1 00:00:19,011 --> 00:00:23,015 ♪ THINK ABOUT IT THERE MUST BE 2 00:00:19,011 --> 00:00:23,015 HIGHER LOVE ♪ 3 00:00:23,015 --> 00:00:25,006 ♪ DOWN IN THE HEART OR HIDDEN I 4 00:00:23,015 --> 00:00:25,006 THE STARS ABOVE ♪ 5 00:00:25,006 --> 00:00:32,000 ♪ WITHOUT IT LIFE IS WASTED 6 00:00:25,006 --> 00:00:32,000 TIME ♪ 7 00:00:32,000 --> 00:00:38,025 ♪ LOOK INSIDE YOUR HEART AND 8 00:00:32,000 --> 00:00:38,025 I'LL LOOK INSIDE MINE ♪ 9 00:00:38,025 --> 00:00:43,010 ♪ THINGS LOOK SO BAD 10 00:00:38,025 --> 00:00:43,010 EVERYWHERE ♪ 11 00:00:43,010 --> 00:00:49,018 ♪ IN THIS WHOLE WORLD WHAT IS 12 00:00:43,010 --> 00:00:49,018 FAIR ♪ 13 00:00:49,018 --> 00:00:54,001 ♪ WE WALK A LINE AND TRY TO 14 00:00:49,018 --> 00:00:54,001 SEE ♪ 15 00:00:54,001 --> 00:01:03,023 ♪ FALLING BEHIND WHAT COULD BE ♪ 16 00:00:54,001 --> 00:01:03,023 ♪ OH OH BRING ME A HIGHER LOVE ♪ 17 00:01:03,023 --> 00:01:14,019 ♪ OH BRING ME A HIGHER LOVE OH 18 00:01:03,023 --> 00:01:14,019 BRING ME A HIGHER LOVE ♪ 19 00:01:14,019 --> 00:01:22,001 ♪ WITH A HIGHER LOVE I CAN MAKE 20 00:01:14,019 --> 00:01:22,001 IT OUT ♪ 21 00:01:22,001 --> 00:01:26,025 ♪ WORLDS ARE TURNING WE'RE JUST 22 00:01:22,001 --> 00:01:26,025 HANGING ON ♪ 23 00:01:26,025 --> 00:01:30,025 ♪ FACING OUR FEAR AND STANDING 24 00:01:26,025 --> 00:01:30,025 OUT THERE ALL ALONE ♪ 25 00:01:30,025 --> 00:01:36,025 ♪ A YEARNING YEAH AND IT'S REAL 26 00:01:30,025 --> 00:01:36,025 TO ME ♪ 27 00:01:36,025 --> 00:01:41,015 ♪ THERE MUST BE SOMEONE WHO'S 28 00:01:36,025 --> 00:01:41,015 FEELING FOR ME ♪ 29 00:01:41,015 --> 00:01:45,020 ♪ THINGS LOOK SO BAD 30 00:01:41,015 --> 00:01:45,020 EVERYWHERE ♪ 31 00:01:45,020 --> 00:01:50,014 ♪ IN THIS WHOLE WORLD WHAT IS 32 00:01:45,020 --> 00:01:50,014 FAIR ♪ 33 00:01:50,014 --> 00:01:55,016 ♪ WE WALK A LINE AND WE TRY TO 34 00:01:50,014 --> 00:01:55,016 SEE ♪ 35 00:01:55,016 --> 00:01:59,013 ♪ FALLING BEHIND WHAT COULD BE 36 00:01:55,016 --> 00:01:59,013 OH OH ♪ 37 00:01:59,013 --> 00:02:08,022 ♪ BRING ME A HIGHER LOVE BRING 38 00:01:59,013 --> 00:02:08,022 ME A HIGHER LOVE OH ♪ 39 00:02:08,022 --> 00:02:16,008 ♪ BRING ME A HIGHER LOVE IT'S 40 00:02:08,022 --> 00:02:16,008 THAT HIGHER LOVE I KEEP THINKING 41 00:02:16,008 --> 00:02:24,008 OF ♪ 42 00:02:16,008 --> 00:02:24,008 ♪ I WILL WAIT FOR IT YEAH I'M 43 00:02:24,008 --> 00:02:31,010 NOT TOO LATE FOR IT ♪ 44 00:02:24,008 --> 00:02:31,010 ♪ UNTIL THEN I'LL SING MY SONG 45 00:02:31,010 --> 00:02:44,000 OH ♪ 46 00:02:31,010 --> 00:02:44,000 ♪ OH OH ♪ 47 00:02:44,000 --> 00:02:45,019 COME ON, GIRL! 48 00:02:44,000 --> 00:02:45,019 ♪♪ 49 00:02:45,019 --> 00:02:50,016 ♪♪ 50 00:02:45,019 --> 00:02:50,016 EVERYBODY! 51 00:02:50,016 --> 00:02:54,019 ♪ BRING ME A HIGHER LOVE BRING 52 00:02:50,016 --> 00:02:54,019 ME YEAH ♪ 53 00:02:54,019 --> 00:03:03,028 ♪ BRING ME A HIGHER LOVE OH 54 00:02:54,019 --> 00:03:03,028 BRING ME A HIGHER LOVE ♪ 55 00:03:03,028 --> 00:03:09,008 ♪ THERE'S THAT HIGHER LOVE I 56 00:03:03,028 --> 00:03:09,008 KEEP THINKING OF ♪ 57 00:03:09,008 --> 00:03:14,003 ♪ BRING ME A HIGHER LOVE BRING 58 00:03:09,008 --> 00:03:14,003 ME A HIGHER LOVE ♪ 59 00:03:14,003 --> 00:03:18,025 ♪ BRING ME A HIGHER LOVE BRING 60 00:03:14,003 --> 00:03:18,025 ME BRING ME BRING ♪ 61 00:03:18,025 --> 00:03:24,014 ♪ BRING ME A HIGHER LOVE THERE' 62 00:03:18,025 --> 00:03:24,014 THAT HIGHER LOVE I'VE BEEN 63 00:03:24,014 --> 00:03:32,014 THINKING OF ♪ 64 00:03:24,014 --> 00:03:32,014 ♪ BRING ME A HIGHER LOVE WHOO 65 00:03:32,014 --> 00:03:42,021 THERE'S THAT HIGHER LOVE I'VE 66 00:03:32,014 --> 00:03:42,021 BEEN THINKING OF ♪♪ 67 00:03:42,021 --> 00:03:46,029 >>> LIVE FROM THE DOLBY THEATRE 68 00:03:42,021 --> 00:03:46,029 IN HOLLYWOOD, ON A NIGHT WHEN 69 00:03:46,029 --> 00:03:52,017 MUSIC UNITES US ALL, WHERE POP, 70 00:03:46,029 --> 00:03:52,017 COUNTRY, HIP-HOP, R&B, AND LATIN 71 00:03:52,017 --> 00:03:58,001 COME TOGETHER ON ONE STAGE 72 00:03:52,017 --> 00:03:58,001 IT'S THE 2020 BILLBOARD MUSIC 73 00:03:58,001 --> 00:04:01,025 AWARDS 74 00:03:58,001 --> 00:04:01,025 WITH PERFORMANCES BY ALICIA 75 00:04:01,025 --> 00:04:05,014 KEYS 76 00:04:01,025 --> 00:04:05,014 BAD BUNNY. 77 00:04:05,014 --> 00:04:07,011 BTS. 78 00:04:05,014 --> 00:04:07,011 DOJA CAT 79 00:04:07,011 --> 00:04:11,029 JOHN LEGEND. 80 00:04:07,011 --> 00:04:11,029 LUKE COMBS 81 00:04:11,029 --> 00:04:13,011 SAINT JOHN 82 00:04:11,029 --> 00:04:13,011 AND SIA. 83 00:04:13,011 --> 00:04:17,016 WITH UNFORGETTABLE 84 00:04:13,011 --> 00:04:17,016 COLLABORATIONS BY KANE BROWN 85 00:04:17,016 --> 00:04:20,023 SPEECHING SWAE LEE AND KHALID, 86 00:04:17,016 --> 00:04:20,023 PERFORMING "BE LIKE THAT." 87 00:04:20,023 --> 00:04:29,016 25 YEARS AFTER WINNING FOR TOP 88 00:04:20,023 --> 00:04:29,016 NEW R&B HIP-HOP ARTIST, THE EPIC 89 00:04:29,016 --> 00:04:33,013 RETURN 90 00:04:29,016 --> 00:04:33,013 AND POST MALONE COMES TO US FROM 91 00:04:33,013 --> 00:04:36,009 A TOP-SECRET LOCATION FOR A 92 00:04:33,013 --> 00:04:36,009 BILLBOARD MOMENT UNLIKE ANY 93 00:04:36,009 --> 00:04:39,022 OTHER. 94 00:04:36,009 --> 00:04:39,022 PLUS DEMI LOVATO TAKES THE STAGE 95 00:04:39,022 --> 00:04:40,022 FOR A POWERFUL WORLD PREMIERE 96 00:04:39,022 --> 00:04:40,022 PERFORMANCE. 97 00:04:40,022 --> 00:04:45,001 IN THIS YEAR'S "BILLBOARD 98 00:04:40,022 --> 00:04:45,001 THROWBACK," 30 YEARS AFTER THEY 99 00:04:45,001 --> 00:04:50,021 FIRST STORMED THE CHARTS, EN 100 00:04:45,001 --> 00:04:50,021 VOGUE RETURNS TO PERFORM THEIR 101 00:04:50,021 --> 00:04:54,001 HUGE HIT "IN YOUR MIND." 102 00:04:50,021 --> 00:04:54,001 AND THE FIRST-EVER BILLBOARD 103 00:04:54,001 --> 00:04:56,009 CHANGEMAKER AWARD. 104 00:04:54,001 --> 00:04:56,009 AND CHER PRESENTS THE BILLBOARD 105 00:04:56,009 --> 00:05:00,015 ICON AWARD TO GARTH BROOKS AS 106 00:04:56,009 --> 00:05:00,015 THE COUNTRY MUSIC LEGEND 107 00:05:00,015 --> 00:05:04,010 PERFORMS HIS GREATEST HITS 108 00:05:00,015 --> 00:05:04,010 PLEASE WELCOME YOUR HOST FOR THE 109 00:05:04,010 --> 00:05:12,002 2020 BILLBOARD MUSIC AWARDS, 110 00:05:04,010 --> 00:05:12,002 KELLY CLARKSON 111 00:05:12,002 --> 00:05:16,026 >> WELCOME TO THE 2020 BILLBOARD 112 00:05:12,002 --> 00:05:16,026 MUSIC AWARDS, Y'ALL! 113 00:05:16,026 --> 00:05:21,021 THANK YOU SO MUCH TO PEN THAT 114 00:05:16,026 --> 00:05:21,021 TONICS AND ALL THE OTHER 115 00:05:21,021 --> 00:05:25,001 MUSICIANS AND VOCALISTS THAT 116 00:05:21,021 --> 00:05:25,001 JUST JOINED SHEILA E. AND ME, 117 00:05:25,001 --> 00:05:26,020 THAT WAS CRAZY 71. 118 00:05:25,001 --> 00:05:26,020 THERE ARE SO MANY TALENTED 119 00:05:26,020 --> 00:05:30,006 PEOPLE HERE, Y'ALL, AND WE ARE 120 00:05:26,020 --> 00:05:30,006 CELEBRATING THE POWER OF MUSIC, 121 00:05:30,006 --> 00:05:33,019 ALL MUSIC. 122 00:05:30,006 --> 00:05:33,019 FROM POP TO COUNTRY TO HIP-HOP 123 00:05:33,019 --> 00:05:36,001 TO R&B AND LATIN AND EVERYTHING 124 00:05:33,019 --> 00:05:36,001 IN BETWEEN 125 00:05:36,001 --> 00:05:40,018 TONIGHT IS ABOUT THE WAY MUSIC 126 00:05:36,001 --> 00:05:40,018 TOUCHES US ALL, BECAUSE MUSIC 127 00:05:40,018 --> 00:05:43,009 CONNECTED US IN SO MANY WAYS, NO 128 00:05:40,018 --> 00:05:43,009 MATTER WHO YOU ARE 129 00:05:43,009 --> 00:05:45,016 IT MOVES US, SOMETIMES 130 00:05:43,009 --> 00:05:45,016 LITERALLY. 131 00:05:45,016 --> 00:05:49,003 WITH DANCE 132 00:05:45,016 --> 00:05:49,003 WE SING, WE CRY, LIKE I DO 133 00:05:49,003 --> 00:05:51,008 OFTEN. 134 00:05:49,003 --> 00:05:51,008 IT BRINGS BACK THOSE GOOD 135 00:05:51,008 --> 00:05:53,020 MEMORIES 136 00:05:51,008 --> 00:05:53,020 AND IT ALSO HELPS US MAKE NEW 137 00:05:53,020 --> 00:05:55,024 ONES 138 00:05:53,020 --> 00:05:55,024 AND MUSIC ALSO CONNECTS US TO 139 00:05:55,024 --> 00:05:59,002 EACH OTHER, FROM VIRTUAL LIVING 140 00:05:55,024 --> 00:05:59,002 ROOM DANCE PARTIES TO 141 00:05:59,002 --> 00:06:02,013 NEIGHBORHOOD BALCONY CONCERTS, 142 00:05:59,002 --> 00:06:02,013 MUSIC HAS UNITED US. 143 00:06:02,013 --> 00:06:07,003 AND TONIGHT, MUSIC FROM EVERY 144 00:06:02,013 --> 00:06:07,003 GENRE WILL BRING US TOGETHER 145 00:06:07,003 --> 00:06:09,001 AGAIN. 146 00:06:07,003 --> 00:06:09,001 THANKS TO THE BILLBOARD CHARTS, 147 00:06:09,001 --> 00:06:14,001 WHAT 148 00:06:09,001 --> 00:06:14,001 THERE'S NO AUDIENCE, IT'S JUST 149 00:06:14,001 --> 00:06:16,008 ME, YEAH 150 00:06:14,001 --> 00:06:16,008 I'M MY OWN HYPE GIRL 151 00:06:16,008 --> 00:06:19,022 WE'RE HERE TO RECOGNIZE THE VERY 152 00:06:16,008 --> 00:06:19,022 BEST SONGS OF THE PAST YEAR AND 153 00:06:19,022 --> 00:06:23,005 THE ARTIST WHOSE CREATIVITY AND 154 00:06:19,022 --> 00:06:23,005 TALENT HELPED US GET THROUGH IT. 155 00:06:23,005 --> 00:06:25,009 AND WE DEFINITELY NEEDED THAT 156 00:06:23,005 --> 00:06:25,009 HELP 157 00:06:25,009 --> 00:06:26,027 I KNOW I DID 158 00:06:25,009 --> 00:06:26,027 I STILL DO 159 00:06:26,027 --> 00:06:30,002 WE'VE GOT SOME AMAZING 160 00:06:26,027 --> 00:06:30,002 PERFORMANCES LINED UP FOR YOU 161 00:06:30,002 --> 00:06:33,028 TONIGHT. 162 00:06:30,002 --> 00:06:33,028 WE'VE GOT SIA, BRANDY, DOJA CAT, 163 00:06:33,028 --> 00:06:38,012 THE BEST THROWBACK PERFORMANCE, 164 00:06:33,028 --> 00:06:38,012 I SWEAR I SAW IT IN REHEARSALS, 165 00:06:38,012 --> 00:06:40,012 THE BEST PERFORMANCE EVER BY EN 166 00:06:38,012 --> 00:06:40,012 VOGUE. 167 00:06:40,012 --> 00:06:43,026 YOU'RE GOING TO -- MIND IS GOING 168 00:06:40,012 --> 00:06:43,026 TO BE BLOWN. 169 00:06:43,026 --> 00:06:46,014 BTS COMING TO US ALL THE WAY 170 00:06:43,026 --> 00:06:46,014 FROM SOUTH KOREA, Y'ALL. 171 00:06:46,014 --> 00:06:50,025 POST MALONE PERFORMING AT A 172 00:06:46,014 --> 00:06:50,025 TOP-SECRET, UNDISCLOSED ELECTION 173 00:06:50,025 --> 00:06:54,003 SOMEWHERE IN LOS ANGELES 174 00:06:50,025 --> 00:06:54,003 SO SECRET THEY WON'T EVEN TELL 175 00:06:54,003 --> 00:06:57,005 ME WHERE IT IS, I'M THE HOST, 176 00:06:54,003 --> 00:06:57,005 IT'S FINE, I'M NOT OFFENDED. 177 00:06:57,005 --> 00:07:00,021 AND MY FAVORITE, Y'ALL, GARTH 178 00:06:57,005 --> 00:07:00,021 BROOKS GETTING THE BILLBOARD 179 00:07:00,021 --> 00:07:03,016 ICON AWARD FROM CHER, SO I'M 180 00:07:00,021 --> 00:07:03,016 LIVING MY BEST LIFE TONIGHT. 