I like to plant microphones I find that I'm particularly
the the reuter plans really well with 57
or 421 we're doing 57 today because it's or
you know it's the most basic simplest microphone
as a dynamic mic that's out there you can use it as member
you need to play every studio has 1520 a fifty-cent
and anything about 57 is its gotta the
its kits gotta sorta hard
edge to mid-range mid-range fist yeah
which you call a mid-range piston I i just i I'm it just it's a
this hard-edged and it's a bit brittle
um on its own and so the thing about blending it with the 121 is when you
feeding the 121 you end up having
boat girth in a warm and um
inability to almost get your guitar louder without hurting you that's a very
interesting thing that we will show
by example here with him we've got some interesting
no different heads here feeding the poor but well
we gotta about about 13 deal more haim
we gotta well actual hug a martial which is a modded Marshall than a regular
Marshall
and so will be actually I'm you know just
doing some tone examples and also threw the ball how I
excellent blend the two microphones said Jim skewer to play
and I'm just gonna blame um I'll go back for them
implant but the Royal 57 show different balance is because
by I mean it's all about how to fit something attract the right now we're
not playing anything
against anything it's very much just that you know static miss me
but you can really hear the difference that's where really I'm lot 77 are
working
and will certainly get you know the 57 or whatever
all alternate my cousin play and I'll say to him
you know cable anymore Royer you know que l'amour Royer and the more
were i've landed him the more the sound becomes
but more her know its second more congealed in more
a told Elise we hear smooth holley derailed
so teams gonna play and will I will just
you know play with the faders which is a 57 Reuters so
to check your with
s
so that's good am you meet him I always say in the studio that
um we best proved by example
he tried to over talk something you end up just having more talking you really
were making music and I think that proof is always in the pudding so
you know it's pretty obvious only at work right when you turn the right right
here at the Royal in
it blew me away expands its an sweet and smooth progress at the same time
yet you more detail in the distortion to it still has the parts that you wanna
the guitar
work opens up the resonant frequency range it is amazing
do