[melancholic music in the background]
[yelp]
[barks]
[yelp]
[speaks in dialect]
Huh?
- You chose? - I do not know.
It's not for me.
But aunt didn't tell you which one should I take?
[in dialect] she didn't tell me anything.
- Why are you breastfeeding them? - Eh, they abandoned them here.
- When was it, Cri? A week ago? -You think so.
[barks]
But do you happen to have a friend?
[in dialect] Anyone want another one?
I have to think.
[in dialect] Mom, when are we going to the hypermarket?
[in dialect] This is waiting which also give birth to these.
[in dialect] So which one do you want?
[melancholic music in the background]
[yelp]
[noise]
[overlapping voices]
- HI. - HI. - HI.
- Hello aunt. - [dialect] Yuri, are you dead?
What happened to you? You weren't coming anymore.
You couldn't have anything given to you cuter?
- Where is Aunt Anna? -There she is.
Anna?
There is more to eat there.
- Anna, Yuri has arrived. - Yes.
- Aunt. - [dialect] Where were you?
I went to get the dog.
Couldn't you have gotten a cage?
- What is this thing? -She said she didn't have it.
You could have bought it, right?
With what money? You didn't give me anything.
I didn't give you... Hold this for me.
But look, I made the little holes.
[in dialect] I saw, in fact... Okay, I'll take care of it now.
- Claudio? - What is it, aunt?
Claudio, darling, come.
- Look what's here. - Come and see, come.
Look, this is for you.
I have to give you a kiss, though.
Best wishes, young man.
Ninth! Floor! [yelp]
[little girl] Just scribble it down on the paper, you are truly a pedophile!
- [laughing] Who is a pedophile? - He.
[child] But what does it mean?
I'm playing.
[Anna] Nice!
- It's ugly. - But how bad? It's beautiful!
- The hg chosen Yuri. - He's cute.
Come on, love, give him a fairing.
How cool is that, huh?
[child] They gave him a gift even the little dog.
[Anna] You are his master now.
- [woman] Thank you, Yuri. - [Anna] Thank Yuri.
- Thank you, Yuri. - Please.
- How beautiful. - Yes. Take it.
We even pissed ourselves.
[Agostino] Come on, guys, let's go dancing.
- Easy, he's a puppy. - Yes.
Nothing.
[woman] Go dancing, come!
[overlapping voices and shouting]
[child] Where are they going?
- From Augustine! - With a broken arm you can't dance.
Augustine!
- So, test the microphone. - Wait for me!
One two three. One two three. Try, try.
Can you hear me?
[in chorus] Yes! No!
- Can you hear me? - [in chorus] Yes!
Everyone get closer to the chest here.
["Simarik" by The CDM Globetrotters from the box]
[Agostino] Are you there?
[smack of kiss]
- Shall we play another game? - Hello, Yuri.
[Agostino] Come on, let's get in a circle.
- Have you seen how many animals? - [in chorus] Yes.
Yes?
- Shall we try to do something? - [in chorus] Yes.
- Yes? - [in chorus] Yes.
Let's all blow together.
[blow]
But what breath is this? Harder!
[blow]
But what is this breath? Blow.
[sound of amazement]
[child] Oh yes, it becomes colourful.
[child] I knew it too.
[Agostino] Do any of you smoke?
[in chorus] No.
I would need a lighter. Do you smoke?
- No. - Don't you have a lighter?
- And you? - Ninth.
- And you, Claudio? - No.
- Even now that you're older, don't... - No.
No. Come a little closer.
Show me what you got back there.
Do you ever wash your ears?
But you have it in your hand.
It shows.
[laughs]
[child] Is that a magician?
- What is your name? - [child] You could see it.
Rapagnetta Yuri.
Claudio is my cousin.
[Agostino] Come and sit here.
Come here. Come and sit here.
Very good, a round of applause for Rapagnetta Yuri!
[applause]
So, now you will be my assistant.
- Mh mh. - Hold this lighter for me.
In the meantime take me, inside my suitcase, on your right,
you will find a balloon, get it for me.
- This one? - Yes.
- Shall we inflate it? - [in chorus] Yes!
[child] Now blow!
It has been difficult.
Here, hold it for a moment.
[raspberry sound]
What are you doing?
Yuri!