181 00:07:03,016 --> 00:07:06,012 HE'S GOING TO BE PERFORMING SOME 182 00:07:03,016 --> 00:07:06,012 OF HIS BIGGEST ALL-TIME HITS 183 00:07:06,012 --> 00:07:08,016 I'M SO STOKED. 184 00:07:06,012 --> 00:07:08,016 BUT BEFORE WE GET TO ALL THOSE 185 00:07:08,016 --> 00:07:12,005 GREAT ARTISTS, IT'S TIME TO 186 00:07:08,016 --> 00:07:12,005 PRESENT OUR FIRST AWARD. 187 00:07:12,005 --> 00:07:21,005 HER NEW ALBUM "UNEARTHED" IS OUT 188 00:07:12,005 --> 00:07:21,005 NOW, HERE IS NICOLE RICHIE 189 00:07:21,005 --> 00:07:32,009 ♪♪ 190 00:07:21,005 --> 00:07:32,009 >> THERE ARE SOME ALBUMS THAT WE 191 00:07:32,009 --> 00:07:35,001 PLAY WITH NO SKIPS 192 00:07:32,009 --> 00:07:35,001 START TO FINISH, EACH TRACK IS 193 00:07:35,001 --> 00:07:37,028 JUST THAT GOOD 194 00:07:35,001 --> 00:07:37,028 WE KEEP THESE ALBUMS ON REPEAT 195 00:07:37,028 --> 00:07:40,018 BECAUSE THEY BECOME THE 196 00:07:37,028 --> 00:07:40,018 SOUNDTRACKS TO OUR DAILY 197 00:07:40,018 --> 00:07:42,007 ROUTINES 198 00:07:40,018 --> 00:07:42,007 OUR HIGHS, LOWS, AND EVERYTHING 199 00:07:42,007 --> 00:07:43,027 IN BETWEEN 200 00:07:42,007 --> 00:07:43,027 HERE ARE THE NOMINEES FOR TOP 201 00:07:43,027 --> 00:07:51,009 BILLBOARD 200 ALBUM. 202 00:07:43,027 --> 00:07:51,009 >> BILLIE EILISH 203 00:07:51,009 --> 00:08:02,004 "WHEN WE ALL FALL ASLEEP, WHERE 204 00:07:51,009 --> 00:08:02,004 DO WE GO?" 205 00:08:02,004 --> 00:08:23,026 ARIANA GRANDE, "THANK U, NEXT. 206 00:08:02,004 --> 00:08:23,026 KHALID, "FREE SPIRIT." 207 00:08:23,026 --> 00:08:35,012 POST MALONE, "HOLLYWOOD'S 208 00:08:23,026 --> 00:08:35,012 BLEEDING." 209 00:08:35,012 --> 00:08:50,007 TAYLOR SWIFT, "LOVER." 210 00:08:35,012 --> 00:08:50,007 AND THE BILLBOARD MUSIC AWARD 211 00:08:50,007 --> 00:09:09,018 GOES TO -- 212 00:08:50,007 --> 00:09:09,018 MY FAVORITE, BILLIE EILISH! 213 00:09:09,018 --> 00:09:11,015 >> OH, GOSH. 214 00:09:09,018 --> 00:09:11,015 OH, THIS IS HEAVY. 215 00:09:11,015 --> 00:09:13,015 THANK YOU, NICOLE. 216 00:09:11,015 --> 00:09:13,015 THANK YOU GUYS SO MUCH 217 00:09:13,015 --> 00:09:16,019 THIS IS AMAZING. 218 00:09:13,015 --> 00:09:16,019 I WANTED TO SAY, THANK YOU TO 219 00:09:16,019 --> 00:09:19,021 THE FANS, THANK YOU FOR 220 00:09:16,019 --> 00:09:19,021 BELIEVING IN ME AND CARING ABOUT 221 00:09:19,021 --> 00:09:22,001 ME STILL, I DON'T KNOW WHY YOU 222 00:09:19,021 --> 00:09:22,001 DO 223 00:09:22,001 --> 00:09:25,007 I ALSO WANT TO SAY THAT I NEVER, 224 00:09:22,001 --> 00:09:25,007 EVER TAKE THESE FOR GRANTED. 225 00:09:25,007 --> 00:09:28,017 IT IS ALWAYS A SHOCK WHEN I WIN 226 00:09:25,007 --> 00:09:28,017 ANYTHING AT ALL. 227 00:09:28,017 --> 00:09:30,014 THANK YOU, BILLBOARD 228 00:09:28,017 --> 00:09:30,014 THANK YOU, GUYS. 229 00:09:30,014 --> 00:09:32,006 I LOVE YOU 230 00:09:30,014 --> 00:09:32,006 THANK YOU, THANK YOU, THANK YOU, 231 00:09:32,006 --> 00:09:37,020 MWAH 232 00:09:32,006 --> 00:09:37,020 >> WELL, I CAN'T THINK OF A 233 00:09:37,020 --> 00:09:42,020 BETTER MUSICAL ANTHEM TO REMIND 234 00:09:37,020 --> 00:09:42,020 US OF OUR NEED TO BE UNITED THAN 235 00:09:42,020 --> 00:09:45,003 "COURAGE TO CHANGE." 236 00:09:42,020 --> 00:09:45,003 IT AS BRAND-NEW SONG FROM THE 237 00:09:45,003 --> 00:09:48,011 VERY FIRST FILM THIS 238 00:09:45,003 --> 00:09:48,011 MULTI-TALENTED ARTIST DIRECTED 239 00:09:48,011 --> 00:09:52,002 I AM SO THRILLED SHE IS MAKING A 240 00:09:48,011 --> 00:09:52,002 FAR TOO RARE TELEVISION 241 00:09:52,002 --> 00:09:53,012 APPEARANCE TO SHARE WITH US 242 00:09:52,002 --> 00:09:53,012 TONIGHT. 243 00:09:53,012 --> 00:10:02,011 HERE IS SIA! 244 00:10:03,019 --> 00:10:23,016 ♪♪ 245 00:10:03,019 --> 00:10:23,016 ♪ WORLD I WANT TO LEAVE YOU 246 00:10:23,016 --> 00:10:27,028 BETTER ♪ 247 00:10:23,016 --> 00:10:27,028 ♪ I WANT MY LIFE TO MATTER I AM 248 00:10:27,028 --> 00:10:30,002 AFRAID ♪ 249 00:10:27,028 --> 00:10:30,002 ♪ I HAVE NO PURPOSE HERE I WATC 250 00:10:30,002 --> 00:10:33,022 THE NEWS ON TV ♪ 251 00:10:30,002 --> 00:10:33,022 ♪ ABANDON MYSELF DAILY ♪ 252 00:10:33,022 --> 00:10:36,014 ♪ I AM AFRAID TO LET YOU SEE TH 253 00:10:33,022 --> 00:10:36,014 REAL ME ♪ 254 00:10:36,014 --> 00:10:39,015 ♪ RAIN IT FALLS RAIN IT FALLS 255 00:10:36,014 --> 00:10:39,015 POURING ON ME ♪ 256 00:10:39,015 --> 00:10:44,009 ♪ AND THE RAIN IT FALLS RAIN IT 257 00:10:39,015 --> 00:10:44,009 FALLS SOWING THE SEEDS OF LOVE 258 00:10:44,009 --> 00:10:47,000 AND HOPE ♪ 259 00:10:44,009 --> 00:10:47,000 ♪ LOVE AND HOPE WE DON'T HAVE T 260 00:10:47,000 --> 00:10:54,017 STAY HERE STUCK IN THE WEEDS ♪ 261 00:10:47,000 --> 00:10:54,017 ♪ HAVE I THE COURAGE TO CHANGE 262 00:10:54,017 --> 00:11:04,002 HAVE I THE COURAGE TO CHANGE ♪ 263 00:10:54,017 --> 00:11:04,002 ♪ HAVE I THE COURAGE TO CHANGE 264 00:11:04,002 --> 00:11:06,009 TODAY OH ♪ 265 00:11:04,002 --> 00:11:06,009 ♪ HAVE I THE COURAGE TO CHANGE 266 00:11:06,009 --> 00:11:11,019 HAVE I THE COURAGE TO CHANGE ♪ 267 00:11:06,009 --> 00:11:11,019 ♪ HAVE I THE COURAGE TO CHANGE 268 00:11:11,019 --> 00:11:17,015 TODAY OH ♪ 269 00:11:11,019 --> 00:11:17,015 ♪ YOU'RE NOT ALONE IN ALL THIS 270 00:11:17,015 --> 00:11:23,003 YOU'RE NOT ALONE I PROMISE ♪ 271 00:11:17,015 --> 00:11:23,003 ♪ STANDING TOGETHER WE CAN DO 272 00:11:23,003 --> 00:11:28,021 ANYTHING ♪ 273 00:11:23,003 --> 00:11:28,021 ♪ YOU'RE NOT ALONE IN ALL THIS 274 00:11:28,021 --> 00:11:32,008 YOU'RE NOT ALONE I PROMISE ♪ 275 00:11:28,021 --> 00:11:32,008 ♪ STANDING TOGETHER WE CAN DO 276 00:11:32,008 --> 00:11:44,012 ANYTHING ♪ 277 00:11:32,008 --> 00:11:44,012 ♪♪ 278 00:11:44,012 --> 00:11:48,006 ♪ WORLD YOU'RE NOT ALONE IN ALL 279 00:11:44,012 --> 00:11:48,006 THIS YOU'RE NOT ALONE I 280 00:11:48,006 --> 00:11:50,013 PROMISE ♪ 281 00:11:48,006 --> 00:11:50,013 ♪ STANDING TOGETHER WE CAN DO 282 00:11:50,013 --> 00:12:06,022 ANYTHING ♪ 283 00:11:50,013 --> 00:12:06,022 ♪ WATCH THE NEWS ON T VCHLTV ABA 284 00:12:06,022 --> 00:12:09,010 MYSELF DAILY ♪ 285 00:12:06,022 --> 00:12:09,010 ♪ I AM AFRAID TO LET YOU SEE TH 286 00:12:09,010 --> 00:12:12,016 REAL ME ♪ 287 00:12:09,010 --> 00:12:12,016 ♪ RAIN IT FALLS RAIN IT FALLS 288 00:12:12,016 --> 00:12:15,026 POURING ON ME ♪ 289 00:12:12,016 --> 00:12:15,026 ♪ THE RAIN IT FALLS RAIN IT 290 00:12:15,026 --> 00:12:18,009 FALLS SOWING THE SEEDS OF LOVE 291 00:12:15,026 --> 00:12:18,009 AND HOPE ♪ 292 00:12:18,009 --> 00:12:30,001 ♪ LOVE AND HOPE WE DON'T HAVE T 293 00:12:18,009 --> 00:12:30,001 STAY HERE STUCK IN THE WEEDS ♪ 294 00:12:30,001 --> 00:12:33,008 ♪ HAVE I THE COURAGE TO CHANGE 295 00:12:30,001 --> 00:12:33,008 HAVE I THE COURAGE TO CHANGE ♪ 296 00:12:33,008 --> 00:12:39,002 ♪ HAVE I THE COURAGE TO CHANGE 297 00:12:33,008 --> 00:12:39,002 TODAY OH ♪ 298 00:12:39,002 --> 00:12:43,027 ♪ HAVE I THE COURAGE TO CHANGE 299 00:12:39,002 --> 00:12:43,027 HAVE I THE COURAGE TO CHANGE ♪ 300 00:12:43,027 --> 00:12:53,000 ♪ HAVE I THE COURAGE TO CHANGE 301 00:12:43,027 --> 00:12:53,000 TODAY OH ♪ 302 00:12:53,000 --> 00:12:56,009 ♪ YOU'RE NOT ALONE IN ALL THIS 303 00:12:53,000 --> 00:12:56,009 YOU'RE NOT ALONE I PROMISE ♪ 304 00:12:56,009 --> 00:13:02,020 ♪ STANDING TOGETHER WE CAN DO 305 00:12:56,009 --> 00:13:02,020 ANYTHING ♪ 306 00:13:02,020 --> 00:13:07,005 ♪ YOU'RE NOT ALONE IN ALL THIS 307 00:13:02,020 --> 00:13:07,005 YOU'RE NOT ALONE I PROMISE ♪ 308 00:13:07,005 --> 00:13:15,015 ♪ STANDING TOGETHER WE CAN DO 309 00:13:07,005 --> 00:13:15,015 ANYTHING ♪ 310 00:13:15,015 --> 00:13:19,013 ♪ YOU'RE NOT ALONE IN ALL THIS 311 00:13:15,015 --> 00:13:19,013 YOU'RE NOT ALONE I PROMISE ♪ 312 00:13:19,013 --> 00:13:27,000 ♪ STANDING TOGETHER WE CAN DO 313 00:13:19,013 --> 00:13:27,000 ANYTHING ♪ 314 00:13:27,000 --> 00:13:32,007 >>> COMING UP NEXT, KANE BROWN, 315 00:13:27,000 --> 00:13:32,007 KHALID, AND SWAE LEE 316 00:13:32,007 --> 00:13:36,007 LATER, ALICIA KEYS, LUKE COMBS, 317 00:13:32,007 --> 00:13:36,007 AND POST MALONE. 318 00:13:36,007 --> 00:13:44,018 PLUS TOPL RIGHT ♪ 319 00:13:53,028 --> 00:13:56,023 >>> WELCOME BACK 320 00:13:53,028 --> 00:13:56,023 NOW, IT IS NO SECRET THAT 321 00:13:56,023 --> 00:13:58,004 THERE'S NO AUDIENCE HERE 322 00:13:56,023 --> 00:13:58,004 TONIGHT. 323 00:13:58,004 --> 00:14:02,000 I THINK WE GATHERED THAT EARLIER 324 00:13:58,004 --> 00:14:02,000 WHEN I WAS LIKE, WHOO, AND NO 325 00:14:02,000 --> 00:14:04,017 ONE CHEERED WITH ME. 326 00:14:02,000 --> 00:14:04,017 THE PRODUCERS AND I WERE 327 00:14:04,017 --> 00:14:06,026 DEBATING WHETHER OR NOT WE 328 00:14:04,017 --> 00:14:06,026 SHOULD HAVE FAKE APPLAUSE. 329 00:14:06,026 --> 00:14:12,028 MAKES ME FEEL A LITTLE AUGUSTWKW 330 00:14:06,026 --> 00:14:12,028 BUT I SAID THE ONLY WAY I WOULD 331 00:14:12,028 --> 00:14:15,029 AGREE WITH IT IS IF I COULD 332 00:14:12,028 --> 00:14:15,029 CONTROL IT 333 00:14:15,029 --> 00:14:17,006 CONTROL. 334 00:14:15,029 --> 00:14:17,006 THEY GAVE ME THIS. 335 00:14:17,006 --> 00:14:17,028 LOOK, THIS IS AFTER I TELL A 336 00:14:17,006 --> 00:14:17,028 JOKE 337 00:14:17,028 --> 00:14:22,002 [ LAUGHTER ] 338 00:14:17,028 --> 00:14:22,002 GOOD ONE, I KNOW 339 00:14:22,002 --> 00:14:22,029 THIS IS AFTER AN AMAZING 340 00:14:22,002 --> 00:14:22,029 PERFORMANCE. 