It was an old fairy tale for a new generation.
The princesses were the heroes.
I bet they're absolutely lovely.
The handsome prince, the bad guy.
Aah!
The heartthrob needed a stylist.
The breakout star?
Olaf?
I like to think it was this devilishly good-looking snowman.
But you won't believe how it all came to be.
Because the story of how we made "Frozen" is as magical as the movie itself.
This is amazing!
the story of frozen making a disney animated classic Find this srt by zjzengdongyang
but now, before we start, I got to level with you...
I'm not really a snowman.
See the resemblance?
Hi, folks. My real name is Josh Gad.
And welcome to the legendary Walt Disney animation studios.
Nice, long, sweeping lines around her face.
This is all the painting here.
Do you know that 600 people worked for 2 1/2 years to bring Anna, Elsa, Kristoff,
and yours truly to life?
Fixer-upper!
I'm in love with the animators.
They're the true heroes of this whole thing.
In creating a character in animation, two people are really vital.
Did I say that out loud?
The voice actor and the animator.
When she throws the crown.
They together make the character.
You look beautiful.
We're gonna tell you all kinds of things about how they did it.
But first, another surprising detail.
"Frozen" almost didn't get made.
I'm guessing you don't have much experience with heat.
Get ready for this...
It took 70 years to get this movie into production.
The origin story of "Frozen" is "the snow queen" by Hans Christian Andersen,
and Disney had been trying to develop that story for many, many years.
Walt Disney dreamed of doing it as long ago as 1937.
Well, how about the one we've always wanted to do and never got around to?
But it never quite happened, and eventually,
animated princess movies just went out of style.
A lot of people felt that the world had grown too cynical for a sincere fairy tale.
They said, "we're not gonna make another one."
And so when Ed Catmull and I came in, we go, "yeah, we're gonna change that.
We want to do this."
So we started out by bringing back hand-drawn animation with "the princess and the frog."
Then they made "Tangled"....
And then went back to tackling "The Snow Queen"...
This time, with a whole new name.
And voila!
This is so nice. Oh! I wish it could be like this all the time.
Kristen Bell and Idina Menzel.
What power do you have to stop this winter?
To stop me?
They're amazing with what they brought to these characters.
There? Here?
Oh, are you sure? 'Cause I don't think I'm supposed... oh.
Kristen brought this wonderful, goofy, real girl character
that people can relate to because she has her faults and everybody does,
so it really makes the character come to life and become believable.
Oh! Hey!
I did look at Kristen's recording sessions,
and what I got from it was just some of the goofy things she'd do.
I mean, you look beautifuller. Just by watching her expressions.
I kept pushing for her to be quirkier and goofier
because that's how I felt as a kid growing up.
I'm awkward. You're gorgeous.
- Wait, what? - I sort of embraced having a
not-so-standard princess personality.
- I'm completely ordinary. - That's right... she is.
Keep the thing the best way.
I really wanted to make Anna different.
And I wanted her to be a role model for little girls who were like me.
I love that she's a real girl.
She wakes up with messy hair, with the hair in her mouth.
Yeah?
You're always recorded, so you can come to work in your pajamas,
but someone is going to view that tape.
So you have two cameras on you at all times to catch,
like, itsy-bitsy imperceptible movements of your face,
of your eyebrows, where you use your hands.
It adds so much dimension to these characters.
Becky Bresee also used another actress to capture Anna herself.
I have a camera at my desk, and I shoot a little movie of myself acting the scene out.
Witch, that's part of the joy of my job.
This is what the reference was.
Sorry. I'm sorry.
I didn't...
We leave... now. Right now.
What I'm taking from this are poses or expressions.
Like in this scene, I didn't quite know where to put my hands.
I was uncomfortable.
I thought, "ooh, that would be good for the fact that she is a little uncomfortable."
We leave now. Right now.
What it is, it's putting those little truths into your scene,
that really makes the character come to life a she becomes believable.
For the younger versions of Anna and Elsa,
Becky also found inspiration from her own family.
My daughters, some of the scenes with Anna and Elsa in the beginning of the movie,
they acted some of those scenes out for me.
What? No. No, no no, no.
Idina also brought this wonderful vulnerability to Elsa.
When I was a kid, I had this voice, and so I would hide it all the time,
so I completely related to this character.
When Idina came to the studio to visit, she talked to the animators.
They sat me down in front of a group of about 80 of them,
which I thought it was just gonna be three.
