THE
ORIGINAL PRODUCTION OF "THE
HISTORY BOYS" WHICH WAS LATER

629
00:26:50,150 --> 00:26:53,318
ORIGINAL PRODUCTION OF "THE
HISTORY BOYS" WHICH WAS LATER
MADE INTO A MOVIE.

630
00:26:53,320 --> 00:26:56,021
HISTORY BOYS" WHICH WAS LATER
MADE INTO A MOVIE.
>> AND NOW SOME POETRY OF MORE

631
00:26:56,023 --> 00:26:58,056
MADE INTO A MOVIE.
>> AND NOW SOME POETRY OF MORE
TRADITIONAL SORT.

632
00:26:58,058 --> 00:27:00,459
>> AND NOW SOME POETRY OF MORE
TRADITIONAL SORT.
>> CORDEN WAS THE TUBBY KID

633
00:27:00,461 --> 00:27:03,928
TRADITIONAL SORT.
>> CORDEN WAS THE TUBBY KID
AMONG THE RAUCOUSZ I DON'T

634
00:27:03,930 --> 00:27:04,662
>> CORDEN WAS THE TUBBY KID
AMONG THE RAUCOUSZ I DON'T
ALWAYS UNDERSTAND POETRY.

635
00:27:04,664 --> 00:27:07,032
AMONG THE RAUCOUSZ I DON'T
ALWAYS UNDERSTAND POETRY.
>> THE STAGE PRODUCTION DREW

636
00:27:07,034 --> 00:27:08,533
ALWAYS UNDERSTAND POETRY.
>> THE STAGE PRODUCTION DREW
FULL HOUSES AND WON BEST PLAY

637
00:27:08,535 --> 00:27:14,139
>> THE STAGE PRODUCTION DREW
FULL HOUSES AND WON BEST PLAY
AWARD IN LONDON AND BROADWAY.

638
00:27:14,141 --> 00:27:16,108
FULL HOUSES AND WON BEST PLAY
AWARD IN LONDON AND BROADWAY.
>> AND SIPS THEN JAMES CORDEN

639
00:27:16,110 --> 00:27:18,143
AWARD IN LONDON AND BROADWAY.
>> AND SIPS THEN JAMES CORDEN
HAS PRETTY WELL CORNERED THE

640
00:27:18,145 --> 00:27:21,513
>> AND SIPS THEN JAMES CORDEN
HAS PRETTY WELL CORNERED THE
MARKET PLAYING THE ROLLY POLLY.

641
00:27:21,515 --> 00:27:27,785
HAS PRETTY WELL CORNERED THE
MARKET PLAYING THE ROLLY POLLY.
>> YOU'VE GOT TO KEEP YOUR --

642
00:27:27,787 --> 00:27:29,854
MARKET PLAYING THE ROLLY POLLY.
>> YOU'VE GOT TO KEEP YOUR --
>> HE'S WRITTEN AND ACTED IN

643
00:27:29,856 --> 00:27:33,558
>> YOU'VE GOT TO KEEP YOUR --
>> HE'S WRITTEN AND ACTED IN
VARIOUS HIT TV SHOWS.

644
00:27:33,560 --> 00:27:38,063
>> HE'S WRITTEN AND ACTED IN
VARIOUS HIT TV SHOWS.
>> YOU GOT TO HOLD AND GIVE --

645
00:27:38,065 --> 00:27:42,200
VARIOUS HIT TV SHOWS.
>> YOU GOT TO HOLD AND GIVE --
BUMBLING BEST FRIEND ACT IN A

646
00:27:42,202 --> 00:27:45,504
>> YOU GOT TO HOLD AND GIVE --
BUMBLING BEST FRIEND ACT IN A
SERIES CALLED "GAVIN AND STACEY"

647
00:27:45,506 --> 00:27:47,872
BUMBLING BEST FRIEND ACT IN A
SERIES CALLED "GAVIN AND STACEY"
MADE HIM A HOUSEHOLD NAME IN

648
00:27:47,874 --> 00:27:49,274
SERIES CALLED "GAVIN AND STACEY"
MADE HIM A HOUSEHOLD NAME IN
BRITAIN IF NOT A NATIONAL

649
00:27:49,276 --> 00:27:54,046
MADE HIM A HOUSEHOLD NAME IN
BRITAIN IF NOT A NATIONAL
INSTITUTION.

650
00:27:54,048 --> 00:27:56,381
BRITAIN IF NOT A NATIONAL
INSTITUTION.
>> WE WENT ON THE TOUR --

651
00:27:56,383 --> 00:27:57,715
INSTITUTION.
>> WE WENT ON THE TOUR --
HOW POPULAR IS HE?

652
00:27:57,717 --> 00:27:59,717
>> WE WENT ON THE TOUR --
HOW POPULAR IS HE?
TRY TAKING A QUIET WALK WITH HIM

653
00:27:59,719 --> 00:28:01,886
HOW POPULAR IS HE?
TRY TAKING A QUIET WALK WITH HIM
ALONG THE RIVER.

654
00:28:01,888 --> 00:28:06,525
TRY TAKING A QUIET WALK WITH HIM
ALONG THE RIVER.
>> I WOULDN'T HAVE BEEN -- I

655
00:28:06,527 --> 00:28:08,427
ALONG THE RIVER.
>> I WOULDN'T HAVE BEEN -- I
DON'T KNOW IF I WOULD HAVE HAD

656
00:28:08,429 --> 00:28:13,831
>> I WOULDN'T HAVE BEEN -- I
DON'T KNOW IF I WOULD HAVE HAD
THE CONFIDENCE.

657
00:28:13,833 --> 00:28:17,402
DON'T KNOW IF I WOULD HAVE HAD
THE CONFIDENCE.
>> THEY RECOGNIZE YOU.

658
00:28:17,404 --> 00:28:20,738
THE CONFIDENCE.
>> THEY RECOGNIZE YOU.
>> NO, IT WAS FOR HIM.

659
00:28:20,740 --> 00:28:25,077
>> THEY RECOGNIZE YOU.
>> NO, IT WAS FOR HIM.
THE 37-YEAR-OLD CORDEN DOES A

660
00:28:25,079 --> 00:28:26,744
>> NO, IT WAS FOR HIM.
THE 37-YEAR-OLD CORDEN DOES A
NICE LINE IN SELFIE FACEMENT.

661
00:28:26,746 --> 00:28:28,346
THE 37-YEAR-OLD CORDEN DOES A
NICE LINE IN SELFIE FACEMENT.
BUT HE'S BEEN SINGLE MINDED

662
00:28:28,348 --> 00:28:30,215
NICE LINE IN SELFIE FACEMENT.
BUT HE'S BEEN SINGLE MINDED
ABOUT HIS AMBITION EVER SINCE

663
00:28:30,217 --> 00:28:30,482
BUT HE'S BEEN SINGLE MINDED
ABOUT HIS AMBITION EVER SINCE
CHILDHOOD.

664
00:28:30,484 --> 00:28:31,816
ABOUT HIS AMBITION EVER SINCE
CHILDHOOD.
ALL HE'S EVER WANTED TO DO IS

665
00:28:31,818 --> 00:28:35,019
CHILDHOOD.
ALL HE'S EVER WANTED TO DO IS
WHAT HE'S DOING NOW.

666
00:28:35,021 --> 00:28:37,889
ALL HE'S EVER WANTED TO DO IS
WHAT HE'S DOING NOW.
>> THE AMBITION WAS TO BE A LEAD

667
00:28:37,891 --> 00:28:40,158
WHAT HE'S DOING NOW.
>> THE AMBITION WAS TO BE A LEAD
IN A BROADWAY MUSICAL?

668
00:28:40,160 --> 00:28:43,295
>> THE AMBITION WAS TO BE A LEAD
IN A BROADWAY MUSICAL?
>> I MEAN, BUT EVEN BROADWAY WAS

669
00:28:43,297 --> 00:28:44,296
IN A BROADWAY MUSICAL?
>> I MEAN, BUT EVEN BROADWAY WAS
BEYOND ANYTHING I COULD HAVE.

670
00:28:44,298 --> 00:28:45,763
>> I MEAN, BUT EVEN BROADWAY WAS
BEYOND ANYTHING I COULD HAVE.
THAT FELT OUT OF REACH.

671
00:28:45,765 --> 00:28:48,066
BEYOND ANYTHING I COULD HAVE.
THAT FELT OUT OF REACH.
JUST THE VERY NOTION OF AMERICA

672
00:28:48,068 --> 00:28:51,069
THAT FELT OUT OF REACH.
JUST THE VERY NOTION OF AMERICA
WAS SOMETHING SO DISTANT AND

673
00:28:51,071 --> 00:28:53,405
JUST THE VERY NOTION OF AMERICA
WAS SOMETHING SO DISTANT AND
REMOTE FOR ME IT WAS HAS TRAVELO

674
00:28:53,407 --> 00:28:55,640
WAS SOMETHING SO DISTANT AND
REMOTE FOR ME IT WAS HAS TRAVELO
SMALL DISTANCE TO REACH HIS NEW

675
00:28:55,642 --> 00:28:55,840
REMOTE FOR ME IT WAS HAS TRAVELO
SMALL DISTANCE TO REACH HIS NEW
POST.

676
00:28:55,842 --> 00:28:57,409
SMALL DISTANCE TO REACH HIS NEW
POST.
HERE IS HIS STORY FROM MARK

677
00:28:57,411 --> 00:28:58,443
POST.
HERE IS HIS STORY FROM MARK
PHILLIPS.

678
00:28:58,445 --> 00:29:03,748
HERE IS HIS STORY FROM MARK
PHILLIPS.
>> PLEASE WELCOME, THE LATE

679
00:29:03,750 --> 00:29:09,187
PHILLIPS.
>> PLEASE WELCOME, THE LATE
NIGHT, JAMES CORDEN!

680
00:29:09,189 --> 00:29:11,022
>> PLEASE WELCOME, THE LATE
NIGHT, JAMES CORDEN!
>> IT'S A NAME AMERICAN

681
00:29:11,024 --> 00:29:12,824
NIGHT, JAMES CORDEN!
>> IT'S A NAME AMERICAN
AUDIENCES HAVE COME TO KNOW

682
00:29:12,826 --> 00:29:14,626
>> IT'S A NAME AMERICAN
AUDIENCES HAVE COME TO KNOW
SINCE JAMES CORDEN STEPPED INTO

683
00:29:14,628 --> 00:29:17,095
AUDIENCES HAVE COME TO KNOW
SINCE JAMES CORDEN STEPPED INTO
THE LIMELIGHT OF

684
00:29:17,097 --> 00:29:18,296
SINCE JAMES CORDEN STEPPED INTO
THE LIMELIGHT OF
LAHT, IG N

685
00:29:18,298 --> 00:29:20,064
THE LIMELIGHT OF
LAHT, IG N
>> FIFTY TIMES.

686
00:29:20,066 --> 00:29:22,601
LAHT, IG N
>> FIFTY TIMES.
>> ON HIS 50th SHOW MILESTONE

687
00:29:22,603 --> 00:29:24,436
>> FIFTY TIMES.
>> ON HIS 50th SHOW MILESTONE
EARLIER THIS SUMMER,

688
00:29:24,438 --> 00:29:26,238
>> ON HIS 50th SHOW MILESTONE
EARLIER THIS SUMMER,
ANNIVERSARY IDEA.RT, H

689
00:29:26,240 --> 00:29:27,672
EARLIER THIS SUMMER,
ANNIVERSARY IDEA.RT, H
>> I WAS LIKE AT 49 I,

690
00:29:27,674 --> 00:29:33,711
ANNIVERSARY IDEA.RT, H
>> I WAS LIKE AT 49 I,
THAT WAS ENOUGH.

691
00:29:33,713 --> 00:29:35,680
>> I WAS LIKE AT 49 I,
THAT WAS ENOUGH.
>> HAVING A LITTLE FUN COULD BE

692
00:29:35,682 --> 00:29:40,985
THAT WAS ENOUGH.
>> HAVING A LITTLE FUN COULD BE
THE MOTTO OF THIS ACTOR/CUM SONG

693
00:29:40,987 --> 00:29:42,587
>> HAVING A LITTLE FUN COULD BE
THE MOTTO OF THIS ACTOR/CUM SONG
AND DANCE MAN WHO IS PROVING

694
00:29:42,589 --> 00:29:44,222
THE MOTTO OF THIS ACTOR/CUM SONG
AND DANCE MAN WHO IS PROVING
AGAIN THERE ISN'T MUCH HE CAN'T

695
00:29:44,224 --> 00:29:45,390
AND DANCE MAN WHO IS PROVING
AGAIN THERE ISN'T MUCH HE CAN'T
DO OR ISN'T WILLING TO DO FOR A

696
00:29:45,392 --> 00:29:46,057
AGAIN THERE ISN'T MUCH HE CAN'T
DO OR ISN'T WILLING TO DO FOR A
 HEAD

697
00:29:46,059 --> 00:29:49,961
DO OR ISN'T WILLING TO DO FOR A
 HEAD
WOULD EXPLODE.

698
00:29:49,963 --> 00:29:51,396
 HEAD
WOULD EXPLODE.
I'D LIKE TO TAKE A MOMENT JUST

699
00:29:51,398 --> 00:29:52,664
WOULD EXPLODE.
I'D LIKE TO TAKE A MOMENT JUST
TO READ THE LETTER THAT I WROTE

700
00:29:52,666 --> 00:29:53,965
I'D LIKE TO TAKE A MOMENT JUST
TO READ THE LETTER THAT I WROTE
TO MYSELF IN 200.

701
00:29:53,967 --> 00:29:57,101
TO READ THE LETTER THAT I WROTE
TO MYSELF IN 200.
>> THE LETTER TO SELF IS AN IDEA

702
00:29:57,103 --> 00:29:58,170
TO MYSELF IN 200.
>> THE LETTER TO SELF IS AN IDEA
CORDEN APPARENTLY LIKES.

703
00:29:58,172 --> 00:30:00,772
>> THE LETTER TO SELF IS AN IDEA
CORDEN APPARENTLY LIKES.
>> NO MATTER WHAT HAPPENS, I

704
00:30:00,774 --> 00:30:03,208
CORDEN APPARENTLY LIKES.
>> NO MATTER WHAT HAPPENS, I
JUST HOPE YOU DON'T END UP IN

705
00:30:03,210 --> 00:30:04,809
>> NO MATTER WHAT HAPPENS, I
JUST HOPE YOU DON'T END UP IN
SOME JOB WHERE YOU HAVE TO WEAR

706
00:30:04,811 --> 00:30:07,379
JUST HOPE YOU DON'T END UP IN
SOME JOB WHERE YOU HAVE TO WEAR
A SUIT TO WORK AND SIT BEHIND A

707
00:30:07,381 --> 00:30:07,912
SOME JOB WHERE YOU HAVE TO WEAR
A SUIT TO WORK AND SIT BEHIND A
DESK ALL DAY.

708
00:30:07,914 --> 00:30:08,513
A SUIT TO WORK AND SIT BEHIND A
DESK ALL DAY.
THAT WOULD BE THE WORST.

709
00:30:08,515 --> 00:30:11,516
DESK ALL DAY.
THAT WOULD BE THE WORST.
>> CORDEN HAS DONE SKETCH

710
00:30:11,518 --> 00:30:11,783
THAT WOULD BE THE WORST.
>> CORDEN HAS DONE SKETCH
COMEDY.

711
00:30:11,785 --> 00:30:12,850
>> CORDEN HAS DONE SKETCH
COMEDY.
HIS SPOOFS WITH NATIONAL

712
00:30:12,852 --> 00:30:15,253
COMEDY.
HIS SPOOFS WITH NATIONAL
SPORTING HEROES LIKE DAVID

713
00:30:15,255 --> 00:30:19,123
HIS SPOOFS WITH NATIONAL
SPORTING HEROES LIKE DAVID
BECKHAM HAVE BEEN A REGULAR

714
00:30:19,125 --> 00:30:20,225
SPORTING HEROES LIKE DAVID
BECKHAM HAVE BEEN A REGULAR
FEATURE OF CHARITY FUNDRAISERS

715
00:30:20,227 --> 00:30:24,462
BECKHAM HAVE BEEN A REGULAR
FEATURE OF CHARITY FUNDRAISERS
ON THE BBC.

716
00:30:24,464 --> 00:30:26,331
FEATURE OF CHARITY FUNDRAISERS
ON THE BBC.
FROM BECKHAM IN BRITAIN.

717
00:30:26,333 --> 00:30:27,965
ON THE BBC.
FROM BECKHAM IN BRITAIN.
TO BECKHAM IN AMERICA.

718
00:30:27,967 --> 00:30:29,434
FROM BECKHAM IN BRITAIN.
TO BECKHAM IN AMERICA.
IT'S ONE OF CORDEN'S THEORIES

719
00:30:29,436 --> 00:30:31,269
TO BECKHAM IN AMERICA.
IT'S ONE OF CORDEN'S THEORIES
THAT IF IT'S FUNNY HERE, IT'S

720
00:30:31,271 --> 00:30:33,805
IT'S ONE OF CORDEN'S THEORIES
THAT IF IT'S FUNNY HERE, IT'S
FUNNY ANYWHERE.

721
00:30:33,807 --> 00:30:36,274
THAT IF IT'S FUNNY HERE, IT'S
FUNNY ANYWHERE.
>> I DON'T KNOW IF IT'S GOOD, IT

722
00:30:36,276 --> 00:30:36,508
FUNNY ANYWHERE.
>> I DON'T KNOW IF IT'S GOOD, IT
TRAVELS.

723
00:30:36,510 --> 00:30:37,909
>> I DON'T KNOW IF IT'S GOOD, IT
TRAVELS.
IF IT'S GOOD IT TRAVELS.

724
00:30:37,911 --> 00:30:39,944
TRAVELS.
IF IT'S GOOD IT TRAVELS.
THERE'S A WEIRD THING WITH US IN

725
00:30:39,946 --> 00:30:42,447
IF IT'S GOOD IT TRAVELS.
THERE'S A WEIRD THING WITH US IN
BRITAIN THAT WE WOULD GO, OH,

726
00:30:42,449 --> 00:30:44,316
THERE'S A WEIRD THING WITH US IN
BRITAIN THAT WE WOULD GO, OH,
WE'LL JUST WORK IN AMERICA.

727
00:30:44,318 --> 00:30:46,117
BRITAIN THAT WE WOULD GO, OH,
WE'LL JUST WORK IN AMERICA.
NO ONE IN AMERICA'S EVER GOING,

728
00:30:46,119 --> 00:30:49,554
WE'LL JUST WORK IN AMERICA.
NO ONE IN AMERICA'S EVER GOING,
I WONDER IF THIS WILL WORK IN

729
00:30:49,556 --> 00:30:50,255
NO ONE IN AMERICA'S EVER GOING,
I WONDER IF THIS WILL WORK IN
BRITAIN.

730
00:30:50,257 --> 00:30:51,456
I WONDER IF THIS WILL WORK IN
BRITAIN.
BUT THE CONTENT, YOU KNOW WHAT

731
00:30:51,458 --> 00:30:53,091
BRITAIN.
BUT THE CONTENT, YOU KNOW WHAT
IS GOING ON.

732
00:30:53,093 --> 00:30:55,460
BUT THE CONTENT, YOU KNOW WHAT
IS GOING ON.
I WONDER IF THIS WILL PLAY IN

733
00:30:55,462 --> 00:30:55,694
IS GOING ON.
I WONDER IF THIS WILL PLAY IN
BELGIUM?

734
00:30:55,696 --> 00:30:56,928
I WONDER IF THIS WILL PLAY IN
BELGIUM?
YOU KNOW, JUST A THING.

735
00:30:56,930 --> 00:30:58,630
BELGIUM?
YOU KNOW, JUST A THING.
A FRIEND OF MINE LIKES YOU!

736
00:30:58,632 --> 00:31:01,099
YOU KNOW, JUST A THING.
A FRIEND OF MINE LIKES YOU!
>> AND THE THING CORDEN HAS DONE

737
00:31:01,101 --> 00:31:02,400
A FRIEND OF MINE LIKES YOU!
>> AND THE THING CORDEN HAS DONE
IN BRITAIN HAS TRAVELED VERY

738
00:31:02,402 --> 00:31:07,372
>> AND THE THING CORDEN HAS DONE
IN BRITAIN HAS TRAVELED VERY
WELL TO AMERICA.

739
00:31:07,374 --> 00:31:10,375
IN BRITAIN HAS TRAVELED VERY
WELL TO AMERICA.
>> MAKING LOVE --

740
00:31:10,377 --> 00:31:15,079
WELL TO AMERICA.
>> MAKING LOVE --
[ Laughter ]

741
00:31:15,081 --> 00:31:19,050
>> MAKING LOVE --
[ Laughter ]
>> LIKE HISTORY BOYS, WAS A HUGE

742
00:31:19,052 --> 00:31:21,286
[ Laughter ]
>> LIKE HISTORY BOYS, WAS A HUGE
HIT IN LONDON THEN IN NEW YORK

743
00:31:21,288 --> 00:31:22,186
>> LIKE HISTORY BOYS, WAS A HUGE
HIT IN LONDON THEN IN NEW YORK
HE, TOO.

744
00:31:22,188 --> 00:31:24,389
HIT IN LONDON THEN IN NEW YORK
HE, TOO.
CORDEN WON THE 2012 TONY BEST

745
00:31:24,391 --> 00:31:26,858
HE, TOO.
CORDEN WON THE 2012 TONY BEST
ACTOR AWARD FOR HIS WORK.

746
00:31:26,860 --> 00:31:29,728
CORDEN WON THE 2012 TONY BEST
ACTOR AWARD FOR HIS WORK.
>> THANK YOU VERY MUCH.

747
00:31:29,730 --> 00:31:31,829
ACTOR AWARD FOR HIS WORK.
>> THANK YOU VERY MUCH.
>> ON BOTH SIDES OF THE WATER

748
00:31:31,831 --> 00:31:34,866
>> THANK YOU VERY MUCH.
>> ON BOTH SIDES OF THE WATER
NOW, CORDEN HAS THAT COMBINATION

749
00:31:34,868 --> 00:31:36,301
>> ON BOTH SIDES OF THE WATER
NOW, CORDEN HAS THAT COMBINATION
COVETED BY MANY BUT EARNED BY

750
00:31:36,303 --> 00:31:37,135
NOW, CORDEN HAS THAT COMBINATION
COVETED BY MANY BUT EARNED BY
ONLY A FEW.

751
00:31:37,137 --> 00:31:38,737
COVETED BY MANY BUT EARNED BY
ONLY A FEW.
THE CRITICS LOVE HIM.

752
00:31:38,739 --> 00:31:40,938
ONLY A FEW.
THE CRITICS LOVE HIM.
AND HE'S A BIG BOX OFFICE.

753
00:31:40,940 --> 00:31:42,874
THE CRITICS LOVE HIM.
AND HE'S A BIG BOX OFFICE.
>> SOME THINGS DO YOU ARE

754
00:31:42,876 --> 00:31:43,975
AND HE'S A BIG BOX OFFICE.
>> SOME THINGS DO YOU ARE
CRITICALLY ACCLAIMED AND NO ONE

755
00:31:43,977 --> 00:31:45,009
>> SOME THINGS DO YOU ARE
CRITICALLY ACCLAIMED AND NO ONE
EVER SEES THEM.

