1 00:00:00,000 --> 00:00:06,000 公众号：VC星球英语，看BBC儿童节目 2 00:00:06,640 --> 00:00:09,640 Well, hello there. Great to see you! 3 00:00:09,640 --> 00:00:13,080 I'm William Shakespeare, and as far as I'm concerned, 4 00:00:13,080 --> 00:00:15,800 you can never have too much of a good thing. 5 00:00:15,800 --> 00:00:18,560 You see, my play is about to start. 6 00:00:18,560 --> 00:00:21,560 Well, at least it's supposed to be about to start. 7 00:00:21,560 --> 00:00:25,160 I asked for help to put my play on, but where are they? 8 00:00:25,160 --> 00:00:27,760 Where are my stage crew? 9 00:00:27,760 --> 00:00:31,960 - We're a crew! - A pirate crew! - Well, it matters not. 10 00:00:31,960 --> 00:00:33,920 Come in, come in, don't stand on ceremony. 11 00:00:33,920 --> 00:00:37,920 We're looking for Captain Shakespeare, ma'am - I mean, sir. 12 00:00:37,920 --> 00:00:40,720 Well, I'm William Shakespeare. 13 00:00:40,720 --> 00:00:43,080 Did you just say you're... 14 00:00:43,080 --> 00:00:45,680 Sir Shakey Pear, the famous pop star? 15 00:00:45,680 --> 00:00:47,480 HE BEATBOXES 16 00:00:47,480 --> 00:00:49,200 Oh, I love this one! Turn it up! 17 00:00:50,480 --> 00:00:52,520 HE MAKES A 'SCRATCHING' SOUND 18 00:00:54,200 --> 00:00:56,360 I'm William Shakespeare. 19 00:00:56,360 --> 00:00:59,120 - Cake smear? - Shake-speare! 20 00:00:59,120 --> 00:01:01,240 But...what's in a name? 21 00:01:01,240 --> 00:01:03,960 I don't know. I'm Cook - and I AM a cook. 22 00:01:03,960 --> 00:01:06,360 And I'm Line, and I don't know what I am. 23 00:01:06,360 --> 00:01:07,880 I should send you packing. 24 00:01:07,880 --> 00:01:11,680 - Oh, no, we hardly ever get away from the Scarlet Squid. - Very well. 25 00:01:11,680 --> 00:01:13,440 Why don't we start again? 26 00:01:17,680 --> 00:01:20,280 Well, hello, there, I'm William Shakespeare. 27 00:01:20,280 --> 00:01:22,680 I'm very, very busy, I'm writing a play here. 28 00:01:22,680 --> 00:01:25,680 - Writing a play? - Yes, writing a play. 29 00:01:25,680 --> 00:01:27,800 - Do you know what a play is? - No idea. 30 00:01:27,800 --> 00:01:30,000 # A play is like a story 31 00:01:30,000 --> 00:01:32,800 # Look! I'm writing it down here in this book 32 00:01:32,800 --> 00:01:35,880 # It's a tale of fairies humans and kings 33 00:01:35,880 --> 00:01:38,400 # And lots of other magical things 34 00:01:38,400 --> 00:01:40,720 # He's more clever than he might seem 35 00:01:40,720 --> 00:01:43,680 # And I'm calling it A Midsummer Night's Dream 36 00:01:43,680 --> 00:01:45,840 # Hey nonny-nonny We're a magical team 37 00:01:45,840 --> 00:01:49,720 # Hey nonny-no It's Midsummer Night's Dream 38 00:01:50,800 --> 00:01:53,400 # I've got my play all written down here 39 00:01:53,400 --> 00:01:56,120 # I could read it to myself but I've a better idea 40 00:01:56,120 --> 00:01:58,360 # I'll ask my friends to help me out 41 00:01:58,360 --> 00:02:00,880 # They'll show you what my story's all about 42 00:02:00,880 --> 00:02:03,280 # They'll all get together and pretend to be 43 00:02:03,280 --> 00:02:05,960 - # A king or a fairy... - Or a donkey! 44 00:02:05,960 --> 00:02:08,520 # They have to remember what they've got to say 45 00:02:08,520 --> 00:02:10,400 # When they do it all together 46 00:02:10,400 --> 00:02:12,200 # You've got a play! 47 00:02:13,960 --> 00:02:16,480 # Hey nonny-nonny We're a magical team 48 00:02:16,480 --> 00:02:20,040 # Hey nonny-no It's Midsummer Night's Dream 49 00:02:21,640 --> 00:02:23,800 # Here's two people that you might know 50 00:02:23,800 --> 00:02:26,520 # They're going to be actors in our show 51 00:02:26,520 --> 00:02:29,240 # Follow me, there's nothing to it 52 00:02:29,240 --> 00:02:31,040 # This is the theatre 53 00:02:32,280 --> 00:02:34,400 # Where we're going to do it 54 00:02:34,400 --> 00:02:36,760 # Now we need some scenery 55 00:02:36,760 --> 00:02:39,480 # To show us where we're supposed to be 56 00:02:40,480 --> 00:02:42,960 # Let's dress them up to look the part 57 00:02:42,960 --> 00:02:46,840 # With some special costumes We can almost start 58 00:02:46,840 --> 00:02:49,480 # There's lots of people in this play 59 00:02:49,480 --> 00:02:52,000 # The Duke of Athens is coming this way 60 00:02:52,000 --> 00:02:54,920 # Hippolyta Queen of the Amazons, too 61 00:02:54,920 --> 00:02:57,160 # What else do we need? 62 00:02:57,160 --> 00:02:58,840 # An audience 63 00:03:00,480 --> 00:03:01,600 # That's you! 64 00:03:02,640 --> 00:03:04,880 # Hey nonny-nonny We're a magical team 65 00:03:04,880 --> 00:03:10,080 # Hey nonny-no It's Midsummer Night's Dream! # 66 00:03:12,040 --> 00:03:14,080 CHEERING AND APPLAUSE 67 00:03:15,440 --> 00:03:18,600 And now our play can begin. 68 00:03:18,600 --> 00:03:20,400 A Midsummer Night's Dream. 69 00:03:34,040 --> 00:03:37,040 Now, fair Hippolyta, our nuptial hour draws on apace. 70 00:03:37,040 --> 00:03:39,320 Four happy days bring in another moon, 71 00:03:39,320 --> 00:03:43,440 but O, methinks, how slow this old moon wanes! 72 00:03:43,440 --> 00:03:47,480 - Why is he speaking like that? - Well, it's how I write all my plays. 73 00:03:47,480 --> 00:03:51,920 It's Shakespearean. It's dramatic, unique, poetic. 74 00:03:51,920 --> 00:03:55,720 Four days will quickly steep themselves in night. 75 00:03:55,720 --> 00:03:59,480 Four nights will quickly dream away the time. 76 00:03:59,480 --> 00:04:03,880 And then the moon, like to a silver bow new-bent in heaven, 77 00:04:03,880 --> 00:04:06,640 shall behold the night of our solemnities. 78 00:04:06,640 --> 00:04:09,560 Hippolyta! Oh, I will wed thee in another key - 79 00:04:09,560 --> 00:04:13,520 with pomp, with triumph and with revelling! 80 00:04:13,520 --> 00:04:16,720 They're getting married and he's planning a massive party. 81 00:04:16,720 --> 00:04:18,760 Ooh, I love a good party! 82 00:04:18,760 --> 00:04:21,640 Shh! Quiet backstage! 83 00:04:21,640 --> 00:04:23,400 Look, here come the Athenians. 84 00:04:23,400 --> 00:04:25,840 - Atheni-ni-nians? - Athenians! 85 00:04:25,840 --> 00:04:28,600 That means they live in a city called Athens. 86 00:04:28,600 --> 00:04:31,960 Happy be Theseus, our renowned duke! 87 00:04:31,960 --> 00:04:34,440 Thanks, good Egea. What's the news with thee? 88 00:04:34,440 --> 00:04:38,800 Oh, full of vexations come I, with complaint against my child. 89 00:04:38,800 --> 00:04:40,880 My daughter Hermia. 90 00:04:40,880 --> 00:04:43,720 Stand forth, Demetrius. 91 00:04:43,720 --> 00:04:47,040 This man hath my consent to marry her. 92 00:04:47,040 --> 00:04:49,240 Stand forth, Lysander. 93 00:04:50,280 --> 00:04:55,480 And, my gracious Duke, this man hath bewitched the bosom of my child. 94 00:04:55,480 --> 00:04:58,120 Ooh, she's as moody as Captain Sinker. 95 00:04:58,120 --> 00:05:02,760 That's Egea. She wants her daughter, Hermia, to marry Demetrius. 96 00:05:02,760 --> 00:05:06,240 But Hermia wants to marry HIM, Lysander. 97 00:05:06,240 --> 00:05:08,120 Ooh, that's all a bit of a muddle. 98 00:05:08,120 --> 00:05:12,480 I beg the ancient privilege of Athens, as she is mine, 99 00:05:12,480 --> 00:05:14,120 I may choose for her. 100 00:05:14,120 --> 00:05:15,760 What say you, Hermia? 101 00:05:15,760 --> 00:05:17,920 Be advised, fair maid. 102 00:05:17,920 --> 00:05:20,360 To you, your mother should be as a queen. 103 00:05:20,360 --> 00:05:22,480 Demetrius is a worthy gentleman. 104 00:05:22,480 --> 00:05:24,040 So is Lysander! 105 00:05:24,040 --> 00:05:25,640 In himself he is. 106 00:05:25,640 --> 00:05:27,920 But in this kind, wanting your mother's voice, 107 00:05:27,920 --> 00:05:30,120 the other must be held the worthier. 