1 00:00:02,060 --> 00:00:06,060 [UNLOCKING AND OPENING OF CELL DOOR] 2 00:00:14,210 --> 00:00:17,340 THE FORMER DUKE AND DUCHESS DE GRENOBLE. 3 00:00:17,370 --> 00:00:20,480 THERE THEY ARE! 4 00:00:20,510 --> 00:00:23,590 [MOANS AND CRIES] 5 00:00:26,690 --> 00:00:29,090 THE FORMER BISHOP OF ARLES. 6 00:01:35,720 --> 00:01:39,720 [THE TUMBREL BRINGS A LOAD OF ARISTOCRATS TO THE GUILLOTINE] 7 00:01:51,070 --> 00:01:55,070 [DRUM ROLLS] 8 00:01:55,590 --> 00:01:59,590 [SOUND OF GUILLOTINE DROPPING AND CROWD CHEERING] 9 00:02:07,790 --> 00:02:10,290 [DRUM ROLLS] 10 00:02:32,790 --> 00:02:36,790 OUR FATHER WHO ART IN HEAVEN. [DRUMS ROLL...BLADE DROPS...CROWD CHEERS] 11 00:02:42,880 --> 00:02:44,620 DEATH TO THE ARISTOCRATS! 12 00:02:44,650 --> 00:02:46,690 [CROWD YELLS] DEATH TO THE ARISTOS! 13 00:02:46,720 --> 00:02:49,240 LONG LIVE THE REPUBLIC! 14 00:02:49,270 --> 00:02:51,750 LONG LIVE THE REPUBLIC. 15 00:02:51,790 --> 00:02:54,280 [DRUM ROLLS] 16 00:03:21,400 --> 00:03:24,420 'ERE, WHAT'S THIS? YOU GOT YOURS ALREADY. 17 00:03:24,570 --> 00:03:26,540 THESE IS EMPTY, CITIZEN. 18 00:03:27,130 --> 00:03:30,120 YOU WOULDN'T BEGRUDGE A MAN HIS FAIR SHARE, NOW, WOULD YOU? 19 00:03:30,150 --> 00:03:31,270 ALL RIGHT. 20 00:03:37,340 --> 00:03:38,130 GIDDAP. 21 00:03:42,450 --> 00:03:45,550 THE FORMER COUNT DE BEAULIER, AND FAMILY. 22 00:03:45,590 --> 00:03:46,370 HERE THEY ARE! 23 00:03:49,780 --> 00:03:51,030 I BEG OF YOU, MONSIEUR. 24 00:03:51,160 --> 00:03:52,410 FEAR NOT, MY SON. 25 00:03:53,120 --> 00:03:55,430 IF YOU WILL LOOK AT THE PASSAGES THAT I HAVE MARKED, 26 00:03:55,470 --> 00:03:57,030 YOUR SPIRITS WILL BE UPLIFTED. 27 00:03:57,060 --> 00:03:58,720 IT'S NOT FOR MYSELF, I FEAR, FATHER, 28 00:03:58,750 --> 00:04:01,380 BUT MY WIFE, AND THE BOY. 29 00:04:02,450 --> 00:04:04,150 THEY HAVE DONE NOTHING! 30 00:04:04,190 --> 00:04:04,900 THEY ARE INNOCENT! 31 00:04:04,930 --> 00:04:06,630 INNOCENT? HA! 32 00:04:07,340 --> 00:04:09,790 SHOW ME ONE ARISTO THAT IS INNOCENT 33 00:04:09,820 --> 00:04:11,610 AND YOU CAN SPIT IN MY FACE. 34 00:04:12,100 --> 00:04:14,420 SURELY THE CHILD IS TOO YOUNG TO DIE. 35 00:04:14,450 --> 00:04:18,140 EVEN SO, HE WILL LIVE ON... THROUGH THE MERCY OF OUR LORD. 36 00:04:19,550 --> 00:04:20,980 LOOK HERE, MY SON. 37 00:04:21,100 --> 00:04:23,280 [MARK OF THE SCARLET PIMPERNEL.] 38 00:04:23,320 --> 00:04:24,330 TAKE THEM AWAY! 39 00:04:26,170 --> 00:04:28,530 FORMER MARQUIS CETTERAIS. 40 00:04:28,570 --> 00:04:29,820 THERE HE IS! 41 00:04:30,470 --> 00:04:31,670 WE'VE COME TO HELP YOU. 42 00:04:32,790 --> 00:04:33,660 QUICKLY. 43 00:04:47,940 --> 00:04:49,270 BE BRAVE MY DARLING. 44 00:04:49,310 --> 00:04:51,010 HUH! 45 00:05:47,650 --> 00:05:47,970 HO THERE! 46 00:05:47,980 --> 00:05:49,000 SERGEANT BEAVO. 47 00:05:49,220 --> 00:05:50,290 YES SIR. 48 00:05:50,320 --> 00:05:53,030 COUNT DE BEAULIER AND HIS FAMILY HAVE ESCAPED FROM THE TEMPLE PRISON. 49 00:05:53,060 --> 00:05:55,350 WE'VE JUST RECEIVED WORD THAT THE SCARLET PIMPERNEL 50 00:05:55,380 --> 00:05:56,390 WAS AT LARGE IN THE CITY. 51 00:05:56,430 --> 00:05:58,800 COULD BE HE'LL TRY TO SMUGGLE THEM OUT OF THE COUNTRY 52 00:05:58,830 --> 00:06:00,780 BY WAY OF THIS, OR ONE OF THE OTHER GATES. 53 00:06:01,330 --> 00:06:03,350 BE ON THE ALERT, AND KEEP YOUR EYES OPEN. 54 00:06:04,400 --> 00:06:05,480 ALL RIGHT, LADS. 55 00:06:05,730 --> 00:06:07,550 SEARCH EVERY CART THAT COMES THROUGH. 56 00:06:14,850 --> 00:06:16,480 ALL RIGHT, LET'S SEE YOUR PAPERS. 57 00:06:16,510 --> 00:06:18,100 OH, EVERYTHING IN ORDER, SERGEANT. 58 00:06:19,890 --> 00:06:21,810 LET ME SEE INSIDE THOSE COFFINS. 59 00:06:21,840 --> 00:06:23,290 WHAT, OPEN THE COFFINS? 60 00:06:23,320 --> 00:06:24,550 YOU HEARD ME. 61 00:06:25,150 --> 00:06:26,060 ALL RIGHT. 62 00:06:26,250 --> 00:06:28,880 YEAH! DO AS HE SAYS. 63 00:06:33,200 --> 00:06:34,710 BEST BE WARNED, SERGEANT, AYE. 64 00:06:35,410 --> 00:06:38,690 MADAME LE GUILLOTINE'S HANDIWORK IS NOT A PRETTY SIGHT. 65 00:06:38,720 --> 00:06:40,380 UH..SEE FOR YOURSELF. 66 00:06:40,410 --> 00:06:42,060 IF YOU GOT THE STOMACH. 67 00:06:44,210 --> 00:06:45,740 [LAUGHTER] 68 00:06:45,750 --> 00:06:46,530 TAKE IT BACK. 69 00:06:46,560 --> 00:06:48,930 WHAT'S THE MATTER, SERGEANT. IT MUST HAVE BEEN PRETTY BAD. 70 00:06:48,960 --> 00:06:50,580 GET OUT OF HERE. GO ON. CLEAR OUT! 71 00:06:50,610 --> 00:06:52,190 THE OTHER TWO ARE EVEN PRETTIER! 72 00:06:52,220 --> 00:06:53,550 GET OUT OF HERE. GO ON. 73 00:06:53,590 --> 00:06:54,370 AW RIGHT, AW RIGHT. 74 00:06:54,400 --> 00:06:55,780 YOU DON'T KNOW WHAT YOU'RE MISSING. 75 00:06:55,810 --> 00:06:56,440 GET OUT! 76 00:06:56,480 --> 00:06:57,060 NOW, NOW. 77 00:06:57,070 --> 00:06:58,680 OPEN THE GATES. GO ON. 78 00:07:00,700 --> 00:07:02,020 WHAT ARE YOU LAUGHING AT? 79 00:07:22,020 --> 00:07:23,140 [WHISTLES] 80 00:08:09,180 --> 00:08:10,280 MY DARLING. 81 00:08:16,080 --> 00:08:18,300 WHO IS THIS MAN THAT RISKS SO MUCH FOR US? 82 00:08:18,330 --> 00:08:20,640 THAT, SIR, IS THE SCARLET PIMPERNEL. 83 00:08:29,740 --> 00:08:30,580 WITHIN THE HOUR, 84 00:08:30,610 --> 00:08:32,660 THIS COUNTRYSIDE WILL BE SWARMING WITH SOLDIERS. 85 00:08:33,850 --> 00:08:35,040 GOD WILLING, YOU'LL REACH THE COAST 86 00:08:35,080 --> 00:08:36,240 BEFORE THEY CAN CATCH UP WITH YOU. 87 00:08:36,630 --> 00:08:37,750 DO YOU KNOW THE RENDEZVOUS? 88 00:08:37,800 --> 00:08:38,800 UNCHANGED? 89 00:08:38,960 --> 00:08:40,120 UNCHANGED. 90 00:08:41,000 --> 00:08:42,800 MY SHIP WILL BE WAITING TO TAKE YOU TO ENGLAND. 91 00:08:42,910 --> 00:08:43,960 NOW, GO QUICKLY. 92 00:08:44,350 --> 00:08:45,470 GOD'S SPEED. 93 00:08:46,010 --> 00:08:47,150 AND WHAT ABOUT YOU, PERCY? 94 00:08:47,190 --> 00:08:48,510 I'M BACK TO PARIS. 95 00:08:48,960 --> 00:08:50,450 BUT I SHALL SEE YOU SHORTLY. 96 00:08:50,480 --> 00:08:52,090 RIGHT. 97 00:08:59,880 --> 00:09:03,880 'THE SCARLET PIMPERNEL, BY SIR PERCIVAL BLAKENEY, BARONET. 98 00:09:06,740 --> 00:09:08,150 'THEY SEEK HIM HERE. 99 00:09:08,960 --> 00:09:10,270 'THEY SEEK HIM THERE. 100 00:09:10,740 --> 00:09:14,280 'THOSE FRENCHIES SEEK HIM EVERYWHERE. 101 00:09:15,410 --> 00:09:16,440 'IS HE IN HEAVEN? 102 00:09:17,060 --> 00:09:18,660 'OR IS HE IN HELL? 103 00:09:19,510 --> 00:09:20,360 'THAT DAMNED, 104 00:09:20,390 --> 00:09:21,870 'ELUSIVE 105 00:09:21,910 --> 00:09:23,350 'PIMPERNEL.' 106 00:09:23,390 --> 00:09:24,780 [LAUGHTER AND CLAPPING] 107 00:09:24,820 --> 00:09:28,200 OH, DO TELL US MORE ABOUT THE SCARLET PIMPERNEL, SIR PERCY. 108 00:09:28,230 --> 00:09:30,190 ALL PARIS IS TALKING ABOUT HIM. 109 00:09:30,230 --> 00:09:32,560 NOTHING MORE TO TELL, MY DEAR SUSAN. 110 00:09:32,600 --> 00:09:35,220 EXCEPT, THAT HE AND HIS BAND OF FRIENDS 111 00:09:35,260 --> 00:09:37,870 HAVE SWORN TO SAVE AS MANY AS THEY CAN 112 00:09:38,500 --> 00:09:40,870 FROM MADAME LE GUILLOTINE. 113 00:09:41,200 --> 00:09:43,170 AT LEAST TELL US WHO HE IS. 114 00:09:43,210 --> 00:09:46,480 SINK ME, MADEMOISELLE, IF I KNEW THAT I'D BE THE TOAST OF LONDON, WHAT! 115 00:09:47,440 --> 00:09:48,420 THAT 116 00:09:48,540 --> 00:09:50,100 WOULD SEEM TO BE 117 00:09:50,210 --> 00:09:51,270 THE MYSTERY. 118 00:09:51,310 --> 00:09:54,320 WHAT EXACTLY IS A SCARLET PIMPERNEL, SIR PERCY. 119 00:09:54,350 --> 00:09:56,800 NOTHING MORE THAN A HUMBLE WAYSIDE FLOWER. 120 00:09:57,140 --> 00:09:59,150 RATHER COMMON IN POINT OF FACT. 121 00:09:59,180 --> 00:10:00,500 STILL, WHAT'S IN NAME? 122 00:10:00,530 --> 00:10:03,150 SURELY THE DEEDS OF A MAN SPEAK FOR THEMSELVES. 123 00:10:03,790 --> 00:10:05,890 I ONLY WISH THERE WERE MORE LIKE HIM. 124 00:10:05,920 --> 00:10:07,990 ODDS FISH, MY DEAR, ONE IS QUITE ENOUGH. 125 00:10:08,660 --> 00:10:10,750 THE FELLOW'S ALREADY MADE LIFE DAMNED INCONVENIENT, 126 00:10:10,780 --> 00:10:11,840 FOR THE REST OF US. 127 00:10:11,870 --> 00:10:12,640 INCONVENIENT? 128 00:10:12,680 --> 00:10:14,130 WHY, YES INDEED MA'AM. 129 00:10:14,250 --> 00:10:16,410 BECAUSE OF THIS PIMPENEL CHAP EH... 130 00:10:16,430 --> 00:10:18,900 YOUR REVOLUTIONARY GUARDS SUSPECT ANYONE 131 00:10:18,930 --> 00:10:21,360 WHO LOOKS, OR EVEN SOUNDS, REMOTELY ENGLISH. 132 00:10:21,570 --> 00:10:22,430 SINK ME... 133 00:10:22,850 --> 00:10:25,760 THIS WHOLE REVOLUTION OF YOURS IS MONSTROUS INTOLERABLE. 134 00:10:25,800 --> 00:10:27,770 PLEASE, DON'T CREDIT US WITH THIS MADNESS. 135 00:10:27,800 --> 00:10:31,470 THE REVOLUTION, ITSELF, MAY HAVE STARTED AS A NOBLE ENTERPRISE. 136 00:10:31,870 --> 00:10:32,740 THIS... 137 00:10:32,770 --> 00:10:34,990 YET, WE DID BRING IT ON OURSELVES, PAPA. 138 00:10:35,030 --> 00:10:37,180 WE, THE FRENCH ARISTOCRACY, 139 00:10:37,220 --> 00:10:39,230 WITH ALL OUR ARROGANCE AND EXCESSES 140 00:10:39,560 --> 00:10:41,860 I FEEL MY DAUGHTER DOES OUR CLASS AN INJUSTICE. 141 00:10:42,360 --> 00:10:45,140 MOST OF US ARE DECENT MEN,... QUITE INNOCENT. 142 00:10:45,720 --> 00:10:48,200 IT IS ONLY A FEW, WHO ARE GUILTY OF ANY SERIOUS OFFENSE. 143 00:10:48,230 --> 00:10:50,680 YET, THE INNOCENT ARE BEING DRAGGED DOWN WITH THE GUILTY. 144 00:10:50,760 --> 00:10:53,040 THERE'S NO REASON GIVEN OR NEEDED. 145 00:10:53,070 --> 00:10:55,270 OUR WORLD IS TOPSY-TURVY, SIR PERCY. 146 00:10:55,300 --> 00:10:57,130 THEN WHY DO WE LOOK THE OTHER WAY, 147 00:10:57,160 --> 00:10:58,920 AND PRETEND NOTHING IS HAPPENING? 148 00:10:58,950 --> 00:11:01,630 WHILE BRAVE MEN, LIKE THIS SCARLET PIMPERNEL, 149 00:11:01,660 --> 00:11:03,130 DO OUR WORK FOR US. 150 00:11:03,380 --> 00:11:04,810 ONLY TODAY, FOR EXAMPLE, 151 00:11:04,840 --> 00:11:07,830 OUR FRIENDS, THE COUNT AND COUNTESS DE BEAULIEU 152 00:11:07,860 --> 00:11:09,700 AS WELL AS THEIR ONLY SON... 153 00:11:09,730 --> 00:11:11,320 NO,...NOT THE BEAULIEUS... 154 00:11:11,350 --> 00:11:12,870 CALM YOURSELF, MY DEAR, 155 00:11:12,910 --> 00:11:15,260 ALL THREE WERE SPARED AT THE LAST MINUTE, 156 00:11:15,340 --> 00:11:16,680 THANKS TO THE SCARLET PIMPERNEL. 157 00:11:16,720 --> 00:11:17,950 OH, THANK HEAVENS. 158 00:11:18,530 --> 00:11:21,380 GOD BLESS THIS SCARLET PIMPERNEL, WHOEVER HE MAY BE. 159 00:11:21,420 --> 00:11:24,060 SURELY, HE MUST BE AN ANGEL IN DISGUISE. 160 00:11:25,860 --> 00:11:26,980 AMEN. 161 00:11:39,070 --> 00:11:40,260 PULL-UP, OVER THERE. 162 00:11:43,460 --> 00:11:46,260 [SOUND OF FIGHTING] 163 00:11:46,290 --> 00:11:48,820 MY DEAR, MARQUIS, CONSIDER THE OFFENCE, 164 00:11:48,850 --> 00:11:51,750 DON'T YOU THINK YOUR METHODS ARE SLIGHTLY HARSH? 165 00:11:52,120 --> 00:11:55,640 THAT REVOLUTIONARY SEDUCED MY DAUGHTER, BARON DE BATZ. 166 00:11:56,340 --> 00:11:57,130 DRIVE ON. 167 00:11:59,150 --> 00:12:02,120 [FIGHTING CONTINUES] 168 00:12:02,310 --> 00:12:03,130 I SAY. 169 00:12:04,900 --> 00:12:06,200 AHHHH. 170 00:12:07,000 --> 00:12:07,990 UH. 171 00:12:14,360 --> 00:12:15,200 HA, HA. 172 00:12:19,910 --> 00:12:22,800 IT WOULD SEEM YOUR FRIEND IS IN DISTRESS. 173 00:12:23,360 --> 00:12:25,000 TO THE RESCUE. 174 00:12:30,220 --> 00:12:31,310 YOURS, I BELIEVE. 175 00:12:34,540 --> 00:12:35,510 MY DEAR CHAP. 176 00:12:35,540 --> 00:12:37,190 UGH. 177 00:12:37,940 --> 00:12:39,500 A LITTLE COGNAC, I THINK 178 00:12:39,650 --> 00:12:41,230 'I CALL UPON YOU NOW 179 00:12:41,240 --> 00:12:43,010 'REVENGE MY WRONG. 180 00:12:43,860 --> 00:12:47,090 'YOUR FAVORS WILL BE MEASURED 181 00:12:47,120 --> 00:12:48,990 'BY YOUR RAGE.' 182 00:12:49,590 --> 00:12:53,590 [CHEERING AND APPLAUSE] 183 00:13:01,280 --> 00:13:05,050 MARGUERITE, MARGUERITE, IT'S ARMAND, HE'S BEEN HURT. 184 00:13:05,090 --> 00:13:05,690 HURT? 185 00:13:05,710 --> 00:13:06,820 THERE'S A MAN OUTSIDE WITH A CARRIAGE. 186 00:13:06,850 --> 00:13:07,620 HE WANTS US TO GO WITH HIM. 187 00:13:07,660 --> 00:13:08,470 WHAT CAN WE DO? 188 00:13:08,500 --> 00:13:09,620 WE MUST GO TO HIM, AT ONCE. 189 00:13:10,650 --> 00:13:11,720 WHAT ABOUT THE REST OF THE PLAY? 190 00:13:12,270 --> 00:13:13,270 MY DEAR, LOUISE, 191 00:13:13,300 --> 00:13:15,700 THIS IS THE CHANCE EVERY UNDERSTUDY DREAMS OF. 192 00:13:16,470 --> 00:13:18,980 NO, I CAN'T. I'M NOT READY! 193 00:13:19,130 --> 00:13:20,630 YOU'LL BE SUPERB. [KISSING HER] 194 00:13:20,660 --> 00:13:21,980 BUT NOT TOO SUPERB, I TRUST. 195 00:13:22,010 --> 00:13:23,500 WHY CAN'T YOU-? 196 00:13:24,020 --> 00:13:25,270 NOW, TO ARMAND. 197 00:13:25,410 --> 00:13:26,470 MARGUERITE! 198 00:13:41,150 --> 00:13:42,300 MY POOR, ARMAND! 199 00:13:43,110 --> 00:13:44,270 WHAT HAPPENED TO YOU? 200 00:13:45,260 --> 00:13:47,160 TWO MEN, OUT OF THE DARKNESS. 201 00:13:47,960 --> 00:13:50,510 IF IT HADN'T BEEN FOR THIS GENTLEMAN... 202 00:13:51,400 --> 00:13:53,960 MY BROTHER AND I ARE INDEBTED TO YOU, MONSIEUR. 203 00:13:55,520 --> 00:13:56,490 MONSIEUR? 204 00:13:59,330 --> 00:14:03,080 SIR PERCY BLAKENEY, MADEMOISELLE. 205 00:14:09,040 --> 00:14:12,680 ALTHOUGH, ANYONE WOULD HAVE DONE AS MUCH. 206 00:14:15,110 --> 00:14:16,320 IF YOU THINK THAT, MONSIEUR, 207 00:14:17,070 --> 00:14:19,190 YOU DO NOT KNOW PARIS, WELL. 208 00:14:22,730 --> 00:14:25,120 WHO WERE THESE MEN THAT ATTACKED YOU, MY DARLING. 209 00:14:25,550 --> 00:14:27,880 THEY WERE SENT BY THE MARQUIS DE ST. CYR. 210 00:14:28,080 --> 00:14:29,770 I RECOGNIZED HIS CARRIAGE. 211 00:14:30,330 --> 00:14:33,810 NO DOUBT, TO TEACH ME A LESSON 212 00:14:34,330 --> 00:14:35,740 I THOUGHT IT MIGHT BE THIS. 213 00:14:35,940 --> 00:14:38,140 ONE DAY, I WILL REPAY THE MARQUIS FOR THIS. 214 00:14:41,110 --> 00:14:42,480 COME, MY DARLING, WE'LL GET YOU INTO BED. 215 00:14:42,520 --> 00:14:43,800 DO YOU THINK YOU CAN? 216 00:14:43,840 --> 00:14:44,620 THANK YOU. 217 00:14:44,710 --> 00:14:46,090 I'M QUITE ALL RIGHT, NOW. 218 00:14:51,880 --> 00:14:53,180 RATHER A HARSH LESSON. 219 00:14:54,810 --> 00:14:57,810 I TRUST THE OFFENCE WARRANTED THE PUNISHMENT. 220 00:14:59,560 --> 00:15:00,830 MY BROTHER IS YOUNG 221 00:15:01,550 --> 00:15:02,760 AND HOT-BLOODED, MONSIEUR. 222 00:15:04,470 --> 00:15:07,660 HIS HEART TOO OFTEN LEADS HIS HEAD. 223 00:15:08,740 --> 00:15:10,120 I FEAR HE HAD THE IMPUDENCE 224 00:15:10,150 --> 00:15:11,710 TO FALL IN LOVE WITH ST. CYR'S DAUGHTER. 225 00:15:12,390 --> 00:15:16,070 IS LOVE, TOO, A CRIME IN FRANCE THESE DAYS? 226 00:15:16,270 --> 00:15:19,160 ONLY, IF THE LADY IS AN ARISTOCRAT, 227 00:15:20,190 --> 00:15:23,390 WHOSE FATHER INSOLENTLY THINKS THAT WE'RE BOURGEOIS NOT FIT TO BREATHE 228 00:15:23,420 --> 00:15:24,840 THE SAME AIR THAT THEY DO. 229 00:15:25,580 --> 00:15:27,640 IF YOU WILL EXCUSE ME, I MUST TEND TO MY BROTHER. 230 00:15:28,640 --> 00:15:29,390 WAIT! 231 00:15:31,210 --> 00:15:32,640 WHEN WILL I SEE YOU AGAIN? 232 00:15:34,190 --> 00:15:35,700 MY BROTHER AND I 233 00:15:36,170 --> 00:15:37,980 ARE HAVING A SMALL SOIR�E AT OUR HOME 234 00:15:38,010 --> 00:15:38,610 IN THE RUE DO VICHELIEU 235 00:15:39,850 --> 00:15:43,500 SUNDAY NEXT- IF YOU ARE FREE. 236 00:15:44,000 --> 00:15:45,750 FOR SUCH AND INITIATION, MADEMOISELLE, 237 00:15:47,290 --> 00:15:49,220 I SHALL MAKE...MYSELF FREE. 238 00:15:50,250 --> 00:15:51,500 SUNDAY, NEXT, THEN. 239 00:15:53,660 --> 00:15:55,040 NUMBER 27. 240 00:16:04,650 --> 00:16:05,900 CONGRATULATIONS. 241 00:16:08,010 --> 00:16:09,370 CONGRATULATIONS, MY DEAR. 242 00:16:09,410 --> 00:16:11,130 YOU PLAYED A GREAT SUCCESS, WE HEAR. 243 00:16:11,160 --> 00:16:12,140 SOLD OUT EVERY NIGHT. 244 00:16:12,180 --> 00:16:13,910 ISN'T IT AMAZING. I WAS SURE NO ONE WOULD COME. 245 00:16:13,950 --> 00:16:14,870 OH, NONSENSE. 246 00:16:14,900 --> 00:16:16,170 ALL KINDS ADORE YOU. 247 00:16:16,480 --> 00:16:18,320 MY DEAR, HAVEN'T YOU HEARD THE NEWS? 248 00:16:18,350 --> 00:16:19,130 NEWS? 249 00:16:19,160 --> 00:16:20,850 EVERYBODY'S TALKING ABOUT IT. 250 00:16:20,880 --> 00:16:24,340 THERE WERE OVER 20 EXECUTIONS IN THE PLACE DE LA CREIAS, TODAY. 251 00:16:24,380 --> 00:16:26,210 TWENTY-THREE, TO BE PRECISE. 252 00:16:27,850 --> 00:16:28,670 PAUL! 253 00:16:28,870 --> 00:16:32,170 MY DEAR, I'VE ONLY JUST BEEN ABLE TO TEAR MYSELF AWAY. 254 00:16:32,200 --> 00:16:33,010 OH. 255 00:16:33,260 --> 00:16:34,540 YOU LOOK SO TIRED. 256 00:16:35,140 --> 00:16:36,980 COME, LET'S HAVE SOME CHAMPAGNE. 257 00:16:37,110 --> 00:16:38,380 [LAUGHTER] 258 00:16:39,010 --> 00:16:41,690 YOU SAY THERE WERE 23 EXECUTIONS TODAY, CHAUVELIN? 259 00:16:41,720 --> 00:16:42,580 TO BE PRECISE, 260 00:16:42,620 --> 00:16:44,550 AND THERE WILL BE MORE, EVERYDAY, 261 00:16:44,590 --> 00:16:46,800 UNTIL THE COMMITTEE HAS PURGED THE REPUBLIC 262 00:16:46,830 --> 00:16:47,800 OF THE LAST CORRUPT ARISTOCRAT. 