756
00:31:45,011 --> 00:31:46,344
CRITICALLY ACCLAIMED AND NO ONE
EVER SEES THEM.
AND THEN OTHER THINGS YOU DO

757
00:31:46,346 --> 00:31:47,712
EVER SEES THEM.
AND THEN OTHER THINGS YOU DO
PEOPLE REALLY LIKE AND THE

758
00:31:47,714 --> 00:31:48,813
AND THEN OTHER THINGS YOU DO
PEOPLE REALLY LIKE AND THE
CRITICS THINK IT'S TERRIBLE.

759
00:31:48,815 --> 00:31:52,216
PEOPLE REALLY LIKE AND THE
CRITICS THINK IT'S TERRIBLE.
AND EVERY NOW AND THEN IN YOUR

760
00:31:52,218 --> 00:31:55,654
CRITICS THINK IT'S TERRIBLE.
AND EVERY NOW AND THEN IN YOUR
CAREER THERE'S ONE THING, THEY

761
00:31:55,656 --> 00:31:57,656
AND EVERY NOW AND THEN IN YOUR
CAREER THERE'S ONE THING, THEY
ARE -- TRUEST DEFINITION, FEW

762
00:31:57,658 --> 00:31:59,424
CAREER THERE'S ONE THING, THEY
ARE -- TRUEST DEFINITION, FEW
AND FAR BETWEEN IN BOTH PEOPLE'S

763
00:31:59,426 --> 00:32:00,425
ARE -- TRUEST DEFINITION, FEW
AND FAR BETWEEN IN BOTH PEOPLE'S
CAREERS WHERE BOTH CRITICALLY

764
00:32:00,427 --> 00:32:03,595
AND FAR BETWEEN IN BOTH PEOPLE'S
CAREERS WHERE BOTH CRITICALLY
AND AUDIENCES GO, WOW.

765
00:32:03,597 --> 00:32:05,730
CAREERS WHERE BOTH CRITICALLY
AND AUDIENCES GO, WOW.
>> OF ALL THOSE HISTORY BOYS TEN

766
00:32:05,732 --> 00:32:07,599
AND AUDIENCES GO, WOW.
>> OF ALL THOSE HISTORY BOYS TEN
YEARS AGO, CORDEN WOULDN'T

767
00:32:07,601 --> 00:32:09,133
>> OF ALL THOSE HISTORY BOYS TEN
YEARS AGO, CORDEN WOULDN'T
NECESSARILY HAVE BEEN THE ONE

768
00:32:09,135 --> 00:32:10,368
YEARS AGO, CORDEN WOULDN'T
NECESSARILY HAVE BEEN THE ONE
YOU'D HAVE BET ON TO BE WHERE HE

769
00:32:10,370 --> 00:32:15,573
NECESSARILY HAVE BEEN THE ONE
YOU'D HAVE BET ON TO BE WHERE HE
IS TODAY.

770
00:32:15,575 --> 00:32:17,375
YOU'D HAVE BET ON TO BE WHERE HE
IS TODAY.
AND NOW ON SNOOT LATE, LATE

771
00:32:17,377 --> 00:32:20,545
IS TODAY.
AND NOW ON SNOOT LATE, LATE
SHOW" HE'S OUT TO PROVE YOU CAN

772
00:32:20,547 --> 00:32:22,146
AND NOW ON SNOOT LATE, LATE
SHOW" HE'S OUT TO PROVE YOU CAN
TAKE A DEEPER SPACE INTO THE

773
00:32:22,148 --> 00:32:25,583
SHOW" HE'S OUT TO PROVE YOU CAN
TAKE A DEEPER SPACE INTO THE
HEART OF AMERICAN TV CULTURE.

774
00:32:25,585 --> 00:32:27,218
TAKE A DEEPER SPACE INTO THE
HEART OF AMERICAN TV CULTURE.
>> BEST THING I HOPE PEOPLE

775
00:32:27,220 --> 00:32:28,286
HEART OF AMERICAN TV CULTURE.
>> BEST THING I HOPE PEOPLE
COULD SAY ABOUT THE SHOW IS, I

776
00:32:28,288 --> 00:32:30,755
>> BEST THING I HOPE PEOPLE
COULD SAY ABOUT THE SHOW IS, I
DON'T KNOW WHAT WILL HAPPEN

777
00:32:30,757 --> 00:32:30,988
COULD SAY ABOUT THE SHOW IS, I
DON'T KNOW WHAT WILL HAPPEN
TONIGHT.

778
00:32:30,990 --> 00:32:34,025
DON'T KNOW WHAT WILL HAPPEN
TONIGHT.
I DON'T KNOW WHAT IT WILL BE

779
00:32:34,027 --> 00:32:34,258
TONIGHT.
I DON'T KNOW WHAT IT WILL BE
TONIGHT.

780
00:32:34,260 --> 00:32:35,627
I DON'T KNOW WHAT IT WILL BE
TONIGHT.
AND RIGHT NOW AS IT STANDS, IT

781
00:32:35,629 --> 00:32:36,728
TONIGHT.
AND RIGHT NOW AS IT STANDS, IT
WILL BE, BECAUSE I DON'T KNOW

782
00:32:36,730 --> 00:32:40,832
AND RIGHT NOW AS IT STANDS, IT
WILL BE, BECAUSE I DON'T KNOW
WHAT IT WILL BE WHEN IT OPENS.

783
00:32:40,834 --> 00:32:44,669
WILL BE, BECAUSE I DON'T KNOW
WHAT IT WILL BE WHEN IT OPENS.
>> YOU GET THE IMPRESSION EVEN

784
00:32:44,671 --> 00:32:45,670
WHAT IT WILL BE WHEN IT OPENS.
>> YOU GET THE IMPRESSION EVEN
AFTER IT'S OPEN, THAT'S STILL

785
00:32:45,672 --> 00:32:53,778
>> YOU GET THE IMPRESSION EVEN
AFTER IT'S OPEN, THAT'S STILL
TRUE.

786
00:32:56,315 --> 00:33:07,425
>> Osgood: NEXT.
INCONCEIVABLE THAT I WOULD

787
00:33:07,526 --> 00:33:11,696
>> Osgood: NATIONAL DOG DAY
WAS CELEBRATED LAST WEDNESDAY BY
DOG LOVERS ACROSS THE LAND.

788
00:33:11,698 --> 00:33:14,532
WAS CELEBRATED LAST WEDNESDAY BY
DOG LOVERS ACROSS THE LAND.
ENOUGH FOR US TO CELEBRATE BUT

789
00:33:14,534 --> 00:33:17,368
DOG LOVERS ACROSS THE LAND.
ENOUGH FOR US TO CELEBRATE BUT
APPARENTLY LOTS OF DOGS ARE SUP

790
00:33:17,370 --> 00:33:25,477
ENOUGH FOR US TO CELEBRATE BUT
APPARENTLY LOTS OF DOGS ARE SUP
DAY MORNING FANS, TOO.

791
00:33:27,646 --> 00:33:35,687
[ DOGS BARKING ]

792
00:33:43,596 --> 00:33:51,636
[ DOGS HOWLING ]

793
00:34:21,267 --> 00:34:26,671
>> Osgood: WHAT TO MAKE OF THE
RECENT WHITE KNUCKLE GYRATIONS
ON WALL STREET?

794
00:34:26,673 --> 00:34:27,639
RECENT WHITE KNUCKLE GYRATIONS
ON WALL STREET?
BEN STEIN HAS THOUGHTS ON THAT.

795
00:34:27,641 --> 00:34:30,007
ON WALL STREET?
BEN STEIN HAS THOUGHTS ON THAT.
>> AUGUST IS THE CRUELEST MONTH.

796
00:34:30,009 --> 00:34:32,244
BEN STEIN HAS THOUGHTS ON THAT.
>> AUGUST IS THE CRUELEST MONTH.
A GOOD CHUNK OF MY SAVINGS

797
00:34:32,246 --> 00:34:34,579
>> AUGUST IS THE CRUELEST MONTH.
A GOOD CHUNK OF MY SAVINGS
DISAPPEARED AS THE STOCK MARKET

798
00:34:34,581 --> 00:34:35,347
A GOOD CHUNK OF MY SAVINGS
DISAPPEARED AS THE STOCK MARKET
CONVULSED WE'RE DOWN AT SOME

799
00:34:35,349 --> 00:34:37,349
DISAPPEARED AS THE STOCK MARKET
CONVULSED WE'RE DOWN AT SOME
POINT BY WELL OVER 10%.

800
00:34:37,351 --> 00:34:38,783
CONVULSED WE'RE DOWN AT SOME
POINT BY WELL OVER 10%.
WHY DID IT HAPPEN?

801
00:34:38,785 --> 00:34:40,518
POINT BY WELL OVER 10%.
WHY DID IT HAPPEN?
THE PUNDITS AND ANALYSTS

802
00:34:40,520 --> 00:34:41,486
WHY DID IT HAPPEN?
THE PUNDITS AND ANALYSTS
APPEARED SAID IT WAS BECAUSE OF

803
00:34:41,488 --> 00:34:44,723
THE PUNDITS AND ANALYSTS
APPEARED SAID IT WAS BECAUSE OF
THE CHINESE DERAIL U WAKES

804
00:34:44,725 --> 00:34:46,157
APPEARED SAID IT WAS BECAUSE OF
THE CHINESE DERAIL U WAKES
POSSIBLE SERIOUS WEAKNESS IN

805
00:34:46,159 --> 00:34:46,391
THE CHINESE DERAIL U WAKES
POSSIBLE SERIOUS WEAKNESS IN
CHINA.

806
00:34:46,393 --> 00:34:48,560
POSSIBLE SERIOUS WEAKNESS IN
CHINA.
THIS IN TURN TO DEVASTATE U.S.

807
00:34:48,562 --> 00:34:52,631
CHINA.
THIS IN TURN TO DEVASTATE U.S.
EXPORTS SUPPOSEDLY TO CHINA AND

808
00:34:52,633 --> 00:34:52,964
THIS IN TURN TO DEVASTATE U.S.
EXPORTS SUPPOSEDLY TO CHINA AND
PROSPERITY.

809
00:34:52,966 --> 00:34:55,166
EXPORTS SUPPOSEDLY TO CHINA AND
PROSPERITY.
THAT WAS AND IS NONSENSE.

810
00:34:55,168 --> 00:34:56,868
PROSPERITY.
THAT WAS AND IS NONSENSE.
THE U.S. ECONOMY'S OUTPUT

811
00:34:56,870 --> 00:34:58,570
THAT WAS AND IS NONSENSE.
THE U.S. ECONOMY'S OUTPUT
ROUGHLY 18.HA TRILLION DOLLARS

812
00:34:58,572 --> 00:35:00,605
THE U.S. ECONOMY'S OUTPUT
ROUGHLY 18.HA TRILLION DOLLARS
PER YEAR, TOTAL EXPORTS TO CHINA

813
00:35:00,607 --> 00:35:02,907
ROUGHLY 18.HA TRILLION DOLLARS
PER YEAR, TOTAL EXPORTS TO CHINA
ARE VERY ROUGHLY 120 BILLION PER

814
00:35:02,909 --> 00:35:04,609
PER YEAR, TOTAL EXPORTS TO CHINA
ARE VERY ROUGHLY 120 BILLION PER
YEAR THAT'S LOT OF HAMBURGERS.

815
00:35:04,611 --> 00:35:08,112
ARE VERY ROUGHLY 120 BILLION PER
YEAR THAT'S LOT OF HAMBURGERS.
BUT ROUGHLY ONLY ABOUT 7/10th

816
00:35:08,114 --> 00:35:09,046
YEAR THAT'S LOT OF HAMBURGERS.
BUT ROUGHLY ONLY ABOUT 7/10th
OF 1%.

817
00:35:09,048 --> 00:35:10,715
BUT ROUGHLY ONLY ABOUT 7/10th
OF 1%.
IF OUR EXPERTS IN CHINA FELT

818
00:35:10,717 --> 00:35:13,752
OF 1%.
IF OUR EXPERTS IN CHINA FELT
LIKE 20% A LARGE NUMBER THAT

819
00:35:13,754 --> 00:35:16,854
IF OUR EXPERTS IN CHINA FELT
LIKE 20% A LARGE NUMBER THAT
WOULD HAVE ONLY TRIFLING EFFECTS

820
00:35:16,856 --> 00:35:20,759
LIKE 20% A LARGE NUMBER THAT
WOULD HAVE ONLY TRIFLING EFFECTS
ON U.S. ECONOMY VERY LIKELY,

821
00:35:20,761 --> 00:35:22,226
WOULD HAVE ONLY TRIFLING EFFECTS
ON U.S. ECONOMY VERY LIKELY,
TRIVIAL AS BIG AS OURS.

822
00:35:22,228 --> 00:35:24,462
ON U.S. ECONOMY VERY LIKELY,
TRIVIAL AS BIG AS OURS.
BUT IT'S SOME MOMENTS U.S. STOCK

823
00:35:24,464 --> 00:35:27,832
TRIVIAL AS BIG AS OURS.
BUT IT'S SOME MOMENTS U.S. STOCK
MARKET WAS WERE OFF BY MORE THAN

824
00:35:27,834 --> 00:35:32,337
BUT IT'S SOME MOMENTS U.S. STOCK
MARKET WAS WERE OFF BY MORE THAN
STUPENDOUS $2 TRILLION, WHY?

825
00:35:32,339 --> 00:35:33,738
MARKET WAS WERE OFF BY MORE THAN
STUPENDOUS $2 TRILLION, WHY?
THIS IS A CBS.

826
00:35:33,740 --> 00:35:35,373
STUPENDOUS $2 TRILLION, WHY?
THIS IS A CBS.
WALL STREET OPENED FOR BUSINESS

827
00:35:35,375 --> 00:35:37,875
THIS IS A CBS.
WALL STREET OPENED FOR BUSINESS
AND STOCKS ARE PLUNGING AGAIN.

828
00:35:37,877 --> 00:35:40,144
WALL STREET OPENED FOR BUSINESS
AND STOCKS ARE PLUNGING AGAIN.
>> WHEN STOCK MARKETS MOVE 1,000

829
00:35:40,146 --> 00:35:42,847
AND STOCKS ARE PLUNGING AGAIN.
>> WHEN STOCK MARKETS MOVE 1,000
POINTS IN A FEW MINUTES YOU AND

830
00:35:42,849 --> 00:35:44,382
>> WHEN STOCK MARKETS MOVE 1,000
POINTS IN A FEW MINUTES YOU AND
I ARE SELLING SHARES FROM OUR

831
00:35:44,384 --> 00:35:45,784
POINTS IN A FEW MINUTES YOU AND
I ARE SELLING SHARES FROM OUR
HOME COMPUTER.

832
00:35:45,786 --> 00:35:47,786
I ARE SELLING SHARES FROM OUR
HOME COMPUTER.
IT IS BECAUSE IMMENSE HEDGE

833
00:35:47,788 --> 00:35:49,821
HOME COMPUTER.
IT IS BECAUSE IMMENSE HEDGE
FUNDS, HIGH FREQUENCY TRADING

834
00:35:49,823 --> 00:35:51,623
IT IS BECAUSE IMMENSE HEDGE
FUNDS, HIGH FREQUENCY TRADING
FUNDS, ENDOWMENTS AND PENSION

835
00:35:51,625 --> 00:35:54,158
FUNDS, HIGH FREQUENCY TRADING
FUNDS, ENDOWMENTS AND PENSION
PLANS BILLIONS OF DOLLARS WORTH.

836
00:35:54,160 --> 00:35:56,994
FUNDS, ENDOWMENTS AND PENSION
PLANS BILLIONS OF DOLLARS WORTH.
THEY DO IT BECAUSE THEY

837
00:35:56,996 --> 00:35:58,863
PLANS BILLIONS OF DOLLARS WORTH.
THEY DO IT BECAUSE THEY
PERSONALLY AND THEIR CLIENTS

838
00:36:00,599 --> 00:36:10,842
>> Osgood: NEXT, WHAT'S GOING
ON HERE?

839
00:36:31,530 --> 00:36:37,068
THERE'S A

840
00:36:51,517 --> 00:36:56,988
YES, SOME BIG GUYS WIN AND SOME
LOSE.
BUT IT'S POWERFUL HUMAN BEINGS

841
00:36:56,990 --> 00:36:58,956
LOSE.
BUT IT'S POWERFUL HUMAN BEINGS
WITH EYE ON THE ALL MIGHTY

842
00:36:58,958 --> 00:37:00,525
BUT IT'S POWERFUL HUMAN BEINGS
WITH EYE ON THE ALL MIGHTY
DOLLAR AND FAST TRIGGER FINGER

843
00:37:00,527 --> 00:37:03,428
WITH EYE ON THE ALL MIGHTY
DOLLAR AND FAST TRIGGER FINGER
NOT BOGUS MACROECONOMIC

844
00:37:03,430 --> 00:37:04,596
DOLLAR AND FAST TRIGGER FINGER
NOT BOGUS MACROECONOMIC
EXPLANATIONS TO MOVE MARKETS.

845
00:37:04,598 --> 00:37:07,465
NOT BOGUS MACROECONOMIC
EXPLANATIONS TO MOVE MARKETS.
IN THE MEANTIME, STAY COOL.

846
00:37:07,467 --> 00:37:08,500
EXPLANATIONS TO MOVE MARKETS.
IN THE MEANTIME, STAY COOL.
PATIENCE WILL BE PROFIT AND FEAR

847
00:37:08,502 --> 00:37:14,472
IN THE MEANTIME, STAY COOL.
PATIENCE WILL BE PROFIT AND FEAR
WILL BE LOSS.

848
00:37:14,474 --> 00:37:14,739
PATIENCE WILL BE PROFIT AND FEAR
WILL BE LOSS.
>> WOW.

849
00:37:14,741 --> 00:37:17,675
WILL BE LOSS.
>> WOW.
>> NICE.

850
00:37:17,677 --> 00:37:17,942
>> WOW.
>> NICE.
BEAUTIFUL.

851
00:37:17,944 --> 00:37:18,476
>> NICE.
BEAUTIFUL.
>> LOVE IT.

852
00:37:18,478 --> 00:37:20,378
BEAUTIFUL.
>> LOVE IT.
>> Osgood: JUST AHEAD.

853
00:37:20,380 --> 00:37:22,113
>> LOVE IT.
>> Osgood: JUST AHEAD.
CHEF JOHN BESH'S RECIPE FOR

854
00:37:22,115 --> 00:37:32,156
>> Osgood: JUST AHEAD.
CHEF JOHN BESH'S RECIPE FOR
RECOVERY.

855
00:37:36,528 --> 00:37:40,831
>> Osgood: NEW ORLEANS WAS
FAMOUS FOR GREAT FOOD LONG
BEFORE HURRICANE CAREEN THAT.

856
00:37:40,833 --> 00:37:42,800
FAMOUS FOR GREAT FOOD LONG
BEFORE HURRICANE CAREEN THAT.
GREAT FOOD IS TRADITION AT CHEF

857
00:37:42,802 --> 00:37:43,801
BEFORE HURRICANE CAREEN THAT.
GREAT FOOD IS TRADITION AT CHEF
JOHN BESH'S DETERMINED TO

858
00:37:43,803 --> 00:37:45,470
GREAT FOOD IS TRADITION AT CHEF
JOHN BESH'S DETERMINED TO
MAINTAIN.

859
00:37:45,472 --> 00:37:46,571
JOHN BESH'S DETERMINED TO
MAINTAIN.
TOPIARIES AGO HE OPENED HIS

860
00:37:46,573 --> 00:37:47,372
MAINTAIN.
TOPIARIES AGO HE OPENED HIS
 CAN

861
00:37:47,374 --> 00:37:48,373
TOPIARIES AGO HE OPENED HIS
 CAN
POSSIBLY MAKE IMMENSE SUMS OF

862
00:37:48,375 --> 00:37:50,074
 CAN
POSSIBLY MAKE IMMENSE SUMS OF
MONEY ON IT.

863
00:37:50,076 --> 00:37:51,509
POSSIBLY MAKE IMMENSE SUMS OF
MONEY ON IT.
STOCKS MOVE MARKETS BECAUSE OF

864
00:37:51,511 --> 00:37:53,311
MONEY ON IT.
STOCKS MOVE MARKETS BECAUSE OF
BIG BOYS IN NEW YORK OR HONG

865
00:37:53,313 --> 00:37:56,247
STOCKS MOVE MARKETS BECAUSE OF
BIG BOYS IN NEW YORK OR HONG
KONG OR LONDON SAY THEIRLS, LETS

866
00:37:56,249 --> 00:37:59,049
BIG BOYS IN NEW YORK OR HONG
KONG OR LONDON SAY THEIRLS, LETS
MOVE THIS GUY DOWN.UMORSBO AUTES

867
00:37:59,051 --> 00:38:00,518
KONG OR LONDON SAY THEIRLS, LETS
MOVE THIS GUY DOWN.UMORSBO AUTES
INN SELL LIKE MAD.

868
00:38:00,520 --> 00:38:02,287
MOVE THIS GUY DOWN.UMORSBO AUTES
INN SELL LIKE MAD.
THEN THE MARKETS START TO GO

869
00:38:02,289 --> 00:38:07,224
INN SELL LIKE MAD.
THEN THE MARKETS START TO GO
DOWN,RY EVEELONE SEIL P OES TNH,

870
00:38:07,226 --> 00:38:08,259
THEN THE MARKETS START TO GO
DOWN,RY EVEELONE SEIL P OES TNH,
 UP.

871
00:38:08,261 --> 00:38:09,126
DOWN,RY EVEELONE SEIL P OES TNH,
 UP.
BUY LIKE CRAZY.

872
00:38:09,128 --> 00:38:11,262
 UP.
BUY LIKE CRAZY.
I'LL CALL THE GUYS AT CNBC TELL

873
00:38:11,264 --> 00:38:13,164
BUY LIKE CRAZY.
I'LL CALL THE GUYS AT CNBC TELL
THEM WE HAVE DATA ABOUT STRONG

874
00:38:13,166 --> 00:38:14,732
I'LL CALL THE GUYS AT CNBC TELL
THEM WE HAVE DATA ABOUT STRONG
NEW ORDERS FOR WIDGETS IN

875
00:38:14,734 --> 00:38:14,999
THEM WE HAVE DATA ABOUT STRONG
NEW ORDERS FOR WIDGETS IN
SHANGHAI.

