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?
[SILENCE]
[SEA WAVES]
?
[BOAT ENGINE]
?
[BEEP]
[MAN] [ELECTRONIC VOICE] [PLUMBED]
THE SUSPECT IS OUTLAW AND MUST BE IN THE REGION.
[CLOSE Z¨ªPER]
[MAN] C¨ºS CAN ALREADY TAKE THIS A¨ª.
[DOG'S BARK]
[VEHICLE IN MOTION]
[MAN] [ELECTRONIC VOICE] ATTENTION, OCCURRENCE, AMATARI.
FIGHT FOLLOWED BY AGGRESSION. [DALBERTO] BORA L¨¢.
[MAN] WE'RE TWO HOURS LEFT UNTIL WE LEAVE THE JOB, MAN.
[DALBERTO] IN TWO MINUTE PEOPLE T¨¢ L¨¢. AMATARI ¨¦ NEAR.
[DOOR CLOSE]
[CRICKET CRACKING]
[PALMS]
[DALBERTO] WE RECEIVED A CALL.
[MERCEDES] THERE'S NOTHING HERE, NO.
[GROAN]
[MERCEDES] I SAID THERE'S NOTHING HERE.
[GROAN]
[AMBIENCE OF NATURE]
[STEPS]
[METAL PIECE SCRATCH]
[STEPS]
[ANA¨ªRA] ALI.
[STEPS]
[GROAN]
[MAN] [ELECTRONIC VOICE]
?DRAMATIC MUSIC?
[DELEGATE] HOW LONG HAVE YOU BEEN IN RELATIONSHIP
WITH YOUR DIONESIOUS? [MERCEDES] A YEAR AND A HALF,
MORE OR LESS. [DELEGATE] ¨¦ THE FIRST TIME
WHY DO YOU AGREDE YOURSELF? [ANA¨ªRA] IT WAS NOT HER,
DELEGATE, I WAS THE ONE WHO HIT THIS DOG.
TODAY IS MY MOTHER'S BIRTHDAY, WE WERE CELEBRATING,
DANCING. HE CAME BACK, PUT HIS HAND INSIDE MY BLOUSE,
SQUEEZED MY CHEST. GET THE BOTTLE,
I BROKE AND HIT HIM IN THE BELLY.
I REGRET THAT I DIDN'T HIT HIGHER.
[PHONE RING]
[ANA¨ªRA] THAT'S IT.
[AMBIENCE OF NATURE]
[ANA¨ªRA] COMES IN TO EAT A PIECE OF CAKE.
[DALBERTO] NO, I DON'T WANT TO DISTURB.
[MERCEDES] ENTER. GO IN A LITTLE BEFORE LEAVING, REST.
[AMBIENCE OF NATURE]
[DALBERTO] LICENSE, [MERCEDES] AT YOUR WILL.
[STEPS]
[DOOR OPEN]
[ANA¨ªRA] ARE YOU WAITING FOR ME TO CHANGE MY CLOTHES?
[SALBERTO] UHUM, OF COURSE.
[SONG OF BIRDS]
[STEPS]
[DALBERTO] [SIGHS]
[STEPS]
[DALBERTO] YOU MUST BE TIRED, N¨¦? I'M LEAVING.
[STEPS]
[DALBERTO] IT'S MUFFLED, ISN'T IT?
[ANA¨ªRA] [SIGHS] T? TIRED OF THIS HEAT IN THIS PLACE.
WILLING TO LEAVE HERE.
[DALBERTO] WHERE TO GO?
[ANA¨ªRA] I'M GOING TO TAKE A TEST FOR THE AEROMOUNT, WAKE UP EVERY DAY
IN A DIFFERENT CORNER, YOU KNOW?
[AMBIENCE OF NATURE]
[DALBERTO] [SIGHS]
GOOD, ALSO T? TIRED OF THIS LIFE IN THE POLICE.
[ANA¨ªRA] HUM.
[DALBERTO] ONE DAY WE CLEAN THINGS,
ANOTHER DAY IS FILTHY AGAIN. ¨¦ DIFFICULT.
[AMBIENCE OF NATURE]
[DALBERTO] I'M GOING TO DO THIS.
[AMBIENCE OF NATURE]
[STEPS]
[DALBERTO] [SIGHS]
[AMBIENCE OF NATURE]
[DALBERTO] I LIKED YOU, MORENA.
[ANA¨ªRA] I WANT TO SEE YOU AT NIGHT.
[DALBERTO] UHUM.
[KISS SLAP]
[GROAN]
[KISS SLAP]
[GROAN]
?
[HEAVY BREATHING]
?
[GROAN]
[HEAVY BREATHING]
[DALBERTO] COME.
[GROAN]
[DALBERTO] COME.
[HEAVY BREATHING]
?
[DALMO] LOVE... LOVE...
Ah... READY. READY.
[LUCIANE] C¨º DON'T YOU WANT TO TAKE ANOTHER ONE JUST TO ENSURE?
[DALMO] NEED NO.
[RADIO TO THE BACKGROUND]
[DALMO] TOMORROW? IT'S READY, SEE?
[DALBERTO] Oops!
[DALMO] What about it, BRO?
[LUCIANE] THANK YOU.
[DALMO] NOTHING. [DALBERTO] And A¨ª?
I'VE BEEN THINKING, I'M GOING TO LEAVE THE CORPORATION.
[DALMO] [LAUGHTER] THIS TALK AGAIN?
[DALBERTO] ¨¦, BUT NOW ¨¦ ROCHA.
GET TIRED OF THIS LIFE.
[DALMO] HUM?
[DALBERTO] I'M GOING TO BUY A BOAT.
[DALMO] HOW ¨¦ WHAT ¨¦? [DALBERTO] A BOAT.
[DALMO] BOAT?
[DALBERTO] ¨¦.
I NEED A LOAN.
THE BANK ASKED THE GUARANTEE STORE.
[RADIO TO THE BACKGROUND]
[DALMO] PEAR, PEAR, PEAR. DADDY RAISED THIS SHIT UP HERE
WITH A DISGRACEFUL SWEAT, BICHO...
[DALBERTO] IT'S NOT MADNESS, NO. [DALMO] MADNESS!
[DALBERTO] NO, NO. IN THREE YEARS I PAY IT, I HAVE ALREADY DONE THE BILLS.
TRUST ME.
[DALMO] [Snort]
[STEPS]
[ARMANDO]?, FUCK! THAT IT?
[DALBERTO] IS IT TIME TO HAVE COFFEE, BOY?
[DALVA] LEAVE HIM!
[DALBERTO] DONA DALVA, DONA DALVA, THE LADY
YOU'RE SPOILING THIS BOY TOO MUCH.
[ARMANDO] Are you jealous?
[DALBERTO] CI¨²ME OF WHAT?
[DALVA] And then, YOU DON'T WANT TO HAVE A COFFEE, DO YOU?
[DALBERTO] NO, I'M GOING TO REST.
[ARMANDO] WOW, HUH, BRO? BEAUTIFUL.
[DALMO] THE PAINTING IS BRAND NEW, ISN'T IT?
[AMBIENCE OF RIVER]
[BEATS ON WOOD]
[ARMANDO] [LAUGHTER] HANDSOME.
[AMBIENCE OF RIVER]
[DALMO] THE WOOD IS KIND OF ROTTEN.
YOU WILL NEED TO CHANGE, HEIN, DALBERTO?
[DALBERTO] ¨¦...
[ARMANDO] A¨ª, YOU KNOW WHAT WE COULD DO
TO INAUGURATE THE BOAT?
[DALBERTO] H??
[ARMANDO] PLAY A PARTY HERE AND PLAY MY BAND
TO PLAY, HEIN?
[DALBERTO] START WORKING SOON,
RUN BEHIND THIS LOSS.
[ARMING] BEFORE WORKING.
[DALBERTO] [LAUGHTER]
[Sigh] THERE'S ANOTHER THING...
I KNEW A GIRL A¨ª.
[LAUGHTER] I'M GETTING MARRIED.
[DALBERTO] WHAT'S THE HURRY?
[AMBIENCE OF RIVER]
[DALBERTO] MY BUSINESS.
[DALMO] NOW, GUARANTEEING THE STORE WAS OUR BUSINESS, RIGHT?
[BOAT ENGINE]
[ARMANDO] HOW ¨¦ WHAT ARE YOU GOING TO DO?
[DALBERTO] IN THE BEGINNING, LIVE IN THE HOUSE.
IN FATHER'S ROOM.
?
[DALMO] Are you MALUCO?
NOT WELL THE FATHER WAS BURIED.
?
[ARMANDO] GET MARRIED, YOU NAUGHTER!
[KISS SLAP]
?
[ARMANDO] [LAUGHTER] FOR YOU.
?
[MOVEMENT IN THE WATER]
[ANA¨ªRA] [LAUGHTER]
[MOVEMENT IN THE WATER]
[DALBERTO] [LAUGHTER]
[ANA¨ªRA] [LAUGHTER]
?
[CLOTHES RUSHLESS]
[GUN HANDLING]
[DALBERTO] LOOK AT THIS HERE, ¨®.
[GUN HANDLING]
[ARMANDO] LET'S THROW THESE THINGS AWAY.