Maybe it was a little bit overwhelming for her. She was a little bit nervous.
And I was thinking, "this is kind of like Elsa."
But when Idina started singing.
♪ The past is in the past ♪
All of that changed.
You could see the power come out of her. It was amazing.
Idina worked with animators to make Elsa's singing feel realistic.
They wanted to know how I sing, really.
What do I do when I breathe?
She talked about how when singing you use your diaphragm. It's very subtle.
That's what this control does right here.
You can kind of get the sense that she's actually breathing.
It's a puppet, it's not real,
but you want to make sure that it feels like she's taking in oxygen and she's breathing.
Idina talked to them, they added it, and it just, like... bink!
It just... all of a sudden, she seemed more real.
The writers, animators, and actors worked together to find the voice of each character.
It's a palace made of ice!
And sometimes, the odd reindeer, too.
It felt psychotic to be talking as Kristoff and then also as Sven.
♪ Let's call it a night good night ♪
I think Sven would probably say to Kristoff.
"Kristoff, why are you trying to such a tough guy?
You know you're in love with Anna."
And then Kristoff would be like, "no, I'm not in love with Anna.
What are you talking about?"
You know, just that sort of back and forth makes you feel like a crazy person,
but it's so much fun.
And then there was this guy.
Hi, everyone. I'm Olaf. And I like warm hugs.
Olaf is an animator's dream.
I really like this guy.
I mean, here's a character that you can pull apart.
Man, am I out of shape!
Put back together in different forms.
There was a lot we could do with him.
Olaf's not Olaf without Josh Gad.
Yes.
- Yellow. - No, not yellow. Yellow and snow?
No go.
Josh would go into that recording booth and just put himself into it.
Hi. I am Olaf, and I like warm hugs.
And for an extra flower, I'm also a love expert.
And just the little movements and especially his facial expressions were very helpful.
I don't have a skull or bones.
Like everyone else, Hyrum found inspiration close to home.
- Say hi, Tim. - Hi, Tim!
I actually looked to my little boy Timmy at home,
to try and look at his little mannerisms and the things that he did to animate Olaf,
and it led to things like really keeping him light, he hops a lot.
We really tried to keep him in a childlike feel to his character.
And Hyrum found even more inspiration in the family scrapbook.
I am an Osmond.
There's a small tribute in "Frozen" to my Uncle Donny.
It's during the "love is an open door" song, as they're walking from the waterfall,
that big note where Hans kind of belts it out.
♪ Door ♪
It was sort of the family joke to kind of imitate them as they'd go...
♪ Eeeh ♪ you know, and do their big notes.
Donny Osmond wasn't the only surprising source of inspiration.
John Lasseter, being an animator, he had done this really funny thing imitating Olaf.
We were trying to describe it to the animators,
and we couldn't get it, so we caught him in the hallway,
and we're like, "just do it! Just do it!"
It's that moment where Olaf does the, "he's crazy."
He's crazy. They're just rocks.
Hey. Whoa. I don't even recognize you. You've lost so much weight.
I'll distract him while you run. Hi, Sven's family! Hi!
That's pretty much what you see on the screen.
Yeah. So, a lot of, for us, the memories are them, the people we worked with,
acting them out in front of us and goofing off of.
Or..It's a lot of all their personalities.
Yeah.
The directors and myself, we talked to the animators in terms of emotion.
It's like you look at those faces and that character is alive.
Coming up...
Would you believe my favorite song almost didn't make the final cut?
♪ Do you want to build a snowman ♪
♪ or ride our bike around the halls ♪
♪ for the first time in forever ♪
♪ I finally understand ♪
♪ for the first time in forever ♪ ♪ we can fix this hand in hand ♪
One thing you may not realize,
is just how personal the making of this movie really was...
For almost everyone who worked on it.
♪ 'Cause for the first time in forever ♪
♪ I will be right here ♪
♪ it's just a bit of a fixer-upper ♪
Like, did you know that the songwriters are actually a husband-and-wife team
and that young princess Anna is sung by their daughter?
Elsa?
♪ Do you want to build a snowman ♪
♪ it doesn't have to be a snowman ♪
Bobby and Kristen's daughter Katie did the scratch voice for the little Anna,
and my daughter did the scratch voice for the 9-year-old Anna.
♪ Do you want to build a snowman ♪
We started saying what we really want is the authenticity... these are authentic kids.