876
00:38:15,001 --> 00:38:16,100
NEW ORDERS FOR WIDGETS IN
SHANGHAI.
THEN WHOLE THING GOES ON IN THAT

877
00:38:16,102 --> 00:38:21,038
SHANGHAI.
THEN WHOLE THING GOES ON IN THAT
DIRECTIO YOU'RE AT. FAMOUS QUOTE

878
00:38:21,040 --> 00:38:23,207
THEN WHOLE THING GOES ON IN THAT
DIRECTIO YOU'RE AT. FAMOUS QUOTE
SHORT TERM MARKET A VOTING

879
00:38:23,209 --> 00:38:24,776
DIRECTIO YOU'RE AT. FAMOUS QUOTE
SHORT TERM MARKET A VOTING
MACHINE, IN THE LONG RUN IT'S A

880
00:38:24,778 --> 00:38:25,677
SHORT TERM MARKET A VOTING
MACHINE, IN THE LONG RUN IT'S A
WEIGHING MACHINE.

881
00:38:25,679 --> 00:38:27,712
MACHINE, IN THE LONG RUN IT'S A
WEIGHING MACHINE.
IN THE LONG RUN, THE MARKET

882
00:38:27,714 --> 00:38:29,547
WEIGHING MACHINE.
IN THE LONG RUN, THE MARKET
GIVES USENC TO SWIM

883
00:38:29,549 --> 00:38:30,915
IN THE LONG RUN, THE MARKET
GIVES USENC TO SWIM
TO THE IN ON THE GROWTHMA

884
00:38:30,917 --> 00:38:32,817
GIVES USENC TO SWIM
TO THE IN ON THE GROWTHMA
E IN ICHAT UTHECS. Y..SOMON

885
00:38:32,819 --> 00:38:36,287
TO THE IN ON THE GROWTHMA
E IN ICHAT UTHECS. Y..SOMON
IN THE SHORT RUN IT'S A

886
00:38:36,289 --> 00:38:38,923
E IN ICHAT UTHECS. Y..SOMON
IN THE SHORT RUN IT'S A
TERRIFYING PLAYGROUND FOR TOUGHT

887
00:38:38,925 --> 00:38:39,490
IN THE SHORT RUN IT'S A
TERRIFYING PLAYGROUND FOR TOUGHT
"BESH BIG EASY."

888
00:38:39,492 --> 00:38:41,959
TERRIFYING PLAYGROUND FOR TOUGHT
"BESH BIG EASY."
>> EVERYTHING THAT WE DO HERE

889
00:38:41,961 --> 00:38:43,494
"BESH BIG EASY."
>> EVERYTHING THAT WE DO HERE
SHOULD TAKE US BACK TO OUR

890
00:38:43,496 --> 00:38:43,761
>> EVERYTHING THAT WE DO HERE
SHOULD TAKE US BACK TO OUR
CHILDHOOD.

891
00:38:43,763 --> 00:38:46,464
SHOULD TAKE US BACK TO OUR
CHILDHOOD.
WE HAVE LIKE WITH EVERY COOKIE

892
00:38:46,466 --> 00:38:48,566
CHILDHOOD.
WE HAVE LIKE WITH EVERY COOKIE
PLATE COMES THE COOKIE BATTER.

893
00:38:48,568 --> 00:38:48,933
WE HAVE LIKE WITH EVERY COOKIE
PLATE COMES THE COOKIE BATTER.
>> SICK.

894
00:38:48,935 --> 00:38:52,303
PLATE COMES THE COOKIE BATTER.
>> SICK.
>> WE MET UP WITH HIM AT HIS

895
00:38:52,305 --> 00:38:53,170
>> SICK.
>> WE MET UP WITH HIM AT HIS
NEWEST VEEP TOUR JUST OPENED

896
00:38:53,172 --> 00:38:55,072
>> WE MET UP WITH HIM AT HIS
NEWEST VEEP TOUR JUST OPENED
BAKERY AND CAFE "WILLA JEAN."

897
00:38:55,074 --> 00:38:57,809
NEWEST VEEP TOUR JUST OPENED
BAKERY AND CAFE "WILLA JEAN."
>> THIS IS REALLY SPECIAL.

898
00:38:57,811 --> 00:38:59,577
BAKERY AND CAFE "WILLA JEAN."
>> THIS IS REALLY SPECIAL.
BECAUSE I ALWAYS HOPED THAT I'D

899
00:38:59,579 --> 00:39:00,911
>> THIS IS REALLY SPECIAL.
BECAUSE I ALWAYS HOPED THAT I'D
HAVE ONE RESTAURANT.

900
00:39:00,913 --> 00:39:02,179
BECAUSE I ALWAYS HOPED THAT I'D
HAVE ONE RESTAURANT.
I WANT TO BE A CHEF.

901
00:39:02,181 --> 00:39:02,980
HAVE ONE RESTAURANT.
I WANT TO BE A CHEF.
I WANTED TO BE NEW ORLEANS CHEF.

902
00:39:02,982 --> 00:39:05,082
I WANT TO BE A CHEF.
I WANTED TO BE NEW ORLEANS CHEF.
>> THE 47-YEAR-OLD BESH COULD

903
00:39:05,084 --> 00:39:06,417
I WANTED TO BE NEW ORLEANS CHEF.
>> THE 47-YEAR-OLD BESH COULD
ALMOST SEE NEW ORLEANS FROM

904
00:39:06,419 --> 00:39:07,051
>> THE 47-YEAR-OLD BESH COULD
ALMOST SEE NEW ORLEANS FROM
SLIDELL, LOUISIANA.

905
00:39:07,053 --> 00:39:09,821
ALMOST SEE NEW ORLEANS FROM
SLIDELL, LOUISIANA.
WHERE HE GREW UP AS ONE OF SIX

906
00:39:09,823 --> 00:39:12,657
SLIDELL, LOUISIANA.
WHERE HE GREW UP AS ONE OF SIX
KIDS OF A STAY-AT-HOME MOM AND

907
00:39:12,659 --> 00:39:15,860
WHERE HE GREW UP AS ONE OF SIX
KIDS OF A STAY-AT-HOME MOM AND
AIRLINE PILOT FATHER.

908
00:39:15,862 --> 00:39:18,095
KIDS OF A STAY-AT-HOME MOM AND
AIRLINE PILOT FATHER.
>> MY FATHER WAS PARALYZED AT A

909
00:39:18,097 --> 00:39:18,830
AIRLINE PILOT FATHER.
>> MY FATHER WAS PARALYZED AT A
YOUNG AGE.

910
00:39:18,832 --> 00:39:20,030
>> MY FATHER WAS PARALYZED AT A
YOUNG AGE.
I WAS NINE YEARS OLD.

911
00:39:20,032 --> 00:39:21,666
YOUNG AGE.
I WAS NINE YEARS OLD.
HE WAS HIT BY A DRUNK DRIVER,

912
00:39:21,668 --> 00:39:22,199
I WAS NINE YEARS OLD.
HE WAS HIT BY A DRUNK DRIVER,
PARALYZED FOR LIFE.

913
00:39:22,201 --> 00:39:24,034
HE WAS HIT BY A DRUNK DRIVER,
PARALYZED FOR LIFE.
AT THAT POINT I STARTED COOKING

914
00:39:24,036 --> 00:39:28,373
PARALYZED FOR LIFE.
AT THAT POINT I STARTED COOKING
BREAKFAST FOR MY SIBLINGS.

915
00:39:28,375 --> 00:39:30,375
AT THAT POINT I STARTED COOKING
BREAKFAST FOR MY SIBLINGS.
I WAS JUST LIKE, THE DUMB ONE

916
00:39:30,377 --> 00:39:32,577
BREAKFAST FOR MY SIBLINGS.
I WAS JUST LIKE, THE DUMB ONE
THAT LIKED MAKING BREAKFAST AND

917
00:39:32,579 --> 00:39:33,077
I WAS JUST LIKE, THE DUMB ONE
THAT LIKED MAKING BREAKFAST AND
SERVING THE KIDS.

918
00:39:33,079 --> 00:39:34,545
THAT LIKED MAKING BREAKFAST AND
SERVING THE KIDS.
SO THAT KIND OF BECAME MY JOB.

919
00:39:34,547 --> 00:39:35,413
SERVING THE KIDS.
SO THAT KIND OF BECAME MY JOB.
I LOVED TO COOK.

920
00:39:35,415 --> 00:39:37,782
SO THAT KIND OF BECAME MY JOB.
I LOVED TO COOK.
>> AND HE KEPT COOKING,

921
00:39:37,784 --> 00:39:39,417
I LOVED TO COOK.
>> AND HE KEPT COOKING,
DEVELOPING HIS OWN UNIQUE TAKE

922
00:39:39,419 --> 00:39:42,854
>> AND HE KEPT COOKING,
DEVELOPING HIS OWN UNIQUE TAKE
ON TIME-HONORED RECIPES.

923
00:39:42,856 --> 00:39:43,454
DEVELOPING HIS OWN UNIQUE TAKE
ON TIME-HONORED RECIPES.
>> LOVE IT.

924
00:39:43,456 --> 00:39:46,758
ON TIME-HONORED RECIPES.
>> LOVE IT.
>> I WOULD ALWAYS DO LIKE RIFFS

925
00:39:46,760 --> 00:39:49,894
>> LOVE IT.
>> I WOULD ALWAYS DO LIKE RIFFS
ON MY MOM'S SHRIMP CREOLE.

926
00:39:49,896 --> 00:39:51,128
>> I WOULD ALWAYS DO LIKE RIFFS
ON MY MOM'S SHRIMP CREOLE.
I'D ADD SOMETHING OR ADD THAT, I

927
00:39:51,130 --> 00:39:53,698
ON MY MOM'S SHRIMP CREOLE.
I'D ADD SOMETHING OR ADD THAT, I
WOULD MAKE IT MY OWN.

928
00:39:53,700 --> 00:39:54,499
I'D ADD SOMETHING OR ADD THAT, I
WOULD MAKE IT MY OWN.
NEED A LITTLE HOT SAUCE.

929
00:39:54,501 --> 00:39:56,166
WOULD MAKE IT MY OWN.
NEED A LITTLE HOT SAUCE.
THEN WHEN I HAD A CHANCE TO

930
00:39:56,168 --> 00:39:57,502
NEED A LITTLE HOT SAUCE.
THEN WHEN I HAD A CHANCE TO
FINALLY STAND OUT ON MY OWN I

931
00:39:57,504 --> 00:39:59,404
THEN WHEN I HAD A CHANCE TO
FINALLY STAND OUT ON MY OWN I
WANTED TO HONOR OF THE SOME OF

932
00:39:59,406 --> 00:40:00,571
FINALLY STAND OUT ON MY OWN I
WANTED TO HONOR OF THE SOME OF
THE GREAT DISHES THAT I HAD IN

933
00:40:00,573 --> 00:40:02,273
WANTED TO HONOR OF THE SOME OF
THE GREAT DISHES THAT I HAD IN
THE PAST JUST TRYING TO BRING A

934
00:40:02,275 --> 00:40:03,908
THE GREAT DISHES THAT I HAD IN
THE PAST JUST TRYING TO BRING A
LITTLE REFINEMENT TO THEM.

935
00:40:03,910 --> 00:40:06,677
THE PAST JUST TRYING TO BRING A
LITTLE REFINEMENT TO THEM.
THAT'S ALL I DO STILL TODAY.

936
00:40:06,679 --> 00:40:09,313
LITTLE REFINEMENT TO THEM.
THAT'S ALL I DO STILL TODAY.
>> SMELLS SO GOOD.

937
00:40:09,315 --> 00:40:10,915
THAT'S ALL I DO STILL TODAY.
>> SMELLS SO GOOD.
BEFORE HIS CULINARY CAREER TOOK

938
00:40:10,917 --> 00:40:12,349
>> SMELLS SO GOOD.
BEFORE HIS CULINARY CAREER TOOK
OFF, BESH JOINED THE MARINES,

939
00:40:12,351 --> 00:40:14,452
BEFORE HIS CULINARY CAREER TOOK
OFF, BESH JOINED THE MARINES,
WHERE HE SERVED IN IRAQ DURING

940
00:40:14,454 --> 00:40:16,186
OFF, BESH JOINED THE MARINES,
WHERE HE SERVED IN IRAQ DURING
OPERATION DESERT STORM.

941
00:40:16,188 --> 00:40:17,655
WHERE HE SERVED IN IRAQ DURING
OPERATION DESERT STORM.
>> THAT WAS A TIME THAT I GOT TO

942
00:40:17,657 --> 00:40:18,723
OPERATION DESERT STORM.
>> THAT WAS A TIME THAT I GOT TO
MATURE A LOT.

943
00:40:18,725 --> 00:40:20,425
>> THAT WAS A TIME THAT I GOT TO
MATURE A LOT.
AT A YOUNG AGE, LEARNING HOW TO

944
00:40:20,427 --> 00:40:21,526
MATURE A LOT.
AT A YOUNG AGE, LEARNING HOW TO
DEAL WITH PEOPLE THAT DON'T LOOK

945
00:40:21,528 --> 00:40:23,928
AT A YOUNG AGE, LEARNING HOW TO
DEAL WITH PEOPLE THAT DON'T LOOK
LIKE YOU, DON'T TALK LIKE YOU.

946
00:40:23,930 --> 00:40:26,431
DEAL WITH PEOPLE THAT DON'T LOOK
LIKE YOU, DON'T TALK LIKE YOU.
THAT REALLY HELPED ME A LOT.

947
00:40:26,433 --> 00:40:27,298
LIKE YOU, DON'T TALK LIKE YOU.
THAT REALLY HELPED ME A LOT.
BY GROWING AS A CHEF.

948
00:40:27,300 --> 00:40:29,400
THAT REALLY HELPED ME A LOT.
BY GROWING AS A CHEF.
>> HE RETURNED HOME TO START A

949
00:40:29,402 --> 00:40:31,769
BY GROWING AS A CHEF.
>> HE RETURNED HOME TO START A
FAMILY AND WORK HIS WAY UP IN

950
00:40:31,771 --> 00:40:33,203
>> HE RETURNED HOME TO START A
FAMILY AND WORK HIS WAY UP IN
NEW ORLEANS FOOD SCENE.

951
00:40:33,205 --> 00:40:34,371
FAMILY AND WORK HIS WAY UP IN
NEW ORLEANS FOOD SCENE.
EVENTUALLY BECOMING THE

952
00:40:34,373 --> 00:40:36,607
NEW ORLEANS FOOD SCENE.
EVENTUALLY BECOMING THE
EXECUTIVE CHEF AND OWNER OF

953
00:40:36,609 --> 00:40:37,341
EVENTUALLY BECOMING THE
EXECUTIVE CHEF AND OWNER OF
AUGUST RESTAURANT.

954
00:40:37,343 --> 00:40:38,409
EXECUTIVE CHEF AND OWNER OF
AUGUST RESTAURANT.
LIFE WAS GOOD.

955
00:40:38,411 --> 00:40:43,881
AUGUST RESTAURANT.
LIFE WAS GOOD.
BUT SOMETHING WAS MISSING.

956
00:40:43,883 --> 00:40:46,717
LIFE WAS GOOD.
BUT SOMETHING WAS MISSING.
>> I DID FALL INTO THAT TRAP OF

957
00:40:46,719 --> 00:40:48,786
BUT SOMETHING WAS MISSING.
>> I DID FALL INTO THAT TRAP OF
BEING THE SELFISH CHEF, JUST

958
00:40:48,788 --> 00:40:50,621
>> I DID FALL INTO THAT TRAP OF
BEING THE SELFISH CHEF, JUST
FOCUSED ON, IT WAS COULD

959
00:40:50,623 --> 00:40:51,288
BEING THE SELFISH CHEF, JUST
FOCUSED ON, IT WAS COULD
THREE-POINT THAT THAT BROUGHT ME

960
00:40:51,290 --> 00:40:52,957
FOCUSED ON, IT WAS COULD
THREE-POINT THAT THAT BROUGHT ME
BACK TO MY ROOTS OF, NO, WE HAVE

961
00:40:52,959 --> 00:40:54,325
THREE-POINT THAT THAT BROUGHT ME
BACK TO MY ROOTS OF, NO, WE HAVE
TO LIVE NOW AND SERVE OTHER

962
00:40:54,327 --> 00:40:55,359
BACK TO MY ROOTS OF, NO, WE HAVE
TO LIVE NOW AND SERVE OTHER
PEOPLE THAT'S WHAT IT REALLY

963
00:40:55,361 --> 00:40:58,028
TO LIVE NOW AND SERVE OTHER
PEOPLE THAT'S WHAT IT REALLY
COMES DOWN TO.

964
00:40:58,030 --> 00:40:59,564
PEOPLE THAT'S WHAT IT REALLY
COMES DOWN TO.
THIS SUN PRECEDENTED MOMENT FOR

965
00:40:59,566 --> 00:41:01,966
COMES DOWN TO.
THIS SUN PRECEDENTED MOMENT FOR
NEW ORLEANS.

966
00:41:01,968 --> 00:41:03,868
THIS SUN PRECEDENTED MOMENT FOR
NEW ORLEANS.
A CATASTROPHE AND HALF MILLION

967
00:41:03,870 --> 00:41:04,401
NEW ORLEANS.
A CATASTROPHE AND HALF MILLION
PEOPLE ARE MOVING OUT.

968
00:41:04,403 --> 00:41:06,771
A CATASTROPHE AND HALF MILLION
PEOPLE ARE MOVING OUT.
>> WHEN THE STORM HIT, HE SHUT

969
00:41:06,773 --> 00:41:08,238
PEOPLE ARE MOVING OUT.
>> WHEN THE STORM HIT, HE SHUT
HIS RESTAURANT DOWN AND LEFT

970
00:41:08,240 --> 00:41:10,775
>> WHEN THE STORM HIT, HE SHUT
HIS RESTAURANT DOWN AND LEFT
WITH HIS FAMILY ONLY TO RETURN

971
00:41:10,777 --> 00:41:13,010
HIS RESTAURANT DOWN AND LEFT
WITH HIS FAMILY ONLY TO RETURN
TO A DEVASTATED CITY.

972
00:41:13,012 --> 00:41:15,112
WITH HIS FAMILY ONLY TO RETURN
TO A DEVASTATED CITY.
>> THEN I GET HERE I SEE THE

973
00:41:15,114 --> 00:41:16,413
TO A DEVASTATED CITY.
>> THEN I GET HERE I SEE THE
FIRES AND I SEE THE SMOKE.

974
00:41:16,415 --> 00:41:19,316
>> THEN I GET HERE I SEE THE
FIRES AND I SEE THE SMOKE.
I SEE THE WATER.

975
00:41:19,318 --> 00:41:22,219
FIRES AND I SEE THE SMOKE.
I SEE THE WATER.
AND YOU SEE PEOPLE IN SUCH

976
00:41:22,221 --> 00:41:22,453
I SEE THE WATER.
AND YOU SEE PEOPLE IN SUCH
DESPAIR.

977
00:41:22,455 --> 00:41:24,121
AND YOU SEE PEOPLE IN SUCH
DESPAIR.
I JUST REMEMBER THIS ONE POINT

978
00:41:24,123 --> 00:41:25,422
DESPAIR.
I JUST REMEMBER THIS ONE POINT
THINKING, GOD HAS PUT ME HERE

979
00:41:25,424 --> 00:41:26,624
I JUST REMEMBER THIS ONE POINT
THINKING, GOD HAS PUT ME HERE
FOR A REASON.

980
00:41:26,626 --> 00:41:27,658
THINKING, GOD HAS PUT ME HERE
FOR A REASON.
I HAVE RESOURCES.

981
00:41:27,660 --> 00:41:29,093
FOR A REASON.
I HAVE RESOURCES.
I HAVE A TALENT.

982
00:41:29,095 --> 00:41:31,261
I HAVE RESOURCES.
I HAVE A TALENT.
WHAT AM I GOING TO DO TO HELP.

983
00:41:31,263 --> 00:41:34,131
I HAVE A TALENT.
WHAT AM I GOING TO DO TO HELP.
>> WHAT HE COULD DO, WAS COOK.

984
00:41:34,133 --> 00:41:36,066
WHAT AM I GOING TO DO TO HELP.
>> WHAT HE COULD DO, WAS COOK.
>> WE JUST STARTED COOKING.

985
00:41:36,068 --> 00:41:37,434
>> WHAT HE COULD DO, WAS COOK.
>> WE JUST STARTED COOKING.
WE COOK RED BEANS AND RICE

986
00:41:37,436 --> 00:41:38,268
>> WE JUST STARTED COOKING.
WE COOK RED BEANS AND RICE
AROUND THE CLOCK.

987
00:41:38,270 --> 00:41:41,305
WE COOK RED BEANS AND RICE
AROUND THE CLOCK.
AND EITHER MYSELF OR SOME OF MY

988
00:41:41,307 --> 00:41:42,172
AROUND THE CLOCK.
AND EITHER MYSELF OR SOME OF MY
MARINE FRIENDS WOULD RIDE AROUND

989
00:41:42,174 --> 00:41:43,875
AND EITHER MYSELF OR SOME OF MY
MARINE FRIENDS WOULD RIDE AROUND
JUST SCOOPING AND SERVING THESE

990
00:41:43,877 --> 00:41:44,876
MARINE FRIENDS WOULD RIDE AROUND
JUST SCOOPING AND SERVING THESE
RED BEANS TO PEOPLE.

991
00:41:44,878 --> 00:41:47,044
JUST SCOOPING AND SERVING THESE
RED BEANS TO PEOPLE.
>> WHEN HE WASN'T COOKING HE WAS

992
00:41:47,046 --> 00:41:50,381
RED BEANS TO PEOPLE.
>> WHEN HE WASN'T COOKING HE WAS
REACHING OUT.HEART AND SOUL TO .

993
00:41:50,383 --> 00:41:52,082
>> WHEN HE WASN'T COOKING HE WAS
REACHING OUT.HEART AND SOUL TO .
MORE RECENTLY HE OPENED HIS

994
00:41:52,084 --> 00:41:56,554
REACHING OUT.HEART AND SOUL TO .
MORE RECENTLY HE OPENED HIS
 MILLER.

995
00:41:56,556 --> 00:41:57,522
MORE RECENTLY HE OPENED HIS
 MILLER.
 ś

996
00:41:57,524 --> 00:42:00,224
 MILLER.
 ś
AN NEW ORLEANS HAS ITS OWN.OR

997
00:42:00,226 --> 00:42:02,126
 ś
AN NEW ORLEANS HAS ITS OWN.OR
I THD KIN PART OF THAT FLAVOR

998
00:42:02,128 --> 00:42:03,427
AN NEW ORLEANS HAS ITS OWN.OR
I THD KIN PART OF THAT FLAVOR
IN THE SOUL THAT REALLY GOES

999
00:42:03,429 --> 00:42:05,963
I THD KIN PART OF THAT FLAVOR
IN THE SOUL THAT REALLY GOES
 IT.TO

1000
00:42:05,965 --> 00:42:08,533
IN THE SOUL THAT REALLY GOES
 IT.TO
>> CHEF JOHN BESH KNOWS

1001
00:42:08,535 --> 00:42:10,568
 IT.TO
>> CHEF JOHN BESH KNOWS
ORLEANS.G ABOUT THE SOUL OF NEW

1002
00:42:10,570 --> 00:42:14,438
>> CHEF JOHN BESH KNOWS
ORLEANS.G ABOUT THE SOUL OF NEW
>> THE FOOD OF NEW ORLEANS IS

1003
00:42:14,440 --> 00:42:15,305
ORLEANS.G ABOUT THE SOUL OF NEW
>> THE FOOD OF NEW ORLEANS IS
 CUISINE

1004
00:42:15,307 --> 00:42:17,975
>> THE FOOD OF NEW ORLEANS IS
 CUISINE
YOU OPEN UP ANY MENU YOU KNOW

1005
00:42:17,977 --> 00:42:18,676
 CUISINE
YOU OPEN UP ANY MENU YOU KNOW
EXACTLY WHERE

1006
00:42:18,678 --> 00:42:18,876
YOU OPEN UP ANY MENU YOU KNOW
EXACTLY WHERE
FEED.