263 00:16:48,620 --> 00:16:51,050 NOT ANOTHER SPEECH, CHAUVELIN! 264 00:16:51,080 --> 00:16:53,800 THIS IS WHAT I HAVE TO LISTEN TO ALL DAY NOW, MY DEAR. 265 00:16:54,740 --> 00:16:55,570 ALL DAY? 266 00:16:55,610 --> 00:16:56,810 I'M AFRAID SO. 267 00:16:56,840 --> 00:16:59,260 THIS YOUNG IDEALIST HAS JUST BECOME MY ASSISTANT. 268 00:16:59,890 --> 00:17:01,220 SO HE HAS NO CHOICE. 269 00:17:01,360 --> 00:17:03,030 YOU MUST BE CALLED CHAUVELIN. 270 00:17:03,070 --> 00:17:04,940 CHIEF AGENT FOR THE COMMITTEE OF NATIONAL SECURITY, 271 00:17:04,970 --> 00:17:06,140 AT YOUR SERVICE. 272 00:17:06,180 --> 00:17:07,290 MADEMOISELLE...? 273 00:17:07,320 --> 00:17:09,810 YOU HAVE THE HONOR OF ADDRESSING LOUISE LONGET, 274 00:17:09,840 --> 00:17:11,040 LA CHANTESS. 275 00:17:11,080 --> 00:17:12,210 BUT, OF COURSE. 276 00:17:12,240 --> 00:17:14,340 YOU'RE MARGUERITE'S NEW UNDERSTUDY. 277 00:17:14,760 --> 00:17:17,130 I GATHER YOU'RE RESPONSIBLE FOR THE ARREST AND EXECUTION 278 00:17:17,170 --> 00:17:19,860 OF ALL THESE... UNDESIRABLE ARISTOCRATS. 279 00:17:20,230 --> 00:17:22,840 THAT IS A SMALL PART OF MY DUTIES, MADEMOISELLE. 280 00:17:22,870 --> 00:17:24,830 THE OTHER IS MAKING LONG, BORING SPEECHES 281 00:17:24,860 --> 00:17:26,200 AT SOCIAL FUNCTIONS LIKE THIS. 282 00:17:26,690 --> 00:17:28,770 WELL, NOW YOU WILL HAVE THE OPPORTUNITY TO LEARN 283 00:17:28,800 --> 00:17:30,990 HOW TO MAKE BORING SPEECHES, TOO. 284 00:17:31,050 --> 00:17:34,300 VERY WELL, JUST FOR THIS ONCE, I WILL OVERCOME MY USUAL 285 00:17:34,340 --> 00:17:38,340 PATRIOTIC ZEAL, AND CONFINE MYSELF TO A SIMPLE TOAST TO THE REPUBLIC. 286 00:17:39,080 --> 00:17:40,180 THE REPUBLIC! 287 00:17:40,220 --> 00:17:41,540 [ALL] THE REPUBLIC. 288 00:17:46,140 --> 00:17:50,140 SEEMS THE BARON DE BATZ DOES NOT SHARE OUR ENTHUSIASM FOR THE TOAST. 289 00:17:52,790 --> 00:17:55,280 PERHAPS HE IS NOT A FRIEND OF... THE REPUBLIC. 290 00:17:55,320 --> 00:17:57,170 OH, ON THE CONTRARY, MY DEAR CHAUVELIN, 291 00:17:57,280 --> 00:17:59,670 I MAY BE AN AUSTRIAN, BY NATIONALITY, 292 00:17:59,700 --> 00:18:01,450 AND ARISTOCRAT BY BIRTH, 293 00:18:01,480 --> 00:18:03,650 BUT I CAN ASSURE YOU THAT I AM 294 00:18:03,680 --> 00:18:05,080 A VERY GOOD FRIEND OF THE REPUBLIC. 295 00:18:05,120 --> 00:18:08,310 I BELIEVE, RATHER, THAT THE BARON IS A FRIEND OF PROFIT, 296 00:18:09,210 --> 00:18:11,720 WILLING TO SELL HIS ALLEGIANCE TO THE HIGHEST BIDDER. 297 00:18:11,950 --> 00:18:13,700 IT WOULD APPEAR, MADEMOISELLE, THAT MY PRESENCE HERE 298 00:18:13,730 --> 00:18:17,730 THIS EVENING IS GIVING YOU DISTRESS. I SHALL CAUSE YOU NO 299 00:18:17,840 --> 00:18:21,840 FURTHER EMBARRASSMENT, AND I SHALL BID YOU GOOD EVENING. 300 00:18:25,190 --> 00:18:27,870 THIS JUST SHOWS HOW VIGILANT WE MUST BE. 301 00:18:28,210 --> 00:18:30,280 WE HAVE TO ROOT OUT THE ENEMIES IN OUR MIDST. 302 00:18:30,320 --> 00:18:32,360 WE NEVER KNOW WHERE THEY MIGHT STRIKE NEXT. 303 00:18:32,990 --> 00:18:36,900 BUT, IF BLOOD HAS TO BE SHED, NO ONE, I PROMISE YOU 304 00:18:36,930 --> 00:18:38,890 REGRETS IT MORE THAN I DO. 305 00:18:40,280 --> 00:18:44,280 "THE DAUPHIN IS TO BE HELD PRISONER IN THE TEMPLE. ST. CYR." 306 00:18:45,780 --> 00:18:47,270 AH, THERE YOU ARE. 307 00:18:47,310 --> 00:18:48,820 HOW COULD YOU BE SO RUDE? 308 00:18:48,850 --> 00:18:49,540 TO DE BATZ? 309 00:18:49,570 --> 00:18:51,070 HE WAS A GUEST IN MY HOME. 310 00:18:51,110 --> 00:18:52,060 AN UNWORTHY GUEST. 311 00:18:52,090 --> 00:18:54,370 THE MAN IS SUSPECTED OF SELLING SECRET INFORMATION 312 00:18:54,400 --> 00:18:55,400 TO THE AUSTRIAN GOVERNMENT. 313 00:18:55,460 --> 00:18:57,500 AND WHY HAVEN'T YOU ARRESTED HIM? 314 00:18:57,540 --> 00:19:00,430 BECAUSE, MY DEAR, HE ALSO SELLS SECRET INFORMATION, 315 00:19:00,470 --> 00:19:02,070 ABOUT THE AUSTRIANS, TO US. 316 00:19:02,110 --> 00:19:03,790 YOU'VE EXECUTED MEN FOR LESS. 317 00:19:03,820 --> 00:19:05,440 REVOLUTIONS ARE NEVER BLOODLESS. 318 00:19:05,470 --> 00:19:09,470 THIS BRIEF REIGN OF TERROR, WILL PURGE THE LAND OF ALL CORRUPTION. 319 00:19:11,470 --> 00:19:13,130 AND TAKE US TO NEW HEIGHTS. 320 00:19:14,400 --> 00:19:17,080 BE CAREFUL WHERE IT TAKES YOU, PAUL. 321 00:19:17,110 --> 00:19:19,750 TO A NEW ORDER. TO THE DAY OF GLORY. 322 00:19:20,460 --> 00:19:22,300 AND WE WILL BE PROUD OF IT, MARGARITE, 323 00:19:22,330 --> 00:19:24,130 YOU AND I. JUST AS WE'VE ALWAYS DREAMED. 324 00:19:25,010 --> 00:19:27,490 AND THEN I WILL MAKE YOU MY WIFE. 325 00:19:27,980 --> 00:19:30,470 AND THE FUTURE WILL BE OURS. 326 00:19:33,130 --> 00:19:34,570 SIR PERCY! 327 00:19:35,690 --> 00:19:38,270 LORD, MADEMOISELLE, YOU ARE EVEN 328 00:19:38,310 --> 00:19:41,090 MORE BEAUTIFUL, THAN I RECALL. 329 00:19:43,150 --> 00:19:45,750 IF THAT IS POSSIBLE. 330 00:19:47,110 --> 00:19:49,420 PAUL, THIS IS THE GENTLEMAN WHO RESCUED ARMAND. 331 00:19:49,610 --> 00:19:53,500 PAUL CHAUVELIN, CHIEF AGENT OF THE COMMITTEE OF NATIONAL SECURITY. 332 00:19:53,890 --> 00:19:55,260 SIR PERCY BLAKENEY. 333 00:19:57,610 --> 00:19:59,510 IT IS A PLEASURE... MONSIEUR. 334 00:19:59,550 --> 00:20:03,550 THE PLEASURE, I CAN ASSURE YOU, IS ALL MINE. 335 00:20:05,910 --> 00:20:07,210 MONSEWER. 336 00:20:07,250 --> 00:20:08,510 HA, HA, HA. 337 00:20:08,590 --> 00:20:10,960 I MUST APOLOGIZE FOR ME TARDINESS. 338 00:20:11,000 --> 00:20:13,660 'TWAS NEXT TO IMPOSSIBLE, FINDING A CARRIAGE. 339 00:20:13,850 --> 00:20:17,690 SINK ME, IF EVERYONE ISN'T SO EQUAL IN YOUR NEW SOCIETY 340 00:20:17,720 --> 00:20:20,140 THAT NO ONE WANTS TO DO THE DRIVING ANYMORE. 341 00:20:22,120 --> 00:20:25,680 I TAKE IT, SIR, THAT YOU DO NOT APPROVE OF OUR NEW SOCIETY? 342 00:20:25,710 --> 00:20:29,710 APPROVAL, SIR, IN MY OPINION, DEMANDS THE ATTAINMENT OF PERFECTION. 343 00:20:32,150 --> 00:20:34,170 AND IN THAT SENSE, YOU RATHER OVERRATE 344 00:20:34,210 --> 00:20:36,230 THE CHARM OF YOUR SOCIETY. 345 00:20:36,650 --> 00:20:39,310 FAITH, FOR ONE THING, IT DOES SEEM MONSTROUS 346 00:20:39,350 --> 00:20:41,490 ILL-DRESSED FOR ANY SOCIETY, 347 00:20:41,530 --> 00:20:43,680 EVEN A NEW ONE. 348 00:20:43,980 --> 00:20:45,940 SINK ME, YOUR TAILORS HAVE BETRAYED YOU. 349 00:20:45,980 --> 00:20:49,000 BETRAYED US? WE PRIDE OURSELVES ON OUR FRENCH TAILORS. 350 00:20:49,030 --> 00:20:52,020 ODDS FISH, MY DEAR FELLOW, SUCH SHODDY WORKMANSHIP 351 00:20:52,060 --> 00:20:54,800 WOULD NOT BE TOLERATED IN LONDON FOR ONE TINY INSTANT. 352 00:20:55,360 --> 00:20:58,610 LOOK YOU HERE, SIR, AT THIS LIMP CRAVAT. 353 00:20:58,780 --> 00:21:00,300 I ASK YOU! 354 00:21:00,700 --> 00:21:02,640 OR THE SORRY CUT OF THIS SLEEVE. 355 00:21:03,170 --> 00:21:04,080 NO, NO, NO. 356 00:21:06,060 --> 00:21:08,290 OF THE SAD STATE OF THOSE CUFFS. 357 00:21:08,310 --> 00:21:10,460 SINK ME, I CAN HARDLY BRING MESELF TO LOOK UPON THEM. 358 00:21:11,050 --> 00:21:12,010 NO, NO, NO, SIR. 359 00:21:12,490 --> 00:21:14,320 IF THIS IS THE BEST YOUR TAILORS CAN DO. 360 00:21:14,800 --> 00:21:18,320 'TWOULD SERVE YOU BETTER TO SEND THEM TO THE GUILLOTINE. 361 00:21:18,360 --> 00:21:20,120 WE WILL SEND OUR KING, INSTEAD, SIR, 362 00:21:20,320 --> 00:21:22,190 AND EXALT OUR TAILORS. 363 00:21:22,260 --> 00:21:23,750 MORE'S THE PITY. 364 00:21:24,310 --> 00:21:26,640 THEN YOUR TAILORS WILL RULE THE LAND, 365 00:21:26,680 --> 00:21:28,970 AND NO ONE WILL MAKE THE CLOTHES. 366 00:21:29,500 --> 00:21:32,180 SO MUCH FOR FRENCH FASHION, 367 00:21:32,770 --> 00:21:35,050 AND FRENCH POLITICS. 368 00:21:35,530 --> 00:21:37,590 WHAT IS IT YOU FRENCHIES SAY? 369 00:21:38,220 --> 00:21:39,930 TWO-SHAY..., 370 00:21:39,960 --> 00:21:43,880 YOU SEE, I'M A BIT OF A POET, AND YOU DID NOT KNOW IT. 371 00:21:43,920 --> 00:21:45,590 WHAT? 372 00:21:46,210 --> 00:21:48,520 WELL, IT HAS BEEN MOST AMUSING, SIR PERCY. 373 00:21:48,550 --> 00:21:51,650 BUT, IF YOU WILL EXCUSE ME, I HAVE SOMEONE I MUST SEE INSIDE. 374 00:21:52,620 --> 00:21:54,230 MARGUERITE, MY DEAR. 375 00:21:56,910 --> 00:21:59,510 YOU REALLY MUSTN�T TEASE CHAUVELIN SO RECKLESSLY. 376 00:21:59,840 --> 00:22:01,560 HE'S VERY POWERFUL IN THE GOVERNMENT. 377 00:22:01,840 --> 00:22:04,120 ALREADY, HE'S ROBESPIERRE'S MOST TRUSTED AGENT. 378 00:22:04,960 --> 00:22:07,550 THE ONLY POWER THAT I CAN SEE AT PRESENT, MADEMOISELLE, 379 00:22:08,790 --> 00:22:11,910 IS THE POWER... OF YOUR BEAUTY. 380 00:22:13,200 --> 00:22:15,660 BEAUTY IS IN THE EYE OF THE BEHOLDER, SIR PERCY. 381 00:22:20,850 --> 00:22:24,580 THIS BEHOLDER... IS ENCHANTED. 382 00:22:25,120 --> 00:22:26,980 IF I WERE TO TELL YOU THAT I ADORE YOU, 383 00:22:27,690 --> 00:22:31,060 WOULD YOU HAVE ME DO SO, STINTINGLY? 384 00:22:31,100 --> 00:22:31,970 ADORE ME? 385 00:22:36,180 --> 00:22:37,920 OR WOULD YOU HAVE ME DECLARE IT AS I FEEL IT? 386 00:22:38,660 --> 00:22:39,830 WITH ALL MY HEART. 387 00:22:40,990 --> 00:22:42,940 BUT YOU CAN'T BE SERIOUS. YOU KNOW NOTHING ABOUT ME. 388 00:22:42,980 --> 00:22:44,040 EXACTLY SO. 389 00:22:44,610 --> 00:22:46,380 WHICH IS WHY I YEARN TO KNOW EVERYTHING. 390 00:22:46,990 --> 00:22:48,410 YOU MUST TELL ME ALL ABOUT YOURSELF. 391 00:22:48,790 --> 00:22:50,050 IN EVERY DETAIL. 392 00:22:50,280 --> 00:22:51,690 BUT EVER SO SLOWLY. 393 00:22:51,940 --> 00:22:53,420 SO VERY SLOWLY. 394 00:22:54,350 --> 00:22:57,660 SO THAT IT TAKES A VERY... VERY LONG TIME. 395 00:22:58,520 --> 00:23:00,660 I DON'T KNOW WHETHER ARE MAD, OR... 396 00:23:00,700 --> 00:23:01,680 DESPERATELY IN LOVE. 397 00:23:01,970 --> 00:23:03,110 'TIS ALL THE SAME. 398 00:23:03,960 --> 00:23:07,100 TELL ME IF YOU CAN... THAT YOU DO NOT FEEL IT? 399 00:23:08,400 --> 00:23:11,420 PLEASE... YOU MOVE TOO FAST. 400 00:23:12,240 --> 00:23:15,460 MY HEART... DICTATES THE PACE. 401 00:23:39,070 --> 00:23:41,000 GOOD MORNING, CITIZEN ROBESPIERRE. 402 00:23:41,030 --> 00:23:42,330 THANK YOU, ST. CYR. 403 00:23:44,830 --> 00:23:45,690 CHAUVELIN. 404 00:23:46,590 --> 00:23:48,720 THE REPORT INFORMS ME, THERE MAY BE AN ATTEMPT 405 00:23:48,750 --> 00:23:51,790 TO RESCUE THE ROYAL FAMILY, PARTICULARLY, THE YOUNG 406 00:23:51,820 --> 00:23:53,000 DAUPHIN, HEIR TO THE THRONE. 407 00:23:53,040 --> 00:23:55,930 I SHALL SEE TO IT THAT SECURITY IS TIGHTENED AT ONCE. 408 00:23:55,960 --> 00:23:58,790 AND ANOTHER THING, THERE IS ONE ENEMY OF THE REPUBLIC 409 00:23:58,820 --> 00:24:01,520 IN PARTICULAR WHO CONTINUES TO ELUDE US, A MAN WE CONSIDER 410 00:24:01,560 --> 00:24:05,020 MORE DANGEROUS THAN ALL THE OTHERS COMBINED, THE SCARLET PIMPERNEL. 411 00:24:05,050 --> 00:24:08,880 WITH ALL DUE RESPECT, CITIZEN, THE MAN HAS SPARED BARELY 412 00:24:08,920 --> 00:24:11,200 A HANDFUL FROM THE GUILLOTINE, OUT OF HUNDREDS. 413 00:24:11,240 --> 00:24:13,140 SURELY, WE OVERESTIMATE HIS IMPORTANCE. 414 00:24:13,170 --> 00:24:16,270 ON THE CONTRARY, UNCHECKED HIS CONTINUED SUCCESS COULD 415 00:24:16,300 --> 00:24:17,610 UNDERMINE THE REVOLUTION ITSELF. 416 00:24:17,650 --> 00:24:18,900 UNDERMINE THE REVOLUTION? 417 00:24:18,940 --> 00:24:21,170 BY RAISING THE HOPES OF THOSE WHO ARE CONSPIRING 418 00:24:21,210 --> 00:24:23,410 TO OVERTHROW THE REPUBLIC AND RESTORE THE MONARCHY. 419 00:24:23,950 --> 00:24:26,170 SO YOU SEE, CHAUVELIN, WHILE THIS MEDDLESOME 420 00:24:26,200 --> 00:24:28,700 ENGLISHMAN REMAINS AT LARGE HE CONTINUES TO BE A MENACE. 421 00:24:28,740 --> 00:24:30,690 NEEDLESS TO SAY, THE MAN WHO BRINGS HIM TO JUSTICE 422 00:24:30,730 --> 00:24:32,890 WILL EARN THE GRATITUDE OF THE NATION. 423 00:24:32,930 --> 00:24:35,060 NOT TO MENTION, A SEAT ON THE COMMITTEE. 424 00:24:36,400 --> 00:24:38,060 HE MUST BE STOPPED, CHAUVELIN. 425 00:24:38,100 --> 00:24:39,390 I SHALL SEE TO IT AT ONCE, CITIZEN. 426 00:24:46,780 --> 00:24:51,540 HOW IS OUT YOUNG FRIEND, ARMAND ST. JUST, SETTLING IN? 427 00:24:51,570 --> 00:24:56,300 A BIT HEADSTRONG, PERHAPS, BUT I SUSPECT HE'LL GO FAR. 428 00:24:56,330 --> 00:24:58,380 HUH, HUH, HUH. 429 00:24:59,700 --> 00:25:04,620 [CLOCK CHIMES] 430 00:25:09,620 --> 00:25:11,990 "YOU CAN INFORM YOUR PEOPLE, THAT THE DAUPHIN IS TO BE 431 00:25:12,030 --> 00:25:14,470 HELD PRISONER IN THE TEMPLE. ST. CYR." 432 00:25:14,500 --> 00:25:15,990 SIR PERCY BLAKENEY, MADEMOISELLE. 433 00:25:16,020 --> 00:25:17,460 PLEASE, SHOW HIM IN, ANNETTE. 434 00:25:27,220 --> 00:25:29,990 UH, FORGIVE ME... IF I KEPT YOU WAITING. 435 00:25:30,900 --> 00:25:32,530 YOUR NOTE DID SAY ELEVEN. 436 00:25:33,330 --> 00:25:34,640 I HAD A DEVIL OF A TIME 437 00:25:35,010 --> 00:25:37,240 FINDING A SUITABLE BASKET. 438 00:25:41,080 --> 00:25:43,470 A SUITABLE...BASKET? 439 00:25:43,500 --> 00:25:45,170 HMM. 440 00:25:46,840 --> 00:25:50,090 I THOUGHT...A PICNIC. 441 00:25:52,160 --> 00:25:53,880 PERCY! 442 00:26:10,790 --> 00:26:11,480 PAPERS. 443 00:26:13,350 --> 00:26:14,800 PAPERS..IF YOU PLEASE. 444 00:26:15,860 --> 00:26:16,700 SINK ME. 445 00:26:17,020 --> 00:26:21,900 SURELY YOU RECOGNIZE THE MOST BEAUTIFUL ACTRESS IN FRANCE. 446 00:26:23,810 --> 00:26:25,430 A MAN WOULD HAVE TO BE BLIND NOT TO RECOGNIZE 447 00:26:25,460 --> 00:26:27,150 MADEMOISELLE MARGUERITE ST. JUST. 448 00:26:28,160 --> 00:26:32,290 YOU THERE! MAKE WAY! LET THIS CARRIAGE PASS! 449 00:27:53,680 --> 00:27:54,570 CAREFUL NOW. 450 00:27:55,380 --> 00:27:56,020 UGH! 451 00:27:56,550 --> 00:27:58,020 ARE YOU ALL RIGHT, NOW? 452 00:27:58,060 --> 00:27:59,500 YES, INDEED, MANY THANKS. 453 00:28:37,140 --> 00:28:39,050 DAMN THE SCARLET PIMPERNEL! 454 00:28:39,170 --> 00:28:41,300 NOW HE'S MADE OFF WITH THE DUC DE LEON. 455 00:28:41,350 --> 00:28:44,700 HE HAS PROVED MOST ELUSIVE, CITIZEN. 456 00:28:45,990 --> 00:28:48,460 A MAN OF MANY DISGUISES, BUT, I NOW BELIEVE 457 00:28:48,500 --> 00:28:50,900 THAT THERE IS ONLY ONE WAY TO CATCH HIM. 458 00:28:50,940 --> 00:28:55,000 HOW TO YOU PROPOSE TO FIND ONE ENGLISHMAN AMONG MILLIONS. 459 00:28:55,560 --> 00:29:00,750 BY SIMPLE DEDUCTION, PONCEAU. THIS PARTICULAR ENGLISHMAN CITIZEN 460 00:29:00,790 --> 00:29:03,340 MANAGES TO PASS HIMSELF OFF AS A FRENCH. 461 00:29:03,370 --> 00:29:06,850 IT FOLLOWS, THEREFORE, THAT HE COMES FROM THAT PRIVILEGED CLASS 462 00:29:06,880 --> 00:29:09,410 BROUGHT UP BY FRENCH GOVERNESSES, TUTORED BY FRENCH INSTRUCTORS, 463 00:29:09,440 --> 00:29:12,910 AND PERHAPS EVEN EDUCATED AT A FRENCH UNIVERSITY. 464 00:29:13,900 --> 00:29:16,810 IN A WORD, THE MAN IS UNDOUBTEDLY AN ARISTOCRAT. 465 00:29:16,970 --> 00:29:18,860 AND THAT WOULD EXPLAIN HIS SYMPATHIES, AND 466 00:29:18,890 --> 00:29:21,030 NARROW THE FIELD CONSIDERABLY. 467 00:29:21,610 --> 00:29:25,980 I BELIEVE THAT WE WILL SHALL FIND HIM AT THE CENTER OF SOCIAL LIFE IN LONDON, 468 00:29:26,020 --> 00:29:28,690 AND THAT IS WHERE I PROPOSE WE TRACK HIM DOWN. 469 00:29:30,850 --> 00:29:32,470 HE DOES HAVE A POINT, PONCEAU. 470 00:29:33,330 --> 00:29:36,520 WHILE HE'S IN FRANCE, THE CUNNING FOX IS ALWAYS ON HIS GUARD, 471 00:29:36,560 --> 00:29:38,610 BUT IN HIS OWN BACKYARD, UM? 472 00:29:41,720 --> 00:29:45,340 WE SHALL HAVE YOU APPOINTED SPECIAL ENVOY TO THE COURT OF ST. JAMES 473 00:29:45,370 --> 00:29:47,860 AS SOON AS POSSIBLE. PONCEAU WILL SEE TO THE DETAILS. 474 00:29:47,890 --> 00:29:50,130 I AM DEEPLY HONORED, CITIZEN. 475 00:29:51,310 --> 00:29:54,520 WOULD IT NOT BE ADVISABLE IF I WERE TO HAVE THE ASSISTANCE 476 00:29:54,560 --> 00:29:57,240 OF SOMEONE WHO IS ALREADY KNOWN TO THE ENGLISH? 477 00:29:57,850 --> 00:29:59,910 SOMEONE, WHOM THEY TRUST. 478 00:30:01,090 --> 00:30:03,350 I SUSPECT YOU ALREADY HAVE SOMEONE IN MIND. 479 00:30:03,380 --> 00:30:06,010 MIGHT I SUGGEST THE MAN WHO SERVED OUR RECENTLY 480 00:30:06,050 --> 00:30:08,860 DEPOSED KING AS AMBASSADOR IN LONDON FOR SO LONG? 481 00:30:08,900 --> 00:30:11,030 I LIKE YOUR SENSE OF IRONY, CHAUVELIN. 482 00:30:11,400 --> 00:30:14,920 BY ALL MEANS. THE COUNT DE TOURNEY WOULD BE AN IDEAL CHOICE. 483 00:30:15,690 --> 00:30:18,440 SEND YOUNG ARMAND ST. JUSTE TO BRING HIM IN. 484 00:30:19,110 --> 00:30:20,340 YOU MUST NOT GO, HENRI. 485 00:30:20,370 --> 00:30:23,380 I ASSURE YOU, MADAME, CITIZEN ROBESPIERRE MERELY WISHES TO 486 00:30:23,420 --> 00:30:25,250 CONSULT WITH YOU HUSBAND ON A MATTER OF STATE. 487 00:30:25,290 --> 00:30:29,040 ROBESPIERRE? I'D SOONER TRUST A SNAKE. 488 00:30:29,620 --> 00:30:31,560 YOU HAVE KNOWN ME ALL MY LIFE. 489 00:30:31,600 --> 00:30:34,770 I GIVE YOU MY WORD, NO HARM WILL COME TO HIM. 490 00:30:34,970 --> 00:30:39,360 WELL, THERE. YOU SEE, MAMA? YOU HAVE ARMAND'S WORD OF HONOR. 491 00:30:41,800 --> 00:30:43,550 I SHALL BE BACK IN TIME FOR SUPPER. 492 00:30:49,500 --> 00:30:53,440 DEATH, ROBBING MY EYES OF LIGHT, 493 00:30:55,840 --> 00:31:03,610 WILL GIVE BACK TO THE SUN ITS TARNISHED BEAUTY. 