So I just moved my spotlight towards this corner.
You can also grab the anchor point and set it onto your first image.
Kind of want the light to go over each one as we introduce the rest of the images.
So I just brought it down here and use the radius, reduce it from 500 to like 353.
And now we're going to get this effect, make a key frame for radius at the start of your timeline,
one for point of interest and position, go to the end of your frame, your timeline, and change the
spotlight from here onto the text.
So grab the point of interest right here, place it right above your text.
Try to see exactly where it will look.
Good.
There we go.
At the same time, we got to grab this guy way in.
We don't want it to be illuminating the entire image.
But only the text.
That's looking pretty good.
I bring it down a little bit.
We're creating this pretty intense environment with the shadows.
We can also make a key frame for the feather.
I'm going to just increase the radius.
They go and like we said, make a.
Key frame for cone feather six four was our first Q frame.
Let's push it back.
For this one, I'm going to reduce the feather.
Just very touch and go with 24% on that.
Cone angle is good.
Trying to see.
Let's try to add a rotation.
Can grab my wire rotation and kind of pull it towards the apex.
That's way too much.
Negative.
Seven soaking good cone angle, going to make it a little smaller than it was.
An increase.
The intensity to the light is a bit dim for me because 127% should do.
And don't forget to make a keyframe for cone angle and rotations that you use.
Now let's go to the start.
I'm going to grab the ones that we just created, a keyframe, right click it reset.
And it's going to go back to its original values to the same thing for cone angle and that's it.
Reset.
Now we have keyframes for our spotlight hit and then go back to your camera, select it and type in
Iris instead of Fast Rectangle.
We want to go with a different shape.
Going to go with an octagon.
This will give us a more natural camera look.
And yet we're about done with our effect.
Here you can add any sort of color correction.
Go back to your light.
Change the way it looks.
I'm just going to go back to my spotlight at the start of my timeline and look for intensity.
Going to make a key frame first with 127%, push it back.
And for the first one, I want to reduce the intensity from 100.
Kind of make it look as if the flashlight is waking up to this mystery and kind of give us a fade in
intro.
So 0.8% at the start.
127 at the end.
There it goes.
Looking pretty good.
Going to open up my light options one more time.
I feel like this is way too intense for me, so I guess I will add to my feather.
Since we already increase the intensity, we should be good to go with 100%.
You can change my cone angle from 66 degrees, trying to get more of my images in the back.
There you go.
So there's my end screen.
We're done with the keyframes.
Hit em once you're finished.
And if you want to make this like a intro for your YouTube video, you can also go ahead and add some
names with your logos if you want.
And if you want to do that, it helps to export this video first and place your text or logo above.
It is right now.
We have a lot of layers and just want to make the experience easier for after effects.
So we're done with the effect.
It did take some time, but once you get a hang of the 3D cameras and the 3D layers, you will be able
to do this a lot easier.
You can use this effect for anything else.
Doesn't have to be this intense.
You can try it without the spotlight and maybe add a different type of light.
So if you go to layer new light, we have different types of light like point light, ambient light,
and you can make it colorful maybe.
So it's really up to you and your creativity.
So I hope you guys enjoyed this lesson and I will see you in the next one.