1007
00:42:18,878 --> 00:42:20,778
EXACTLY WHERE
FEED.
>> THEY WERE DETERMINED AND

1008
00:42:20,780 --> 00:42:22,413
FEED.
>> THEY WERE DETERMINED AND
>> I WAS SITTING THERE TRYING TO

1009
00:42:22,415 --> 00:42:23,915
>> THEY WERE DETERMINED AND
>> I WAS SITTING THERE TRYING TO
COUNT THE NUMBER OFESTAURANTS

1010
00:42:23,917 --> 00:42:25,149
>> I WAS SITTING THERE TRYING TO
COUNT THE NUMBER OFESTAURANTS
LIKE IN MY HEAD.

1011
00:42:25,151 --> 00:42:26,150
COUNT THE NUMBER OFESTAURANTS
LIKE IN MY HEAD.
WHAT NUMBER IS THIS ONE?

1012
00:42:26,152 --> 00:42:27,418
LIKE IN MY HEAD.
WHAT NUMBER IS THIS ONE?
>> WE HAVE TEN YEAR IN NEW

1013
00:42:27,420 --> 00:42:28,052
WHAT NUMBER IS THIS ONE?
>> WE HAVE TEN YEAR IN NEW
ORLEANS.

1014
00:42:28,054 --> 00:42:29,787
>> WE HAVE TEN YEAR IN NEW
ORLEANS.
>> TEN?

1015
00:42:29,789 --> 00:42:32,523
ORLEANS.
>> TEN?
>> THE BESH RESTAURANT GROUP

1016
00:42:32,525 --> 00:42:34,926
>> TEN?
>> THE BESH RESTAURANT GROUP
EMPLOYS OVER AHOUS TDAN PEOPLE.

1017
00:42:34,928 --> 00:42:37,394
>> THE BESH RESTAURANT GROUP
EMPLOYS OVER AHOUS TDAN PEOPLE.
BESH HIMSELF IS ATURE ON

1018
00:42:37,396 --> 00:42:40,364
EMPLOYS OVER AHOUS TDAN PEOPLE.
BESH HIMSELF IS ATURE ON
TELEVISION AND HAS WRITTEN FOUR

1019
00:42:40,366 --> 00:42:43,801
BESH HIMSELF IS ATURE ON
TELEVISION AND HAS WRITTEN FOUR
>> AFTER THE STORM THESE PLACES

1020
00:42:43,803 --> 00:42:47,004
TELEVISION AND HAS WRITTEN FOUR
>> AFTER THE STORM THESE PLACES
BECAME CORNERSTONES THAT PEOPLE

1021
00:42:47,006 --> 00:42:49,406
>> AFTER THE STORM THESE PLACES
BECAME CORNERSTONES THAT PEOPLE
IN ACT OF DEFINES WOULD COME AND

1022
00:42:49,408 --> 00:42:51,075
BECAME CORNERSTONES THAT PEOPLE
IN ACT OF DEFINES WOULD COME AND
EAT OUT IN IN ORDER TO SHOW

1023
00:42:51,077 --> 00:42:53,210
IN ACT OF DEFINES WOULD COME AND
EAT OUT IN IN ORDER TO SHOW
THEIR RESILIENCE FOR DEFEATING

1024
00:42:53,212 --> 00:42:56,413
EAT OUT IN IN ORDER TO SHOW
THEIR RESILIENCE FOR DEFEATING
ALL THIS ADVERSITY.

1025
00:42:56,415 --> 00:42:59,650
THEIR RESILIENCE FOR DEFEATING
ALL THIS ADVERSITY.
>> IN THE TEN YEAR SINCE KATRINA

1026
00:42:59,652 --> 00:43:01,151
ALL THIS ADVERSITY.
>> IN THE TEN YEAR SINCE KATRINA
BESH HAS NOT ONLY GROWN HIS OWN

1027
00:43:01,153 --> 00:43:02,319
>> IN THE TEN YEAR SINCE KATRINA
BESH HAS NOT ONLY GROWN HIS OWN
EMPIRE BUT CONTINUED HIS WORK IN

1028
00:43:02,321 --> 00:43:02,687
BESH HAS NOT ONLY GROWN HIS OWN
EMPIRE BUT CONTINUED HIS WORK IN
THE COMMUNITY.

1029
00:43:02,689 --> 00:43:05,522
EMPIRE BUT CONTINUED HIS WORK IN
THE COMMUNITY.
>> IF WE'RE GOING TO SUSTAIN A

1030
00:43:05,524 --> 00:43:06,991
THE COMMUNITY.
>> IF WE'RE GOING TO SUSTAIN A
CULTURE THEN WE HAVE TO MAKE

1031
00:43:06,993 --> 00:43:08,525
>> IF WE'RE GOING TO SUSTAIN A
CULTURE THEN WE HAVE TO MAKE
SURE THAT WE INVEST IN ITS

1032
00:43:08,527 --> 00:43:08,759
CULTURE THEN WE HAVE TO MAKE
SURE THAT WE INVEST IN ITS
PEOPLE.

1033
00:43:08,761 --> 00:43:11,261
SURE THAT WE INVEST IN ITS
PEOPLE.
SO HERE I AM, I'VE BECOME PRETTY

1034
00:43:11,263 --> 00:43:12,529
PEOPLE.
SO HERE I AM, I'VE BECOME PRETTY
FAMOUS JUST FROM COOKING NEW

1035
00:43:12,531 --> 00:43:15,099
SO HERE I AM, I'VE BECOME PRETTY
FAMOUS JUST FROM COOKING NEW
ORLEANS FOOD, RIGHT?

1036
00:43:15,101 --> 00:43:17,835
FAMOUS JUST FROM COOKING NEW
ORLEANS FOOD, RIGHT?
BUT WE ALL HAVE TO SHARE IN

1037
00:43:17,837 --> 00:43:18,035
ORLEANS FOOD, RIGHT?
BUT WE ALL HAVE TO SHARE IN
THAT.

1038
00:43:18,037 --> 00:43:19,704
BUT WE ALL HAVE TO SHARE IN
THAT.
WE ALL HAVE TO HAVE

1039
00:43:19,706 --> 00:43:20,337
THAT.
WE ALL HAVE TO HAVE
OPPORTUNITIES TO PARTICIPATE IN

1040
00:43:20,339 --> 00:43:20,537
WE ALL HAVE TO HAVE
OPPORTUNITIES TO PARTICIPATE IN
THAT.

1041
00:43:20,539 --> 00:43:23,307
OPPORTUNITIES TO PARTICIPATE IN
THAT.
>> SO HE STARTED THE JOHN BESH

1042
00:43:23,309 --> 00:43:24,642
THAT.
>> SO HE STARTED THE JOHN BESH
FOUNDATION, WHICH GIVES LOANS

1043
00:43:24,644 --> 00:43:27,011
>> SO HE STARTED THE JOHN BESH
FOUNDATION, WHICH GIVES LOANS
AND SCHOLARSHIPS TO LOCAL

1044
00:43:27,013 --> 00:43:28,112
FOUNDATION, WHICH GIVES LOANS
AND SCHOLARSHIPS TO LOCAL
PEOPLE, THE ONLY REQUIREMENT

1045
00:43:28,114 --> 00:43:30,014
AND SCHOLARSHIPS TO LOCAL
PEOPLE, THE ONLY REQUIREMENT
BEING THAT THEY GIVE BACK TO NEW

1046
00:43:30,016 --> 00:43:31,582
PEOPLE, THE ONLY REQUIREMENT
BEING THAT THEY GIVE BACK TO NEW
ORLEANS IN TURN.

1047
00:43:31,584 --> 00:43:33,517
BEING THAT THEY GIVE BACK TO NEW
ORLEANS IN TURN.
>> I THINK IF NOTHING ELSE WAS

1048
00:43:33,519 --> 00:43:35,486
ORLEANS IN TURN.
>> I THINK IF NOTHING ELSE WAS
REALLY COME OUT OF THIS WHOLE --

1049
00:43:35,488 --> 00:43:39,256
>> I THINK IF NOTHING ELSE WAS
REALLY COME OUT OF THIS WHOLE --
OF THE TRAGEDY OF THE STORM

1050
00:43:39,258 --> 00:43:41,258
REALLY COME OUT OF THIS WHOLE --
OF THE TRAGEDY OF THE STORM
IN -- IS WE STARTED WITH THE

1051
00:43:41,260 --> 00:43:41,592
OF THE TRAGEDY OF THE STORM
IN -- IS WE STARTED WITH THE
BLANK SLATE.

1052
00:43:41,594 --> 00:43:43,828
IN -- IS WE STARTED WITH THE
BLANK SLATE.
AND WE HAVEN'T GOTTEN EVERYTHING

1053
00:43:43,830 --> 00:43:44,028
BLANK SLATE.
AND WE HAVEN'T GOTTEN EVERYTHING
RIGHT.

1054
00:43:44,030 --> 00:43:45,997
AND WE HAVEN'T GOTTEN EVERYTHING
RIGHT.
IT WON'T BE DONE TOMORROW, BUT I

1055
00:43:45,999 --> 00:43:47,164
RIGHT.
IT WON'T BE DONE TOMORROW, BUT I
THINK IF I CAN USE FOOD TO SHAPE

1056
00:43:47,166 --> 00:43:49,233
IT WON'T BE DONE TOMORROW, BUT I
THINK IF I CAN USE FOOD TO SHAPE
A BETTER TOMORROW FOR NEW

1057
00:43:49,235 --> 00:43:50,134
THINK IF I CAN USE FOOD TO SHAPE
A BETTER TOMORROW FOR NEW
ORLEANS, THEN THAT'S WHAT I'M

1058
00:43:50,136 --> 00:43:55,106
A BETTER TOMORROW FOR NEW
ORLEANS, THEN THAT'S WHAT I'M
SUPPOSED TO DO.

1059
00:43:55,108 --> 00:43:56,807
ORLEANS, THEN THAT'S WHAT I'M
SUPPOSED TO DO.
>> Osgood: AHEAD.

1060
00:43:56,809 --> 00:44:00,044
SUPPOSED TO DO.
>> Osgood: AHEAD.
>> PRETTY HARSH CRITICISM OF A

1061
00:44:00,046 --> 00:44:00,778
>> Osgood: AHEAD.
>> PRETTY HARSH CRITICISM OF A
SITTING PRESIDENT.

1062
00:44:00,780 --> 00:44:02,513
>> PRETTY HARSH CRITICISM OF A
SITTING PRESIDENT.
>> IT IS A NECESSARY CRITICISM I

1063
00:44:02,515 --> 00:44:05,983
SITTING PRESIDENT.
>> IT IS A NECESSARY CRITICISM I
THINK IS THE WAY WE BOTH FEEL

1064
00:44:05,985 --> 00:44:06,250
>> IT IS A NECESSARY CRITICISM I
THINK IS THE WAY WE BOTH FEEL
ABOUT IT.

1065
00:44:06,252 --> 00:44:08,552
THINK IS THE WAY WE BOTH FEEL
ABOUT IT.
>> THE CHENEYS, FATHER AND

1066
00:44:08,554 --> 00:44:08,819
ABOUT IT.
>> THE CHENEYS, FATHER AND
DAUGHTER.

1067
00:44:08,821 --> 00:44:09,887
>> THE CHENEYS, FATHER AND
DAUGHTER.
BUT FIRST --

1068
00:44:09,889 --> 00:44:11,388
DAUGHTER.
BUT FIRST --
>> THERE WAS NOTHING, NOTHING IN

1069
00:44:11,390 --> 00:44:13,991
BUT FIRST --
>> THERE WAS NOTHING, NOTHING IN
THE ENTIRE AREA.LIE MAE

1070
00:44:13,993 --> 00:44:15,126
>> THERE WAS NOTHING, NOTHING IN
THE ENTIRE AREA.LIE MAE
CHSCOTSE HOU W WEGOERE TOING

1071
00:44:15,128 --> 00:44:16,060
THE ENTIRE AREA.LIE MAE
CHSCOTSE HOU W WEGOERE TOING
FEED THEM FOR FREE.

1072
00:44:16,062 --> 00:44:19,797
CHSCOTSE HOU W WEGOERE TOING
FEED THEM FOR FREE.
ALL THESE VOLUNTEERS WE WOULD

1073
00:44:20,232 --> 00:44:29,173
FAILURE WAS NOT AN OPTION.
KERRY STUART RUNS THE FAMILY OWN
WILLIE MAE'S WHICH WAS FOUNDED

1074
00:44:29,175 --> 00:44:33,443
KERRY STUART RUNS THE FAMILY OWN
WILLIE MAE'S WHICH WAS FOUNDED
BY HER GREAT GRANDMOTHER. YOU SN

1075
00:44:33,445 --> 00:44:34,245
WILLIE MAE'S WHICH WAS FOUNDED
BY HER GREAT GRANDMOTHER. YOU SN
YOUR EYES.

1076
00:44:34,247 --> 00:44:38,048
BY HER GREAT GRANDMOTHER. YOU SN
YOUR EYES.
I MEAN, I CRIED MANY DAYS IN THE

1077
00:44:38,050 --> 00:44:40,317
YOUR EYES.
I MEAN, I CRIED MANY DAYS IN THE
STORE ROOM.

1078
00:44:40,319 --> 00:44:41,551
I MEAN, I CRIED MANY DAYS IN THE
STORE ROOM.
BUT LIKE THE PORCH STEPS THAT

1079
00:44:41,553 --> 00:44:44,554
STORE ROOM.
BUT LIKE THE PORCH STEPS THAT
NOW REMAIN, THE LAST TEN YEARS

1080
00:44:44,556 --> 00:44:49,359
BUT LIKE THE PORCH STEPS THAT
NOW REMAIN, THE LAST TEN YEARS
HAVE LED NO WHERE.

1081
00:44:49,361 --> 00:44:53,130
NOW REMAIN, THE LAST TEN YEARS
HAVE LED NO WHERE.
BUT THERE IS HOPE IN HIS NAME IS

1082
00:44:53,132 --> 00:44:54,031
HAVE LED NO WHERE.
BUT THERE IS HOPE IN HIS NAME IS
BURNELL COTLON.

1083
00:44:54,033 --> 00:44:55,666
BUT THERE IS HOPE IN HIS NAME IS
BURNELL COTLON.
>> I WAS AVERAGE GUY WITH ABOVE

1084
00:44:55,668 --> 00:44:56,233
BURNELL COTLON.
>> I WAS AVERAGE GUY WITH ABOVE
AVERAGE DREAMS.

1085
00:44:56,235 --> 00:44:58,068
>> I WAS AVERAGE GUY WITH ABOVE
AVERAGE DREAMS.
MY DREAM WAS TO MAKE MY

1086
00:44:58,070 --> 00:44:58,936
AVERAGE DREAMS.
MY DREAM WAS TO MAKE MY
NEIGHBORHOOD LIKE THE REST OF

1087
00:44:58,938 --> 00:44:59,569
MY DREAM WAS TO MAKE MY
NEIGHBORHOOD LIKE THE REST OF
THE CITY.

1088
00:44:59,571 --> 00:45:01,138
NEIGHBORHOOD LIKE THE REST OF
THE CITY.
>> BURNELL WAS THE FIRST TO

1089
00:45:01,140 --> 00:45:02,206
THE CITY.
>> BURNELL WAS THE FIRST TO
REBUILD ON HIS BLOCK.

1090
00:45:02,208 --> 00:45:05,475
>> BURNELL WAS THE FIRST TO
REBUILD ON HIS BLOCK.
BUT ABOUT A YEAR AGO HE DID

1091
00:45:05,477 --> 00:45:06,476
REBUILD ON HIS BLOCK.
BUT ABOUT A YEAR AGO HE DID
SOMETHING BRAVER STILL.

1092
00:45:06,478 --> 00:45:08,112
BUT ABOUT A YEAR AGO HE DID
SOMETHING BRAVER STILL.
RIGHT IN THE CENTER OF THIS

1093
00:45:08,114 --> 00:45:10,181
SOMETHING BRAVER STILL.
RIGHT IN THE CENTER OF THIS
DESOLATE LANDSCAPE HE TOOK OLD

1094
00:45:10,183 --> 00:45:11,782
RIGHT IN THE CENTER OF THIS
DESOLATE LANDSCAPE HE TOOK OLD
APARTMENT BUILDING, TORE OFF THE

1095
00:45:11,784 --> 00:45:14,584
DESOLATE LANDSCAPE HE TOOK OLD
APARTMENT BUILDING, TORE OFF THE
ROOF AND HUNG A NEW SHINGLE.

1096
00:45:14,586 --> 00:45:15,886
APARTMENT BUILDING, TORE OFF THE
ROOF AND HUNG A NEW SHINGLE.
NOW OPEN.

1097
00:45:15,888 --> 00:45:19,223
ROOF AND HUNG A NEW SHINGLE.
NOW OPEN.
THIS IS THE LOWER NINTH WARD

1098
00:45:19,225 --> 00:45:21,125
NOW OPEN.
THIS IS THE LOWER NINTH WARD
MARKET, ONLY BUSINESS OF ANY

1099
00:45:21,127 --> 00:45:21,692
THIS IS THE LOWER NINTH WARD
MARKET, ONLY BUSINESS OF ANY
KIND IN THE IMMEDIATE

1100
00:45:21,694 --> 00:45:22,693
MARKET, ONLY BUSINESS OF ANY
KIND IN THE IMMEDIATE
NEIGHBORHOOD.

1101
00:45:22,695 --> 00:45:24,261
KIND IN THE IMMEDIATE
NEIGHBORHOOD.
>> THERE WAS NOTHING.

1102
00:45:24,263 --> 00:45:25,395
NEIGHBORHOOD.
>> THERE WAS NOTHING.
NOTHING IN THE ENTIRE AREA.

1103
00:45:25,397 --> 00:45:27,431
>> THERE WAS NOTHING.
NOTHING IN THE ENTIRE AREA.
>> NOT EVEN HIS MOTHER, LILLY,

1104
00:45:27,433 --> 00:45:28,732
NOTHING IN THE ENTIRE AREA.
>> NOT EVEN HIS MOTHER, LILLY,
THOUGHT IT WAS A SMART IDEA.

1105
00:45:28,734 --> 00:45:30,301
>> NOT EVEN HIS MOTHER, LILLY,
THOUGHT IT WAS A SMART IDEA.
>>  WASN'T EVEN A GOOD STREET

1106
00:45:30,303 --> 00:45:30,835
THOUGHT IT WAS A SMART IDEA.
>>  WASN'T EVEN A GOOD STREET
LIGHT OUT THERE.

1107
00:45:30,837 --> 00:45:32,937
>>  WASN'T EVEN A GOOD STREET
LIGHT OUT THERE.
>> BUT BURNELL FELT LIKE HE HAD

1108
00:45:32,939 --> 00:45:33,537
LIGHT OUT THERE.
>> BUT BURNELL FELT LIKE HE HAD
NO CHOICE.

1109
00:45:33,539 --> 00:45:35,672
>> BUT BURNELL FELT LIKE HE HAD
NO CHOICE.
>> THE LARGE BOX STORES SAY

1110
00:45:35,674 --> 00:45:36,807
NO CHOICE.
>> THE LARGE BOX STORES SAY
THEY'RE NOT COMING BACK BECAUSE

1111
00:45:36,809 --> 00:45:37,774
>> THE LARGE BOX STORES SAY
THEY'RE NOT COMING BACK BECAUSE
THERE'S NOT ENOUGH PEOPLE.

1112
00:45:37,776 --> 00:45:39,143
THEY'RE NOT COMING BACK BECAUSE
THERE'S NOT ENOUGH PEOPLE.
AND THE PEOPLE THAT WANT TO COME

1113
00:45:39,145 --> 00:45:40,577
THERE'S NOT ENOUGH PEOPLE.
AND THE PEOPLE THAT WANT TO COME
BACK SAY THEY'RE NOT COMING BACK

1114
00:45:40,579 --> 00:45:42,446
AND THE PEOPLE THAT WANT TO COME
BACK SAY THEY'RE NOT COMING BACK
BECAUSE THERE'S NO STORES.

1115
00:45:42,448 --> 00:45:43,948
BACK SAY THEY'RE NOT COMING BACK
BECAUSE THERE'S NO STORES.
WHAT CAME FIRST, CHICKEN OR THE

1116
00:45:43,950 --> 00:45:44,414
BECAUSE THERE'S NO STORES.
WHAT CAME FIRST, CHICKEN OR THE
EGG.

1117
00:45:44,416 --> 00:45:45,916
WHAT CAME FIRST, CHICKEN OR THE
EGG.
SOMETHING HAS TO DO SOMETHING.

1118
00:45:45,918 --> 00:45:47,751
EGG.
SOMETHING HAS TO DO SOMETHING.
>> HOW MUCH HAS THIS COST YOU?

1119
00:45:47,753 --> 00:45:48,518
SOMETHING HAS TO DO SOMETHING.
>> HOW MUCH HAS THIS COST YOU?
>> EVERYTHING.

1120
00:45:48,520 --> 00:45:50,454
>> HOW MUCH HAS THIS COST YOU?
>> EVERYTHING.
MY ENTIRE LIFE SAVENESS.

1121
00:45:50,456 --> 00:45:52,689
>> EVERYTHING.
MY ENTIRE LIFE SAVENESS.
>> BURNELL HAD SAVED $08,000

1122
00:45:52,691 --> 00:45:54,091
MY ENTIRE LIFE SAVENESS.
>> BURNELL HAD SAVED $08,000
MOSTLY FROM A TEN-YEAR STINT IN

1123
00:45:54,093 --> 00:45:54,825
>> BURNELL HAD SAVED $08,000
MOSTLY FROM A TEN-YEAR STINT IN
THE ARMY.

1124
00:45:54,827 --> 00:45:56,727
MOSTLY FROM A TEN-YEAR STINT IN
THE ARMY.
HE AND HIS WIFE WERE HOPING TO

1125
00:45:56,729 --> 00:45:57,995
THE ARMY.
HE AND HIS WIFE WERE HOPING TO
RETIRE ON THAT MONEY.

1126
00:45:57,997 --> 00:45:59,496
HE AND HIS WIFE WERE HOPING TO
RETIRE ON THAT MONEY.
>> HOW ARE YOU DOING?

1127
00:45:59,498 --> 00:46:01,732
RETIRE ON THAT MONEY.
>> HOW ARE YOU DOING?
>> HE MAY NEVER MAKE IT BACK.