108 00:05:30,120 --> 00:05:32,720 I would my mother looked but with MY eyes. 109 00:05:32,720 --> 00:05:35,760 Rather your eyes must with her judgment look. 110 00:05:35,760 --> 00:05:39,200 I do entreat your grace to pardon me. 111 00:05:39,200 --> 00:05:42,560 I know not by what power I am made bold, nor how it may 112 00:05:42,560 --> 00:05:47,600 concern my modesty in such a presence here to plead my thoughts. 113 00:05:47,600 --> 00:05:50,520 Relent, sweet Hermia! 114 00:05:50,520 --> 00:05:56,760 And Lysander, yield thy crazed title to my certain right. 115 00:05:56,760 --> 00:05:59,400 You have her mother's love, Demetrius. 116 00:05:59,400 --> 00:06:00,840 Let me have Hermia's. 117 00:06:00,840 --> 00:06:03,160 I must confess that I have heard too much, 118 00:06:03,160 --> 00:06:06,440 my mind being so full of self-affairs. 119 00:06:06,440 --> 00:06:08,440 Demetrius and Egea, go along. 120 00:06:08,440 --> 00:06:11,160 I must employ you in some business against our nuptial 121 00:06:11,160 --> 00:06:12,320 and confer with you. 122 00:06:12,320 --> 00:06:14,680 With duty and with care we follow thee. 123 00:06:17,280 --> 00:06:21,560 Keep promise, love, and if you lovest me, 124 00:06:21,560 --> 00:06:24,440 come steal away with me tomorrow night. 125 00:06:24,440 --> 00:06:26,640 Here comes another Athenian. 126 00:06:26,640 --> 00:06:29,440 God speed, fair Helena! Whither away? 127 00:06:29,440 --> 00:06:31,800 Call you me fair? 128 00:06:31,800 --> 00:06:33,800 That fair again unsay. 129 00:06:33,800 --> 00:06:37,880 Demetrius likes YOUR fair. O happy fair! 130 00:06:37,880 --> 00:06:41,520 Your eyes are lode-stars and your tongue's sweet air, 131 00:06:41,520 --> 00:06:44,600 more tuneable than lark to shepherd's ear. 132 00:06:44,600 --> 00:06:47,200 O, teach me how you look, 133 00:06:47,200 --> 00:06:51,280 and with what art you sway the motion of Demetrius' heart. 134 00:06:51,280 --> 00:06:53,920 Helena wears her heart on her sleeve. 135 00:06:53,920 --> 00:06:56,920 You see, she wants to marry Demetrius. 136 00:06:56,920 --> 00:07:00,080 But doesn't he want to marry the girl with the angry mum? 137 00:07:00,080 --> 00:07:03,440 Hermia? That's right! So it's even more of a pickle now. 138 00:07:03,440 --> 00:07:05,960 I frown upon him, yet he loves me still. 139 00:07:05,960 --> 00:07:12,000 - O, that your frowns could teach my smiles such skill! - O, take comfort! 140 00:07:12,000 --> 00:07:14,520 He shall no more see my face. 141 00:07:14,520 --> 00:07:15,920 Lysander... 142 00:07:16,960 --> 00:07:21,560 ..and myself will fly this place. 143 00:07:21,560 --> 00:07:23,400 And that's our cue. 144 00:07:23,400 --> 00:07:24,560 Scene change! 145 00:07:26,080 --> 00:07:28,520 # It's time for a scene change 146 00:07:28,520 --> 00:07:30,280 # It's time for a scene change 147 00:07:30,280 --> 00:07:32,320 # It's time for a scene change 148 00:07:32,320 --> 00:07:34,080 # What's a scene change? # 149 00:07:34,080 --> 00:07:36,400 Well, let me explain. 150 00:07:36,400 --> 00:07:38,360 # It's when you change the things on stage 151 00:07:38,360 --> 00:07:40,400 # To make it look like somewhere new 152 00:07:40,400 --> 00:07:42,280 # Here's a list upon this page 153 00:07:42,280 --> 00:07:44,840 # Of things I need from both of you 154 00:07:44,840 --> 00:07:47,200 # I need a ladder 155 00:07:47,200 --> 00:07:49,000 # Then a window 156 00:07:49,000 --> 00:07:50,520 # Then a workbench 157 00:07:50,520 --> 00:07:52,080 # And a box 158 00:07:52,080 --> 00:07:54,000 # I need a hammer 159 00:07:54,000 --> 00:07:55,560 # Then a chair 160 00:07:55,560 --> 00:07:57,400 # And a saw 161 00:07:57,400 --> 00:07:58,880 # And a mop! # 162 00:07:58,880 --> 00:08:00,640 What? Well, it's not on the list. 163 00:08:00,640 --> 00:08:02,520 # He needs a ladder Yes, indeed 164 00:08:02,520 --> 00:08:04,240 # Then a window Ooh, that's, ooh 165 00:08:04,240 --> 00:08:05,960 # And a workbench 166 00:08:05,960 --> 00:08:07,120 # And a box 167 00:08:07,120 --> 00:08:09,200 # He needs a hammer Yes, indeed 168 00:08:09,200 --> 00:08:11,040 # Then a chair For sitting 169 00:08:11,040 --> 00:08:12,600 # And a saw Saw, saw, saw 170 00:08:12,600 --> 00:08:14,120 - # And a mop! - No, wait a minute! 171 00:08:14,120 --> 00:08:17,320 # Pushing, shifting, moving, lifting Pushing, shifting, moving, lifting 172 00:08:17,320 --> 00:08:19,360 # Right, I need a ladder 173 00:08:19,360 --> 00:08:21,000 # Then a window 174 00:08:21,000 --> 00:08:22,680 # Then a workbench 175 00:08:22,680 --> 00:08:24,320 # And a box 176 00:08:24,320 --> 00:08:26,000 # I need a hammer 177 00:08:26,000 --> 00:08:27,800 # Then a chair 178 00:08:27,800 --> 00:08:29,560 # And a saw 179 00:08:29,560 --> 00:08:33,480 - # And a mop! # - What? No! No mop! 180 00:08:33,480 --> 00:08:34,520 Oh! 181 00:08:36,360 --> 00:08:38,320 Right, come on, off, quickly! 182 00:08:42,880 --> 00:08:44,920 Is all our company here? 183 00:08:44,920 --> 00:08:49,760 You were best to call them generally, man by man, 184 00:08:49,760 --> 00:08:51,680 according to the script. 185 00:08:52,680 --> 00:08:56,840 Here is the scroll of every man's name which is thought fit, 186 00:08:56,840 --> 00:08:59,640 through all Athens, to play in our interlude 187 00:08:59,640 --> 00:09:03,840 before the Duke and the Duchess, on his wedding day at night. 188 00:09:03,840 --> 00:09:08,040 First, good Peter Quince, say what the play treats on, 189 00:09:08,040 --> 00:09:12,600 then read the names of the actors and then grow to a point. 190 00:09:12,600 --> 00:09:15,120 Marry, our play 191 00:09:15,120 --> 00:09:21,520 is the most unhappy comedy of Pyramus, Thisby, 192 00:09:21,520 --> 00:09:25,560 and the lion who thought she was a cat. 193 00:09:25,560 --> 00:09:26,920 Answer as I call you. 194 00:09:28,160 --> 00:09:29,960 Nick Bottom, the weaver. 195 00:09:29,960 --> 00:09:34,520 Ready! Name what part I am for, and proceed. 196 00:09:34,520 --> 00:09:37,640 You, Nick Bottom, are set down for Pyramus. 197 00:09:37,640 --> 00:09:40,280 What is Pyramus? 198 00:09:40,280 --> 00:09:42,000 Is he a kindly man? 199 00:09:42,000 --> 00:09:44,520 "Ah, hello there! 200 00:09:44,520 --> 00:09:50,080 "Such kindness coming from me, kindness from above!" 201 00:09:50,080 --> 00:09:52,120 Or... HE SWISHES 202 00:09:54,400 --> 00:09:56,840 ..a tyrant! Ha-ha! 203 00:09:56,840 --> 00:10:02,440 A kindly, who most gallant would marry Thisby. 204 00:10:04,040 --> 00:10:08,240 That will ask for some tears in the true performing of it. 205 00:10:08,240 --> 00:10:11,920 If I do it, let the audience look to their eyes. 206 00:10:13,040 --> 00:10:17,920 I will move storms, I will condole in some measure. 207 00:10:17,920 --> 00:10:19,520 To the rest! 208 00:10:19,520 --> 00:10:22,840 Yet my chief humour is for a tyrant. 209 00:10:22,840 --> 00:10:27,000 - Francis Flute, the bellows-mender. - Here, Peter Quince! 210 00:10:27,000 --> 00:10:29,560 Flute, you must take Thisby on you. 211 00:10:29,560 --> 00:10:33,040 Ooh, what is Thisby? A wandering knight? 212 00:10:33,040 --> 00:10:35,840 It is the lady that Pyramus marries. 213 00:10:35,840 --> 00:10:37,440 Oh, er, nay. 214 00:10:37,440 --> 00:10:40,040 Faith, let me not play a woman. 215 00:10:41,560 --> 00:10:43,760 I have a beard coming. 216 00:10:43,760 --> 00:10:45,400 That's all one. 217 00:10:45,400 --> 00:10:49,120 You shall play it in a mask, and you may speak as small as you will. 218 00:10:49,120 --> 00:10:52,160 And I may hide MY face! 219 00:10:52,160 --> 00:10:55,240 Let me play Thisby, too! 220 00:10:55,240 --> 00:10:59,240 I will speak in a monstrous little voice. 