And there was a sweet vulnerability and naivete and just purity,
and we wanted to capture that.
♪ It gets a little lonely all these empty rooms ♪
♪ just watching the hours tick by ♪
Our kids inspired these characters a lot,
and then to have them in playing parts in it, it comes full circle.
And here's something else. Take a look at these early sketches.
At first, Anna and Elsa weren't even sisters.
Anna was a peasant who journeyed to ask the Ice Queen Elsa to freeze her broken heart.
But it just didn't feel right.
We were struggling. We were struggling with the movie.
We were struggling with the emotional heart of it and how do we feel for these characters.
The issue that kept coming up is, what do Anna and Elsa have to do with each other?
Why does it matter? And how could it matter more?
And someone in the room said, "what if they were sisters?"
We don't even know who came up with the idea,
and no one wants to claim it. I don't know why,
'cause it's a great idea. But everything started to click.
And once again, it all got very personal.
Elsa, psst.
I adored my sisters when I was growing up.
Elsa!
And I could definitely relate to wanting to be closer to them
than they wanted to be to me when I was the little runt.
- Wake up, wake up, wake up! - Anna, go back to sleep.
I just can't.
The sky's awake, so I'm awake, so we have to play!
Come on, come on, come on!
I have a younger sister. She's three years younger than me. Her name's Cara.
We're super-close.
Do the magic! Do the magic!
I was so super-protective of her, like an older sister.
I used to get up in people's faces if anybody was mean to my sister.
- Ready? - Uh-huh.
I would compromise or hide any secret if it meant saving my sister in some way.
Queen Elsa of Arendelle!
There's a built-in hierarchy when you have siblings, and the older ones are always cool.
Princess Anna of Arendelle!
The younger ones just so badly want approval.
I don't think I'm supposed to... Oh. Okay.
Hi. "Hi" me?
Oh. Um, hi.
- You look beautiful. - Thank you.
I mean, you look beautifuller. I mean... not fuller.
You don't look fuller, but more beautiful.
Thank you.
It's a pretty monumental moment when your older sister...
I know this 'cause I have two older sisters...
Gives you an adult compliment and says, "you look beautiful."
I wish it could be like this all the time.
Me too.
But it can't. It can't.
That eager-to-please little-sister feeling led to,
what would ultimately become one of the film's most beloved moments.
Do you want to build a snowman?
And would you believe that my favorite song almost didn't even make the final cut?
♪ Do you want to build a snowman ♪
♪ come on let's go and play ♪
♪ I never see you anymore ♪
♪ come out the door it's like you have gone away ♪
There was a screening as late as February of 2013, so not that far from release.
And although the individual parts were strong and working,
it just didn't add up.
Do the magic! Do the magic!
"Do you want to bud a snowman?" Had been taken out.
♪ Do you want to build a snowman or ride ourike around the hall ♪
♪ I think some company is overdue ♪
♪ I started talking to the pictures on the wall ♪
Hang in there Joan
we'd try and sneak it back in, and it was out, it was in, it was out,
and then there was sort of a groundswell here at Disney,
where the rank-and-file people wrote e-mails saying,
"why is it out? Put it back in."
Elsa?
♪ Please I know you're in there ♪
It was not put back in the film until the witching hour before we released it.
♪ I'm right out here for you ♪
♪ just let me in ♪ ♪ we only have each other ♪
Thankfully, at the very last moment, someone made the call of putting it back in,
'cause I think it's one of the best songs in the movie.
♪ Do you want to build a snowman ♪
That was a very exciting day.
People often do ask me if I want to build a snowman or sing
"would you like to build a snowman?"
And I always respond with "yes,"
so I think I have a lot of snowmen to build. A lot.
Next stop... the real Arendelle.
Where do you think it is?
For the answers to these and other questions,
the director is live-tweeting right now at "ask Frozen".
While the animators were creating the characters,
the design team needed to create Arendelle.
The story is telling us that these characters need to live in a world,
that is extremely vast and grand.
So that eventually led me to center on Norway.
The first thing that I told everybody is,
"get on a plane and go to Norway."
Next stop... Norway.
They found what they were looking for.
Amid the snowy Hamlets and towering Norwegian fjords.
I settled on the fjords,
because I knew that would be a stupendous setting to plant a kingdom at the foot of.
When teams go off to research,
the thing I tell them is, "open your ears, open your mind, and open your heart."
You don't know what you're gonna find when you go.