[DALBERTO] HEIN? [DALMO] NO.
[ARMANDO] LET'S STORE EVERYTHING IN A CORNER.
[DALBERTO] [SIGHS]
[LOCK HANDLE]
[DALMO] [SIGHS]
?
[ARMANDO] WHAT IS THAT?
?
[ARMANDO] MOMMY? [DALBERTO] ¨¦.
?
[GUN COCK]
[CRICKET CRACKING]
[DALMO] FROM A LONG AWAY HE LOOKED LIKE HIS FATHER'S GHOST.
[LAUGHTER]
[DALMO] [SIGHS]
[DALBERTO] MEMORY GUARD.
[CLINKING OF CROCKERS]
[DALMO] CAN'T YOU SLEEP?
[CRICKET CRACKING]
[IMPACT ON THE TABLE]
[DALBERTO] I THOUGHT I HAD THROWED EVERYTHING AWAY.
[DALMO] [SIGHS]
TAKE ONE, GO.
[DALBERTO] GO. [DALMO] GOING OR NOT GOING, P??
[DALBERTO] [LAUGHTER] GO.
[DRINK POURING]
[DALBERTO] HEALTH.
[TAKE CUP]
[CRICKET CRACKING]
[MERCEDES] THERE WILL BE AN EMPTY. BE CAREFUL, DAUGHTER.
[CRICKET CRACKING]
[KNIFE FRICTION WITH PLATE]
[ANA¨ªRA] CARAMBA. [LAUGHTER] ENOUGH.
[BOAT ENGINE]
[DALBERTO] THANK YOU.
[CLINKING OF CROCKERS]
[DALMO] [SIGHS]
[CLINKING OF CROCKERS]
[ANA¨ªRA] WHAT DID YOU COOK?
[DALMO] AHAM. FATHER'S RECIPE.
[CLINKING OF CROCKERS]
[DALBERTO] DALMO COOKS SINCE CURUMIM COOKS WELL.
[ANA¨ªRA] BEAUTIFUL.
[DALMO] I HOPE YOU LIKE IT.
[CLINKING OF CROCKERS]
[ARMANDO] GOOD NIGHT. T¨¢ WITH A CUTE FACE THAT ¨ª. S¨® NO
FORGET TO PRAISE THE BRO'S FISH AFTER HE IS
SENSITIVE, GIVE A CRY.
[DALMO] GO WASH YOUR HAND.
[ARMANDO] I FINISHED EATING.
[DALBERTO] BUT IT COMES TO IT. SIT THE PEOPLE...
[ARMANDO] NO, BRO, I FINISHED EATING, THE BAND REHEARSAL L ¨¢
IT WAS LATE, I ENDED UP EATING WITH THE GUYS...
[DALBERTO] OK, BUT SIT DOWN... [ARMANDO] BUT ME? NOT HUNGRY,
P?!
[DALMO] SIT DOWN, ARMANDO.
[CHAIR DRAG]
[CUTLERY CLINKING]
[CUP FILLING]
[MOTORCYCLE ENGINE]
[CUP FILLING]
[ANA¨ªRA] DO YOU WANT TO SAY THAT YOU HAVE A BAND?
[ARMANDO] UHUM.
[DALBERTO] ENTREPRENEUR.
[LAUGHTER] HE SAYS HE IS AN ENTREPRENEUR, HE SAYS THAT HE IS.
BUSINESSMAN. [LAUGHTER]
GALEROSO. [LAUGHTER]
[CUTLERY CLINKING]
[ANA¨ªRA] IS THAT ONE OVER THERE YOUR FATHER?
[DALMO] ¨¦.
[ANA¨ªRA] JUST LIKE YOU. AND CAD¨º THE PHOTO OF THE MOTHER?
[CUTLERY CLINKING]
[ARMANDO] THERE'S A PHOTO OF HIS MOTHER HERE AT HOME, NO.
WHEN THE TWO HERE WERE STILL KIDS,
THE MOTHER MEET A GRINGO WHO ARRIVED HERE IN THE CITY,
FALL IN LOVE AND LEFT. LEAVE OUR FATHER,
LEFT HIM THERE... [DALBERTO] HEY, HEY, HEY.
[ARMANDO] "HEY, HEY, HEY" WHAT? SHE WON'T GO IN
FOR THE FAMILY, Uh?
[CUTLERY CLINKING]
[CHOKING]
[DALBERTO] ANA¨ªRA, ANA¨ªRA.
[CHAIR DRAG]
[DALBERTO] ¨¦ ESPINHO.
[SPOKEN]
[ARMANDO] GETTING AN OLD BREAD. [DALBERTO] ANA¨ªRA.
[ARMANDO] PERA¨ª, I'LL GET A PIECE OF BREAD.
[DALBERTO] FLOUR, FLOUR, FLOUR.
[DALMO] THERE'S OLD BREAD HERE. [DALBERTO] HERE ¨®, HERE ¨®.
Just EAT THE FLOUR. [ANA¨ªRA] [LAUGHTER]
[ARMANDO] FLOUR...
[ANA¨ªRA] [LAUGHTER]
[ARMANDO] WHAT WAS IT?
[ANA¨ªRA] [LAUGHTER] [DALBERTO] I'm kidding.
[ANA¨ªRA] [LAUGHTER]
[DALBERTO] LOOK HERE. SENT A¨ª.
[ANA¨ªRA] [LAUGHTER]
[DALBERTO] I'VE NEVER SEEN THAT. [ANA¨ªRA] [LAUGHTER]
[DALBERTO] I'VE NEVER SEEN THAT. [LAUGHTER]
[ANA¨ªRA] WAS THE THORN, PEOPLE.
[DALBERTO] [LAUGHTER]
[ANA¨ªRA] [PACKED] FAROFA.
[LAUGHTER]
[ANA¨ªRA] WAS GOOD, WAS IT?
[LAUGHTER]
[ARMANDO] EVERYONE BELIEVED.
[LAUGHTER]
[ARMING] EVERYBODY. [DALMO] [LAUGHTER]
?
[INALDO] BORA L¨¢ PERSONAL. URUCURITUBA, MANACAPURU.
VAMO L¨¢! THE PRINCESS IS GOING OUT, HEIN!
BORA, BORA, WHO'S GOING? HERE AT PRINCESS ANA¨ªRA, HEIN?
?OH, BABY?
?YOU DON'T KNOW THE PRICE?
?WHAT WILL YOU PAY?
[ANA¨ªRA] TAPEREB¨¢, BUBU.
[INALDO] GIVE ME ONE, A¨ª. [ANA¨ªRA] WHAT IS IT? 50 CENTS.
[LAUGHTER]
[SPOKEN]
[ANA¨ªRA] WHO WANTS DINDIM? DINDIM DE BUBU,
TAPEREB¨¢, BURITI. DO YOU WANT?
[BOAT AMBIENCE]
[DALBERTO] [LAUGHTER]
[ANA¨ªRA] FOR YOU.
[BOAT AMBIENCE]
[MOVEMENT IN THE WATER]
?SINGING IN ANOTHER LANGUAGE?
?VIOL?
[GROAN]
[MOVEMENT IN THE WATER]
[ANA¨ªRA] DO YOU WANT ONE MORE?
[MAN] SIT DOWN TO HAVE ONE WITH US, BRUNETTE.
[ANA¨ªRA] CAN'T, T? WORKING.
[BOAT AMBIENCE]
[MAN] U¨¦, STOP WORKING FOR A LITTLE BIT, DUDE, RELAX.
[ANA¨ªRA] [LAUGHTER] NO, DA NO.
¨¦ BRL 15.
[BOAT AMBIENCE]
[MAN] CAN YOU STOP WORKING FOR A LITTLE LITTLE BIT?
[MAN] JUST SIT DOWN TO HAVE ONE MORE WITH US.
[ANA¨ªRA] I DON'T WANT IT, I ALREADY SAID I DON'T WANT IT.
[MAN] COME HERE, MY LOVE, WHAT IS THIS?
[ANA¨ªRA] GET YOUR HAND AWAY, BOY.
[MAN] WHAT IS IT? COME C¨¢, MY LOVE.
[ANA¨ªRA] I SAID NO, P?!
[MOVEMENT IN THE WATER]
[KISS SLAP]
?
[ANA¨ªRA] PEOPLE CAN PUT A BREGA TO PLAY LOUD, YOU KNOW?
EQUAL ¨¤ PARTY RIGHT HERE ON THE BOAT ¨¤ NIGHT,
THAT PEOPLE LIVE UP, DRINK MORE BEER, SPEND MORE.
?
[DALBERTO] LET ME HELP YOU.
?
[ANA¨ªRA] WHEN WE FINISH PAYING FOR THE BOAT, I WANT
TAKE THAT MONEY, SPEND IT ALL IN ONE NIGHT.
I WANT TO BUY A DRESS, I WANT TO GO TO A RESTAURANT,
I WANT TO GO TO A HOTEL, I WANT TO DRINK,
I WANT TO FUCK ALL NIGHT WITH YOU.
?
[DALBERTO] BUT THEN THE MONEY RUNS OUT.
[ANA¨ªRA] WHAT ENDS ¨¦ HOUSE, CAR, BOAT.