1128
00:46:01,734 --> 00:46:03,334
>> HOW ARE YOU DOING?
>> HE MAY NEVER MAKE IT BACK.
BUT HE STILL SMILES LIKE A RICH

1129
00:46:03,336 --> 00:46:03,500
>> HE MAY NEVER MAKE IT BACK.
BUT HE STILL SMILES LIKE A RICH
MAN.

1130
00:46:03,502 --> 00:46:05,635
BUT HE STILL SMILES LIKE A RICH
MAN.
>> YOU COULD HAVE WENT ANYWHERE

1131
00:46:05,637 --> 00:46:06,170
MAN.
>> YOU COULD HAVE WENT ANYWHERE
BUT YOU CAME HERE.

1132
00:46:06,172 --> 00:46:07,838
>> YOU COULD HAVE WENT ANYWHERE
BUT YOU CAME HERE.
>> IN ADDITION TO THE GROCERIES,

1133
00:46:07,840 --> 00:46:09,773
BUT YOU CAME HERE.
>> IN ADDITION TO THE GROCERIES,
THE MARKET ALSO SERVES AS A

1134
00:46:09,775 --> 00:46:10,307
>> IN ADDITION TO THE GROCERIES,
THE MARKET ALSO SERVES AS A
GATHERING PLACE.

1135
00:46:10,309 --> 00:46:12,609
THE MARKET ALSO SERVES AS A
GATHERING PLACE.
KIDS COME AFTER SCHOOL.

1136
00:46:12,611 --> 00:46:14,678
GATHERING PLACE.
KIDS COME AFTER SCHOOL.
BURNELL'S MOM SERVES THEM

1137
00:46:14,680 --> 00:46:15,045
KIDS COME AFTER SCHOOL.
BURNELL'S MOM SERVES THEM
SNOWBALL TREATS.

1138
00:46:15,047 --> 00:46:16,413
BURNELL'S MOM SERVES THEM
SNOWBALL TREATS.
THIS PLACE HAS BECOME THE

1139
00:46:16,415 --> 00:46:17,314
SNOWBALL TREATS.
THIS PLACE HAS BECOME THE
HEARTBEAT OF THE NEIGHBORHOOD.

1140
00:46:17,316 --> 00:46:19,250
THIS PLACE HAS BECOME THE
HEARTBEAT OF THE NEIGHBORHOOD.
AND FOR THAT REASON, BURNELL

1141
00:46:19,252 --> 00:46:20,650
HEARTBEAT OF THE NEIGHBORHOOD.
AND FOR THAT REASON, BURNELL
SAYS HE HAS NO REGRETS.

1142
00:46:20,652 --> 00:46:24,088
AND FOR THAT REASON, BURNELL
SAYS HE HAS NO REGRETS.
IN FACT, HE WANTS TO ADD A

1143
00:46:24,090 --> 00:46:25,155
SAYS HE HAS NO REGRETS.
IN FACT, HE WANTS TO ADD A
LAUNDROMAT, MAYBE EVEN SKATING

1144
00:46:25,157 --> 00:46:25,389
IN FACT, HE WANTS TO ADD A
LAUNDROMAT, MAYBE EVEN SKATING
RINK.

1145
00:46:25,391 --> 00:46:27,324
LAUNDROMAT, MAYBE EVEN SKATING
RINK.
THE GUY HAS BECOME ONE-MAN

1146
00:46:27,326 --> 00:46:27,992
RINK.
THE GUY HAS BECOME ONE-MAN
PLANNING BOARD.

1147
00:46:27,994 --> 00:46:31,428
THE GUY HAS BECOME ONE-MAN
PLANNING BOARD.
>> KEEP ONGOING.

1148
00:46:31,430 --> 00:46:34,098
PLANNING BOARD.
>> KEEP ONGOING.
I'M NOT GOING TO LET NOBODY STOP

1149
00:46:34,100 --> 00:46:34,298
>> KEEP ONGOING.
I'M NOT GOING TO LET NOBODY STOP
HEAP.

1150
00:46:34,300 --> 00:46:36,200
I'M NOT GOING TO LET NOBODY STOP
HEAP.
>> CERTAINLY IF HELL AND HIGH

1151
00:46:36,202 --> 00:46:37,567
HEAP.
>> CERTAINLY IF HELL AND HIGH
WATER DIDN'T HE'S NOT GOING TO

1152
00:46:37,569 --> 00:46:38,869
>> CERTAINLY IF HELL AND HIGH
WATER DIDN'T HE'S NOT GOING TO
LET A FEW WEEDS GET IN HIS WAY.

1153
00:46:38,871 --> 00:46:39,136
WATER DIDN'T HE'S NOT GOING TO
LET A FEW WEEDS GET IN HIS WAY.

1154
00:46:39,138 --> 00:46:40,871
LET A FEW WEEDS GET IN HIS WAY.
>>  THIS PART OF THE LOWER NINTH

1155
00:46:40,873 --> 00:46:42,840
>>  THIS PART OF THE LOWER NINTH
WARD WAS ONCE A THRIVING
NEIGHBORHOOD.

1156
00:46:42,842 --> 00:46:45,276
WARD WAS ONCE A THRIVING
NEIGHBORHOOD.
THERE WAS A HOUSE RIGHT THERE,

1157
00:46:45,278 --> 00:46:46,076
NEIGHBORHOOD.
THERE WAS A HOUSE RIGHT THERE,
ANOTHER THERE, AND ANOTHER

1158
00:46:46,078 --> 00:46:47,577
THERE WAS A HOUSE RIGHT THERE,
ANOTHER THERE, AND ANOTHER
THERE.NEED TO ASK

1159
00:46:47,579 --> 00:46:48,813
ANOTHER THERE, AND ANOTHER
THERE.NEED TO ASK
FORMER VICE PRESIDENT DICK

1160
00:46:48,815 --> 00:46:50,014
THERE.NEED TO ASK
FORMER VICE PRESIDENT DICK
CHENEY WHAT HIS DAUGHTER LIZ

1161
00:46:50,016 --> 00:46:52,582
FORMER VICE PRESIDENT DICK
CHENEY WHAT HIS DAUGHTER LIZ
WHAT THE NATURE OF THEIR FAMILY

1162
00:46:52,584 --> 00:46:53,984
CHENEY WHAT HIS DAUGHTER LIZ
WHAT THE NATURE OF THEIR FAMILY
BUSINESS MIGHT BE.

1163
00:46:53,986 --> 00:46:54,852
WHAT THE NATURE OF THEIR FAMILY
BUSINESS MIGHT BE.
IT'S 08 PARTICULARS OF COURSE.

1164
00:46:54,854 --> 00:46:56,520
BUSINESS MIGHT BE.
IT'S 08 PARTICULARS OF COURSE.
POLITICS OF FAMOUSLY OUTSPOKEN

1165
00:46:56,522 --> 00:46:57,822
IT'S 08 PARTICULARS OF COURSE.
POLITICS OF FAMOUSLY OUTSPOKEN
SORT.

1166
00:46:57,824 --> 00:47:00,024
POLITICS OF FAMOUSLY OUTSPOKEN
SORT.
LEE COWAN MET WITH THEM ON THEIR

1167
00:47:00,026 --> 00:47:05,595
SORT.
LEE COWAN MET WITH THEM ON THEIR
HOME GROUND.

1168
00:47:05,597 --> 00:47:07,164
LEE COWAN MET WITH THEM ON THEIR
HOME GROUND.
>> WE CAUGHT UP WITH THE FORMER

1169
00:47:07,166 --> 00:47:09,333
HOME GROUND.
>> WE CAUGHT UP WITH THE FORMER
VICE PRESIDENT IN ONE OF HIS

1170
00:47:09,335 --> 00:47:10,935
>> WE CAUGHT UP WITH THE FORMER
VICE PRESIDENT IN ONE OF HIS
FAVORITE SPOTS, DRIFTING DOWN

1171
00:47:10,937 --> 00:47:12,336
VICE PRESIDENT IN ONE OF HIS
FAVORITE SPOTS, DRIFTING DOWN
THE SOUTH FORK OF THE SNAKE

1172
00:47:12,338 --> 00:47:16,807
FAVORITE SPOTS, DRIFTING DOWN
THE SOUTH FORK OF THE SNAKE
RIVER IN IDAHO.

1173
00:47:16,809 --> 00:47:19,543
THE SOUTH FORK OF THE SNAKE
RIVER IN IDAHO.
FLY ROD IN HAND, MATCHING WITS

1174
00:47:19,545 --> 00:47:24,982
RIVER IN IDAHO.
FLY ROD IN HAND, MATCHING WITS
WITH THE TROUT.

1175
00:47:24,984 --> 00:47:26,783
FLY ROD IN HAND, MATCHING WITS
WITH THE TROUT.
>> GOT HIM.

1176
00:47:26,785 --> 00:47:28,919
WITH THE TROUT.
>> GOT HIM.
NO MATTER WHAT OTHER WORRIES OR

1177
00:47:28,921 --> 00:47:32,256
>> GOT HIM.
NO MATTER WHAT OTHER WORRIES OR
PROBLEMS YOU MAY HAVE OR ARE

1178
00:47:32,258 --> 00:47:34,524
NO MATTER WHAT OTHER WORRIES OR
PROBLEMS YOU MAY HAVE OR ARE
DEALING WITH, ALL YOUR CARES

1179
00:47:34,526 --> 00:47:34,725
PROBLEMS YOU MAY HAVE OR ARE
DEALING WITH, ALL YOUR CARES
ASIDE.

1180
00:47:34,727 --> 00:47:36,193
DEALING WITH, ALL YOUR CARES
ASIDE.
THEY DON'T COUNT AS MUCH WHEN

1181
00:47:36,195 --> 00:47:37,127
ASIDE.
THEY DON'T COUNT AS MUCH WHEN
YOU'RE OUT HERE.

1182
00:47:37,129 --> 00:47:39,196
THEY DON'T COUNT AS MUCH WHEN
YOU'RE OUT HERE.
>> NOT TOO LONG AGO THIS KIND OF

1183
00:47:39,198 --> 00:47:40,697
YOU'RE OUT HERE.
>> NOT TOO LONG AGO THIS KIND OF
RETIREMENT FOR DICK CHENEY, NOT

1184
00:47:40,699 --> 00:47:42,733
>> NOT TOO LONG AGO THIS KIND OF
RETIREMENT FOR DICK CHENEY, NOT
FAR FROM HIS HOME IN SCENIC

1185
00:47:42,735 --> 00:47:44,568
RETIREMENT FOR DICK CHENEY, NOT
FAR FROM HIS HOME IN SCENIC
JACKSON HOLE, WYOMING, LOOKED

1186
00:47:44,570 --> 00:47:46,403
FAR FROM HIS HOME IN SCENIC
JACKSON HOLE, WYOMING, LOOKED
PRETTY IFFY.

1187
00:47:46,405 --> 00:47:47,704
JACKSON HOLE, WYOMING, LOOKED
PRETTY IFFY.
HIS FAILING HEART USED TO GET

1188
00:47:47,706 --> 00:47:49,206
PRETTY IFFY.
HIS FAILING HEART USED TO GET
ALMOST AS MANY HEADLINES AS HE

1189
00:47:49,208 --> 00:47:50,741
HIS FAILING HEART USED TO GET
ALMOST AS MANY HEADLINES AS HE
DID.

1190
00:47:50,743 --> 00:47:53,410
ALMOST AS MANY HEADLINES AS HE
DID.
BUT IN 2012, THIS GRANDFATHER OF

1191
00:47:53,412 --> 00:47:55,579
DID.
BUT IN 2012, THIS GRANDFATHER OF
SEVEN, GOT A HEART TRANSPLANT.

1192
00:47:55,581 --> 00:47:59,516
BUT IN 2012, THIS GRANDFATHER OF
SEVEN, GOT A HEART TRANSPLANT.
AND SUDDENLY EVERYTHING CHANGED.

1193
00:47:59,518 --> 00:48:02,353
SEVEN, GOT A HEART TRANSPLANT.
AND SUDDENLY EVERYTHING CHANGED.
>> I'VE JUST BEEN BACK INFER MY

1194
00:48:02,355 --> 00:48:03,720
AND SUDDENLY EVERYTHING CHANGED.
>> I'VE JUST BEEN BACK INFER MY
THREE-YEAR CHECK UP, NOTHING

1195
00:48:03,722 --> 00:48:04,989
>> I'VE JUST BEEN BACK INFER MY
THREE-YEAR CHECK UP, NOTHING
SHORT OF MIRACULOUS.

1196
00:48:04,991 --> 00:48:07,491
THREE-YEAR CHECK UP, NOTHING
SHORT OF MIRACULOUS.
>> AT 74 HE'S REGAINED THE LOOK

1197
00:48:07,493 --> 00:48:09,326
SHORT OF MIRACULOUS.
>> AT 74 HE'S REGAINED THE LOOK
OF HIS DAYS IN OFFICE, REMINDERS

1198
00:48:09,328 --> 00:48:10,895
>> AT 74 HE'S REGAINED THE LOOK
OF HIS DAYS IN OFFICE, REMINDERS
WHICH POPPED UP AGAIN LAST MONTH

1199
00:48:10,897 --> 00:48:12,596
OF HIS DAYS IN OFFICE, REMINDERS
WHICH POPPED UP AGAIN LAST MONTH
WITH THE RELEASE OF THESE

1200
00:48:12,598 --> 00:48:17,801
WHICH POPPED UP AGAIN LAST MONTH
WITH THE RELEASE OF THESE
PREVIOUSLY UNSEEN PHOTOS.

1201
00:48:17,803 --> 00:48:19,669
WITH THE RELEASE OF THESE
PREVIOUSLY UNSEEN PHOTOS.
6 THEY WERE TAKEN ON SEPTEMBER

1202
00:48:19,671 --> 00:48:22,506
PREVIOUSLY UNSEEN PHOTOS.
6 THEY WERE TAKEN ON SEPTEMBER
11, 2001, SHOWING MR. CHENEY

1203
00:48:22,508 --> 00:48:23,573
6 THEY WERE TAKEN ON SEPTEMBER
11, 2001, SHOWING MR. CHENEY
FIRST DEALING WITH THE CRISIS IN

1204
00:48:23,575 --> 00:48:24,808
11, 2001, SHOWING MR. CHENEY
FIRST DEALING WITH THE CRISIS IN
THE WHITE HOUSE BUNKER THEN

1205
00:48:24,810 --> 00:48:27,144
FIRST DEALING WITH THE CRISIS IN
THE WHITE HOUSE BUNKER THEN
BEING WHISKED AWAY TO THAT NOW

1206
00:48:27,146 --> 00:48:29,513
THE WHITE HOUSE BUNKER THEN
BEING WHISKED AWAY TO THAT NOW
FAMOUS UNDISCLOSED LOCATION IT.

1207
00:48:29,515 --> 00:48:30,414
BEING WHISKED AWAY TO THAT NOW
FAMOUS UNDISCLOSED LOCATION IT.
>> WAS REMARKABLE DAY.

1208
00:48:30,416 --> 00:48:33,017
FAMOUS UNDISCLOSED LOCATION IT.
>> WAS REMARKABLE DAY.
A TRAGIC DAY IN TERMS OF THE

1209
00:48:33,019 --> 00:48:34,251
>> WAS REMARKABLE DAY.
A TRAGIC DAY IN TERMS OF THE
LOSS OF LIFE AND EXTRAORDINARY

1210
00:48:34,253 --> 00:48:36,420
A TRAGIC DAY IN TERMS OF THE
LOSS OF LIFE AND EXTRAORDINARY
SET OF CIRCUMSTANCES WE HAD TO

1211
00:48:36,422 --> 00:48:36,620
LOSS OF LIFE AND EXTRAORDINARY
SET OF CIRCUMSTANCES WE HAD TO
FACE.

1212
00:48:36,622 --> 00:48:41,158
SET OF CIRCUMSTANCES WE HAD TO
FACE.
>> AND A DAY, THAT SHAPED ONE OF

1213
00:48:41,160 --> 00:48:47,364
FACE.
>> AND A DAY, THAT SHAPED ONE OF
THE MOST CONTROVERSIAL VICE

1214
00:48:47,366 --> 00:48:47,965
>> AND A DAY, THAT SHAPED ONE OF
THE MOST CONTROVERSIAL VICE
PRESIDENCIS, IN HISTORY.

1215
00:48:47,967 --> 00:48:49,866
THE MOST CONTROVERSIAL VICE
PRESIDENCIS, IN HISTORY.
>> HOW DID THAT CHANGE YOU

1216
00:48:49,868 --> 00:48:50,167
PRESIDENCIS, IN HISTORY.
>> HOW DID THAT CHANGE YOU
PERSONALLY?

1217
00:48:50,169 --> 00:48:52,069
>> HOW DID THAT CHANGE YOU
PERSONALLY?
NOT WHY POLLY POINT OF VIEW BUT

1218
00:48:52,071 --> 00:48:52,369
PERSONALLY?
NOT WHY POLLY POINT OF VIEW BUT
CHANGE YOU.

1219
00:48:52,371 --> 00:48:54,305
NOT WHY POLLY POINT OF VIEW BUT
CHANGE YOU.
>> IT'S BEEN ALLEGED BY SOME OF

1220
00:48:54,307 --> 00:48:59,076
CHANGE YOU.
>> IT'S BEEN ALLEGED BY SOME OF
MY FRIENDS, THAT 9/11 DID CHANGE

1221
00:48:59,078 --> 00:48:59,376
>> IT'S BEEN ALLEGED BY SOME OF
MY FRIENDS, THAT 9/11 DID CHANGE
CHENEY.

1222
00:48:59,378 --> 00:49:00,110
MY FRIENDS, THAT 9/11 DID CHANGE
CHENEY.
WHEN HE WAS SECRETARY OF DEFENSE

1223
00:49:00,112 --> 00:49:01,245
CHENEY.
WHEN HE WAS SECRETARY OF DEFENSE
IN THE FIRST BUSH ADMINISTRATION

1224
00:49:01,247 --> 00:49:03,247
WHEN HE WAS SECRETARY OF DEFENSE
IN THE FIRST BUSH ADMINISTRATION
HE WAS A WARM, PLEASANT,

1225
00:49:03,249 --> 00:49:04,614
IN THE FIRST BUSH ADMINISTRATION
HE WAS A WARM, PLEASANT,
LOVEABLE FELLOW AND HE BECAME

1226
00:49:04,616 --> 00:49:07,284
HE WAS A WARM, PLEASANT,
LOVEABLE FELLOW AND HE BECAME
MORE OF A HARD ROCK AFTERWARDS.

1227
00:49:07,286 --> 00:49:10,454
LOVEABLE FELLOW AND HE BECAME
MORE OF A HARD ROCK AFTERWARDS.
AND I THINK IT'S PROBABLY TRUE.

1228
00:49:10,456 --> 00:49:12,289
MORE OF A HARD ROCK AFTERWARDS.
AND I THINK IT'S PROBABLY TRUE.
IT CHANGED -- WELL, IT CHANGED

1229
00:49:12,291 --> 00:49:13,490
AND I THINK IT'S PROBABLY TRUE.
IT CHANGED -- WELL, IT CHANGED
THE WAY I LOOKED AT THE WORLD.

1230
00:49:13,492 --> 00:49:15,659
IT CHANGED -- WELL, IT CHANGED
THE WAY I LOOKED AT THE WORLD.
>> THE WAY HE LOOKS AT THE WORLD

1231
00:49:15,661 --> 00:49:19,163
THE WAY I LOOKED AT THE WORLD.
>> THE WAY HE LOOKS AT THE WORLD
IS, WELL NOPE BY NOW.

1232
00:49:19,165 --> 00:49:23,067
>> THE WAY HE LOOKS AT THE WORLD
IS, WELL NOPE BY NOW.
DICK CHENEY IS UNAPOLOGETICALLY

1233
00:49:23,069 --> 00:49:23,300
IS, WELL NOPE BY NOW.
DICK CHENEY IS UNAPOLOGETICALLY
HAWKER.

1234
00:49:23,302 --> 00:49:25,535
DICK CHENEY IS UNAPOLOGETICALLY
HAWKER.
>> THE REST OF OUR TROOPS WILL

1235
00:49:25,537 --> 00:49:25,802
HAWKER.
>> THE REST OF OUR TROOPS WILL
COME HOME.

1236
00:49:25,804 --> 00:49:28,839
>> THE REST OF OUR TROOPS WILL
COME HOME.
>> EARLY CRITIC OF THE OBAMA

1237
00:49:28,841 --> 00:49:29,773
COME HOME.
>> EARLY CRITIC OF THE OBAMA
ADMINISTRATION'S NATIONAL

1238
00:49:29,775 --> 00:49:31,875
>> EARLY CRITIC OF THE OBAMA
ADMINISTRATION'S NATIONAL
SECURITY POLICIES ESPECIALLY THE

1239
00:49:31,877 --> 00:49:33,877
ADMINISTRATION'S NATIONAL
SECURITY POLICIES ESPECIALLY THE
TROOP WITHDRAWAL FROM IRAQ AND

1240
00:49:33,879 --> 00:49:34,178
SECURITY POLICIES ESPECIALLY THE
TROOP WITHDRAWAL FROM IRAQ AND
AFGHANISTAN.

1241
00:49:34,180 --> 00:49:35,645
TROOP WITHDRAWAL FROM IRAQ AND
AFGHANISTAN.
>> THE MINDSET IS HARD FOR ME TO

1242
00:49:35,647 --> 00:49:38,382
AFGHANISTAN.
>> THE MINDSET IS HARD FOR ME TO
UNDERSTAND.

1243
00:49:38,384 --> 00:49:39,416
>> THE MINDSET IS HARD FOR ME TO
UNDERSTAND.
I THINK WE HAVE TO RECOGNIZE

1244
00:49:39,418 --> 00:49:41,251
UNDERSTAND.
I THINK WE HAVE TO RECOGNIZE
THAT IT'S A DANGEROUS WORLD,

1245
00:49:41,253 --> 00:49:42,819
I THINK WE HAVE TO RECOGNIZE
THAT IT'S A DANGEROUS WORLD,
THAT IT'S MORE DANGEROUS THAN IT

1246
00:49:42,821 --> 00:49:44,121
THAT IT'S A DANGEROUS WORLD,
THAT IT'S MORE DANGEROUS THAN IT
HAS BEEN BEFORE.

1247
00:49:44,123 --> 00:49:46,190
THAT IT'S MORE DANGEROUS THAN IT
HAS BEEN BEFORE.
AND THOSE THREATS OUT THERE ARE

1248
00:49:46,192 --> 00:49:47,224
HAS BEEN BEFORE.
AND THOSE THREATS OUT THERE ARE
INCREASING WHILE WE STRIP

1249
00:49:47,226 --> 00:49:48,125
AND THOSE THREATS OUT THERE ARE
INCREASING WHILE WE STRIP
OURSELVES OF THE ABILITY TO DEAL

1250
00:49:48,127 --> 00:49:48,359
INCREASING WHILE WE STRIP
OURSELVES OF THE ABILITY TO DEAL
WITH IT.