I never knew winter could be so beautiful!
Everything is so specific, from every icicle to everything someone's wearing.
When there's, like, a huge wind and things get Frozen
and how icicles go sideways and how snow moves.
When you see the movie, you really get a sense of location,
and it's because of all of the effort and research and homework that the animators did.
One of the most important things they noticed was a Norwegian pattern called "rosemaling".
Something very, very small, but it loomed very large in the world of "Frozen",
and that is the idea of rosemaling.
You'll find this everywhere in Norway.
On columns.
Ceilings.
Dresses.
We used this in our castle, on our characters.
Rosemaling was the starting point for a lot of the language of Elsa's magic.
All elements share the same language, and that's how you help to create a total world.
Snow. It had to be snow.
One of the big challenges for making snow in this film
is that we were gonna have a lot of it,
and that's something that people hadn't really done in an animated film.
This is some of our early tests with our developers.
We wanted snow to be like a character in the film, and, for the first time,
have characters actually interacting with it and to have it react to them, as well.
We had to really understand how the snow moves 'cause we're all from Southern California.
Production sent us to Jackson Hole, Wyoming.
And for two days, we just played in the snow.
We'd build snowmen.
We'd jump, slide.
There's a moment in the film where Olaf's sliding down the hill.
I actually slid down a hill as quickly as I could.
And just things like that really helped us out with Olaf.
We made it!
The costume department made us a huge skirt.
I got to have that on while we were tromping around in the snow.
I even had to wear the dress.
I can neither confirm nor deny whether I put the skirt on.
There was one meeting that we had with John Lasseter.
We put up the ideas for what this ice palace could, would, should be.
And John thought, "well, great, but I think you folks are missing the point."
A snowflake has got six sides, and that became the focal point of it.
One thing that really helped us was this idea that we were
going to use the snowflake as a plan for the ice palace.
Once she kind of stomps her foot.
It does branch and plate throughout the whole creation.
We had about 45 different, separate things happening over the course of that one shot.
Putting in the rosemaling with the curls and then having another curl come off of that
curl and sort of piece everything together like a big puzzle.
We were able to have her trigger something that we could follow up the wall,
it would end with the ceiling,
and then using the chandelier build to get us back down to the ground.
It took about nine months to pull that off.
- ♪ The past is in the past ♪ - coming up...
The amazing story behind this hit song.
♪ Let it go let it go ♪
- All ashore! - Welcome to Arendelle!
Even as the kingdom of Arendelle was coming together. 即使阿伦戴尔王国即将建立起来。
Beautiful!
Our story was not. 我们的故事并没能建立起来。
The very heart of the problem seemed to be Elsa. 问题的核心似乎在于艾莎的形象。
When I first came on, they had made her this blue character with spiky hair. 当我第一次来时，他们已经确定了艾莎彰显着抑郁性格的发型发色。
It seemed like she was just your quintessential evil queen. 让她看起来就像典型的邪恶皇后。
She had a coat made out of living weasels, 她的大衣就像黄鼠狼皮，
and all the weasels would crawl up her and make this living fur coat. 好像所有的黄鼠狼聚集过来，拼成那件大衣。
They had done a great job of creating a classic evil queen. 他们已经做了大量的工作，用以打造一个经典的邪恶皇后形象。
And Disney's done that, and they're good at it, 像迪士尼常做的那样，他们擅长这样做。
but it's like, "can we say something new? 但这就像是说“我们能不能来点儿新鲜的？”
" Fear will be your enemy".
And Elsa was starting to remind John Lasseter of somebody he knew. 艾莎的心理开始确立，灵感来自于约翰拉赛特所经历过的。
We'll protect her.
My son, Sam, was diagnosed with diabetes when he was 10 years old. 我的儿子，山姆，被诊断出糖尿病时，他才十岁。
And this little guy was being poked, needle after needle after needle. 而这个小家伙开始经历不停的扎针，扎针，扎针治疗。
I'm scared!
And he asked, "why me?" 他问“为什么是我？”
Calm down.
No! Don't touch me!
Please. I don't want to hurt you.