221 00:10:59,240 --> 00:11:01,600 "Thisne, Thisne." 222 00:11:01,600 --> 00:11:04,720 "Oh, Pyramus, husband dear!" 223 00:11:06,120 --> 00:11:10,400 "Thy Thisby, dear." "And lady dear!" Huh? 224 00:11:10,400 --> 00:11:15,080 No, no, you must play Pyramus, and Flute, you Thisby. 225 00:11:15,080 --> 00:11:16,640 Well, proceed. 226 00:11:16,640 --> 00:11:18,960 Robin Starveling, the tailor. 227 00:11:18,960 --> 00:11:20,920 Here, Peter Quince! 228 00:11:20,920 --> 00:11:23,720 Robin Starveling, you must play the moon. 229 00:11:25,760 --> 00:11:28,800 - Tom Snout, the tinker. - Here, Peter Quince. 230 00:11:28,800 --> 00:11:32,280 You will be a solid wall. 231 00:11:32,280 --> 00:11:34,800 Myself, Thisby's father. 232 00:11:34,800 --> 00:11:38,600 Snug, the joiner? You, the lion's part. 233 00:11:38,600 --> 00:11:41,480 And I hope here is a play fitted. 234 00:11:41,480 --> 00:11:44,160 Do you have the lion's part written? 235 00:11:44,160 --> 00:11:48,480 Pray you, if it be, give it me, for I am slow of study. 236 00:11:48,480 --> 00:11:55,440 You may play it extempore, for it is nothing but roaring, eh? 237 00:11:55,440 --> 00:11:57,480 BOTTOM ROARS 238 00:11:59,120 --> 00:12:01,040 Let me play the lion, too. 239 00:12:01,040 --> 00:12:05,320 I will roar, that I will make any man's heart good to hear me. 240 00:12:05,320 --> 00:12:09,000 I will roar, that I will make the Duke say, 241 00:12:09,000 --> 00:12:11,920 "Let him roar again, let him roar again!" 242 00:12:11,920 --> 00:12:15,840 If you should do it too terribly, you would fright 243 00:12:15,840 --> 00:12:19,360 all the audience from their seats, that they would shriek! 244 00:12:21,280 --> 00:12:25,760 Well, I will roar for you like a squeaking cat. 245 00:12:25,760 --> 00:12:28,200 Meow, EEK! 246 00:12:28,200 --> 00:12:31,080 Meow, EEK! 247 00:12:31,080 --> 00:12:34,520 You must play no part but Pyramus! 248 00:12:34,520 --> 00:12:38,000 For Pyramus is a sweet-faced man. 249 00:12:38,000 --> 00:12:40,760 Oh, well, I will...! 250 00:12:43,440 --> 00:12:45,040 ..undertake it. 251 00:12:45,040 --> 00:12:48,880 Now, what beard were I best to play it in? 252 00:12:48,880 --> 00:12:51,080 Why, what you will. 253 00:12:51,080 --> 00:12:56,760 But masters, here are your parts, and I am to entreat you, 254 00:12:56,760 --> 00:13:00,120 request you, and desire you, 255 00:13:00,120 --> 00:13:03,120 to learn them by tomorrow night then meet me in the palace woods. 256 00:13:03,120 --> 00:13:05,920 I pray you, fail me not. 257 00:13:07,280 --> 00:13:08,680 Wait! Er, Peter Quince! 258 00:13:09,880 --> 00:13:12,920 SHAKESPEARE: And that's them off to the woods to rehearse, 259 00:13:12,920 --> 00:13:15,680 and that's our cue. Scene change! 260 00:13:15,680 --> 00:13:18,240 - BOTH: - # It's time for a scene change... # 261 00:13:18,240 --> 00:13:21,280 No, no, not every time. Come on! We need to get the woods ready. 262 00:13:23,680 --> 00:13:29,120 Now, these are no ordinary woods. 263 00:13:29,120 --> 00:13:33,200 These are magical woods. 264 00:13:33,200 --> 00:13:35,240 - AUDIENCE: - Ooh! 265 00:13:36,880 --> 00:13:40,920 You see, fairies live in these woods. 266 00:13:40,920 --> 00:13:45,280 - Fairies! - They are magical and can vanish into thin air, 267 00:13:45,280 --> 00:13:48,040 so you have to keep an eye out for them. 268 00:13:48,040 --> 00:13:49,600 Now, our job is done. 269 00:13:49,600 --> 00:13:51,840 We need to get off stage. 270 00:13:51,840 --> 00:13:54,360 Oh, and watch out for Puck. 271 00:13:54,360 --> 00:13:55,920 He's a little bit cheeky. 272 00:14:00,680 --> 00:14:03,200 # Over hill, over dale 273 00:14:03,200 --> 00:14:06,280 # Thorough bush, thorough brier 274 00:14:06,280 --> 00:14:08,600 # Over park, over pale 275 00:14:08,600 --> 00:14:11,440 # Thorough flood, thorough fire 276 00:14:11,440 --> 00:14:14,080 # We do wander everywhere 277 00:14:14,080 --> 00:14:16,840 # Swifter than the moon's sphere 278 00:14:16,840 --> 00:14:19,400 # And I serve the fairy queen 279 00:14:19,400 --> 00:14:22,760 # To dew her orbs upon the green 280 00:14:22,760 --> 00:14:25,440 - # Over hill, over dale - Over park, over pale 281 00:14:25,440 --> 00:14:29,360 - # Thorough bush, thorough brier - Thorough flood, thorough fire... # 282 00:14:29,360 --> 00:14:33,520 SHAKESPEARE: Puck, he serves Oberon, the King of the Fairies! 283 00:14:33,520 --> 00:14:37,200 And Fairy, she serves Titania, the Fairy Queen. 284 00:14:39,000 --> 00:14:42,320 # Cowslips tall their pensioners be 285 00:14:42,320 --> 00:14:45,880 # In their gold coats spots you see 286 00:14:45,880 --> 00:14:48,640 # Those be rubies, fairy favours 287 00:14:48,640 --> 00:14:51,600 - # In those freckles - Live their savours 288 00:14:51,600 --> 00:14:54,480 # Over hill, over dale 289 00:14:54,480 --> 00:14:56,680 # Over park, over pale. # 290 00:15:02,200 --> 00:15:04,880 The king doth keep his revels here tonight. 291 00:15:04,880 --> 00:15:07,840 Take heed the queen come not within his sight, 292 00:15:07,840 --> 00:15:10,880 and now they never meet in grove or green, 293 00:15:10,880 --> 00:15:14,800 by fountain clear or spangled starlight sheen, 294 00:15:14,800 --> 00:15:19,520 but they...do...square, 295 00:15:19,520 --> 00:15:21,400 that every elf for fear 296 00:15:21,400 --> 00:15:24,400 creep into acorn-cups and hide them there. 297 00:15:27,520 --> 00:15:30,120 But, room, fairy! Here comes Oberon. 298 00:15:30,120 --> 00:15:32,600 And here my mistress. Would that he be gone! 299 00:15:35,480 --> 00:15:37,600 SHAKESPEARE: The King and Queen of the Fairies 300 00:15:37,600 --> 00:15:38,880 are so angry with each other 301 00:15:38,880 --> 00:15:42,960 that they can't even stand to be in the same part of the wood. 302 00:15:42,960 --> 00:15:46,000 Ill met by moonlight, proud Titania. 303 00:15:47,680 --> 00:15:50,480 What, jealous Oberon! 304 00:15:50,480 --> 00:15:53,080 Fairies, skip hence. 305 00:15:53,080 --> 00:15:57,200 I have forsworn his sight and company. 306 00:15:57,200 --> 00:15:59,520 Tarry, rash nettle. 307 00:15:59,520 --> 00:16:01,400 Am not I thy lord? 308 00:16:02,760 --> 00:16:06,840 Then I must be thy lady. 309 00:16:06,840 --> 00:16:09,800 How long within this wood intend you stay? 310 00:16:09,800 --> 00:16:13,880 Perchance till after 311 00:16:13,880 --> 00:16:15,880 Theseus' wedding-day. 312 00:16:15,880 --> 00:16:17,320 TITANIA LAUGHS 313 00:16:17,320 --> 00:16:19,320 Fairies, away! 314 00:16:19,320 --> 00:16:23,160 We shall chide downright, if I longer stay. 315 00:16:27,600 --> 00:16:29,640 My gentle Puck, come hither. 316 00:16:31,600 --> 00:16:33,520 Fetch me that flower, 317 00:16:33,520 --> 00:16:35,360 the herb I showed thee once. 318 00:16:35,360 --> 00:16:38,600 The magic of it on sleeping eyelids laid 319 00:16:38,600 --> 00:16:40,240 will make or man or woman 320 00:16:40,240 --> 00:16:43,520 madly dote upon the next live creature that it sees. 321 00:16:44,640 --> 00:16:45,920 Fetch me this herb. 322 00:16:46,960 --> 00:16:50,400 I'll put a girdle round about the earth in 40 minutes. 323 00:16:50,400 --> 00:16:52,960 - COOK: - Where's Puck going? - SHAKESPEARE: Don't worry. 324 00:16:52,960 --> 00:16:55,880 Oberon has sent Puck to fetch a magic flower. 325 00:16:55,880 --> 00:16:57,360 He won't be long. 326 00:16:57,360 --> 00:17:00,560 Having once this flower, 327 00:17:00,560 --> 00:17:03,560 I'll watch Titania when she is asleep, 328 00:17:03,560 --> 00:17:06,920 and blow the magic of it in her eyes. 329 00:17:06,920 --> 00:17:09,600 The next thing then she waking looks upon, 330 00:17:09,600 --> 00:17:13,280 she shall pursue it with the soul of love. 331 00:17:14,440 --> 00:17:15,600 Who comes there? 