494 00:31:06,080 --> 00:31:10,300 [APPLAUSE, CHEERING] 495 00:31:13,070 --> 00:31:13,780 PERCY? 496 00:31:19,700 --> 00:31:20,490 PERCY. 497 00:31:33,530 --> 00:31:37,050 'MY BELOVED, I'VE HAD TO RETURN TO ENGLAND URGENTLY. 498 00:31:37,300 --> 00:31:40,530 'FORGIVE ME, I DID NOT HAVE TIME TO KISS YOU FAREWELL. 499 00:31:40,800 --> 00:31:43,010 'YOUR OWN, PERCY.' 500 00:31:55,090 --> 00:31:56,420 SPY? 501 00:31:57,280 --> 00:31:59,200 ON MY FORMER ASSOCIATES, FRIENDS? 502 00:31:59,500 --> 00:32:00,760 YOU STILL REFUSE? 503 00:32:01,280 --> 00:32:02,650 MOST EMPHATICALLY. 504 00:32:03,510 --> 00:32:04,610 YOU MUST BE MAD. 505 00:32:04,780 --> 00:32:05,940 TAKE HIM TO THE TEMPLE. 506 00:32:06,690 --> 00:32:09,150 PERHAPS SOME TIME IN PRISON WILL BRING HIM TO HIS SENSES. 507 00:32:17,710 --> 00:32:19,360 ANDREW, DO YOU WANT TO DOUBLE YOUR WAGER? 508 00:32:20,650 --> 00:32:21,440 ANDREW! 509 00:32:21,680 --> 00:32:22,450 RIGHT! 510 00:32:22,810 --> 00:32:24,290 A HUNDRED GUINEAS! 511 00:32:24,330 --> 00:32:25,680 YOU'LL NEVER BEAT HIM! 512 00:32:25,720 --> 00:32:27,040 WELL, HANG ON TO ME TAIL! 513 00:32:27,810 --> 00:32:28,730 SEE IF YOU CAN CATCH HIM! 514 00:32:28,760 --> 00:32:30,420 JUST YOU WAIT! 515 00:32:30,580 --> 00:32:31,960 MY GOODNESS, THOUGH, YOU CAN DO IT. 516 00:32:31,990 --> 00:32:33,970 YOU'VE BEEN A GOOD JUDGE OF HORSE FLESH. 517 00:32:34,000 --> 00:32:35,820 YOU'RE DAMNED RIGHT. THAT'S A HUNDRED GUINEAS, 518 00:32:35,860 --> 00:32:36,900 YOU OWE ME, OLD CHAP. 519 00:32:36,930 --> 00:32:38,050 HEY, PERCY. 520 00:32:40,170 --> 00:32:42,410 THERE ISN'T AN ENGLISHMAN ALIVE, WHO WOULDN'T BE PROUD 521 00:32:42,450 --> 00:32:44,540 TO JOIN THE LEAGUE OF THE SCARLET PIMPERNEL. 522 00:32:44,570 --> 00:32:47,900 THAT MAY BE, MY FRIEND, BUT THE GREATER THE NUMBER, 523 00:32:47,940 --> 00:32:49,870 THE GREATER THE RISK OF BETRAYAL. 524 00:32:49,910 --> 00:32:52,470 NO, NO, MY FRIENDS, IF WE ARE TO SUCCEED 525 00:32:52,510 --> 00:32:55,520 WE MUST MAINTAIN OUR ANONYMITY. 526 00:32:56,510 --> 00:32:58,010 MASK OUR IDENTITIES. 527 00:32:59,200 --> 00:33:01,680 EVEN IF IT MEANS SUFFERING THE MOCKERY OF OTHERS, 528 00:33:02,570 --> 00:33:04,090 BEING TAKEN FOR FOOLS, 529 00:33:04,600 --> 00:33:05,460 FOPS, 530 00:33:06,450 --> 00:33:07,250 NITWITS, 531 00:33:08,330 --> 00:33:09,300 EVEN COWARDS. 532 00:33:09,340 --> 00:33:11,910 UMM. THAT'S THE EASY PART. THE HARD PART IS NOT BEING ABLE 533 00:33:11,950 --> 00:33:14,220 TO BOAST ABOUT OUR EXPLOITS TO THE LADIES. 534 00:33:14,250 --> 00:33:17,870 [LAUGHTER] 535 00:33:21,770 --> 00:33:22,780 TIMMY. 536 00:33:24,850 --> 00:33:26,070 WHAT IS IT, MY DEAR FELLOW? 537 00:33:30,590 --> 00:33:31,880 WELL, COME ON, OUT WITH IT. 538 00:33:34,650 --> 00:33:36,680 LOUIS THE SIXTEENTH HAS BEEN EXECUTED. 539 00:33:40,570 --> 00:33:41,350 THE QUEEN? 540 00:33:43,050 --> 00:33:44,740 DOOMED TO FOLLOW HIM TO THE GUILLOTINE. 541 00:33:45,080 --> 00:33:46,390 WHAT NEWS OF THE YOUNG DAUPHIN? 542 00:33:46,870 --> 00:33:48,860 THE HEIR TO THE THRONE HAS BEEN IMPRISONED IN THE TEMPLE. 543 00:33:52,910 --> 00:33:54,090 AND THERE'S MORE. 544 00:33:55,430 --> 00:33:58,460 YOUR FRIEND THE COUNT DE TOURNEY HAS ALSO BEEN ARRESTED AND TAKEN TO THE TEMPLE. 545 00:33:59,200 --> 00:34:00,200 HIS FAMILY? 546 00:34:02,210 --> 00:34:03,960 THEY'RE STILL SAFE BY THE LAST REPORT. 547 00:34:08,940 --> 00:34:10,080 THEN THERE'S NO TIME TO LOSE. 548 00:34:10,360 --> 00:34:12,250 ANDREW, I WANT YOU TO SET UP A NETWORK OF COURIERS. 549 00:34:13,880 --> 00:34:15,050 WE LEAVE FOR PARIS AT ONCE. 550 00:34:25,580 --> 00:34:27,930 DELIVER THIS TO THE CAPTAIN OF THE REVOLUTIONARY GUARD 551 00:34:27,970 --> 00:34:29,350 IN THE PLACE DE LA GREVE. 552 00:34:29,390 --> 00:34:30,040 YES, SIR. 553 00:34:30,080 --> 00:34:31,110 CAN'T YOU SEE THAT I'M BUSY? 554 00:34:31,650 --> 00:34:33,490 YOU HAVE ARRESTED THE COUNT DE TOURNEY. 555 00:34:33,530 --> 00:34:34,460 I HAVE. 556 00:34:35,430 --> 00:34:37,090 ON THE ORDERS OF CITIZEN ROBESPIERRE. 557 00:34:37,890 --> 00:34:40,320 I GAVE MY WORD OF HONOR. 558 00:34:40,620 --> 00:34:43,430 MAY I REMIND YOU, THAT YOUR FIRST DUTY IS TO THE REPUBLIC 559 00:34:43,460 --> 00:34:44,760 AND NOT TO THE COUNT DE TOURNEY IN THIS HOUR. 560 00:34:46,370 --> 00:34:47,130 YOU MAY GO. 561 00:34:52,180 --> 00:34:53,250 [DOOR CLOSES] 562 00:34:53,290 --> 00:34:54,320 MY DEAR ARMAND. 563 00:34:55,080 --> 00:34:57,900 SUCH SENTIMENTS, ESPECIALLY ON BEHALF OF AN ARISTOCRAT, 564 00:34:57,930 --> 00:34:59,840 COULD BE EASILY MISINTERPRETED. 565 00:34:59,870 --> 00:35:01,080 YOU USED ME. 566 00:35:01,940 --> 00:35:04,150 YES, AND AS LONG AS YOU ARE HERE TO SERVE THE COMMITTEE 567 00:35:04,190 --> 00:35:05,370 I SHALL CONTINUE TO USE YOU. 568 00:35:05,460 --> 00:35:08,470 NOW, BOY, DELIVER THIS, TO THE CAPTAIN OF THE REVOLUTIONARY GUARD 569 00:35:08,500 --> 00:35:10,320 IN CHARGE OF EXECUTIONS IN THE PLACE DE LA GREVE. 570 00:35:16,940 --> 00:35:18,750 [DOOR CLOSES] 571 00:35:18,780 --> 00:35:20,560 [DRUMS ROLL] 572 00:35:22,990 --> 00:35:25,740 [DRUMS CONTINUE TO ROLL] 573 00:35:29,290 --> 00:35:30,720 [GUILLOTINE FALLS] 574 00:35:30,760 --> 00:35:32,160 [CROWD CHEERS] 575 00:35:46,520 --> 00:35:48,350 [DEATH TO THE ARISTOS] 576 00:35:48,380 --> 00:35:50,180 [LONG LIVE THE REPUBLIC] 577 00:35:55,320 --> 00:35:56,140 SIR! 578 00:36:01,870 --> 00:36:02,650 CAPTAIN. 579 00:36:10,390 --> 00:36:14,370 'MUST HAVE MORE EXECUTIONS, AND PROCEED WITH GREATER DISPATCH!' 580 00:36:14,640 --> 00:36:18,380 YOU CAN TELL CITIZEN CHAUVELIN, IF HE THINKS HE CAN DO BETTER, 581 00:36:18,410 --> 00:36:20,910 HE'S QUITE WELCOME TO COME AND TRY FOR HIMSELF. 582 00:36:21,470 --> 00:36:23,090 MIGHT DO HIM GOOD. TO GET SOME BLOOD 583 00:36:23,130 --> 00:36:24,720 ON THOSE LILY WHITE HANDS OF HIS. 584 00:36:24,760 --> 00:36:25,780 AH! 585 00:36:26,580 --> 00:36:28,820 IN THE NAME OF GOD, MONSIEUR, SAVE ME. 586 00:36:28,850 --> 00:36:31,020 I SWEAR I'VE DONE NOTHING, NOTHING! 587 00:36:31,060 --> 00:36:34,010 SAVE YOUR BREATH, MADEMOISELLE, HE'S ONE OF THEM WHO SENT YOU HERE. 588 00:36:35,840 --> 00:36:37,290 [SPIT!] 589 00:36:37,900 --> 00:36:43,090 MAY GOD HAVE MERCY ON YOUR SOUL, MONSIEUR. YOU'RE SURELY DAMNED FOR WHAT YOU DO! 590 00:36:52,110 --> 00:36:53,510 [SCREAM] AHHH, AH! 591 00:36:53,540 --> 00:36:58,450 WHAT IS IT? [SIGH, GASP] A DREAM. 592 00:36:58,490 --> 00:36:59,540 A HIDEOUS DREAM. 593 00:36:59,580 --> 00:37:02,000 [GASP] SOMEONE YOU WORK WITH? 594 00:37:02,030 --> 00:37:03,110 NO, IT'S MARGUERITE. 595 00:37:03,770 --> 00:37:05,600 IT WAS SHE THEY HAD TO THE GUILLOTINE. 596 00:37:06,420 --> 00:37:07,810 IT WAS HER WHEN I HEARD IT FELL. 597 00:37:08,590 --> 00:37:12,720 OH, GOD. OH MY GOD. OH MY GOD. 598 00:37:14,420 --> 00:37:17,210 'YOU CAN INFORM YOUR PEOPLE THAT 'THE DAUPHIN IS TO BE HELD 599 00:37:17,240 --> 00:37:20,280 'PRISONER IN THE TEMPLE. 'ST. CYR.' 600 00:37:20,310 --> 00:37:23,390 [APPLAUSE FOR MARGUERITE] 601 00:37:25,870 --> 00:37:26,590 MY DARLING! 602 00:37:26,630 --> 00:37:28,060 MARGUERITE, MY DEAREST. 603 00:37:29,040 --> 00:37:30,010 PAUL! 604 00:37:31,370 --> 00:37:33,030 WHAT IS IT, MY DEAR. YOU LOOK AS IF YOU'D 605 00:37:33,070 --> 00:37:33,850 SEEN A GHOST? 606 00:37:34,020 --> 00:37:35,600 IT'S JUST YOU TOOK ME BY SURPRISE. 607 00:37:38,880 --> 00:37:40,780 WHAT IS THAT YOU'RE HIDING BEHIND YOUR BACK? 608 00:37:41,550 --> 00:37:43,130 I MIGHT ASK YOU THE SAME. 609 00:37:44,290 --> 00:37:46,740 YOU HAVE NOT RIGHT TO PRY INTO MY PERSONAL AFFAIRS. 610 00:37:46,780 --> 00:37:49,200 EVEN WHEN THOSE PERSONAL AFFAIRS SMACK OF TREASON? 611 00:37:49,240 --> 00:37:49,880 TREASON? 612 00:37:51,230 --> 00:37:53,860 SURELY, YOU DON'T THINK I HAVE ANYTHING TO DO WITH...? 613 00:37:55,370 --> 00:37:56,350 PAUL... 614 00:37:56,420 --> 00:37:58,930 I SWEAR I HAPPENED UPON THIS NOTE ONLY BY CHANCE. 615 00:37:59,610 --> 00:38:01,420 WHY DIDN'T YOU COME TO ME WITH IT? 616 00:38:02,540 --> 00:38:03,820 I DIDN'T KNOW WHAT TO DO. 617 00:38:05,190 --> 00:38:07,640 I THINK I WANTED TO BE SURE THAT IT WAS IMPORTANT ENOUGH 618 00:38:07,670 --> 00:38:09,940 BEFORE I DID ANYTHING SO DRASTIC. 619 00:38:09,980 --> 00:38:10,770 DRASTIC? 620 00:38:11,030 --> 00:38:12,620 AS REPORT IT TO THE COMMITTEE. 621 00:38:12,660 --> 00:38:16,310 [LAUGHING] MY DARLING MARGUERITE, I'M NOT THE COMMITTEE. 622 00:38:16,790 --> 00:38:19,590 I'M THE MAN WHO HOPE ONE DAY TO MARRY YOU. 623 00:38:20,160 --> 00:38:21,820 BUT YOU ARE AN AGENT OF THE COMMITTEE. 624 00:38:22,520 --> 00:38:24,320 WOULDN'T IT BE YOUR DUTY TO REPORT IT... 625 00:38:24,350 --> 00:38:25,860 MY FIRST DUTY, MY DEAREST, 626 00:38:26,780 --> 00:38:27,640 IS TO YOU. 627 00:38:29,810 --> 00:38:32,240 I MAY NOT ALWAYS FIND A WAY TO SHOW IT. 628 00:38:33,740 --> 00:38:34,890 BUT I LOVE YOU. 629 00:38:34,920 --> 00:38:36,040 WITH ALL MY HEART. 630 00:38:37,270 --> 00:38:40,160 I GIVE YOU MY WORD, I WILL NEVER BETRAY YOUR CONFIDENCE. 631 00:38:46,950 --> 00:38:47,950 FORGIVE ME, PAUL. 632 00:38:49,470 --> 00:38:50,550 ON THE OTHER HAND 633 00:38:51,210 --> 00:38:53,830 IT IS YOUR DUTY TO REPORT THIS TO ME OFFICIALLY. 634 00:38:53,990 --> 00:38:56,570 AND THEN, AND ONLY THEN, I'LL TAKE THE APPROPRIATE ACTION. 635 00:38:57,460 --> 00:38:59,680 BUT THAT COULD MEAN ST. CYR'S EXECUTION, 636 00:38:59,720 --> 00:39:01,230 AND POSSIBLY HIS FAMILY'S AS WELL. 637 00:39:01,260 --> 00:39:01,980 HE'S A TRAITOR. 638 00:39:02,360 --> 00:39:04,310 AND CAN YOU THINK OF A BETTER WAY TO REPAY HIM 639 00:39:04,350 --> 00:39:06,020 FOR HAVING YOUR BROTHER BEATEN? 640 00:39:06,210 --> 00:39:08,710 YOU CAN'T HONESTLY BELIEVE THAT I WOULD SEND A MAN 641 00:39:08,740 --> 00:39:11,210 AND HIS ENTIRE FAMILY TO THEIR DEATH OUT OF SPITE? 642 00:39:11,240 --> 00:39:13,190 THEY'RE ARISTOCRATS, MY DEAR! 643 00:39:13,330 --> 00:39:14,890 [WHISPERING] I COULD NEVER LIVE WITH MYSELF! 644 00:39:15,230 --> 00:39:18,420 IN THAT CASE, YOU MAY HAVE ONE DAY TO ANSWER TO THE REPUBLIC. 645 00:39:18,450 --> 00:39:20,580 RATHER THE REPUBLIC THAN MY CONSCIENCE. 646 00:39:20,660 --> 00:39:22,230 YOU DISAPPOINT ME. 647 00:39:22,270 --> 00:39:23,810 YOU'VE GONE SOFT! 648 00:39:23,980 --> 00:39:25,920 IF BY THAT YOU MEAN I'M NOT BLOODTHIRSTY ENOUGH FOR THIS 649 00:39:25,960 --> 00:39:27,470 REVOLUTION OF YOURS, YOU'RE RIGHT. 650 00:39:27,500 --> 00:39:28,980 IT USED TO BE YOUR REVOLUTION AS WELL. 651 00:39:29,010 --> 00:39:29,570 YES... 652 00:39:30,320 --> 00:39:32,760 BUT IT'S TAKEN US IN DIFFERENT DIRECTIONS. 653 00:39:33,550 --> 00:39:35,580 PERHAPS MY VISION WAS NEVER THE SAME AS YOURS. 654 00:39:36,720 --> 00:39:40,130 I SEE NOW, WHAT BEGINS AS A DREAM CAN END AS A NIGHTMARE. 655 00:39:40,720 --> 00:39:44,300 SOME CAUSES CAN BECOME WARPED, TWISTED LIKE SOME MEN. 656 00:39:50,340 --> 00:39:54,400 IT'S NOT DIFFICULT TO GUESS THE REASON FOR THIS SUDDEN 657 00:39:54,440 --> 00:39:55,350 CHANGE OF HEART. 658 00:39:56,920 --> 00:39:58,930 I SUSPECT IT'S THE ARISTOCRATIC COMPANY 659 00:39:58,970 --> 00:39:59,930 YOU'VE BEEN KEEPING OF LATE. 660 00:40:01,940 --> 00:40:03,750 WHY, PAUL, I DO BELIEVE YOUR JEALOUS. 661 00:40:03,960 --> 00:40:05,100 WHY SHOULD I NOT BE? 662 00:40:05,370 --> 00:40:08,380 WELL, IF IT'S ANY CONSOLATION, SIR. PERCY LEFT FOR ENGLAND 663 00:40:08,420 --> 00:40:09,500 A FORTNIGHT AGO. 664 00:40:09,530 --> 00:40:10,600 AND THEN YOU DON'T KNOW. 665 00:40:11,270 --> 00:40:11,860 KNOW WHAT? 666 00:40:12,120 --> 00:40:12,940 THAT HE'S BACK. 667 00:40:14,160 --> 00:40:15,090 IN PARIS? 668 00:40:16,460 --> 00:40:19,730 [WITH FEELING] YOU KNOW, IT AMAZES ME 669 00:40:19,770 --> 00:40:22,990 HOW A WOMAN OF YOUR TASTE AND INTELLIGENCE COULD TOLERATE 670 00:40:23,020 --> 00:40:23,880 SUCH A FOOL. 671 00:40:24,310 --> 00:40:25,990 AND NOW IF YOU'LL EXCUSE ME. 672 00:40:30,310 --> 00:40:31,960 I HAVE SOME DUTIES TO ATTEND TO. 673 00:40:32,000 --> 00:40:33,230 [OPENS DOOR] 674 00:40:34,240 --> 00:40:36,180 BON-JEWER, MON-SEWER. 675 00:40:37,870 --> 00:40:39,480 I SWEAR YOU BEEN TAKIN' LESSONS. 676 00:40:39,900 --> 00:40:41,070 THE CRAVAT'S A PICTURE. 677 00:40:42,990 --> 00:40:44,100 OH, UGH. 678 00:40:46,190 --> 00:40:47,360 OH, OUTTA' MY WAY! 679 00:40:48,160 --> 00:40:49,170 YOU IDIOT! 680 00:40:51,490 --> 00:40:52,940 [DOOR CLOSES] 681 00:40:53,070 --> 00:40:54,130 PERCY! 682 00:40:54,170 --> 00:40:55,820 PERCY, PERCY! 683 00:40:55,860 --> 00:40:57,170 HA, HA, HA, HA, HA. 684 00:40:57,200 --> 00:40:58,560 I KNEW YOU WOULD COME BACK! 685 00:40:58,600 --> 00:40:59,730 MY DARLING! 686 00:40:59,870 --> 00:41:01,540 WELL, I'M GLAD YOU'RE PLEASED TO SEE ME. 687 00:41:01,720 --> 00:41:03,610 IT'S MORE THAN YOU CAN SAY FOR YOUR FRIEND, CHAUVELIN. 688 00:41:03,890 --> 00:41:06,670 POSITIVELY NO SENSE OF HUMOR. MUST BE HIS DIET. 689 00:41:07,040 --> 00:41:08,960 OH, PLEASE, DON'T BE SO FLIPPANT, PERCY. 690 00:41:09,360 --> 00:41:10,980 CHAUVELIN IS TERRIBLY JEALOUS. 691 00:41:12,190 --> 00:41:13,780 HE ACTUALLY FRIGHTENS ME. 692 00:41:14,520 --> 00:41:16,910 FRIGHTENS YOU, MY DEAR. NONSENSE. 693 00:41:18,500 --> 00:41:19,740 I WANT YOU TO FORGET, CHAUVELIN. 694 00:41:20,540 --> 00:41:22,030 FORGET EVERY MEN YOU'VE EVER KNOWN. 695 00:41:23,160 --> 00:41:24,600 EXCEPT ME. 696 00:41:24,810 --> 00:41:26,130 HOW EASY THAT WOULD BE. 697 00:41:27,550 --> 00:41:31,660 SOMETIMES... YOU'RE SO... ELUSIVE. 698 00:41:32,820 --> 00:41:34,310 ARE YOU AN ACTOR, TOO? 699 00:41:34,330 --> 00:41:36,940 PLAYING OUT SOME PART IN A STRANGE CHARADE? 700 00:41:37,440 --> 00:41:40,910 I'VE TOLD YOU BEFORE, MY DEAR, THE ONE THING YOU MUST NEVER DOUBT 701 00:41:41,450 --> 00:41:42,690 IS MY SINCERITY. 702 00:41:43,180 --> 00:41:46,080 I KNOW BEHIND THAT MASK HIDES THE TRUE PERCY BLAKENEY. 703 00:41:47,360 --> 00:41:49,330 THAT'S THE MAN I YEARN TO KNOW. 704 00:41:49,740 --> 00:41:51,030 AND SO YOU SHALL, MY DEAR. 705 00:41:52,410 --> 00:41:53,530 ALL IN GOOD TIME. 706 00:41:54,190 --> 00:41:55,130 HOW LONG IS THAT? 707 00:41:56,490 --> 00:42:02,770 MARRY ME,...AND YOU HAVE THE REST OF YOUR LIFE,...TO FIND OUT. 708 00:42:08,880 --> 00:42:09,870 NEVER, 709 00:42:10,030 --> 00:42:10,900 NEVER, 710 00:42:11,530 --> 00:42:12,250 NEVER, 711 00:42:13,080 --> 00:42:14,650 AND THERE IS NOTHING YOU CAN DO TO ME 712 00:42:14,690 --> 00:42:15,830 THAT WILL MAKE ME CHANGE MY MIND. 713 00:42:15,890 --> 00:42:20,590 THAT NOT TO YOU, PERHAPS, BUT I WONDER WHAT WOULD 714 00:42:20,620 --> 00:42:23,360 BECOME OF ALL YOUR ARISTOCRATIC PRINCIPLES, IF YOU FAMILY WERE 715 00:42:23,400 --> 00:42:25,320 LANGUISHING IN HERE, AS WELL? 716 00:42:26,420 --> 00:42:27,840 YOU WOULDN'T DARE. 717 00:42:27,880 --> 00:42:30,030 YOU WILL HAVE UNTIL TOMORROW TO RECONSIDER. 718 00:42:35,680 --> 00:42:37,800 I INTEND TO WARN THE DE TOURNEY FAMILY AND 719 00:42:37,830 --> 00:42:39,270 HELP THEM FLEE, IF NECESSARY. 720 00:42:40,610 --> 00:42:41,810 NOW, LOOK HERE, MY DEAR FELLOW. 721 00:42:42,600 --> 00:42:46,320 I DID NOT SAVE YOUR NECK FROM THOSE THUGS OF ST. CYR'S 722 00:42:46,360 --> 00:42:50,050 MERELY TO SEE YOU LOSE YOUR HEAD AT THE GUILLOTINE. 723 00:42:50,080 --> 00:42:52,120 [SIGH] WHAT? 724 00:42:52,140 --> 00:42:54,050 MY MIND IS QUITE MADE UP, PERCY. 725 00:42:54,810 --> 00:42:57,860 I WILL WARN THE DE TOURNEYS. THERE'S NO USE TRYING TO STOP ME. 726 00:42:57,970 --> 00:43:01,130 I HAVE NO INTENTION... OF STOPPING YOU. 727 00:43:02,290 --> 00:43:06,600 DO YOU SUPPOSE...THAT YOU COULD GET INTO THE TEMPLE PRISON... 728 00:43:07,450 --> 00:43:11,020 AND SEE THE COUNT... TONIGHT? 729 00:43:11,330 --> 00:43:14,680 UGH, WELL, I...I THINK SO. BUT TO WHAT PURPOSE? 730 00:43:15,020 --> 00:43:20,500 -I...HAVE A PLAN. -OH...YOU HAVE A PLAN. 731 00:43:20,810 --> 00:43:22,800 YOU, WHO ARE PRACTICALLY INCAPABLE OF ANY 732 00:43:22,840 --> 00:43:25,670 THOUGHT ENTERING INTO YOU HEAD THAT IS NOT TRIVIAL. 733 00:43:25,710 --> 00:43:27,990 [SIGH] OH, REALLY, PERCY. 734 00:43:28,020 --> 00:43:30,270 -THIS IS SERIOUS. -SO AM I. 735 00:43:30,850 --> 00:43:32,220 DEADLY SERIOUS. 736 00:43:33,540 --> 00:43:36,920 WE MUST RESCUE THE DE TOURNEY FAMILY, WITHOUT RISKING YOU. 737 00:43:37,780 --> 00:43:40,440 YOU CAN BE FAR MORE VALUABLE TO US IF YOU KEEP IN WITH CHAUVELIN 738 00:43:40,460 --> 00:43:42,070 AND CONTINUE TO WORK WITH THE COMMITTEE. 739 00:43:42,610 --> 00:43:44,620 USEFUL TO US. WHAT ON EARTH ARE YOU TALKING ABOUT? 740 00:43:44,650 --> 00:43:47,370 YOU MUST SWEAR, BY ALL YOU HOLD SACRED 741 00:43:47,890 --> 00:43:50,290 THAT WHAT YOU ARE ABOUT TO HEAR, YOU WILL NOT REPEAT TO ANYONE. 