341 00:14:22,029 --> 00:14:29,020 [ CHEERS AND APPLAUSE 342 00:14:22,029 --> 00:14:29,020 OH MY GOSH 343 00:14:29,020 --> 00:14:37,029 SOUNDS REAL. 344 00:14:29,020 --> 00:14:37,029 AND THEN THERE'S THIS ONE. 345 00:14:37,029 --> 00:14:40,019 [ BOOING ] 346 00:14:37,029 --> 00:14:40,019 THIS IS BASICALLY ANY TIME THE 347 00:14:40,019 --> 00:14:44,009 WORD "COVID" IS MENTIONED AND IT 348 00:14:40,019 --> 00:14:44,009 SUCKS THE LIFE OUT OF 349 00:14:44,009 --> 00:14:45,012 EVERYTHING 350 00:14:44,009 --> 00:14:45,012 [ LAUGHTER ] 351 00:14:45,012 --> 00:14:48,016 I KNOW, I'M FUNNY, I GET IT. 352 00:14:45,012 --> 00:14:48,016 I'M GOING TO PUT IT DOWN 353 00:14:48,016 --> 00:14:53,028 MUSIC NOT ONLY UNITES US, IT'S 354 00:14:48,016 --> 00:14:53,028 UNITING THESE ARTISTS IN THE 355 00:14:53,028 --> 00:14:57,016 PERFECT COMBO OF COUNTRY, R&B, 356 00:14:53,028 --> 00:14:57,016 AND HIP-HOP. 357 00:14:57,016 --> 00:15:04,019 FEATURING SWAE LEE AND KHALID, 358 00:14:57,016 --> 00:15:04,019 THIS IS KANE BROWN 359 00:15:04,019 --> 00:15:05,013 ♪♪ 360 00:15:04,019 --> 00:15:05,013 >> BILLBOARDS, ARE WE FEELING 361 00:15:05,013 --> 00:15:11,008 IT 362 00:15:05,013 --> 00:15:11,008 ♪♪ 363 00:15:11,008 --> 00:15:16,010 ♪ I MIGHT BE BETTER ON MY OWN I 364 00:15:11,008 --> 00:15:16,010 HATE YOU BLOWING UP MY PHONE ♪ 365 00:15:16,010 --> 00:15:21,024 ♪ I WISH I NEVER MET YOU 366 00:15:16,010 --> 00:15:21,024 SOMETIMES IT FEEL LIKE THAT ♪ 367 00:15:21,024 --> 00:15:24,022 ♪ BUT I'M NOT MYSELF THE NIGHT 368 00:15:21,024 --> 00:15:24,022 YOU'RE GONE ♪ 369 00:15:24,022 --> 00:15:27,014 ♪ THERE AIN'T NO WAY I'M MOVING 370 00:15:24,022 --> 00:15:27,014 ON ♪ 371 00:15:27,014 --> 00:15:31,010 ♪ I'M NOT AFRAID I NEED YOU 372 00:15:27,014 --> 00:15:31,010 BAD ♪ 373 00:15:31,010 --> 00:15:36,001 ♪ SOMETIMES WE BOTH WANT TO LOV 374 00:15:31,010 --> 00:15:36,001 WE BOTH WANT TO FLY WE BOTH WANT 375 00:15:36,001 --> 00:15:39,022 TO ARGUE TILL WE'RE BOTH RIGHT ♪ 376 00:15:36,001 --> 00:15:39,022 ♪ YOU WANT TO HUG I KISS YOU 377 00:15:39,022 --> 00:15:45,008 GOOD NIGHT BABY WE'RE BOTH JUST 378 00:15:39,022 --> 00:15:45,008 OUT OF OUR MINDS ♪ 379 00:15:45,008 --> 00:15:50,009 ♪ YOU PLAY JONES WHILE I'M 380 00:15:45,008 --> 00:15:50,009 PUSHING UP CAN'T TELL YOU WHY 381 00:15:50,009 --> 00:15:55,018 BUT TELL YOU WHAT ♪ 382 00:15:50,009 --> 00:15:55,018 ♪ YOU GOT ME THINKING I MIGHT B 383 00:15:55,018 --> 00:16:00,015 BETTER ON MY OWN ♪ 384 00:15:55,018 --> 00:16:00,015 ♪ I HATE YOU BLOWING UP MY PHON 385 00:16:00,015 --> 00:16:05,003 I WISH I NEVER MET YOU SOMETIMES 386 00:16:00,015 --> 00:16:05,003 IT FEEL LIKE THAT ♪ 387 00:16:05,003 --> 00:16:09,013 ♪ BUT I'M NOT MYSELF THE NIGHT 388 00:16:05,003 --> 00:16:09,013 YOU'RE GONE THERE AIN'T NO WAY 389 00:16:09,013 --> 00:16:14,024 I'M MOVING ON ♪ 390 00:16:09,013 --> 00:16:14,024 ♪ I'M NOT AFRAID TO NEED YOU BA 391 00:16:14,024 --> 00:16:20,008 SOMETIMES IT FEEL LIKE THAT ♪ 392 00:16:14,024 --> 00:16:20,008 ♪ HEYASN'T EVEN SUPPOSED TO B 393 00:16:20,008 --> 00:16:26,026 WITH YOU YEAH ♪ 394 00:16:20,008 --> 00:16:26,026 ♪ I THINK IT'S CRAZY ANY NIGHT 395 00:16:26,026 --> 00:16:32,010 SLEEP WITH YOU ♪ 396 00:16:26,026 --> 00:16:32,010 ♪ I CAN KEEP YOU NICE AND WARM 397 00:16:32,010 --> 00:16:40,007 ARE YOU THINKING OF ME LOVE ♪ 398 00:16:32,010 --> 00:16:40,007 ♪ AND ANYTHING YOU CAN THINK OF 399 00:16:40,007 --> 00:16:44,019 GOT TOO MUCH GOING TO BE UPSET ♪ 400 00:16:40,007 --> 00:16:44,019 ♪ I SWEAR I'D RATHER BE YOUR 401 00:16:44,019 --> 00:16:48,004 FRIEND ♪ 402 00:16:44,019 --> 00:16:48,004 ♪ I SAID I'M GOING TO BE RIGHT 403 00:16:48,004 --> 00:16:50,005 BACK IT HURTS SOMETIMES TO BE 404 00:16:48,004 --> 00:16:50,005 LIKE THAT ♪ 405 00:16:50,005 --> 00:16:55,003 ♪ I MIGHT BE BETTER ON MY OWN I 406 00:16:50,005 --> 00:16:55,003 HATE YOU BLOWING UP MY PHONE ♪ 407 00:16:55,003 --> 00:17:00,007 ♪ I WISH I NEVER MET YOU 408 00:16:55,003 --> 00:17:00,007 SOMETIMES IT FEEL LIKE THAT ♪ 409 00:17:00,007 --> 00:17:04,028 ♪ BUT I'M NOT MYSELF THE NIGHT 410 00:17:00,007 --> 00:17:04,028 YOU'RE GONE THERE AIN'T NO WAY 411 00:17:04,028 --> 00:17:09,021 I'M MOVING ON ♪ 412 00:17:04,028 --> 00:17:09,021 ♪ I'M NOT AFRAID TO NEED YOU BA 413 00:17:09,021 --> 00:17:13,026 SOMETIMES IT FEEL LIKE THAT ♪ 414 00:17:09,021 --> 00:17:13,026 ♪ SOMETIMES WHEN YOU THOUGHT YO 415 00:17:13,026 --> 00:17:21,011 FOUND THE LOVE OF YOUR LIFE ♪ 416 00:17:13,026 --> 00:17:21,011 ♪ YOU'RE THINKING OF JUST ONE O 417 00:17:21,011 --> 00:17:32,022 THOSE GUY SS MOVING ON ♪ 418 00:17:21,011 --> 00:17:32,022 ♪ I PICK YOU UP CAN'T TELL YOU 419 00:17:32,022 --> 00:17:36,003 GOT ME THINKING ♪ 420 00:17:32,022 --> 00:17:36,003 ♪ I MIGHT BE BETTER ON MY OWN I 421 00:17:36,003 --> 00:17:42,024 HATE YOU BLOWING UP MY PHONE ♪ 422 00:17:36,003 --> 00:17:42,024 ♪ I WISH I NEVER MET YOU 423 00:17:42,024 --> 00:17:47,014 SOMETIMES IT FEEL LIKE THAT ♪ 424 00:17:42,024 --> 00:17:47,014 ♪ BUT I'M NOT MYSELF AT NIGHT 425 00:17:47,014 --> 00:17:50,009 YOU'RE GONE THERE AIN'T NO WAY 426 00:17:47,014 --> 00:17:50,009 I'M MOVING ON ♪ 427 00:17:50,009 --> 00:17:57,000 ♪ I'M NOT AFRAID TO NEED YOU BA 428 00:17:50,009 --> 00:17:57,000 SOMETIMES IT BE LIKE THAT ♪ 429 00:17:57,000 --> 00:18:01,025 ♪ SOMETIMES WHEN YOU FALL IN 430 00:17:57,000 --> 00:18:01,025 LOVE MAYBE YOU DON'T EVEN NEED 431 00:18:01,025 --> 00:18:06,014 LIKE THAT ♪ 432 00:18:01,025 --> 00:18:06,014 ♪ DON'T CRY BECAUSE YOU'LL BOTH 433 00:18:06,014 --> 00:18:12,021 DECIDE IF I'M RIGHT ♪ 434 00:18:06,014 --> 00:18:12,021 >> THANK YOU, BILLBOARDS 435 00:18:12,021 --> 00:18:17,003 >>> SHE JUST RELEASED HER NEW 436 00:18:12,021 --> 00:18:17,003 SINGLE "LIE LIKE THIS. 437 00:18:17,003 --> 00:18:20,018 PLEASE WELCOME BILLBOARD MUSIC 438 00:18:17,003 --> 00:18:20,018 AWARD NOMINATED SINGER AND 439 00:18:20,018 --> 00:18:28,027 SONGWRITER JULIA MICHAEL 440 00:18:20,018 --> 00:18:28,027 >> THE FIRST SINGLE THAT MADE 441 00:18:28,027 --> 00:18:34,014 THE FINALS FOR HOT 100 SONG NOT 442 00:18:28,027 --> 00:18:34,014 ONLY ALL REACHED NUMBER ONE, 443 00:18:34,014 --> 00:18:37,011 THEY SPENT A COLLECTIVE 31 WEEKS 444 00:18:34,014 --> 00:18:37,011 IN THE TOP SPOT. 445 00:18:37,011 --> 00:18:40,025 NOW I COULD GIVE YOU A LOT OF 446 00:18:37,011 --> 00:18:40,025 REASONS WHY THEY DOMINATED THE 447 00:18:40,025 --> 00:18:43,006 CHARTS THIS YEAR, BUT HOW ABOUT 448 00:18:40,025 --> 00:18:43,006 THE MAIN REASON? 449 00:18:43,006 --> 00:18:48,028 EACH SONG WAS AMAZING. 450 00:18:43,006 --> 00:18:48,028 AND HERE THEY ARE, THE NOMINEES 451 00:18:48,028 --> 00:18:52,000 FOR HOT 100 SONG 452 00:18:48,028 --> 00:18:52,000 >> LEWIS CAPALDI, "SOMEONE YOU 453 00:18:52,000 --> 00:18:56,009 LOVED. 454 00:18:52,000 --> 00:18:56,009 ♪ NOW THE DAY BLEEDS INTO 455 00:18:56,009 --> 00:19:01,021 NIGHTFALL ♪ 456 00:18:56,009 --> 00:19:01,021 ♪ AND YOU'RE NOT HERE TO GET ME 457 00:19:01,021 --> 00:19:05,011 THROUGH IT ALL ♪ 458 00:19:01,021 --> 00:19:05,011 >> BILLIE EILISH, "BAD GUY." 459 00:19:05,011 --> 00:19:09,008 ♪ CAN'T GET ENOUGH GUY JUST 460 00:19:05,011 --> 00:19:09,008 ALWAYS THE TOUGH GUY ♪ 461 00:19:09,008 --> 00:19:16,001 ♪ I'M THE BAD GUY MAKE YOUR MAM 462 00:19:09,008 --> 00:19:16,001 SAD GUY ♪ 463 00:19:16,001 --> 00:19:20,007 >> LIL NAS X FEATURING BILLY RAY 464 00:19:16,001 --> 00:19:20,007 CYRUS, "OLD TOWN ROAD. 465 00:19:20,007 --> 00:19:23,028 ♪ YEAH GONNA TAKE MY HEART TO 466 00:19:20,007 --> 00:19:23,028 THE OLD TOWN ROAD ♪ 467 00:19:23,028 --> 00:19:29,016 ♪ I'M GONNA RIDE TILL ♪ 468 00:19:23,028 --> 00:19:29,016 >> LIZZO, "TRUTH HURTS." 469 00:19:29,016 --> 00:19:33,008 ♪ DON'T TEXT ME TELL IT STRAIGH 470 00:19:29,016 --> 00:19:33,008 TO MY FACE ♪ 471 00:19:33,008 --> 00:19:40,013 ♪ BEST FRIEND SET ME DAWN IN TH 472 00:19:33,008 --> 00:19:40,013 LAWN CHAIR ♪ 473 00:19:40,013 --> 00:19:48,020 >> SHAWN MENDES AND CAMILA 474 00:19:40,013 --> 00:19:48,020 CABELLO, "SENORITA." 475 00:19:48,020 --> 00:19:51,003 ♪ SAID I DIDN'T NEED YOU BUT 476 00:19:48,020 --> 00:19:51,003 EVERY TIME ♪ 477 00:19:51,003 --> 00:19:57,005 >> THE BILLBOARD MUSIC AWARD 478 00:19:51,003 --> 00:19:57,005 GOES TO -- 479 00:19:57,005 --> 00:20:00,019 LIL NAS X FEATURING BILLY RAY 480 00:19:57,005 --> 00:20:00,019 CYRUS, "OLD TOWN ROAD. 481 00:20:00,019 --> 00:20:04,007 >> "OLD TOWN ROAD" WENT VIRAL ON 482 00:20:00,019 --> 00:20:04,007 TIKTOK BEFORE BREAKING THE 483 00:20:04,007 --> 00:20:07,010 BILLBOARD HOT 100 RECORD FOR 484 00:20:04,007 --> 00:20:07,010 MOST WEEKS AT NUMBER ONE 485 00:20:07,010 --> 00:20:11,015 >> HOW -- WHAT 486 00:20:07,010 --> 00:20:11,015 OKAY 487 00:20:11,015 --> 00:20:14,028 THANK YOU TO EVERYBODY 488 00:20:11,015 --> 00:20:14,028 THANK YOU TO BILLY RAY CYRUS 489 00:20:14,028 --> 00:20:20,019 I WANT EVERYBODY GOING TO LOOK 490 00:20:14,028 --> 00:20:20,019 OUT NEXT MONTH FOR NAS-VEMBER, 491 00:20:20,019 --> 00:20:25,001 IT'S GOING TO GO CRAZY, 2021 492 00:20:20,019 --> 00:20:25,001 DROPPING THE BEST ALBUM OF ALL 493 00:20:25,001 --> 00:20:32,008 TIME, I LOVE YOU, GOOD NIGHT 494 00:20:25,001 --> 00:20:32,008 >> OH, I SEE YOUR POINT, SO 495 00:20:32,008 --> 00:20:34,027 SORRY, CONGRATULATIONS TO LIL 496 00:20:32,008 --> 00:20:34,027 NAS X. 497 00:20:34,027 --> 00:20:40,002 THAT IS AWESOME! 498 00:20:34,027 --> 00:20:40,002 OVER THE PAST FEW MONTHS, TWINS 499 00:20:40,002 --> 00:20:43,022 FROM GARY, INDIANA, HAVE BECOME 500 00:20:40,002 --> 00:20:43,022 A MUST-WATCH FOR MUSIC FANS AND 501 00:20:43,022 --> 00:20:46,010 ARTISTS ALIKE. 502 00:20:43,022 --> 00:20:46,010 AS WE SEE THEM IN THE MOMENT 503 00:20:46,010 --> 00:20:48,025 LISTENING TO SONGS THEY'D NEVER 504 00:20:46,010 --> 00:20:48,025 HEARD BEFORE 505 00:20:48,025 --> 00:20:52,001 I RECENTLY HAD THEM ON MY TALK 506 00:20:48,025 --> 00:20:52,001 SHOW, AND IF YOU HAVEN'T SEEN 507 00:20:52,001 --> 00:20:55,005 THEM BEFORE AND WANT TO SEE WHY 508 00:20:52,001 --> 00:20:55,005 I LOVE THEM SO MUCH, WATCH THIS. 509 00:20:55,005 --> 00:21:00,007 >> WHAT'S UP, YOU TWO? 510 00:20:55,005 --> 00:21:00,007 BACK WITH A VIDEO. 511 00:21:00,007 --> 00:21:04,011 >> BACK WITH ACTION. 512 00:21:00,007 --> 00:21:04,011 >> I NEVER HEARD OF IT BEFORE. 513 00:21:04,011 --> 00:21:08,003 ♪ JOLENE JOLENE JOLENE ♪ 514 00:21:04,011 --> 00:21:08,003 >> JOLENE! 515 00:21:08,003 --> 00:21:16,029 ♪♪ 516 00:21:08,003 --> 00:21:16,029 ♪ I CAN FEEL IT COMING ♪ 517 00:21:16,029 --> 00:21:20,029 ♪ DO YOU REMEMBER ♪ 518 00:21:16,029 --> 00:21:20,029 >> OH, LOOK AT HIS FACE! 519 00:21:20,029 --> 00:21:24,029 IT LIKE, DO YOU REMEMBER 520 00:21:20,029 --> 00:21:24,029 >> WHAT, WHAT? 521 00:21:24,029 --> 00:21:28,025 WHERE, WHERE 522 00:21:24,029 --> 00:21:28,025 >> THAT SOME JEANS 523 00:21:28,025 --> 00:21:37,006 >> REAL. 524 00:21:28,025 --> 00:21:37,006 ♪♪ 525 00:21:37,006 --> 00:21:42,012 >> YOUNG 526 00:21:37,006 --> 00:21:42,012 >> WE'RE GOING TO BE CHECKING IN 527 00:21:42,012 --> 00:21:44,016 WITH BRAD AND TIM THROUGHOUT THE 528 00:21:42,012 --> 00:21:44,016 NIGHT, Y'ALL 529 00:21:44,016 --> 00:21:47,027 THEY'RE COMING TO US LIVE FROM 530 00:21:44,016 --> 00:21:47,027 INDIANA RIGHT NOW. 531 00:21:47,027 --> 00:21:52,016 GUYS, HOW YOU DOING? 