332 00:17:15,600 --> 00:17:18,520 I am invisible and will overhear their conference. 333 00:17:18,520 --> 00:17:20,880 - COOK: - We should totally go and tell the Fairy King 334 00:17:20,880 --> 00:17:23,080 that two of the Athenenians are in his woods. 335 00:17:23,080 --> 00:17:25,680 - Athenians. - What are they called again? 336 00:17:25,680 --> 00:17:26,920 That's Demetrius. 337 00:17:26,920 --> 00:17:29,400 And she's the Athenenian that likes him. 338 00:17:29,400 --> 00:17:33,000 Helena. And, no, we don't need to do anything. Just watch. 339 00:17:33,000 --> 00:17:34,880 - DEMETRIUS: - I love thee not, 340 00:17:34,880 --> 00:17:37,720 therefore pursue me not. 341 00:17:37,720 --> 00:17:41,040 Where is Lysander and fair Hermia? 342 00:17:41,040 --> 00:17:44,320 Thou told'st me they were stolen unto this wood, 343 00:17:44,320 --> 00:17:48,280 and here am I, and wode within this wood, 344 00:17:48,280 --> 00:17:51,000 - because I cannot meet my Hermia. - SHE KISSES 345 00:17:51,000 --> 00:17:55,280 Hence, get...thee...gone, 346 00:17:55,280 --> 00:17:57,560 and follow me no more. 347 00:17:57,560 --> 00:18:00,480 You draw me, you hard-hearted adamant. 348 00:18:00,480 --> 00:18:02,320 Do I entice you? 349 00:18:02,320 --> 00:18:05,160 Do I speak you fair? 350 00:18:05,160 --> 00:18:10,280 Or, rather, do I not in plainest truth 351 00:18:10,280 --> 00:18:17,440 tell you, I will not, no, I cannot marry you? 352 00:18:17,440 --> 00:18:20,080 And even for that do I love you the more. 353 00:18:20,080 --> 00:18:21,520 Mwah! 354 00:18:21,520 --> 00:18:23,280 Ugh! 355 00:18:23,280 --> 00:18:26,120 I am sad when I do look on thee. 356 00:18:26,120 --> 00:18:28,760 Oh, and I am sad when I look not on you. 357 00:18:28,760 --> 00:18:32,080 I will not stay thy questions. Let me go. 358 00:18:32,080 --> 00:18:35,760 Apollo flies and Daphne holds the chase. 359 00:18:36,840 --> 00:18:40,320 Fare thee well, maiden. Ere he do leave this grove, 360 00:18:40,320 --> 00:18:43,960 thou shalt fly him and he shall seek thy hand. 361 00:18:43,960 --> 00:18:46,280 - We need the flower. - What flower? - The prop! 362 00:18:46,280 --> 00:18:49,720 - You want us to hop? - Time to stop. - No, the prop! 363 00:18:49,720 --> 00:18:52,800 - Oh, open a shop! - Need a mop? - Some slop? 364 00:18:52,800 --> 00:18:54,200 Just fetch me the prop. 365 00:18:54,200 --> 00:18:57,360 Chop chop! Not a hop, a mop, a spinning top, 366 00:18:57,360 --> 00:18:59,680 or a flippety-flippety-flippety-flop. 367 00:18:59,680 --> 00:19:02,320 The things we use in a play are called props. 368 00:19:02,320 --> 00:19:04,680 CASH REGISTER DINGS Oh, there it is. 369 00:19:10,920 --> 00:19:13,520 PUCK: Thanks, Will! 370 00:19:13,520 --> 00:19:15,160 Hast thou the flower there? 371 00:19:16,240 --> 00:19:17,920 Welcome, wanderer. 372 00:19:17,920 --> 00:19:20,560 Ay, here it is. 373 00:19:20,560 --> 00:19:22,640 I pray thee, give it me. 374 00:19:25,560 --> 00:19:26,800 AUDIENCE GASPS 375 00:19:28,080 --> 00:19:30,880 I know a bank where the wild thyme blows. 376 00:19:30,880 --> 00:19:33,360 There sleeps Titania sometime of the night, 377 00:19:33,360 --> 00:19:36,440 lull'd in these flowers with dances and delight. 378 00:19:36,440 --> 00:19:39,120 And with the magic of this I'll stroke her eyes 379 00:19:39,120 --> 00:19:41,440 and make her full of friendly fantasies. 380 00:19:44,880 --> 00:19:48,160 Take thou some of it, and seek through this grove, 381 00:19:48,160 --> 00:19:51,360 a sweet Athenian maiden is in love with a disdainful youth. 382 00:19:51,360 --> 00:19:54,880 Anoint his eyes but do it when the next thing he espies 383 00:19:54,880 --> 00:19:56,560 may be the lady. 384 00:19:56,560 --> 00:20:00,720 Thou shalt know the man by the Athenian garments he hath on. 385 00:20:00,720 --> 00:20:03,480 Fear not, my lord, your servant shall do so. 386 00:20:04,520 --> 00:20:07,000 SHAKESPEARE: Oberon wants to help Helena. 387 00:20:07,000 --> 00:20:09,800 He's sent Puck to use magic on Demetrius 388 00:20:09,800 --> 00:20:12,280 so then he'll want to marry Helena. 389 00:20:12,280 --> 00:20:15,760 So, what's Oberon going to use the magic flower for? 390 00:20:15,760 --> 00:20:19,840 Ah... That's for Queen Titania. 391 00:20:19,840 --> 00:20:21,440 SHE SIGHS 392 00:20:28,160 --> 00:20:29,280 (Ah!) 393 00:20:31,280 --> 00:20:36,480 Come, now a roundel and a fairy song. 394 00:20:37,600 --> 00:20:41,080 Sing me now asleep, 395 00:20:41,080 --> 00:20:44,120 Then to your offices and let me rest. 396 00:20:46,000 --> 00:20:50,120 # You spotted snakes with double tongue 397 00:20:50,120 --> 00:20:52,600 # Thorny hedgehogs, be not seen 398 00:20:52,600 --> 00:20:56,720 # Newts and blind-worms do no wrong 399 00:20:56,720 --> 00:21:01,560 # Come not near our fairy queen 400 00:21:01,560 --> 00:21:03,520 # Philomel, with melody 401 00:21:03,520 --> 00:21:07,680 # Sing in our sweet lullaby 402 00:21:07,680 --> 00:21:10,960 # Lu-lu-lulla, lullaby 403 00:21:10,960 --> 00:21:14,440 # Lu-lu-lulla, lullaby 404 00:21:14,440 --> 00:21:17,400 # Never harm, nor spell nor charm 405 00:21:17,400 --> 00:21:20,760 # Come our lovely lady nigh 406 00:21:22,240 --> 00:21:27,000 # So, good night, with lullaby 407 00:21:28,160 --> 00:21:31,120 # Lu-lu-lulla, lullaby 408 00:21:31,120 --> 00:21:35,440 # Lu-lu-lulla, lullaby. # 409 00:21:38,640 --> 00:21:39,840 Ssh! 410 00:21:39,840 --> 00:21:41,760 Hence, away! 411 00:21:41,760 --> 00:21:43,960 Now all is well. 412 00:21:43,960 --> 00:21:48,240 Ah! My fairy lullaby is excellent for sending people to sleep. 413 00:21:50,200 --> 00:21:52,040 Oi! Wake up! 414 00:21:53,200 --> 00:21:55,360 But Titania is sleeping. 415 00:21:55,360 --> 00:21:57,280 It's all part of the story. 416 00:21:57,280 --> 00:22:00,760 Don't you want to know what happens when the magic works? 417 00:22:00,760 --> 00:22:02,600 - Magic! - Agh! - Oh. 418 00:22:09,880 --> 00:22:12,240 What thou seest when thou dost wake, 419 00:22:12,240 --> 00:22:15,160 do it for thy true-love take. 420 00:22:16,280 --> 00:22:19,600 Love and languish for his sake. 421 00:22:19,600 --> 00:22:22,640 Be it ounce, or cat, or bear, 422 00:22:22,640 --> 00:22:25,680 pard, or boar with bristled hair, 423 00:22:25,680 --> 00:22:28,400 in thy eye that shall appear 424 00:22:28,400 --> 00:22:31,280 when thou wakest, it is thy dear. 425 00:22:36,680 --> 00:22:40,360 - Huh! It is the other Athenininians. - Athenians! 426 00:22:40,360 --> 00:22:43,000 Yeah, I remember, Liquorice and Sherbert. 427 00:22:43,000 --> 00:22:46,280 Nearly. Lysander and Hermia. 428 00:22:46,280 --> 00:22:47,400 Fair love, is it... 429 00:22:49,320 --> 00:22:52,000 Oh, you faint with wandering in the wood. 430 00:22:52,000 --> 00:22:55,600 And, to speak troth, I have forgot our way. 431 00:22:55,600 --> 00:22:58,440 We'll rest us, Hermia, if you think it good, 432 00:22:58,440 --> 00:23:00,680 and tarry for the comfort of the day. 433 00:23:00,680 --> 00:23:02,240 Be it so, Lysander. 