742 00:43:50,330 --> 00:43:51,930 -REALLY, PERCY,... -NOT EVEN MARGUERITE! 743 00:43:52,970 --> 00:43:54,500 YOU MUST BE QUITE MAD. 744 00:43:54,530 --> 00:43:55,680 DO YOU SWEAR? 745 00:43:57,470 --> 00:44:00,490 [SIGH] VERY WELL. 746 00:44:08,660 --> 00:44:10,140 DO YOU RECOGNIZE THAT INSIGNIA? 747 00:44:11,000 --> 00:44:13,020 LOOKS LIKE A FLOWER OF SOME SORT. 748 00:44:13,050 --> 00:44:13,790 CORRECT. 749 00:44:14,460 --> 00:44:16,400 IT IS A SCARLET PIMPERNEL. 750 00:44:33,520 --> 00:44:35,570 [GUILLOTINE DROPS] 751 00:44:35,600 --> 00:44:38,530 [CROWD CHEERS] 752 00:44:40,040 --> 00:44:42,310 DEATH TO THE ARISTOS. 753 00:44:42,340 --> 00:44:44,710 LONG LIVE THE REPUBLIC. 754 00:44:44,740 --> 00:44:46,030 OH, I AM PLEASED 755 00:44:47,810 --> 00:44:49,170 TO SEE THAT YOU HAVE COME TO YOUR SENSES. 756 00:44:51,080 --> 00:44:54,920 -YOU LEFT ME LITTLE CHOICE. -WELL, THAT WAS THE GENERAL IDEA. 757 00:44:56,020 --> 00:44:58,870 YOU WILL LEAVE FOR LONDON AT ONCE. UNDER GUARD, OF COURSE. 758 00:44:59,230 --> 00:45:01,520 ONCE THERE, YOU WILL RESIDE AT OUR FRENCH EMBASSY 759 00:45:01,550 --> 00:45:04,230 SO YOU CAN INTRODUCE ME INTO ENGLISH SOCIETY. 760 00:45:04,520 --> 00:45:08,100 -AND MY FAMILY? -THEY ARE TO REMAIN IN PARIS. 761 00:45:08,140 --> 00:45:11,690 AH. AND SO MY FAMILY ARE NOT TO BE IN PRISON, 762 00:45:11,720 --> 00:45:13,090 THEY ARE TO BE HELD HOSTAGE. 763 00:45:14,030 --> 00:45:16,210 THAT IS THE GENERAL IDEA. 764 00:45:16,780 --> 00:45:18,100 TAKE GOOD CARE OF OUR FRIEND. 765 00:45:19,890 --> 00:45:24,880 [DRUMS AND CROWDS ARE HEARD] 766 00:45:26,640 --> 00:45:28,320 -IT'S HER OWN MOTHER. -WHO�S IS IT? 767 00:45:28,360 --> 00:45:30,780 -ALWAYS HE'S IN IT, THE MOTHER, RIGHT? -YEAH 768 00:45:30,810 --> 00:45:32,950 ALL RIGHT. FETCH ME YOUR PAPERS. 769 00:45:34,750 --> 00:45:37,780 HERE'YA. HE THINKS I'M AN ARISTOCRAT. 770 00:45:37,820 --> 00:45:40,150 [LAUGHTER] 771 00:45:40,890 --> 00:45:45,280 CASKS OF WINE, HERE, HAVE WE? RIGHT, I'LL HAVE A LOOK AT THOSE. 772 00:45:45,320 --> 00:45:46,760 I WOULDN'T DO THAT IF I WERE YOU. 773 00:45:56,490 --> 00:45:58,300 OH, MAKE MY SPOILT OUT. 774 00:46:01,950 --> 00:46:05,310 NA, NA, ...SERGEANT, ...ME GRANDSON. 775 00:46:05,350 --> 00:46:06,490 HERE'YA, HERE'YA. 776 00:46:07,360 --> 00:46:08,430 COME HERE, SERGEANT. 777 00:46:08,980 --> 00:46:10,740 HERE. A WORD IN YOUR EAR, SERGEANT. 778 00:46:14,770 --> 00:46:17,030 ALL RIGHT, HE'S GOT THE PLAGUE. 779 00:46:19,490 --> 00:46:20,640 PLAGUE. 780 00:46:20,650 --> 00:46:22,050 I TOLD YOU, I TRIED TO WARN YOU. 781 00:46:22,070 --> 00:46:24,270 GET HIM AWAY FROM HERE! TAKE HIM AWAY FROM HERE! 782 00:46:24,300 --> 00:46:25,010 ALL RIGHT. 783 00:46:25,790 --> 00:46:27,050 HERE, TAKE YOUR PAPERS. 784 00:46:27,090 --> 00:46:27,860 ALL RIGHT YOU ARE, SERGEANT, RIGHT. 785 00:46:27,990 --> 00:46:29,710 OPEN THE GATES! 786 00:46:44,610 --> 00:46:46,310 PAPERS. SHOW ME YOUR PAPERS. 787 00:46:46,450 --> 00:46:47,160 SERGEANT. 788 00:46:48,210 --> 00:46:50,410 AN OLD WOMAN WILL PASS THIS WAY WITH A CART. 789 00:46:50,450 --> 00:46:51,960 YOU ARE TO ARREST HER AT ONCE. 790 00:46:51,990 --> 00:46:54,320 AN OLD WOMAN JUST PASSED THIS WAY FIVE MINUTES AGO. 791 00:46:54,360 --> 00:46:55,710 YOU LET HER GO! 792 00:46:55,750 --> 00:46:57,700 THAT WAS THE SCARLET PIMPERNEL! 793 00:46:57,820 --> 00:46:58,970 OPEN THE GATES! 794 00:47:31,200 --> 00:47:32,130 HEH, HEH, HEH, HEH. 795 00:47:32,160 --> 00:47:32,910 HEH, HEH. 796 00:47:34,650 --> 00:47:35,790 EVERYTHING GO AS PLANNED? 797 00:47:36,270 --> 00:47:37,790 LIKE CLOCKWORK, PERCY. 798 00:47:37,830 --> 00:47:41,100 GOOD. WELL, BEST BE ON YOUR WAY. IT'LL BE DARK, SOON. 799 00:47:41,140 --> 00:47:42,850 MORE THAN A NIGHT'S RIDE TO THE COAST. 800 00:47:51,310 --> 00:47:52,210 MADEMOISELLE. 801 00:47:53,130 --> 00:47:53,980 THIS WAY, COUNTESS. 802 00:48:00,520 --> 00:48:02,700 WORDS CANNOT EXPRESS OUR GRATITUDE, MONSIEUR. 803 00:48:02,730 --> 00:48:06,050 IT IS THE SCARLET PIMPERNEL, NOT I, WHO DESERVES YOUR THANKS, COUNTESS. 804 00:48:17,900 --> 00:48:20,380 I WAS CERTAIN THAT YOU WERE THE SCARLET PIMPERNEL. 805 00:48:20,620 --> 00:48:22,790 I WOULD NEVER PRESUME TO FILL THOSE SHOES. 806 00:48:22,820 --> 00:48:24,870 I LACK SUFFICIENT COURAGE. 807 00:48:24,900 --> 00:48:27,560 I HAVE YET TO MEET A MORE COURAGEOUS CAVALIER, 808 00:48:28,610 --> 00:48:30,160 OR A MORE HANDSOME ONE. 809 00:48:30,200 --> 00:48:31,120 SUSAN. 810 00:48:31,620 --> 00:48:33,150 IT'S DANGEROUS. WE MUST HURRY. 811 00:48:38,270 --> 00:48:39,340 THANK YOU, MONSIEUR. 812 00:48:56,800 --> 00:48:58,700 YOU MUST BE VERY MUCH LIKE YOUR MOTHER. 813 00:48:58,730 --> 00:49:00,600 I'M AN UGLY DUCKLING BY COMPARISON. 814 00:49:01,070 --> 00:49:03,730 THEY SAY SHE WAS THE MOST BEAUTIFUL BRIDE IN FRANCE. 815 00:49:06,920 --> 00:49:10,450 PERHAPS IT IS UNDERSTANDABLE AFTER ALL THAT THE BRIGHTEST, 816 00:49:10,480 --> 00:49:13,720 THE MOST RADIANT OF WOMEN SHOULD MARRY AN UTTER FOOL, 817 00:49:14,540 --> 00:49:18,530 WHEN ONE RECALLS, THAT HE'S ALSO SAID TO BE THE RICHEST MAN IN ENGLAND. 818 00:49:21,260 --> 00:49:22,630 I THINK YOU'D BETTER LEAVE. 819 00:49:23,890 --> 00:49:26,940 AS YOU CAN SEE, I AM QUITE BUSY. 820 00:49:35,200 --> 00:49:38,780 I CAME TO FIND OUT WHAT YOU HAVE DECIDED TO DO 821 00:49:38,820 --> 00:49:40,720 ABOUT THE MARQUIS DE ST. CYR. 822 00:49:41,570 --> 00:49:43,300 THAT'S MY AFFAIR, NOT YOURS. 823 00:49:43,340 --> 00:49:44,540 NO, IT IS MY AFFAIR. 824 00:49:44,870 --> 00:49:47,180 AS CHIEF AGENT OF THE COMMITTEE OF NATIONAL SECURITY 825 00:49:48,000 --> 00:49:50,490 I WANT TO KNOW IF YOU INTEND TO DO YOUR DUTY 826 00:49:50,520 --> 00:49:52,630 AS A CITIZEN AND REPORT HIM. 827 00:49:53,350 --> 00:49:55,090 AND IF I SAY NO? 828 00:49:55,730 --> 00:49:58,330 THEN, I AM PREPARED TO DO IT FOR YOU. 829 00:49:58,360 --> 00:49:59,740 YOU GAVE ME YOUR WORD. 830 00:50:00,040 --> 00:50:05,040 MARGUERITE. YOU FORCE MY HAND. 831 00:50:05,330 --> 00:50:08,940 YOU HAVE BETRAYED MY CONFIDENCE. 832 00:50:13,730 --> 00:50:18,100 IT APPEARS THAT WE HAVE BOTH MISJUDGED ONE ANOTHER. 833 00:50:42,820 --> 00:50:45,990 [UNLOCKING AND OPENING A PRISON CELL DOOR] 834 00:50:46,020 --> 00:50:49,020 MR. BLAND. YOU'VE GOT VISITORS. 835 00:50:55,760 --> 00:51:00,070 LET HIM REST FOR A LITTLE MORE TIME. LEAVE HIM BE. 836 00:51:00,110 --> 00:51:01,030 SHUT UP, WOMAN. 837 00:51:02,850 --> 00:51:04,160 THERE HE IS, BARON. 838 00:51:05,090 --> 00:51:08,540 KING LOUIS' LITTLE BRAT IN THE FLESH. 839 00:51:08,880 --> 00:51:10,810 HEH, HEH. WHAT'S THE MATTER? 840 00:51:10,840 --> 00:51:14,030 YOUR ARISTOCRATIC SENSIBILITIES OFFENDED? 841 00:51:17,590 --> 00:51:19,680 ARE THEY TREATING YOU WELL, YOUR ROYAL HIGHNESS? 842 00:51:23,410 --> 00:51:24,540 WELL, ENOUGH. 843 00:51:24,570 --> 00:51:26,020 GET HIM UP, DUVAL. WALK HIM AROUND. 844 00:51:26,050 --> 00:51:27,720 NO, THAT WON'T BE NECESSARY. 845 00:51:30,540 --> 00:51:32,520 I'VE SEEN ALL I WISH TO SEE, THANK YOU. 846 00:51:43,590 --> 00:51:44,860 [CELL DOOR CLOSES] 847 00:51:44,890 --> 00:51:48,470 MY DEAR MARQUIS, THERE ARE GUARDS ALL OVER THE PLACE. 848 00:51:49,010 --> 00:51:54,730 POSITIONED HERE, HERE, HERE, HERE, HERE, AND THIS APARTMENT HERE 849 00:51:54,760 --> 00:51:58,020 HOUSES THE COUPLE WHO ARE LOOKING AFTER THE DAUPHIN. 850 00:51:58,050 --> 00:52:00,470 SO YOU SEE, IT WOULD BE HUMANLY IMPOSSIBLE 851 00:52:00,510 --> 00:52:02,890 TO GET THE YOUNG BOY OUT OF THE PLACE. 852 00:52:03,420 --> 00:52:04,620 [LOUD KNOCKING] 853 00:52:04,650 --> 00:52:06,580 IN THE NAME OF THE REPUBLIC, OPEN UP. 854 00:52:06,610 --> 00:52:09,720 OPEN IN THE NAME OF THE REPUBLIC 855 00:52:10,930 --> 00:52:12,330 [DOOR OPENS SUDDENLY] 856 00:52:12,360 --> 00:52:13,660 ARREST THEM BOTH. 857 00:52:13,700 --> 00:52:14,890 WHAT'S THE MEANING OF THIS? 858 00:52:14,930 --> 00:52:17,680 I HAVE AN ORDER FOR THE ARREST OF THE MARQUIS DE ST. CYR. 859 00:52:17,720 --> 00:52:18,910 ONE MOMENT CAPTAIN. 860 00:52:19,780 --> 00:52:21,070 ONE MOMENT. 861 00:52:21,750 --> 00:52:23,540 I THINK YOU'D BETTER HAVE A LOOK AT THIS. 862 00:52:31,770 --> 00:52:33,300 A CERTIFICATE OF IMMUNITY. 863 00:52:33,840 --> 00:52:35,360 YOU ARE THE BARON DE BATZ? 864 00:52:35,390 --> 00:52:36,380 PRECISELY. 865 00:52:36,700 --> 00:52:39,540 SIGNED, AS YOU CAN SEE, BY CITIZEN FOUQUET, HIMSELF. 866 00:52:39,570 --> 00:52:40,510 RELEASE THE MAN. 867 00:52:42,370 --> 00:52:44,120 I DEMAND TO KNOW THE CHARGE. 868 00:52:44,950 --> 00:52:45,940 TREASON. 869 00:52:46,810 --> 00:52:48,080 TREASON, WHO ACCUSES ME OF TREASON? 870 00:52:48,110 --> 00:52:49,410 I WILL HAVE HIS NAME! 871 00:52:51,860 --> 00:52:52,890 SEE FOR YOURSELF. 872 00:52:52,950 --> 00:52:54,260 IT'S WRITTEN ON THE WARRANT. 873 00:52:55,980 --> 00:52:57,830 MARGUERITE ST. JUST? 874 00:53:00,290 --> 00:53:02,680 BUT I...I HARDLY KNOW THE WOMAN. 875 00:53:39,320 --> 00:53:40,150 I WILL. 876 00:53:41,690 --> 00:53:42,650 I WILL. 877 00:53:53,940 --> 00:53:58,790 I PERCY, TAKE THEE, MARGUERITE, TO MY WEDDED WIFE. 878 00:53:59,120 --> 00:54:05,170 I, MARGUERITE, TAKE THEE, PERCY, TO MY WEDDED HUSBAND. 879 00:54:14,570 --> 00:54:16,770 WITH THIS RING, I THEE WED. 880 00:54:17,360 --> 00:54:20,200 THIS GOLD AND SILVER, I THEE GIVE. 881 00:54:20,240 --> 00:54:22,830 WITH MY BODY, I THEE WORSHIP. 882 00:54:22,860 --> 00:54:26,940 WITH ALL MY WORLDLY GOODS, I THEE ENDOW. 883 00:54:29,630 --> 00:54:33,640 IN THE NAME OF THE FATHER, AND OF THE SON, 884 00:54:33,680 --> 00:54:37,700 AND OF THE HOLY GHOST, AMEN. 885 00:55:04,760 --> 00:55:06,190 WE'RE OFF TO LONDON IN THE MORNING. 886 00:55:06,230 --> 00:55:07,910 ISN'T IT WONDERFUL? 887 00:55:07,940 --> 00:55:09,270 ARMAND FOLLOWS IN A FEW DAYS 888 00:55:09,300 --> 00:55:10,470 FEW DAYS? 889 00:55:10,510 --> 00:55:13,290 NATURALLY, CHAUVELIN IS ANXIOUS TO ASSUME HIS NEW 890 00:55:13,320 --> 00:55:14,680 POST AS SPECIAL ENVOY. 891 00:55:15,510 --> 00:55:16,490 LOOK AT HER, TONY. 892 00:55:18,010 --> 00:55:20,130 TELL ME IF YOU CAN, THAT I'M NOT THE MOST 893 00:55:20,170 --> 00:55:21,130 FORTUNATE MAN ALIVE. 894 00:55:23,600 --> 00:55:27,690 HOW THEY BUZZ ROUND HER, LIKE BEES TO HONEY. 895 00:55:28,460 --> 00:55:31,400 POOR LOUISE, THINGS WERE ALL OF THAT THEN TO ENGLAND. 896 00:55:31,440 --> 00:55:33,270 HUH? WELL, I HAVE ASKED HER TO COME ALONG 897 00:55:33,310 --> 00:55:34,000 AND BE MY WIFE. 898 00:55:34,030 --> 00:55:36,050 AND GIVE UP A PERFECTLY MARVELOUS CAREER? 899 00:55:36,250 --> 00:55:38,180 DON'T YOU DARE, MY DEAR. HE'S NOT WORTH IT. 900 00:55:38,620 --> 00:55:40,720 WHAT ARE YOU GOING TO DO ABOUT CITIZEN ROBESPIERRE'S 901 00:55:40,760 --> 00:55:41,710 DEMAND FOR ACTION? 902 00:55:41,740 --> 00:55:44,450 THE DE TOURNEYS ARE LOST TO US. 903 00:55:44,970 --> 00:55:46,460 I THINK I MAY HAVE FOUND AN EXCELLENT 904 00:55:46,490 --> 00:55:47,950 REPLACEMENT FOR THE COUNT DE TOURNEY. 905 00:55:49,130 --> 00:55:50,560 PERHAPS, EVEN, AN IMPROVEMENT. 906 00:55:50,820 --> 00:55:53,070 IN MARGUERITE ST. JUST? 907 00:55:53,480 --> 00:55:56,120 IN THE WIFE OF SIR PERCY BLAKENEY, BARONET. 908 00:55:56,220 --> 00:55:58,510 EVERY DOOR IN LONDON WILL BE OPEN TO HER. 909 00:55:58,610 --> 00:56:01,070 EVERY CONFIDENCE SHARED. EVERY SECRET KNOWN. 910 00:56:01,780 --> 00:56:04,460 SHE ISN'T AWARE OF IT YET, PONCEAU, BUT LADY BLAKENEY IS GOING 911 00:56:04,490 --> 00:56:08,080 TO LEAD ME TO OUR ELUSIVE FRIEND THE SCARLET PIMPERNEL. 912 00:56:09,980 --> 00:56:11,440 I'VE NEVER SEEN HER LOOKING HAPPIER. 913 00:56:11,670 --> 00:56:13,130 AS WELL SHE MIGHT. 914 00:56:13,520 --> 00:56:15,990 ON THE SAME DAY SHE MARRIES THE MAN SHE LOVES, 915 00:56:16,360 --> 00:56:18,660 HAVE HER REVENGE ON THE MAN SHE HATES. 916 00:56:19,160 --> 00:56:22,700 - THE MAN SHE HATES, BARON? - THE MARQUIS ST. CYR. 917 00:56:23,170 --> 00:56:25,280 FOR WHAT HE DID TO HER BROTHER. 918 00:56:28,050 --> 00:56:31,630 AND WHAT MANNER OF REVENGE MIGHT SHE HAVE HAD ON THE MARQUIS? 919 00:56:31,670 --> 00:56:34,910 WELL, HAVING HIM ARRESTED FOR TREASON, OF COURSE. 920 00:56:36,150 --> 00:56:37,610 WHAT LEADS YOU TO BELIEVE THAT MY WIFE WAS 921 00:56:37,640 --> 00:56:38,460 INVOLVED IN THAT? 922 00:56:38,500 --> 00:56:41,840 OH, COME, SIR PERCY, YOU NEED HAVE NO PRETENSES WITH ME. 923 00:56:42,640 --> 00:56:47,280 I SAW THE WARRANT FOR HIS ARREST WITH MY OWN EYES. 924 00:56:47,310 --> 00:56:49,350 PHEW! I CAN'T BELIEVE IT! 925 00:56:49,380 --> 00:56:51,390 YOU WIFE'S NAME WAS ON IT. 926 00:56:52,950 --> 00:56:54,820 FOR WHICH WE HAVE NO DOUBT ABOUT IT. 927 00:56:55,490 --> 00:56:59,330 AFTER ALL, I AM A MAN OF EXTREME DISCRETION. 928 00:56:59,770 --> 00:57:02,420 PERCY, DON'T... 929 00:57:06,290 --> 00:57:08,430 THE MAN WILL BE GUILLOTINED FOR THIS. 930 00:57:09,380 --> 00:57:12,360 MY DEAR, SIR PERCY, HAVE YOU NOT HEARD? 931 00:57:13,440 --> 00:57:17,380 THE MARQUIS DE ST. CYR AND HIS ENTIRE FAMILY 932 00:57:17,420 --> 00:57:19,330 WERE BEHEADED THIS VERY MORNING. 933 00:57:23,320 --> 00:57:24,250 ALL OF THEM? 934 00:57:26,830 --> 00:57:28,070 THE CHILDREN AS WELL? 935 00:57:28,790 --> 00:57:30,990 WELL...WELL, YES. 936 00:57:31,810 --> 00:57:35,540 SIR PERCY, I...I'D ACTUALLY ASSUMED THAT YOU KNEW ABOUT THIS. 937 00:57:35,960 --> 00:57:37,860 WELL, I THOUGHT THAT... 938 00:57:37,890 --> 00:57:38,680 EXCUSE ME. 939 00:57:48,250 --> 00:57:49,530 I'M TRULY SORRY. 940 00:57:55,360 --> 00:57:56,310 SHE MUST NEVER KNOW 941 00:57:58,090 --> 00:57:59,520 THAT I SUSPECT ANY OF THIS. 942 00:58:03,360 --> 00:58:05,330 WE ARE ABOUT TO EMBARK UPON THE MOST DANGEROUS 943 00:58:05,370 --> 00:58:06,170 MISSION YET. 944 00:58:08,960 --> 00:58:10,720 TO SAVE THE HEIR OF THE THRONE OF FRANCE. 945 00:58:16,200 --> 00:58:17,270 FROM THIS MOMENT ON 946 00:58:20,180 --> 00:58:21,620 SHE MUST NEVER BE TRUSTED. 947 00:58:25,000 --> 00:58:26,680 WE CANNOT RISK BETRAYAL. 948 00:58:33,730 --> 00:58:39,130 I ONLY PRAY TO GOD THAT I CAN CONCEAL FROM HER 949 00:58:41,570 --> 00:58:43,850 THE HORROR I FEEL AT WHAT SHE HAS DONE. 950 01:00:27,650 --> 01:00:29,450 HOPE THESE GUARDS CATCH 'EM. 951 01:00:37,840 --> 01:00:39,110 THERE'S A GOOD BOY. 952 01:00:40,220 --> 01:00:42,580 NOW YOU TAKE YOUR MEDICINE. SAY YOUR PRAYERS 953 01:00:42,620 --> 01:00:44,890 FOR THE NICE GENTLEMEN. THEN YOU CAN GO BACK TO BED. 954 01:00:47,870 --> 01:00:49,740 WHAT MANNER OF MEDICINE ARE YOU GIVING HIM? 955 01:00:50,130 --> 01:00:52,980 NEVER FEAR, CITIZEN, IT'S GOOD, STRONG COGNAC. 956 01:00:53,220 --> 01:00:54,340 NOW TAKE IT BOY. 957 01:00:54,650 --> 01:00:56,940 YOU KNOW, IT MAKES PAPA DUVAL VERY ANGRY 958 01:00:56,970 --> 01:00:58,630 IF YOU DON'T FINISH EVERY DROP. 959 01:01:00,880 --> 01:01:03,340 THERE, THAT IS MORE LIKE IT! 960 01:01:03,740 --> 01:01:05,860 NOW THESE GENTLEMEN WOULD LIKE TO HEAR 961 01:01:05,900 --> 01:01:07,220 YOU SAY YOUR CATECHISM. 962 01:01:08,890 --> 01:01:11,370 - YOUR NAME: - LOUIS CHARLES CAPET. 963 01:01:11,410 --> 01:01:13,850 LET'S HEAR IT: LOUIS CHARLES CAPET. 964 01:01:13,880 --> 01:01:15,360 YOUR AGE: EIGHT. 965 01:01:15,400 --> 01:01:18,860 YOUR NATIONALITY: CITIZEN OF THE REPUBLIC OF FRANCE. 966 01:01:18,890 --> 01:01:22,500 YOUR FATHER'S NAME: LOUIS CAPET. 967 01:01:22,530 --> 01:01:26,500 HIS PROFESSION: FORMER KING, TYRANT AND DEBAUCHER. 968 01:01:26,540 --> 01:01:30,230 HOW DID HE PERISH: BY THE WILL OF THE PEOPLE. 969 01:01:30,260 --> 01:01:33,920 WHO WAS YOUR MOTHER: MARIE ANTOINETTE OF AUSTRIA. 970 01:01:33,960 --> 01:01:38,700 HER PROFESSION: FORMER QUEEN AND WHORE. 971 01:01:38,730 --> 01:01:41,920 HOW DID SHE PERISH: BY THE WILL OF THE PEOPLE. 972 01:01:41,960 --> 01:01:44,540 AND WHAT DO YOU SAY TO THEIR MEMORIES: 973 01:01:44,570 --> 01:01:46,880 - I SPIT UPON THEIR GRAVES. - AGAIN, 974 01:01:46,920 --> 01:01:49,190 - I SPIT UPON THEIR GRAVES. - AGAIN! 975 01:01:49,220 --> 01:01:50,300 THAT WILL DO. 976 01:01:53,280 --> 01:01:56,650 HOWEVER, I STILL DETECT A TRACE OF DEFIANCE 977 01:01:56,690 --> 01:01:57,980 IN THOSE ROYAL EYES. 978 01:02:00,160 --> 01:02:03,780 KEEP AT IT, FOUQUET. HE MUST BE ALL OURS. 979 01:02:18,420 --> 01:02:21,000 SINK ME, WHAT IS THE TIME? 980 01:02:21,990 --> 01:02:23,850 WE SHALL BE MONSTROUS LATE AT HIS HIGHNESS' 981 01:02:23,880 --> 01:02:24,940 GARDEN PARTY. 982 01:02:24,980 --> 01:02:27,070 I'M AFRAID I CAN'T JOIN YOU PERCY, I MUST GET BACK 983 01:02:27,110 --> 01:02:28,950 TO THE EMBASSY. CHAUVELIN IS EXPECTING ME. 984 01:02:30,130 --> 01:02:32,150 - WHAT NEWS OF THE COURIER? - NONE 985 01:02:32,370 --> 01:02:34,380 ODD. YOU MADE INQUIRIES? 