532 00:21:47,027 --> 00:21:52,016 >> WE DOING FINE. 533 00:21:52,016 --> 00:21:55,009 >> VERY GOOD, EXCITED TO BE HERE 534 00:21:52,016 --> 00:21:55,009 AND SEE THE PERFORMANCES 535 00:21:55,009 --> 00:21:57,015 >> I AM SO EXCITED YOU'RE HERE 536 00:21:55,009 --> 00:21:57,015 AS WELL. 537 00:21:57,015 --> 00:22:04,025 I LOVE SEEING YOUR REACTIONS TO 538 00:21:57,015 --> 00:22:04,025 "MY LIFE IS STUCK WITHOUT YOU. 539 00:22:04,025 --> 00:22:07,027 HONESTLY, WHAT DID YOU THINK 540 00:22:04,025 --> 00:22:07,027 >> OH MY GOD, MAN, SO AMAZING, 541 00:22:07,027 --> 00:22:10,001 YOU LOOKED SO YOUNG ON THE 542 00:22:07,027 --> 00:22:10,001 VIDEO. 543 00:22:10,001 --> 00:22:11,025 YOU'VE BLOWN MY CHILDHOOD, MAN, 544 00:22:10,001 --> 00:22:11,025 SO FINE. 545 00:22:11,025 --> 00:22:16,024 >> I LOVE YOU SO MUCH. 546 00:22:11,025 --> 00:22:16,024 TELL US WHO'S COMING UP NEXT 547 00:22:16,024 --> 00:22:20,025 >> ALICIA KEYS, MAN. 548 00:22:16,024 --> 00:22:20,025 YOU CANNOT DENY HER TALENT. 549 00:22:20,025 --> 00:22:32,020 >> POST MALONE, HE'S AN AMAZING 550 00:22:20,025 --> 00:22:32,020 ARTIST, HE THROWS IT ALL ON TH 551 00:22:32,020 --> 00:22:41,022 ♪♪ 552 00:22:32,020 --> 00:22:41,022 >>> WELCOME BACK, EVERYBODY! 553 00:22:41,022 --> 00:22:45,015 I HAVE HAD THE PLEASURE OF 554 00:22:41,022 --> 00:22:45,015 SHARING A STAGE WITH OUR NEXT 555 00:22:45,015 --> 00:22:49,028 PERFORMER. 556 00:22:45,015 --> 00:22:49,028 SHE HAS INSPIRED MANY ARTISTS 557 00:22:49,028 --> 00:22:54,012 WITH HER INCREDIBLEAL TALENT. 558 00:22:49,028 --> 00:22:54,012 TO PERFORM "LOVE LOOKS BETTER," 559 00:22:54,012 --> 00:22:56,015 SINGER, SONGWRITER, 560 00:22:54,012 --> 00:22:56,015 HUMANITARIAN, ALL-AROUND 561 00:22:56,015 --> 00:23:27,002 EXTRAORDINARY WOMAN, ALICIA 562 00:22:56,015 --> 00:23:27,002 KEYS 563 00:23:27,002 --> 00:23:27,017 ♪ 564 00:23:27,002 --> 00:23:27,017 ♪ 565 00:23:27,017 --> 00:23:32,018 ♪ ALL I ALL I EVER WANTED WAS A 566 00:23:27,017 --> 00:23:32,018 DOLLAR AND A CHANCE ♪ 567 00:23:32,018 --> 00:23:38,022 ♪ FIND FIND WHAT I'M MADE OF AL 568 00:23:32,018 --> 00:23:38,022 RIGHT ♪ 569 00:23:38,022 --> 00:23:43,019 ♪ COMING COMING FROM THE BOTTOM 570 00:23:38,022 --> 00:23:43,019 BETTER LEARN HOW TO DANCE ♪ 571 00:23:43,019 --> 00:23:49,007 ♪ FIND FIND WHAT YOU'RE MADE OF 572 00:23:43,019 --> 00:23:49,007 ALL RIGHT ♪ 573 00:23:49,007 --> 00:23:54,027 ♪ FEEL LIKE MY LOVE IS WASTING 574 00:23:49,007 --> 00:23:54,027 EVERY DAY YEAH ♪ 575 00:23:54,027 --> 00:24:00,003 ♪ GET SO DAMN TIRED OF CHASING 576 00:23:54,027 --> 00:24:00,003 EVERY DAY YEAH ♪ 577 00:24:00,003 --> 00:24:06,011 ♪ AND NOW IT'S YOU I'M MISSING 578 00:24:00,003 --> 00:24:06,011 EVERY DAY YEAH ♪ 579 00:24:06,011 --> 00:24:16,009 ♪ EVERY DAY YEAH EVERY DAY ♪ 580 00:24:06,011 --> 00:24:16,009 ♪ SO CAN WE TALK FOR A MINUTE 581 00:24:16,009 --> 00:24:23,007 STOP FOR A MINUTE ♪ 582 00:24:16,009 --> 00:24:23,007 ♪ ALL I WANNA DO IS YOU ♪ 583 00:24:23,007 --> 00:24:29,029 ♪ OH CAN WE TOUCH FOR A SECOND 584 00:24:23,007 --> 00:24:29,029 BE US FOR A SECOND ♪ 585 00:24:29,029 --> 00:24:39,014 ♪ DON'T MATTER WHAT I GIVE IT T 586 00:24:29,029 --> 00:24:39,014 MY LOVE LOOKS BETTER ON YOU ♪ 587 00:24:39,014 --> 00:24:50,020 ♪ MY LOVE LOOKS BETTER ON YOU ♪ 588 00:24:39,014 --> 00:24:50,020 ♪ PROMISE YOU BABY PROMISE YOU 589 00:24:50,020 --> 00:25:00,003 BABY ♪ 590 00:24:50,020 --> 00:25:00,003 ♪ YEAH IOWA ♪ 591 00:25:00,003 --> 00:25:03,023 ♪ ALL I ALL EVER WANTED WAS A 592 00:25:00,003 --> 00:25:03,023 CITY AND SOME KEYS ♪ 593 00:25:03,023 --> 00:25:07,019 ♪ RUN RUN THROUGH THE STREET NO 594 00:25:03,023 --> 00:25:07,019 ALL RIGHT ♪ 595 00:25:07,019 --> 00:25:12,011 ♪ AND NOW IT'S YOU I'M MISSING 596 00:25:07,019 --> 00:25:12,011 EVERY DAY YEAH ♪ 597 00:25:12,011 --> 00:25:21,001 ♪ EVERY DAY YEAH EVERY DAY ♪ 598 00:25:12,011 --> 00:25:21,001 ♪ SO CAN WE TALK FOR A MINUTE 599 00:25:21,001 --> 00:25:26,014 STOP FOR A MINUTE ♪ 600 00:25:21,001 --> 00:25:26,014 ♪ ALL I WANNA DO IS YOU ♪ 601 00:25:26,014 --> 00:25:32,013 ♪ OH CAN WE TOUCH FOR A SECOND 602 00:25:26,014 --> 00:25:32,013 BE US FOR A SECOND ♪ 603 00:25:32,013 --> 00:25:43,017 ♪ DON'T MATTER WHAT I GIVE IT T 604 00:25:32,013 --> 00:25:43,017 MY LOVE LOOKS BETTER ON YOU ♪ 605 00:25:43,017 --> 00:25:52,019 ♪ PROMISE YOU BABY ♪ 606 00:25:43,017 --> 00:25:52,019 ♪ YOU'RE ALL I EVER WANTED 607 00:25:52,019 --> 00:26:00,023 YOU'RE ALL I EVER WANTED ♪ 608 00:25:52,019 --> 00:26:00,023 ♪ SO CAN WE TALK FOR A MINUTE 609 00:26:00,023 --> 00:26:11,003 JUST STOP FOR A MINUTE ♪ 610 00:26:00,023 --> 00:26:11,003 ♪ CAUSE ALL I WANNA DO IS YOU ♪ 611 00:26:11,003 --> 00:26:22,019 ♪♪ 612 00:26:11,003 --> 00:26:22,019 ♪ PROMISE YOU BABY MY LOVE LOOK 613 00:26:22,019 --> 00:26:40,007 BETTER ON YOU PROMISE YOU BABY ♪ 614 00:26:22,019 --> 00:26:40,007 ♪ COME ON OH OH OH OH OH ♪ 615 00:26:40,007 --> 00:26:56,021 ♪ PROMISE YOU BABY OH OH OH OH 616 00:26:40,007 --> 00:26:56,021 OH ♪♪ 617 00:26:56,021 --> 00:27:00,005 >>> THE NEW SINGLE "FOR REAL" IS 618 00:26:56,021 --> 00:27:00,005 OUT NOW. 619 00:27:00,005 --> 00:27:05,003 PLEASE WELCOME EMMY AWARD WINNER 620 00:27:00,005 --> 00:27:05,003 JERRELL JEROME. 621 00:27:05,003 --> 00:27:10,005 >> EACH OF THESE ARTISTS WITHOUT 622 00:27:05,003 --> 00:27:10,005 A DOUBT DESERVES NOT JUST OUR 623 00:27:10,005 --> 00:27:13,004 HIGHEST PRAISE BUT OUR THANKS 624 00:27:10,005 --> 00:27:13,004 FOR GIVING US THE CHART-TOPPING 625 00:27:13,004 --> 00:27:16,007 SONGS THAT ARE NOW PART OF OUR 626 00:27:13,004 --> 00:27:16,007 PERMANENT PLAYLISTS. 627 00:27:16,007 --> 00:27:21,007 THEY ARE THE NOMINEES FOR TOP 628 00:27:16,007 --> 00:27:21,007 FEMALE ARTIST. 629 00:27:21,007 --> 00:27:33,019 >> BILLIE EILISH 630 00:27:21,007 --> 00:27:33,019 ♪♪ 631 00:27:33,019 --> 00:27:49,009 >> ARIANA GRANDE 632 00:27:33,019 --> 00:27:49,009 ♪♪ 633 00:27:49,009 --> 00:28:00,011 >> HALSEY. 634 00:27:49,009 --> 00:28:00,011 ♪♪ 635 00:28:00,011 --> 00:28:12,016 >> LIZZO 636 00:28:00,011 --> 00:28:12,016 ♪♪ 637 00:28:12,016 --> 00:28:29,017 >> TAYLOR SWIFT. 638 00:28:12,016 --> 00:28:29,017 ♪♪ 639 00:28:29,017 --> 00:28:37,029 >> AND THE BILLBOARD MUSIC AWARD 640 00:28:29,017 --> 00:28:37,029 GOES TO -- 641 00:28:37,029 --> 00:28:41,000 BILLIE EILISH 642 00:28:37,029 --> 00:28:41,000 ♪ KEEP YOU IN THE DARK WHAT YOU 643 00:28:41,000 --> 00:28:42,028 EXPECTED ♪ 644 00:28:41,000 --> 00:28:42,028 ♪ NEED TO MAKE MY ART AND MAKE 645 00:28:42,028 --> 00:28:46,002 NEW START AND GET YOU 646 00:28:42,028 --> 00:28:46,002 CONNECTED ♪ 647 00:28:46,002 --> 00:28:48,018 >> OH MY GOD 648 00:28:46,002 --> 00:28:48,018 THIS IS SO NUTS. 649 00:28:48,018 --> 00:28:51,025 THANK YOU SO MUCH, BILLBOARD 650 00:28:48,018 --> 00:28:51,025 THANK YOU TO ALL THE WOMEN THAT 651 00:28:51,025 --> 00:28:55,018 HAVE COME BEFORE ME AND PAVED MY 652 00:28:51,025 --> 00:28:55,018 WAY. 653 00:28:55,018 --> 00:28:58,001 I LOVE YOU 654 00:28:55,018 --> 00:28:58,001 PLEASE VOTE. 655 00:28:58,001 --> 00:29:00,007 PLEASE WEAR A MASK 656 00:28:58,001 --> 00:29:00,007 PLEASE WASH YOUR HANDS 657 00:29:00,007 --> 00:29:00,024 BE SAFE. 658 00:29:00,007 --> 00:29:00,024 TAKE CARE. 659 00:29:00,024 --> 00:29:06,026 THANK YOU, BILLBOARD 660 00:29:00,024 --> 00:29:06,026 >>> COMING UP NEXT, LUKE COMBS 661 00:29:06,026 --> 00:29:25,003 THEN LATER, POST MALONE, JOHN 662 00:29:06,026 --> 00:29:25,003 LEGEND, BAD BUNNY, AND 663 00:29:25,003 --> 00:29:28,006 >>> WELCOME BACK TO THE 2020 664 00:29:25,003 --> 00:29:28,006 BILLBOARD MUSIC AWARDS, Y'ALL. 665 00:29:28,006 --> 00:29:32,029 AND NOW PLEASE WELCOME THE HOST 666 00:29:28,006 --> 00:29:32,029 OF "THE WEAKEST LINK," MY FRIEND 667 00:29:32,029 --> 00:29:38,001 JANE LYNCH 668 00:29:32,029 --> 00:29:38,001 ♪♪ 669 00:29:38,001 --> 00:29:45,013 ♪♪ 670 00:29:38,001 --> 00:29:45,013 >> THANK YOU SO MUCH, KELLY. 671 00:29:45,013 --> 00:29:49,010 NOW IF THIS WERE IN FACT "THE 672 00:29:45,013 --> 00:29:49,010 WEAKEST LINK," I'D READ THE NAME 673 00:29:49,010 --> 00:29:51,016 OF THE NOMINEES, THE FIVE OF 674 00:29:49,010 --> 00:29:51,016 THEM 675 00:29:51,016 --> 00:29:54,000 I'D GIVE ONE OF THEM THE PRIZE, 676 00:29:51,016 --> 00:29:54,000 WHILE SENDING OFF THE OTHERS 677 00:29:54,000 --> 00:29:57,027 WITH A ZINGER, LIKE "DON'T LET 678 00:29:54,000 --> 00:29:57,027 THE DOOR HIT YOU IN THE BUTT ON 679 00:29:57,027 --> 00:30:00,014 YOUR WAY OUT." 680 00:29:57,027 --> 00:30:00,014 BUT I CAN'T DO THAT HERE BECAUSE 681 00:30:00,014 --> 00:30:06,028 ALL FIVE OF THESE ARTISTS HAVE 682 00:30:00,014 --> 00:30:06,028 HAD A SPECTACULAR YEAR 683 00:30:06,028 --> 00:30:11,010 THEY ARE THE NOMINEES FOR TOP 684 00:30:06,028 --> 00:30:11,010 COUNTRY ARTIST 685 00:30:11,010 --> 00:30:24,003 >> KANE BROWN. 686 00:30:11,010 --> 00:30:24,003 ♪♪ 687 00:30:24,003 --> 00:30:36,024 >> LUKE COMBS. 688 00:30:24,003 --> 00:30:36,024 ♪♪ 689 00:30:36,024 --> 00:30:49,010 >> DAN + SHAY. 690 00:30:36,024 --> 00:30:49,010 ♪♪ 691 00:30:49,010 --> 00:31:01,004 >> MAREN MORRIS. 692 00:30:49,010 --> 00:31:01,004 ♪♪ 693 00:31:01,004 --> 00:31:13,012 >> THOMAS RHETT. 694 00:31:01,004 --> 00:31:13,012 ♪♪ 695 00:31:13,012 --> 00:31:17,005 >> AND THE BILLBOARD MUSIC AWARD 696 00:31:13,012 --> 00:31:17,005 GOES TO -- 697 00:31:17,005 --> 00:31:42,023 LUKE COMBS! 