434 00:23:02,240 --> 00:23:06,960 Find you out a bed, for I upon this bank will rest my head. 435 00:23:09,360 --> 00:23:12,160 Er... here is my bed? 436 00:23:13,840 --> 00:23:15,840 Good. 437 00:23:15,840 --> 00:23:19,280 Sleep give thee all his rest! 438 00:23:19,280 --> 00:23:22,600 With half that wish the wisher's eyes be press'd! 439 00:23:22,600 --> 00:23:24,960 SHE BLOWS A KISS 440 00:23:26,760 --> 00:23:28,840 Through the forest have I gone. 441 00:23:28,840 --> 00:23:30,480 But Athenian found I none, 442 00:23:30,480 --> 00:23:32,720 on whose eyes I might approve 443 00:23:32,720 --> 00:23:35,840 this flower's force in stirring love. 444 00:23:37,600 --> 00:23:40,560 Night and silence. Who is here? 445 00:23:40,560 --> 00:23:42,760 Weeds of Athens he doth wear. 446 00:23:42,760 --> 00:23:44,480 This is he, my master said, 447 00:23:44,480 --> 00:23:47,000 despised the Athenian maid. 448 00:23:48,240 --> 00:23:51,880 And here the maiden, sleeping sound, 449 00:23:51,880 --> 00:23:55,920 on the dank and dirty ground. 450 00:23:55,920 --> 00:23:59,880 Churl, upon thine eye I throw 451 00:23:59,880 --> 00:24:03,000 all the power this charm doth owe. 452 00:24:07,680 --> 00:24:10,400 When thou wakest, let love forbid, 453 00:24:10,400 --> 00:24:14,120 sleep his seat on thy eyelid. 454 00:24:14,120 --> 00:24:18,640 So, awake when I am gone for I must now to Oberon. 455 00:24:18,640 --> 00:24:21,200 - BOTH: - Oh, no! He's got the wrong Antheninian! 456 00:24:21,200 --> 00:24:24,360 I know! Brilliant, isn't it? 457 00:24:24,360 --> 00:24:26,720 Who is here? 458 00:24:26,720 --> 00:24:29,200 Lysander? On the ground? 459 00:24:29,200 --> 00:24:31,600 Dreaming? Or asleep? 460 00:24:31,600 --> 00:24:33,680 I see no harm, no wound. 461 00:24:34,720 --> 00:24:38,320 Lysander, if you sleep, good sir, awake. 462 00:24:40,720 --> 00:24:45,640 And run through fire will I for thy sweet sake. 463 00:24:45,640 --> 00:24:48,040 Transparent Helena! 464 00:24:48,040 --> 00:24:53,360 Nature shows art that through thy humour makes me see thy heart. 465 00:24:56,680 --> 00:24:59,640 Where is Demetrius? 466 00:24:59,640 --> 00:25:04,800 O, how fit a word is that vile name leave this world unhurt. 467 00:25:04,800 --> 00:25:07,680 Do not say so, Lysander. Say not so. 468 00:25:07,680 --> 00:25:10,240 What though he love your Hermia? 469 00:25:10,240 --> 00:25:15,080 Lord, what though? Yet Hermia still loves you, then be content. 470 00:25:15,080 --> 00:25:19,560 Content? With Hermia? Her-Hermia? No. 471 00:25:19,560 --> 00:25:24,280 I do repent the tedious minutes that I with her have spent. 472 00:25:24,280 --> 00:25:28,760 Not Hermia but Helena I love. 473 00:25:28,760 --> 00:25:32,000 THEY LAUGH 474 00:25:32,000 --> 00:25:35,000 Wherefore was I to this keen mockery born? 475 00:25:35,000 --> 00:25:37,960 When at your hands did I deserve this scorn? 476 00:25:37,960 --> 00:25:40,720 But fare you well, perforce I must confess 477 00:25:40,720 --> 00:25:44,280 I thought you lord of more true gentleness. 478 00:25:44,280 --> 00:25:47,480 O, that a lady, of one man refused 479 00:25:47,480 --> 00:25:50,880 should of another therefore be so confused! 480 00:25:54,120 --> 00:25:56,640 Shh. 481 00:25:57,840 --> 00:25:59,800 Hermia? 482 00:25:59,800 --> 00:26:06,120 Sleep thou there, and never mayst thou come Lysander near! 483 00:26:06,120 --> 00:26:09,400 Oh! Phew! 484 00:26:10,840 --> 00:26:14,440 All my powers, address your love and might 485 00:26:14,440 --> 00:26:17,920 to honour Helena and to be her knight! 486 00:26:17,920 --> 00:26:20,400 HE NEIGHS 487 00:26:21,640 --> 00:26:25,880 So, Hermia wants to marry Lysander. 488 00:26:25,880 --> 00:26:28,320 Who now wants to marry Helena. 489 00:26:28,320 --> 00:26:30,560 Who wants to marry Demitrius. 490 00:26:30,560 --> 00:26:33,760 - Who wants to marry Hermia. - Yes! Bedazzling, isn't it? 491 00:26:33,760 --> 00:26:36,200 This is more of a muddle than when three pirates 492 00:26:36,200 --> 00:26:39,520 are looking for a jewel in the ship's mess. 493 00:26:39,520 --> 00:26:42,600 You two! I should write a play just for you! 494 00:26:42,600 --> 00:26:44,960 You have me in stitches! 495 00:26:44,960 --> 00:26:49,000 - Sounds painful. - 'Scuse me, please, Mr Shakespeare. 496 00:26:49,000 --> 00:26:52,720 - It's getting busy in the woods. - Look, it's time for rehearsals. 497 00:26:57,560 --> 00:26:59,880 Are we all met? 498 00:26:59,880 --> 00:27:05,120 Pat, pat. And what a marvellous convenient place for our rehearsal. 499 00:27:05,120 --> 00:27:07,600 This green plot shall be our stage, 500 00:27:07,600 --> 00:27:10,400 this hawthorn-brake our dressing room, 501 00:27:10,400 --> 00:27:13,960 and we will do it in action as we will do it before the duke. 502 00:27:13,960 --> 00:27:17,600 - Peter Quince. - What sayest thou, brainy Bottom? 503 00:27:17,600 --> 00:27:20,320 There are things in this comedy of Pyramus and... 504 00:27:20,320 --> 00:27:24,000 - Thisby! - ..Thisby that will never please. 505 00:27:24,000 --> 00:27:29,120 - Will not the audience be afeard of the lion? - I fear it, I promise you. 506 00:27:29,120 --> 00:27:31,200 THEY GRUNT 507 00:27:31,200 --> 00:27:37,560 There is not a more fearful wild-fowl than your lion living, 508 00:27:37,560 --> 00:27:40,160 and we ought to look to't. 509 00:27:40,160 --> 00:27:45,760 - Therefore a short prologue must tell she is not a lion. - Nay. 510 00:27:45,760 --> 00:27:49,160 She herself must speak, saying thus, 511 00:27:49,160 --> 00:27:54,840 "If you think I come hither as a lion, I am indeed no such thing. 512 00:27:54,840 --> 00:27:58,440 "I am a lady, as other ladies are." 513 00:27:58,440 --> 00:28:05,080 - Then tell them plainly she is Snug the joiner. - Well it shall be so. 514 00:28:05,080 --> 00:28:10,360 - Doth the moon shine that night we play our play? - A calendar. 515 00:28:10,360 --> 00:28:13,440 - A calendar? - Look to the forecast. - Find out moonshine. 516 00:28:13,440 --> 00:28:15,880 Find out moonshine. 517 00:28:20,200 --> 00:28:23,040 - Shh! - THEY GASP 518 00:28:27,280 --> 00:28:31,600 Yes, the moon doth shine that night. 519 00:28:31,600 --> 00:28:34,800 You can never bring in a wall. 520 00:28:34,800 --> 00:28:39,800 - What say you, Bottom? - Some man or other must present wall. 521 00:28:39,800 --> 00:28:42,920 And let him hold his fingers thus. 522 00:28:42,920 --> 00:28:47,920 And through that cranny shall Pyramus and Thisby whisper. 523 00:28:47,920 --> 00:28:50,600 If that will be, then all is well. 524 00:28:50,600 --> 00:28:53,920 Come, every mother's son and daughter, 525 00:28:53,920 --> 00:28:58,120 and sit down and rehearse your parts. Pyramus, you begin. 526 00:28:58,120 --> 00:29:02,040 When you have spoken your speech, enter into that brake 527 00:29:02,040 --> 00:29:04,680 and so every one according to his cue. 528 00:29:08,640 --> 00:29:16,200 What handsome actors have we swaggering here, 529 00:29:16,200 --> 00:29:19,040 so near the cradle of the fairy queen? 530 00:29:20,920 --> 00:29:26,520 Speak, Pyramus. Thisby, stand forth. 531 00:29:26,520 --> 00:29:29,560 THEY CLEAR THEIR THROATS 532 00:29:32,640 --> 00:29:37,080 Thisby, your perfume... Pah! 533 00:29:39,600 --> 00:29:41,760 You smell of sweets. 534 00:29:41,760 --> 00:29:45,560 - You smell SO sweet. - Ah. Ahem... 535 00:29:47,760 --> 00:29:51,280 Thisby, your perfume... Pah! 536 00:29:52,280 --> 00:29:56,680 Onions! But hark, a voice! 537 00:29:58,400 --> 00:30:03,960 Stay thou but here awhile and by and by I will to thee appear. 538 00:30:05,480 --> 00:30:11,960 - Must I speak now? - Ay, marry, must you. 539 00:30:11,960 --> 00:30:18,560 HIGH VOICE: O! Most radiant Pyramus, most lily-white of hue. 540 00:30:18,560 --> 00:30:21,840 Of colour like the red rose on triumphant brier. 541 00:30:24,280 --> 00:30:29,120 As true as truest horse that would never tire. 542 00:30:31,520 --> 00:30:37,120 If I were fair, Thisby, I were only thine. 