986 01:02:34,490 --> 01:02:36,810 IT'S TOO DIFFICULT. CHAUVELIN IS BECOMING 987 01:02:36,850 --> 01:02:39,170 SUSPICIOUS OF EVERYONE AT THE EMBASSY, INCLUDING ME. 988 01:02:39,870 --> 01:02:41,560 YOU HAVE PERFORMED AN INVALUABLE SERVICE 989 01:02:41,590 --> 01:02:43,240 TO US THESE PAST FEW MONTHS, ARMAND. 990 01:02:43,790 --> 01:02:46,920 WITHOUT YOU, WE WOULD NOT HAVE HAD ANY IDEA AS TO BOY'S FATE. 991 01:02:47,020 --> 01:02:49,050 WHEN I THINK WHAT THEY'RE DOING TO THAT CHILD! 992 01:02:49,270 --> 01:02:51,770 WHY? WHAT DO THEY HAVE TO GAIN BY IT? 993 01:02:52,580 --> 01:02:55,180 TO RENDER HIM USELESS TO ANYONE WHO MIGHT TRY AND RESCUE HIM. 994 01:02:56,110 --> 01:03:00,700 BUT TIME IS RUNNING OUT. WE MUST ACT SOON, OR THEY WILL SUCCEED. 995 01:03:00,980 --> 01:03:02,050 HAVE YOU A PLAN? 996 01:03:02,120 --> 01:03:05,300 WE WAIT ONLY FOR FIRST THE NEWS OF ANY CHANGE IN THE BOY'S ROUTINE. 997 01:03:05,930 --> 01:03:07,370 THAT WILL BE OUR SIGNAL TO MOVE. 998 01:03:07,700 --> 01:03:08,910 AND MOVE WE MUST. 999 01:03:09,390 --> 01:03:10,800 SWIFTLY AND SURELY. 1000 01:03:11,310 --> 01:03:13,730 THAT IS WHY THESE COMMUNIQU�S FROM PARIS ARE SO CRUCIAL. 1001 01:03:13,890 --> 01:03:15,580 THE NEXT MAY BE OUR SIGNAL. 1002 01:03:15,620 --> 01:03:17,760 [DOOR OPENS] 1003 01:03:20,170 --> 01:03:23,060 AHHHHH, MY DEAR. 1004 01:03:23,820 --> 01:03:25,130 SHALL WE AWAY? 1005 01:03:29,850 --> 01:03:33,250 THE DUKE AND DUCHESS OF RADNOR. 1006 01:03:33,280 --> 01:03:36,370 [PEACOCK CRIES ARE HEARD] 1007 01:03:38,420 --> 01:03:41,790 THE DUKE OF ALBANY AND HIS DAUGHTERS. 1008 01:03:41,920 --> 01:03:44,760 LADY BRECKNY AND LADY DARLINGTON. 1009 01:03:45,630 --> 01:03:47,410 [PEACOCK CALL] 1010 01:03:47,660 --> 01:03:50,260 SIR PERCIVAL AND LADY BLAKENEY. 1011 01:03:52,260 --> 01:03:55,410 THEY SAY, SHE ONLY MARRIED HIM FOR HIS MONEY. 1012 01:03:55,440 --> 01:03:58,550 NO WOMAN OF TITLE WOULD HAVE THE IDIOTIC FOP. 1013 01:04:00,430 --> 01:04:02,550 STILL THEY SEEM... QUITE A HAPPY COUPLE. 1014 01:04:02,850 --> 01:04:05,040 LOOKS CAN BE DECEIVING, MY DEAR. 1015 01:04:07,830 --> 01:04:11,170 PERCY, FASHIONABLY LATE AS USUAL. 1016 01:04:11,210 --> 01:04:14,020 SINK ME, YOUR HIGHNESS. 'TWAS THIS DAMNABLE CRAVAT. 1017 01:04:14,060 --> 01:04:15,670 SIMPLY REFUSED TO TIE. 1018 01:04:16,300 --> 01:04:20,240 I ASK YOU. LOOK AT THE THING. STICKIN' OUT LIKE A PIN CUSHION. 1019 01:04:20,270 --> 01:04:22,260 I MIGHT HAVE KNOWN, IT WOULD BE SOMETHING SERIOUS. 1020 01:04:22,290 --> 01:04:24,130 MY HUSBAND IS BEING NOBLE, YOUR HIGHNESS, 1021 01:04:24,160 --> 01:04:25,550 I FEAR I'M THE ONE TO BLAME. 1022 01:04:26,240 --> 01:04:30,070 WELL, IN THAT CASE, ALL IS FORGIVEN. 1023 01:04:30,100 --> 01:04:32,530 [CHUCKLING] NOW THEN, 1024 01:04:32,840 --> 01:04:35,320 HOW FARES OUR LOVELY FUGITIVE FROM FRANCE? 1025 01:04:35,380 --> 01:04:38,040 FUGITIVE, YOUR HIGHNESS? SAY, RATHER CAPTIVE. 1026 01:04:38,080 --> 01:04:40,670 SURELY YOU'RE NOT KEPT HERE BY FORCE, MADAME. 1027 01:04:40,710 --> 01:04:44,370 WHY, YES INDEED. BY THE FORCE OF MY ABIDING LOVE FOR MY HUSBAND, 1028 01:04:44,400 --> 01:04:47,630 AND BY YOUR HIGHNESS' GOOD FAVORS AND GENEROSITY. 1029 01:04:47,660 --> 01:04:50,190 GAD, PERCY, BUT I ENVY YOU. 1030 01:04:50,540 --> 01:04:54,190 YOU'D BETTER KEEP AN EYE ON HER, OTHERWISE I MIGHT 1031 01:04:54,220 --> 01:04:57,840 EXERCISE MY DROIT DE SEIGNEUR, AND STEAL HER AWAY. 1032 01:04:57,870 --> 01:04:59,510 [LAUGHING] 1033 01:04:59,540 --> 01:05:01,750 [INAUDIBLE WHISPERING] 1034 01:05:02,010 --> 01:05:04,530 MARGUERITE, PERCY! YOU'LL NEVER GUESS! 1035 01:05:04,560 --> 01:05:06,750 ANDREW HAS ASKED ME TO MARRY HIM 1036 01:05:06,790 --> 01:05:08,910 AND PAPA HAS GIVEN HIS CONSENT. 1037 01:05:08,940 --> 01:05:11,300 SINK ME, IF YOU DIDN'T GO AND DO IT. 1038 01:05:11,330 --> 01:05:13,110 - CONGRATULATIONS, OLD CHAP. - THANKS 1039 01:05:13,150 --> 01:05:14,860 OH, SUZANNE, I'M SO HAPPY FOR YOU. 1040 01:05:14,890 --> 01:05:16,810 SUZANNE! I FORBID YOU TO HAVE ANYTHING 1041 01:05:16,840 --> 01:05:17,690 TO DO WITH THAT WOMAN. 1042 01:05:17,720 --> 01:05:19,270 MAMA! WHAT ARE YOU SAYING? 1043 01:05:19,310 --> 01:05:20,790 SHE HAS BLOOD ON HER HANDS. 1044 01:05:20,820 --> 01:05:22,850 WE HAVE JUST LEARNED THAT SHE DENOUNCED 1045 01:05:22,890 --> 01:05:25,000 THE MARQUIS DE ST. CYR, AND SENT HIM AND HIS 1046 01:05:25,030 --> 01:05:27,920 - ENTIRE FAMILY TO THE GUILLOTINE! - MY DEAR COUNTESS, YOU REALLY MUSTN'T... 1047 01:05:27,950 --> 01:05:29,100 CAN YOU DENY IT, LADY BLAKENEY? 1048 01:05:29,730 --> 01:05:32,560 I REFUSE TO CONFIRM OR DENY SUCH ACCUSATIONS. 1049 01:05:33,830 --> 01:05:36,370 THIS IS NO TRAIL, AND YOU ARE NOT JUDGE. 1050 01:05:36,410 --> 01:05:38,910 TRUE, MADAME. GOD WILL BE YOUR JUDGE. 1051 01:05:43,240 --> 01:05:49,710 - WILL YOU SAY NOTHING, SIR? - FAITH, MADAME WHAT IS THERE TO SAY? 1052 01:05:50,930 --> 01:05:53,160 WILL YOU NOT EVEN DEFEND YOUR WIFE'S HONOR? 1053 01:05:54,730 --> 01:05:57,910 ODDS FISH, MY DEAR, WOULD YOU HAVE ME CHALLENGE THE POOR 1054 01:05:57,940 --> 01:05:59,160 COUNTESS TO A DUEL? 1055 01:05:59,300 --> 01:06:02,000 - COME COUNTESS. - THE MUSIC IS ABOUT TO START. - PLEASE 1056 01:06:12,140 --> 01:06:15,350 SO, MY DEAR, 'TWOULD SEEM YOU FINALLY FOUND A WAY 1057 01:06:15,390 --> 01:06:18,720 TO REPAY ST. CYR... AFTER ALL. 1058 01:06:21,390 --> 01:06:22,950 CAN YOU REALLY BELIEVE THAT? 1059 01:06:25,380 --> 01:06:28,710 CAN I...BELIEVE OTHERWISE? 1060 01:06:33,820 --> 01:06:41,670 OH, BETH,...WHAT CAN I DO? I'VE LOST MY HUSBAND'S LOVE 1061 01:06:41,710 --> 01:06:42,760 AND I DON'T KNOW WHY. 1062 01:06:43,450 --> 01:06:46,230 BUT PERCY WORSHIPS THE GROUND YOU WALK ON. 1063 01:06:48,180 --> 01:06:49,240 ONCE, PERHAPS. 1064 01:06:52,820 --> 01:06:56,170 BUT NOW HE PLAYS THE FOOL IN PRIVATE AS WELL AS IN PUBLIC. 1065 01:06:57,860 --> 01:06:59,590 OH, IT SEEMS TO TORMENT ME. 1066 01:07:01,150 --> 01:07:06,190 THERE ARE TIMES...WHEN I THINK THAT HE STILL LOVES ME. 1067 01:07:06,220 --> 01:07:11,230 MOMENTS WHEN I CATCH IT IN HIS EYES, A LOOK, A GLANCE. 1068 01:07:17,650 --> 01:07:20,490 WHAT HAVE I DONE TO DESERVE HIS DISDAIN? 1069 01:08:19,040 --> 01:08:20,030 GOODNIGHT, MY DEAR. 1070 01:08:20,900 --> 01:08:21,850 PLEASANT DREAMS. 1071 01:08:23,550 --> 01:08:24,700 STAY WITH ME TONIGHT. 1072 01:08:25,980 --> 01:08:30,650 ODD, MADAME, FAR TOO FATIGUED. 1073 01:08:31,240 --> 01:08:33,850 BESIDES, I HAVE A VERY EARLY APPOINTMENT IN LONDON, TOMORROW. 1074 01:08:34,220 --> 01:08:35,580 I DON'T WANT TO DISTURB YOU. 1075 01:08:35,720 --> 01:08:37,480 YOUR TAILORS, NO DOUBT. 1076 01:08:37,510 --> 01:08:39,240 BOOT MAKERS, TO BE PRECISE. 1077 01:08:40,170 --> 01:08:42,690 THESE PINCH SOMETHING MONSTROUS. 1078 01:08:42,840 --> 01:08:44,220 AND I DON�T' MUCH CARE FOR THE BUCKLE. 1079 01:08:44,890 --> 01:08:48,570 OH, PERCY, WHAT'S BECOME OF YOU? 1080 01:08:49,420 --> 01:08:51,270 WHERE IS THE MAN I MARRIED. 1081 01:08:53,120 --> 01:08:56,920 ODDS FISH, MY DEAR, YOU'RE LOOKIN' AT HIM. 1082 01:08:57,230 --> 01:09:00,940 NO. WHAT I SEE BEFORE ME IS A FACADE. 1083 01:09:01,770 --> 01:09:03,590 THE SHELL OF A MAN I ONCE KNEW. 1084 01:09:05,550 --> 01:09:09,380 THERE'S SOME ABSURD ROLE YOU'RE PLAYING. I DON'T KNOW WHY. 1085 01:09:09,410 --> 01:09:13,200 BUT I'M SURE IT IS. PERHAPS TO KEEP THE WORLD AT A DISTANCE 1086 01:09:14,290 --> 01:09:16,570 EVEN THOUGH YOU'RE SHUTTING ME OUT AS WELL. 1087 01:09:18,300 --> 01:09:21,530 YOU ONCE PROMISED ME, THAT I SHOULD COME TO KNOW 1088 01:09:21,560 --> 01:09:24,810 THE MAN BEHIND THE MASK, IN TIME. 1089 01:09:27,100 --> 01:09:28,760 I KNOW HIM LESS NOW THAN I DID THEN. 1090 01:09:30,090 --> 01:09:34,010 WELL. PERHAPS THERE'S NO MORE TO KNOW. 1091 01:09:34,580 --> 01:09:35,900 I CAN'T BELIEVE THAT. 1092 01:09:37,130 --> 01:09:38,530 I REFUSE TO BELIEVE IT. 1093 01:09:40,920 --> 01:09:44,120 THE MAN I FELL IN LOVE WITH STILL EXISTS SOMEWHERE. 1094 01:09:46,420 --> 01:09:51,630 I SHALL NEVER STOP LOVING HIM...NEVER. 1095 01:09:59,720 --> 01:10:01,040 GOODNIGHT, MY DEAR. 1096 01:10:15,750 --> 01:10:17,450 FOR SIR ANDREW, TIVERS. 1097 01:10:18,450 --> 01:10:19,460 VERY GOOD, SIR. 1098 01:10:22,940 --> 01:10:24,650 AND FOR THE COURIER, WHEN HE ARRIVES. 1099 01:10:24,690 --> 01:10:25,620 YES SIR. 1100 01:10:37,110 --> 01:10:40,370 [GUNSHOTS] 1101 01:10:40,410 --> 01:10:41,310 [CRY] 1102 01:10:48,790 --> 01:10:51,400 THESE WERE ALL THE PAPERS IN THE COURIERS POUCH? 1103 01:10:51,440 --> 01:10:52,230 YES, CITIZEN. 1104 01:10:52,270 --> 01:10:59,360 SO. 1105 01:11:01,550 --> 01:11:06,180 MY YOUNG ASSISTANT IS IN LEAGUE WITH THE SCARLET PIMPERNEL. 1106 01:11:11,600 --> 01:11:13,550 YOU DID WELL TO INTERCEPT THE COURIER. 1107 01:11:19,340 --> 01:11:20,820 SEND FOR ARMAND ST. JUST. 1108 01:11:24,440 --> 01:11:26,000 I FEAR FOR YOU IN PARIS. 1109 01:11:26,380 --> 01:11:29,270 OH, PERCY, DO PERSUADE HIM TO GIVE UP HIS POST AND STAY HERE. 1110 01:11:29,550 --> 01:11:31,650 HE COULD SEND FOR LOUISE, THEY COULD GET MARRIED 1111 01:11:31,690 --> 01:11:32,800 AND LIVE HERE IN ENGLAND. 1112 01:11:33,200 --> 01:11:34,440 WHAT A DREADFUL PROSPECT. 1113 01:11:35,350 --> 01:11:39,620 WHAT HAS POOR ARMAND DONE TO BE CONDEMNED TO MATRIMONY? 1114 01:11:52,250 --> 01:11:55,340 REALLY, PERCY. MUST YOU GO ON TORMENTING HER LIKE THIS? 1115 01:11:55,710 --> 01:11:58,050 ARE YOU NEVER GOING TO GIVE HER A CHANCE TO EXPLAIN HERSELF? 1116 01:12:03,640 --> 01:12:09,400 CONSIDER, ARMAND, IF IT IS TRUE THAT SHE BETRAYED ST. CYR, 1117 01:12:10,150 --> 01:12:12,090 SHE'S CAPABLE OF ALMOST ANY TREACHERY. 1118 01:12:12,270 --> 01:12:13,890 EVEN SPYING FOR CHAUVELIN. 1119 01:12:14,440 --> 01:12:19,690 YOU MUST ASK HER. WHAT PROOF HAVE YOU IN ANY OF THIS? 1120 01:12:20,010 --> 01:12:22,010 NOT ONCE IN ALL THE TIME SHE'S BEEN IN ENGLAND 1121 01:12:22,040 --> 01:12:24,130 HAS EVEN ATTEMPTED TO CONTACT CHAUVELIN. 1122 01:12:25,050 --> 01:12:26,140 I DARE NOT RISK IT. 1123 01:12:28,550 --> 01:12:31,730 NOTHING, NO ONE, IS MORE IMPORTANT THEN THE RESCUE 1124 01:12:31,770 --> 01:12:33,380 OF THE DAUPHIN AT THIS MOMENT. 1125 01:12:34,510 --> 01:12:35,840 NOT EVEN MARGUERITE. 1126 01:12:36,090 --> 01:12:38,300 IT GRIEVES ME TO SEE HER SO UNHAPPY. 1127 01:12:38,990 --> 01:12:40,890 TO KNOW THAT YOU HAVE CEASED TO LOVE HER. 1128 01:12:41,260 --> 01:12:42,620 CEASED? 1129 01:12:46,660 --> 01:12:48,310 I SHALL LOVE HER TILL THE DAY I DIE. 1130 01:12:50,540 --> 01:12:51,920 THAT IS THE TRAGEDY. 1131 01:12:53,870 --> 01:12:56,570 COME, I SHALL RIDE WITH YOU TO DOVER 1132 01:12:56,970 --> 01:12:58,210 THERE IS MUCH TO TALK ABOUT. 1133 01:12:58,220 --> 01:13:00,680 WHY IS CHAUVELIN SENDING YOU TO PARIS NOW? 1134 01:13:01,390 --> 01:13:02,350 I DON'T LIKE IT. 1135 01:13:03,760 --> 01:13:06,760 HOWEVER, PERHAPS WITH YOU IN PARIS WE CAN CREATE THE 1136 01:13:06,800 --> 01:13:08,640 INCIDENT WE NEED TO MAKE OUR MOVE. 1137 01:13:26,170 --> 01:13:27,760 [DOOR CLOSES] 1138 01:13:29,290 --> 01:13:30,860 MY, THIS IS INDEED A SURPRISE. 1139 01:13:31,410 --> 01:13:33,740 NOT TOO UNPLEASANT, I TRUST? 1140 01:13:33,780 --> 01:13:35,950 I HAVEN'T SEEN YOU SINCE YOU CAME TO LONDON. 1141 01:13:36,990 --> 01:13:38,440 WHAT BRINGS YOU HERE NOW? 1142 01:13:38,470 --> 01:13:39,980 IT'S A GOOD LIKENESS. 1143 01:13:40,020 --> 01:13:41,490 ESPECIALLY THE EYES. 1144 01:13:42,400 --> 01:13:44,610 HE'S CAUGHT THE FLASH AND FIRE OF THE EYES. 1145 01:13:45,000 --> 01:13:48,660 ALTHOUGH, HE'S MISSED THE SADNESS. 1146 01:13:48,690 --> 01:13:49,420 SADNESS? 1147 01:13:49,840 --> 01:13:51,880 APPARENTLY THE ARTIST HAS NOT PERCEIVED 1148 01:13:51,910 --> 01:13:53,920 WHAT ALL OF LONDON HAS ALREADY GUESSED. 1149 01:13:54,050 --> 01:13:55,570 AND WHAT MIGHT THAT BE? 1150 01:13:55,670 --> 01:13:59,000 THAT THE LADY IS UNHAPPY IN HER MARRIAGE. 1151 01:14:00,460 --> 01:14:02,770 A MAN IN YOUR POSITION SHOULD NOT LISTEN TO GOSSIP. 1152 01:14:04,230 --> 01:14:06,710 LOOK AT ME AND TELL ME, THAT YOU HUSBAND IS 1153 01:14:06,740 --> 01:14:08,130 MAN ENOUGH TO MAKE YOU HAPPY? 1154 01:14:08,160 --> 01:14:09,860 HAVE YOU COME HERE TO BE IMPERTINENT? 1155 01:14:10,920 --> 01:14:12,710 IF THE TRUTH IS IMPERTINENT. 1156 01:14:13,850 --> 01:14:16,930 YOU'RE A WOMAN OF GREAT PASSION. YOU DESERVE A MAN WHO CAN SATISFY 1157 01:14:16,960 --> 01:14:17,590 YOUR DESIRES. 1158 01:14:17,630 --> 01:14:20,000 HUH, AND YOU ARE SUGGESTING THAT YOU ARE SUCH A MAN? 1159 01:14:20,030 --> 01:14:21,430 I WAS GOOD ENOUGH FOR YOU ONCE. 1160 01:14:21,460 --> 01:14:22,730 NEVER QUITE GOOD ENOUGH. 1161 01:14:24,620 --> 01:14:26,060 NOW, KINDLY STATE YOUR BUSINESS. 1162 01:14:26,630 --> 01:14:29,180 OR WAS IT YOUR BUSINESS TO SEDUCE THE WIFE OF 1163 01:14:29,210 --> 01:14:30,370 SIR PERCY BLAKENEY? 1164 01:14:30,410 --> 01:14:34,740 IN TRUTH, I CAME TO ENLIST YOUR AID. 1165 01:14:36,170 --> 01:14:37,970 TO HELP ME LEARN THE TRUE IDENTITY OF 1166 01:14:38,010 --> 01:14:39,500 THE SCARLET PIMPERNEL. 1167 01:14:39,530 --> 01:14:40,990 THE SCARLET PIMPERNEL? 1168 01:14:41,790 --> 01:14:43,320 WELL, YOU ASTONISH ME. WHERE IN THE WORLD 1169 01:14:43,350 --> 01:14:44,620 WOULD I LEARN SUCH A THING? 1170 01:14:44,660 --> 01:14:46,840 YOU ARE THE PIVOT OF SOCIAL LONDON. 1171 01:14:46,870 --> 01:14:49,020 YOU GO EVERYWHERE. YOU SEE EVERYTHING. 1172 01:14:49,060 --> 01:14:51,020 AND HEAR EVERYTHING. 1173 01:14:51,050 --> 01:14:53,340 EASY, MY FRIEND, ARE YOU ASKING ME TO SPY FOR YOU? 1174 01:14:53,380 --> 01:14:56,140 NO...FOR FRANCE. 1175 01:14:56,180 --> 01:14:59,060 OH! WHAT YOU PROPOSE IS DEPLORABLE! 1176 01:14:59,760 --> 01:15:02,930 WHOEVER THE MAN MAY BE, HE'S BRAVE, NOBLE AND COMPASSIONATE. 1177 01:15:03,570 --> 01:15:05,800 YOU REFUSE, THEN? 1178 01:15:07,520 --> 01:15:10,930 DID YOU REALLY BELIEVE, THAT I WOULD HELP YOU, 1179 01:15:12,180 --> 01:15:14,400 AFTER YOU MALICIOUSLY IMPLICATED ME IN THE DEATH 1180 01:15:14,440 --> 01:15:16,360 OF THE MARQUIS AND HIS FAMILY? 1181 01:15:17,310 --> 01:15:19,330 I WOULD RATHER GO TO YOUR BELOVED GUILLOTINE. 1182 01:15:20,090 --> 01:15:21,850 WOULD YOU HAVE YOUR BROTHER GO IN YOUR PLACE? 1183 01:15:22,440 --> 01:15:24,740 ARMAND, WHAT A JOKE. 1184 01:15:25,790 --> 01:15:27,960 HE IS IN LEAGUE WITH THE SCARLET PIMPERNEL. 1185 01:15:28,000 --> 01:15:29,370 WHY THAT'S PREPOSTEROUS. 1186 01:15:29,380 --> 01:15:31,870 I HAVE HERE IRREFUTABLE PROOF, AND I WILL USE IT, 1187 01:15:32,370 --> 01:15:34,680 UNLESS YOU DO YOUR DUTY AND COOPERATE. 1188 01:15:35,400 --> 01:15:37,060 THIS IS BLACKMAIL. 1189 01:15:37,100 --> 01:15:38,570 CALL IT WHAT YOU WILL. I WILL HAVE THE SCARLET 1190 01:15:38,610 --> 01:15:39,850 PIMPERNEL'S HEAD OR YOUR BROTHER'S! 1191 01:15:41,290 --> 01:15:43,330 [BREATHING HEAVILY] CONSIDER CAREFULLY. 1192 01:15:43,360 --> 01:15:45,370 I EXPECT YOUR DECISION THIS EVENING, 1193 01:15:45,400 --> 01:15:47,530 AT THE LORD GRENVILLE'S BALL. 1194 01:15:48,590 --> 01:15:50,830 IN THE MEANTIME, I ADVISE YOU TO KEEP SILENT. 1195 01:15:50,860 --> 01:15:52,440 SAY NOTHING OF THIS TO ANYONE. 1196 01:15:53,440 --> 01:15:55,630 NOT EVEN TO THAT FOOL YOU CALL YOUR HUSBAND! 1197 01:15:55,660 --> 01:15:58,690 [DOOR SLAMS SHUT] 1198 01:17:24,880 --> 01:17:27,000 FORGIVE ME, IF I STARTLED YOU, MADAME. 1199 01:17:28,140 --> 01:17:29,500 I MUST HAVE BEEN DAYDREAMING. 1200 01:17:32,670 --> 01:17:33,680 HOW LOVELY YOU LOOK. 1201 01:17:36,770 --> 01:17:39,460 HOW LONG HAS IT BEEN SINCE YOU'VE NOTICED ME AT ALL. 1202 01:17:40,650 --> 01:17:45,600 LOT, MADAME, I'D HAVE TO BE BLIND NOT TO NOTICE. 1203 01:17:47,640 --> 01:17:49,580 IN THAT GOWN, YOU'LL BE THE BELL OF THE BALL. 1204 01:17:51,000 --> 01:17:55,090 NOW, TELL ME, WHAT WAS IT YOU WERE DREAMING ABOUT, 1205 01:17:55,130 --> 01:17:57,110 WHEN I CAME IN JUST NOW? 1206 01:17:58,320 --> 01:18:02,710 PERCY, YOU'VE KNOWN SIR ANDREW FOR A LONG TIME, HAVEN'T YOU? 1207 01:18:03,390 --> 01:18:04,960 WE WENT TO SCHOOL TOGETHER, MADAME. 1208 01:18:05,800 --> 01:18:06,940 WHY DO YOU ASK? 1209 01:18:06,970 --> 01:18:12,160 I WAS JUST WONDERING IF HE MIGHT NOT BE THE SCARLET PIMPERNEL. 1210 01:18:14,420 --> 01:18:18,220 ANDREW? THE SCARLET PIMPERNEL? 1211 01:18:19,900 --> 01:18:21,500 MOST UNLIKELY, MY DEAR. 1212 01:18:22,570 --> 01:18:24,880 BUT, TELL ME, WHY THE SUDDEN INTEREST IN THE IDENTITY OF 1213 01:18:24,920 --> 01:18:26,080 THE SCARLET PIMPERNEL? 1214 01:18:26,110 --> 01:18:29,590 OH, I HAVE NO MORE INTEREST THAN ANY OTHER WOMAN IN LONDON. 