698 00:31:17,005 --> 00:31:42,023 ♪ ON A FLAT METAL BOAT BB GUNS 699 00:31:42,023 --> 00:31:49,023 WIRING THE FENCE POST ♪ 700 00:31:42,023 --> 00:31:49,023 ♪ FRESHLY CUT CORNFIELDS ♪ 701 00:31:49,023 --> 00:32:06,006 ♪ ONE ARM OUT THE WINDOW ONE 702 00:31:49,023 --> 00:32:06,006 HAND ON THE WHEEL ♪ 703 00:32:06,006 --> 00:32:15,013 ♪ SOME THINGS GO BETTER TOGETHE 704 00:32:06,006 --> 00:32:15,013 AND ALWAYS WILL ♪ 705 00:32:15,013 --> 00:32:17,025 ♪ LIKE A CUP OF COFFEE AND A 706 00:32:15,013 --> 00:32:17,025 SUNRISE ♪ 707 00:32:17,025 --> 00:32:21,012 ♪ SUNDAY DRIVES AND TIP TO 708 00:32:17,025 --> 00:32:21,012 KILL ♪ 709 00:32:21,012 --> 00:32:24,003 ♪ WHAT'S THE POINT OF THIS OLD 710 00:32:21,012 --> 00:32:24,003 GUITAR IF IT AIN'T GOT NO 711 00:32:24,003 --> 00:32:26,007 STRINGS ♪ 712 00:32:24,003 --> 00:32:26,007 ♪ OR POURING YOUR HEART INTO A 713 00:32:26,007 --> 00:32:31,006 SONG THAT YOU AIN'T GONNA SING ♪ 714 00:32:26,007 --> 00:32:31,006 ♪ IT'S A MATCH MADE UP IN HEAVE 715 00:32:31,006 --> 00:32:33,011 LIKE GOOD OL' BOYS AND BEER ♪ 716 00:32:31,006 --> 00:32:33,011 ♪ AND ME AS LONG AS YOU'RE RIGH 717 00:32:33,011 --> 00:32:39,020 HERE ♪ 718 00:32:33,011 --> 00:32:39,020 ♪♪ 719 00:32:39,020 --> 00:32:45,019 ♪ YOUR LICENSE IN MY WALLET WHE 720 00:32:39,020 --> 00:32:45,019 WE GO OUT DOWNTOWN ♪ 721 00:32:45,019 --> 00:32:49,019 ♪ YOUR LIPSTICK STAINED EVERY 722 00:32:45,019 --> 00:32:49,019 COFFEE CUP THAT I GOT IN THIS 723 00:32:49,019 --> 00:32:55,026 HOUSE ♪ 724 00:32:49,019 --> 00:32:55,026 ♪ THE WAY YOU SAY I LOVE YOU TO 725 00:32:55,026 --> 00:32:59,008 IS LIKE RAIN ON AN OLD TIN 726 00:32:55,026 --> 00:32:59,008 ROOF ♪ 727 00:32:59,008 --> 00:33:06,018 ♪ AND YOUR HAND FITS RIGHT INTO 728 00:32:59,008 --> 00:33:06,018 MINE LIKE A NEEDLE IN A GROOVE ♪ 729 00:33:06,018 --> 00:33:08,028 ♪ SOME THINGS JUST GO BETTER 730 00:33:06,018 --> 00:33:08,028 TOGETHER AND PROBABLY ALWAYS 731 00:33:08,028 --> 00:33:17,000 WILL ♪ 732 00:33:08,028 --> 00:33:17,000 ♪ LIKE A CUP OF COFFEE AND A 733 00:33:17,000 --> 00:33:18,022 SUNRISE SUNDAY DRIVES AND TIME 734 00:33:17,000 --> 00:33:18,022 TO KILL ♪ 735 00:33:18,022 --> 00:33:25,010 ♪ WHAT'S THE POINT OF THIS OLD 736 00:33:18,022 --> 00:33:25,010 GUITAR IF IT AIN'T GOT NO 737 00:33:25,010 --> 00:33:29,021 STRINGS ♪ 738 00:33:25,010 --> 00:33:29,021 ♪ OR POURING YOUR HEART INTO A 739 00:33:29,021 --> 00:33:35,027 SONG THAT YOU AIN'T GONNA SING ♪ 740 00:33:29,021 --> 00:33:35,027 ♪ IT'S A MATCH MADE UP IN HEAVE 741 00:33:35,027 --> 00:33:41,008 LIKE GOOD OL' BOYS AND BEER ♪ 742 00:33:35,027 --> 00:33:41,008 ♪ AND ME AS LONG AS YOU'RE RIGH 743 00:33:41,008 --> 00:33:51,011 HERE ♪ 744 00:33:41,008 --> 00:33:51,011 ♪♪ 745 00:33:51,011 --> 00:33:53,028 ♪ SOMETIMES WE'RE OIL AND WATER 746 00:33:51,011 --> 00:33:53,028 BUT I WOULDN'T HAVE IT ANY OTHER 747 00:33:53,028 --> 00:34:01,004 WAY ♪ 748 00:33:53,028 --> 00:34:01,004 ♪ AND IF I'M BEING HONEST YOUR 749 00:34:01,004 --> 00:34:06,008 FIRST AND MY LAST NAME WOULD 750 00:34:01,004 --> 00:34:06,008 JUST SOUND BETTER TOGETHER AND 751 00:34:06,008 --> 00:34:13,017 PROBABLY ALWAYS WILL ♪ 752 00:34:06,008 --> 00:34:13,017 ♪ LIKE A CUP OF COFFEE AND A 753 00:34:13,017 --> 00:34:17,010 SUNRISE SUNDAY DRIVES AND TIME 754 00:34:13,017 --> 00:34:17,010 TO KILL ♪ 755 00:34:17,010 --> 00:34:20,029 ♪ WHAT'S THE POINT OF THIS OLD 756 00:34:17,010 --> 00:34:20,029 GUITAR IF IT AIN'T GOT NO 757 00:34:20,029 --> 00:34:27,029 STRINGS ♪ 758 00:34:20,029 --> 00:34:27,029 ♪ OR POURING YOUR HEART INTO A 759 00:34:27,029 --> 00:34:34,018 SONG THAT YOU AIN'T GONNA SING ♪ 760 00:34:27,029 --> 00:34:34,018 ♪ IT'S A MATCH MADE UP IN HEAVE 761 00:34:34,018 --> 00:34:39,010 LIKE GOOD OL' BOYS AND BEER ♪ 762 00:34:34,018 --> 00:34:39,010 ♪ AND ME AS LONG AS YOU'RE RIGH 763 00:34:39,010 --> 00:34:46,016 HERE ♪ 764 00:34:39,010 --> 00:34:46,016 ♪ AND ME AS LONG AS YOU'RE RIGH 765 00:34:46,016 --> 00:35:03,021 HERE ♪♪ 766 00:34:46,016 --> 00:35:03,021 >> I JUST WANT TO -- I WANT TO 767 00:35:03,021 --> 00:35:06,018 THANK BILLBOARD FOR THIS 768 00:35:03,021 --> 00:35:06,018 THIS IS AN INCREDIBLE HONOR. 769 00:35:06,018 --> 00:35:08,018 AND SOMETHING I WOULD HAVE NEVER 770 00:35:06,018 --> 00:35:08,018 DREAMED OF 771 00:35:08,018 --> 00:35:11,012 WHEN I WAS GROWING UP, WHEN I 772 00:35:08,018 --> 00:35:11,012 STARTED DOING THIS, I JUST WANT 773 00:35:11,012 --> 00:35:16,015 TO THANK THE FANS OUT THERE, MY 774 00:35:11,012 --> 00:35:16,015 BEAUTIFUL WIFE AT HOME, MY TEAM, 775 00:35:16,015 --> 00:35:18,016 MY BAND. 776 00:35:16,015 --> 00:35:18,016 I KNOW EVERYBODY OUT THERE HAS 777 00:35:18,016 --> 00:35:21,029 BEEN THROUGH SO MUCH THIS YEAR 778 00:35:18,016 --> 00:35:21,029 I WANT TO THANK THE CREW THAT IS 779 00:35:21,029 --> 00:35:25,009 WORKING ON THIS SHOW TONIGHT, 780 00:35:21,029 --> 00:35:25,009 BECAUSE THEY HAVE GONE THROUGH 781 00:35:25,009 --> 00:35:29,003 SOME INSANE STUFF TO MAKE THIS 782 00:35:25,009 --> 00:35:29,003 HAPPEN FOR YOU GUYS. 783 00:35:29,003 --> 00:35:31,026 I HOPE EVERYBODY'S STAYING SAFE 784 00:35:29,003 --> 00:35:31,026 AT HOME. 785 00:35:31,026 --> 00:35:34,008 THANK YOU SO MUCH FOR LOVING 786 00:35:31,026 --> 00:35:34,008 WHAT I DO. 787 00:35:34,008 --> 00:35:38,012 IT NEVER FALLS ON DEAF EARS, THE 788 00:35:34,008 --> 00:35:38,012 LOVE THAT YOU GUYS GIVE ME 789 00:35:38,012 --> 00:35:40,015 I'M VERY GRATEFUL FOR IT AND SO 790 00:35:38,012 --> 00:35:40,015 IS MY TEAM 791 00:35:40,015 --> 00:35:44,023 THANK YOU GUYS SO MUCH 792 00:35:40,015 --> 00:35:44,023 >>> COMING UP NEXT, POST MALONE. 793 00:35:44,023 --> 00:35:49,016 THEN LATER, PERFORMANCES BY 794 00:35:44,023 --> 00:35:49,016 BRANDY, JOHN LEGEND, BAD BUNNY, 795 00:35:49,016 --> 00:35:53,010 GARTH BROOKS, DEMI LOVATO WORLD 796 00:35:49,016 --> 00:35:53,010 PREMIERE, AND THE AWARD FOR TOP 797 00:35:53,010 --> 00:36:06,015 MALE ARTIST. 798 00:35:53,010 --> 00:36:06,015 ♪♪ 799 00:36:06,015 --> 00:36:09,023 >>> WELCOME BACK TO THE 800 00:36:06,015 --> 00:36:09,023 BILLBOARD MUSIC AWARDS 801 00:36:09,023 --> 00:36:14,011 HOW DOES AN ARTIST FOLLOW UP THE 802 00:36:09,023 --> 00:36:14,011 12 BILLBOARD NOMINATIONS HE 803 00:36:14,011 --> 00:36:17,005 RECEIVED IN 2019 804 00:36:14,011 --> 00:36:17,005 WITH 16 THIS YEAR. 805 00:36:17,005 --> 00:36:20,019 THAT'S HOW AWESOME HE IS 806 00:36:17,005 --> 00:36:20,019 HE'S SO GOOD, HE'S EVEN 807 00:36:20,019 --> 00:36:22,026 COMPETING AGAINST HIMSELF FOR 808 00:36:20,019 --> 00:36:22,026 TOP RAP SONG 809 00:36:22,026 --> 00:36:25,029 THIS GUY HAS REACHED SUPERSTAR 810 00:36:22,026 --> 00:36:25,029 STATUS WHICH IS PROBABLY WHY 811 00:36:25,029 --> 00:36:30,020 HE'S COMING TO US FROM A SECRET 812 00:36:25,029 --> 00:36:30,020 MYSTERY LOCATION SOMEWHERE IN 813 00:36:30,020 --> 00:36:46,020 L.A. 814 00:36:30,020 --> 00:36:46,020 JOINED BY TYLEE YAWEH, HERE'S 815 00:36:46,020 --> 00:36:50,014 POST MALONE! 816 00:36:51,025 --> 00:37:15,001 ♪♪ 817 00:36:51,025 --> 00:37:15,001 ♪♪ 818 00:37:15,001 --> 00:37:18,003 ♪ COULDN'T AROUND TILL WE WERE 819 00:37:15,001 --> 00:37:18,003 UPSIDE DOWN ♪ 820 00:37:18,003 --> 00:37:25,013 ♪ I'LL BE THE BAD GUY NOW YOU 821 00:37:18,003 --> 00:37:25,013 KNOW I AIN'T SO PROUD ♪ 822 00:37:25,013 --> 00:37:31,013 ♪ I COULDN'T BEAT IT EVEN WHEN 823 00:37:25,013 --> 00:37:31,013 TRIED ♪ 824 00:37:31,013 --> 00:37:48,000 ♪ YOU DON'T BELIEVE IT WE DO 825 00:37:31,013 --> 00:37:48,000 THIS EVERY TIME ♪ 826 00:37:48,000 --> 00:37:50,017 ♪ SEASONS CHANGE AND OUR LOVE 827 00:37:48,000 --> 00:37:50,017 WENT COLD ♪ 828 00:37:50,017 --> 00:37:53,017 ♪ FEED THE FLAME CAUSE WE CAN'T 829 00:37:50,017 --> 00:37:53,017 LET GO ♪ 830 00:37:53,017 --> 00:37:57,000 ♪ RUNNING AWAY BUT WE'RE RUNNIN 831 00:37:53,017 --> 00:37:57,000 IN CIRCLES RUN AWAY RUN AWAY ♪ 832 00:37:57,000 --> 00:38:00,005 ♪ I DARE YOU TO DO SOMETHING I' 833 00:37:57,000 --> 00:38:00,005 WAITING ON YOU AGAIN ♪ 834 00:38:00,005 --> 00:38:03,007 ♪ SO I DON'T TAKE THE BLAME RUN 835 00:38:00,005 --> 00:38:03,007 AWAY BUT WE'RE RUNNING IN 836 00:38:03,007 --> 00:38:09,029 CIRCLES ♪ 837 00:38:03,007 --> 00:38:09,029 ♪ RUN AWAY RUN AWAY RUN AWAY ♪ 838 00:38:09,029 --> 00:38:18,000 ♪ MAYBE YOU DON'T UNDERSTAND 839 00:38:09,029 --> 00:38:18,000 WHAT I'M GOING THROUGH ♪ 840 00:38:18,000 --> 00:38:20,009 ♪ IT'S ONLY ME WHAT YOU GOT TO 841 00:38:18,000 --> 00:38:20,009 LOSE ♪ 842 00:38:20,009 --> 00:38:24,023 ♪ MAKE UP YOUR MIND WHAT ARE YO 843 00:38:20,009 --> 00:38:24,023 GONNA DO IT'S ONLY ME LET IT 844 00:38:24,023 --> 00:38:26,027 GO ♪ 845 00:38:24,023 --> 00:38:26,027 ♪ SEASONS CHANGE AND YOU'RE LOV 846 00:38:26,027 --> 00:38:30,015 WENT COLD ♪ 847 00:38:26,027 --> 00:38:30,015 ♪ FEED THE FLAME CAUSE WE CAN'T 848 00:38:30,015 --> 00:38:33,017 LET GO ♪ 849 00:38:30,015 --> 00:38:33,017 ♪ RUN AWAY BUT WE'RE RUNNING IN 850 00:38:33,017 --> 00:38:39,010 CIRCLES ♪ 851 00:38:33,017 --> 00:38:39,010 ♪ RUN AWAY RUN AWAY ♪ 852 00:38:39,010 --> 00:38:46,026 ♪ I DARE YOU TO DO SOMETHING I' 853 00:38:39,010 --> 00:38:46,026 WAITING ON YOU AGAIN ♪ 854 00:38:46,026 --> 00:38:51,011 ♪ SO I DON'T TAKE THE BLAME RUN 855 00:38:46,026 --> 00:38:51,011 AWAY BUT WE'RE RUNNING IN 856 00:38:51,011 --> 00:39:10,028 CIRCLES ♪ 857 00:38:51,011 --> 00:39:10,028 ♪ RUN AWAY RUN AWAY RUN AWAY ♪♪ 858 00:39:10,028 --> 00:39:26,004 ♪♪ 859 00:39:10,028 --> 00:39:26,004 ♪♪ 860 00:39:26,004 --> 00:39:35,013 ♪♪ 861 00:39:26,004 --> 00:39:35,013 ♪♪ 862 00:39:35,013 --> 00:39:39,011 ♪ YOU'RE ALWAYS TALKING ABOUT I 863 00:39:35,013 --> 00:39:39,011 YOU NEVER MAKE NOBODY ♪ 864 00:39:39,011 --> 00:39:51,013 ♪ TREAT MY HEART AS AN OPTION ♪ 865 00:39:39,011 --> 00:39:51,013 ♪ LIVING LIFELIKE A ROCK STAR ♪ 866 00:39:51,013 --> 00:40:01,027 ♪ YOU ALWAYS TALKING ABOUT IT 867 00:39:51,013 --> 00:40:01,027 YOU ALWAYS TALKING ABOUT IT ♪ 868 00:40:01,027 --> 00:40:09,002 ♪ PULLING UPSETS I CHANGE MY 869 00:40:01,027 --> 00:40:09,002 COLORS ♪ 870 00:40:09,002 --> 00:40:14,002 ♪ IF YOU'RE TRYING TO GET SOME 871 00:40:09,002 --> 00:40:14,002 PAIRS OF CLOTHES ♪ 872 00:40:14,002 --> 00:40:17,020 ♪ I WILL MAKE YOU INVINCIBLE ♪ 873 00:40:14,002 --> 00:40:17,020 ♪ I LIVE MY LIFELIKE A 874 00:40:17,020 --> 00:40:18,020 CRIMINAL ♪ 875 00:40:17,020 --> 00:40:18,020 ♪ WHEN YOU'RE CRYING THERE'S 876 00:40:18,020 --> 00:40:26,000 NOWHERE TO PLAY ♪ 877 00:40:18,020 --> 00:40:26,000 ♪ I'M LIVING MY LIFE I'M TAKING 878 00:40:26,000 --> 00:40:31,002 MY LOAD LIKE A PATIENT ♪ 879 00:40:26,000 --> 00:40:31,002 ♪ I PUSH IT I PULL IT I FLIP 880 00:40:31,002 --> 00:40:33,022 THAT ♪ 881 00:40:31,002 --> 00:40:33,022 ♪ I GIVE IT AWAY JUST TO MOVE 882 00:40:33,022 --> 00:40:36,021 IT ♪ 883 00:40:33,022 --> 00:40:36,021 ♪ LIVING THE LIFE THAT I'M 884 00:40:36,021 --> 00:40:41,005 CHOOSE YAG ♪ 885 00:40:36,021 --> 00:40:41,005 ♪ YOU ALWAYS TALKING ABOUT IT 886 00:40:41,005 --> 00:40:46,004 YOU NEVER MAKING NOBODY ♪ 887 