?
[ANA¨ªRA] A NIGHT LIKE THIS STAYS FOREVER.
?
[DALBERTO] ON YOUR BIRTHDAY.
?
[DALBERTO] LET'S GO?
?
[ANA¨ªRA] BORA.
?
[STEPS]
[HANDLING JEWELRY CASES]
[SILENCE]
?
?WHEN I MET YOU?
?
[ANA¨ªRA] COME DANCE WITH ME. [DALBERTO] ANA, NO D¨¢, THE BOAT.
[ANA¨ªRA] ¨¦ OUR MUSIC. [DALBERTO] NO, AND NOT HERE.
[ANA¨ªRA] COME. [DALBERTO] PERA¨ª... ANA¨ªRA...
?AND MAKING LOVE?
?
?LOVE LOVE LOVE?
?AND I WAS ADVENTURER?
?I BECOME YOUR PRISONER?
?OF YOUR BODY, YOUR KISS?
?THE CRAZY, WISHES?
?IN YOUR BODY I FOUND?
?EVERYTHING, EVERYTHING I DREAMED?
?
?YOU ¨¦ CRAZY?
?TOO CRAZY, TOO CRAZY?
?NO PREJUDICE?
?NO LIMITS, NO RIGHTS?
?BREAK THE BARRIER?
?OF MORALS AND PUDOR?
?WHEN PEOPLE MAKE LOVE?
?
?YOU ¨¦ FIRE?
?WHAT BURNS ME IGNITES ME?
?Did I get caught in the Tangle?
?OF YOUR WEB?
?CRAZY MOMENTS?
?WAS THESE I LIVED?
[HEAVY BREATHING]
[GROAN]
[HEAVY BREATHING]
[GROAN]
[HEAVY BREATHING]
[GROAN]
[THUNDER]
[RAIN]
?
[THUNDER]
?
[THUNDER]
?
[BOAT IMPACT]
[RAIN]
[MAN] CONFESS. [ANA¨ªRA] WHAT WAS IT?
[RAIN]
[DALBERTO] I DON'T KNOW. [ANA¨ªRA] CALM.
[BELL TOLLS]
[DALBERTO] WHAT ARE YOU GOING TO DO NOW?
YOU GIVEN THE WARRANTY STORE. YOU SHOULD SELL THAT BOAT.
[AMBIENCE OF NATURE]
[DALBERTO] IF I SELL IT, I CAN'T BUY ANOTHER.
[ANA¨ªRA] NO ONE IS GOING TO SELL OUR BOAT, NO.
[AMBIENCE OF NATURE]
[BILLIARDS BALL IMPACT]
[BAR AMBIENCE]
[BILLIARDS BALL IMPACT]
[MARIANO] AND HEY, MY BROTHER, HOW ¨¦ WHAT HAS THE STORY OF THE BOAT?
[DALBERTO] BRL 6 THOUSAND TO FIX IT. PIECE COMES FROM S?O PAULO.
[MAMEDE] BUT KEEP THE BOAT STOPPED
THIS WHOLE TIME IS FUCKED, ISN'T IT?
[MARIANO] TRUE.
[BAR AMBIENCE]
[MARIANO] I THINK I HAVE A WAY OUT FOR YOU, MY BROTHER.
[BILLIARDS BALL IMPACT]
[MARIANO] ¨¦ IF YOU BRING SOME GOODS TO US.
[BAR AMBIENCE]
[DALBERTO] ARE YOU CRAZY, MAN?
[MARIANO] FUCK, I T? PUTTING IT IN YOUR HAND
BECAUSE I TRUST IN YOU, V¨¦I. ARE YOU AFRAID?
[DALBERTO] FUCK YOU, MARIANO.
[MARIANO] BOY, WE CAN GET THE BOAT,
BUT YOU HAVE TO TRAVEL ¨¤ NIGHT.
[BAR AMBIENCE]
[MARIANO] THE GUYS ARE PAYING 4 THOUSAND FOR THE GOODS, V¨¦IO.
C¨º YOU DON'T EVEN NEED TO KNOW WHAT'S IN THERE, MAN.
[BILLIARDS BALL IMPACT]
[MOTORCYCLE ENGINE]
[ARMANDO] DALBERTO?
[MOTORCYCLE ENGINE]
[ARMANDO] WHAT WAS IT, BRO? [DALBERTO] H??
[ARMANDO] HEY, T ¨¢ LOMBRED, P?? GET ON THE BIKE A¨ª, COME.
[MOTORCYCLE ENGINE]
[HEAVY BREATHING]
[ARMANDO] BRO, WHAT WAS IT, H??
BRO, GO HOME.
[CRICKET CRACKING]
[ANA¨ªRA] LET ME TAKE IT.
[MOANS]
[CRICKET CRACKING]
[ARMANDO] GO.
[DALBERT] [GRUNT]
[CRICKET CRACKING]
[MOANS]
[BIRD SONG]
[DALBERTO] IT WILL BE FIVE, SIX DAYS AT THE MOST.
[ANA¨ªRA] I WILL GO WITH YOU.
[DALBERTO] THIS TIME DON'T, NO.
[ANA¨ªRA] WHY?
[DALBERTO] THE BOAT is SMALL. [ANA¨ªRA] AND DA¨ª?
LET ME GO WITH YOU.
[DALBERTO] NO, THIS TIME DON'T, NO.
[KISS SLAP]
[BIRD SONG]
[DALBERTO] I WILL LEAVE YOU SOME MONEY
TO MAKE PURCHASES, PAY FOR THINGS.
[ANA¨ªRA] I ALWAYS HAD MY MONEY.
[DALBERTO] [LAUGHTER]
[AMBIENCE OF RIVER]
[DALBERTO] GO THERE IN THE PORTO WITH ME?
[AMBIENCE OF RIVER]
[ANA¨ªRA] I WILL STAY.
[AMBIENCE OF RIVER]
[OBJECT IMPACT]
[STEPS]
[CASH IMPACT]
[COW MOO]
?TENSION MUSIC?
[DALBERTO] [SIGHS]
?
[ANA¨ªRA] [SIGH]
?
[FRICTION BETWEEN METALS]
[ANA¨ªRA] DONA DALVA, WHAT WAS THE BOYS' MOTHER LIKE?
[DALVA] THE BOYS' MOTHER?
SHE WAS A VERY BEAUTIFUL WOMAN. SHE HAD, LIKE, A... A LIGHT.
IF YOU STARED FOR LONGER, IT WOULD BURST INTO YOUR EYES.
[EFERVESCENT]
[ANA¨ªRA] WHAT WAS IT LIKE WHEN SHE LEFT?
[DALVA] ARMANDO, THIS ONE WAS THE YOUNGEST, HE DIDN'T FEEL IT VERY MUCH.
[FOOD CUTTING]
[DALVA] DALMO WENT ALMOST A YEAR WITHOUT SAYING ANYTHING.
NOW, DALBERTO, I HAD TO LEAVE
RUNNING AFTER HIM FOR HIM NOT
IF YOU PLAY UNDER A CAR.
?DRAMATIC MUSIC?
[BOAT ENGINE]
?DRAMATIC MUSIC?
[STEPS]
[DALBERTO] RIGHT?
[MARIANO] HERE, ¨®.
[BOAT ENGINE]
[MARIANO] PAINTED A NEW WORK A¨ª.
[BOAT ENGINE]
[DALBERTO] [FREAKTHROUGH] IT'S TIME TO GO BACK HOME.
[MARIANO] BIG THING, V¨¦I.
[DALBERTO] THANK YOU.
[MARIANO] A CARGO FOR IQUITOS, 25, 30 THOUSAND, MY BROTHER.
[MAMEDE] IQUITOS? IN PERU?
[BELL TOLLS]
[MARIANO] THINK WELL, V¨¦IO.
[DALBERTO] [SIGHS]
[LIGHTER IGNITION]
[MARIANO] WITH THAT MONEY YOU WILL BE ABLE TO GET YOUR BOAT OUT.
WITH THE MONEY THAT IS LEFT,
TAKE YOUR WIFE AND NEW LIFE, MY BROTHER.
[DOG'S BARK]
[SPOKEN]
[BABY CRY]
[PHONE RING]
[DOOR OPEN]
[STEPS]
[PHONE RING]
[ANA¨ªRA] AL??
[DALBERTO] [ELECTRONIC VOICE] AL?? AL?... [AUDIO FAIL]
[ANA¨ªRA] AL??
[DALBERTO] [ELECTRONIC VOICE] HI, MY LOVE.
[ANA¨ªRA] LOVE!
[DALBERTO] LOOK, I HAVE GOOD NEWS. I ACHIEVED
THE MONEY FOR THE BOAT REPAIRS, I GOT IT.
[ANA¨ªRA] [ELECTRONIC VOICE] AH, HOW WONDERFUL. WHEN DO YOU ARRIVE?
[DALBERTO] ¨¦... ¨¦ WHO PAINTED AN UNFORESEEN,
I WILL HAVE TO MAKE ANOTHER TRIP.
[ELECTRONIC VOICE] ¨¦, BUT ¨¦... ¨¦ ONE MONTH.
[ANA¨ªRA] ONE MONTH?