[raspberry]
You're such a good-for-nothing.
[laughs]
- [singing] Yuri is a good-for-nothing! - Get out of here
[in chorus] Yuri is a good-for-nothing! Yuri is a good-for-nothing!
Where are you going? You're here with us, right?
Sit here. Make him a stand.
[child] Where did the balloon go?
So, Claudio, do you want to be my assistant?
[Claudio] Ok.
[Agostino] We'll do it to him a big round of applause?
What did you get?
[indistinct voice]
[laughs]
[in dialect] - Anyway, I'm here so tired today. - Who do you tell?
[in dialect] - It was a nice party. - Very.
[in dialect] Yes. They ate everything.
[in dialect] It was all good.
[in dialect] Whose turn is it this month?
[in dialect] What?
[in dialect] To hold Yuri, right?
Yuri, darling, Who were you supposed to be with this month?
With aunt Ivana.
[in dialect] Anna, me this month I'm a little confused...
[in dialect] Yuri, do you want to stay with aunt Patrizia?
[in dialect] I can't Ivana. Tonino has started to stay all night.
[in dialect]-Why, did he start working? - Thank God... with this crisis.
[in dialect] This is lucky. Do you always use his car?
[in dialect] Sometimes his, sometimes that of colleagues. They split the costs.
[in dialect] The important thing is that he works.
[man] Okay, okay.
[in dialect] Yuri... What are you thinking?
Nothing.
Oh.
[in dialect] Do you want to stay with me another month?
[in dialect] Come and give me a kiss, at least.
[in dialect] Please go and check Claudio, he's on the scooter...
[in dialect] I wouldn't want it to end into some pit.
[in dialect] - What an end to the day! - Let's hope not...
[in dialect] Run Yuri, run!
[barks]
Cla', come, look for you aunt.
Yes, yes, okay.
Cla'. Cla'!
[car alarm and barking]
- HI. - HI.
- Do you want a balloon? - No thank you.
This is yours.
- First, at the party. - I know.
You stole it from me.
I didn't steal it.
You were honest in bringing it back to me.
You deserve an award.
- Do you sleep in here? - Yes.
So, wherever there is a party I go.
Handsome.
Are you from here?
Yes, I'm near here.
What do you do near here in the evening?
First, at the party, you sent me back.
Why?
It was your cousin's birthday, not yours.
- So? - So.
So you're not very empathetic.
Empathetic.
Do you know what that means?
Of course I know what that means.
- Mh mh. - Mh mh.
Oh, look, I don't like lies.
[Claudio] Yuri!
You have to go home!
[whistle]
Here, this is for you.
Your prize.
Come on.
Thank you.
Tomorrow I will be in Montesilvano. Do you know her?
Yes, it's where the water park is.
Exactly, right there in front.
Well, there is only the water park in Montesilvano.
You come.
So you can act as my assistant.
It makes you laugh?
No, it's what you said before in front of everyone that I'm a good for nothing now...
- Did I say that? - Yes.
What if I need a stupid assistant?
Come on, I'm playing.
Anyway, I already have a job, therefore not…
- Oh yes? - Mh mh.
It's better that way.
Then, you know, to work with me you have to be empathetic.
HI.
[door closes]
I'll send you the photo later.
She called me, I'm going. HI.
- HI. - HI.
- Here it is. All right. - Thank you.
["First train to Mars" by Gianluca Grignani from the radio]
It's 7.80.
'N' , 1.10 change.
Yes Yes i know.
Thank you. How good he is. Thank you.
- Hello, tense.' - Bye bye.
Yu', if anyone comes call me. I'm going over there. All right?
["First train to Mars" by Gianluca Grignani from the radio]
[in dialect] What are you doing?
[in dialect] I'm shaving.
[in dialect] - Come on, it's time to go out. - Ninth. Five minutes.
No. No, no.
[in dialect] Show me your hands.
[in dialect] Here, what did I tell you?
Oh, still biting your nails, but why didn't you kick the habit?
Yes, okay, come on.
You're twenty! Come on...
- May I ask you something? - Tell me.
In your opinion, Can I get another job?
[in dialect] And now what is this news? Don't you like working in a butcher's shop anymore?
No, it's not that I don't like it, it's that...
I never do anything, I'm bored.