543 00:30:37,120 --> 00:30:39,880 - Ah! - Argh! 544 00:30:41,880 --> 00:30:46,960 Bottom's been turned into a donkey! Hee-haw! Hee-haw! 545 00:30:46,960 --> 00:30:51,240 Monstrous! Oh, strange! 546 00:30:51,240 --> 00:30:55,000 We are afeared. Pray, masters! 547 00:30:55,000 --> 00:30:58,360 Fly, masters! Help! 548 00:30:58,360 --> 00:31:00,680 LAUGHTER 549 00:31:04,800 --> 00:31:08,240 Why do they run away? 550 00:31:08,240 --> 00:31:11,360 This is a knavery of them... Hee-haw! 551 00:31:13,040 --> 00:31:17,120 I see their knavery. This is to make an ass of me. 552 00:31:17,120 --> 00:31:19,320 Hee-haw! 553 00:31:19,320 --> 00:31:23,600 # Hum dum diddle Fiddle diddle diddle 554 00:31:23,600 --> 00:31:26,600 # Hum dum diddle dum-dum 555 00:31:26,600 --> 00:31:29,360 # I'm not afraid 556 00:31:29,360 --> 00:31:31,400 # They can't scare me 557 00:31:31,400 --> 00:31:34,040 # It won't do them any good 558 00:31:34,040 --> 00:31:37,440 # Because I know I'm not afraid 559 00:31:37,440 --> 00:31:41,040 # There are lots of animals that live in the woods 560 00:31:41,040 --> 00:31:43,240 # There are 561 00:31:43,240 --> 00:31:45,280 # Ants and butterflies 562 00:31:45,280 --> 00:31:47,840 # Worms and caterpillars Mice and squirrels 563 00:31:47,840 --> 00:31:49,800 # And more by far 564 00:31:49,800 --> 00:31:54,000 # There's snails and ladybirds Badgers and nightingales 565 00:31:54,000 --> 00:31:56,160 # And the fairies that live in the wood 566 00:31:56,160 --> 00:31:58,640 # Tra-la 567 00:31:58,640 --> 00:32:01,200 # Hum dum diddle Fiddle diddle diddle 568 00:32:01,200 --> 00:32:03,800 # Hum dum diddle Dum-dum 569 00:32:03,800 --> 00:32:08,360 # There are foxes and centipedes Robins and parakeets 570 00:32:08,360 --> 00:32:11,640 # Rabbits and millipedes And more by far 571 00:32:11,640 --> 00:32:14,960 # There's pigs and elephants Cows and kangaroos 572 00:32:14,960 --> 00:32:18,280 # And don't forget the fairies that live in the wood 573 00:32:18,280 --> 00:32:20,320 # Tra-la 574 00:32:20,320 --> 00:32:23,000 # I'm not afraid I'm feeling good 575 00:32:23,000 --> 00:32:26,360 # With all these animals here in the wood 576 00:32:26,360 --> 00:32:29,200 # There are horses and wildebeest 577 00:32:29,200 --> 00:32:32,040 # Bears and wallabies Tigers and gorillas 578 00:32:32,040 --> 00:32:34,080 # And more by far 579 00:32:34,080 --> 00:32:36,520 # Buffalos, dinosaurs Triceratops, tyrannosaurs 580 00:32:36,520 --> 00:32:39,160 # We hate to bring it up again But think you are forgetting 581 00:32:39,160 --> 00:32:41,720 # The fairies that live in the wood Tra-la 582 00:32:41,720 --> 00:32:44,520 # Hum dum diddle Fiddle diddle diddle 583 00:32:44,520 --> 00:32:46,840 # Hum dum diddle Hee-haw! # 584 00:32:51,360 --> 00:32:55,040 What angel wakes me from my flowery bed? 585 00:32:56,760 --> 00:33:01,280 I pray thee, gentle mortal, sing again. 586 00:33:02,560 --> 00:33:05,240 Mine ear is much enamour'd of thy note. 587 00:33:06,400 --> 00:33:10,360 So is mine eye enthralled to thy shape. 588 00:33:10,360 --> 00:33:14,720 And thy fair virtue's force perforce doth move me 589 00:33:14,720 --> 00:33:20,400 on the first view to say, to share, I love thee. 590 00:33:20,400 --> 00:33:25,200 Ah! The first thing she seen is that Bottom what turned into a donkey! 591 00:33:25,200 --> 00:33:29,680 Oberon is going to be so pleased! Hasn't Puck played a great trick? 592 00:33:29,680 --> 00:33:33,320 Actually, I think this is my favourite part. 593 00:33:33,320 --> 00:33:37,800 Methinks, mistress, you should have little reason for that. 594 00:33:37,800 --> 00:33:40,960 And yet, to say the truth, 595 00:33:40,960 --> 00:33:44,800 reason and rank keep little company together nowadays. 596 00:33:44,800 --> 00:33:49,080 The more the pity that some honest men may not call them friends. 597 00:33:49,080 --> 00:33:53,640 Thou art as wise as thou art beautiful. 598 00:33:53,640 --> 00:33:56,920 Not so neither. Phhht! 599 00:33:56,920 --> 00:33:58,880 SHE LAUGHS 600 00:33:58,880 --> 00:34:01,360 But if I had wit enough to get out of this wood, 601 00:34:01,360 --> 00:34:03,400 I have enough to serve mine own turn. 602 00:34:03,400 --> 00:34:05,880 Out of this wood do not desire to go. 603 00:34:05,880 --> 00:34:09,840 Thou shalt remain here, whether thou wilt or no. 604 00:34:09,840 --> 00:34:12,160 And I do need thee! 605 00:34:13,280 --> 00:34:19,560 Therefore, go with me. I'll give thee fairies to attend on thee, 606 00:34:19,560 --> 00:34:23,800 and they shall fetch thee jewels from the deep and sing 607 00:34:23,800 --> 00:34:27,440 while thou on pressed flowers dost sleep. 608 00:34:27,440 --> 00:34:32,480 Peaseblossom! Cobweb! Moth! 609 00:34:32,480 --> 00:34:35,440 And Mustardseed! 610 00:34:35,440 --> 00:34:37,600 - Ready! - And I. - And I. - And I. 611 00:34:37,600 --> 00:34:40,280 ALL: Where shall we go? 612 00:34:40,280 --> 00:34:44,120 Be kind and courteous to this gentleman. 613 00:34:44,120 --> 00:34:48,920 Hop in his walks and gambol in his eyes. 614 00:34:48,920 --> 00:34:52,120 Feed him with apricocks and dewberries, 615 00:34:52,120 --> 00:34:58,320 with purple grapes, green figs, and mulberries. 616 00:34:58,320 --> 00:35:03,480 Nod to him, elves, and do him courtesies. 617 00:35:03,480 --> 00:35:09,720 - Hail, mortal. - Hail. - Hail. - Hail! - I beseech your worship's name. 618 00:35:09,720 --> 00:35:15,080 - Cobweb. - Peaseblossom. - Moth. - BOTH: Mustardseed. 619 00:35:15,080 --> 00:35:18,640 Come, wait upon him. 620 00:35:18,640 --> 00:35:21,680 Lead him to my bower. 621 00:35:21,680 --> 00:35:24,440 SHE GIGGLES 622 00:35:29,920 --> 00:35:32,880 King Oberon, welcome. 623 00:35:32,880 --> 00:35:35,360 I wonder if Titania be awaked 624 00:35:35,360 --> 00:35:38,040 and what it was that next came in her eye? 625 00:35:39,240 --> 00:35:42,800 - I hear my messenger. - HE LAUGHS 626 00:35:42,800 --> 00:35:46,560 My mistress with a donkey is in love. 627 00:35:46,560 --> 00:35:48,640 THEY LAUGH 628 00:35:48,640 --> 00:35:51,920 Where in that moment, so it came to pass, 629 00:35:51,920 --> 00:35:56,480 Titania waked and straightway befriends an ass. 630 00:35:58,120 --> 00:36:00,720 And hast thou yet latch'd the Athenian's eyes 631 00:36:00,720 --> 00:36:03,240 with the magic, as I did bid thee do? 632 00:36:03,240 --> 00:36:05,720 I took him sleeping. That is finish'd too. 633 00:36:05,720 --> 00:36:08,040 And the Athenian woman by his side, 634 00:36:08,040 --> 00:36:10,960 that, when he waked, of force she must be eyed. 635 00:36:10,960 --> 00:36:13,360 Stand close - this is the same Athenian. 636 00:36:13,360 --> 00:36:16,320 This is the woman, but not this the man. 637 00:36:16,320 --> 00:36:22,760 - O, why rebuke you him that loves you so? - My Lysander. Where is he? 638 00:36:22,760 --> 00:36:26,640 Ah, good Demetrius, wilt thou give him me? 639 00:36:26,640 --> 00:36:29,080 He is asleep, for aught that I can tell. 640 00:36:29,080 --> 00:36:32,080 I pray thee, tell me he is well. 641 00:36:32,080 --> 00:36:36,920 And if I could, what should I get therefore? 642 00:36:38,680 --> 00:36:41,920 A privilege never to see me more. 643 00:36:41,920 --> 00:36:45,880 And from thy horrid presence part I so. 644 00:36:47,360 --> 00:36:50,400 There is no following her in this fierce vein. 645 00:36:51,800 --> 00:36:54,200 Here therefore for a while I will remain. 646 00:36:54,200 --> 00:36:56,240 What hast thou done? 647 00:36:56,240 --> 00:36:58,960 Thou hast mistaken quite and laid the love-juice 648 00:36:58,960 --> 00:37:01,000 on some true-love's sight. 