1215 01:18:29,630 --> 01:18:34,420 I WAGER YOUR FRIEND, CHAUVELIN, WOULD GIVE A GREAT DEAL TO KNOW. 1216 01:18:35,360 --> 01:18:38,230 IF FAITH, I SUSPECT THAT'S THE REASON HE CAME TO ENGLAND. 1217 01:18:38,940 --> 01:18:41,710 I'M SURPRISED HE HASN'T CONFIDED AS MUCH. 1218 01:18:41,750 --> 01:18:44,210 TO YOU, MY DEAR. 1219 01:18:44,250 --> 01:18:45,820 TO ME? 1220 01:18:45,850 --> 01:18:49,540 WHY, I HAVEN'T LAID EYES ON THE MAN SINCE HE ARRIVED. 1221 01:18:50,880 --> 01:18:52,660 ALTHOUGH, I'M SURE YOU ARE RIGHT. 1222 01:18:55,500 --> 01:18:59,760 WELL, IF ANYONE'S GOING TO CATCH THE SCARLET PIMPERNEL 1223 01:18:59,790 --> 01:19:03,250 IT WILL NOT BE CHAUVELIN. 1224 01:19:06,150 --> 01:19:07,120 AND WHY IS THAT? 1225 01:19:08,620 --> 01:19:13,920 WHY? ODDS FISH, MY DEAR, THE MAN CAN'T EVEN TIE HIS OWN CRAVAT. 1226 01:19:13,950 --> 01:19:16,280 REALLY, PERCY, IS THAT ALL YOU THINK ABOUT? 1227 01:19:17,200 --> 01:19:20,170 WHY AREN'T YOU THE KIND OF MAN A WOMAN CAN LOOK UP TO? 1228 01:19:20,760 --> 01:19:22,910 TURN TO IN TROUBLE. 1229 01:19:24,320 --> 01:19:25,440 TROUBLE, MY DEAR? 1230 01:19:27,540 --> 01:19:29,300 ARE YOU IN TROUBLE? 1231 01:19:30,380 --> 01:19:32,270 AND IF I WERE? 1232 01:19:32,840 --> 01:19:36,660 WHY YOU MIGHT TRY CONFIDING IN ME, 1233 01:19:38,630 --> 01:19:39,900 AS ONCE YOU USED TO. 1234 01:19:41,860 --> 01:19:43,090 WHAT'S THE USE. 1235 01:19:43,930 --> 01:19:46,610 WE DON'T EVEN SPEAK THE SAME LANGUAGE ANYMORE. 1236 01:19:46,650 --> 01:19:48,710 [BELL RINGS] 1237 01:19:49,140 --> 01:19:51,210 [DOOR OPENS] 1238 01:19:53,930 --> 01:19:54,730 PARDON, MADAME. 1239 01:20:09,080 --> 01:20:10,890 - THE COURIER? - MURDERED. 1240 01:20:14,420 --> 01:20:16,080 - COME WITH ME, CHIVERS. - YES, SIR. 1241 01:20:21,520 --> 01:20:25,420 THERE CAN BE NO DOUBT CHAUVELIN KNOWS ABOUT ARMAND. 1242 01:20:25,450 --> 01:20:26,460 HE MUST BE WARNED. 1243 01:20:27,060 --> 01:20:31,940 I WANT YOU TO TAKE THIS NOTE TO LORD DEWHURST, AT ONCE. 1244 01:20:32,340 --> 01:20:34,270 TELL HIM TO GIVE IT TO SIR ANDREW AT THE BALL, 1245 01:20:34,310 --> 01:20:35,660 AND THEN DESTROY IT. 1246 01:20:55,940 --> 01:21:03,440 [TRUMPETS SOUND ARRIVAL OF THE PRINCE OF WALES] 1247 01:21:48,390 --> 01:21:51,470 HIS ROYAL HIGHNESS, THE PRINCE OF WALES. 1248 01:21:52,170 --> 01:21:55,050 SIR PERCIVAL BLAKENEY AND LADY BLAKENEY. 1249 01:21:57,780 --> 01:21:59,830 - YOUR ROYAL HIGHNESS. - LADY GRANVILLE. 1250 01:21:59,860 --> 01:22:01,570 OF COURSE YOU KNOW SIR PERCY AND LADY BLAKENEY, 1251 01:22:01,600 --> 01:22:02,670 LORD AND LADY GRANVILLE. 1252 01:22:02,700 --> 01:22:05,040 MY DAUGHTERS, ELIZABETH AND ALICE ELLEN. 1253 01:22:05,070 --> 01:22:08,670 CHARMING. REALLY, QUITE CHARMING. 1254 01:22:08,700 --> 01:22:10,390 [CHUCKLING] 1255 01:22:10,420 --> 01:22:12,980 OH, CONTINUE, PLEASE CONTINUE. 1256 01:22:22,880 --> 01:22:25,020 AH, THE TWO LOVEBIRDS, AT LAST. 1257 01:22:25,050 --> 01:22:27,470 - COUNTESS. - YES, YOU MUST HAVE SOME CHAMPAGNE. 1258 01:22:27,980 --> 01:22:29,430 ISN'T IT EXCITING! 1259 01:22:29,470 --> 01:22:31,030 ANDREW, HERE. 1260 01:22:32,450 --> 01:22:34,570 I SHALL EXPECT YOU TO DANCE EVERY DANCE WITH ME. 1261 01:22:34,600 --> 01:22:36,880 I MUST PRESERVE AT LEAST ONE DANCE FOR HIM. 1262 01:22:36,910 --> 01:22:37,440 THANK YOU. 1263 01:22:47,350 --> 01:22:49,120 SINK ME, I'M FAR TOO EMBARRASSED. 1264 01:22:50,410 --> 01:22:51,180 IF YOU INSIST. 1265 01:22:53,930 --> 01:22:59,080 THE SCARLET PIMPERNEL. BY SIR PERCIVAL BLAKENEY, BARONET. 1266 01:22:59,110 --> 01:23:00,540 [SHOUTS OF BRAVO] 1267 01:23:00,580 --> 01:23:02,040 NO, NO, THAT'S JUST THE TITLE. 1268 01:23:02,070 --> 01:23:03,560 [LAUGHTER] 1269 01:23:05,010 --> 01:23:06,350 THEY SEEK HIM H'YERE. 1270 01:23:06,910 --> 01:23:08,220 THEY SEEK HIM THERE. 1271 01:23:08,820 --> 01:23:12,500 THOSE FRENCHIES SEEK HIM EVERYWHERE. 1272 01:23:13,230 --> 01:23:14,460 IS HE IN HEAVEN? 1273 01:23:15,020 --> 01:23:18,120 OR IS HE IN...HELL? 1274 01:23:18,780 --> 01:23:23,550 THAT DAMNED, ELUSIVE, PIMPERNEL. 1275 01:23:23,590 --> 01:23:25,670 [LAUGHTER AND APPLAUSE] 1276 01:23:25,700 --> 01:23:28,130 OH, THIS IS COMMENDABLE, PERCY. IT REALLY IS MOST COMMENDABLE. 1277 01:23:28,160 --> 01:23:29,090 I DON'T KNOW HOW YOU DID IT. 1278 01:23:29,560 --> 01:23:33,090 THE PRETTY THING RHYMES IN FOUR PLACES, DON'T YOU SEE? 1279 01:23:33,830 --> 01:23:36,680 AND IF A RHYME RHYMES, IT MAKES A POEM. 1280 01:23:36,720 --> 01:23:38,600 IF YOU FOLLOW ME. 1281 01:23:38,630 --> 01:23:40,190 AS IT WERE CRYSTAL CLEAR, 1282 01:23:40,870 --> 01:23:42,390 MY DEAR! 1283 01:23:42,430 --> 01:23:43,870 [LAUGHTER] 1284 01:23:43,900 --> 01:23:45,720 MAY IT PLEASE YOUR ROYAL HIGHNESS, 1285 01:23:45,760 --> 01:23:49,190 YOUR GRACES, MY LORDS, LADIES AND GENTLEMEN, 1286 01:23:49,220 --> 01:23:51,710 PRAY TAKE YOUR PLACES FOR THE MINUET. 1287 01:23:53,210 --> 01:23:54,040 LADY BLAKENEY, 1288 01:23:54,080 --> 01:23:55,740 WOULD YOU DO ME THE HONOR. 1289 01:24:01,540 --> 01:24:02,680 WITH YOUR PERMISSION. 1290 01:24:03,220 --> 01:24:05,970 DON'T FORGET MONSIEUR CHAUVELIN, THE JIG IS MINE. 1291 01:24:07,800 --> 01:24:12,800 [GASPING] THE FRENCH ARE SUCH SUPERB DANCERS. HEH, HEH. 1292 01:24:19,800 --> 01:24:21,210 HAVE YOU MADE YOUR DECISION? 1293 01:24:22,240 --> 01:24:23,500 YOU LEAVE ME LITTLE CHOICE. 1294 01:24:29,420 --> 01:24:30,570 WHAT DO YOU WANT ME TO DO? 1295 01:24:33,420 --> 01:24:36,720 YOUR FRIEND SIR ANDREW FFOULKES HAS A NOTE TUCKED IN HIS SLEEVE. 1296 01:24:39,230 --> 01:24:40,830 FIND OUT WHAT IT SAYS. 1297 01:24:48,000 --> 01:24:49,190 BUT, HOW? 1298 01:24:53,440 --> 01:24:56,640 I LEAVE THAT TO YOUR INGENUITY AS A CONSUMMATE ACTRESS. 1299 01:25:04,840 --> 01:25:07,000 YOU KNOW, YOU REALLY SHOULD BE DANCING WITH HER 1300 01:25:07,030 --> 01:25:08,400 YOURSELF, MY DEAR FELLOW. 1301 01:25:14,750 --> 01:25:17,700 YOU'LL FORGIVE ME, SIR, BUT I DO FIND THE MINUET 1302 01:25:19,130 --> 01:25:20,070 RATHER TEDIOUS. 1303 01:25:24,970 --> 01:25:26,860 IN THAT CASE, WHAT ABOUT THAT GAME OF HAZARD 1304 01:25:26,890 --> 01:25:27,830 YOU PROMISED ME? 1305 01:25:28,640 --> 01:25:30,920 SPLENDID, BUT I MUST WARN YOU, SIR. 1306 01:25:30,960 --> 01:25:33,210 I DO FEEL DEVILISH LUCKY TONIGHT. 1307 01:25:35,240 --> 01:25:36,610 DAMNATION, UH, HUH. 1308 01:25:59,650 --> 01:26:02,370 PRAY, TAKE YOUR PLACES FOR THE ALLEMANDE. 1309 01:26:02,400 --> 01:26:05,290 YOU MUSTN�T MONOPOLIZE HIM, SUZANNE, OTHERWISE EVERYONE 1310 01:26:05,330 --> 01:26:06,720 WILL THINK YOU'RE AFRAID HE'LL STRAY. 1311 01:26:06,760 --> 01:26:08,310 COME ALONG, ANDREW. 1312 01:26:52,720 --> 01:26:54,600 WHEW! OH! AH. 1313 01:26:54,630 --> 01:26:56,440 ARE YOU ALL RIGHT? 1314 01:26:56,470 --> 01:26:58,020 - [GASP] - MARGUERITE! 1315 01:26:58,050 --> 01:26:59,070 I THINK IT'S JUST THE HEAT. 1316 01:27:03,190 --> 01:27:03,900 OH! 1317 01:27:04,950 --> 01:27:05,850 THANK YOU, ANDREW. 1318 01:27:06,930 --> 01:27:09,010 [SIGH] I DON'T KNOW WHAT CAME OVER ME. 1319 01:27:09,100 --> 01:27:10,520 PERHAPS I'LL FETCH PERCY. 1320 01:27:10,550 --> 01:27:11,840 NO, DON'T LEAVE ME. 1321 01:27:11,880 --> 01:27:14,650 I ONLY NEED TO CLOSE MY EYES FOR A MOMENT OR TWO. 1322 01:27:37,180 --> 01:27:38,020 [WHOOH] 1323 01:27:38,690 --> 01:27:40,000 [SIGH] 1324 01:27:40,150 --> 01:27:41,290 AHHHH. 1325 01:27:42,170 --> 01:27:43,270 HOW CLEVER OF YOU. 1326 01:27:44,130 --> 01:27:46,800 UM, ALMOST AS GOOD AS A BURNT FEATHER FOR GIDDINESS. 1327 01:27:47,830 --> 01:27:48,730 [SIGH] 1328 01:27:48,770 --> 01:27:49,640 THERE! 1329 01:27:50,280 --> 01:27:51,670 I ALMOST FEEL BETTER ALREADY. 1330 01:27:52,470 --> 01:27:53,770 - OH, DEAR. - OH! 1331 01:27:53,810 --> 01:27:54,300 LET ME DO IT. 1332 01:27:56,150 --> 01:27:57,190 THERE'S NO HARM DONE. 1333 01:28:09,480 --> 01:28:13,570 ONE MOMENT MORE, AND I MIGHT HAVE KNOWN THE LADY'S NAME. 1334 01:28:13,600 --> 01:28:14,570 LADY? 1335 01:28:14,610 --> 01:28:16,550 OR A DUCHESS, PERHAPS? 1336 01:28:16,580 --> 01:28:18,450 FOR SHAME, ANDREW. 1337 01:28:18,480 --> 01:28:21,600 ENTERTAINING LOVE NOTES FROM SECRET ADMIRERS 1338 01:28:21,630 --> 01:28:24,640 BEHIND SUZANNE'S BACK. 1339 01:28:28,490 --> 01:28:29,860 WHAT WILL SHE SAY? 1340 01:28:38,480 --> 01:28:40,600 THERE WAS ONLY A FRAGMENT LEFT BY TIME I GOT AT IT. 1341 01:28:40,640 --> 01:28:41,690 COULD YOU MAKE ANYTHING OUT? 1342 01:28:41,720 --> 01:28:44,960 IT SAID, 'WE LEAVE FOR FRANCE TONIGHT. 1343 01:28:45,000 --> 01:28:47,500 MEET ME IN THE LIBRARY AT MIDNIGHT FOR YOU INSTRUCTIONS.' 1344 01:28:47,540 --> 01:28:49,510 AND THE SIGNATURE? HOW WAS IT SIGNED? 1345 01:28:49,550 --> 01:28:50,270 NOT SIGNED. 1346 01:28:51,200 --> 01:28:52,930 IT WAS ONLY THE SYMBOL OF A SMALL FLOWER. 1347 01:28:53,800 --> 01:28:55,930 THE SCARLET PIMPERNEL. 1348 01:28:55,960 --> 01:28:59,260 IN THE LIBRARY, AT MIDNIGHT. 1349 01:29:00,700 --> 01:29:02,500 YOU'VE DONE WELL, MY DEAR, 1350 01:29:04,100 --> 01:29:05,110 VERY WELL, INDEED. 1351 01:29:07,150 --> 01:29:09,490 REMARKABLE, HOW WE COMPLEMENT EACH OTHER. 1352 01:29:10,820 --> 01:29:12,190 BUT THEN WE ALWAYS DID. 1353 01:29:12,340 --> 01:29:13,920 SO THIS IS WHERE YOU'RE HIDING. 1354 01:29:13,950 --> 01:29:15,310 YOU PROMISED ME THE NEXT JIG, 1355 01:29:15,350 --> 01:29:16,690 YOU NAUGHTY BOY. 1356 01:29:16,730 --> 01:29:19,850 FORGIVE ME, MY DEAR. I SHALL RETURN HIM SHORTLY. 1357 01:29:21,680 --> 01:29:24,930 [CLOCK CHIMES] 1358 01:30:02,350 --> 01:30:03,200 [CREAKING SOUND] 1359 01:30:03,230 --> 01:30:04,050 WHO'S THERE? 1360 01:30:05,630 --> 01:30:07,410 DO NOT TURN AROUND. 1361 01:30:08,830 --> 01:30:11,030 YOU MUST NOT TURN AROUND. 1362 01:30:12,400 --> 01:30:13,820 THE SCARLET PIMPERNEL. 1363 01:30:19,330 --> 01:30:20,930 HOW DID YOU KNOW I WAS HERE? 1364 01:30:21,150 --> 01:30:23,430 I TRICKED SIR ANDREW AND READ YOUR NOTE. 1365 01:30:24,930 --> 01:30:26,170 WHY DID YOU COME? 1366 01:30:26,340 --> 01:30:27,200 TO WARN YOU. 1367 01:30:28,070 --> 01:30:30,260 CHAUVELIN KNOWS THAT YOU'LL BE IN THIS ROOM AT MIDNIGHT. 1368 01:30:31,750 --> 01:30:32,700 YOU TOLD HIM? 1369 01:30:33,560 --> 01:30:34,590 I HAD TO. 1370 01:30:35,060 --> 01:30:37,300 TO SAVE MY BROTHER. 1371 01:30:38,900 --> 01:30:40,780 HE THREATENED TO HAVE ARMAND ARRESTED UNLESS 1372 01:30:40,820 --> 01:30:42,670 I HELPED HIM TO DISCOVER YOUR IDENTITY. 1373 01:30:43,090 --> 01:30:44,810 WHY ARE YOU DOING THIS NOW? 1374 01:30:44,850 --> 01:30:46,730 BECAUSE I COULD NEVER LIVE WITH MYSELF KNOWING 1375 01:30:46,770 --> 01:30:48,700 THAT I WAS RESPONSIBLE FOR YOUR DEATH. 1376 01:30:48,730 --> 01:30:50,200 WHAT IS ONE MORE LIFE TO YOU? 1377 01:30:50,230 --> 01:30:53,970 YOU ALREADY HAVE THE MARQUIS DE ST. CYR AND HIS FAMILY TO YOUR CREDIT. 1378 01:30:54,010 --> 01:30:55,280 THAT'S NOT TRUE! 1379 01:30:56,600 --> 01:30:58,220 CHAUVELIN DECEIVED ME, 1380 01:30:58,810 --> 01:31:00,840 BECAUSE I SPURNED HIM FOR ANOTHER. 1381 01:31:02,310 --> 01:31:05,500 HE MALICIOUSLY PUT MY NAME ON THE ARREST WARRANT AS INFORMER. 1382 01:31:07,880 --> 01:31:12,000 I COULD NEVER HAVE SENT THE MARQUIS AND HIS FAMILY 1383 01:31:12,040 --> 01:31:16,130 TO THEIR DEATHS, ANYMORE THAN I CAN NOW LET YOU DIE 1384 01:31:16,160 --> 01:31:18,330 BECAUSE OF ME. 1385 01:31:23,610 --> 01:31:28,750 IF THIS IS TRUE, YOU ARE A VERY BRAVE WOMAN 1386 01:31:28,780 --> 01:31:29,770 FOR COMING HERE. 1387 01:31:29,810 --> 01:31:31,460 I'M A FOOL. 1388 01:31:32,210 --> 01:31:36,030 IF CHAUVELIN FOUNDS OUT, IT COULD COST MY BROTHER'S LIFE. 1389 01:31:36,670 --> 01:31:38,680 NO HARM WILL EVER COME TO YOUR BROTHER, 1390 01:31:39,270 --> 01:31:41,090 AS LONG AS I LIVE. 1391 01:31:41,400 --> 01:31:42,970 CAN I BELIEVE THAT? 1392 01:31:49,500 --> 01:31:54,600 I GIVE YOU...MY WORD. 1393 01:31:57,520 --> 01:31:59,180 I DON'T EVEN KNOW WHO YOU ARE. 1394 01:31:59,580 --> 01:32:00,720 WON'T YOU TELL ME? 1395 01:32:02,620 --> 01:32:08,030 A PHANTOM, MY LADY, NOTHING MORE THAN A PHANTOM. 1396 01:32:08,670 --> 01:32:12,530 NO. YOU'RE VERY REAL TO ME. 1397 01:32:13,240 --> 01:32:15,850 AS REAL AS LIFE ITSELF. 1398 01:32:18,020 --> 01:32:20,130 HOW STRONGLY CLOSE YOU FEEL TO ME. 1399 01:32:23,210 --> 01:32:28,020 WE ARE SO NEAR, I CAN FEEL YOUR WARMTH. 1400 01:32:29,330 --> 01:32:30,240 TOUCH ME, 1401 01:32:31,670 --> 01:32:33,480 SO THAT I MAY KNOW THAT YOU ARE REAL. 1402 01:32:48,280 --> 01:32:49,500 [CLOCK STRIKES] 1403 01:32:49,530 --> 01:32:50,850 CHAUVELIN! 1404 01:32:58,380 --> 01:33:05,970 [CLOCK CHIMES 12] 1405 01:33:15,550 --> 01:33:16,870 HE MUST NOT FIND YOU HERE. 1406 01:33:16,900 --> 01:33:19,340 QUICKLY. THE WINDOW. 1407 01:33:26,960 --> 01:33:28,080 BUT, WHAT'S TO KEEP... 1408 01:34:08,630 --> 01:34:09,880 DAMN! 1409 01:34:11,000 --> 01:34:14,700 [SNORING] 1410 01:35:03,290 --> 01:35:03,940 PERCY! 1411 01:35:04,890 --> 01:35:05,510 WHAT HAPPENED? 1412 01:35:05,550 --> 01:35:06,630 WHAT WAS CHAUVELIN AFTER? 1413 01:35:07,350 --> 01:35:09,080 HE WAS LOOKING FOR THE SCARLET PIMPENEL. 1414 01:35:11,950 --> 01:35:13,980 I PRAY HE FOUND A FOOL. 1415 01:35:15,610 --> 01:35:17,290 BUT NOW WE MUST TAKE GREATER CARE THAN EVER. 1416 01:35:17,980 --> 01:35:19,250 TONY, WE SAIL FOR FRANCE TONIGHT. 1417 01:35:19,280 --> 01:35:20,870 ARMAND'S LIFE IS IN DANGER. 1418 01:35:20,910 --> 01:35:22,420 BUT WHAT OF THE REST OF US? 1419 01:35:22,460 --> 01:35:24,870 I SHALL SEND WORD THE MOMENT IT IS SAFE FOR YOU TO JOIN US. 1420 01:35:25,330 --> 01:35:26,630 MY YACHT IS ANCHORED AT DOVER, 1421 01:35:27,380 --> 01:35:28,470 AND WE MUST SAIL WITH THE TIDE. 1422 01:35:28,680 --> 01:35:30,300 UH, WHAT SHALL I TELL MARGUERITE? 1423 01:35:32,140 --> 01:35:36,510 TELL HER I LOVE HER, MORE THAN EVER. 1424 01:35:40,900 --> 01:35:42,220 PAUL, YOU'RE LEAVING. 1425 01:35:43,150 --> 01:35:44,010 DOES THAT MEN YOU'RE SUCCESSFUL? 1426 01:35:44,040 --> 01:35:46,140 I COULD NOT BE MORE DELIGHTED, MY DEAR. 1427 01:35:46,530 --> 01:35:48,930 I SAIL TOMORROW FOR FRANCE, WHERE I SHALL FINISH THE 1428 01:35:48,970 --> 01:35:51,920 SCARLET PIMPERNEL ONCE AND FOR ALL. 1429 01:35:53,640 --> 01:35:55,320 DIDN'T YOU FIND OUT WHAT YOU WANTED TO KNOW? 1430 01:35:55,350 --> 01:35:56,780 EVERYTHING. 1431 01:35:57,110 --> 01:36:00,070 OH, BY THE WAY, MY DEAR, I FOUND THIS IN THE LIBRARY. 1432 01:36:00,750 --> 01:36:02,950 OH, CARELESS OF YOU TO HAVE DROPPED IT. 1433 01:36:05,630 --> 01:36:07,230 PAUL, WHAT ABOUT OUR BARGAIN? 1434 01:36:08,060 --> 01:36:09,720 OH, YOU'LL HAVE YOUR BROTHER BACK ALIVE 1435 01:36:10,280 --> 01:36:12,360 ONLY WHEN I HAVE CAUGHT THE SCARLET PIMPERNEL, 1436 01:36:12,870 --> 01:36:14,290 HERE OR IN FRANCE. 1437 01:36:14,560 --> 01:36:16,760 THINK TWICE BEFORE YOU INTERFERE AGAIN. 1438 01:36:35,650 --> 01:36:37,350 CHIVERS! WHERE'S SIR PERCY? 1439 01:36:37,380 --> 01:36:39,050 I MUST SPEAK TO HIM AT ONCE. 1440 01:36:39,080 --> 01:36:40,060 HE'S GONE, MY LADY. 1441 01:36:41,080 --> 01:36:42,910 GONE? WHERE TO? 1442 01:36:42,940 --> 01:36:45,130 THERE'S A NOTE FOR YOU IN THE LIBRARY. 1443 01:37:04,610 --> 01:37:06,490 IN THE NORTH COUNTRY? IN THE MIDDLE OF THE NIGHT? 1444 01:37:06,530 --> 01:37:08,300 HOW BIZARRE. 1445 01:37:29,010 --> 01:37:30,160 THE SCARLET PIMPERNEL. 1446 01:37:31,750 --> 01:37:32,900 PERCY. 1447 01:37:34,330 --> 01:37:35,890 OH, GOD, WHAT HAVE I DONE? 1448 01:37:39,370 --> 01:37:40,850 SHE MOLLYCODDLES THE BOY. 1449 01:37:40,880 --> 01:37:43,810 A PILLOW FOR HIS ROYAL HEAD. SHOES FOR HIS ROYAL FEET! 1450 01:37:43,850 --> 01:37:46,740 NEXT SHE'LL BE TURNING OVER THE CROWN TO THE LITTLE BRAT! 1451 01:37:46,770 --> 01:37:49,550 WHAT CAN YOU EXPECT FROM A WOMAN, CITIZEN ST. JUST? 1452 01:37:49,580 --> 01:37:51,530 HA, HA, SHE'S SOFT IN THE HEAD. 1453 01:37:51,690 --> 01:37:54,030 BUT I CAN ASSURE YOU MADAME DUVAL IS AS TRUSTWORTHY 1454 01:37:54,070 --> 01:37:54,920 AS HER HUSBAND. 1455 01:37:54,960 --> 01:37:55,740 TRUSTWORTHY? HA. 1456 01:37:55,780 --> 01:37:58,010 I'M NOT SO SURE EITHER IS TRUSTWORTHY. 1457 01:37:58,050 --> 01:38:01,600 I HEAR THE MAN IS IN DEBT, AND THAT MAKES HIM 1458 01:38:01,630 --> 01:38:03,170 RIPE FOR BRIBERY. 1459 01:38:03,200 --> 01:38:04,830 BRIBERY? 1460 01:38:04,870 --> 01:38:07,220 WELL, THOSE BENT ON RESCUING THE BOY, 1461 01:38:07,250 --> 01:38:09,570 WOULD BE WILLING TO PAY HANDSOMELY. 1462 01:38:09,880 --> 01:38:11,500 DUVAL AND HIS WIFE WILL BE REPLACED 1463 01:38:11,530 --> 01:38:13,110 - AS SOON AS POSSIBLE. - COME ON. 1464 01:38:13,250 --> 01:38:14,080 VERY WISE. 1465 01:38:15,960 --> 01:38:21,960 DEATH, ROBBING MY EYES OF LIGHT, WILL GIVE BACK TO THE SUN 1466 01:38:22,000 --> 01:38:24,880 IT'S UNTARNISHED PURITY! 