[in dialect] What would you like to do?
- In your opinion… - Hmm?
Am I a bit empathetic?
[laughing] In what sense?
- In what sense? - Eh.
In the sense that I try to understand people's psychic processes,
that I put myself in their shoes, understand?
[in dialect] Yes, but empathetic it's not a job.
I have to pee.
[in dialect] And do you want to do it in here? Come on, get out.
Come on.
I have to pee, aunt.
[in dialect] And I understood this, but do you at least want to get out of here?
Come on.
[in dialect] I'm going out to buy now two cups of ice cream, down at Tiziano's.
[dramatic music crescendos]
[dramatic music in background]
[whistle]
[techno music from the car radio]
Oh, have you come to party?
What are you laughing at? Now it's your turn.
Come on.
One, two, three, four.
[techno music from the car radio]
- Come on. - As?
As?
I didn't tell you to stop.
You think I'll take you to work see what you can do?
Then the children dance to this?
Every now and again.
[techno music from the car radio]
You're not bad, good.
She climbs up from behind.
Come on.
[techno music from the car radio]
[music from car radio]
What are you looking at?
Do you travel throughout Italy?
No, I usually just wander around here.
Then, you know, that's it a word of mouth between mothers, therefore…
But I wouldn't go far.
Too much fuel, you lose.
And what do you need the camper for?
I live there.
I don't want to pay rent to live in these concrete niches.
I want to be free.
Also not to work if I don't feel like it.
No one should depend on anything.
Then you know another job Where do they pay you to have fun?
[music from car radio]
How long have you had that?
For a while.
Actually, I wanted to do it on the other side too.
Me too.
Me too what?
Do you have it too?
Mh mh.
Yes, OK.
Why did you burn those things first?
What did I need them for?
Why should I carry it with me things I don't need?
[indistinct voice]
[woman] How beautiful you are!
Are you still like this?
Put it on.
[indistinct voice]
And the piercing?
What piercing?
- Didn't you have one too? - No.
I understood wrong.
[softly] Slowly, slowly, slowly.
[sigh]
Are you tense?
What is worrying you?
Birthday parties are not of the child, they are parents.
In what sense?
In the sense that they are the ones who call you,
they are the ones who pay you
and they must like the party.
Then with children it's quite simple.
If they behave well, reward them.
If they behave badly, punishment.
So you make him do what you say.
Mh mh.
[in chorus] Well done!
[Agostino] How clever you are, Marina!
My name is Martina! Of course you don't understand anything at all.
[laughs] Darnit!
You're right, you have to excuse me, but you know what?
It's been since this morning that I don't feel very well.
Right, Yuri?
Give me a hand, see if I have something inside my ear.
Maybe I have some earplugs, look.
- Nothing. - Nothing? Empty?
Do you want to give me a hand?
Come give me a hand. Look a little, look closely though.
- There's nothing. - There's nothing.
Meh.
My assistant told me something.
But I didn't understand if I heard wrong
or he told me a lie.
[frightening sounds]
But I have a way to find out.
- Which? - Which?
I'll introduce you to a friend of mine.
He is Crazy Puppet.
[laughs]
- Bread? - No, crazy.
You know it, Crazy Puppet What does he specialize in?
[in chorus] No.
In punishments.
[frightening sounds]
[spoofed voice] Miss Yuri,
[laughs]
It was you who put the caps on in the ears of the animator Agostino?
Huh?
Liar!
[loud laughter]
[little girl] Are you crazy?
He's crazy, right?
- Poor thing. - Again and again!
Let's give him another chance.
- Okay! - Maybe now he's telling the truth.
[in chorus] Okay!
[child] Shall we play another game?
Do you want to apologize for your lies?
But what game is it?
[indistinct voice]
Okay. At that time.
- Do you like animals? - [in chorus] Yes!
[barks]
Leaves. Leave, leave.
Excuse me.
For what?
First.
[barks]
Clean yourself up.
Why?
What are you doing, working for free?
Come on, I didn't work, I didn't do anything.
Look, I'm not giving you anything.
They paid me more because there were two of us.
You know I can do very well hear about you, yes?
So why are you taking me with you?
What can I buy with these?
What do I know, it's your money.
- What do you buy? - What can I buy?
I buy us food,
I buy drinks there.
Then it depends.