And I thought of Sam as I was thinking of Elsa. 于是我想艾莎的感受也如同山姆。
She was born with this. 她生来有此能力。
Why is she a villain? 她为什么就是一个坏人？
- They found his answer in a song. - Smile, guys. -一首歌给了他们答案。 -伙计们，笑。
At the time Elsa was a villain, 那个时候，艾莎还是个坏人，
she was still probably coming down the mountain later with her army of evil snowmen 她仍然可能率领着邪恶雪人军队从山上冲下来，
to terrorize the village. 恐吓着村民。
So we were still writing a villain song. 所以我们仍然写一些邪恶主题的歌曲。
And we started getting into the head space of what you'd feel like 有些感同身受的想法开始进入我们的头脑当中
if you were that isolated. 如果你是孤立的，
Lock the Gates. 被禁闭的。
We'll reduce the staff,
we will limit her contact with people
and keep her powers hidden from everyone.
And we knew in this moment 我们觉得就是这个
that she'd go through a transformation from repressed 她释放了她的压抑
to letting her powers out and sort of trying to get away from society 让她与众不同的能力，去摆脱社会主观的看法
and be who she really was. 并试图做真正的自己。
And then Bobby came up with this vamp. 鲍比想出了这个基调。
- Do you want to play the vamp? - Sure. -你想弹奏下这个基调吗？ -当然。
And sometimes when we're working in our little studio, 有时，我们在自己的小工作室工作，
he'll play something that just sends chills up my arms and all over my body, 他会弹奏些让我从胳膊到全身都发凉的音乐，
and then I'm like "yes!" 然后就像在肯定说“是的！”
And once we kind of started writing from that, 一旦我们从这方面开始写，
from the reality of that, we found that we had something to say. 我们发现自己有很多关于现实中的看法想要表达。
- We got this hook. - Kristen got the hook "let it go." -我们找到了关键点。 -克莉丝汀找到了关键点“let it go.”
Because she had to let go of 因为她让一切let it go
everything she's ever known, 过去她所熟知的都抛掉，
and yet it was this moment of exhilaration 是一个让人无比兴奋的时刻
where she could finally let go of all she'd been holding inside. 她终于可以释放以往她埋藏在内心中的自我。
Ready? 准备好了？
Yeah. 是的。
So, I'm up on a mountain, the wind is blowing. 我在山峰之巅，风呼啸而来。
- In Prospect Park. - And I'm blond. -展望远景。 -我的金发。
♪ The snow glows white on the mountain tonight ♪
♪ not a footprint to be seen ♪
♪ a kingdom of isolation and it looks like I'm the queen ♪
That's Bobby's line. 这是鲍比的调。
♪ The wind is howling like the swirling storm inside ♪
♪ couldn't keep it in heaven knows I tried ♪
And the song wrote itself very quickly. It was a day and a half, maybe two days. 这首歌完成得非常快，用了一天半，或者两天的时间。
♪ Be the good girl you always have to be ♪
♪ conceal don't feel ♪
♪ don't let them know ♪ ♪ well now they know ♪
♪ let it go let it go ♪
Can't hold back anymore ♪
We sent the demo out, and everyone went, 我们发出了小样，每个人都听到了，
"oh, my gosh, that's great. Shoot. We have to rewrite the whole thing." “哦，上帝，太棒了。毙掉过去。我们不得不重写整个故事。”
I don't think they said "shoot," actually. 事实上，我并不相信他们说的“毙掉过去”。
I think it was a little more four-letter than that. 我以为大概是比这四个字多点儿而已。
I went, "oh, God. I have to rewrite the entire movie again." 我听后，“哦，天，我必须改写这部电影。”
The first time I heard "let it go, " I thought, " wow. 我第一次听到“letit go,”我想“哇噢。”
This isn't just the funny sort of evil queen song. 这不只是搞笑之类的邪恶女王的歌曲。
This was a real soulful, emotional, vulnerable song. 这是一个真正深情的，情感脆弱的歌曲。
With all these emotions of my son, Sam, 与所有这些情绪共鸣，就像我的儿子山姆，
kind of in me and I heard this song, I knew this was it. 给我的那种感觉。我听到这首歌，我知道就是它。
This is exactly what this character needed. 正是这个角色所需要的。
And then, to my beautiful surprise, she was never, ever the Nemesis, really. 然后，作为一个美丽的意外，她从来，也永远不会成为敌人，真的。
She was just the misunderstood young woman that we can all relate to. 她只是一个被误解的年轻女子，有我们都可能经过的遭遇。
That song came at the right time, and it fundamentally changed the entire movie. 这首歌在正确的时间出现，它从根本上改变了整部电影。
♪ Don't let them in don't let them see ♪
When the song was written, that sort of liberated the whole character 这首歌写的时候，解放是整个主题
in that it was so much more about a girl's... 它更多的是关于一个女孩的……
A young woman's battle and challenges to find herself and who she was. 一个年轻女人的斗争和挑战，找到自己和她是谁。
♪ Make one wrong move and everyone will know ♪
We had so much more fun making her this complicated, kind of tortured hero. 我们有很多有趣的点子，使她成为复杂的，受折磨的英雄。
Enough!