1467 01:38:27,270 --> 01:38:31,140 [APPLAUSE AND CHEERS] 1468 01:38:32,430 --> 01:38:33,660 A WORD, MY FRIEND. 1469 01:38:33,690 --> 01:38:34,850 AH, WILL IT WAIT? 1470 01:38:34,890 --> 01:38:37,700 - MADEMOISELLE LONGET... - I HAVE RECEIVED INFORMATION, 1471 01:38:37,730 --> 01:38:40,930 THAT CHAUVELIN HAS SENT A SECRET COMMUNIQU� 1472 01:38:40,960 --> 01:38:42,490 FROM LONDON CONCERNING YOU. 1473 01:38:42,520 --> 01:38:43,900 CONCERNING ME? 1474 01:38:43,930 --> 01:38:46,680 CHAUVELIN KNOWS THAT YOU ARE IN LEAGUE WITH 1475 01:38:46,710 --> 01:38:47,690 THE SCARLET PIMPERNEL. 1476 01:38:47,720 --> 01:38:51,260 I? IN LEAGUE WITH THE SCARLET PIMPERNEL? 1477 01:38:51,290 --> 01:38:54,660 OH, REALLY, BARON, SOMEONE HAS BEEN TEASING YOU. 1478 01:38:54,700 --> 01:38:56,890 AH, YOU'RE PLAYING A VERY DANGEROUS GAME, 1479 01:38:56,920 --> 01:38:58,290 MONSIEUR ARMAND ST. JUST. 1480 01:38:58,900 --> 01:39:01,600 NOW, WHY NOT TELL YOUR SCARLET PIMPERNEL TO LEAVE 1481 01:39:01,630 --> 01:39:04,290 THE RESCUE OF THE DAUPHIN TO THE FRENCH LOYALISTS? 1482 01:39:04,660 --> 01:39:07,190 AFTER ALL, THEY HAVE A FAR MORE LEGITIMATE CLAIM 1483 01:39:07,230 --> 01:39:08,560 TO HIM THAN THE ENGLISH HAVE. 1484 01:39:08,600 --> 01:39:11,890 IF I KNEW THE IDENTITY OF THE SCARLET PIMPERNEL, 1485 01:39:11,930 --> 01:39:15,810 AND I DO NOT, HE WOULD LAUGH IN MY FACE. 1486 01:39:16,010 --> 01:39:18,310 HE MUST KNOW YOU WANT THE BOY FOR YOURSELF. 1487 01:39:18,350 --> 01:39:19,000 I? 1488 01:39:19,030 --> 01:39:21,390 SO THAT YOU CAN COLLECT THE GOLD THAT AWAITS 1489 01:39:21,420 --> 01:39:23,740 YOU IN VIENNA, WHEN YOU DELIVER THE HEIR TO THE 1490 01:39:23,780 --> 01:39:26,520 FRENCH THRONE TO YOUR AUSTRIAN FRIENDS. 1491 01:39:26,560 --> 01:39:28,280 HM? 1492 01:39:29,210 --> 01:39:31,100 AND DID THE SCARLET PIMPERNEL TELL YOU THAT? 1493 01:39:31,130 --> 01:39:32,520 OF COURSE NOT. HE'S NOT EVEN IN PARIS. 1494 01:39:35,830 --> 01:39:37,820 THANK YOU FOR YOUR WORD OF WARNING, BARON. 1495 01:39:38,460 --> 01:39:41,210 AND NOW, IF YOU WILL EXCUSE ME, 1496 01:39:41,250 --> 01:39:43,820 I DON'T LIKE TO KEEP MADEMOISELLE LONGET WAITING. 1497 01:39:57,060 --> 01:39:58,520 [POUNDING ON DOOR] 1498 01:40:00,220 --> 01:40:02,050 OPEN, IN THE NAME OF THE REPUBLIC. 1499 01:40:03,890 --> 01:40:06,220 THE VERY IDEA. DISTURBING DECENT CITIZENS 1500 01:40:06,250 --> 01:40:07,250 WITH ALL THAT NOISE. 1501 01:40:07,920 --> 01:40:10,020 WHERE IS MADEMOISELLE LONGET? 1502 01:40:10,140 --> 01:40:11,900 WHERE ELSE WOULD SHE BE AT HIS UNGODLY HOUR? 1503 01:40:11,930 --> 01:40:12,720 IN HER BOUDOIR. 1504 01:40:23,880 --> 01:40:25,980 WHY, IT'S ALFONSE PONCEAU! 1505 01:40:26,270 --> 01:40:27,970 FORGIVE ME MY DEAR, BUT HE INSISTED. 1506 01:40:28,000 --> 01:40:29,630 THAT'S QUITE ALL RIGHT, AUNT LULU. 1507 01:40:29,670 --> 01:40:31,590 MONSIEUR PONCEAU AND I ARE OLD FRIENDS. 1508 01:40:32,040 --> 01:40:34,440 IT'S A TRIFLE EARLY FOR A SOCIAL CALL, MONSIEUR. 1509 01:40:34,480 --> 01:40:37,030 THIS IS NOT A SOCIAL CALL, MADEMOISELLE. 1510 01:40:37,360 --> 01:40:41,260 I AM HERE TO ARREST THE MAN IN YOUR BOUDOIR. 1511 01:40:42,210 --> 01:40:44,700 OH, THERE MUST BE SOME MISTAKE. 1512 01:40:44,740 --> 01:40:47,190 HA, HA, ARREST! CITIZEN ST. JUST! 1513 01:40:47,930 --> 01:40:51,070 THE WARRANT WAS SIGNED BY CITIZEN CHAUVELIN, HIMSELF, 1514 01:40:51,100 --> 01:40:54,660 WHEN HE RETURNED FROM LONDON THIS VERY MORNING. 1515 01:40:54,700 --> 01:40:57,880 HE MEANS TO ARREST HIS OWN SUPERIOR? A MAN AS IMPORTANT AS 1516 01:40:57,910 --> 01:40:59,290 CITIZEN ROBESPIERRE? 1517 01:40:59,330 --> 01:41:01,400 SUPERIOR? 1518 01:41:02,170 --> 01:41:05,350 DID YOU SAY YOU WERE HERE TO ARREST LOUIS ST. JUST? 1519 01:41:05,380 --> 01:41:08,520 LOUIS ST. JUST? I AM HERE TO ARREST ARMAND ST. JUST. 1520 01:41:08,560 --> 01:41:10,200 SEE HERE. 1521 01:41:10,270 --> 01:41:15,870 OH, THAT EXPLAINS IT. THE GENTLEMAN IN MY BOUDOIR 1522 01:41:15,900 --> 01:41:20,660 IS NOT ARMAND ST. JUST, BUT LOUIS, HIS DISTINGUISHED COUSIN. 1523 01:41:20,690 --> 01:41:23,660 DID YOU SAY, THAT IN THAT ROOM AT THIS MOMENT, SLEEPS ONE OF THE MOST 1524 01:41:23,700 --> 01:41:25,090 POWERFUL MEN IN FRANCE? 1525 01:41:25,660 --> 01:41:28,060 WELL, IF THAT IS THE PERSON YOU WISH, SHALL I GO... 1526 01:41:28,100 --> 01:41:30,220 NO. NO. NO. NO. NO. WHY DISTURB THE CITIZEN 1527 01:41:30,260 --> 01:41:32,560 IF HE'S ASLEEP. I'LL JUST LEAVE, QUIETLY. 1528 01:41:32,600 --> 01:41:34,870 NO NEED EVEN TO MENTION THIS LITTLE INCIDENT. 1529 01:41:35,220 --> 01:41:39,540 SUCH A BUSY MAN. SO MANY IMPORTANT THINGS ON HIS MIND. 1530 01:41:39,570 --> 01:41:43,460 PLEASE, [GASP], JUST PRETEND I WAS HERE ON A MISUNDERSTANDING, 1531 01:41:43,500 --> 01:41:44,120 THAT IS ALL. 1532 01:41:44,490 --> 01:41:45,820 COME ALONG, YOU IDIOTS. 1533 01:41:52,400 --> 01:41:53,550 YOU WERE WONDERFUL. 1534 01:41:53,590 --> 01:41:55,620 WHEN HE REALIZES HIS MISTAKE THEY'LL BE BACK. 1535 01:41:56,060 --> 01:41:57,500 YOU MUST LEAVE PARIS IMMEDIATELY. 1536 01:41:57,540 --> 01:42:00,960 NOT WITH A FEAR. YOU'RE COMING WITH ME TO ENGLAND. 1537 01:42:01,350 --> 01:42:04,810 BE READY AT MIDDAY TOMORROW, AND I'LL RETURN TO FETCH YOU THEN. 1538 01:42:04,840 --> 01:42:06,910 IT'S TOO DANGEROUS. THEY'LL BE WATCHING THE HOUSE. 1539 01:42:08,620 --> 01:42:09,280 NOW GO! 1540 01:42:12,880 --> 01:42:14,650 NO. NOT THAT WAY. THEY'LL BE WATCHING THE HOUSE. 1541 01:42:14,690 --> 01:42:15,840 USE THE ROOF. 1542 01:42:18,690 --> 01:42:19,900 TILL MIDDAY. 1543 01:42:31,480 --> 01:42:34,960 IMBECILE! LOUIS ST. JUST IS AS CELIBATE AS A MONK. 1544 01:42:35,170 --> 01:42:37,840 I DOUBT IF HE'S SLEPT WITH HIS OWN WIFE IN TEN YEARS. 1545 01:42:37,980 --> 01:42:40,090 SHE'S TAKEN YOU FOR THE FOOL YOU ARE. 1546 01:42:40,120 --> 01:42:42,240 I SHALL RETURN AT ONCE AND MAKE THE ARREST. 1547 01:42:42,270 --> 01:42:43,540 OH, HE'S LONG GONE BY NOW. 1548 01:42:43,570 --> 01:42:48,090 - BUT THE... - I'LL HANDLE THIS MYSELF. - BUT HE... - PONCEAU - BUT I REALLY... - GET OUT! 1549 01:42:51,110 --> 01:42:51,930 [SIGH] 1550 01:42:57,350 --> 01:42:59,360 GO TO THE RESIDENCE OF MADEMOISELLE LONGET, 1551 01:42:59,390 --> 01:43:02,350 INFORM ME THE MINUTE ARMAND ST. JUST SHOWS HIS FACE. 1552 01:43:02,970 --> 01:43:04,680 ARMAND ST. JUST. 1553 01:43:07,750 --> 01:43:10,980 DUVAL, THE DAUPHIN'S JAILOR AND HIS WIFE WILL BE REPLACED TOMORROW. 1554 01:43:11,860 --> 01:43:15,560 SO...AT LONG LAST, WE CAN MAKE OUR MOVE. 1555 01:43:16,140 --> 01:43:17,610 THANKS TO YOU, MY DEAR ARMAND. 1556 01:43:18,050 --> 01:43:19,210 NOW LISTEN CAREFULLY. 1557 01:43:20,710 --> 01:43:22,750 THE BOY WILL BE BROUGHT TO THE RENDEZVOUS POINT 1558 01:43:22,790 --> 01:43:25,840 OUTSIDE PARIS...HERE, 1559 01:43:25,870 --> 01:43:28,510 WHERE ARMAND WILL BE WAITING, PRECISELY AT MIDDAY. 1560 01:43:28,970 --> 01:43:30,230 THE TIMING IS CRUCIAL. 1561 01:43:30,770 --> 01:43:33,310 ONE SLIP...AND WE CAN HAVE HALF THE REVOLUTIONARY 1562 01:43:33,340 --> 01:43:34,750 FORCE OF FRANCE ON OUR HEELS. 1563 01:43:36,160 --> 01:43:38,480 FROM THERE, HE WILL BE TAKEN TO THE TRANSFER POINT, 1564 01:43:38,670 --> 01:43:40,290 WHERE TONY WILL BE WAITING WITH THE HORSES. 1565 01:43:41,060 --> 01:43:42,720 TONY TAKES HIM ON TO MONT ST. PIERRE, 1566 01:43:42,750 --> 01:43:44,270 WHILST YOU RIDE ON TO CALAIS. 1567 01:43:44,470 --> 01:43:50,830 YOU BRING THE YACHT... TO THE RENDEZVOUS POINT...HERE. 1568 01:43:51,840 --> 01:43:52,440 WHERE YOU WAIT, 1569 01:43:52,880 --> 01:43:55,030 ONLY UNTIL THE BOY IS SAFELY ON BOARD, 1570 01:43:55,830 --> 01:43:57,250 AND THEN ON THE FIRST AVAILABLE TIDE 1571 01:43:57,290 --> 01:43:58,740 SAIL FOR ENGLAND. 1572 01:43:59,760 --> 01:44:03,700 WHERE YOU, MY DEAR ARMAND, MUST STAY. IT IS NO LONGER SAFE FOR YOU IN PARIS. 1573 01:44:03,730 --> 01:44:05,710 UGH! IS IT SAFE FOR ANY OF US? 1574 01:44:05,740 --> 01:44:07,640 YOU TOOK AN OATH OF UNQUESTIONING OBEDIENCE 1575 01:44:07,680 --> 01:44:08,360 WHEN YOU JOINED US. 1576 01:44:08,390 --> 01:44:09,670 BUT I GAVE MY WORD TO LOUISE! 1577 01:44:09,710 --> 01:44:12,110 IT IS YOUR WORD TO THE LEAGUE THAT CONCERNS ME NOW. 1578 01:44:13,100 --> 01:44:15,960 PERCY, LET ME GO BACK AND BRING HER TO ENGLAND. 1579 01:44:17,610 --> 01:44:18,450 OUT OF THE QUESTION. 1580 01:44:18,480 --> 01:44:20,570 HOW CAN YOU BE SO UNFEELING? 1581 01:44:20,610 --> 01:44:22,980 YOU DON'T EVEN KNOW THE MEANING OF LOVE. 1582 01:44:27,160 --> 01:44:29,040 YOU MUST LEARN TO TRUST ME, MY FRIEND. 1583 01:44:33,700 --> 01:44:36,560 DO NOT TROUBLE YOU HEAD WITH THOUGHTS OF LOUISE. 1584 01:44:39,630 --> 01:44:41,110 I WILL SEE THAT SHE IS SAFE. 1585 01:44:42,680 --> 01:44:45,010 WILL YOU BRING HER BACK TO ENGLAND? 1586 01:44:45,880 --> 01:44:47,590 I GIVE YOU MY WORD. 1587 01:44:48,580 --> 01:44:49,700 [SIGH] 1588 01:44:49,960 --> 01:44:52,080 NOW. GET SOME REST. 1589 01:44:53,980 --> 01:44:58,290 BY THE WAY. YOU'RE WRONG ABOUT MY NOT KNOWING 1590 01:44:58,320 --> 01:45:01,940 THE MEANING OF LOVE... QUITE WRONG. 1591 01:45:10,260 --> 01:45:11,830 I SHOULD NEVER HAVE ALLOWED YOU TO COME ALONG. 1592 01:45:11,860 --> 01:45:12,950 IT'S FAR TOO DANGEROUS. 1593 01:45:12,990 --> 01:45:15,540 I WOULD GLADLY FACE ANY DANGER TO SAVE PERCY. 1594 01:45:16,330 --> 01:45:18,640 I LOVE HIM MORE THAN LIFE ITSELF. I KNOW THAT NOW. 1595 01:45:18,780 --> 01:45:20,710 I CAN ONLY PRAY THAT I'M DOING THE RIGHT THING. 1596 01:45:20,920 --> 01:45:23,440 HAD YOU HESITATED, HE WOULD SURELY HAVE GONE TO THE GUILLOTINE. 1597 01:45:26,060 --> 01:45:28,010 LOOK, CALAIS. 1598 01:45:29,560 --> 01:45:30,810 WE'LL LAND MY NIGHTFALL. 1599 01:46:02,190 --> 01:46:03,210 AREN'T YOU GOING TO STOP HIM? 1600 01:46:07,340 --> 01:46:08,150 NO. 1601 01:46:11,850 --> 01:46:13,170 [KNOCKING ON DOOR] 1602 01:46:31,650 --> 01:46:32,450 RIDE. 1603 01:46:34,120 --> 01:46:34,890 GIDDY-UP 1604 01:46:40,000 --> 01:46:43,000 TYRONE. TYRONE! 1605 01:46:43,530 --> 01:46:45,080 TYRONE, TAKE CARE OF THAT TRAY. 1606 01:46:46,210 --> 01:46:47,900 THAT BELONGED TO MY GRANDMOTHER. 1607 01:46:49,990 --> 01:46:53,180 CITIZEN, CERONE, TO YOU, MATE. 1608 01:46:54,520 --> 01:46:55,430 THIS WAY. 1609 01:47:00,150 --> 01:47:02,620 WELL, THEY'RE NOW WELCOME TO THE BRAT. 1610 01:47:02,650 --> 01:47:04,860 HUH, LET'S SEE HOW LONG THE NEXT MAN LASTS. 1611 01:47:04,900 --> 01:47:06,000 COME ON, LET'S GET OUTTA HERE. 1612 01:47:06,020 --> 01:47:07,500 WHAT ABOUT THE REST OF OUR FURNITURE? 1613 01:47:07,530 --> 01:47:10,630 AH, THE LACKEY'L MANAGE. YOU'VE GIVEN 'EM THE GATE PASS 1614 01:47:10,660 --> 01:47:11,490 AND THE ADDRESS? 1615 01:47:11,520 --> 01:47:13,450 UH, YEAH, I KNOW, I KNOW. 1616 01:47:13,490 --> 01:47:15,350 RUE DE BECK ST. CLAIR... 1617 01:47:15,380 --> 01:47:17,700 NOW, YOU MAKE SURE YOU GET THERE 'FORE DARK. 1618 01:47:17,740 --> 01:47:19,040 AW RIGHT, AW RIGHT. 1619 01:47:25,320 --> 01:47:26,450 HI! UP! 1620 01:47:26,490 --> 01:47:29,470 [HORSE WHINNY] 1621 01:47:34,480 --> 01:47:36,360 AS SOON AS THE LACKEY HAS THE APARTMENT CLEAR, 1622 01:47:36,390 --> 01:47:38,770 YOU AND YOUR WIFE CAN MOVE YOU THINGS IN, CITIZEN JOURNO. 1623 01:47:44,830 --> 01:47:47,170 WELL, MAKE WAY, THEN, MAKE WAY. 1624 01:47:47,830 --> 01:47:50,790 MADAME DUVAL'S PRECIOUS CHINA, THIS IS, YEAH. 1625 01:48:29,710 --> 01:48:30,570 GIDDAP, THEN. 1626 01:48:35,890 --> 01:48:37,300 THESE WILL BE YOUR QUARTERS, 1627 01:48:38,780 --> 01:48:41,010 AND IN HERE YOU'LL FIND THE BRAT. 1628 01:48:43,490 --> 01:48:45,570 I WARN YOU. HE'S A HANDFUL. 1629 01:48:47,260 --> 01:48:49,230 YOU LEAVE HIM TO ME AND MY MRS. 1630 01:48:49,270 --> 01:48:51,210 HE'LL TOE THE LINE, HE WILL. 1631 01:48:51,600 --> 01:48:52,900 PAPERS. 1632 01:48:58,020 --> 01:49:00,510 THIS PASS IS SIGNED BY CITIZEN FOUQUET. 1633 01:49:02,400 --> 01:49:03,820 THE GOVERNOR OF THE TEMPLE PRISON! 1634 01:49:03,860 --> 01:49:06,650 THE VERY SAME, SERGEANT. THE VERY SAME. 1635 01:49:07,590 --> 01:49:09,480 RIGHT. PASS! 1636 01:49:09,520 --> 01:49:11,100 GATES! 1637 01:49:22,320 --> 01:49:24,680 ...SPECIFIC INSTRUCTIONS TO INFORM ME IF THERE'S 1638 01:49:24,720 --> 01:49:25,960 ANY CHANGE IN THE JAILORS. 1639 01:49:26,000 --> 01:49:28,290 ON MY WORD, CITIZEN. HE WAS SLEEPING LIKE A BABE 1640 01:49:28,330 --> 01:49:29,370 THE LAST TIME I LOOKED IN. 1641 01:49:29,410 --> 01:49:31,210 JUST AS HE IS NOW. LOOK FOR YOURSELF. 1642 01:49:34,910 --> 01:49:36,860 WHAT PROMPTED YOU TO MAKE THIS SUDDEN CHANGE? 1643 01:49:36,900 --> 01:49:38,820 WELL, WHEN I RECEIVED YOUR WARNING ABOUT DUVAL. 1644 01:49:38,860 --> 01:49:40,120 I GAVE NO WARNING. 1645 01:49:41,700 --> 01:49:43,830 ST. JUST. OPEN THAT DOOR. 1646 01:49:43,860 --> 01:49:44,840 I SAID OPEN IT! 1647 01:49:44,880 --> 01:49:48,710 [KEYS JANGLE; DOOR OPENS] 1648 01:50:25,460 --> 01:50:26,160 UGH. 1649 01:50:34,030 --> 01:50:35,970 WOULD YOU LIKE TO SEE SOME MAGIC? 1650 01:50:37,050 --> 01:50:37,860 HUH? 1651 01:50:41,130 --> 01:50:41,860 ALL RIGHT, THEN. 1652 01:50:43,730 --> 01:50:44,470 WATCH THIS. 1653 01:50:47,390 --> 01:50:49,650 HAH. HAH. 1654 01:51:11,490 --> 01:51:12,190 UH HUH. 1655 01:51:13,170 --> 01:51:14,510 LET THAT BE A LESSON TO YOU, SIR. 1656 01:51:15,180 --> 01:51:16,750 NEVER TAKE ANYONE FOR GRANTED. 1657 01:51:19,250 --> 01:51:20,290 GATES! 1658 01:51:22,510 --> 01:51:23,800 CLEAR THE WAY! 1659 01:51:35,150 --> 01:51:36,080 DOWN ON THE FLOOR, SIR. 1660 01:51:37,100 --> 01:51:38,120 WE ARE IN FOR A RUN. 1661 01:51:38,940 --> 01:51:39,820 GIDDAP! 1662 01:51:46,380 --> 01:51:47,510 [GUNSHOT] 1663 01:52:02,790 --> 01:52:03,500 [GUNSHOT] 1664 01:52:03,530 --> 01:52:04,660 OH! 1665 01:52:25,790 --> 01:52:27,950 RIGHT. SPREAD OUT AND SEARCH THE WOODS, 1666 01:52:27,990 --> 01:52:29,040 THEY CAN'T HAVE GONE FAR. 1667 01:52:41,830 --> 01:52:43,040 THEY MUST HAVE CROSSED THE RIVER 1668 01:52:43,660 --> 01:52:45,180 SEARCH THE OTHER SIDE. 1669 01:53:11,970 --> 01:53:13,340 GOOD GOD, MAN, HOLD YOU'RE FIRE! 1670 01:53:13,380 --> 01:53:14,080 PERCY. 1671 01:53:14,110 --> 01:53:15,460 I'VE HAD MY FAIR SHARE FOR ONE DAY. 1672 01:53:20,360 --> 01:53:22,270 YOU MUST TAKE THE BOY ON TO MONT ST. PIERRE. 1673 01:53:22,300 --> 01:53:24,180 FIND SOME WAY TO NOTIFY THE CAPTAIN OF MY SHIP 1674 01:53:24,210 --> 01:53:25,390 THAT THE PLANS HAVE CHANGED. 1675 01:53:26,080 --> 01:53:27,390 MEANWHILE I'LL RETURN TO PARIS. 1676 01:53:27,430 --> 01:53:28,700 MY DEAR CHAP, YOU CAN'T POSSIBLY... 1677 01:53:28,730 --> 01:53:30,170 ARMAND DIDN'T ARRIVE. 1678 01:53:30,210 --> 01:53:31,810 HE MUST BE IN TROUBLE. 1679 01:53:31,850 --> 01:53:33,420 I CANNOT DESERT HIM NOW. 1680 01:53:34,140 --> 01:53:35,480 RIGHT, PERCY. 1681 01:53:45,680 --> 01:53:46,970 AND UP. 1682 01:53:48,690 --> 01:53:49,850 GOD SPEED, YOUR HIGHNESS. 1683 01:54:00,510 --> 01:54:01,560 [HORSE WHINNY] 1684 01:54:10,610 --> 01:54:11,660 [KNOCK ON DOOR] 1685 01:54:15,890 --> 01:54:16,690 WHAT DO YOU WANT? 1686 01:54:16,730 --> 01:54:18,350 A GENTLEMAN ASKED ME TO GIVE YOU THIS. 1687 01:54:21,670 --> 01:54:23,220 TELL HIM IT'S SAFE TO COME IN. 1688 01:54:27,320 --> 01:54:28,820 SHE SAYS IT'S SAFE. 1689 01:54:35,850 --> 01:54:36,760 THANK YOU. 1690 01:54:45,340 --> 01:54:46,640 QUICKLY, MONSIEUR, COME WITH ME. 1691 01:55:02,290 --> 01:55:03,250 IN THERE. 1692 01:55:23,920 --> 01:55:25,200 MADEMOISELLE LONGET. 1693 01:55:28,140 --> 01:55:30,040 PLEASE FORGIVE HIM, SIR PERCY. 1694 01:55:30,080 --> 01:55:30,940 NO MATTER. 1695 01:55:31,740 --> 01:55:37,970 I TOO UNDERSTAND THE STRENGTH OF LOVE. 1696 01:55:38,000 --> 01:55:40,320 [CLEARING THROAT] 1697 01:55:44,160 --> 01:55:45,460 GOOD DAY, SIR PERCY. 1698 01:55:47,060 --> 01:55:49,390 I REALIZED THAT YOUR NOBLESSE OBLIGE WOULD NOT 1699 01:55:49,430 --> 01:55:51,830 PERMIT YOU TO ABANDON ONE OF YOUR MEN. 1700 01:55:57,900 --> 01:55:59,320 I'M SORRY, PERCY. 1701 01:56:06,350 --> 01:56:09,180 SINK ME, IF YOU AREN'T RIGHT, 1702 01:56:09,910 --> 01:56:10,760 FOR A CHANGE. 1703 01:56:11,980 --> 01:56:14,210 BUT THEN, TWO NO ACCOUNT FELLOWS LIKE US 1704 01:56:14,240 --> 01:56:17,290 IN EXCHANGE FOR ONE ROYAL PRINCE 1705 01:56:17,690 --> 01:56:20,290 WOULD SEEM TO BE A FAIR EXCHANGE, 1706 01:56:20,330 --> 01:56:21,570 DON'T YOU THINK? 1707 01:56:22,110 --> 01:56:26,240 AMAZING, HOW A MERE LAD CAN SLIP THROUGH YOUR 1708 01:56:26,270 --> 01:56:28,380 FINGERS SO EASILY. HUH? 1709 01:56:28,520 --> 01:56:30,140 - I'LL WAGER, THERE'LL BE THE DEVIL TO PAY, 1710 01:56:30,960 --> 01:56:32,400 WHEN YOUR COMMITTEE OF NATIONAL SECURITY 1711 01:56:33,060 --> 01:56:36,190 DISCOVERS THAT HE LEFT THE COUNTRY. 