649 00:37:01,000 --> 00:37:03,920 About the wood go swifter than the wind, 650 00:37:03,920 --> 00:37:06,600 Helena of Athens look thou find, 651 00:37:06,600 --> 00:37:09,760 by some illusion see thou bring her here. 652 00:37:09,760 --> 00:37:12,760 I'll charm his eye against she do appear. 653 00:37:12,760 --> 00:37:18,000 I go. I go. See how I go. Swifter than an arrow from a Tartar's bow. 654 00:37:18,000 --> 00:37:22,840 Flower of this purple dye, hit with Cupid's archery 655 00:37:22,840 --> 00:37:27,120 when thou wakest, if she be by, beg of her for remedy. 656 00:37:31,000 --> 00:37:34,080 Captain of our fairy band, Helena is here at hand. 657 00:37:34,080 --> 00:37:37,880 And the youth, mistook by me, pleading for a lover's fee. 658 00:37:37,880 --> 00:37:40,120 Shall we their fond pageant see? 659 00:37:40,120 --> 00:37:42,520 Lord, what fools these mortals be! 660 00:37:42,520 --> 00:37:46,480 Stand aside. The noise they make may cause Demetrius to awake. 661 00:37:48,400 --> 00:37:51,200 I had no judgment when love in her I saw. 662 00:37:51,200 --> 00:37:54,680 Nor none in my mind, now you give her o'er. 663 00:37:54,680 --> 00:37:58,880 Demetrius loves her, and he loves not you. 664 00:37:58,880 --> 00:38:00,920 O Helena! 665 00:38:00,920 --> 00:38:06,560 Goddess, maiden, perfect, divine! 666 00:38:06,560 --> 00:38:11,000 To what, my love, shall I compare thine eyne? Crystal is muddy. 667 00:38:11,000 --> 00:38:18,000 O, how ripe in show thy lips, those ruby cherries, sweetly grow! 668 00:38:18,000 --> 00:38:20,400 O spite! O fie. 669 00:38:20,400 --> 00:38:24,560 I see you both are bent to set against me for your merriment. 670 00:38:24,560 --> 00:38:27,080 If you were civil and knew courtesy, 671 00:38:27,080 --> 00:38:29,560 you would not do me thus much injury. 672 00:38:29,560 --> 00:38:33,000 Can you not scorn me, as I know you do, 673 00:38:33,000 --> 00:38:36,400 but you must join in souls to mock me too? 674 00:38:36,400 --> 00:38:39,560 If you were men, as men you are in show, 675 00:38:39,560 --> 00:38:42,000 you would not use a gentle lady so. 676 00:38:42,000 --> 00:38:45,680 Thou art not by mine eye, Lysander, found. 677 00:38:45,680 --> 00:38:48,560 Mine ear, I thank it, brought me to thy sound. 678 00:38:48,560 --> 00:38:52,280 But why unkindly didst thou leave me so? 679 00:38:52,280 --> 00:38:55,680 Why should he stay, whom love doth press to go? 680 00:38:55,680 --> 00:38:59,120 - What love could press Lysander from my side? - Fair Helena. 681 00:38:59,120 --> 00:39:05,200 Who more engilds the night than all you fiery oes and eyes of light. 682 00:39:05,200 --> 00:39:08,400 You know not what you say. It cannot be. 683 00:39:10,240 --> 00:39:13,720 - Watch this. - Why the knitted brows? 684 00:39:13,720 --> 00:39:16,560 - LINE: - This muddled mess isn't funny any more. 685 00:39:16,560 --> 00:39:19,480 - COOK: - Yeah, they're all saying really mean things to each other. 686 00:39:19,480 --> 00:39:22,880 SHAKESPEARE: Oh, aye. It is indeed a merry mess. 687 00:39:24,040 --> 00:39:29,040 Now Oberon will make this muddle less. 688 00:39:30,240 --> 00:39:34,120 This is thy negligence, still thou mistakest. 689 00:39:34,120 --> 00:39:37,080 Or else committ'st thy knaveries wilfully. 690 00:39:37,080 --> 00:39:39,360 Forgive me, King of Shadows, I mistook. 691 00:39:39,360 --> 00:39:40,800 Oh... 692 00:39:40,800 --> 00:39:45,880 When they next wake, all this derision 693 00:39:45,880 --> 00:39:50,760 shall seem a dream and fruitless vision. 694 00:39:59,880 --> 00:40:02,520 On the ground sleep sound. 695 00:40:03,720 --> 00:40:05,760 When thou wakest, 696 00:40:05,760 --> 00:40:08,480 thou takest true delight 697 00:40:08,480 --> 00:40:12,120 in the sight of thy former lady's eye. 698 00:40:19,080 --> 00:40:23,200 And all...shall...be... 699 00:40:28,040 --> 00:40:29,080 ..well. 700 00:40:30,520 --> 00:40:32,920 # It's just like magic 701 00:40:32,920 --> 00:40:34,800 # Come what may. 702 00:40:34,800 --> 00:40:39,240 # I can make it happen in my play 703 00:40:39,240 --> 00:40:41,320 # It's just like magic 704 00:40:41,320 --> 00:40:44,000 # For goodness' sake 705 00:40:44,000 --> 00:40:46,960 # It only needs a little give and take. 706 00:40:48,760 --> 00:40:52,480 # Who would imagine that a Fairy Queen 707 00:40:52,480 --> 00:40:57,080 # Would want a donkey on her fairy team? 708 00:40:57,080 --> 00:41:00,800 # It's most unusual and it goes to show 709 00:41:00,800 --> 00:41:08,080 # That the magic of the theatre makes it so. # 710 00:41:08,080 --> 00:41:11,400 Sleep thou, and I will wind thee in my arms. 711 00:41:13,320 --> 00:41:16,400 Fairies, away! And be always away. 712 00:41:18,120 --> 00:41:20,080 # It's just like magic 713 00:41:20,080 --> 00:41:21,760 # Come what may 714 00:41:21,760 --> 00:41:24,520 # I can make it happen 715 00:41:24,520 --> 00:41:26,240 # In my play 716 00:41:26,240 --> 00:41:29,080 # It's just like magic 717 00:41:29,080 --> 00:41:31,120 # For goodness' sake 718 00:41:31,120 --> 00:41:33,880 # It only needs a little give and take 719 00:41:35,320 --> 00:41:38,520 # King Oberon was only trying to do some good 720 00:41:38,520 --> 00:41:44,640 # But Lysander fell for Helena in the wood. 721 00:41:44,640 --> 00:41:48,120 # The King meant for Demetrius all along 722 00:41:48,120 --> 00:41:51,920 # But naughty Puck he got the spell all wrong 723 00:41:51,920 --> 00:41:54,680 # It's just like magic 724 00:41:54,680 --> 00:41:56,280 # Come what may 725 00:41:56,280 --> 00:41:59,400 # I can make it happen in my play 726 00:42:00,560 --> 00:42:05,400 # It's just like magic for goodness' sake 727 00:42:05,400 --> 00:42:08,040 # It only needs a little give and take. # 728 00:42:09,680 --> 00:42:14,440 One, two, three, and blow. 729 00:42:14,440 --> 00:42:16,920 The magic is done. 730 00:42:21,560 --> 00:42:24,320 Oh, Oberon! What visions have I seen! 731 00:42:24,320 --> 00:42:29,560 Methought I was enamour'd of an ass. 732 00:42:29,560 --> 00:42:31,880 There lies your love. 733 00:42:31,880 --> 00:42:33,120 Oh! 734 00:42:33,120 --> 00:42:34,920 Sound, music! 735 00:42:34,920 --> 00:42:37,680 Come, my queen, take hands with me, 736 00:42:37,680 --> 00:42:40,720 and rock this ground whereon these sleepers be. 737 00:42:40,720 --> 00:42:42,760 Now, thou and I are new in amity, 738 00:42:42,760 --> 00:42:44,520 and will, tomorrow midnight, 739 00:42:44,520 --> 00:42:48,560 solemnly dance in Duke Theseus' house triumphantly. 740 00:42:48,560 --> 00:42:50,640 Fairy king, attend, and mark. 741 00:42:50,640 --> 00:42:52,480 I do hear the morning lark. 742 00:42:52,480 --> 00:42:57,520 Come, my lord, and in our flight, tell me how it came this night 743 00:42:57,520 --> 00:43:01,040 that I sleeping here was found 744 00:43:01,040 --> 00:43:03,640 with these mortals on the ground. 745 00:43:05,440 --> 00:43:06,840 Nice job, fairies! 746 00:43:06,840 --> 00:43:09,920 Yeah, you're so-o-o great. Put it there! 747 00:43:09,920 --> 00:43:12,360 Put it there! 748 00:43:12,360 --> 00:43:15,680 Oh, can we go and wake the Atheninians? 749 00:43:15,680 --> 00:43:20,000 Athenians! And, no, the Duke Thesius is going to do that now. 750 00:43:20,000 --> 00:43:23,200 But, soft! What folk are these? 751 00:43:23,200 --> 00:43:27,080 My lord, this is my daughter here asleep. 752 00:43:27,080 --> 00:43:29,120 And this, Lysander. 753 00:43:29,120 --> 00:43:30,440 This, Demetrius is. 754 00:43:31,480 --> 00:43:33,360 And Helena, old Nedar's Helena. 755 00:43:34,680 --> 00:43:37,440 I wonder at their being here together. 756 00:43:37,440 --> 00:43:40,160 Trumpets, wake them with your horns. 