["Patagonia" by José Larralde from the car radio]
[sings "Patagonia" by José Larralde]
[music stops]
What happened?
Speaking of stuff to buy.
I can?
It was my father's.
I just like this canton.
Was the camper your father's too?
You know why Patagonia do they call it Tierra del Fuego?
No.
When they discovered it,
they saw huge bonfires full of natives that were warming up.
How big?
What do I know, I wasn't there.
It is true.
Yuri, Yuri.
Who gave you this name?
[laugh]
[cough]
Do you like it?
[softly] Oh, go.
Oh, go tell her something.
What should I tell her?
What do you want to tell her? Go tell her she's hot.
Is she cool?
Oh, is she cool?
Normal.
Say she's hot.
Come on, say it.
Oh, say it.
She's cool.
- Tell him. - I do not feel like.
[softly] Yuri! Yuri! Yuri!
- Yuri! Yuri! Yuri! - Come on, stop it.
[fast] Yuri! Yuri! Yuri! Yuri!
Stop that.
Should I go?
Okay.
[inaudible voices]
[melancholic music in the background]
[sigh]
[melancholic music in the background]
[water flowing]
[melancholic music in the background]
[barks]
[shots]
-Should I support them here? - Yes.
Come on, fill it up.
Come on.
- You are here? - Mh mh.
What's up?
Can't I look at you?
No.
Then I won't look at you.
What is that?
Another party.
[techno music playing]
Hey.
But who is he, Gino? Come here, Gino.
Come here. You come.
You have to growl at the cop!
Catch it! Where's the cop? Catch it!
Catch it! Here! No, over here! Get it!
Here! Here! Get it! Get it!
[barks] This dog is spectacular.
[girl] The clown has arrived.
Do you still wash in truck stop bathrooms?
Not just that.
- [girl] Nice to meet you, Ilaria. - Yuri.
- [ragauo] Did you bring the gneiss? - Sure, it's in the camper.
- There at the entrance. - Okay.
[girl] Come on, let's go dancing?
Come on, I'll follow you, let's go dancing.
[indistinct voice]
[techno music playing]
That's where you got yourself.
- It's yours? - Yes, you saved him.
Love. Are you thirsty?
-Are you female? - I don't know. Can you recognize it?
- Good boy. - No.
- Nice to meet you, Morgan. - Yuri.
Here.
It's a gift, eh.
- In what sense? - Take it, drink.
Oh, here.
- Hi Yuri. - HI.
[indistinct voice]
[techno music playing]
Oh!
[techno music playing]
[girl] Needle!
Needle!
[indistinct words]
[techno music playing]
[I scream]
[cheering lines]
Like Patagonia.
[techno music playing]
- The bonfire. - Handsome.
Let's go then, right?
What are you saying?
Let's go to Patagonia.
[hesitant] And how do we do it?
Did you get excited?
- Where are you going? - I have to go piss.
Why?
[techno music playing]
[indistinct words]
Wait, let him do it again.
Excuse me?
[indistinct voice]
[techno music playing]
Hey?
Hey. HI.
Have you seen a boy with red hair?
His name is Agostino, he throws birthday parties.
Bro, do you need it?
- Sorry, did you see a boy... - Keep your hands off, though.
You already woke up the little girl for me.
- Excuse me, with your eyes... - Hands off, I said.
You're too far out, go sit down.
[Morgan] You said that you gave me much more.
Alright, when will I get back to you...
- Excuse me. - Oh.
- Have you seen Agostino? - No, I have not seen him.
Calm.
Now we find it.
[barks]
[Morgan] Yuri!
Needle!
[techno music playing]
[groan]
[inaudible voices]
[door closes] Fuck.
[baby crying]
Shh.
We were starting to get tired.
- About what? - To watch you sleep.
In fact, give me a hand.
[whimpers]
Sebastian, have you seen who's there?
It's Alma's.
The girl I was talking to yesterday.
Did you already know her?
I know everyone here.
Oh!
No?
Do you like it?
When are we having the next party?
You still have to recover from this and are you already thinking about the next one?
No, birthday, I say.
Now we'll stop here for a while.
[car approaching]
How come?
I have to help Alma with this puppy.
[whistle]
And you have to give me a hand.
Do you want?
[softly] My children.
