Hi everybody.
Today I'm going to show you how you can turn this
to the
right.
So one more time.
Hi everybody.
Thanks for stopping by and how I said the day I'm going to show you how you can make your video cinematic.
People always ask me why my video is different even that they had the same itemization and same camera
and everything.
It's just six steps and today I'm going to show you all these steps.
So check it out.
Number one frame rate you can shoot to 24 25 30 50 60 100 120 240 frames per second.
There are so many frame rates that you can use for your videos that don't get about it.
If you are not professional Hollywood film maker it doesn't matter what do you use.
I am usually shooting two for 850 frames for full HD 50 frames.
And why.
Because when I shoot to 50 or 60 frames I always skin slow down.
We deal when I want to slow it down.
And when I ended up dead I don't want to slow it down.
I just did do my 24 frame timeline in Premiere Pro and everything look perfect
but if you would like to slow down do a deal which you shoot it on 24 or 25 frames you can slow it down
because it looks horrible.
I'm going to show you yet
it's not good.
So remember try to shoot on 50 or 60 frames.
Number two composition at compositions are one of my favorite things to talk about because it's so important
for filmmaking and also for photography maybe you are just starting out maybe you are season mature
maybe you will pick up camera every now and you are like highest of professionals regardless across
the board compositions is so important.
The leading lines that will lead you to the subject of the Bay of of the video or using glide in a certain
way that it frames the subject using architecture and divert around you to make.
Do we deal pop up and stand out more.
But the most important composition is the center of composition.
It works every time and always it looks so cool no free details and depth of field in your video.
Always pay attention on details because details are so important in every way do you.
And it's really easy.
Just come closer to the subject.
Make some nice footage.
If you are using the use of our camera for shooting your videos always try to have your lens on the
minimum of focused depth like one point four one point eight or two point eight.
Because in that case your video will have beautiful shallow depth of field.
This is when I focus one point eight and this is when I have my focus on five point six.
And as you can see that's totally different.
And if you are using your smartphone for a shooting you need to go closer to the subject or you need
to double load application which is called Filmic Pro and about this application.
I will talk in next to video number for stabilization.
So important think in filmmaking is stabilization.
As you can see this this video with stabilization and this is laid out in last video I showed you how
to balance the stabilization and how to work their debt.
If you are intractable.
Any stabilization ploy or camera or for a smartphone.
I will tell you which one is the best but more expensive and which one is so cool.
Have similar functions but much more cheaper if you are using smartphone.
Definitely you need to buy D.J. or small mobile def free versions of the gimbel or small one or small
to smoke free of course the cheapest is the ultimate one but it's too old and it's not a good idea to
buy it.
But if you are going out to buy the higher number of days I recommend you.
Number two because it they get similar functions but the price is 50 dollars cheaper.
It's up to you but if you would like to buy some stabilization for our DLR and also if you have money
for that.
Also you have to buy DGI.
There are two ways of stability patience deejay run an M or deejay or on an S.
I am using the J or an M which is really core for shooting commercial spots and music videos because
you can put on it.
So many SS units like microphone external recorder and so on and also it looks pretty cool.
But there is one think it's really heavy.
So if you don't want to be a black Muscle Man you should buy the J an s but it cost around eight hundred
dollars so if you would like to buy something cheaper you can buy.
If I did ride Zune crane which cost around 400 dollars and it also got the same functions as the DGA
I also use this one because it's really great for travelling around the world and you can just put it
into a bag.
And here we go.
Number five sidebars in previous four steps.
I was talking about the technical camera aspect but now I will talk about how to make video cinematic
in post-production.
First things first your video needs the same bus as you can see this.
We do this madness and this is it out.
Yeah that's better.
And how you can get it.
Just go to the Google type in seeing them Dick Morris dot B and G downloaded to your computer and then
just drag it on top of the timeline put it to the start and then just stretch it to the end of the clip.
It's easy right and it looks cool.
Number six color grading.
All right.
So open up the premier Pro.
Then just take this clay like simple drag it to your timeline.
Yeah.
Too stupid to for gay and the timeline is for full HD.
So I just click on the clip.
Go to ethnic controls and just put it 50 persons.
Because I would like to have a full HD.