[DALBERTO] [ELECTRONIC VOICE] I HAVE ALREADY DONE THE ACCOUNTS HERE,
YOUR BIRTHDAY IS IN A MONTH AND TEN DAYS,
I WILL ARRIVE EARLIER. IT WILL BE A MONTH S¨®.
IF YOU NEED MONEY, TALK TO DALMO, OK?
EVERYTHING WILL BE FINE. I LOVE YOU.
AL?? AL?... [AUDIO FAIL]
[ANA¨ªRA] AL??
[CALL CLOSED]
[PHONE ON HOOK]
[FOOD CUTTING]
[DOG'S BARK]
[BOAT ENGINE]
[DOG'S BARK]
[DALBERTO] FUCK, MAN, I THOUGHT IT WAS NOT COMING.
[MARIANO] THE OLD MAN TOOK A LONG TIME TO PACK HIS BAGS.
[DALBERTO] HOW OLD?
[MARIANO] THE OLD MAN YOU WILL TAKE ON THE TRIP.
[DALBERTO] NO, NO, NO. PEAR¨ª, PEAR¨ª.
THIS WAS NOT COMBINED...
[MARIANO] BUT YOU'RE FUCKING SICK, YOU NEED TO GET HOME.
[DALBERTO] FUCK IT, GO BY PLANE, GO THE WAY YOU...
[MARIANO] HE IS WANTED IN BRAZIL, PERU,
IN THE FUCK THAT STOPPED. HE IS PAYING FUCKING WELL.
[MOVEMENT IN THE WATER]
[DALBERTO] I WANT 50%.
[DALBERTO] NO, NO, 50%.
[MOVEMENT IN THE WATER]
[BELL TOLLS]
[DOG'S BARK]
[STEPS]
[HEAVY BREATHING]
[PHOTOGRAPHIC CAMERA CLICK]
[HEAVY BREATHING]
[STEPS]
[ANA¨ªRA] WANTED TO LEARN.
[STEPS]
[DALMO] AH... NO, I SAID THAT...
THERE'S NO MYSTERY.
[THROWING]
[AMBIENCE OF NATURE]
[ANA¨ªRA] IF I GIVE YOU A SUPPORT IN THE STORE,
DO YOU TEACH ME?
[AMBIENCE OF NATURE]
[ANA¨ªRA] DO YOU WANT IT?
[DALMO] [LAUGHING] NO, NO. THANKS.
[AMBIENCE OF NATURE]
?
[BOAT ENGINE]
[ANA¨ªRA] [GROWN]
?
[AMBIENCE OF NATURE]
[ANA¨ªRA] [SIGH]
[AMBIENCE OF NATURE]
[DALMO] SIT DOWN.
[ANA¨ªRA] I DREAMED OF A BEAUTIFUL WOMAN IN RED
SAILING A CANOE WITH ME.
KNEW SHE WON'T HURT ME.
SHE WANTED TO TELL ME SOMETHING BUT I COULD NOT UNDERSTAND
BECAUSE THERE WAS A BOAT CHASING US.
?TENSION MUSIC?
[ANA¨ªRA] [BREATHING] BULLSHIT.
[SIGH]
?TENSION MUSIC?
[BOAT ENGINE]
[LAUGHTER]
[MAMEDE] CLOWN PAPER. FOR DALBERT.
[LAUGHTER]
[BOAT ENGINE]
[DALBERTO] WHAT THE FUCK IS THIS? PUT IT INSIDE.
[MAMEDE] LET'S GO, V¨¦I. GO.
[BOAT ENGINE]
[MAMEDE] WHAT THE HELL ARE YOU TALKING ABOUT?
[DALBERTO] HAVE TO WAIT A LITTLE BIT HERE IN COLOMBIA.
[MAMEDE] WHAT TO EXPECT? LET'S GO HOME, DUDE.
LEAVE THIS V¨¦I A¨ª SOMEWHERE AND LET'S GO BACK HOME.
[BOAT ENGINE]
[PHOTOGRAPHIC CAMERA CLICK]
[PHONE RING]
[DALBERTO] AL?, ANA¨ªRA?
MY LOVE, I WAS DYING WITH HEALTH.
[ANA¨ªRA] DALBERTO? WHERE DO YOU HAVE?
[DALBERTO] [ELECTRONIC VOICE] WE HAD A PROBLEM
HERE AT THE BORDER, BUT IT'S ALREADY OK, WE'RE SOLVING IT.
[ANA¨ªRA] PERU BORDER?
[DALBERTO] [ELECTRONIC VOICE] FROM COL?MBIA.
[ANA¨ªRA] WHEN WILL YOU COME BACK?
[DALBERTO] I GET CLOSE TO YOUR BIRTHDAY.
I WILL TRY TO GO BEFORE.
[ELECTRONIC VOICE] WHAT ARE YOU LIKE? HOW ¨¦ WHAT ARE THE THINGS?
?TENSION MUSIC?
[MOVEMENT IN THE WATER]
[DALMO] [SIGHS]
[DALMO] SEE IF THE EXPOSITION IS GOOD.
[ANA¨ªRA] UHUM!
[PHOTOGRAPHIC CAMERA CLICK]
[ANA¨ªRA] You are BEAUTIFUL.
READY.
[DALMO] WAS IT? [ANA¨ªRA] WAS.
[CURTAIN OPEN]
[STEPS]
[DALMO] THIS STORE HERE WAS FULL.
THERE ARE PEOPLE WHO COME ALL THE WAY FROM MANAUS TO TAKE PHOTOS HERE.
[ANA¨ªRA] [LAUGHTER]
[DALMO] AFTER THE MOTHER LEFT...
FATHER KIND OF... ABANDONED.
LEFT EVERYTHING HALF PLAYED.
[ANA¨ªRA] CAN YOU SHOW ME A PICTURE OF HER?
I ASKED FOR DALBERTO, HE DIDN'T SHOW ME.
DO YOU SHOW ME?
[SILENCE]
[DALMO] PEOPLE THOUGHT THE FATHER HAD THROWED EVERYTHING AWAY,
BUT THEN WE FOUND THIS BOX HERE.
[BOX HANDLING]
[SILENCE]
[ANA¨ªRA] HOW BEAUTIFUL.
?
[ANA¨ªRA] WAS IT HER?
?
[DALMO] TOMORROW? I HAVE TO GO TO THE FATHER'S ROOM.
IF YOU WANT TO GO WITH ME.
[CLOSE OF BA¨²]
?
[DALMO] BEAUTIFUL, ISN'T IT?
?
[AMBIENCE OF NATURE]
[ANA¨ªRA] FUNNY FEELING,
AS IF I HAD ALREADY COME HERE.
[AMBIENCE OF NATURE]
[ANA¨ªRA] IT'S ABANDONED, N¨¦? [DALMO] ¨¦.
[ANA¨ªRA] WHY? [DALMO] BECAUSE IT WAS HERE
THAT THE MOTHER FOUND WITH THE GRINGO.
MY FATHER WENT CRAZY WHEN HE HEARD.
I NEVER WANTED TO STEP HERE AGAIN, DO YOU BELIEVE?
[AMBIENCE OF NATURE]
[WIND]
[AMBIENCE OF NATURE]
[ANA¨ªRA] LET ME TAKE A PICTURE OF YOU.
[DALMO] HUM... HUM.
[AMBIENCE OF NATURE]
[DALMO] [LAUGHTER]
[AMBIENCE OF NATURE]
[PHOTOGRAPHIC CAMERA CLICK]
[AMBIENCE OF NATURE]
[DALMO] THE MORNING LIGHT? HERE IS SO BEAUTIFUL TO PHOTOGRAPH.
¨¤ IN THE AFTERNOON A LOT OF BIRD ARRIVES, THE MOTHER LOVED IT.
[AMBIENCE OF NATURE]
?
[DALMO] IF YOU WANT, WE CAN SLEEP HERE.
?
[SONG OF BIRDS]
?
[SONG OF BIRDS]
?
[DALBERTO] MY MOTHER LOVED IT.
[RUSHING OF WINGS]
?
[MAMEDE] ¨®! ¨®!
?
[RUSHING OF WINGS]
?
[FIRE CRACKLING]
[DALMO] DALBERTO LOVED VIM PRA C¨¢.
[FIRE CRACKLING]
[ANA¨ªRA] ¨¦? [DALMO] HUM, ¨¦.
HE LIKED THE MOST.
[FIRE CRACKLING]
[DALMO] THERE WAS A DAY, HE WAS STILL VERY SMALL,
HE WANTED TO CROSS THAT RIVER A¨ª.
[ANA¨ªRA] CRAZY. [DALMO] AND THE FATHER SAID:
"NO, IT WILL NOT, NO, IT'S DANGEROUS". THE MOTHER SAID:
"NO, LEAVE THE BOY. GO". [LAUGHTER]
[FIRE CRACKLING]
[DALMO] YOU LOOK A LITTLE LIKE HER, DID YOU KNOW?
[CRICKET CRACKING]
[ANA¨ªRA] T? TIRED. I'M GOING TO LIE DOWN.
[DALMO] T¨¢.