- Now let's play blind man's buff! - What drawings?
I'll finish it first and then you'll see.
All right.
- No, I'm sorry, Sabata isn't here. - My name is Domenica!
Sunday.
Ah, there you are.
She is discolored. Wait until…
I review it.
- Does your dad have to give me something? - Yes.
- Yes? - Yes, here.
- [Yuri] Here it is. - Thank you.
- [child] It's beautiful, thank you. - [Yuri] You're welcome.
- What's your name? - Sunday.
So, Sunday, do you see that little elephant?
- Yes. - That's all for you,
and, if you color everything inside the borders,
I'll give you a little tattoo at the end of an animal.
- What animal do you want? - Horse.
The horse.
Are you saying this is it? No, bunny.
Here is the horse, I'll leave it here.
- Did you do all this? - Yes.
- 0 did Yuri help you a little?
- Yes, it's true. - Yes.
Yuri, here, this is for you.
Now Agostino has to go and do something a service.
No!
But stay with Yuri, right?
- Mh mh. - Okay.
[indistinct voice]
Now I'll try.
What does Augustine always say?
[in chorus] That you must always smile.
Come on, see you later.
I recommend it, eh.
But does it hurt?
Of course it hurts.
So? You don't want it anymore?
I did not say this.
You remember that thing what did we say to each other the other night?
Yes, well?
Would you really leave?
Why shouldn't I?
How do we do with money if we are always here?
There are children here too.
Those are all to keep when parents go to work in the village.
Free offering, everyone gives what they can.
But it's still money.
But, like I told you, I have to help Alma.
If it's simpler, I can make the children play.
So we put more money aside.
Yes, if you like.
Mh mh.
Let's put aside what we need,
we buy tickets
and we leave for Ushuaia.
Ushuaia.
[sound of pain]
I close with the ball and we're done.
[melancholic music in the background]
[indistinct voice]
["Huhuilu" by Cucina Povera in the background]
[laughs]
[inaudible voices]
HI.
[indistinct words]
- How did the party go? - Good, come on.
A mountain of cops and mosquitoes but I would say good.
What are you doing? You come.
Oh, are you awake?
- Do you have tobacco? - I don't know how much, but I think so.
- Flight? - Go.
- Thank you. - [lad] Give me back |a slipper, it costs 30 euros.
Hello, Yuri.
- How do you know my name? - Agostino often talks to me about you.
[Alma] What beautiful hands you have.
Thank you.
But you bite your nails.
How is Sebastian?
And you?
[Yuri] Everything is fine.
You look tired.
[Alma] Are you sure you're okay?
Yes.
[Alma] Okay.
[squeak] [amused verse]
- Sorry, you were talking. - HI.
- [Morgan] Hi. - [Alma] Hi.
[Morgan] Did you see? He recognized you.
Be careful, he might shit on you.
[Morgan] But she does it because she's happy.
[Morgan] You're always working with children, right?
- Yes. - [Morgan] I always see you when I pass by.
How about you come with me somewhere near here?
She has everything, I think you would like her.
- Huh? - All right.
[Morgan] Come on, let's go.
- [Yuri] What are you doing? - I'll make you a cage.
For Licia.
- [Morgan] Gift canvas. - But how do you give an apple?
Usually these animals they're a little afraid of everything,
but with you she's fine, she's calm.
- But aren't you fond of it? - [Morgan] No. I mean, yes.
Well, I have many others.
Hey...
- Are you hurt? - Few things.
Try putting it in a little.
Go, Licia. [squeak]
Close well, huh?
Morgan said that if I tap my fingers on his shoulders, he goes up.
[Yuri] Do you want to see?
Licia, come here.
You come.
Come on, Licia, come. Lycia.
Come, Licia, come on.
She's ashamed because you're there.
Or maybe he made it up.
[Yuri] That was kind.
The problem isn't him that he invented it.
It's that you believe it.
Why, do you know him?
I don't know who he is.
Didn't you know everyone here?
Lycia.
You come.
Get that mouse away. We must eat.
You didn't close it well.
[cage closing]
[Yuri] Thank you.
Enjoy your meal.
If it weren't for me cooking here...
What did you do today?
Why do you ask me that?
Did you see me.
Was I wrong to come?
Did I ever tell you that you can't do something?