Elsa.
Now that they'd figured out who Elsa really was, 现在，人们知道了艾莎与众不同的能力，
the production team decided that her "let it go" moment 制作团队决定这是艾莎要“let it go”的时刻
would be a triumphant, spectacular transformation. 将是一个胜利的，壮观的改变。
So, at the beginning, you can see how she walks up the snow. 那么，一开始，你们可以看到她如何从雪地走来。
There's a certain way that she moves. 还有她移动的方式。
I feel for Elsa. I feel for her journey. I feel for what she's been through. 我感受着艾莎的感受。我感受着艾莎的旅程。我感受着艾莎一路走来的经历。
We wanted really to see the progression through that song. 我们想真正看透这首歌的进展。
She's experimenting with her magic. 她尝试用她的魔法。
She hasn't used it in so long. 她过去没有使用过那么长时间。
- ♪ Can't hold me back anymore ♪ - so she's playing with it now. 所以她现在这么畅快地玩。
She starts trying her powers out for the first time and really letting it loose, 她开始尝试释放她的能量，第一次真正给自己的超能力松绑，
letting it go and just doing it. And you see her. 随它所欲，只是尽情发挥。你们看着她。
♪ Here I stand ♪
Become empowered and say, "you know what? I like who I am." 成为掌控者，并且说“你知道吗？我喜欢我是谁。”
♪ L the storm rage on ♪
"And if no one else can understand me, fine. I'll live by myself." “如果没有任何人可以理解我，好，我独自生活。”
"But I like who I am, and I'm not going back." 但是我喜欢真正的自己，我不会再回来。
♪ I'm never going back ♪
Letting your hair down, there's a meaning behind that, even. 甚至把头发解开放下，都有其背后的意义。
♪ Let it go let it go ♪
♪ and I'll rise like the break of dawn ♪
She speaks to many people in that moment 她在那一刻对着所有人说
where she's not going to be controlled by this fear. 在那里她不会被这种恐惧控制。
♪ Here I stand ♪
And I think when you finally have that moment, 我以为，当你终于有那一刻，
that "I'm going to be my truest self", 说“我要成为我最真实的自我”，
it's so liberating. 它是强烈的解放。
♪ Let the storm rage on the cold never bothered me any way ♪
Ahead... "Frozen" mania. 接下来……“Frozen”狂热。
And the director is live-tweeting right now at ♪ askFrozen. 此时，导演正在推特回答有关“Frozen”的问题。
Oh, my gosh! Oh, my gosh! I'm gonna cry! “哦，我的天哪！哦，我的天哪！我快哭了！”
How did a movie that took 70 years to make it 怎样的影片，花了70年的时间制作，
to the big screen inspire such "Frozen" hysteria, 在大银幕引发“Frozen”歇斯底里狂热症，
bursting through the stratosphere. 连大气平流层都被冲破。
This is amazing!
To become the number-one animated film of all time? 是否成为有史以来头号动画电影？
I cannot wait for the generation of kids to grow up so they can tell us why, 我不能等到孩子们长大后来告诉我们为什么，
'cause I'd love to know why. 可是我真的很想知道为什么。
The only Frozen heart around heres yours
for one thing. 有件事可以肯定。
Aah!
We really took the classic Disney fairy tale and kind of flipped it on its head. 我们真的把迪士尼经典童话和对它的颠覆发挥得淋漓尽致。
I always called it kind of the anti-Disney princess movie. 我们一直把它称作反迪士尼公主电影。
A lot of other movies you see, you're just waiting for the girl to meet the prince, 其他的公主电影，你们只会看到公主等待与王子的相遇，
and that's the "key" to their life. News flash... that's not the case. 并且那就是她们生活的“钥匙”。 看看新闻…事实并非如此啊。
At all. 根本就不是。
Okay, here we go. 好的，开始。
♪ I know it's crazy ♪
♪ we finish each other's ♪
♪ sandwiches ♪
That's what I was going to say.