00:40:41,005 --> 00:40:46,004 ♪ I TREAT IT LIKE AN AUCTION I' 888 00:40:46,004 --> 00:40:52,024 LIVING LIFELIKE A ROCK STAR ♪ 889 00:40:46,004 --> 00:40:52,024 ♪ LOOK AT ME AND I'M OUT ON MY 890 00:40:52,024 --> 00:41:04,006 FEET ♪ 891 00:40:52,024 --> 00:41:04,006 ♪ THEY GOT TO STICK A ROD IN 892 00:41:04,006 --> 00:41:15,012 ME ♪ 893 00:41:04,006 --> 00:41:15,012 ♪ MY PRETTIES WANT TO CARVE ON 894 00:41:15,012 --> 00:41:17,002 ME ♪ 895 00:41:15,012 --> 00:41:17,002 ♪ I'M HURTING THE NECK BECAUSE 896 00:41:17,002 --> 00:41:19,028 I'M POPPING IT WOW ♪ 897 00:41:17,002 --> 00:41:19,028 ♪ I'M POPPING I'M PLAYING I'M 898 00:41:19,028 --> 00:41:23,009 POPPING IT WOW ♪ 899 00:41:19,028 --> 00:41:23,009 ♪ HOW ABOUT I PLAY IT STRAIGHT 900 00:41:23,009 --> 00:41:27,019 TO THE WIND I KNOW IT CAN SEE ♪ 901 00:41:23,009 --> 00:41:27,019 ♪ I THINK THAT'S PRETTY COOL IF 902 00:41:27,019 --> 00:41:31,011 YOU'RE ASKING ME ♪ 903 00:41:27,019 --> 00:41:31,011 ♪ CURRENCY BACK IN A CANDY 904 00:41:31,011 --> 00:41:34,006 ROLL ♪ 905 00:41:31,011 --> 00:41:34,006 ♪ I LOVE WHEN MY LAWYER CALLS I 906 00:41:34,006 --> 00:41:37,000 HATE WHEN I RUN OUT OF SMALLS ♪ 907 00:41:34,006 --> 00:41:37,000 ♪ WELCOME BACK TO THE PARTY ALL 908 00:41:37,000 --> 00:41:46,001 WE LIKE A PARTY Y'ALL ♪ 909 00:41:37,000 --> 00:41:46,001 ♪ IF YOU'RE JUMPING ON MARIO 910 00:41:46,001 --> 00:41:56,000 STILL IT'S SO HARD ♪ 911 00:41:46,001 --> 00:41:56,000 ♪ CIGARETTES CARS BATHROOM 912 00:41:56,000 --> 00:41:58,019 STARS ♪ 913 00:41:56,000 --> 00:41:58,019 ♪ PLEASE DON'T ♪ 914 00:41:58,019 --> 00:42:03,010 ♪ YOU'RE ALWAYS TALKING ABOUT I 915 00:41:58,019 --> 00:42:03,010 YOU NEVER MAKING NOBODY ♪ 916 00:42:03,010 --> 00:42:07,001 ♪ I DREAM LIKE AN OPTION 917 00:42:03,010 --> 00:42:07,001 STARTING TO GET OUT OF POCKET ♪ 918 00:42:07,001 --> 00:42:09,017 ♪ I'M LIVING LIFELIKE A ROCK 919 00:42:07,001 --> 00:42:09,017 STAR ♪ 920 00:42:09,017 --> 00:42:15,027 ♪ SO LOOK AT ME AND NEVER SEE 921 00:42:09,017 --> 00:42:15,027 ONE OF MY KEYS ♪ 922 00:42:15,027 --> 00:42:17,015 ♪ YOU'RE ALWAYS TALKING ABOUT I 923 00:42:15,027 --> 00:42:17,015 YEAH YOU'RE ALWAYS TALKING ABOUT 924 00:42:17,015 --> 00:42:22,021 IT ♪ 925 00:42:17,015 --> 00:42:22,021 ♪ YEAH BUT I DIDN'T DO CRAP 926 00:42:22,021 --> 00:42:25,000 ABOUT IT ♪ 927 00:42:22,021 --> 00:42:25,000 ♪ LIVING LIFELIKE A ROCK STAR ♪ 928 00:42:25,000 --> 00:42:29,005 ♪ PULLING UPSETS FROM THE JEANS 929 00:42:25,000 --> 00:42:29,005 BUT LOOK AT ME ♪ 930 00:42:29,005 --> 00:42:32,025 ♪ I'M DEFINITELY OUT ON MY 931 00:42:29,005 --> 00:42:32,025 FEET ♪ 932 00:42:32,025 --> 00:42:49,015 ♪♪ 933 00:42:32,025 --> 00:42:49,015 >>> AND NOW PLEASE WELCOME BACK 934 00:42:49,015 --> 00:42:55,013 LEGENDARY QUEEN OF PERCUSSION, 935 00:42:49,015 --> 00:42:55,013 SHEILA KEYS. 936 00:42:55,013 --> 00:43:00,005 >> HAVING A HIT SONG CLIMB THE 937 00:42:55,013 --> 00:43:00,005 CHARTS IS ONE THING, BUT 938 00:43:00,005 --> 00:43:02,001 CONSISTENTLY PRODUCING MUSIC 939 00:43:00,005 --> 00:43:02,001 THAT CONNECTS WITH FANS TIME AND 940 00:43:02,001 --> 00:43:05,004 AGAIN IS ANOTHER 941 00:43:02,001 --> 00:43:05,004 THESE NEXT FIVE ARTISTS MADE THE 942 00:43:05,004 --> 00:43:07,010 EXPLOSIVE SONGS THAT WE RUSH TO 943 00:43:05,004 --> 00:43:07,010 BUY. 944 00:43:07,010 --> 00:43:13,005 THEY ARE THE NOMINEES FOR THE 945 00:43:07,010 --> 00:43:13,005 TOP SONG SALES ARTIST. 946 00:43:13,005 --> 00:43:26,000 >> BILLIE EILISH 947 00:43:13,005 --> 00:43:26,000 ♪♪ 948 00:43:26,000 --> 00:43:38,019 >> LIL NAS X 949 00:43:26,000 --> 00:43:38,019 ♪♪ 950 00:43:38,019 --> 00:43:51,020 >> LIZZO 951 00:43:38,019 --> 00:43:51,020 ♪♪ 952 00:43:51,020 --> 00:44:04,011 >> POST MALONE 953 00:43:51,020 --> 00:44:04,011 ♪♪ 954 00:44:04,011 --> 00:44:18,020 >> TAYLOR SWIFT. 955 00:44:04,011 --> 00:44:18,020 ♪♪ 956 00:44:18,020 --> 00:44:24,021 >> AND THE BILLBOARD MUSIC AWARD 957 00:44:18,020 --> 00:44:24,021 GOES TO -- 958 00:44:24,021 --> 00:44:31,013 MY GIRL LIZZO 959 00:44:24,021 --> 00:44:31,013 ♪ I DO MY HAIR CHECK MY NAILS 960 00:44:31,013 --> 00:44:39,025 BABY HOW YA DOING ♪ 961 00:44:31,013 --> 00:44:39,025 >> HI. 962 00:44:39,025 --> 00:44:43,013 I JUST WANT TO SAY, THANK YOU TO 963 00:44:39,025 --> 00:44:43,013 BILLBOARD, THANK YOU TO 964 00:44:43,013 --> 00:44:46,020 ATLANTIC, THANK YOU TO TEAM 965 00:44:43,013 --> 00:44:46,020 LIZZO, THANK YOU TO EVERYONE WHO 966 00:44:46,020 --> 00:44:49,025 LISTENS TO MY MUSIC AND 967 00:44:46,020 --> 00:44:49,025 SUPPORTED ME 968 00:44:49,025 --> 00:44:52,020 I JUST WANT TO SAY, I'VE BEEN 969 00:44:49,025 --> 00:44:52,020 THINKING A LOT ABOUT SUPPRESSION 970 00:44:52,020 --> 00:44:54,028 AND THE VOICES THAT REFUSE TO BE 971 00:44:52,020 --> 00:44:54,028 SUPPRESSED 972 00:44:54,028 --> 00:44:57,019 I WONDER, WOULD I BE STANDING 973 00:44:54,028 --> 00:44:57,019 HERE RIGHT NOW IF IT WEREN'T FOR 974 00:44:57,019 --> 00:45:03,013 THE BIG BLACK WOMEN WHO REFUSED 975 00:44:57,019 --> 00:45:03,013 TO HAVE THEIR VOICES BE 976 00:45:03,013 --> 00:45:05,013 SUPPRESSED 977 00:45:03,013 --> 00:45:05,013 I JUST WANT TO SAY RIGHT NOW, IF 978 00:45:05,013 --> 00:45:08,012 YOU'RE AT HOME WATCHING THIS, 979 00:45:05,013 --> 00:45:08,012 YOU ARE THINKING ABOUT CHANGING 980 00:45:08,012 --> 00:45:12,012 YOURSELF TO FEEL WORTHY, THIS IS 981 00:45:08,012 --> 00:45:12,012 YOUR SIGN TO REMAIN TRUE TO WHO 982 00:45:12,012 --> 00:45:16,019 YOU ARE. 983 00:45:12,012 --> 00:45:16,019 LET ME TELL YOU ALL SOMETHING. 984 00:45:16,019 --> 00:45:19,014 WHEN PEOPLE TRY TO SUPPRESS 985 00:45:16,019 --> 00:45:19,014 SOMETHING, IT'S NORMALLY BECAUSE 986 00:45:19,014 --> 00:45:23,000 THAT THING HOLDS POWER 987 00:45:19,014 --> 00:45:23,000 THEY'RE AFRAID OF YOUR POWER 988 00:45:23,000 --> 00:45:26,028 THERE'S POWER IN WHO YOU ARE 989 00:45:23,000 --> 00:45:26,028 THERE'S POWER IN YOUR VOICE. 990 00:45:26,028 --> 00:45:32,016 SO WHETHER IT'S THROUGH MUSIC, 991 00:45:26,028 --> 00:45:32,016 PROTESTS, OR YOUR RIGHT TO VOTE, 992 00:45:32,016 --> 00:45:35,008 USE YOUR POWER 993 00:45:32,016 --> 00:45:35,008 USE YOUR VOICE 994 00:45:35,008 --> 00:45:39,008 AND REFUSE TO BE SUPPRESSED. 995 00:45:35,008 --> 00:45:39,008 THANK YOU SO MUCH TO BILLBOARD 996 00:45:39,008 --> 00:45:47,001 I LOVE YOU ALL 997 00:45:39,008 --> 00:45:47,001 GOD BLESS YOU ALL. 998 00:45:47,001 --> 00:45:48,000 B YCHLT ECHLT 999 00:45:47,001 --> 00:45:48,000 BYE! 1000 00:45:48,000 --> 00:45:51,023 >> CONGRATULATIONS, LIZZO! 1001 00:45:48,000 --> 00:45:51,023 I LOVE LIZZO, Y'ALL. 1002 00:45:51,023 --> 00:45:55,004 THAT WAS SUCH A MOVING SPEECH. 1003 00:45:51,023 --> 00:45:55,004 THANK YOU SO MUCH FOR BEING SUCH 1004 00:45:55,004 --> 00:45:57,020 A POWERHOUSE VOCALIST AND A 1005 00:45:55,004 --> 00:45:57,020 POWERHOUSE OF A WOMAN, I LOVE 1006 00:45:57,020 --> 00:46:00,016 YOU SO MUCH. 1007 00:45:57,020 --> 00:46:00,016 XFINITY CONNECTS PEOPLE TO THE 1008 00:46:00,016 --> 00:46:01,020 MOMENTS AND EXPERIENCES THEY 1009 00:46:00,016 --> 00:46:01,020 LOVE 1010 00:46:01,020 --> 00:46:03,015 NOW THEY'RE CONNECTING YOU WITH 1011 00:46:01,020 --> 00:46:03,015 BRANDY 1012 00:46:03,015 --> 00:46:06,024 I REMEMBER THE FIRST TIME I 1013 00:46:03,015 --> 00:46:06,024 HEARD "THE BOY IS MINE." 1014 00:46:06,024 --> 00:46:10,012 I FELL IN LOVE WITH THAT SONG. 1015 00:46:06,024 --> 00:46:10,012 TWO DECADES AFTER THAT 1016 00:46:10,012 --> 00:46:13,006 RECORD-BREAKING SONG, SHE IS 1017 00:46:10,012 --> 00:46:13,006 STILL PRODUCING HITS, Y'ALL. 1018 00:46:13,006 --> 00:46:37,011 FROM THE XFINITY STAGE, HERE IS 1019 00:46:13,006 --> 00:46:37,011 BRANDY FEATURING TY DOLLA SIGN 1020 00:46:37,011 --> 00:46:54,018 ♪♪ 1021 00:46:37,011 --> 00:46:54,018 ♪♪ 1022 00:46:54,018 --> 00:46:57,015 ♪ WHAT WOULD YOU DO WOULD YOU 1023 00:46:54,018 --> 00:46:57,015 THINK ABOUT ME ♪ 1024 00:46:57,015 --> 00:47:07,001 ♪ I KNOW IT'S SOMETHING WRONG ♪ 1025 00:46:57,015 --> 00:47:07,001 ♪ FEELING CRAZY WANT TO BE WITH 1026 00:47:07,001 --> 00:47:15,012 YOU DEEP DOWN OH ♪ 1027 00:47:07,001 --> 00:47:15,012 ♪ CAN'T HELP IT BABY I'LL GIVE 1028 00:47:15,012 --> 00:47:24,019 YOU THIS BOTTOM LINE ♪ 1029 00:47:15,012 --> 00:47:24,019 ♪ WHOO WHOO WHOO I'M ON THE 1030 00:47:24,019 --> 00:47:44,012 BORDERLINE ♪ 1031 00:47:24,019 --> 00:47:44,012 ♪ IN THE WHOLE WIDE WORLD DON'T 1032 00:47:44,012 --> 00:47:57,004 YOU EVER HURT ME ♪ 1033 00:47:44,012 --> 00:47:57,004 ♪ I'LL CHANGE I'LL GO CRAZY ♪ 1034 00:47:57,004 --> 00:48:01,001 ♪ WE CAN'T QUITE ALIGN ♪ 1035 00:47:57,004 --> 00:48:01,001 >> BRANDY! 1036 00:48:01,001 --> 00:48:04,009 >> GIVE IT UP, Y'ALL, FOR 1037 00:48:01,001 --> 00:48:04,009 KENTUCKY DOLLAR SIGN 1038 00:48:04,009 --> 00:48:28,027 THIS IS OUR NEW SINGLE "NO 1039 00:48:04,009 --> 00:48:28,027 TOMORROW." 