[CRICKET CRACKING]
[FIRE CRACKLING]
[CRICKET CRACKING]
[STEPS]
?TENSION MUSIC?
[HEAVY BREATHING]
?TENSION MUSIC?
[ANA¨ªRA] I'M GOING TO TAKE A BATH.
I THINK I SHOULD WASH THAT AWAY TOO.
[STEPS]
[DALMO] ASK DONA DALVA TO SERVE THE LUNCH.
[DOOR CLOSE]
[PHONE RING]
[SILENCE]
[PHONE RING]
[CALL IN WAIT]
[PHONE RING]
[DALMO] AL??
[DALBERTO] [ELECTRONIC VOICE] DALMO? ALL GOOD?
[DALMO] HI, DALBERTO. ALL VERY WELL.
[DALBERTO] [ELECTRONIC VOICE] EVERYTHING RIGHT?
IN A LITTLE TIME, I T? GETTING THERE. Does ANA¨ªRA T¨¢ A¨ª?
[SHOWER ON]
[DALMO] SHE... WENT TO HER MOTHER'S HOUSE.
[AMBIENCE OF PORT]
[DALBERTO] T¨¢, TELL HER I LOVE HER VERY MUCH.
[DALMO] FALO.
[DALBERTO] [ELECTRONIC VOICE] GIVE EVERYONE A HUG A ¨ª.
ON ARMANDO, KISS ON DONA DALVA, ON ANA¨ªRA...
[DALMO] Yes, I GIVE.
[DALBERTO] [ELECTRONIC VOICE] BIG HUG, BRO.
[DALMO] AT¨¦. HE TAKES CARE OF HIMSELF.
[DALBERTO] [ELECTRONIC VOICE] TAKE CARE OF YOURSELF TOO, BRO.
UNTIL MORE.
[ARMANDO] WHAT WAS THAT, BRO?
[PHONE ON HOOK]
[DALMO] THAT WHAT?
OH NO, THIS WAS AN ACCIDENT.
[STEPS]
[MOVEMENT IN THE WATER]
[HEAVY BREATHING]
?TENSION MUSIC?
?
[ANA¨ªRA] T? CONCERNED THAT DALBERTO DOESN'T SEND NEWS.
[ARMANDO] STAY NO. BRO I'M IN THE MIDDLE OF THE AMAZON. THUS MEMO.
[ANA¨ªRA] PROMISED HE WOULD COME BACK FOR MY BIRTHDAY.
?
[ANA¨ªRA] SUMISTE.
[ARMANDO] WAS IN BEL¨¦M WITH THE BAND, THE SHOW WAS GOOD, THE PEOPLE WENT
JUST DANCING UNTIL THE END. MANY ENJOYED.
[CRICKET CRACKING]
[ANA¨ªRA] IS LOOKING AT ME IN A FUNNY WAY. [LAUGHTER]
[CRICKET CRACKING]
[ARMANDO] YOU COULD BE TWO. [ANA¨ªRA] [LAUGHING] WHAT WHAT?
[CRICKET CRACKING]
[ARMANDO] YOU COULD BE TWO.
TR¨ºS. [LAUGHTER]
[ANA¨ªRA] WHAT DO YOU LIKE?
[ARMANDO] I'M TRAVELING, I... I THINK A LIFE IS LITTLE.
SEI L¨¢. I AM SURE THAT
OTHER ARMANDOS HAVE SPREAD AROUND. LIKE I AM THE ARMANDO
OFFICIAL, NUMBER ONE, THERE IS AN ARMANDO IN BAHIA,
THERE'S AN ARMANDO ON THE OTHER SIDE OF THE WORLD. IN AUSTRALIA.
[ANA¨ªRA] TWIN TYPE?
[ARMANDO] ANOTHER KIND OF YOURSELF, ONLY IN ANOTHER PLACE.
YOU NEVER THOUGHT ABOUT THAT, DID YOU?
[CRICKET CRACKING]
[ANA¨ªRA] [LAUGHTER]
[CRICKET CRACKING]
[ANA¨ªRA] HAS AN ANA¨ªRA L¨¢ IN CHINA. PAINT YOUR HAIR
A DIFFERENT COLOR EVERY DAY, PUT ON A BAD DRESS. [LAUGHTER]
[ARMANDO] LET ME SEE.
[CRICKET CRACKING]
[ARMANDO] HI, ANA¨ªLA.
[CRICKET CRACKING]
[ARMANDO] [LAUGHTER] SINGS.
[CRICKET CRACKING]
[ARMANDO] HUM, LET ME TELL YOU A SECRET. DOESN'T EXIST ONLY
OTHER ARMANDOS OF PEOPLE, THERE'S A BICHO TOO.
[ANA¨ªRA] [LAUGHTER]
[ARMANDO] AREN'T YOU TAKING ME SERIOUSLY? YOU THINK YOU DON'T HAVE ONE
ARMANDO CARAPAN?, AN ARMANDO DOG...
[ANA¨ªRA] THE OTHER DAY I SAW AN ALLIGATOR¨¦ JUST LIKE YOU.
[ARMANDO] ¨¦, I T? WELL WITH AN EYE ON THAT NAUGHTY ALLIGATOR,
SON OF A BITCH. [ANA¨ªRA] DO PAPO AMARELO.
[ARMANDO] [LAUGHTER]
[AMBIENCE OF RIVER]
[COUGH]
[MAMEDE] P?, BRO, C¨º DID YOU SEE THE CATINGA IN THIS CABIN
A¨ª? THIS OLD MAN PISSED EVERYTHING INSIDE.
[DALBERTO] GO THERE AND HELP HIM, GIVE HIM A STRENGTH.
[MAMEDE] U¨¦, YOU GO, UAI.
[DALBERTO] I AM A COMMANDER, IT DOESN'T GET WELL, NO.
[MAMEDE] YOU'RE NOT PAYING ME FOR THIS, NO, BOY.
[DALBERTO] [LAUGHTER]
[HORN]
[BOAT ENGINE]
[MOVEMENT IN THE WATER]
[DALBERTO] BORA, BORA, BORA.
?
[DOOR OPEN]
[MAN] [ELECTRONIC VOICE] "SHE SEES A RABBIT. THE RABBIT
HAS SOFT FORM. SHE SEES A GORILLA..."
[TAPE REWIND]
[ARMANDO] "¨¢U"! [ANA¨ªRA] OH! WHAT YOUR...
YOU ¨¦ CRAZY, HEIN?
[ARMANDO] [LAUGHTER] THIS ONE IS MY BAND'S NEW HIT.
[ANA¨ªRA] H??
[ARMANDO] WE FINISHED RECORDING. [ANA¨ªRA] [LAUGHTER]
[ARMANDO] CLOSED A SHOW OF THE BAND HERE TO ITACOATIARA.
[ANA¨ªRA] Jeez!
[ARMANDO] BIG PLACE, LIKE THIS, I'M GOING TO PUT IN A HEAVY MONEY,
DISCLOSE IN RADIO, CAR SOUND. I THINK IT WILL GET IT.
[ANA¨ªRA] CAN YOU HEAR?
[RADIO HANDLING]
?
[ARMANDO] GUITARIST OF THE BAND, O MARINHO, CABOCLINHO DESSE
SIZE HERE, PLAYS A LOT, NOBODY GIVES ANYTHING FOR HIM.
YOU WILL LISTEN.
?
?SABE L¨¢?
?WHAT WILL I DECLARE?
?ALL THIS FEELING?
?WHAT UNTIL TODAY HAVE I KEPT FOR YOU?
?SABE L¨¢?
?WITH ALL MAGIC?
?AND ENCANTS YOUR LOOK THAT?
?I CAN NEVER FORGET AGAIN?
?SABE L¨¢?
?AND WILL I DECLARE?
?ALL THIS FEELING?
?WHAT UNTIL TODAY HAVE I KEPT FOR YOU?
?SABE L¨¢?
?WITH ALL THE MAGIC?
?AND ENCANTS YOUR LOOK THAT?
?I CAN NEVER FORGET AGAIN?
?SABE L¨¢?
?IN EVERY SONG WILL I DECLARE?
?
?IN EVERY SONG I WILL TELL YOU?
?WHAT I'M LOOKING FOR YOU?
?IN EVERYTHING I DO?
?¨¦ YOUR SMILE?
?ON ALL LIPS?
?ARE THERE OTHER EYES IN MY LOOK?
[ANA¨ªRA] ¨¦ GOOD.
?AND YOUR VOICE SAYING ME?
?I LOVE YOU?
?AND IF YOU DON'T WANT IT?
?MORE BACK?
?I SWEAR YOU THAT I WILL SING?
?WITH ALL THE STRENGTH THERE IS?
?INSIDE MY HEART?
?WITH ALL THE WORDS?
?WHAT DID I DO IN THIS SONG?
?IN THIS SONG?
?I WILL SPEAK TO THE WORLD?
?TO THE WORLD I WILL SING?
?IF YOU DON'T WANT TO HEAR ME?
?TO THE WORLD I WILL SCREAM?
?NEVER STOPPED LOVING YOU?
?I WANT YOU AND ASK YOU TO COME BACK?
?
[LAUGHTER]
?WHY HAVE I ALWAYS WANTED TO TALK TO YOU?