"Frozen" has inspired countless father/daughter duets online. “Frozen”在网上激发了无数的父女二重唱作品的诞生。
♪ Our mental sink ronization ♪ ♪ can have but one explanation ♪
- Can I say something crazy - Will you marry me - 我能说点疯话么？ - 你愿意和我结婚么？
- Can I say something even crazier? - No, you're my dad! - 我能说点更疯的话么？ - 不行啊，你是我老爸！
Pint-size interpretations of the songs have become viral sensations. 对片中歌曲的小型表演秀已经变得像病毒爆发一般了。
I think the one that touches me the most is when this little girl, 我觉得打动我最深的一个视频是 当这个小女孩，
her mom is removing her splinter. 她妈妈帮她清除伤口上的碎片。
And she is singing "do you want to build a snowman" 她在大唱“你想不想堆个雪人”
everybody has their own personal sense of accomplishment. 每个人都有各自独有的成就感。
For me personally, it's that. 对于我个人而言，就是这个了。
♪ Let it go let it go ♪
But it's "let it go" that has become a full-on cultural touchstone. 但是正是“let it go”成了彻底的文化试金石。
I'll never forget the first one I heard. 我永远不会忘记我听到的第一个。
The dad filmed the two twins singing. Oh, my goodness. That was hilarious. 老爸拍摄了两位双胞胎小朋友唱这个。 噢，老天。那真是太欢乐了啊。
♪ I don't care ♪
Every morning, I wake up, and somebody's sent me a video of their child singing "let it go." 每天早晨我起床时，就有人给我发来 一段他家孩子唱“let it go”的视频。
We also find ourselves scolded by other parents, 我们还发现我们俩被其他父母责备，
who are like "I can't stop hearing your song in my head." 他们说“你们的歌一直在我脑袋里转啊转。”
And it's not just little girls going nuts. 并且，并不只是小女孩儿才为此狂热哦。
I would get people coming into my office and saying, 我想请人们到我办公室来然后告诉他们，
"did you see the marines reacting to your shot?" 你看到陆战队员们看到你的镜头后的反应了么？
♪ Let it go let it go ♪
That's awesome. It's great that they're cheering for Elsa. 那真是太了不起了。太棒了，他们在为爱莎欢呼。
It was unexpected, you know. 真是意料之外啊。
I never thought I would see the day U.S. marines would be cheering 我从没想过我能看到有一天美国陆战队员能大声欢呼
on a character from an animated Disney movie. 仅仅为了迪士尼动画电影中的一个人物。
The song's not just huge in the states. 这首歌不仅在美国影响力巨大。
It's a hit in almost every corner of the world. 它几乎传遍了世界上每个角落。
♪ The snow glows white on a mountain tonight ♪
♪ not a footprint to be seen ♪
And has been recorded in over 41 different languages. 并且已经被译制成超过41种不同的语言。
And there's a camaraderie. 这关乎友情。
The international factor that all of these kids 国际因素是这些孩子们
all over the world are singing the same song, 遍布世界各地都在唱着同一首歌，
whether it be in the same language or not, 无论是不是使用同样的语言，
there's something so powerful about that. 这件事本身有某种强大的力量。
There's a K-pop version. 这首歌有韩国流行音乐版本。
♪ Let it go let it go ♪
♪ the cold never bothered me anyway ♪
And an African interpretation. 还有来自非洲的表演。
But even with the worldwide acclaim, 但是尽管有来自全世界的赞誉，
on Oscar night, nobody was counting on going home with a statue. 在奥斯卡之夜，没人敢指望能把小金人带回家。
You never dare to dream to win an Oscar. 你甚至从不敢想象能赢得奥斯卡。
I never thought I'd make it past off-Broadway. 我从没想过自己能在非百老汇戏剧界成功。
I was aiming for off-Broadway when I graduated college. 我大学毕业时就将目标定在非百老汇戏剧界。
So no, we didn't expect to win at all. 所以，我们一点也没期待能获奖。
And the Oscar goes to: Kristen Anderson-Lopez and Robert Lopez for "let it go," "Frozen." 奥斯卡奖将授予：克丽丝汀·安德森-洛佩斯和罗伯特·洛佩斯， 作品“let it go”，“Frozen”。
But they did. 但是他们做到了。
Thank you. We love you. We love you. Thank you. 谢谢大家。我们爱你们。我们爱你们。谢谢大家。
That night, "Frozen" was also up for best animated feature. 那个夜晚，“Frozen”同时获得了最佳动画长片奖。
And the Oscar goes to, "Frozen" 奥斯卡奖将授予，“Frozen”
The crew that made it happen 美梦成真的全体工作人员
were cheering on from the studio. 正远在工作室为电影加油助威。
We are so proud of you for making the film as magical as it is, 我们为你们能把这部电影制作得充满神奇魔力而骄傲，
and we're bringing this home to you. 然后我们将把小金人带回家给你们。
That ？ sense of family was really special to me made a lot of usery？ emotional. 那种家的感觉真的对我来说很特别 制造了大量的？情感。
And with a sing-along DVD and "Frozen on ice" on the horizon. 跟唱版DVD和“冰上Frozen”即将到来。
The moms of at least two future "Frozen" fans are feeling all set. 作为妈妈，拥有至少两个未来“Frozen”粉丝， 她们感觉已经准备就绪了。
I am excited about the cool-mom street cred I might get from this role. 我为我可能从这个角色得到的酷妈街头信誉而兴奋。
My kid doesn't watch TV yet, 我的孩子现在还不能看电视，
but maybe I'll keep it in my back pocket for a rainy day,
till I really need it.