All right then just go to that window then click to the metro car.
And then it's hide over here.
So just stretch it up yes it is.
Then click on the creative
but you need to click on the clip.
Yeah.
Now you can see that dang click on these old bro's and find your lots that I give you and you need to
just find it click on it.
And here we go.
Here is the intensity you can put it to two hundred or two zero but by around 100 it's great.
Maybe if you are not shooting to look you can just have like 50 persons of intensity all right then
go to basic.
Correction.
All right here we have temperature and so warm.
And now here as you can see the image is really dark so we need to put the shadows up.
Yes lights and then little bit of contrast and highlights lit a bit down because the background is shining
then black like minus 5 10
saturation around one hundred 10 and temperature.
This is like superb warm.
So I would like to have a little bit colder.
So I put minus 10
and tint just plus five.
Right.
So this is it.
It's done.
And if you are done you just go to the controls and here you can see the limits.
You can just copy this code of correction and then just find another forward edge.
This one is great.
Put it to your timeline again 50 persons of scale and just click on the clip and go to f it controls
and paste the color grading as you can see it's like really shiny.
So we just put down the highlights and this is and this is it.
It's done.
You can put it through all clips that you have in your timeline.
And this is it it's super easy.
Even if you have these slots which is sometimes really hard to find out.
And also it's not cheap.
Usually if you buy a lot back it's around 100 dollars.
Remember when you start shooting footage foolish to turn your phone horizontally for a wide cinematic
look unless you are shooting a video to be featured on something like Instagram Stories and you can
leave your phone turn radical but other ways horizontal is the way to go before we start filming.
We need to set up our filmic pro app to get the best results and as a rule of thumb going forward before
we hit the record.
Always double checking your siblings.
You don't want to ruin a perfect shot because your camera was not set up apparently.
First we will want to set our color profile and adjust our white balance on the top of the menu.
You can find a control for white balance like most of the cameras.
You can set it manually depending on available lighting and subject matter or we can click on WB you
had to adjust it ultimately good Next choose the local color profile from second menu option by Doc
Campbell earlier this mold is really special.
And that's why I use this app for shooting because this give us a nice flat image to work on because
then in Premiere Pearl you can color great it looks totally different and it looks so great.
Deferred URL of options here.
You can also adjust the saturation and light bends manually whenever you do.
Be sure that you are not too overexposed or under expose your image to a lie or to a dark.
Let's go over some of the basics of filmic Perl ABS controls.
The circle reticle in the middle of the screen lets you control exposure of your image.
Track the circle overhead image untold exposure is just right and the subject of your image even let
live unless you are proposed lit.
Lighting for darkness the square root taker controls focus drag this critical over the point of focus
to focus your image look and look either of their radicals into place and avoid them shifting while
filming by tipping them and during Democrat red means locked.
If you want I just looked at just that on that again.
The bottom center of the screen you are able to see a H U D display for your time called counter battery
life storage space.
Ideal level FBA settings and video settings curse to begin our recording.
You can click the record button found in the lower right of the screen and it will turn red.
While recording in progress.
Do any of your recordings.
Trim them make small adjustments or to transfer the files to an Android device.
Just click it firmly collaborate button located at the bottom right beside the record button.
It resembles a small play button
back in the settings menu.
Let's click on the resolution option in the set our resolution and we would like to record two sixteen
point nine and four game
next set up the frame rate.
You can use 24 25 30 or 48 50 or 60 frame and as I told you.
Try always to use for gay 50 or 60 frames.
Next go to the device and turn the settings on.
If you want to save the footage to your smartphone now.
If everything is setup we need to save it.
S brace it because you don't want to do it is setting.
Every time when you open up this app.
So lets go to the settings presets and create your preset your preset and save it.
Let's take a look at some of the more advanced controls within this app.
Due to lies the manual sliders within the app tap and hold on either reticle or you can swipe in from
decides to close them.
Just way back out to go into full manual mode click the icon located in the bottom left next to the
image button.
This locks both radicals and pulls up the manual slider for full manual control slider on the right
allows you to manually adjust focused they've build in peaking for perfect focus and adjust your resume
manually as well.
Alright guys thank you so much for watching.
I hope that you enjoyed these videos and see you in another video.