1040 00:48:28,027 --> 00:48:36,018 ♪ HOLD UP HOLD UP WAIT A 1041 00:48:28,027 --> 00:48:36,018 MINUTE ♪ 1042 00:48:36,018 --> 00:48:40,015 ♪ SOMEONE IN HERE GOING TO BE 1043 00:48:36,018 --> 00:48:40,015 HAVING MY BABIES ♪ 1044 00:48:40,015 --> 00:48:43,002 ♪ HARD TO LOVE THESE DAYS YOU 1045 00:48:40,015 --> 00:48:43,002 GOT QUESTIONS ♪ 1046 00:48:43,002 --> 00:48:47,000 ♪ WITH NO DOUBT YOU KNOW WHO TH 1047 00:48:43,002 --> 00:48:47,000 BEST IS IT'S THAT TYPE OF TIME ♪ 1048 00:48:47,000 --> 00:48:52,002 ♪ YOU DON'T KNOW IT YET I'LL 1049 00:48:47,000 --> 00:48:52,002 TELL YOU WHEN YOU'RE READY ♪ 1050 00:48:52,002 --> 00:48:56,021 ♪ YEAH I TOLD YOU YOU'RE SO 1051 00:48:52,002 --> 00:48:56,021 BEAUTIFUL ♪ 1052 00:48:56,021 --> 00:49:07,013 ♪ YEAH IOWA YEAH YEAH YEAH ♪ 1053 00:48:56,021 --> 00:49:07,013 ♪ BEAUTIFUL ♪ 1054 00:49:07,013 --> 00:49:14,000 ♪ I'M GOING TO BEAT IT UP IN 1055 00:49:07,013 --> 00:49:14,000 CASE THERE IS NO TOMORROW ♪ 1056 00:49:14,000 --> 00:49:20,019 ♪ LIKE THERE'S NO TOMORROW ♪ 1057 00:49:14,000 --> 00:49:20,019 ♪ OH YEAH IN CASE THERE'S NO 1058 00:49:20,019 --> 00:49:23,012 TOMORROW ♪ 1059 00:49:20,019 --> 00:49:23,012 ♪ I WON'T LET YOU GO LIKE 1060 00:49:23,012 --> 00:49:41,011 THERE'S NO TOMORROW ♪ 1061 00:49:23,012 --> 00:49:41,011 >> LADIES AND GENTLEMEN, ADAM 1062 00:49:41,011 --> 00:49:50,018 BLACKSTONE AND THE BBEs. 1063 00:49:41,011 --> 00:49:50,018 ♪ ONE OF THOSE DAYS YOU LOVED M 1064 00:49:50,018 --> 00:49:53,018 ONE OF THOSE DAYS YOU CRIED ♪ 1065 00:49:50,018 --> 00:49:53,018 ♪ ONE OF THOSE DAYS YOU'RE HAPP 1066 00:49:53,018 --> 00:50:00,014 BABE FEELING HIGH YEAH ♪ 1067 00:49:53,018 --> 00:50:00,014 ♪ TELL ME WHAT YOU'RE THINKING 1068 00:50:00,014 --> 00:50:10,005 YOU WERE TURNED AROUND ♪ 1069 00:50:00,014 --> 00:50:10,005 ♪ EVERYBODY KNOWS ALMOST ALL TH 1070 00:50:10,005 --> 00:50:21,002 TOWN ♪ 1071 00:50:10,005 --> 00:50:21,002 ♪ I CAN'T KEEP ON LOVING YOU ♪ 1072 00:50:21,002 --> 00:50:32,003 ♪ HAVING HESITATION NEVER REALL 1073 00:50:21,002 --> 00:50:32,003 GO ♪ 1074 00:50:32,003 --> 00:50:39,021 ♪ ALL THAT I CAN GIVE YOU WHAT 1075 00:50:32,003 --> 00:50:39,021 YOU WAITING FOR ♪ 1076 00:50:39,021 --> 00:50:46,004 ♪ BABY I'LL BE HERE MAYBE I'LL 1077 00:50:39,021 --> 00:50:46,004 SEE YOU AROUND ♪ 1078 00:50:46,004 --> 00:50:51,010 ♪ THAT'S A WAY TO GO ALMOST 1079 00:50:46,004 --> 00:50:51,010 DOESN'T COUNT ♪ 1080 00:50:51,010 --> 00:50:58,018 ♪ THAT'S THE WAY IT GOES ALMOST 1081 00:50:51,010 --> 00:50:58,018 DOESN'T COUNT ♪ 1082 00:50:58,018 --> 00:51:21,029 ♪ THAT'S THE WAY IT GOES ALMOST 1083 00:50:58,018 --> 00:51:21,029 DOESN'T COUNT ♪ 1084 00:51:21,029 --> 00:51:25,007 >>> WE'RE BACK AT THE BILLBOARD 1085 00:51:21,029 --> 00:51:25,007 MUSIC AWARDS AT THE DOLBY 1086 00:51:25,007 --> 00:51:27,017 THEATRE. 1087 00:51:25,007 --> 00:51:27,017 I WANT TO TAKE A MOMENT TO TALK 1088 00:51:27,017 --> 00:51:30,025 ABOUT A FRIEND WHO INSPIRES ME 1089 00:51:27,017 --> 00:51:30,025 ON THE DAILY 1090 00:51:30,025 --> 00:51:33,028 NOT ONLY A MUSICIAN, A 1091 00:51:30,025 --> 00:51:33,028 SONGWRITER, AS A HUMAN 1092 00:51:33,028 --> 00:51:37,002 JOHN LEGEND IS ONE OF MY 1093 00:51:33,028 --> 00:51:37,002 FAVORITE PEOPLE ON THIS PLANET, 1094 00:51:37,002 --> 00:51:40,023 AND IT'S EASY FOR US ALL TO FEEL 1095 00:51:37,002 --> 00:51:40,023 THAT WAY ABOUT THEM BECAUSE HE 1096 00:51:40,023 --> 00:51:45,013 AND CHRISSY JUST HAVE THIS WARM 1097 00:51:40,023 --> 00:51:45,013 WAY OF INVITEING US INTO THEIR 1098 00:51:45,013 --> 00:51:46,027 WORLD. 1099 00:51:45,013 --> 00:51:46,027 THE HIGHS AND THE LOWS 1100 00:51:46,027 --> 00:51:49,029 MY HEART, OBVIOUSLY ALL OF OUR 1101 00:51:46,027 --> 00:51:49,029 HEARTS, GO OUT TO YOU BOTH IN 1102 00:51:49,029 --> 00:51:52,023 THIS VERY DIFFICULT TIME 1103 00:51:49,029 --> 00:51:52,023 AND I'M THANKFUL THAT YOU 1104 00:51:52,023 --> 00:51:57,013 CONTINUE TO SHARE YOUR LIGHT AND 1105 00:51:52,023 --> 00:51:57,013 YOUR TALENT WITH ALL OF US FOR 1106 00:51:57,013 --> 00:51:59,015 THE VERY SPECIAL PERFORMANCE, 1107 00:51:57,013 --> 00:51:59,015 POSSIBLY MY FAVORITE OF THE 1108 00:51:59,015 --> 00:52:00,024 NIGHT. 1109 00:51:59,015 --> 00:52:00,024 THIS IS "NEVER BREAK" WITH JOHN 1110 00:52:00,024 --> 00:52:11,008 LEGEND 1111 00:52:00,024 --> 00:52:11,008 >> THIS IS FOR CHRISSY 1112 00:52:11,008 --> 00:52:22,002 ♪♪ 1113 00:52:11,008 --> 00:52:22,002 ♪ OH YEAH WE GOT A GOOD THING 1114 00:52:22,002 --> 00:52:26,008 BABE ♪ 1115 00:52:22,002 --> 00:52:26,008 ♪ WHENEVER LIFE IS HARD WE'LL 1116 00:52:26,008 --> 00:52:33,009 NEVER LOSE OUR WAY ♪ 1117 00:52:26,008 --> 00:52:33,009 ♪ WE BOTH KNOW WHO WE ARE ♪ 1118 00:52:33,009 --> 00:52:39,013 ♪ WHO KNOWS ABOUT PERFORM WE 1119 00:52:33,009 --> 00:52:39,013 DON'T KNOW WHAT'S IN THE STARS ♪ 1120 00:52:39,013 --> 00:52:48,022 ♪ I JUST KNOW I'LL ALWAYS FOLLO 1121 00:52:39,013 --> 00:52:48,022 THE LIGHT IN YOUR HEART ♪ 1122 00:52:48,022 --> 00:52:54,017 ♪ I'M NOT WORRIED ABOUT US AND 1123 00:52:48,022 --> 00:52:54,017 I'VE NEVER BEEN ♪ 1124 00:52:54,017 --> 00:53:02,026 ♪ WE KNOW HOW THE STORY ENDS ♪ 1125 00:52:54,017 --> 00:53:02,026 ♪ WE WILL NEVER BREAK WE WILL 1126 00:53:02,026 --> 00:53:10,013 NEVER BREAK ♪ 1127 00:53:02,026 --> 00:53:10,013 ♪ BUILT ON A FOUNDATION STRONG 1128 00:53:10,013 --> 00:53:20,020 ENOUGH TO STAY ♪ 1129 00:53:10,013 --> 00:53:20,020 ♪ WE WILL NEVER BREAK HOW THE 1130 00:53:20,020 --> 00:53:23,005 WATER RISES AND THE MOUNTAINS 1131 00:53:20,020 --> 00:53:23,005 SHAKE ♪ 1132 00:53:23,005 --> 00:53:35,000 ♪ OUR LOVE WILL REMAIN ♪ 1133 00:53:23,005 --> 00:53:35,000 ♪ WE WILL NEVER NO NO NEVER WE 1134 00:53:35,000 --> 00:53:52,009 WILL NEVER NO NO NEVER ♪ 1135 00:53:35,000 --> 00:53:52,009 ♪ WE WILL NEVER NO NEVER WE WIL 1136 00:53:52,009 --> 00:54:08,021 NEVER NO ♪ 1137 00:53:52,009 --> 00:54:08,021 ♪ THE WATER RISES THROW IT ALL 1138 00:54:08,021 --> 00:54:10,024 AT US THERE'S NOTHING WE CANNOT 1139 00:54:08,021 --> 00:54:10,024 TAKE ♪ 1140 00:54:10,024 --> 00:54:15,028 ♪ WE WILL NEVER BREAK WE WILL 1141 00:54:10,024 --> 00:54:15,028 NEVER BREAK ♪ 1142 00:54:15,028 --> 00:54:22,011 ♪ BUILT ON A FOUNDATION STRONGE 1143 00:54:15,028 --> 00:54:22,011 THAN THE PAIN ♪ 1144 00:54:22,011 --> 00:54:30,008 ♪ WE WILL NEVER BREAK HOW THE 1145 00:54:22,011 --> 00:54:30,008 WATER RISES ♪ 1146 00:54:30,008 --> 00:54:37,011 ♪ AND THE MOUNTAINS SHAKE OUR 1147 00:54:30,008 --> 00:54:37,011 LOVE WILL REMAIN ♪ 1148 00:54:37,011 --> 00:54:50,005 ♪ WE WILL NEVER NO NO NEVER WE 1149 00:54:37,011 --> 00:54:50,005 WILL NEVER NO NO NEVER ♪ 1150 00:54:50,005 --> 00:55:02,020 ♪ WE WILL NEVER NO NEVER WE WIL 1151 00:54:50,005 --> 00:55:02,020 NEVER NO OH ♪ 1152 00:55:02,020 --> 00:55:27,004 ♪ WE WILL NEVER NO NEVER WE WIL 1153 00:55:02,020 --> 00:55:27,004 NOOOO ♪ 1154 00:55:27,004 --> 00:55:36,002 ♪♪ 1155 00:55:27,004 --> 00:55:36,002 ♪♪ 1156 00:55:36,002 --> 00:55:43,022 >> THANK YOU 1157 00:55:36,002 --> 00:55:43,022 >> JOHN, THAT WAS SO BEAUTIFUL 1158 00:55:43,022 --> 00:55:48,029 YOU ARE LITERALLY ONE OF MY 1159 00:55:43,022 --> 00:55:48,029 FAVORITE SINGER/ENTERTAINERS 1160 00:55:48,029 --> 00:55:50,026 THAT HAS EVER EXISTED. 1161 00:55:48,029 --> 00:55:50,026 THAT WAS SO BEAUTIFUL. 1162 00:55:50,026 --> 00:55:53,026 ALL MY LOVE TO YOU AND CHRISSY 1163 00:55:50,026 --> 00:55:53,026 NOW WE HAVE ANOTHER SPECIAL 1164 00:55:53,026 --> 00:55:56,027 MOMENT ON THE BILLBOARD MUSIC 1165 00:55:53,026 --> 00:55:56,027 AWARDS 1166 00:55:56,027 --> 00:55:59,022 LET'S HEAD TO ATLANTA AND 1167 00:55:56,027 --> 00:55:59,022 WELCOME MAYOR KEISHA LANCE 1168 00:55:59,022 --> 00:56:01,006 BOTTOMS. 1169 00:55:59,022 --> 00:56:01,006 >> THANK YOU, KELLY. 1170 00:56:01,006 --> 00:56:05,007 I'M THRILLED THAT THIS IMPORTANT 1171 00:56:01,006 --> 00:56:05,007 MOMENT OF BILLBOARD MUSIC AWARDS 1172 00:56:05,007 --> 00:56:10,002 IS BEING HELD AT ATLANTA'S APEX 1173 00:56:05,007 --> 00:56:10,002 MUSEUM OF AFRICAN-AMERICAN 1174 00:56:10,002 --> 00:56:12,002 HISTORY. 1175 00:56:10,002 --> 00:56:12,002 NOW WE ARE ALL AWARE THAT THESE 1176 00:56:12,002 --> 00:56:15,026 ARE HARD TIMES 1177 00:56:12,002 --> 00:56:15,026 ACROSS THE COUNTRY, AMERICANS 1178 00:56:15,026 --> 00:56:23,009 ARE LIVING WITH THE IMPACT OF 1179 00:56:15,026 --> 00:56:23,009 COVID-19, ECONOMIC HARDSHIP, AND 1180 00:56:23,009 --> 00:56:25,010 THE CRUSHING PAIN OF SYSTEMIC 1181 00:56:23,009 --> 00:56:25,010 RACISM 1182 00:56:25,010 --> 00:56:29,008 IT IS IN THESE MOMENTS THAT WE 1183 00:56:25,010 --> 00:56:29,008 LOOK FOR LEADERS WHO WILL NOT 1184 00:56:29,008 --> 00:56:32,004 JUST TALK THE TALK, BUT WALK THE 1185 00:56:29,008 --> 00:56:32,004 WALK 1186 00:56:32,004 --> 00:56:36,006 WHO WILL ANSWER THE CALL 1187 00:56:32,004 --> 00:56:36,006 WHO WILL RISE UP AND FIGHT FOR 1188 00:56:36,006 --> 00:56:40,020 THE CHANGE WE NEED 1189 00:56:36,006 --> 00:56:40,020 AND IT IS IN LIGHT OF THIS 1190 00:56:40,020 --> 00:56:45,001 ESPECIALLY CHALLENGING YEAR 1191 00:56:40,020 --> 00:56:45,001 THAT, FOR THE FIRST TIME, WE ARE 1192 00:56:45,001 --> 00:56:47,018 HONORING JUST SUCH AN 1193 00:56:45,001 --> 00:56:47,018 INDIVIDUAL 1194 00:56:47,018 --> 00:56:51,013 ONE WHO WILL FOREVER BE KNOWN AS 1195 00:56:47,018 --> 00:56:51,013 THE INAUGURAL BILLBOARD CHANGE 1196 00:56:51,013 --> 00:56:55,001 MAKER. 1197 00:56:51,013 --> 00:56:55,001 IT IS THE FIRST WHAT WAS WILL BE 1198 00:56:55,001 --> 00:56:59,028 AN ANNUAL TRIBUTE IN THIS SHOW, 1199 00:56:55,001 --> 00:56:59,028 WHERE WE SHINE THE SPOTLIGHT ON 1200 00:56:59,028 --> 00:57:03,024 A PERSON OF COURAGE, A CHANGE 1201 00:56:59,028 --> 00:57:03,024 MAKER WHO NOT ONLY IS A FORCE IN 1202 00:57:03,024 --> 00:57:09,022 THE MUSIC INDUSTRY, BUT WHO HAS 1203 00:57:03,024 --> 00:57:09,022 SHIFTED THE CULTURE BEYOND THE 1204 00:57:09,022 --> 00:57:12,021 STAGE. 1205 00:57:09,022 --> 00:57:12,021 OUR INAUGURAL RECIPIENT IS A 1206 00:57:12,021 --> 00:57:17,028 HIP-HOP ICON, AN ENTREPRENEUR, 1207 00:57:12,021 --> 00:57:17,028 AND ACTIVIST WHO IS A POWERFUL 1208 00:57:17,028 --> 00:57:25,007 VOICE FOR SOCIAL JUSTICE 1209 00:57:17,028 --> 00:57:25,007 LET'S TAKE A LOOK AT HOW KILLER 1210 00:57:25,007 --> 00:57:28,025 MIKE'S DEDICATION AND ADVOCACY 1211 00:57:25,007 --> 00:57:28,025 IN HIS ART HAVE CREATED 1212 00:57:28,025 --> 00:57:31,006 MEANINGFUL CHANGE. 1213 00:57:28,025 --> 00:57:31,006 >> SOME ARTISTS FIND A FREQUENCY 1214 00:57:31,006 --> 00:57:36,013 THAT REACHES FAR AND WIDE, WHERE 1215 00:57:31,006 --> 00:57:36,013 PURPOSE AND SERVICE TO THE 1216 00:57:36,013 --> 00:57:40,000 GREATER GOOD COME TOGETHER. 1217 00:57:36,013 --> 00:57:40,000 >> THERE'S A SENEGALESE PROVERB 1218 00:57:40,000 --> 00:57:43,003 THAT SAYS, THERE CAN BE NO PEACE 1219 00:57:40,000 --> 00:57:43,003 WITHOUT UNDERSTANDING. 1220 00:57:43,003 --> 00:57:44,025 >> KILLER MIKE IS ONE OF THOSE 1221 00:57:43,003 --> 00:57:44,025 ARTISTS. 1222 00:57:44,025 --> 00:57:47,008 >> I'VE HAD TO LEARN 1223 00:57:44,025 --> 00:57:47,008 SEGREGATIONAL HISTORY. 1224 00:57:47,008 --> 00:57:53,028 I'VE HAD TO LET MY OWN CURIOSITY 1225 00:57:47,008 --> 00:57:53,028 TAKE ME OUT OF THAT HISTORY AND 1226 00:57:53,028 --> 00:57:55,016 FIND MYSELF A FRIEND INSTEAD OF 1227 00:57:53,028 --> 00:57:55,016 CONFRONT. 1228 00:57:55,016 --> 00:58:02,019 >> WITH A CAREER SPANNING TWO 1229 00:57:55,016 --> 00:58:02,019 DECADES, HE'S ONE HALF OF 1230 00:58:02,019 --> 00:58:06,023 HIP-HOP DUO RUN THE JEWEL. 