[ANA¨ªRA] COME C¨¢.
?I ASK YOU TO COME BACK?
[ANA¨ªRA] COME ON, DALMO.
?
[ANA¨ªRA] [LAUGHTER]
?
?FRUTO SENSUAL BAND?
?NOW is FOR REAL?
?IT'S ON THE AIR, AH, AH?
?IN EVERY SONG WILL I DECLARE?
?IT'S ON THE AIR, AH, AH?
?IN EVERY SONG I WILL TELL YOU?
?WHAT DO I LOOK FOR YOU IN EVERYTHING?
?WHAT DO I?
?SEE YOUR SMILE?
?ON ALL LIPS?
?IN OTHER EYES?
?YOUR LOOK?
?AND YOUR VOICE SAYING ME?
?I LOVE YOU?
?AND IF YOU DON'T WANT IT?
?MORE BACK?
?I SWEAR YOU THAT I WILL SING?
?WITH ALL THE STRENGTH?
?WHAT IS INSIDE MY?
[SILENCE]
[ANA¨ªRA] [FREAKTHROUGH]
[CRICKET CRACKING]
[BOAT ENGINE]
[CRICKET CRACKING]
[ANA¨ªRA] DALMO?
[SILENCE]
[ANA¨ªRA] [SIGH]
[SILENCE]
[STEPS]
?
[DALMO] SORRY.
[ANA¨ªRA] NO.
?TENSION MUSIC?
[ANA¨ªRA] WAIT.
?TENSION MUSIC?
?
[MOANS]
[HEAVY BREATHING]
[LIGHTER IGNITION]
[WOMAN] WILL YOU WANT TO PAY OVERTIME?
[HEAVY BREATHING]
[DALMO] STAY A LITTLE MORE.
[HEAVY BREATHING]
[SILENCE]
[HEAVY BREATHING]
?
[DALBERTO] [SIGHS]
[BOAT ENGINE]
[MAMEDE] WANT A COFFEE?
[BOAT ENGINE]
[MAMEDE] COFFEE?
[BOAT ENGINE]
[MAMEDE] ARE YOU OK?
[BOAT ENGINE]
[MAMEDE]? DALBERTO, THIS OLD MAN IS HOT AS FUCKING,
HE HAS A FEVER, BRO. [DALBERTO] GIVE HIM WATER.
[BOAT ENGINE]
[DALBERTO] LAY HIM DOWN A LITTLE.
[BOAT ENGINE]
[DALBERTO] GO THERE, BRO. [MAMEDE] LET'S GO OVER THE CABIN.
[BOAT ENGINE]
[STEPS]
[ANA¨ªRA] [SIGH]
[TELEVISION IN THE BACKGROUND]
[ANA¨ªRA] DO YOU KNOW IF DALBERTO CALLED?
[DALVA] CALLED NO.
[TELEVISION IN THE BACKGROUND]
[ANA¨ªRA] [MUXOXO] [SIGHS]
[TELEVISION IN THE BACKGROUND]
[FLY BUZZING]
[HEAVY BREATHING]
[MAMEDE] BREATHE, LET'S GO.
[STEPS]
[MAMEDE]? BRO, ¨¦ SERIOUSLY, SPEED IT UP A ¨ª,
THE GUY IS NOT BREATHING THERE.
[DALBERTO] WE'RE COMING ALREADY, MAN, ¨¦ IQUITOS ALI, ¨®.
[MAMEDE] ¨¦ REALLY?
[BOAT ENGINE]
[CRICKET CRACKING]
?
[ANA¨ªRA] [SIGH]
?
[DOOR OPEN]
[THUNDER]
?
[STEPS]
[PHONE RING]
[URBAN ENVIRONMENT]
[DALBERTO] AL?? DONA DALVA?
[URBAN ENVIRONMENT]
[DALBERTO] DONA DALVA, ANA¨ªRA T¨¢ A¨ª?
[URBAN ENVIRONMENT]
[DALBERTO] HOW DID YOU "LEAVE"?
[URBAN ENVIRONMENT]
[DALBERTO] Yeah, TELL HER I CALLED.
[URBAN ENVIRONMENT]
[DALBERTO] A KISS.
[URBAN ENVIRONMENT]
[PHONE ON HOOK]
?
?HEY! DARK SKINNED?
?I¨º I¨º I¨º MORENO?
?ORA LET ME SUCK FROM YOUR MOUTH?
?THE YUMMY POISON?
[ARMANDO] FUCK, huh?
?ORA LET ME SUCK?
[ARMANDO] ¨¦ A LITTLE RAIN WILL FALL AND THE PEOPLE WILL BEAT IT.
[WOMAN] WOW!
[ARMANDO] WORSE WHAT WE DISCLOSED ON THE RADIO...
CITY-WIDE SOUND CAR, A¨ª.
?THIS SERENE LOOK?
?DOES IT EVEN I IMAGINE?
?THINGS THAT IN THESE MY VERSES?
?I FORBID ME TO SPEAK?
?AI AI AI UI UI UI UI?
?AI AI UI UI UI?
?AI UI UI?
?
?AI AI AI UI UI UI UI?
?HEY! DARK SKINNED?
?I¨º I¨º I¨º MORENO?
?ORA LET ME SUCK FROM YOUR MOUTH?
?THE YUMMY POISON?
?ORA LET ME SUCK FROM YOUR MOUTH?
?THE YUMMY POISON?
?
?SUNBURN BODY?
?MALICE?
[CRICKET CRACKING]
[HEAVY BREATHING]
[ARMANDO] I THINK I'M GONNA LEAVE THIS SHIT FROM THIS BAND.
SCREW THIS!
[ANA¨ªRA] WHAT IS THAT? THERE ARE PEOPLE WAITING FOR A CHANCE LIKE THIS
A WHOLE LIFE AND IT HAS NOT. YOU WILL TAKE YOUR CHANCE
AND WILL YOU THROW IT AWAY?
[CRICKET CRACKING]
[ANA¨ªRA] C¨º ¨¦ CRAZY.
[ARMANDO] THE MONEY DIDN'T EVEN PAY FOR THE RETURN TRIP
OF THE MUSICIANS, P?.
[CRICKET CRACKING]
[ANA¨ªRA] ¨®, TODAY I DON'T WANT TO KNOW ABOUT CRYING UP
FROM ME, TODAY IS MY BIRTHDAY.
?MUFFLED MUSIC?
[ARMANDO] [LAUGHING] REALLY?
?MUFFLED MUSIC?
[ARMANDO] FUCK...
?MUFFLED MUSIC?
[ARMANDO] CONGRATULATIONS. [LAUGHTER]
?MUFFLED MUSIC?
[ARMANDO] [PANT]
?MUFFLED MUSIC?
[HEAVY BREATH]
?MUFFLED MUSIC?
[SEA WAVES]
[ANA¨ªRA] [SIGH]
[DOOR CLOSE]
[SEA WAVES]
[HEAVY BREATHING]
[ARMANDO] [Snort]
?
[HEAVY BREATHING]
?
?TENSION MUSIC?
[MOVEMENT IN THE WATER]
[MAMEDE] I WILL MISS YOU, SEE?
AND THOU? WILL TAKE ANY GIFT FOR YOUR PRINCESS,
AT THE? HAS A GOOD PERFUME, A¨ª. I MAKE A CHEAP PRICE FOR YOU.
[DALBERTO] [LAUGHTER] ALL FAKES, BOY.
[MAMEDE] SMELLS THE SAME WAY WOW.
[LAUGHTER]
[DALBERTO] MY COMBINATION WITH HER is ANOTHER. LET'S GET THIS BALL
AND SPEND ONE NIGHT S¨®. RESTAURANT, MOTEL.
[MAMEDE] ¨¦WATER!
[BOAT ENGINE]
[MAMEDE] BICH?O V¨¦I DUMB.
[LAUGHTER]
[MAMEDE] RIGHT.
[BOAT ENGINE]
[POURING WATER]
[IMPACT ON THE TABLE]
[MERCEDES] WHAT PLANET DO YOU HAVE, DAUGHTER?
[FLY BUZZING]
[ANA¨ªRA] NOTHING.
[SNIFFLE]
[MERCEDES] WHAT DO YOU HAVE, DAUGHTER?
[RURAL AMBIENCE]
[ANA¨ªRA] CANSADA S¨®.
[STEPS]
[ANA¨ªRA] I THINK T? GOING CRAZY.
CAN YOU LOVE TWO PEOPLE AT THE SAME TIME?
[CRYING] MOM!
[MERCEDES] CALM, MY LOVE, CALM.
[RURAL AMBIENCE]
[STEPS]
[ANA¨ªRA] DIDN'T YOU SLEEP AT HOME? [ARMANDO] I WENT, I HAD TO...
I HAD TO SOLVE A DEAL WITH THE BOYS IN THE BAND.
[ANA¨ªRA] BUT IS IT ALL OK?
[SILENCE]
[ARMANDO] GO...
SWIPE AN ERASER OVER WHAT HAPPENED YESTERDAY.
[SILENCE]
[ARMANDO] BETTER.
[ANA¨ªRA] OF COURSE, LET'S PASS AN ERASER. RIGHT.
