So in this section, we are going to talk 2 2
about Camera movement. Now a lot of 3 3
beginners in a lot of ways you starting 4 4
out, you want to just put the camera on a 5 5
tripod. Now that's great but it depends 6 6
on what you are trying to say. If you 7 7
wanna up your level, we can talk about 8 8
certain movement. There's a lot of times 9 9
where you can do a tilt, you can do a pan, 10 10
you can do a push, you can have a 11 11
hand-held shaky camera. It really just 12 12
depends on what you are doing and how you 13 13
want to shoot it. The thing about 14 14
movement is that adds emotion and adds an 15 15
emotion to the viewer and really as 16 16
someone watching it, they'll start to 17 17
feel that emotion, to feel that pushing, 18 18
to feel that beautiful tilt town of a 19 19
structure to feel that shaking nervous camera. 20 20
So when you are adding movement, you are 21 21
adding emotion to the camera and to 22 22
what the viewer is watching. When they are 23 23
watching a big giant screen, shaking a 24 24
camera and moving around it's gonna evoke 25 25
a lot of emotion and a lot of response 26 26
in the viewer. Adversely if you are 27 27
watching a little tiny screen is just 28 28
locked off, it's gonna be kinda boring but 29 29
when you add a nice little tilt or a 30 30
really clean commercial look 31 31
I'll express maybe some luxury, maybe some 32 32
selling points, some class to it. So 33 33
really different movements can say 34 34
different things and what up the value 35 35
of your production, because typically 36 36
amateurs are going to be moving their 37 37
cameras around too much, 38 38
beginners are really going to be locked 39 39
up to tripods and that's really kind of 40 40
static and boring like the news. Big 41 41
movies will tend to nice big push in 42 42
so steadicam follows do a nice clean 43 43
movements. And that's really what we are 44 44
looking to get here. So movement in your 45 45
camera can add production value and I 46 46
can invoke certain emotions.