1712 01:56:36,230 --> 01:56:39,880 OH, HAS HE LEFT THE COUNTRY? MY UNDERSTANDING WAS 1713 01:56:39,920 --> 01:56:42,580 THERE WAS SOME PROBLEM IN GETTING AWAY. 1714 01:56:42,730 --> 01:56:47,730 NO. NO. NO. IT'S DONE LIKE THIS. NOW'S YOUR CHANCE! 1715 01:57:06,560 --> 01:57:08,390 VERY FOOLISH, SIR PERCY. 1716 01:57:08,810 --> 01:57:13,430 GAD, SIR, NOBLESS OBLIGE. 1717 01:57:13,690 --> 01:57:15,340 [DOOR OPENS] 1718 01:57:16,580 --> 01:57:19,470 LADY BLAKENEY. WHAT A DELIGHTFUL SURPRISE. 1719 01:57:19,600 --> 01:57:21,350 I SERIOUSLY DOUBT THAT. 1720 01:57:24,270 --> 01:57:28,930 I HAD HEARD, UNOFFICIALLY OF COURSE, THAT YOU WERE IN PARIS. 1721 01:57:29,040 --> 01:57:30,270 PLEASE, WON'T YOU TAKE A SEAT? 1722 01:57:30,910 --> 01:57:32,140 I SHALL MAKE THIS BRIEF. 1723 01:57:32,450 --> 01:57:35,760 I'M HERE ON BEHALF OF MY HUSBAND. THIS IS A PETITION OF CLEMENCY, 1724 01:57:35,790 --> 01:57:37,660 SIGNED BY THE PRINCE OF WALES. 1725 01:57:38,600 --> 01:57:41,700 NO, UNLESS YOU WISH ME TO TAKE IT TO ROBESPIERRE, HIMSELF. 1726 01:57:42,510 --> 01:57:44,790 I DEMAND THAT YOU LET ME SEE MY HUSBAND AT ONCE. 1727 01:57:44,830 --> 01:57:46,820 [SIGH] 1728 01:57:46,850 --> 01:57:48,460 THERE'S NO NEED FOR ALL THAT. 1729 01:57:50,640 --> 01:57:52,490 YOU HAD BUT TO ASK. 1730 01:58:02,560 --> 01:58:03,520 YOU HAVE A VISITOR. 1731 01:58:15,870 --> 01:58:16,910 MARGUERITE. 1732 01:58:18,480 --> 01:58:19,670 HELLO, SIR PERCY. 1733 01:58:20,580 --> 01:58:21,560 TWO MINUTES. 1734 01:58:24,290 --> 01:58:25,470 REMEMBER MY CONDITIONS. 1735 01:58:28,170 --> 01:58:31,000 [DOOR CLOSES AND LOCKS] 1736 01:58:52,890 --> 01:58:54,790 OH, MY DARLING! 1737 01:59:04,920 --> 01:59:06,310 HOW I PRAYED YOU WOULD COME. 1738 01:59:08,490 --> 01:59:10,690 MY DARLING, CAN YOU EVER FORGIVE ME FOR DOUBTING YOU? 1739 01:59:10,730 --> 01:59:12,920 OH, IT IS I WHO MUST BEG YOUR FORGIVENESS. 1740 01:59:14,280 --> 01:59:17,260 CHAUVELIN SAYS HE WILL RELEASE YOU IF YOU 1741 01:59:17,300 --> 01:59:18,840 TELL HIM THE DAUPHIN'S WHEREABOUTS. 1742 01:59:20,010 --> 01:59:24,490 IF NOT... OH, PERCY, I COULDN'T BEAR 1743 01:59:24,520 --> 01:59:25,370 TO LOSE YOU NOW. 1744 01:59:30,460 --> 01:59:31,720 YOU KNEW THE NEXT FEW DAYS WILL BE THE WORST 1745 01:59:31,750 --> 01:59:33,100 POSSIBLE, DON'T YOU? 1746 01:59:34,880 --> 01:59:36,100 TELL THEM. 1747 01:59:37,780 --> 01:59:39,350 TELL THEM WHAT THEY WANT TO KNOW. 1748 01:59:39,730 --> 01:59:41,190 MY DARLING, I CANNOT. 1749 01:59:41,880 --> 01:59:43,420 YOU MUST NOT ASK ME. 1750 01:59:44,590 --> 01:59:46,260 THEN WE MUST FIND A WAY TO GET YOU OUT OF 1751 01:59:46,300 --> 01:59:47,680 THIS DREADFUL PLACE. 1752 01:59:50,050 --> 01:59:51,250 THERE MAY BE A WAY. 1753 01:59:53,540 --> 01:59:54,330 NOW LISTEN CAREFULLY. 1754 01:59:54,970 --> 01:59:56,430 THERE'S NOT ENOUGH TIME TO REPEAT ANYTHING. 1755 01:59:57,270 --> 02:00:00,250 THE LIFE OF THE DAUPHIN AND ALL MY MEN MAY DEPEND 1756 02:00:00,280 --> 02:00:01,980 ON YOUR ABILITY TO EXECUTE MY ORDERS 1757 02:00:02,010 --> 02:00:02,720 TO THE LETTER. 1758 02:00:04,340 --> 02:00:06,090 QUICKLY, PUT THIS ON. 1759 02:00:07,160 --> 02:00:09,130 YOU WILL NEED IT IN ORDER TO CARRY OUT MY INSTRUCTIONS. 1760 02:00:12,490 --> 02:00:14,990 WHO WOULD HAVE IMAGINED THAT ONE DAY I WOULD BE 1761 02:00:15,030 --> 02:00:16,780 IN LEAGUE WITH THE SCARLET PIMPERNEL. 1762 02:00:17,840 --> 02:00:20,610 I WAS SO SURE HE WANTED THE BOY FOR ENGLAND. 1763 02:00:20,650 --> 02:00:21,940 HE WANTS THE BOY TO LIVE. 1764 02:00:22,590 --> 02:00:24,500 AND YOU ARE NOW THE ONLY GUARANTEE OF THAT. 1765 02:00:26,040 --> 02:00:28,280 THESE ORDERS WILL RELEASE THE DAUPHIN TO YOUR CUSTODY. 1766 02:00:29,020 --> 02:00:30,910 DELIVER THEM TO LORD ANTHONY DEWHURST, 1767 02:00:32,360 --> 02:00:34,560 AT THE ISLAND FORTRESS OF MONT ST. PIERRE. 1768 02:00:35,280 --> 02:00:36,980 AFTER THAT, YOU HAVE UNTIL TOMORROW NIGHTFALL 1769 02:00:37,010 --> 02:00:38,370 TO GET THE BOY ACROSS THE BORDER. 1770 02:00:38,400 --> 02:00:40,370 HUH, BUT, I NEED MORE TIME THAN THAT. 1771 02:00:40,400 --> 02:00:42,800 THERE ARE ARRANGEMENTS TO BE MADE. THE DRIVE'S LONG AND HOT. 1772 02:00:42,840 --> 02:00:45,050 TOMORROW AT NIGHTFALL. I CAN OFFER YOU NO MORE. 1773 02:00:46,260 --> 02:00:47,090 [DOOR CLOSES] 1774 02:00:47,560 --> 02:00:49,380 AT LAST YOU'RE TALKING SENSE. 1775 02:00:49,420 --> 02:00:51,900 ONE CONDITION, MY DEAR CHAUVELIN. 1776 02:00:52,430 --> 02:00:55,320 MY WIFE, HER BROTHER AND ALL MY MEN MUST BE 1777 02:00:55,350 --> 02:00:58,210 GUARANTEED SAFE CONDUCT BACK TO ENGLAND. 1778 02:00:58,250 --> 02:00:59,630 AS SOON AS I HAVE THE BOY. 1779 02:01:00,180 --> 02:01:01,490 WHERE IS HE? 1780 02:01:01,520 --> 02:01:03,370 I'M AFRAID I CANNOT TELL YOU THAT. 1781 02:01:03,400 --> 02:01:05,210 I MUST LEAD YOU TO HIM PERSONALLY. 1782 02:01:05,850 --> 02:01:08,050 MY MEN WILL ONLY RELEASE HIM IN EXCHANGE FOR ME. 1783 02:01:08,750 --> 02:01:09,630 AGREED. 1784 02:01:09,660 --> 02:01:11,750 A LITTLE MATTER OF LOYALTY, YOU UNDERSTAND. 1785 02:01:11,780 --> 02:01:13,200 OF COURSE. 1786 02:01:13,270 --> 02:01:14,580 ONE OTHER MATTER. 1787 02:01:15,200 --> 02:01:17,770 A CHANGE OF LINEN, PERHAPS. 1788 02:01:17,810 --> 02:01:19,770 HE TAKES YOU FOR A FOOL, CHAUVELIN. 1789 02:01:20,190 --> 02:01:22,220 MY DEAR FOUQUET, IF IT BECOMES INEVITABLE 1790 02:01:22,260 --> 02:01:24,220 THAT I SHOULD TAKE A RIDE ON THE TUMBREL 1791 02:01:24,260 --> 02:01:28,430 I CAN ASSURE YOU THAT I INTEND TO GO PROPERLY DRESSED. 1792 02:01:28,470 --> 02:01:30,000 HE CAN SCHEME ALL HE LIKES. 1793 02:01:30,220 --> 02:01:30,690 GUARD! 1794 02:01:30,720 --> 02:01:33,440 [DOOR OPENS] 1795 02:01:43,710 --> 02:01:46,130 HOSTAGES? HOW NOBLE YOU ARE. 1796 02:01:46,170 --> 02:01:48,830 YOU ARE NOT THE ONLY ONE TO SCHEME, SIR PERCY. 1797 02:01:49,490 --> 02:01:52,990 YOU AND I WILL TRAVEL TOGETHER. THEY WILL FOLLOW IN THE COACH BEHIND. 1798 02:01:53,030 --> 02:01:56,320 ANY TRICKERY, MY FRIEND, AND THEY DIE. 1799 02:01:57,680 --> 02:02:00,490 ALL I ASK IS, THAT YOU LEAD ME TO THE BOY. 1800 02:02:25,100 --> 02:02:26,470 BARON DE BATZ, MY LORD. 1801 02:02:26,630 --> 02:02:27,530 LOUIS! 1802 02:02:35,640 --> 02:02:36,680 YOUR HIGHNESS, 1803 02:02:37,220 --> 02:02:38,860 THIS GENTLEMAN IS THE BARON DE BATZ. 1804 02:02:39,620 --> 02:02:41,480 HE'S GOING TO TAKE ACROSS THE NORTHERN FRONTIER 1805 02:02:41,510 --> 02:02:42,730 AND FROM THERE INTO AUSTRIA. 1806 02:02:43,550 --> 02:02:44,700 YOUR ROYAL HIGHNESS. 1807 02:02:45,410 --> 02:02:47,020 YOU HAVE MANY FRIENDS IN MY COUNTRY, 1808 02:02:47,700 --> 02:02:49,690 WHO WILL HELP YOU TO RECLAIM THE THRONE 1809 02:02:49,720 --> 02:02:51,680 WHICH HAS BEEN SO CRUELLY DENIED YOU. 1810 02:02:54,240 --> 02:02:54,990 COME. 1811 02:02:56,440 --> 02:02:57,780 I WISH YOU BOTH A SAFE JOURNEY. 1812 02:03:00,380 --> 02:03:01,710 GODSPEED! 1813 02:03:38,450 --> 02:03:39,340 CITIZEN! 1814 02:03:39,370 --> 02:03:42,320 TAKE HALF YOU MEN AND GO ON AHEAD. SIGNAL IF ALL IS WELL 1815 02:03:42,350 --> 02:03:43,120 YES, CITIZEN. 1816 02:03:44,410 --> 02:03:46,140 YOU MEN, FOLLOW ME. 1817 02:03:59,160 --> 02:04:00,660 TWO BIRDS WITH ONE STONE. 1818 02:04:01,480 --> 02:04:04,380 THE DAUPHIN AND THE SCARLET PIMPERNEL. 1819 02:04:04,910 --> 02:04:07,430 MY SEAT ON THE COMMITTEE OF NATIONAL SECURITY IS ASSURED. 1820 02:04:08,190 --> 02:04:11,850 THANKS TO YOUR PRIMITIVE SENSE OF NOBLESS OBLIGE. 1821 02:04:11,940 --> 02:04:16,710 PRIMITIVE? MY DEAR CHAUVELIN. I SHALL TAKE IT ANY DAY 1822 02:04:16,740 --> 02:04:18,430 OVER YOUR NEW ORDER. 1823 02:04:25,320 --> 02:04:28,090 A SIGNAL FROM THE FORTRESS, CITIZEN. ALL'S CLEAR. 1824 02:04:28,120 --> 02:04:29,470 THANK YOU, CORPORAL. 1825 02:04:29,510 --> 02:04:31,980 YOU AND YOUR MEN REMAIN HERE. MAKE SURE THAT NOBODY LEAVES 1826 02:04:32,010 --> 02:04:33,050 THE ISLAND WITHOUT ME. 1827 02:04:33,080 --> 02:04:36,330 IF I'M NOT BACK WITHIN THE HOUR. COME IN AND FETCH ME. 1828 02:04:36,370 --> 02:04:37,210 YES, CITIZEN. 1829 02:04:37,240 --> 02:04:38,050 ONWARD, DRIVER! 1830 02:05:07,810 --> 02:05:10,470 GONE? WHAT DO YOU MEAN, THEY'VE GONE? 1831 02:05:10,500 --> 02:05:14,340 THAT'S JUST IT, SIR, THE BOY, THE SCARLET PIMPERNEL'S MEN, ALL FLOWN. 1832 02:05:14,730 --> 02:05:16,930 THIS MAN SAYS HE MAY HAVE OVERHEARD WHAT WAS HAPPENING. 1833 02:05:16,970 --> 02:05:19,390 THEN WHERE HAVE THEY GONE. SPEAK UP. 1834 02:05:19,430 --> 02:05:23,000 TO TAKE THE BOY ACROSS THE SOUTHERN FRONTIER INTO SPAIN, 1835 02:05:23,030 --> 02:05:24,680 AND THENCE TO ENGLAND. 1836 02:05:24,860 --> 02:05:25,920 ENGLAND. 1837 02:05:26,810 --> 02:05:27,870 JUST AS I THOUGHT. 1838 02:05:29,100 --> 02:05:30,340 THIS IS YOUR DOING. 1839 02:05:31,030 --> 02:05:32,930 TAKE THIS SPY INTO THE COURTYARD AND EXECUTE 1840 02:05:32,960 --> 02:05:33,700 HIM AT ONCE. 1841 02:05:33,730 --> 02:05:34,520 NO! 1842 02:05:36,000 --> 02:05:38,040 I HAVE ONLY ONE LAST REQUEST, CHAUVELIN. 1843 02:05:38,080 --> 02:05:39,320 YES. 1844 02:05:39,350 --> 02:05:40,620 SPARE MY WIFE. 1845 02:05:41,380 --> 02:05:43,530 ALLOW HER TO GO FREE. 1846 02:05:44,770 --> 02:05:48,120 OH, SHE WILL BE FREE, BUT ONLY AFTER YOU ARE DEAD. 1847 02:05:50,220 --> 02:05:51,130 TAKE HIM AWAY. 1848 02:05:51,160 --> 02:05:52,030 NO PLEASE! 1849 02:05:52,810 --> 02:05:54,740 LET ME DIE WITH YOU. 1850 02:05:55,550 --> 02:05:59,660 MY DARLING. WHAT I AM ABOUT TO DO IS FOR THE BEST. 1851 02:06:00,410 --> 02:06:01,380 TRUST ME. 1852 02:06:02,010 --> 02:06:03,080 THIS ONE LAST TIME. 1853 02:06:03,970 --> 02:06:05,210 WITHOUT QUESTION. 1854 02:06:11,080 --> 02:06:14,410 I SHALL BE BACK, MY DEAR CHAUVELIN. I SHALL RETURN 1855 02:06:14,450 --> 02:06:16,260 TO HAUNT YOU. 1856 02:06:16,300 --> 02:06:19,500 DETAIL, LEFT TURN. FORWARD! 1857 02:06:39,770 --> 02:06:44,300 [THE SOUND OF WIND BLOWING] 1858 02:06:54,680 --> 02:06:56,470 DETAIL...HALT! 1859 02:06:56,510 --> 02:06:58,260 FACE FRONT. 1860 02:07:14,170 --> 02:07:15,160 READY. 1861 02:07:27,070 --> 02:07:28,060 AIM! 1862 02:07:35,760 --> 02:07:37,510 FIRE, DAMN YOU, FIRE. 1863 02:07:38,640 --> 02:07:41,310 FIRE! [GUNSHOT VOLLEY] PERCY! 1864 02:07:50,870 --> 02:07:51,610 CAPTAIN. 1865 02:07:51,640 --> 02:07:52,350 SIR. 1866 02:07:53,350 --> 02:07:55,690 TAKE THESE TWO PRISONERS BACK TO THEIR COACH. 1867 02:07:55,720 --> 02:07:56,450 YES, SIR. 1868 02:07:56,490 --> 02:07:59,900 THEY WILL BE RETURNED TO PARIS. THERE TO BE TRIED AND EXECUTED 1869 02:07:59,940 --> 02:08:00,770 FOR TREASON. 1870 02:08:01,680 --> 02:08:04,180 I'M...NOT AFRAID TO DIE, CHAUVELIN. 1871 02:08:04,430 --> 02:08:07,540 BUT YOU GAVE YOUR WORD THAT MARGUERITE WOULD GO FREE. 1872 02:08:09,420 --> 02:08:11,950 BUT AN OATH TO A SCOUNDREL IS MEANINGLESS. 1873 02:08:14,790 --> 02:08:17,740 SINK ME, I COULDN'T AGREE MORE. 1874 02:08:21,570 --> 02:08:25,080 NO, NO, NO, MY DEAR CHAUVELIN. NEVER FEAR. YOU ARE NOT LOOKING 1875 02:08:25,110 --> 02:08:26,650 UPON A GHOST. 1876 02:08:26,690 --> 02:08:30,210 BUT ALLOW ME TO INTRODUCE YOUR SOLDIERS: 1877 02:08:32,830 --> 02:08:34,360 LORD ANTHONY DEWHURST, 1878 02:08:35,430 --> 02:08:37,690 SIR ANDREW FFOULKES, 1879 02:08:37,960 --> 02:08:39,860 LORD TIMOTHY HASTINGS, 1880 02:08:40,660 --> 02:08:46,790 AND THE LEAGUE OF THE SCARLET PIMPERNEL. 1881 02:08:49,250 --> 02:08:52,660 SOMETHING TELLS ME, THAT YOU'RE WONDERING WHAT HAPPENED 1882 02:08:52,690 --> 02:08:54,690 TO THE MEN YOU SENT ON AHEAD. 1883 02:08:54,730 --> 02:08:55,920 HMM? 1884 02:08:58,460 --> 02:09:01,570 [DOOR OPENS] 1885 02:09:03,620 --> 02:09:07,160 VOILA. [MUFFLED SOUNDS] 1886 02:09:07,580 --> 02:09:08,830 [DOOR CLOSES] 1887 02:09:08,870 --> 02:09:11,140 I'M SURPRISED, MY DEAR CHAUVELIN, THAT YOU DIDN'T 1888 02:09:11,170 --> 02:09:12,900 NOTICE THEIR ILL-FITTING UNIFORMS. 1889 02:09:13,520 --> 02:09:18,800 BUT THEN FASHION NEVER WAS YOUR FORTE...WAS IT? 1890 02:09:19,840 --> 02:09:22,590 BUT WHY THIS CHARADE, THIS MOCK EXECUTION? 1891 02:09:22,620 --> 02:09:25,660 MY DEAR CHAP, I NEVER WOULD OF DREAMT OF DEPRIVING YOU 1892 02:09:25,690 --> 02:09:26,970 OF YOUR MOMENT OF TRIUMPH. 1893 02:09:27,180 --> 02:09:30,040 ALAS, A MOMENT WAS ALL I COULD SPARE. 1894 02:09:30,620 --> 02:09:32,860 - MY CONGRATULATIONS TO YOU, SIR PERCY. 1895 02:09:32,860 --> 02:09:36,420 AS ALWAYS EVERYTHING PLANNED DOWN TO THE LAST DETAIL. 1896 02:09:39,250 --> 02:09:43,460 ONLY THIS TIME, YOU HAVE OVERLOOKED ONE LITTLE THING. 1897 02:09:44,360 --> 02:09:48,960 THERE IS NO WAY OFF THIS ISLAND EXCEPT BACK OVER THE CAUSEWAY. 1898 02:09:49,370 --> 02:09:51,560 AND IF YOU CARE TO LOOK OUT OF THAT WINDOW, 1899 02:09:52,180 --> 02:09:55,590 YOU WILL SEE MY MEN, MY OWN MEN, STANDING GUARD. 1900 02:09:55,620 --> 02:09:56,570 SINK ME. 1901 02:09:57,140 --> 02:09:58,890 SO THEY ARE. 1902 02:10:00,730 --> 02:10:03,470 BUT THEN, IF YOU WOULD CARE TO LOOK OUT OF THAT WINDOW, 1903 02:10:03,510 --> 02:10:06,620 YOU WOULD SEE ME YACHT, THE DAYDREAM, WAITING JUST 1904 02:10:06,660 --> 02:10:09,970 OFFSHORE TO TAKE LADY BLAKENEY, ARMAND AND 1905 02:10:10,010 --> 02:10:13,240 MY MEN SAFELY BACK TO ENGLAND. 1906 02:10:20,260 --> 02:10:22,080 MY HAT IS OFF TO YOU, SIR PERCY. 1907 02:10:24,640 --> 02:10:25,770 YOU'VE DONE IT AGAIN. 1908 02:10:29,490 --> 02:10:30,430 PERCY! 1909 02:10:37,070 --> 02:10:40,690 A GENTLEMAN...ALWAYS... REMOVES HIS COAT! 1910 02:10:43,440 --> 02:10:44,470 STAND AWAY! 1911 02:10:47,440 --> 02:10:52,040 THIS PLEASURE... IS ALL MINE. 1912 02:11:29,400 --> 02:11:30,450 [CLINK] 1913 02:11:31,190 --> 02:11:32,580 [CRASH] 1914 02:11:45,100 --> 02:11:45,830 HUH. 1915 02:11:50,920 --> 02:11:51,530 HUH. 1916 02:11:52,190 --> 02:11:52,710 HUH. 1917 02:11:58,710 --> 02:11:59,310 UGH. 1918 02:12:13,730 --> 02:12:14,420 OH!. 1919 02:12:20,940 --> 02:12:23,540 [BREATHING HEAVILY] 1920 02:12:31,900 --> 02:12:32,730 UHH. 1921 02:12:33,140 --> 02:12:33,820 UGH! 1922 02:12:35,340 --> 02:12:39,440 WELL, FINISH IT OFF, MAN, OR DO YOU LACK THE COURAGE? 1923 02:12:39,480 --> 02:12:40,790 [BREATHING HEAVILY] I ALWAYS LIKE TO GIVE A MAN 1924 02:12:40,820 --> 02:12:43,040 A SPORTING CHANCE. 1925 02:12:43,080 --> 02:12:48,100 OH, THE ENGLISH, AND THEIR STUPID SENSE OF FAIR PLAY. 1926 02:12:48,140 --> 02:12:50,490 EXACTLY SO! MY DEAR CHAUVELIN. 1927 02:12:50,520 --> 02:12:52,800 [GASP] WHICH IS WHY I THINK, 1928 02:12:52,840 --> 02:12:56,230 IN YOUR CASE, FAIR PLAY... TO LEAVE YOUR FATE... 1929 02:12:56,270 --> 02:12:59,630 IN THE HANDS OF ROBESPIERRE AND HIS COMMITTEE. 1930 02:13:00,430 --> 02:13:02,020 TAKE HIM AWAY, 1931 02:13:02,060 --> 02:13:03,610 AND STRIP HIM. 1932 02:13:04,510 --> 02:13:07,190 I SHALL NEED TO STYLE HIS GARMENTS TO PERSUADE THE 1933 02:13:07,230 --> 02:13:11,320 GUARD AT THE CAUSEWAY THAT I AM CITIZEN CHAUVELIN, LUI MEME. 1934 02:13:11,350 --> 02:13:13,170 YOU'RE NOT GOING AWAY. I WON'T LET YOU. 1935 02:13:13,210 --> 02:13:15,170 MY DARLING, I MUST. I PROMISED ARMAND THAT 1936 02:13:15,210 --> 02:13:17,610 I WOULD BRING LOUISE SAFELY BACK TO ENGLAND. 1937 02:13:17,650 --> 02:13:20,010 NOT THIS TIME. I WILL POSE AS CHAUVELIN, 1938 02:13:20,050 --> 02:13:21,890 AND GO TO PARIS IN YOUR PLACE. 1939 02:13:22,420 --> 02:13:24,000 PERHAPS IN THIS SMALL WAY 1940 02:13:24,040 --> 02:13:25,550 I MAY ATONE FOR MY MISTAKES. 1941 02:13:25,580 --> 02:13:27,880 NO, NEITHER OF YOU ARE GOING. IT'S TOO DANGEROUS. 1942 02:13:28,080 --> 02:13:29,530 PERCY, YOU MUSTN'T LET HIM DO IT. 1943 02:13:29,570 --> 02:13:30,340 - SIR. 1944 02:13:31,410 --> 02:13:32,580 YOUR WARDROBE. 1945 02:13:32,620 --> 02:13:33,600 AHA. 1946 02:13:36,060 --> 02:13:40,030 I WILL CONFESS. THIS IS ONE ROLE THAT I WAS LOATHE TO PLAY. 1947 02:13:40,720 --> 02:13:43,120 THE HONOR, MY DEAR ARMAND, IS ALL YOURS. 1948 02:13:43,750 --> 02:13:44,920 GODSPEED, MY FRIEND. 1949 02:14:04,820 --> 02:14:06,190 [MUFFLED] TO PARIS, CORPORAL, 1950 02:14:06,230 --> 02:14:07,170 AS QUICKLY AS POSSIBLE. 1951 02:14:07,210 --> 02:14:08,580 VERY GOOD, CITIZEN CHAUVELIN. 1952 02:14:11,660 --> 02:14:12,910 - HE'S SAFELY AWAY, PERCY. 1953 02:14:12,970 --> 02:14:14,480 THEN PREPARE TO BOARD THE DAYDREAM. 1954 02:14:15,620 --> 02:14:17,950 WE SAIL...FOR ENGLAND. 1955 02:14:23,020 --> 02:14:25,250 THEY SEEK HIM HERE, THEY SEEK HIM THERE, 1956 02:14:26,090 --> 02:14:28,150 THOSE FRENCHIES SEEK HIM EVERYWHERE, 1957 02:14:28,860 --> 02:14:30,420 IS HE IN HEAVEN? 1958 02:14:30,460 --> 02:14:31,980 OR IS HE IN HELL? 1959 02:14:33,450 --> 02:14:37,030 MY OWN, ELUSIVE, PIMPERNEL. 1960 02:14:38,220 --> 02:14:42,610 SINK ME, THE LADY'S A POET.