So why do you do this?
As well as?
I always feel grounded.
I never know what I did wrong.
Did you do it?
What do you have there?
But why did it become like this?
[Augustine] In your opinion?
If I ask you, it means I don't know.
Needle…
If you spend the afternoons to collect rats in the sewers
It's normal for you to get an infection.
You didn't say I could do it everything I wanted?
If there is something that doesn't suit you, that's the door. Okay?
Excuse me.
- [Augustine] Eh? - Excuse me.
[Augustine] Shh.
[Agostino] Stop apologizing.
[Agostino] Does it hurt you?
I've got used to.
[amused verse]
[groan]
Needle… [laugh]
[amused verse]
What are you laughing at?
[laugh]
[Yuri] Aug…
Needle…
Needle, come on…
Come on, stop it... [laugh]
[Yuri] Come on, Ago, stop it.
[sounds of discomfort] [laugh]
Are you thirsty?
[sounds of disgust]
[Augustine] Open.
Oh,
send it down. [choking sound]
Swallow it.
[gagging]
[laugh]
[to cough]
What is it, Yuri?
- [mocking] “I don't care if it hurts." - Fuck you!
[laugh]
- Come on. - Leave me!
Look who's there.
[Agostino] Come on, Yuri.
Come on.
Come on, punish me.
No.
[sigh]
But do you have to do it yourself?
What?
Being with Sebastian.
You wouldn't help someone you love?
Alma said I have nice hands.
[amused verse]
That (implements!
[Yuri] What are you doing here? Over here, over here.
[imitates airplane engine]
Look what you did. Look what you did.
Huh? Is it done?
You're not a polite young lady, it's not done.
I'll teach you something.
You are here? Are you ready? We have to go.
[imitates engine]
[imitates reporter] Licia and Yuri they are about to reach the finish line!
Licia and Yuri… [imitates engine]
Go! [squeak]
[Yuri] They win!
We won! [laugh]
[melancholic music in the background]
[Yuri] Where are we?
[Augustine] In Patagonia.
[Yuri] Yes.
[Yuri] How come your father had that CD?
[Agostino] My father had everything.
When he died we found each other with a collection of useless things.
You're good with children.
[Yuri] Have I become empathetic?
But is Sebastian coming with us too?
[Augustine] No. We don't have to bring anything.
Missing the camper.
[Yuri] And Alma?
[Augustine] Alma what?
[Yuri] What did you do with us with the things your father left you?
[Agostino] I burned everything.
[Yuri] Come on, I don't believe it.
[Agostino] Do you think I'm not capable?
[Yuri] Why did you do it?
[Augustine] Close your eyes.
- What do you see? - [Yuri] Nothing.
[Augustine] Exactly.
That's all I want.
Come on. [squeak]
How is Licia?
She's fine.
- Why do you keep them here? - I'm selling them.
At the markets, at the fairs...
- Have you ever missed any? - Certain.
[Morgan] Nobody likes being in a cage.
Then I think some animals they are made to be in cages.
In what sense?
Think about Licia. If at the party the other night you didn't save her,
Who knows what happened to her.
- Can I try? - Certain.
- Pay attention. - Thank you.
[Yuri] Yes.
Hey?
[recall verses]
You come. Look who's there. You come. You come.
[hiss]
Am I closing?
Next week I'm going to a fair.
If you want, you can come with me.
"0" is 50-
- It's that I should go to Patagonia. - Come on!
Yes.
Cool, everything.
And what is there in Patagonia?
Well, it's a pristine place.
Where people only think about feeling good.
A bit like here, in short.
Well, that's not really the case.
Yuri?
- Why don't you stay with the children? - [Yuri] I was done.
- HI. - [Morgan] Hi.
- [Agostino] How beautiful. - [Morgan] Thank you.
- And he? - This is Jimmy.
An Asian marsupial.
[Morgan] After he eats, he rests.
[recall verses]
I'm going back to the camper.
- I accompany you. - No.
Don't be rude.
Stop talking.
[Morgan] Well, cool you go on the other side of the world, right?
It looks very good. [affirmative verse]
-How did things go with the kids today? - Well.
Ah,
I have these here.
These...
- But you gave them to me later. - [Yuri] It's okay.
And I also… here they are.