[ARMING] WAIT.
[ANA¨ªRA] It's OK.
[STEPS]
[CRY]
[STEPS]
[HEAVY BREATHING]
?
[ARMANDO] WE TAKE A ROUND LIKE THIS,
WHEN YOU OPEN YOUR EYES, WE LEAVE THIS HOTEL ROOM,
T¨¢ ANYWHERE IN THE WORLD.
?
[ARMANDO] GOOD MORNING. [ANA¨ªRA] GOOD MORNING.
?
[SILENCE]
[DALBERTO] MANO V¨¦I.
[DALMO] I THOUGHT IT WAS NOT ENOUGH. [LAUGHTER]
[DALBERTO] A SAILOR IN LOVE DOESN'T FORGET THE ROAD.
[DALMO] ¨¦ THAT A¨ª. [DALBERTO] AH, DONA DALVA!
DONA DALVA! [LAUGHTER]
HOW LONG, HELL? [DALVA] POIS ¨¦, T¨¢ A¨ª.
WAS THE TRIP GOOD? [DALBERTO] WAS.
GOOD MEMO ¨¦ ARRIVE. [SIGH]
[ANA¨ªRA] TAKE THAT IT'S HEAVY. [DALBERTO] AH, T? GOOD.
[DOOR CLOSE]
[DALBERTO] IT WAS 50 DAYS, IT FELT LIKE TEN YEARS. [LAUGHTER]
[ANA¨ªRA] 57 DAYS. [DALBERT] 57.
[CLINKING OF CROCKERS]
[DALBERTO] ¨º, DONA DALVA. She misses THAT TEMPER.
[BLACKBOARD CLINKING]
[DALBERTO] [SIGHS]
GO? [DALMO] GO.
[DALMO] A¨ª.
[CUP FILLING]
[DOG'S BARK]
[DALBERTO] [SIGHS] [DALMO] HEALTH.
[DALBERTO] HEALTH.
[DALBERTO] Oh! HERE, THE BOAT REPAIR IS GOING TO BE EXPENSIVE,
BUT IT WILL BE WORTH IT. IT WILL BE BEAUTIFUL.
[CLINKING OF CROCKERS]
[DALBERTO] GIVE IT AGAIN TO NAVIGATE.
MAKE A MONEY. [ANA¨ªRA] [LAUGHTER]
[CLINKING OF CROCKERS]
[DALBERTO] TOMORROW? IN THE MORNING? I'M GOING WITH ANA¨ªRA L¨¢ TO SEE THE LITTLE HOUSE.
[DALMO] WHY, HOW BEAUTIFUL. [DALBERTO] WILL HAVE
A LITTLE SPACE L¨¢ PROS CURUMIM.
[LAUGHTER]
[DALBERTO] ONE YEAR FROM HERE.
WE'RE GOING TO FILL THAT HOUSE. [ARMANDO] [LAUGHTER]
[DALBERTO] THE HOUSE IS GOOD. [DALMO] ¨¦?
[DALBERTO] THERE'S SOME WOOD L ¨¢ THAT MUST BE FIXED.
I'M GOING TO ASK INALDO TO HELP ME PAINT.
[CLINKING OF CROCKERS]
[DALBERTO] IT CAN TIE BOAT, OUT OF RIVER, VERY GOOD.
?TENSION MUSIC?
[DALBERTO] KNOWS THAT THE OLD MAN, THAT I WENT UP WITH HIM L¨¢ PRO PERU,
THE GUY IS A FIGURE...
?TENSION MUSIC?
[DALBERTO] LET'S MAKE A CURUMIM...
[ANA¨ªRA] [LAUGHTER]
?TENSION MUSIC?
[ANA¨ªRA] [COUGH] [DALBERTO] CAUTION
A¨ª WITH THORN. [ANA¨ªRA] [COUGH]
[DALBERTO] I REMEMBERED THAT TIME. [ANA¨ªRA] [COUGH]
[DALBERTO] SCARED PEOPLE.
[DALMO] IT WAS FUNNY. [DALBERTO] C¨º REMEMBER THIS?
?TENSION MUSIC?
[ANA¨ªRA] [SNILL]
?TENSION MUSIC?
[¨¢ RUNNING WATER]
[STEPS]
[ANA¨ªRA] ARE YOU CRAZY, ARE YOU?
[STEPS]
[ANA¨ªRA] LOOK AT ME. LOOK AT ME! WHY DID C¨º DO THIS?
[Sniffles] [ARMING] LETS GET OUT OF HERE.
[URBAN ENVIRONMENT]
[ARMANDO] COME WITH ME. LET'S GET OUT OF HERE.
[ANA¨ªRA] STOP, YOU ARE CRAZY. [ARMANDO] IF YOU DON'T COME
WITH ME, I'M GOING TO DO A CRAZY.
[HEAVY BREATHING]
[ARMANDO] CAN YOU HEAR ME?
[HEAVY BREATHING]
[URBAN ENVIRONMENT]
[HEAVY BREATHING]
[ARMANDO] COME. [Sniffle] [ANA¨ªRA] ARMANDO, I'M SORRY.
?TENSION MUSIC?
[ANA¨ªRA] [COUGH]
?TENSION MUSIC?
[ARMANDO] [SCREAM]
[SKID]
[ANA¨ªRA] [GROWN]
?TENSION MUSIC?
[DALBERTO] ANA¨ªRA. [ANA¨ªRA] HUM?
[DALBERTO] WHAT WAS IT? [ANA¨ªRA] HUG ME.
[DALBERTO] IT'S ALL RIGHT, LOVE.
[ANA¨ªRA] HUM.
[CRICKET CRACKING]
[DEEP SIGHS]
[BIRD SONG]
[CRICKET CRACKING]
[ARMANDO] [SIGHS]
[CRICKET CRACKING]
[DRIP OF WATER]
[DALMO] YOU AND ANA¨ªRA...
[CRICKET CRACKING]
[DALBERTO] IT CAN'T BE.
[CRICKET CRACKING]
[DALMO] I UNDERSTAND YOU.
[CRICKET CRACKING]
[ARMANDO] TELL DALBERTO. [DALMO] NO.
[CRICKET CRACKING]
[DALMO] OUT. [ARMANDO] NO.
[DALMO] GO TO THE SITE, GIVE IT A TIME. GO, YOU GO. YOU WILL.
[ARMANDO] [SNUNCH]
[SIGH]
[CRICKET CRACKING]
[CRY]
[DALMO] "SHH"... CALM. HEY HEY.
TRUST ME.
[CRY]
?TENSION MUSIC?
[DALMO] TRUST ME.
?TENSION MUSIC?
[DALBERTO] WOOD I WILL CHANGE EVERYTHING.
THE STAIRS, THIS ONE HERE.
[STEPS]
[DALBERTO] THE FLOOR, I HAVE TO FIX IT, SAND A LITTLE,
PASS A WAX.
[DOOR OPEN]
[DALBERTO] AND THE WALLS YOU CAN...
YOU CAN CHOOSE A COLOR, I PAINT IT.
[STEPS]
[DALBERTO] WE WILL ALSO HAVE THAT NIGHT OF OUR
THAT C¨º ALWAYS DREAMED, WITH A GOOD RESTAURANT, HOTEL...
[ANA¨ªRA] IT WILL BE GOOD. [LAUGHTER]
[DALBERTO] LET'S FUCK ALL NIGHT. HMM? HMM?
[LAUGHTER] THE BEGINNING IS ALREADY SELLING THE TICKETS A¨ª, I'M SELLING,
I'M SELLING OUR CABIN... LOOK AT THIS BALCONY.
[AMBIENCE OF RIVER]
[KISS SLAP]
[ANA¨ªRA] IF YOU DON'T CARE, THIS TIME I'M NOT GOING, NO.
I WILL STAY. I PREFER TO STAY HERE.
[DALBERTO] ARE YOU NOT GOING? WHY?
[ANA¨ªRA] I HAVE TO... I HAVE TO CLEAN THE HOUSE, RIGHT?
CLEAN ALL. A LOT OF THINGS TO DO.
[BOAT BELL]
[DALBERTO] ¨¦.
?
[WOOD SAWING]
[INALDO] HEY, THE NEIGHBORHOOD REFORM IS FIL¨¦, N¨¦?
ANA¨ªRA IS GOING TO TIE UP, BRO.
[WOOD SAWING]
[DOG'S BARK]
[DALBERTO] ANA¨ªRA T¨¢ DIFFERENT. QUIET.
[INALDO] NORMAL, right, BRO? WOMAN, P?. ¨¦ JUST LIKE IT.
[WOOD SAWING]
[DALBERTO] DID YOU MEET HER WHILE I WAS OUT?
[INALDO] I WENT TO THE STORE TO TAKE A PHOTO AND SHE WAS THERE
WORKING WITH THE DALMO, ¨®. COOL, N¨¦, BRO,
THAT THEY ARE WORKING TOGETHER? MY PHOTO WAS CONSIDERED,
T¨¢? S¨® YOU SELL, BRO.
THEN I'M GOING TO TAKE ANOTHER ONE THAT I'M NOT EVEN BEAST, AREN'T I?
TAKE WAY FOR THE PORTRAITIST ANA¨ªRA, N¨¦?