1251
00:49:48,361 --> 00:49:50,160
OURSELVES OF THE ABILITY TO DEAL
WITH IT.
>> MR. CHENEY IS RENEWING HIS

1252
00:49:50,162 --> 00:49:51,595
WITH IT.
>> MR. CHENEY IS RENEWING HIS
CRITICISM OF MR. OBAMA WITH THE

1253
00:49:51,597 --> 00:49:54,164
>> MR. CHENEY IS RENEWING HIS
CRITICISM OF MR. OBAMA WITH THE
HELP OF HIS DAUGHTER, LIZ, A

1254
00:49:54,166 --> 00:49:55,065
CRITICISM OF MR. OBAMA WITH THE
HELP OF HIS DAUGHTER, LIZ, A
FORMER STATE DEPARTMENT OFFICIAL

1255
00:49:55,067 --> 00:49:57,334
HELP OF HIS DAUGHTER, LIZ, A
FORMER STATE DEPARTMENT OFFICIAL
AND ONE TIME SENATE CANDIDATE.

1256
00:49:57,336 --> 00:49:59,470
FORMER STATE DEPARTMENT OFFICIAL
AND ONE TIME SENATE CANDIDATE.
IN THE UPCOMING BOOK

1257
00:49:59,472 --> 00:50:14,151
AND ONE TIME SENATE CANDIDATE.
IN THE UPCOMING BOOK
"EXCEPTIONAL" PUBLISHED BY SIMON

1258
00:50:33,771 --> 00:50:49,853
WITH IRAN.
>> WITH THIS DEAL WE CUT OFF

1259
00:50:54,259 --> 00:50:59,930
>> Osgood: NO
PREDICTION.
>> WE SAY IT MAY WELL LEAD TOE R

1260
00:50:59,932 --> 00:51:00,164
PREDICTION.
>> WE SAY IT MAY WELL LEAD TOE R
WEAPON.

1261
00:51:00,166 --> 00:51:02,032
>> WE SAY IT MAY WELL LEAD TOE R
WEAPON.
THE REALITY OF MY DAD DESCRIBED

1262
00:51:02,034 --> 00:51:03,667
WEAPON.
THE REALITY OF MY DAD DESCRIBED
THAT THIS DEAL MAKES WAR MORE OR

1263
00:51:03,669 --> 00:51:04,435
THE REALITY OF MY DAD DESCRIBED
THAT THIS DEAL MAKES WAR MORE OR
NOT LESS LIKELY.

1264
00:51:04,437 --> 00:51:06,603
THAT THIS DEAL MAKES WAR MORE OR
NOT LESS LIKELY.
>> THINK ABOUT WHAT KIND OF

1265
00:51:06,605 --> 00:51:07,837
NOT LESS LIKELY.
>> THINK ABOUT WHAT KIND OF
REGIME IT IS.

1266
00:51:07,839 --> 00:51:09,306
>> THINK ABOUT WHAT KIND OF
REGIME IT IS.
THEY HAVE VIOLATED VIRTUALLY

1267
00:51:09,308 --> 00:51:10,607
REGIME IT IS.
THEY HAVE VIOLATED VIRTUALLY
EVERY AGREEMENT THEY HAVE EVER

1268
00:51:10,609 --> 00:51:12,076
THEY HAVE VIOLATED VIRTUALLY
EVERY AGREEMENT THEY HAVE EVER
BEEN A PARTY TO.

1269
00:51:12,078 --> 00:51:13,410
EVERY AGREEMENT THEY HAVE EVER
BEEN A PARTY TO.
I DON'T THINK THEY CAN BE

1270
00:51:13,412 --> 00:51:13,643
BEEN A PARTY TO.
I DON'T THINK THEY CAN BE
TRUSTED.

1271
00:51:13,645 --> 00:51:14,844
I DON'T THINK THEY CAN BE
TRUSTED.
>> THE BOOK SOME AN EXPANDED

1272
00:51:14,846 --> 00:51:19,316
TRUSTED.
>> THE BOOK SOME AN EXPANDED
VERSION OF OP-ED THAT CHENEYS

1273
00:51:19,318 --> 00:51:22,486
>> THE BOOK SOME AN EXPANDED
VERSION OF OP-ED THAT CHENEYS
WROTE FOR THE "WALL STREET

1274
00:51:22,488 --> 00:51:23,787
VERSION OF OP-ED THAT CHENEYS
WROTE FOR THE "WALL STREET
JOURNAL" WHERE THE G.O.P.

1275
00:51:23,789 --> 00:51:26,856
WROTE FOR THE "WALL STREET
JOURNAL" WHERE THE G.O.P.
PRESIDENTIAL HOPEFULS ARE NOWEAS

1276
00:51:26,858 --> 00:51:27,925
JOURNAL" WHERE THE G.O.P.
PRESIDENTIAL HOPEFULS ARE NOWEAS
WITH THE PRESIDENT.

1277
00:51:27,927 --> 00:51:28,258
PRESIDENTIAL HOPEFULS ARE NOWEAS
WITH THE PRESIDENT.
>> Professor:.

1278
00:51:28,260 --> 00:51:29,459
WITH THE PRESIDENT.
>> Professor:.
>> THE SPREAD OF ISIS WAS A

1279
00:51:29,461 --> 00:51:31,428
>> Professor:.
>> THE SPREAD OF ISIS WAS A
DIRECT RESULT OF THE VACUUM THAT

1280
00:51:31,430 --> 00:51:34,831
>> THE SPREAD OF ISIS WAS A
DIRECT RESULT OF THE VACUUM THAT
WAS CREATED WHEN THE OBAMA

1281
00:51:34,833 --> 00:51:35,799
DIRECT RESULT OF THE VACUUM THAT
WAS CREATED WHEN THE OBAMA
ADMINISTRATION WITHDREW ALL

1282
00:51:35,801 --> 00:51:36,599
WAS CREATED WHEN THE OBAMA
ADMINISTRATION WITHDREW ALL
FORCES FROM IRAQ.

1283
00:51:36,601 --> 00:51:38,101
ADMINISTRATION WITHDREW ALL
FORCES FROM IRAQ.
WE TURNED OUR BACKS ON IRAQ.

1284
00:51:38,103 --> 00:51:39,869
FORCES FROM IRAQ.
WE TURNED OUR BACKS ON IRAQ.
WE HAD IRAQ IN GOOD SHAPE BY THE

1285
00:51:39,871 --> 00:51:40,938
WE TURNED OUR BACKS ON IRAQ.
WE HAD IRAQ IN GOOD SHAPE BY THE
TIME WE LEFT OFFICE.

1286
00:51:40,940 --> 00:51:42,039
WE HAD IRAQ IN GOOD SHAPE BY THE
TIME WE LEFT OFFICE.
EVEN OBAMA SAID AS MUCH.

1287
00:51:42,041 --> 00:51:44,574
TIME WE LEFT OFFICE.
EVEN OBAMA SAID AS MUCH.
>> INITIALLY IT WAS PRESIDENT

1288
00:51:44,576 --> 00:51:46,576
EVEN OBAMA SAID AS MUCH.
>> INITIALLY IT WAS PRESIDENT
BUSH WHO AGREED TO TROOP

1289
00:51:46,578 --> 00:51:47,610
>> INITIALLY IT WAS PRESIDENT
BUSH WHO AGREED TO TROOP
WITHDRAWAL DEADLINE ALTHOUGH DID

1290
00:51:47,612 --> 00:51:50,013
BUSH WHO AGREED TO TROOP
WITHDRAWAL DEADLINE ALTHOUGH DID
HE SO RELUCTANTLY.

1291
00:51:50,015 --> 00:51:51,148
WITHDRAWAL DEADLINE ALTHOUGH DID
HE SO RELUCTANTLY.
IRAQ'S PRIME MINISTER NOURI AL

1292
00:51:51,150 --> 00:51:53,183
HE SO RELUCTANTLY.
IRAQ'S PRIME MINISTER NOURI AL
MALIKI HAD OBJECTED TO THE IDEA

1293
00:51:53,185 --> 00:51:54,717
IRAQ'S PRIME MINISTER NOURI AL
MALIKI HAD OBJECTED TO THE IDEA
OF ANY U.S. TROOPS STAYING

1294
00:51:54,719 --> 00:51:56,253
MALIKI HAD OBJECTED TO THE IDEA
OF ANY U.S. TROOPS STAYING
BEYOND 2011.

1295
00:51:56,255 --> 00:51:58,188
OF ANY U.S. TROOPS STAYING
BEYOND 2011.
>> WHILE I TALK ABOUT THE

1296
00:51:58,190 --> 00:52:00,657
BEYOND 2011.
>> WHILE I TALK ABOUT THE
PROBLEM BEING THAT THERE

1297
00:52:00,659 --> 00:52:02,025
>> WHILE I TALK ABOUT THE
PROBLEM BEING THAT THERE
NOVEMBER STAY BEHIND FORCE, THAT

1298
00:52:02,027 --> 00:52:03,760
PROBLEM BEING THAT THERE
NOVEMBER STAY BEHIND FORCE, THAT
SOME OF -- REAL PROBLEM THAT WE

1299
00:52:03,762 --> 00:52:04,894
NOVEMBER STAY BEHIND FORCE, THAT
SOME OF -- REAL PROBLEM THAT WE
WENT INTO IRAQ IN THE FIRST

1300
00:52:04,896 --> 00:52:05,095
SOME OF -- REAL PROBLEM THAT WE
WENT INTO IRAQ IN THE FIRST
PLACE.

1301
00:52:05,097 --> 00:52:06,763
WENT INTO IRAQ IN THE FIRST
PLACE.
>> WELL, I'M WELL-KNOWN AS

1302
00:52:06,765 --> 00:52:08,298
PLACE.
>> WELL, I'M WELL-KNOWN AS
SOMEBODY WHO HAS STRONGLY

1303
00:52:08,300 --> 00:52:09,466
>> WELL, I'M WELL-KNOWN AS
SOMEBODY WHO HAS STRONGLY
DEFENDED THAT AS THE RIGHT THING

1304
00:52:09,468 --> 00:52:10,900
SOMEBODY WHO HAS STRONGLY
DEFENDED THAT AS THE RIGHT THING
TO DO, I STILL BELIEVE THAT.

1305
00:52:10,902 --> 00:52:12,202
DEFENDED THAT AS THE RIGHT THING
TO DO, I STILL BELIEVE THAT.
>> YOU WOULDN'T CHANGE ANYTHING?

1306
00:52:12,204 --> 00:52:13,270
TO DO, I STILL BELIEVE THAT.
>> YOU WOULDN'T CHANGE ANYTHING?
>> NO.

1307
00:52:13,272 --> 00:52:14,504
>> YOU WOULDN'T CHANGE ANYTHING?
>> NO.
INDEED THERE WAS WIDESPREAD

1308
00:52:14,506 --> 00:52:20,277
>> NO.
INDEED THERE WAS WIDESPREAD
SUPPORT OF THE TIME.

1309
00:52:20,279 --> 00:52:21,811
INDEED THERE WAS WIDESPREAD
SUPPORT OF THE TIME.
>>  THAT SUPPORT WAS BASED

1310
00:52:21,813 --> 00:52:23,546
SUPPORT OF THE TIME.
>>  THAT SUPPORT WAS BASED
LARGELY ON THE ADMINISTRATION

1311
00:52:23,548 --> 00:52:25,015
>>  THAT SUPPORT WAS BASED
LARGELY ON THE ADMINISTRATION
ARGUMENT THAT IRAQ POSSESSED

1312
00:52:25,017 --> 00:52:26,450
LARGELY ON THE ADMINISTRATION
ARGUMENT THAT IRAQ POSSESSED
WEAPONS OF MASS DESTRUCTION,

1313
00:52:26,452 --> 00:52:27,684
ARGUMENT THAT IRAQ POSSESSED
WEAPONS OF MASS DESTRUCTION,
THAT PROVED TO BE WRONG.

1314
00:52:27,686 --> 00:52:30,120
WEAPONS OF MASS DESTRUCTION,
THAT PROVED TO BE WRONG.
BECAME A KEY ISSUE IN

1315
00:52:30,122 --> 00:52:31,754
THAT PROVED TO BE WRONG.
BECAME A KEY ISSUE IN
MR. OBAMA'S 2008 PRESIDENTIAL

1316
00:52:31,756 --> 00:52:32,022
BECAME A KEY ISSUE IN
MR. OBAMA'S 2008 PRESIDENTIAL
CAMPAIGN.

1317
00:52:32,024 --> 00:52:34,191
MR. OBAMA'S 2008 PRESIDENTIAL
CAMPAIGN.
>> THE PRESIDENT GET ANY CREDIT

1318
00:52:34,193 --> 00:52:36,026
CAMPAIGN.
>> THE PRESIDENT GET ANY CREDIT
FOR TRYING -- WHILE STILL

1319
00:52:36,028 --> 00:52:37,394
>> THE PRESIDENT GET ANY CREDIT
FOR TRYING -- WHILE STILL
RECOGNIZING THE SACRIFICE THAT

1320
00:52:37,396 --> 00:52:39,596
FOR TRYING -- WHILE STILL
RECOGNIZING THE SACRIFICE THAT
WAS MADE, TRYING TO END TWO WARS

1321
00:52:39,598 --> 00:52:41,198
RECOGNIZING THE SACRIFICE THAT
WAS MADE, TRYING TO END TWO WARS
THAT HAD GONE ON EVEN LONGER

1322
00:52:41,200 --> 00:52:43,066
WAS MADE, TRYING TO END TWO WARS
THAT HAD GONE ON EVEN LONGER
THAN YOU THOUGHT THEY WOULD GO

1323
00:52:43,068 --> 00:52:43,333
THAT HAD GONE ON EVEN LONGER
THAN YOU THOUGHT THEY WOULD GO
ON.

1324
00:52:43,335 --> 00:52:45,135
THAN YOU THOUGHT THEY WOULD GO
ON.
GIVE ANY CREDIT FOR TRYING?

1325
00:52:45,137 --> 00:52:46,970
ON.
GIVE ANY CREDIT FOR TRYING?
>> I GAVE HIM CREDIT, FOR

1326
00:52:46,972 --> 00:52:49,839
GIVE ANY CREDIT FOR TRYING?
>> I GAVE HIM CREDIT, FOR
EXAMPLE, WHEN THEY GOT OSAMA BIN

1327
00:52:49,841 --> 00:52:52,442
>> I GAVE HIM CREDIT, FOR
EXAMPLE, WHEN THEY GOT OSAMA BIN
LADEN, BUT YOU DON'T END A

1328
00:52:52,444 --> 00:52:54,311
EXAMPLE, WHEN THEY GOT OSAMA BIN
LADEN, BUT YOU DON'T END A
WAR -- IF YOU END A WAR JUST BY

1329
00:52:54,313 --> 00:52:55,745
LADEN, BUT YOU DON'T END A
WAR -- IF YOU END A WAR JUST BY
WALKING AWAY FROM IT THAT'S

1330
00:52:55,747 --> 00:52:56,613
WAR -- IF YOU END A WAR JUST BY
WALKING AWAY FROM IT THAT'S
VICTORY FOR THE OTHER SIDE.

1331
00:52:56,615 --> 00:52:58,215
WALKING AWAY FROM IT THAT'S
VICTORY FOR THE OTHER SIDE.
>> SOME OF HIS FELLOW

1332
00:52:58,217 --> 00:53:00,050
VICTORY FOR THE OTHER SIDE.
>> SOME OF HIS FELLOW
REPUBLICANS ARE UNEASY WITH THE

1333
00:53:00,052 --> 00:53:01,385
>> SOME OF HIS FELLOW
REPUBLICANS ARE UNEASY WITH THE
INTELLIGENCE POLICIES THAT

1334
00:53:01,387 --> 00:53:02,552
REPUBLICANS ARE UNEASY WITH THE
INTELLIGENCE POLICIES THAT
CHENEYS WANT THE NEXT PRESIDENT

1335
00:53:02,554 --> 00:53:03,820
INTELLIGENCE POLICIES THAT
CHENEYS WANT THE NEXT PRESIDENT
TO BRING BACK.

1336
00:53:03,822 --> 00:53:06,256
CHENEYS WANT THE NEXT PRESIDENT
TO BRING BACK.
INCLUDING THE ENHANCED

1337
00:53:06,258 --> 00:53:09,159
TO BRING BACK.
INCLUDING THE ENHANCED
INTERROGATION TECHNIQUES THAT A

1338
00:53:09,161 --> 00:53:10,227
INCLUDING THE ENHANCED
INTERROGATION TECHNIQUES THAT A
SENATE PANEL DEEMED TORTURE.

1339
00:53:10,229 --> 00:53:12,396
INTERROGATION TECHNIQUES THAT A
SENATE PANEL DEEMED TORTURE.
>> FIRST OF ALL IT WASN'T

1340
00:53:12,398 --> 00:53:13,763
SENATE PANEL DEEMED TORTURE.
>> FIRST OF ALL IT WASN'T
TORTURE.

1341
00:53:13,765 --> 00:53:14,498
>> FIRST OF ALL IT WASN'T
TORTURE.
WATERBOARDING, FOR EXAMPLE,

1342
00:53:14,500 --> 00:53:14,731
TORTURE.
WATERBOARDING, FOR EXAMPLE,
TORTURE.

1343
00:53:14,733 --> 00:53:16,166
WATERBOARDING, FOR EXAMPLE,
TORTURE.
THAT WAS THE MOST EGREGIOUS

1344
00:53:16,168 --> 00:53:18,768
TORTURE.
THAT WAS THE MOST EGREGIOUS
THING WE DID SUPPOSEDLY IN THE

1345
00:53:18,770 --> 00:53:20,803
THAT WAS THE MOST EGREGIOUS
THING WE DID SUPPOSEDLY IN THE
ENHANCED INTERROGATION PROGRAM.

1346
00:53:20,805 --> 00:53:22,805
THING WE DID SUPPOSEDLY IN THE
ENHANCED INTERROGATION PROGRAM.
THE MOST SIGNIFICANT SOURCE OF

1347
00:53:22,807 --> 00:53:23,606
ENHANCED INTERROGATION PROGRAM.
THE MOST SIGNIFICANT SOURCE OF
INTELLIGENCE FOR US THAT WE

1348
00:53:23,608 --> 00:53:24,241
THE MOST SIGNIFICANT SOURCE OF
INTELLIGENCE FOR US THAT WE
ABSOLUTELY HAD TO HAVE.

1349
00:53:24,243 --> 00:53:26,343
INTELLIGENCE FOR US THAT WE
ABSOLUTELY HAD TO HAVE.
AND THAT WAS ON AL QAEDA, HOW

1350
00:53:26,345 --> 00:53:27,977
ABSOLUTELY HAD TO HAVE.
AND THAT WAS ON AL QAEDA, HOW
BIG THEY WERE, WHERE THEY WERE,

1351
00:53:27,979 --> 00:53:29,646
AND THAT WAS ON AL QAEDA, HOW
BIG THEY WERE, WHERE THEY WERE,
WHO THEIR LEADERS WERE, WHAT

1352
00:53:29,648 --> 00:53:30,647
BIG THEY WERE, WHERE THEY WERE,
WHO THEIR LEADERS WERE, WHAT
THEIR PLANS WERE, ALL THAT HAVE

1353
00:53:30,649 --> 00:53:32,282
WHO THEIR LEADERS WERE, WHAT
THEIR PLANS WERE, ALL THAT HAVE
CAME OUT OF ENHANCED

1354
00:53:32,284 --> 00:53:32,615
THEIR PLANS WERE, ALL THAT HAVE
CAME OUT OF ENHANCED
INTERROGATION.

1355
00:53:32,617 --> 00:53:35,218
CAME OUT OF ENHANCED
INTERROGATION.
>> WHAT DO YOU SAY, YES, PERHAPS

1356
00:53:35,220 --> 00:53:37,020
INTERROGATION.
>> WHAT DO YOU SAY, YES, PERHAPS
THEY WORKED BUT SACRIFICED OUR

1357
00:53:37,022 --> 00:53:37,554
>> WHAT DO YOU SAY, YES, PERHAPS
THEY WORKED BUT SACRIFICED OUR
VALUES IN THE PROCESS?

1358
00:53:37,556 --> 00:53:39,256
THEY WORKED BUT SACRIFICED OUR
VALUES IN THE PROCESS?
>> FIRSTFUL ALL, I DON'T BELIEVE

1359
00:53:39,258 --> 00:53:40,723
VALUES IN THE PROCESS?
>> FIRSTFUL ALL, I DON'T BELIEVE
WE SACRIFICED OUR VALUES.

1360
00:53:40,725 --> 00:53:42,259
>> FIRSTFUL ALL, I DON'T BELIEVE
WE SACRIFICED OUR VALUES.
I THINK THE NUMBER ONE

1361
00:53:42,261 --> 00:53:45,495
WE SACRIFICED OUR VALUES.
I THINK THE NUMBER ONE
RESPONSIBILITY OF SENIOR PUBLIC

1362
00:53:45,497 --> 00:53:47,397
I THINK THE NUMBER ONE
RESPONSIBILITY OF SENIOR PUBLIC
OFFICIALS IS TO SAFEGUARD THE

1363
00:53:47,399 --> 00:53:47,630
RESPONSIBILITY OF SENIOR PUBLIC
OFFICIALS IS TO SAFEGUARD THE
NATION.

1364
00:53:47,632 --> 00:53:48,698
OFFICIALS IS TO SAFEGUARD THE
NATION.
>> NEARLY SEVEN YEARS OUT OF

1365
00:53:48,700 --> 00:53:50,733
NATION.
>> NEARLY SEVEN YEARS OUT OF
OFFICE MR. CHENEY REMAINS A MAN

1366
00:53:50,735 --> 00:53:51,000
>> NEARLY SEVEN YEARS OUT OF
OFFICE MR. CHENEY REMAINS A MAN
NOT

1367
00:53:51,002 --> 00:53:54,771
OFFICE MR. CHENEY REMAINS A MAN
NOT
AND SHUSTER, DIVISION OF CBS,

1368
00:53:54,773 --> 00:53:57,574
NOT
AND SHUSTER, DIVISION OF CBS,
ACCUSE MR. OBAMA FROM RETREATING

1369
00:53:57,576 --> 00:54:01,945
AND SHUSTER, DIVISION OF CBS,
ACCUSE MR. OBAMA FROM RETREATING
FROM THE WORLD'S PROBLEMS, DID S

1370
00:54:01,947 --> 00:54:02,612
ACCUSE MR. OBAMA FROM RETREATING
FROM THE WORLD'S PROBLEMS, DID S
THE THREAT OF TERRORISM.

1371
00:54:02,614 --> 00:54:05,515
FROM THE WORLD'S PROBLEMS, DID S
THE THREAT OF TERRORISM.
>> A PRETTY HARSH CRITICISM OF A

1372
00:54:05,517 --> 00:54:05,915
THE THREAT OF TERRORISM.
>> A PRETTY HARSH CRITICISM OF A
SITTING PRESIDENT.