- [Agostino] Did they all give you something? - [Yuri] Yes.
- [Yuri] Except two. - Did they tell you why?
[Agostino] Today I caught a friend of mine.
This is confusing with a travel agency
and he was telling me about an offer for flights.
Fiumicino-Ushuaia.
- What are you saying? You got them. - [Agostino] No, I didn't stop anything.
Why?
I wanted to tell you today, but I didn't find you.
- [Yuri] Are we out of time now? - I do not know.
- Where is this agency located? - [Agostino] In the village.
And what is it called?
[Agostino] I don't remember.
But the walls are all blue.
- And what do we do now? - [Agostino] Let's wait.
Listen, take the jar so we put them in together?
Lycia?
[Augustine] What's happening?
[Yuri] Licia ran away.
You will have left the cage open again.
[Agostino] Come here.
[chirring]
[barking]
I want to tell you something nice.
But then you have to promise me that you'll smile.
You don't have to work anymore.
Alma found me a job from a farmer nearby.
[Yuri] I can come too.
So we put aside even more money.
You have to be with Sebastian.
If not Alma how does he come to work?
You can't look after a mouse
and I entrust you with one of the things most important in my life.
[sigh]
[Augustine] You don't see it How much do I trust you?
[Yuri] So I have to stay all day with Sebastian?
[Agostino] Here you can do a thousand things.
You can wash, you can cook.
Then, I mean,
it's also time that in…, right?
[gasps]
Do you also do this with Morgan?
No.
[gasps]
Enough.
Enough. Enough.
It hurts.
[sigh]
[indistinct voices]
[wail] Shh.
[Agostino] Hold it for me for a moment.
- HI. - [Agostino] Hello.
- Where is the in e? - You should have changed it before leaving it here.
You are right, sorry.
Give it back to me some.
[whimpers]
[Alma] Give it to me, I'll do it.
What have we done? What have we done?
[whimpers]
-How much is she? - [Alma] Him?
Six months. You?
I'll be 20 in August.
[Alma] You look older.
Does it please you? [whimpers]
However, you are very kind to keep it with you. Thank you.
Not at all.
[Alma] And then I trust you more than him.
[Alma] Now I'm taking him to do some real work.
[Augustine] However he hadn't done anything.
He doesn't even pee.
- Ago, I'll wait for you outside. - Okay.
Thank you.
[whimpers]
The hat...
[sigh]
Here, take it.
[sigh]
Everything is fine?
See you this evening.
. Okay?
Lo there in and...
Here I am!
[indistinct voices]
[tense music in the background]
Sebastian, come on.
[cry]
Here I am, here I am, here I am.
I'm here, I'm here, I'm here, I'm here, I'm here.
[cry] Shh.
Be good, come on. Now it comes.
It's coming, it's coming, it's coming, it's coming. Shh.
Come on. Come on, stop, come on.
Sebastian...
[cry] Shh.
Come on, come on, come on, come on, come on.
[cry]
[clattering of dishes]
You were late.
Mmm.
Sebastian?
Eh, you tell me.
Excuse me.
He doesn't do anything.
I am thirsty.
[Agostino] They are good.
How many things I taught you, anyway.
You learn.
You learn very quickly.
And then, when I met you, you weren't so free.
In what sense?
What you told me.
That you were thirsty.
[Agostino] You would never have said it before.
This too means being free.
Know who you are, what you want...
what do you like.
I like what you like.
[sigh]
When are we leaving here?
[Yuri] I don't know why I'm still here.
I wait all day like an idiot.
What are you waiting for?
Oh, what are you waiting for?
The day when you won't need me anymore
and you will abandon me like a dog, I already know it.
Do you think this?
Since you don't trust anyone
show me that I don't want to leave.
[sigh]
[music box]
[whimpers]
[cry] [Yuri] Shh.
[cry]
[rhythmic music in the background]
[horn]
[door blocked]
[woman] I'll open them. [automatic opening]
Thank you.
Please, take a seat. She sits down.
How can I help you?
[Yuri] I would like to leave.
- [woman] Sure. Where do you want to go? - In Patagonia.
Okay. How many people are you?
Two. Only two.
And how old is the baby?
- In what sense? - Why are the children so young
they are not considered passengers by airlines.
No, he's not coming with us. I'm leaving with another person.