757 00:43:40,160 --> 00:43:43,040 TRUMPETS SOUND 758 00:43:43,040 --> 00:43:44,440 Good morrow, friends. 759 00:43:45,800 --> 00:43:47,920 I know you two are rival enemies. 760 00:43:47,920 --> 00:43:51,040 How comes this gentle concord in the world? 761 00:43:51,040 --> 00:43:54,520 My lord, I shall reply amazedly. 762 00:43:54,520 --> 00:43:57,360 Half sleep, half waking, 763 00:43:57,360 --> 00:44:02,160 but, as yet, I swear, I cannot truly say how I came here. 764 00:44:02,160 --> 00:44:04,760 Enough, enough, my lord! You have enough! 765 00:44:04,760 --> 00:44:09,360 My lord, the object and the pleasure of mine eye, 766 00:44:09,360 --> 00:44:11,480 is only Helena. 767 00:44:12,840 --> 00:44:16,920 Like in sickness, did I refuse this food. 768 00:44:16,920 --> 00:44:20,480 But, as in health, come to my natural taste, 769 00:44:20,480 --> 00:44:22,880 now I do wish it, 770 00:44:22,880 --> 00:44:26,080 love it, care for it, 771 00:44:26,080 --> 00:44:28,480 and will for evermore be true to it. 772 00:44:28,480 --> 00:44:31,080 Yay! He wants to marry Helena! 773 00:44:31,080 --> 00:44:34,200 And she wants to marry Hermia! 774 00:44:34,200 --> 00:44:36,760 You are fortunately met. 775 00:44:36,760 --> 00:44:39,360 Of this discourse we more will hear anon. 776 00:44:39,360 --> 00:44:44,040 Egea, I will overbear your will for in the temple by and by 777 00:44:44,040 --> 00:44:47,920 with us these couples shall eternally be knit. 778 00:44:47,920 --> 00:44:51,800 Away with us to Athens, three and three. 779 00:44:51,800 --> 00:44:54,600 We'll hold a feast in great solemnity. 780 00:44:54,600 --> 00:44:55,880 Come, Hippolyta. 781 00:44:55,880 --> 00:44:57,160 LAUGHTER 782 00:44:57,160 --> 00:44:59,120 He did bid us follow to the temple! 783 00:44:59,120 --> 00:45:03,240 Let's follow him, and, by the way, let us recount our dreams. 784 00:45:03,240 --> 00:45:05,800 Oh! They are all getting married! 785 00:45:05,800 --> 00:45:07,920 Yippee! 786 00:45:07,920 --> 00:45:10,360 I have had a dream. 787 00:45:10,360 --> 00:45:14,480 Past the wit of man to say what dream it was. 788 00:45:14,480 --> 00:45:16,880 Man is but an ass. Wuh... 789 00:45:18,120 --> 00:45:19,880 Methought I was a... 790 00:45:21,200 --> 00:45:22,920 ..and methought I had... 791 00:45:24,400 --> 00:45:27,880 I will get Peter Quince to write a ballad of this dream. 792 00:45:28,960 --> 00:45:32,760 It shall be called Bottom's Dream! 793 00:45:32,760 --> 00:45:34,520 LAUGHTER 794 00:45:34,520 --> 00:45:37,360 I have just the beard, a luxuriant one. 795 00:45:37,360 --> 00:45:40,560 - BOTH: - We pirates are ready to par-tay!! 796 00:45:43,000 --> 00:45:45,560 Here come the couples full of joy and mirth. 797 00:45:45,560 --> 00:45:47,160 Come now, let's have a play! 798 00:45:48,600 --> 00:45:51,320 Ssh! Ssh! 799 00:45:57,680 --> 00:46:00,520 If we offend, it is with our good will, 800 00:46:00,520 --> 00:46:06,680 that you should think we come not to offend, but with good will. 801 00:46:08,240 --> 00:46:12,800 To show our simple skill, that is the true beginning of our end. 802 00:46:12,800 --> 00:46:16,160 The actors are at hand and by their show, 803 00:46:16,160 --> 00:46:19,520 you shall know all that you are like to know. 804 00:46:20,680 --> 00:46:21,960 Our play. 805 00:46:25,480 --> 00:46:28,480 Here is Thisby and the very strange pet. 806 00:46:28,480 --> 00:46:29,720 Meow! 807 00:46:29,720 --> 00:46:32,880 One they conspired to keep a secret. 808 00:46:34,000 --> 00:46:36,960 In this part of the play it doth befall that I, 809 00:46:36,960 --> 00:46:41,360 one Snout by name, presenteth a wall. 810 00:46:43,280 --> 00:46:48,040 This lanthorn doth my horned moon present. 811 00:46:48,040 --> 00:46:52,480 Myself the man in the moo-oon do seem to be. 812 00:46:52,480 --> 00:46:56,040 Here, Thisby heard a strange sound. 813 00:46:56,040 --> 00:46:57,560 But what could it be? 814 00:46:57,560 --> 00:47:00,080 They searched all around. 815 00:47:00,080 --> 00:47:04,080 'Twas a rumbling purr. Soft, like a cat. 816 00:47:04,080 --> 00:47:07,120 And they'd always wanted a pet to pat. 817 00:47:07,120 --> 00:47:08,280 Meow! 818 00:47:08,280 --> 00:47:11,880 Through a chink in the wall they saw a tail flick. 819 00:47:11,880 --> 00:47:14,280 They climbed over that wall ever so quick. 820 00:47:16,520 --> 00:47:19,080 Ever, ever so quick. 821 00:47:20,280 --> 00:47:23,080 They followed that purr and found, sure enough, 822 00:47:23,080 --> 00:47:29,360 a soft lion cub...cat! Resplendent in fluff. 823 00:47:29,360 --> 00:47:34,040 Pyramus and Thisby brought that cat up, giving it sweet cakes... 824 00:47:34,040 --> 00:47:35,440 Yum, yum, yum! 825 00:47:35,440 --> 00:47:37,800 And warm milk to suck. 826 00:47:37,800 --> 00:47:38,960 Schlup! 827 00:47:38,960 --> 00:47:42,640 And one night when the moon was full fat, 828 00:47:42,640 --> 00:47:48,320 she saw, she shone on a lion not a cat. 829 00:47:49,400 --> 00:47:50,760 The moon said, 830 00:47:50,760 --> 00:47:54,280 "Just try and roar once and I'm sure you'll find 831 00:47:54,280 --> 00:47:57,400 "that being a pet is not for your kind". 832 00:47:58,520 --> 00:48:01,520 The timid lion coughed and opened her mouth. 833 00:48:01,520 --> 00:48:05,160 You can't believe what great sound came out. 834 00:48:05,160 --> 00:48:07,320 Roar! 835 00:48:07,320 --> 00:48:10,360 LOUD ROARING 836 00:48:10,360 --> 00:48:13,880 She bid her best friends a farewell, fond adieu, 837 00:48:13,880 --> 00:48:19,440 leapt over the wall for a life that's free and true. 838 00:48:19,440 --> 00:48:22,560 And that is... The end. 839 00:48:22,560 --> 00:48:24,720 APPLAUSE 840 00:48:24,720 --> 00:48:26,240 Well walled, wall! 841 00:48:26,240 --> 00:48:27,920 Well shone, moon! 842 00:48:27,920 --> 00:48:30,720 Truly the moon shone with a good grace. 843 00:48:30,720 --> 00:48:32,960 Would it please you to see the epilogue 844 00:48:32,960 --> 00:48:36,560 or to hear a Bergomask dance? 845 00:48:36,560 --> 00:48:38,080 - ALL: - DANCE! 846 00:48:38,080 --> 00:48:39,920 Come, come! 847 00:48:41,840 --> 00:48:44,760 MUSIC PLAYS 848 00:48:58,240 --> 00:49:01,320 JOYFUL MUSIC 849 00:49:11,000 --> 00:49:16,240 If we shadows have offended, think but this, and all is mended. 850 00:49:16,240 --> 00:49:22,680 That you have but slumbered here while these visions did appear. 851 00:49:22,680 --> 00:49:27,200 And this weak and idle theme, no more yielding but a dream. 852 00:49:27,200 --> 00:49:28,920 Children, do not reprehend. 853 00:49:30,000 --> 00:49:32,360 If you pardon, we will mend. 854 00:49:32,360 --> 00:49:34,560 So, goodnight unto you all. 855 00:49:34,560 --> 00:49:37,000 Give us your hands, if we be friends, 856 00:49:37,000 --> 00:49:39,960 and Robin shall restore amends. 857 00:49:43,360 --> 00:49:46,120 # Hey, nonny-nonny! We're a magical team 858 00:49:46,120 --> 00:49:51,320 # Hey, nonny-no, it's Midsummer Night's Dream 859 00:49:51,320 --> 00:49:55,480 # Now we come to the end of our show, so thank you everyone 860 00:49:55,480 --> 00:50:00,000 # We hope you enjoyed our magical play and now what's done is done 861 00:50:01,080 --> 00:50:03,720 # Everything came out as planned 862 00:50:03,720 --> 00:50:06,000 # It was all right in the end 863 00:50:06,000 --> 00:50:08,640 # Out into a brave new world 864 00:50:08,640 --> 00:50:11,240 # I hope you'll stay my friends 865 00:50:11,240 --> 00:50:13,800 # Hey, nonny-nonny we're a magical team 866 00:50:13,800 --> 00:50:20,120 # Hey, nonny-no it's Midsummer Night's Dream. # 867 00:50:23,640 --> 00:50:26,880 CHEERING AND APPLAUSE