It's a pretty cool power to be princess Anna. It's a really nice superpower.
It's something I can share with my son.
I know what it's like when lightning strikes,
and to be a part of that, I'm just really grateful.
Stick around and see a sneak preview of what Disney animation has in store
and also catch a glimpse of where you might just see Anna,
Elsa, and their friends popping up soon.
So, what's next for all you "Frozen" fans?
Well, no fear, my friends. We have something else,
something another friend of mine has been up to.
Big summer blowout! Big summer blowout!
You know him as Oaken. We know him as.
Hi, family! Hello, family!
Chris! And when he's not playing this bizarre viking shopkeeper.
Vhat did you call me?
He's also a director, and in real life,
he and his friend Don Hall have made a new movie here
at the animation studio called "Big Hero 6."
Controlling them telepathically with a neurocranial transmitter!
"Big Hero 6" is a story about Hiro and Baymax, a boy and his robot.
We knew there was gonna be a robot in the movie.
The robot's name is Baymax.
Now, it was important for me to put a robot on-screen that we'd never seen before.
And no... not related.
Baymax was created to be a personal healthcare companion.
When he identifies you as his patient, he will do everything
in his power to cure whatever hails you.
Joining them are going to be Gogo, Honey Lemon, Wasabi, and Fred,
and the six of them together comprise the Big Hero 6.
We made up a city based upon two of our favorite cities, San Francisco and Tokyo.
We made San Fransokyo. And it is so cool.
Here it is for the first time on television...
A scene from "Big Hero 6." And action!
Ow!
Hello.
I am Baymax, your personal healthcare companion.
Hey.
B.. Baymax. I didn't know you were still active.
I heard a sound of distress. What seems to be the trouble?
Oh, I just stubbed my toe a little. I'm fine.
On a scale of 1 to 10, how would you rate your pain?
A zero? I'm okay, really.
Thanks. You can shrink now.
- Does it hurt when I touch it? - That's okay.
No... no touching. I'm...
Aah!
Ow.
You have fallen.
You think?
Ow!
- On a scale of 1 - ... ow!
- On a scale... on a scale... - Ohh!
On a scale of 1 to 10...
On a scale of 1 to 10, how would you rate your pain?
Zero.
- It is all right to cry. - No! No, no, no!
Crying is a natural response to pain.
- I'm not crying. - I will scan you for injuries.
- Don't scan me. - Scan complete.
- Unbelievable. - You have sustained no injuries.
However, your hormone and neurotransmitter levels indicate
that you are experiencing mood swings...
Common in adolescents.
- Diagnosis... puberty. - Whoa! What?!
Cool, huh? Now, I know my mother's at home right now going,
"but I wanted to hear what the characters in 'Frozen' have in store!"
So we have one more pretty cool announcement left.
We are bringing back the characters from "Frozen," and we're doing a short.
It'll have a new song. Basically the whole crew is returning. It's absolutely hilarious.
Well, that's all for now. Don't forget to visit us online,
'cause we've got lots of cool stuff there.
And make sure you check in with us at #makingFrozen.
I'm Josh Gad. Thank you, and have a wonderful night.
And don't forget.
I like warm hugs. Hope you had a great summer, bye!
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