Ah OK.
I don't know, she has a place in mind in particular, a city...
It was the flight to…
Ushuaia.
- Ushuaia? Okay. - Patagonia.
- When do you want to leave? - Today.
Today?
Better tomorrow?
- Tomorrow. - Tomorrow.
[hum]
Her name?
Rapagnetta Yuri.
And the name of the other passenger.
Augustine.
Augustine. Surname?
- I do not know. - Excuse me? I have not heard.
I don't know what his last name is.
But he said he knows you.
That a friend of his works here.
Look, it's only me here.
There is… a colleague of mine.
Surely he was wrong.
- I don't know any Augustine. - Perhaps.
Can we leave tomorrow?
These are weekly flights.
Certain.
I'll put them here.
Here you are. These are these here.
[sigh]
What's up?
Sir, I'm afraid these are not enough.
Maybe we'll find it something closer, huh?
Mala Patagonia is... well...
What do you mean they're not enough?
- Sir, I don't know what to tell you... - Count them for a moment. Please.
- [desperately] Count them. - Look...
- How can you say they're not enough? - I'm sorry, I really don't know...
- I don't know how to help her. -She didn't even count them.
You count them.
If you want, we can count them together. Okay?
So: ten,
winds,
thirty...
- I really don't know how to help her. - Wait, wait. I've lost count.
- I don't know how to help her. - Just a moment.
Winds,
ten...
Can you give me a hand, what should we do first?
Do you know him?
Do I open to him? [cry]
[Agostino] I've been looking for you for an hour.
[breathlessness]
Get up.
Come on let's go.
Come on.
Everything is fine? [cry]
- Shh. - [Agostino] Come on, come on.
No.
- Come with me. - No, I'm not going anywhere.
I'm not going anywhere!
- Hey, calm down. - No.
- Come on. - Leave me!
[dramatic music in background]
[whimpers]
[Augustine] Anyway nothing happened to him, he's fine.
Alma? Alma?
Listen to me for a moment, Alma.
Why did you run away?
- Hey. - Leave me.
[sigh]
What are you doing?
- Let it be. - Leave me.
[sigh]
What happens?
I want to go away.
Don't want to leave anymore?
- I'm not the one telling lies. - And who would that be?
[sigh]
- Sit down for a moment, don't be a child. - Let me go.
- Sit down for a moment. - Do not touch me.
- Come on, sit down for a moment. - Do not touch me.
- What are you doing? - Let me go!
Let me go. But why?
Why? You're the one who talks so much about freedom
and then you're the first to tell me what should I do.
- Always. - Are you mad at me?
- No.
- Punish me. - No.
- Punish me, beat me. - Do you need this?
I need this yes, if you calm down.
You need everything.
You need Alma.
You need the money.
You need this camper.
You need me.
And I don't want to need you anymore.
I don't need anything.
Prove it to me.
[tense music in the background]
[indistinct voices]
[Morgan] Then it's not that I ran away, he actually kicked me out.
- [Yuri] Your mother? - [Morgan] Yes.
[Yuri] And what happened?
[Morgan] she caught me smoking a joint.
She made a whole scene...
Then I got pissed and I said to her, “Do you know what?”
"I don't just like joints, I like drugs."
- "But not one, all." - [Yuri] And do you really think so?
Yes. Initially they throw me away in a world of tranquility.
But then I feel bad.
But, I'll tell you, it's precisely when I feel bad
that in the end I feel, understand?
[affirmative verse]
I think so.
When are you leaving for the fair?
This evening.
There's a bit of a way to go.
And what are you doing?
"0" is 50-
What do you think I can do?
Well, you can come with me.
Hey...
[Morgan] Don't get too attached, huh?
That he with the cock that I give to you.
Why do you keep him on a leash?
Maybe he wants to go for a run.
Even if I untie him, he doesn't go anywhere.
Maybe he feels safer that way.
First I thought about Licia.
What did you think?
Which maybe succeeded her to survive on her own.
I've already told you what I think.
But maybe she did it.
So what? What are you doing?
[chirring]
[squeals]
[techno music from the speakers]
[laugh]
Hey guys...
Come on!
[techno music from the speakers]
[breathlessness]
["Patagonia" by José Larralde in the background]
[hum]
[chirring]