1373
00:54:05,917 --> 00:54:06,983
>> A PRETTY HARSH CRITICISM OF A
SITTING PRESIDENT.
>> IT IS A NECESSARY CRITICISM I

1374
00:54:06,985 --> 00:54:09,018
SITTING PRESIDENT.
>> IT IS A NECESSARY CRITICISM I
THINK IS THE WAY WE BOTH FEEL

1375
00:54:09,020 --> 00:54:09,652
>> IT IS A NECESSARY CRITICISM I
THINK IS THE WAY WE BOTH FEEL
ABOUT IT.

1376
00:54:09,654 --> 00:54:11,221
THINK IS THE WAY WE BOTH FEEL
ABOUT IT.
THAT IT'S NOT AN ATTACK ON HIM

1377
00:54:11,223 --> 00:54:12,755
ABOUT IT.
THAT IT'S NOT AN ATTACK ON HIM
AS A PERSON.

1378
00:54:12,757 --> 00:54:14,924
THAT IT'S NOT AN ATTACK ON HIM
AS A PERSON.
BUT IT'S VERY MUCH SORT OF

1379
00:54:14,926 --> 00:54:16,560
AS A PERSON.
BUT IT'S VERY MUCH SORT OF
CIPOING THE ARM ALAUTBO

1380
00:54:16,562 --> 00:54:20,263
BUT IT'S VERY MUCH SORT OF
CIPOING THE ARM ALAUTBO

1381
00:54:20,265 --> 00:54:24,634
CIPOING THE ARM ALAUTBO
>> TAKE FOR INSTANCE THE COURAGD

1382
00:54:24,636 --> 00:54:28,671
>> TAKE FOR INSTANCE THE COURAGD
EVERY SINGLE ONE OF IRAN'S
PATHWAYS TO A NUCLEAR PROGRAM.

1383
00:54:28,673 --> 00:54:30,240
EVERY SINGLE ONE OF IRAN'S
PATHWAYS TO A NUCLEAR PROGRAM.
>> YOU SAY OF THE DEAL THAT THE

1384
00:54:30,242 --> 00:54:31,841
PATHWAYS TO A NUCLEAR PROGRAM.
>> YOU SAY OF THE DEAL THAT THE
OBAMA AGREEMENT WILL, ONE, LEAD

1385
00:54:31,843 --> 00:54:34,344
>> YOU SAY OF THE DEAL THAT THE
OBAMA AGREEMENT WILL, ONE, LEAD
TO A NUCLEAR ARMED IRAN.

1386
00:54:34,346 --> 00:54:35,645
OBAMA AGREEMENT WILL, ONE, LEAD
TO A NUCLEAR ARMED IRAN.
TWO, A NUCLEAR ARMS RACE IN THE

1387
00:54:35,647 --> 00:54:36,213
TO A NUCLEAR ARMED IRAN.
TWO, A NUCLEAR ARMS RACE IN THE
MIDDLE EAST.

1388
00:54:36,215 --> 00:54:38,948
TWO, A NUCLEAR ARMS RACE IN THE
MIDDLE EAST.
AND THREE, 9 FIRST USE OF

1389
00:54:38,950 --> 00:54:40,350
MIDDLE EAST.
AND THREE, 9 FIRST USE OF
NUCLEAR WEAPON SINCE HIROSHIMA

1390
00:54:40,352 --> 00:54:46,223
AND THREE, 9 FIRST USE OF
NUCLEAR WEAPON SINCE HIROSHIMA
AND NAGASAKA, A PRETTY DAUNTING.

1391
00:54:46,225 --> 00:54:48,225
NUCLEAR WEAPON SINCE HIROSHIMA
AND NAGASAKA, A PRETTY DAUNTING.
DON'T LOOK HAT ME LIKE THAT.

1392
00:54:48,227 --> 00:54:49,426
AND NAGASAKA, A PRETTY DAUNTING.
DON'T LOOK HAT ME LIKE THAT.
>> WELL, THANK YOU.

1393
00:54:49,428 --> 00:54:52,295
DON'T LOOK HAT ME LIKE THAT.
>> WELL, THANK YOU.
>> MATTER OF FACT VENEER, ALMOST

1394
00:54:52,297 --> 00:54:56,199
>> WELL, THANK YOU.
>> MATTER OF FACT VENEER, ALMOST
CRACKED THERE FOR A MOMENT.

1395
00:54:56,201 --> 00:54:57,900
>> MATTER OF FACT VENEER, ALMOST
CRACKED THERE FOR A MOMENT.
>> WHAT IS THE MOST SURPRISING

1396
00:54:57,902 --> 00:54:59,169
CRACKED THERE FOR A MOMENT.
>> WHAT IS THE MOST SURPRISING
THING ABOUT YOUR DAD THAT FOLKS

1397
00:54:59,171 --> 00:55:00,203
>> WHAT IS THE MOST SURPRISING
THING ABOUT YOUR DAD THAT FOLKS
DON'T KNOW?

1398
00:55:00,205 --> 00:55:02,272
THING ABOUT YOUR DAD THAT FOLKS
DON'T KNOW?
>> THAT THE HITCH COVER ON HIS

1399
00:55:02,274 --> 00:55:03,973
DON'T KNOW?
>> THAT THE HITCH COVER ON HIS
PICKUP TRUCK IS DARTH

1400
00:55:03,975 --> 00:55:04,307
>> THAT THE HITCH COVER ON HIS
PICKUP TRUCK IS DARTH
INDIVIDUALER.

1401
00:55:04,309 --> 00:55:04,641
PICKUP TRUCK IS DARTH
INDIVIDUALER.
>> SIT REALLY?

1402
00:55:04,643 --> 00:55:05,675
INDIVIDUALER.
>> SIT REALLY?
>> IT IS.

1403
00:55:05,677 --> 00:55:07,410
>> SIT REALLY?
>> IT IS.
I DON'T KNOW WHO PUT IT ON.

1404
00:55:07,412 --> 00:55:10,347
>> IT IS.
I DON'T KNOW WHO PUT IT ON.
I HAVEN'T FOUND OUT YET.

1405
00:55:10,349 --> 00:55:12,882
I DON'T KNOW WHO PUT IT ON.
I HAVEN'T FOUND OUT YET.
>> WE CHECKED, AND, YES, ON THE

1406
00:55:12,884 --> 00:55:15,318
I HAVEN'T FOUND OUT YET.
>> WE CHECKED, AND, YES, ON THE
BACK OF HIS BLACK F-350 PICK UP

1407
00:55:15,320 --> 00:55:16,319
>> WE CHECKED, AND, YES, ON THE
BACK OF HIS BLACK F-350 PICK UP
IT'S THERE.

1408
00:55:16,321 --> 00:55:20,423
BACK OF HIS BLACK F-350 PICK UP
IT'S THERE.
THE SYMBOL OF THE VILLAIOUS DARK

1409
00:55:20,425 --> 00:55:22,792
IT'S THERE.
THE SYMBOL OF THE VILLAIOUS DARK
SIDE THAT EVEN BECAME BIT FOR

1410
00:55:22,794 --> 00:55:23,993
THE SYMBOL OF THE VILLAIOUS DARK
SIDE THAT EVEN BECAME BIT FOR
JON STUART'S FINAL SHOW.

1411
00:55:23,995 --> 00:55:25,595
SIDE THAT EVEN BECAME BIT FOR
JON STUART'S FINAL SHOW.
>> I AM MORE MACHINE THAN MAN.

1412
00:55:25,597 --> 00:55:28,231
JON STUART'S FINAL SHOW.
>> I AM MORE MACHINE THAN MAN.
IT HAS COME TO MY MACHINE YOU

1413
00:55:28,233 --> 00:55:29,732
>> I AM MORE MACHINE THAN MAN.
IT HAS COME TO MY MACHINE YOU
HAVE BEEN COMPARING ME TO DICK

1414
00:55:29,734 --> 00:55:33,836
IT HAS COME TO MY MACHINE YOU
HAVE BEEN COMPARING ME TO DICK
CHENEY.

1415
00:55:33,838 --> 00:55:35,639
HAVE BEEN COMPARING ME TO DICK
CHENEY.
>> SO IT'S A POINT OF PRIDE IN

1416
00:55:35,641 --> 00:55:36,039
CHENEY.
>> SO IT'S A POINT OF PRIDE IN
SOME WAYS FOR YOU?

1417
00:55:36,041 --> 00:55:38,141
>> SO IT'S A POINT OF PRIDE IN
SOME WAYS FOR YOU?
>> IN A SENSE, YOU HAVE TO HAVE

1418
00:55:38,143 --> 00:55:40,544
SOME WAYS FOR YOU?
>> IN A SENSE, YOU HAVE TO HAVE
SENSE OF HUMOR ABOUT THE

1419
00:55:40,546 --> 00:55:40,810
>> IN A SENSE, YOU HAVE TO HAVE
SENSE OF HUMOR ABOUT THE
BUSINESS.

1420
00:55:40,812 --> 00:55:42,179
SENSE OF HUMOR ABOUT THE
BUSINESS.
>> THIS IS A NICE ROD.

1421
00:55:42,181 --> 00:55:43,813
BUSINESS.
>> THIS IS A NICE ROD.
>> YEAH, IT IS.

1422
00:55:43,815 --> 00:55:45,448
>> THIS IS A NICE ROD.
>> YEAH, IT IS.
I JUST BOUGHT IT LAST YEAR.

1423
00:55:45,450 --> 00:55:47,717
>> YEAH, IT IS.
I JUST BOUGHT IT LAST YEAR.
>> HIS GUIDES BACK ON THE SNAKE

1424
00:55:47,719 --> 00:55:49,486
I JUST BOUGHT IT LAST YEAR.
>> HIS GUIDES BACK ON THE SNAKE
RIVER OFTEN SAY THAT MR. CHENEY

1425
00:55:49,488 --> 00:55:51,754
>> HIS GUIDES BACK ON THE SNAKE
RIVER OFTEN SAY THAT MR. CHENEY
PICKS THE HARDEST FISH TO CATCH

1426
00:55:51,756 --> 00:55:53,657
RIVER OFTEN SAY THAT MR. CHENEY
PICKS THE HARDEST FISH TO CATCH
IN THE TOUGHEST CONDITIONS.

1427
00:55:53,659 --> 00:55:55,992
PICKS THE HARDEST FISH TO CATCH
IN THE TOUGHEST CONDITIONS.
THE MORE CHALLENGING THE BETTER.

1428
00:55:55,994 --> 00:55:57,994
IN THE TOUGHEST CONDITIONS.
THE MORE CHALLENGING THE BETTER.
HIS APPROACH TO POLITICS SEEMED

1429
00:55:57,996 --> 00:55:58,961
THE MORE CHALLENGING THE BETTER.
HIS APPROACH TO POLITICS SEEMED
JUST AS TARGETED.

1430
00:55:58,963 --> 00:56:00,997
HIS APPROACH TO POLITICS SEEMED
JUST AS TARGETED.
WHATEVER YOU THINK OF DICK

1431
00:56:00,999 --> 00:56:02,932
JUST AS TARGETED.
WHATEVER YOU THINK OF DICK
CHENEY, HE'S CLEARLY NOT READY

1432
00:56:02,934 --> 00:56:05,535
WHATEVER YOU THINK OF DICK
CHENEY, HE'S CLEARLY NOT READY
TO HANG OUT THE "GONE FISHING"

1433
00:56:05,537 --> 00:56:06,736
CHENEY, HE'S CLEARLY NOT READY
TO HANG OUT THE "GONE FISHING"
SIGN FOR GOOD.

1434
00:56:06,738 --> 00:56:07,770
TO HANG OUT THE "GONE FISHING"
SIGN FOR GOOD.
WHAT DO YOU WANT YOUR LEGACY TO

1435
00:56:07,772 --> 00:56:10,540
SIGN FOR GOOD.
WHAT DO YOU WANT YOUR LEGACY TO
BE?

1436
00:56:10,542 --> 00:56:11,641
WHAT DO YOU WANT YOUR LEGACY TO
BE?
>> I DON'T KNOW.

1437
00:56:11,643 --> 00:56:13,376
BE?
>> I DON'T KNOW.
I THINK I'LL LET HISTORIANS

1438
00:56:13,378 --> 00:56:14,344
>> I DON'T KNOW.
I THINK I'LL LET HISTORIANS
WORRY ABOUT THAT.

1439
00:56:14,346 --> 00:56:15,745
I THINK I'LL LET HISTORIANS
WORRY ABOUT THAT.
I FEEL LIKE I DID THE BEST I

1440
00:56:15,747 --> 00:56:17,480
WORRY ABOUT THAT.
I FEEL LIKE I DID THE BEST I
COULD UNDER EXTRAORDINARY

1441
00:56:17,482 --> 00:56:18,248
I FEEL LIKE I DID THE BEST I
COULD UNDER EXTRAORDINARY
CIRCUMSTANCES AND I'M SATISFIED

1442
00:56:18,250 --> 00:56:23,953
COULD UNDER EXTRAORDINARY
CIRCUMSTANCES AND I'M SATISFIED
WITH THAT.

1443
00:56:23,955 --> 00:56:25,622
CIRCUMSTANCES AND I'M SATISFIED
WITH THAT.
 ś MY INTE

1444
00:56:25,624 --> 00:56:26,723
WITH THAT.
 ś MY INTE
RMS OF BEING WILLING TO SAY,

1445
00:56:26,725 --> 00:56:27,857
 ś MY INTE
RMS OF BEING WILLING TO SAY,
THIS IS ABSOLUTELY WHAT WE HAVE

1446
00:56:27,859 --> 00:56:28,425
RMS OF BEING WILLING TO SAY,
THIS IS ABSOLUTELY WHAT WE HAVE
TO DO.

1447
00:56:28,427 --> 00:56:31,428
THIS IS ABSOLUTELY WHAT WE HAVE
TO DO.
THIS IS THE RIGHT THING TO DO.

1448
00:56:31,430 --> 00:56:32,496
TO DO.
THIS IS THE RIGHT THING TO DO.
SOMETIMES WHEN NOBODY ELSE WAS

1449
00:56:32,498 --> 00:56:33,863
THIS IS THE RIGHT THING TO DO.
SOMETIMES WHEN NOBODY ELSE WAS
WILLING TO DO IT.

1450
00:56:33,865 --> 00:56:39,136
SOMETIMES WHEN NOBODY ELSE WAS
WILLING TO DO IT.
I KNOW FOR ALL OF US WHO LOVE

1451
00:56:39,138 --> 00:56:41,171
WILLING TO DO IT.
I KNOW FOR ALL OF US WHO LOVE
YOU, THE GRATITUDE OF AMERICANS

1452
00:56:41,173 --> 00:56:43,273
I KNOW FOR ALL OF US WHO LOVE
YOU, THE GRATITUDE OF AMERICANS
THAT WE FEEL IS MATCHED ONLY BY

1453
00:56:43,275 --> 00:56:45,442
YOU, THE GRATITUDE OF AMERICANS
THAT WE FEEL IS MATCHED ONLY BY
OUR LOVE

1454
00:56:45,444 --> 00:56:46,009
THAT WE FEEL IS MATCHED ONLY BY
OUR LOVE
>> Osgood: I LOVE PIANO AND

1455
00:56:46,011 --> 00:56:46,776
OUR LOVE
>> Osgood: I LOVE PIANO AND
PIANO PLAYER.

1456
00:56:46,778 --> 00:56:47,977
>> Osgood: I LOVE PIANO AND
PIANO PLAYER.
A YOUNG MAN TIED LIKE TO YOU

1457
00:56:47,979 --> 00:56:48,178
PIANO PLAYER.
A YOUNG MAN TIED LIKE TO YOU
MEET.

1458
00:56:48,180 --> 00:56:50,046
A YOUNG MAN TIED LIKE TO YOU
MEET.
>>  IN SOME WAY THE PIANO CAN BE

1459
00:56:50,048 --> 00:56:52,882
MEET.
>>  IN SOME WAY THE PIANO CAN BE
TWO THINGS.

1460
00:56:52,884 --> 00:56:57,687
>>  IN SOME WAY THE PIANO CAN BE
TWO THINGS.
THE PIANO CAN BE AN ADVERSARY OR

1461
00:56:57,689 --> 00:57:03,993
TWO THINGS.
THE PIANO CAN BE AN ADVERSARY OR
PIANO CAN BE YOUR THERAPIST.

1462
00:57:03,995 --> 00:57:06,095
THE PIANO CAN BE AN ADVERSARY OR
PIANO CAN BE YOUR THERAPIST.
MY NAME IS CHAD LAWSON AND I'M

1463
00:57:06,097 --> 00:57:08,265
PIANO CAN BE YOUR THERAPIST.
MY NAME IS CHAD LAWSON AND I'M
COMPOSER AND PIANIST A FEW YEARS

1464
00:57:08,267 --> 00:57:09,432
MY NAME IS CHAD LAWSON AND I'M
COMPOSER AND PIANIST A FEW YEARS
AGO I WANTED TO SEE WHAT WOULD

1465
00:57:09,434 --> 00:57:12,101
COMPOSER AND PIANIST A FEW YEARS
AGO I WANTED TO SEE WHAT WOULD
HAPPEN IF I PUT MY OWN

1466
00:57:12,103 --> 00:57:14,070
AGO I WANTED TO SEE WHAT WOULD
HAPPEN IF I PUT MY OWN
INTERPRETATION ON CHOPIN'S

1467
00:57:14,072 --> 00:57:14,271
HAPPEN IF I PUT MY OWN
INTERPRETATION ON CHOPIN'S
WORKS.

1468
00:57:14,273 --> 00:57:16,239
INTERPRETATION ON CHOPIN'S
WORKS.
WHERE AS CHOPIN WOULD HAVE THE

1469
00:57:16,241 --> 00:57:17,740
WORKS.
WHERE AS CHOPIN WOULD HAVE THE
MELODY IN THE LEFT HAND.

1470
00:57:17,742 --> 00:57:21,778
WHERE AS CHOPIN WOULD HAVE THE
MELODY IN THE LEFT HAND.
 ś

1471
00:57:21,780 --> 00:57:23,012
MELODY IN THE LEFT HAND.
 ś
BEAUTIFUL MELODY.

1472
00:57:23,014 --> 00:57:24,314
 ś
BEAUTIFUL MELODY.
I DECIDED TO TAKE IT TO THE

1473
00:57:24,316 --> 00:57:28,618
BEAUTIFUL MELODY.
I DECIDED TO TAKE IT TO THE
RIGHT HAND.

1474
00:57:28,620 --> 00:57:32,055
I DECIDED TO TAKE IT TO THE
RIGHT HAND.
 ś

1475
00:57:32,057 --> 00:57:35,058
RIGHT HAND.
 ś
I WANT TO REINTRODUCE CHOPIN.

1476
00:57:35,060 --> 00:57:36,759
 ś
I WANT TO REINTRODUCE CHOPIN.
THE VARIATION DEBUTED NUMBER ONE

1477
00:57:36,761 --> 00:57:38,662
I WANT TO REINTRODUCE CHOPIN.
THE VARIATION DEBUTED NUMBER ONE
ON iTUNES CLASSICAL.

1478
00:57:38,664 --> 00:57:41,264
THE VARIATION DEBUTED NUMBER ONE
ON iTUNES CLASSICAL.
AND ALL OF A SUDDEN YOU HAVE AN

1479
00:57:41,266 --> 00:57:42,699
ON iTUNES CLASSICAL.
AND ALL OF A SUDDEN YOU HAVE AN
AUDIENCE THAT WAS NOT LISTENING

1480
00:57:42,701 --> 00:57:45,001
AND ALL OF A SUDDEN YOU HAVE AN
AUDIENCE THAT WAS NOT LISTENING
TO CLASSICAL MUSIC TO BEGIN WITH

1481
00:57:45,003 --> 00:57:45,735
AUDIENCE THAT WAS NOT LISTENING
TO CLASSICAL MUSIC TO BEGIN WITH
AND NOW THEY'RE INTERESTED IN

1482
00:57:45,737 --> 00:57:51,608
TO CLASSICAL MUSIC TO BEGIN WITH
AND NOW THEY'RE INTERESTED IN
IT.

1483
00:57:51,610 --> 00:57:53,776
AND NOW THEY'RE INTERESTED IN
IT.
 ś

1484
00:57:53,778 --> 00:57:54,644
IT.
 ś
WHEN I WAS FIVE YEARS OLD WE

1485
00:57:54,646 --> 00:57:56,112
 ś
WHEN I WAS FIVE YEARS OLD WE
USED TO SIT AROUND THE

1486
00:57:56,114 --> 00:57:57,947
WHEN I WAS FIVE YEARS OLD WE
USED TO SIT AROUND THE
TELEVISION AND WATCH THIS SHOW

1487
00:57:57,949 --> 00:58:00,149
USED TO SIT AROUND THE
TELEVISION AND WATCH THIS SHOW
CALLED SHA NA NA.

1488
00:58:00,151 --> 00:58:02,085
TELEVISION AND WATCH THIS SHOW
CALLED SHA NA NA.
I WAS LIKE, CAPTIVATED.

1489
00:58:02,087 --> 00:58:03,920
CALLED SHA NA NA.
I WAS LIKE, CAPTIVATED.
A YEAR LATER MY PARENTS TOOK ME

1490
00:58:03,922 --> 00:58:06,055
I WAS LIKE, CAPTIVATED.
A YEAR LATER MY PARENTS TOOK ME
TO SEE THEM LIVE.

1491
00:58:06,057 --> 00:58:08,891
A YEAR LATER MY PARENTS TOOK ME
TO SEE THEM LIVE.
AFTER SHA NA NA I STARTED PIANO

1492
00:58:08,893 --> 00:58:10,427
TO SEE THEM LIVE.
AFTER SHA NA NA I STARTED PIANO
LESSONS I WAS FIVE YEARS OLD.

1493
00:58:10,429 --> 00:58:13,396
AFTER SHA NA NA I STARTED PIANO
LESSONS I WAS FIVE YEARS OLD.
I BEGAN CLASSICAL, PLAYED IN

1494
00:58:13,398 --> 00:58:15,699
LESSONS I WAS FIVE YEARS OLD.
I BEGAN CLASSICAL, PLAYED IN
ROCK BANDS AT WEDDINGS AND THEN

1495
00:58:15,701 --> 00:58:19,902
I BEGAN CLASSICAL, PLAYED IN
ROCK BANDS AT WEDDINGS AND THEN
TURNED TO JAZZ.

1496
00:58:19,904 --> 00:58:21,705
ROCK BANDS AT WEDDINGS AND THEN
TURNED TO JAZZ.
IN 2007 I RECEIVED A PHONE CALL

1497
00:58:21,707 --> 00:58:25,842
TURNED TO JAZZ.
IN 2007 I RECEIVED A PHONE CALL
TO DO THE TOUR OF JULIO

1498
00:58:25,844 --> 00:58:26,876
IN 2007 I RECEIVED A PHONE CALL
TO DO THE TOUR OF JULIO
IGLESIAS, I WAS SO EXCITED

1499
00:58:26,878 --> 00:58:28,778
TO DO THE TOUR OF JULIO
IGLESIAS, I WAS SO EXCITED
BECAUSE I PRACTICED SO MANY

1500
00:58:28,780 --> 00:58:28,978
IGLESIAS, I WAS SO EXCITED
BECAUSE I PRACTICED SO MANY
YEARS.