?TENSION MUSIC?
[HEAVY BREATHING]
?TENSION MUSIC?
[ASSOPRO]
?TENSION MUSIC?
[DALBERTO] A CHOKING THING INSIDE HERE.
I WANTED TO ASK YOU.
[DOG'S BARK]
[HEAVY BREATHING]
[DALBERTO] SOMETHING HAPPENED IN THIS HOUSE
WHILE I WAS OUT?
[SILENCE]
[DALBERTO] H??
[SONG OF BIRDS]
[DALBERTO] YOU'RE NOT GOING TO LIE TO ME, WILL YOU?
[DOG'S BARK]
[DALBERTO] SPEAKS. [DALMO] WHAT? SPEAK WHAT?
[DALBERTO] YOU AND ANA¨ªRA. [DALMO] HUM?
[DALBERTO] YOU AND ANA¨ªRA. [DALMO] HUM.
[DALBERTO] YOU AND ANA¨ªRA. [DALMO] NO...
[DALBERTO] YOU AND ANA¨ªRA. [DALMO] NO!
[DALBERTO] YOU AND ANA¨ªRA! [DALMO] NO!
[DALBERTO] FUCKING SPEAKS!
[HEAVY BREATHING]
[DALBERTO] SPEAK, SPEAK.
[DALMO] YOUR WIFE...
YOUR WIFE LOVES ANOTHER FUCK!
[HEAVY BREATHING]
[DALBERTO] WHO?
[HEAVY BREATHING]
[DALMO] [BREATHING] ARMING...
YOUR WIFE LOVES ARMANDO.
[DALBERTO] NO. [DALMO] LOVES. LOVE.
[STEPS]
[DALMO] ARMANDO... [DALBERTO] NO, it's a LIE.
[DALMO] ¨¦ STRONGER THAN THEM.
[DALBERTO] NO, NO, NO. LIE.
[STEPS]
[DALBERTO] [WHISPERING] FUCKING... FUCKING.
[IMPACT ON THE GROUND]
[DALBERTO] ¨¦ LIE, MAN!
[DALMO] "LIE"? LEFT A TICKET.
[PAPER HANDLING]
[HEAVY BREATHING]
[DOG'S BARK]
[DALBERTO] WHERE IS HE?
[DALMO] I DON'T KNOW, MAN.
[DALBERTO] WHERE IS HE? [DALMO] I DON'T KNOW!
[DALBERTO] WHERE IS HE? [DALMO] I DON'T KNOW...
[DALBERTO] WHERE IS HE! [DALMO] [SCREAMING] IN MANAUS,
CUM!
[DALBERTO] WHERE IN MANAUS?
[HEAVY BREATHING]
[DALBERTO] WHERE IN MANAUS? MANAUS is an ANThill.
[DALMO] FUCK YOU!
[DALBERTO] WHERE IN MANAUS? [DALMO] I WILL NOT TALK...
[DALBERTO] [SCREAMING] FUCKING TALK!
[DALMO] I'M NOT GOING TO TALK THE FUCK... [DALBERTO] YOU ¨¦ MY BROTHER!
[DALMO] [SCREAMING] AND HE'S MY BROTHER TOO!
[DALBERTO] [SCREAMING] YOU ¨¦ MY BROTHER!
[DALMO] FUCK YOU! TO, TO... [DALBERTO] WHERE IS HE?
SPEAK WHERE HE IS! I WILL FIND OUT!
[DALMO] CALM, CALM. CALM.
[DALBERTO] SAY WHERE HE IS, I WILL FIND OUT.
[DALMO] [WHISPERING] CALM, CALM, CALM, CALM.
[DALBERTO] WHERE IS HE? [DALMO] CALM,
I SENT HIM TO THE SITE. CALM.
?TENSION MUSIC?
[DALBERTO] I'LL TALK TO HIM.
[DALMO] CALM, CALM, CALM, CALM.
[DALBERTO] T? CALM, SAI. I NEED TO TALK TO HIM. LEAVES.
?TENSION MUSIC?
[DALBERTO] NO, I'M GOING THERE... [DALMO] NO, NO, NO.
[DALBERTO] I NEED TO TALK TO HIM, MAN.
[DALMO] [WHISPERING] STAY HERE. STAY WITH ME, STAY HERE.
[DALBERTO] [SCREAMING] LET ME GO, FUCK!
?TENSION MUSIC?
[HEAVY BREATHING]
?TENSION MUSIC?
[DALBERTO] [SIGHS]
?TENSION MUSIC?
[DALBERTO] [SIGHS]
?TENSION MUSIC?
[DALBERTO] [SIGHS]
[GUN COCK]
[DALBERTO] [SIGHS]
?TENSION MUSIC?
[ANA¨ªRA] DID YOU SEE DALBERTO TODAY?
[MAN] VI NO, LEFT EARLY.
[BOAT ENGINE]
[STEPS]
[ANA¨ªRA] DID YOU SEE DALBERTO?
HE DIDN'T SLEEP AT HOME, I'VE BEEN TO THE pier,
I ASKED, NOBODY KNOWS.
[STEPS]
[DALMO] HE ALREADY KNOWS.
[ANA¨ªRA] WHAT?
[DALMO] YOU AND ARMANDO.
[STEPS]
[ANA¨ªRA] HOW?
[SILENCE]
[DALMO] DALBERTO WENT AFTER ARMANDO.
[ANA¨ªRA] AND YOU LEFT IT?
[DALMO] I DID EVERYTHING TO PREVENT IT, EVERYTHING.
[ANA¨ªRA] I WILL FOLLOW THEM. [DALMO] CALM, CALM.
[ANA¨ªRA] I WILL. [DALMO] CALM, CALM. CALM.
[ANA¨ªRA] I HAVE TO GO.
[DALMO] CALM. [ANA¨ªRA] WHERE ARE THEY?
[DALMO] NO, NO. CALM CALM. [ANA¨ªRA] WHERE ARE THEY?
[DALMO] I KNOW, I'M GOING TO GET A BOAT AND GO AFTER THEM.
[ANA¨ªRA] I WILL GO WITH YOU. [DALMO] NO,
¨¦ DANGEROUS. DANGEROUS FOR YOU. DANGEROUS FOR THEM.
?TENSION MUSIC?
[CRY]
?TENSION MUSIC?
[HEAVY BREATHING]
[PIG GRUNT]
[HEAVY BREATHING]
[PIG GRUNT]
[HEAVY BREATHING]
[AMBIENCE OF NATURE]
?TENSION MUSIC?
[DALBERTO] [SCREAMING] ARMANDO!
ARMING!
?TENSION MUSIC?
[CICADA HISS]
[DALBERTO] STABBED ME IN THE BACK, NOW FINISH ME.
FUCK ME, GO!
GO! TAKE MY LIFE, GO. STRIP! GO!
[CICADA HISS]
[ARMANDO] STOP, DALBERTO. [DALBERTO] FUCK ME FUCK!
[ARMANDO] STOP, FUCK... [DALBERTO] FUCK ME, MAN...
[ARMING] [YELLING] STOP THE FUCK! FOR!
[DALBERTO] YOU TWO...
[CICADA HISS]
[ARMANDO] PROMISES YOU WON'T DO ANYTHING TO HER!
[CICADA HISS]
[ARMANDO] PROMISES YOU WON'T DO ANYTHING TO HER!
[DALBERTO] DO YOU THINK I'M A COWARD?
[ARMANDO] [YELLING] I LOVE ANA¨ªRA!
[CICADA HISS]
[HEAVY BREATHING]
[CICADA HISS]
[ARMANDO] [EMBARGATED VOICE] I LOVE ANA¨ªRA, BRO.
[DALBERTO] FINISH ME.
PLEASE FINISH WITH ME.
[ARMANDO] [EMBARIATED VOICE] FORGIVE ME, BRO.
[DALBERTO] TAKE THIS, FINISH ME.
[ARMANDO] [EMBARIATED VOICE] FORGIVE ME, BRO.
[CICADA HISS]
[ARMANDO] [BREACHED VOICE] FORGIVE ME, BRO. FORGIVE, MAN.
[DALBERTO] STOP!
?TENSION MUSIC?
[ARMANDO] [COUGH]
?DRAMATIC MUSIC?
[BIRD SONG]
?DRAMATIC MUSIC?
[BIRD SONG]
?DRAMATIC MUSIC?
[SILENCE]
?
[CRY]
?DRAMATIC MUSIC?
[CRY]
[ANA¨ªRA] [EMBARGATED VOICE] OPEN.
[SIGH]
[SILENCE]
[ANA¨ªRA] [SIGH]
[SILENCE]
[DALBERTO] IT WAS ME WHO SHOULD T¨¢ A¨ª.
[ANA¨ªRA] [SNILL]
[BREAKY VOICE] I DIDN'T WANT TO DO THAT. [SNILL]
[DALBERTO] TAKES CARE OF THE TWO A¨ª,
I WILL ¨¤ DELEGACY DELIVER MYSELF.
[MAMEDE] I'M GOING WITH YOU. [DALBERTO] NO, NO, NO,
I WILL S¨®.
[CRY]
?DRAMATIC MUSIC?
?