1501
00:58:28,980 --> 00:58:30,146
BECAUSE I PRACTICED SO MANY
YEARS.
I'M GOING TO SHOW YOU THE EX

1502
00:58:30,148 --> 00:58:31,147
YEARS.
I'M GOING TO SHOW YOU THE EX
DEPARTMENT OF WHAT IT'S LIKE TO

1503
00:58:31,149 --> 00:58:33,082
I'M GOING TO SHOW YOU THE EX
DEPARTMENT OF WHAT IT'S LIKE TO
TOUR WITH SOMEONE LIKE THIS.

1504
00:58:33,084 --> 00:58:36,553
DEPARTMENT OF WHAT IT'S LIKE TO
TOUR WITH SOMEONE LIKE THIS.
 ś

1505
00:58:36,555 --> 00:58:38,588
TOUR WITH SOMEONE LIKE THIS.
 ś
THAT WAS IT.

1506
00:58:38,590 --> 00:58:40,490
 ś
THAT WAS IT.
BECAUSE THAT'S ALL THE SONG

1507
00:58:40,492 --> 00:58:45,328
THAT WAS IT.
BECAUSE THAT'S ALL THE SONG
NEEDED.

1508
00:58:45,330 --> 00:58:47,196
BECAUSE THAT'S ALL THE SONG
NEEDED.
I DO EVERYTHING ON MY OWN.

1509
00:58:47,198 --> 00:58:49,098
NEEDED.
I DO EVERYTHING ON MY OWN.
I AM AN INDEPENDENT ARTIST.

1510
00:58:49,100 --> 00:58:51,100
I DO EVERYTHING ON MY OWN.
I AM AN INDEPENDENT ARTIST.
I SPEND MY LIFE ON TWO

1511
00:58:51,102 --> 00:58:51,368
I AM AN INDEPENDENT ARTIST.
I SPEND MY LIFE ON TWO
KEYBOARDS.

1512
00:58:51,370 --> 00:58:52,802
I SPEND MY LIFE ON TWO
KEYBOARDS.
THE PIANO THEN THIS KEYBOARD

1513
00:58:52,804 --> 00:58:53,970
KEYBOARDS.
THE PIANO THEN THIS KEYBOARD
RIGHT HERE.

1514
00:58:53,972 --> 00:58:56,473
THE PIANO THEN THIS KEYBOARD
RIGHT HERE.
MARKETING, PROMOTING, MAKING

1515
00:58:56,475 --> 00:58:56,740
RIGHT HERE.
MARKETING, PROMOTING, MAKING
CONTACTS.

1516
00:58:56,742 --> 00:58:57,940
MARKETING, PROMOTING, MAKING
CONTACTS.
THE WHOLE IDEA IS GETTING MY

1517
00:58:57,942 --> 00:58:59,976
CONTACTS.
THE WHOLE IDEA IS GETTING MY
MUSIC OUT THERE.

1518
00:58:59,978 --> 00:59:02,245
THE WHOLE IDEA IS GETTING MY
MUSIC OUT THERE.
I TRY TO RUN EVERY DAY.

1519
00:59:02,247 --> 00:59:03,913
MUSIC OUT THERE.
I TRY TO RUN EVERY DAY.
BASICALLY JUST CLEARS MY MIND OF

1520
00:59:03,915 --> 00:59:05,982
I TRY TO RUN EVERY DAY.
BASICALLY JUST CLEARS MY MIND OF
EVERYTHING GOING ON.

1521
00:59:05,984 --> 00:59:07,350
BASICALLY JUST CLEARS MY MIND OF
EVERYTHING GOING ON.
I'M JUST KIND OF SWEATING

1522
00:59:07,352 --> 00:59:08,551
EVERYTHING GOING ON.
I'M JUST KIND OF SWEATING
EVERYTHING OUT THAT I'VE BEEN

1523
00:59:08,553 --> 00:59:09,452
I'M JUST KIND OF SWEATING
EVERYTHING OUT THAT I'VE BEEN
THINKING ABOUT.

1524
00:59:09,454 --> 00:59:11,621
EVERYTHING OUT THAT I'VE BEEN
THINKING ABOUT.
ALMOST LIKE A MENTAL SHOWER.

1525
00:59:11,623 --> 00:59:16,192
THINKING ABOUT.
ALMOST LIKE A MENTAL SHOWER.
WHEN I SIT DOWN AT THE PIANO I

1526
00:59:16,194 --> 00:59:18,461
ALMOST LIKE A MENTAL SHOWER.
WHEN I SIT DOWN AT THE PIANO I
ALWAYS PLACE IN MY MIND THAT

1527
00:59:18,463 --> 00:59:21,931
WHEN I SIT DOWN AT THE PIANO I
ALWAYS PLACE IN MY MIND THAT
THIS IS A TIME TO MEDICAID AND

1528
00:59:21,933 --> 00:59:26,035
ALWAYS PLACE IN MY MIND THAT
THIS IS A TIME TO MEDICAID AND
TO WORSHIP.

1529
00:59:26,037 --> 00:59:29,906
THIS IS A TIME TO MEDICAID AND
TO WORSHIP.
WHEN I IMPROVISE I REALLY

1530
00:59:29,908 --> 00:59:31,308
TO WORSHIP.
WHEN I IMPROVISE I REALLY
BASICALLY JUST WATCHING MY

1531
00:59:31,310 --> 00:59:31,675
WHEN I IMPROVISE I REALLY
BASICALLY JUST WATCHING MY
HANDS.

1532
00:59:31,677 --> 00:59:33,242
BASICALLY JUST WATCHING MY
HANDS.
TO WHERE YOU ALMOST DISTANCE

1533
00:59:33,244 --> 00:59:35,312
HANDS.
TO WHERE YOU ALMOST DISTANCE
YOURSELF AND I'M LITERALLY JUST

1534
00:59:35,314 --> 00:59:36,513
TO WHERE YOU ALMOST DISTANCE
YOURSELF AND I'M LITERALLY JUST
WATCHING TWO HANDS.

1535
00:59:36,515 --> 00:59:38,147
YOURSELF AND I'M LITERALLY JUST
WATCHING TWO HANDS.
AND THEN IT'S LIKE, OKAY, WHERE

1536
00:59:38,149 --> 00:59:41,918
WATCHING TWO HANDS.
AND THEN IT'S LIKE, OKAY, WHERE
ARE THEY GOING TO GO?

1537
00:59:41,920 --> 00:59:43,486
AND THEN IT'S LIKE, OKAY, WHERE
ARE THEY GOING TO GO?
BACH SAID IT BEST, HE'S LIKE, I

1538
00:59:43,488 --> 00:59:44,987
ARE THEY GOING TO GO?
BACH SAID IT BEST, HE'S LIKE, I
JUST KIND OF PUT MY FINGERS ON

1539
00:59:44,989 --> 00:59:46,289
BACH SAID IT BEST, HE'S LIKE, I
JUST KIND OF PUT MY FINGERS ON
THE KEYS AND THAT'S EXACTLY

1540
00:59:46,291 --> 00:59:47,590
JUST KIND OF PUT MY FINGERS ON
THE KEYS AND THAT'S EXACTLY
WHERE THEY'RE SUPPOSED TO GO.

1541
00:59:47,592 --> 00:59:49,826
THE KEYS AND THAT'S EXACTLY
WHERE THEY'RE SUPPOSED TO GO.
HE COULD SAY THAT BECAUSE HE WAS

1542
00:59:49,828 --> 00:59:51,328
WHERE THEY'RE SUPPOSED TO GO.
HE COULD SAY THAT BECAUSE HE WAS
BACH BECAUSE HE SPENT SO MUCH

1543
00:59:51,330 --> 00:59:51,994
HE COULD SAY THAT BECAUSE HE WAS
BACH BECAUSE HE SPENT SO MUCH
TIME IMPROVISING.

1544
00:59:51,996 --> 00:59:53,430
BACH BECAUSE HE SPENT SO MUCH
TIME IMPROVISING.
>> ONE, TWO, THREE!

1545
00:59:53,432 --> 00:59:54,597
TIME IMPROVISING.
>> ONE, TWO, THREE!
>> MY WIFE

1546
00:59:55,967 --> 00:59:56,966
       with a nine iron.

1547
00:59:57,001 --> 00:59:59,268
 That may not be ghenoub. clu..

1548
00:59:59,304 --> 01:00:01,705
We
   e'll hfis delyniteng goi l
        toa ose kerost

1549
01:00:01,740 --> 01:00:02,505
         on this hole.

1550
01:00:02,541 --> 01:00:04,040
 <i> If you're a golf commentator,</i>

1551
01:00:04,075 --> 01:00:04,774
          <i> you whisper.</i>

1552
01:00:04,810 --> 01:00:06,476
       <i> It's what you do.</i>

1553
01:00:06,511 --> 01:00:07,109
      <i> If you want to save</i>

1554
01:00:07,145 --> 01:00:07,977
    <i> fifteen percent or more</i>

1555
01:00:08,012 --> 01:00:09,879
       <i> on car insurance,</i>

1556
01:00:09,914 --> 01:00:11,013
      <i> you switch to GEICO.</i>

1557
01:00:11,049 --> 01:00:13,817
       <i> It's what you do.</i>

1558
01:00:27,398 --> 01:00:29,032
>> HIT ABOUT

1559
01:00:41,712 --> 01:00:43,146
>> Osgood: HERE IS A LOOK AT
THE WEEK AHEAD ON "SUNDAY
MORNING" CALENDAR.

1560
01:00:43,148 --> 01:00:45,381
THE WEEK AHEAD ON "SUNDAY
MORNING" CALENDAR.
ON MONDAY, PRESIDENT OBAMA

1561
01:00:45,383 --> 01:00:47,917
MORNING" CALENDAR.
ON MONDAY, PRESIDENT OBAMA
BEGINS VISIT TO ALASKA WITH THE

1562
01:00:47,919 --> 01:00:50,353
ON MONDAY, PRESIDENT OBAMA
BEGINS VISIT TO ALASKA WITH THE
FOCUS ON CLIMATE CHANGE.

1563
01:00:50,355 --> 01:00:52,188
BEGINS VISIT TO ALASKA WITH THE
FOCUS ON CLIMATE CHANGE.
TUESDAY SEES PUBLICATION OF THE

1564
01:00:52,190 --> 01:00:55,992
FOCUS ON CLIMATE CHANGE.
TUESDAY SEES PUBLICATION OF THE
61 1/2 EDITION OF GUINNES WORLD

1565
01:00:55,994 --> 01:00:58,061
TUESDAY SEES PUBLICATION OF THE
61 1/2 EDITION OF GUINNES WORLD
RECORD WHICH SOLD MORE THAN 130

1566
01:00:58,063 --> 01:01:03,833
61 1/2 EDITION OF GUINNES WORLD
RECORD WHICH SOLD MORE THAN 130
MILLION COPIES WORLDWIDE.

1567
01:01:03,835 --> 01:01:05,801
RECORD WHICH SOLD MORE THAN 130
MILLION COPIES WORLDWIDE.
WEDNESDAY MARKS THE 70th

1568
01:01:05,803 --> 01:01:07,503
MILLION COPIES WORLDWIDE.
WEDNESDAY MARKS THE 70th
ANNIVERSARY OF JAPAN'S FORMAL

1569
01:01:07,505 --> 01:01:09,739
WEDNESDAY MARKS THE 70th
ANNIVERSARY OF JAPAN'S FORMAL
WORLD WAR II SURRENDER ABOARD

1570
01:01:09,741 --> 01:01:13,409
ANNIVERSARY OF JAPAN'S FORMAL
WORLD WAR II SURRENDER ABOARD
THE BATTLESHIP USS MISSOURI.

1571
01:01:13,411 --> 01:01:14,410
WORLD WAR II SURRENDER ABOARD
THE BATTLESHIP USS MISSOURI.
THURSDAY IS U.S. BOWLING LEAGUE

1572
01:01:14,412 --> 01:01:16,846
THE BATTLESHIP USS MISSOURI.
THURSDAY IS U.S. BOWLING LEAGUE
DAY.

1573
01:01:16,848 --> 01:01:17,446
THURSDAY IS U.S. BOWLING LEAGUE
DAY.
CELEBRATION OF SPORT THAT WAS

1574
01:01:17,448 --> 01:01:20,183
DAY.
CELEBRATION OF SPORT THAT WAS
FIRST ORGANIZED IN MODERN FORM

1575
01:01:20,185 --> 01:01:22,318
CELEBRATION OF SPORT THAT WAS
FIRST ORGANIZED IN MODERN FORM
IN 1895.

1576
01:01:22,320 --> 01:01:24,487
FIRST ORGANIZED IN MODERN FORM
IN 1895.
ON FRIDAY MERCHANDISE RELATED TO

1577
01:01:24,489 --> 01:01:27,123
IN 1895.
ON FRIDAY MERCHANDISE RELATED TO
THE FILM "STAR WARS:  THE FORCE

1578
01:01:27,125 --> 01:01:29,959
ON FRIDAY MERCHANDISE RELATED TO
THE FILM "STAR WARS:  THE FORCE
AWAKENS" GOES ON SALE WORLDWIDE.

1579
01:01:29,961 --> 01:01:31,261
THE FILM "STAR WARS:  THE FORCE
AWAKENS" GOES ON SALE WORLDWIDE.
AHEAD OF THE MOVIE SCHEDULED

1580
01:01:31,263 --> 01:01:33,796
AWAKENS" GOES ON SALE WORLDWIDE.
AHEAD OF THE MOVIE SCHEDULED
DECEMBER 18th RELEASE.

1581
01:01:33,798 --> 01:01:35,865
AHEAD OF THE MOVIE SCHEDULED
DECEMBER 18th RELEASE.
ON SATURDAY, THE 15th ANNUAL

1582
01:01:35,867 --> 01:01:38,001
DECEMBER 18th RELEASE.
ON SATURDAY, THE 15th ANNUAL
LIBRARY OF CONGRESS NATIONAL

1583
01:01:38,003 --> 01:01:39,936
ON SATURDAY, THE 15th ANNUAL
LIBRARY OF CONGRESS NATIONAL
BOOK FESTIVAL ELSE IN

1584
01:01:39,938 --> 01:01:41,204
LIBRARY OF CONGRESS NATIONAL
BOOK FESTIVAL ELSE IN
WASHINGTON, D.C.

1585
01:01:41,206 --> 01:01:43,639
BOOK FESTIVAL ELSE IN
WASHINGTON, D.C.
KEY TO THE THOMAS JEFFERSON

1586
01:01:43,641 --> 01:01:44,673
WASHINGTON, D.C.
KEY TO THE THOMAS JEFFERSON
QUOTE, I CANNOT LIVE WITHOUT

1587
01:01:44,675 --> 01:01:51,314
KEY TO THE THOMAS JEFFERSON
QUOTE, I CANNOT LIVE WITHOUT
BOOKS.

1588
01:01:51,316 --> 01:01:53,283
QUOTE, I CANNOT LIVE WITHOUT
BOOKS.
FOLLOW UP TO LEE TOY JUAN'S

1589
01:01:53,285 --> 01:01:55,651
BOOKS.
FOLLOW UP TO LEE TOY JUAN'S
STORY TWO SUNDAYS ABOUT LIFE OF

1590
01:01:55,653 --> 01:01:57,453
FOLLOW UP TO LEE TOY JUAN'S
STORY TWO SUNDAYS ABOUT LIFE OF
RUNNING WATER FOR MANY WHO LIVE

1591
01:01:57,455 --> 01:01:59,122
STORY TWO SUNDAYS ABOUT LIFE OF
RUNNING WATER FOR MANY WHO LIVE
IN THE NAVAJO NATION IN

1592
01:01:59,124 --> 01:02:01,257
RUNNING WATER FOR MANY WHO LIVE
IN THE NAVAJO NATION IN
NEW MEXICO.

1593
01:02:01,259 --> 01:02:03,459
IN THE NAVAJO NATION IN
NEW MEXICO.
SHOCKED BY WHAT HE SAW MANY

1594
01:02:03,461 --> 01:02:05,261
NEW MEXICO.
SHOCKED BY WHAT HE SAW MANY
SPONTANEOUSLY CONTRIBUTED TO DIG

1595
01:02:05,263 --> 01:02:07,263
SHOCKED BY WHAT HE SAW MANY
SPONTANEOUSLY CONTRIBUTED TO DIG
DEEP, THE ORGANIZATION HOPING TO

1596
01:02:07,265 --> 01:02:09,498
SPONTANEOUSLY CONTRIBUTED TO DIG
DEEP, THE ORGANIZATION HOPING TO
DRILL A NEW WELL THERE.

1597
01:02:09,500 --> 01:02:12,335
DEEP, THE ORGANIZATION HOPING TO
DRILL A NEW WELL THERE.
AS OF FRIDAY, YOUR DONATIONS

1598
01:02:12,337 --> 01:02:15,438
DRILL A NEW WELL THERE.
AS OF FRIDAY, YOUR DONATIONS
TOTALED NEARLY $661,000.

1599
01:02:15,440 --> 01:02:18,041
AS OF FRIDAY, YOUR DONATIONS
TOTALED NEARLY $661,000.
THANKS TO YOUR GENEROSITY THAT

1600
01:02:18,043 --> 01:02:21,110
TOTALED NEARLY $661,000.
THANKS TO YOUR GENEROSITY THAT
WELL WILL NOW BE BUILT.

1601
01:02:21,112 --> 01:02:22,812
THANKS TO YOUR GENEROSITY THAT
WELL WILL NOW BE BUILT.
NOW TO JOHN DICKERSON IN

1602
01:02:22,814 --> 01:02:24,447
WELL WILL NOW BE BUILT.
NOW TO JOHN DICKERSON IN
WASHINGTON FOR LOOK WHAT'S AHEAD

1603
01:02:24,449 --> 01:02:25,248
NOW TO JOHN DICKERSON IN
WASHINGTON FOR LOOK WHAT'S AHEAD
ON "FACE THE NATION."

1604
01:02:25,250 --> 01:02:26,582
WASHINGTON FOR LOOK WHAT'S AHEAD
ON "FACE THE NATION."
GOOD MORNING, JOHN.

1605
01:02:26,584 --> 01:02:27,616
ON "FACE THE NATION."
GOOD MORNING, JOHN.
>> Dickerson: GOOD MORNING,

1606
01:02:27,618 --> 01:02:27,850
GOOD MORNING, JOHN.
>> Dickerson: GOOD MORNING,
CHARLES.

1607
01:02:27,852 --> 01:02:28,784
>> Dickerson: GOOD MORNING,
CHARLES.
THIS MORNING WE'RE GOING TO TALK

1608
01:02:28,786 --> 01:02:30,153
CHARLES.
THIS MORNING WE'RE GOING TO TALK
ABOUT NEW POLL NUMBERS OUT WATCH

1609
01:02:30,155 --> 01:02:31,787
THIS MORNING WE'RE GOING TO TALK
ABOUT NEW POLL NUMBERS OUT WATCH
WHAT REALLY INTERESTING NEWS,

1610
01:02:31,789 --> 01:02:33,289
ABOUT NEW POLL NUMBERS OUT WATCH
WHAT REALLY INTERESTING NEWS,
HILLARY CLINTON SLIPPING, BERNIE

1611
01:02:33,291 --> 01:02:34,757
WHAT REALLY INTERESTING NEWS,
HILLARY CLINTON SLIPPING, BERNIE
SANDERS ON THE RISE AND

1612
01:02:34,759 --> 01:02:36,159
HILLARY CLINTON SLIPPING, BERNIE
SANDERS ON THE RISE AND
VIABILITY FOR DONALD TRUMP AND

1613
01:02:36,161 --> 01:02:37,460
SANDERS ON THE RISE AND
VIABILITY FOR DONALD TRUMP AND
WE'LL LOOK BACK AT NEW ORLEANS

1614
01:02:37,462 --> 01:02:39,762
VIABILITY FOR DONALD TRUMP AND
WE'LL LOOK BACK AT NEW ORLEANS
TEN YEARS AFTER KATRINA.

1615
01:02:39,764 --> 01:02:41,097
WE'LL LOOK BACK AT NEW ORLEANS
TEN YEARS AFTER KATRINA.
>> Osgood: THANK YOU, JOHN.

1616
01:02:41,099 --> 01:02:42,031
TEN YEARS AFTER KATRINA.
>> Osgood: THANK YOU, JOHN.
WE'LL BE WATCHING.

1617
01:02:42,033 --> 01:02:43,532
>> Osgood: THANK YOU, JOHN.
WE'LL BE WATCHING.
NEXT WEEK HERE ON "SUNDAY

1618
01:02:43,534 --> 01:02:45,034
WE'LL BE WATCHING.
NEXT WEEK HERE ON "SUNDAY
MORNING."

1619
01:02:45,036 --> 01:02:47,971
NEXT WEEK HERE ON "SUNDAY
MORNING."
>> I STARTED OFF AS ACTOR I

1620
01:02:47,973 --> 01:02:50,739
MORNING."
>> I STARTED OFF AS ACTOR I
REALLY -- I THOUGHT, WONDER IF

1621
01:02:50,741 --> 01:02:58,481
>> I STARTED OFF AS ACTOR I
REALLY -- I THOUGHT, WONDER IF
I'LL MAKE

1622
01:03:00,984 --> 01:03:06,656
>> Osgood: WE LEAVE YOU THIS
SUNDAY IN UTAH.
ZION NATIONAL PARK WHERE SPOTTED

1623
01:03:06,658 --> 01:03:09,426
SUNDAY IN UTAH.
ZION NATIONAL PARK WHERE SPOTTED
TOWESS MAKE THEIR HOME.

1624
01:04:01,345 --> 01:04:05,281
>> Osgood: I'M CHARLES OSGOOD.
PLEASE JOIN US AGAIN NEXT SUNDAY
MORNING.

1625
01:04:05,283 --> 01:04:06,549
PLEASE JOIN US AGAIN NEXT SUNDAY
MORNING.
UNTIL THEN, I'LL SEE YOU ON THE

1626
01:04:06,551 --> 01:04:11,353
MORNING.
UNTIL THEN, I'LL SEE YOU ON THE
RADIO.

1627
01:04:11,355 --> 01:04:11,921
UNTIL THEN, I'LL SEE YOU ON THE
RADIO.
<font color="#ffff00"> Captioning made possible</font>

1628
01:04:11,923 --> 01:04:12,454
RADIO.
<font color="#ffff00"> Captioning made possible</font>
<font color="#ffff00"> by Johnson & Johnson,</font>

1629
01:04:12,456 --> 01:04:13,022
<font color="#ffff00"> Captioning made possible</font>
<font color="#ffff00"> by Johnson & Johnson,</font>
<font color="#ffff00"> where quality products for</font>

1630
01:04:13,024 --> 01:04:21,498
<font color="#ffff00"> by Johnson & Johnson,</font>
<font color="#ffff00"> where quality products for</font>
<font color="#ffff00"> the Americ</font>