1231 00:58:02,019 --> 00:58:06,023 KILLER MIKE CONTINUES TO EMERGE 1232 00:58:06,023 --> 00:58:09,024 AS A POWERFUL VOICE THAT 1233 00:58:06,023 --> 00:58:09,024 RESONATES FAR BEYOND HIS 1234 00:58:09,024 --> 00:58:12,014 ATLANTA, GEORGIA, ROOTS. 1235 00:58:09,024 --> 00:58:12,014 >> WHAT'S THE ONE THING I WANT 1236 00:58:12,014 --> 00:58:20,028 YOU TO KNOW? 1237 00:58:12,014 --> 00:58:20,028 >> HE IS A CHAMPION FOR ECONOMIC 1238 00:58:20,028 --> 00:58:26,006 INDEPENDENCE, AS AN INVESTOR FOR 1239 00:58:20,028 --> 00:58:26,006 BLACK FINANCE NEO BANK 1240 00:58:26,006 --> 00:58:30,029 GREENWOOD, ENTREPRENEUR, AND 1241 00:58:26,006 --> 00:58:30,029 ADVOCATE FOR FINANCIAL LITERACY. 1242 00:58:30,029 --> 00:58:38,021 HIS PERSPECTIVE IS FIERCELY 1243 00:58:30,029 --> 00:58:38,021 PROTECTIVE OF HIS COMMUNITY. 1244 00:58:38,021 --> 00:58:42,001 >> I'M DUTY BOUND TO BE HERE TO 1245 00:58:38,021 --> 00:58:42,001 SAY, IT IS YOUR DUTY TO PLOT, 1246 00:58:42,001 --> 00:58:52,003 PLAN, STRATEGIZE, ORGANIZE, AND 1247 00:58:42,001 --> 00:58:52,003 MOBILIZE 1248 00:58:52,003 --> 00:58:55,010 >> AS FOR HIS CONTINUED PURSUIT 1249 00:58:52,003 --> 00:58:55,010 OF SOCIAL JUSTICE, HE IS A 1250 00:58:55,010 --> 00:59:01,002 DEFENDER OF VOTING RIGHTS, A 1251 00:58:55,010 --> 00:59:01,002 SOUND SEEKER FOR CHANGE, AND A 1252 00:59:01,002 --> 00:59:03,017 SUPPORTER FOR EDUCATION REFORM. 1253 00:59:01,002 --> 00:59:03,017 >> I WANT US TO UNDERSTAND WE 1254 00:59:03,017 --> 00:59:05,014 HAVE MORE COMMONALITIES THAN 1255 00:59:03,017 --> 00:59:05,014 DIFFERENCES. 1256 00:59:05,014 --> 00:59:08,012 >> A DEDICATED FATHER AND 1257 00:59:05,014 --> 00:59:08,012 HUSBAND WITH THE FULL SUPPORT OF 1258 00:59:08,012 --> 00:59:12,023 HIS WIFE SHAYNA, KILLER MIKE'S 1259 00:59:08,012 --> 00:59:12,023 ACTIONS SPEAK AS LOUD AS HIS 1260 00:59:12,023 --> 00:59:14,026 WORDS. 1261 00:59:12,023 --> 00:59:14,026 >> ALL OF US DO A LITTLE, AIN'T 1262 00:59:14,026 --> 00:59:18,022 NOBODY GOT TO DO A LOT. 1263 00:59:14,026 --> 00:59:18,022 >> HE AS LEADER, A CLEAR VOICE 1264 00:59:18,022 --> 00:59:22,022 WILLING TO SPREAD AN HONEST 1265 00:59:18,022 --> 00:59:22,022 MESSAGE, ONE THAT SPEAKS FOR 1266 00:59:22,022 --> 00:59:25,021 MAKING TRUE CHANGE FOR THE POWER 1267 00:59:22,022 --> 00:59:25,021 OF THE PEOPLE. 1268 00:59:25,021 --> 00:59:31,003 AND NOW, PLEASE WELCOME THE 1269 00:59:25,021 --> 00:59:31,003 FIRST-EVER BILLBOARD CHANGE 1270 00:59:31,003 --> 00:59:33,018 MAKER, ATLANTA'S OWN KILLER 1271 00:59:31,003 --> 00:59:33,018 MIKE 1272 00:59:33,018 --> 00:59:37,018 >> THANK YOU, MAYOR BOTTOMS. 1273 00:59:33,018 --> 00:59:37,018 THANK BILLBOARD. 1274 00:59:37,018 --> 00:59:41,001 THE CHANGE MAKER'S AWARD MEANS A 1275 00:59:37,018 --> 00:59:41,001 LOT TO ME. 1276 00:59:41,001 --> 00:59:43,008 THE INAUGURAL WINNER AS BIG 1277 00:59:41,001 --> 00:59:43,008 RESPONSIBILITY 1278 00:59:43,008 --> 00:59:49,005 AS I SAID ON THE NEW ALBUM, 1279 00:59:43,008 --> 00:59:49,005 "RTJ4," I HAVE A LYRIC ABOUT MY 1280 00:59:49,005 --> 00:59:51,003 WIFE 1281 00:59:49,005 --> 00:59:51,003 FRIENDS TELL HER HE COULD BE 1282 00:59:51,003 --> 00:59:54,022 ANOTHER MALCOLM, COULD BE 1283 00:59:51,003 --> 00:59:54,022 ANOTHER MARTIN 1284 00:59:54,022 --> 00:59:58,004 SHE TELLS THEM, I NEED A HUSBAND 1285 00:59:54,022 --> 00:59:58,004 WHO'S NOT A MARTYR 1286 00:59:58,004 --> 01:00:03,028 I WOULD NOT BE HERE IF NOT FOR 1287 00:59:58,004 --> 01:00:03,028 YOUR ENCOURAGEMENT AND YOUR 1288 01:00:03,028 --> 01:00:07,000 CONSTANCE BY MY SIDE 1289 01:00:03,028 --> 01:00:07,000 I'D PROBABLY BE HANGING OUT AT 1290 01:00:07,000 --> 01:00:08,029 THE BLUE FLAME BY MYSELF 1291 01:00:07,000 --> 01:00:08,029 INSTEAD. 1292 01:00:08,029 --> 01:00:13,004 I LOVE YOU VERY APPRECIATEMUCH A 1293 01:00:08,029 --> 01:00:13,004 APPRECIATE YOU 1294 01:00:13,004 --> 01:00:14,023 THIS IS OUR AWARD. 1295 01:00:13,004 --> 01:00:14,023 THANK YOU VERY MUCH. 1296 01:00:14,023 --> 01:00:17,016 KIDS OUT THERE THAT SING AND 1297 01:00:14,023 --> 01:00:17,016 DANCE WHAT YOU DO IS WORTHY. 1298 01:00:17,016 --> 01:00:22,002 YOU ARE ARTISTS, AND YOUR GOAL 1299 01:00:17,016 --> 01:00:22,002 SHOULD BE TO EXPRESS THE VERY 1300 01:00:22,002 --> 01:00:26,018 REALITY AROUND YOU IN THE VERY 1301 01:00:22,002 --> 01:00:26,018 MOST BEAUTIFUL OR UGLY WAYS AS 1302 01:00:26,018 --> 01:00:28,029 YOU SEE FIT. 1303 01:00:26,018 --> 01:00:28,029 KIDS WHO RUN AND DANCE AND SING 1304 01:00:28,029 --> 01:00:33,000 AND JUMP AND ALL THAT, ALL THE 1305 01:00:28,029 --> 01:00:33,000 THINGS THEY TELL YOU DON'T 1306 01:00:33,000 --> 01:00:34,015 MATTER, YOU MATTER MORE THAN YOU 1307 01:00:33,000 --> 01:00:34,015 KNOW 1308 01:00:34,015 --> 01:00:38,002 THE KIDS PLOTTING, PLANNING, 1309 01:00:34,015 --> 01:00:38,002 STRATEGIZING, ON THE GROUND 1310 01:00:38,002 --> 01:00:39,025 MOBILIZING, YOU ARE NEEDED MORE 1311 01:00:38,002 --> 01:00:39,025 THAN EVER. 1312 01:00:39,025 --> 01:00:42,024 I'M A CULMINATION OF ALL THESE 1313 01:00:39,025 --> 01:00:42,024 THINGS 1314 01:00:42,024 --> 01:00:46,027 I LIKE TO HONOR MY AN SISTER 1315 01:00:42,024 --> 01:00:46,027 SOARS, GRANDMOTHER, MOTHER, 1316 01:00:46,027 --> 01:00:54,010 ALICE JOHNSON WHO TAUGHT ME TO 1317 01:00:46,027 --> 01:00:54,010 ORANGE, ALONG WITH REVEREND 1318 01:00:54,010 --> 01:00:57,003 JAMES, THE BROTHERS AND SISTERS 1319 01:00:54,010 --> 01:00:57,003 WHO HAVE HELPED ME ALONG THE 1320 01:00:57,003 --> 01:00:58,021 WAY. 1321 01:00:57,003 --> 01:00:58,021 I'M A PRODUCT OF ATLANTA 1322 01:00:58,021 --> 01:01:01,019 I APPRECIATE ATLANTA FOR MAKING, 1323 01:00:58,021 --> 01:01:01,019 I APPRECIATE THEM FOR CREATING 1324 01:01:01,019 --> 01:01:06,006 ME AND POURING INTO ME 1325 01:01:01,019 --> 01:01:06,006 I APPRECIATE ALL MY TEACHERS AT 1326 01:01:06,006 --> 01:01:08,006 FREDERICK DOUGLASS SOOL HIGH 1327 01:01:06,006 --> 01:01:08,006 SCHOOL 1328 01:01:08,006 --> 01:01:11,014 I ENCOURAGE ALL THE PEOPLE WHO 1329 01:01:08,006 --> 01:01:11,014 PUSHED ME TO BE WHO I AM TODAY 1330 01:01:11,014 --> 01:01:13,017 THANK YOU. 1331 01:01:11,014 --> 01:01:13,017 >> CONGRATULATIONS, KILLER MIKE, 1332 01:01:13,017 --> 01:01:18,020 ON A WELL-DESERVED HONOR 1333 01:01:13,017 --> 01:01:18,020 IN ADDITION TO ALL HIS OTHER 1334 01:01:18,020 --> 01:01:21,027 ENDEAVORS, KILLER MIKE HAS 1335 01:01:18,020 --> 01:01:21,027 STARTED GREENWOOD, A DIGITAL 1336 01:01:21,027 --> 01:01:26,001 BANKING PLATFORM THAT SUPPORTS 1337 01:01:21,027 --> 01:01:26,001 BLACK-OWNED BANKS AND BUSINESSES 1338 01:01:26,001 --> 01:01:28,018 FOR CONSUMERS. 1339 01:01:26,001 --> 01:01:28,018 THE BILLBOARD MUSIC AWARDS AND 1340 01:01:28,018 --> 01:01:34,027 NBC ARE DEPOSITING $1 MILLION, 1341 01:01:28,018 --> 01:01:34,027 WHAT 1342 01:01:34,027 --> 01:01:38,017 THAT'S INCREDIBLE. 1343 01:01:34,027 --> 01:01:38,017 $1 MILLION TO HELP SUPPORT THIS 1344 01:01:38,017 --> 01:01:40,004 GREAT INITIATIVE 1345 01:01:38,017 --> 01:01:40,004 WE LOVE WHAT YOU'RE DOING, 1346 01:01:40,004 --> 01:01:45,001 KILLER MIKE, KEEP GOING. 1347 01:01:40,004 --> 01:01:45,001 >>> COMING UP NEXT, LATIN 1348 01:01:45,001 --> 01:01:49,011 SUPERSTAR BAD BUNNY. 1349 01:01:45,001 --> 01:01:49,011 THEN LATER, DOJA CAT, DEMI 1350 01:01:49,011 --> 01:01:52,026 LOVATO, AND THIS YEAR'S 1351 01:01:49,011 --> 01:01:52,026 BILLBOARD THROWBACK, EN VOGUE 1352 01:01:52,026 --> 01:02:09,022 PERFORMS "FREE YOUR MIND." 1353 01:01:52,026 --> 01:02:09,022 MUSI 1354 01:02:09,022 --> 01:02:11,009 ♪♪ 1355 01:02:09,022 --> 01:02:11,009 >>> WELCOME BACK TO THE 1356 01:02:11,009 --> 01:02:14,017 BILLBOARD MUSIC AWARDS 1357 01:02:11,009 --> 01:02:14,017 I HOPE Y'ALL ARE HAVING AS MUCH 1358 01:02:14,017 --> 01:02:23,020 FUN WATCHING AS I AM HOSTING 1359 01:02:14,017 --> 01:02:23,020 IF YOU'RE NOT, KNOWN ERNEENER, I 1360 01:02:23,020 --> 01:02:27,025 HAVING AN AWESOME TIME 1361 01:02:23,020 --> 01:02:27,025 NOW FROM "ELLEN'S GAME OF 1362 01:02:27,025 --> 01:02:33,008 GAMES," PLEASE WELCOME TWITCH! 1363 01:02:27,025 --> 01:02:33,008 ♪♪ 1364 01:02:33,008 --> 01:02:37,009 >> LATIN MUSIC KEEPS GETTING 1365 01:02:33,008 --> 01:02:37,009 BIGGER AND BIGGER, EXPLODING ON 1366 01:02:37,009 --> 01:02:41,023 THE CHARTS, PROVING MUSIC IS A 1367 01:02:37,009 --> 01:02:41,023 UNIVERSAL LANGUAGE, CROSSING ALL 1368 01:02:41,023 --> 01:02:44,004 BORDERS AND BOUNDARIES 1369 01:02:41,023 --> 01:02:44,004 THAT'S WHY THIS SHOW CELEBRATES 1370 01:02:44,004 --> 01:02:48,025 THE VERY BEST IN ALL GENRES AND 1371 01:02:44,004 --> 01:02:48,025 ALL THE GREAT ARTISTS WHEREVER 1372 01:02:48,025 --> 01:02:50,014 THEY ARE FROM. 1373 01:02:48,025 --> 01:02:50,014 HERE ARE THE NOMINEES FOR TOP 1374 01:02:50,014 --> 01:03:07,024 LATIN ARTIST 1375 01:02:50,014 --> 01:03:07,024 >> BAD BUNNY ♪♪ 1376 01:03:07,024 --> 01:03:21,000 ♪♪ 1377 01:03:07,024 --> 01:03:21,000 >> JAY BALDIN. 1378 01:03:21,000 --> 01:03:31,017 ♪♪ 1379 01:03:21,000 --> 01:03:31,017 ♪ OZILLA. 1380 01:03:31,017 --> 01:03:40,011 ♪♪ 1381 01:03:31,017 --> 01:03:40,011 >> ROMEO SANTOS. 1382 01:03:40,011 --> 01:03:54,014 ♪♪ 1383 01:03:40,011 --> 01:03:54,014 >> AND THE BILLBOARD MUSIC AWARD 1384 01:03:54,014 --> 01:04:04,028 GOES TO -- 1385 01:03:54,014 --> 01:04:04,028 BAD BUNNY 1386 01:04:04,028 --> 01:04:20,020 ♪♪ 1387 01:04:04,028 --> 01:04:20,020 ♪♪ 1388 01:04:20,020 --> 01:04:33,005 ♪♪ 1389 01:04:20,020 --> 01:04:33,005 ♪♪ 1390 01:04:33,005 --> 01:04:48,013 ♪♪ 1391 01:04:33,005 --> 01:04:48,013 ♪♪ 1392 01:04:48,013 --> 01:05:02,002 ♪♪ 1393 01:04:48,013 --> 01:05:02,002 ♪♪ 1394 01:05:02,002 --> 01:05:12,002 ♪♪ 1395 01:05:02,002 --> 01:05:12,002 ♪♪ 1396 01:05:12,002 --> 01:05:27,011 ♪♪ 1397 01:05:12,002 --> 01:05:27,011 ♪♪ 1398 01:05:27,011 --> 01:05:44,020 ♪♪ 1399 01:05:27,011 --> 01:05:44,020 ♪♪ 1400 01:05:44,020 --> 01:06:02,000 ♪♪ 1401 01:05:44,020 --> 01:06:02,000 ♪♪ 1402 01:06:02,000 --> 01:06:18,024 ♪♪ 1403 01:06:02,000 --> 01:06:18,024 ♪♪ 1404 01:06:18,024 --> 01:06:32,022 ♪♪ 1405 01:06:18,024 --> 01:06:32,022 ♪♪ 1406 01:06:32,022 --> 01:06:49,025 ♪♪ 1407 01:06:32,022 --> 01:06:49,025 ♪♪ 1408 01:06:49,025 --> 01:07:05,021 ♪♪ 1409 01:06:49,025 --> 01:07:05,021 ♪♪ 1410 01:07:05,021 --> 01:07:08,020 >> WHOA, WHOA. 1411 01:07:05,021 --> 01:07:08,020 WHAT A TIME TO BE LATINO 1412 01:07:08,020 --> 01:07:11,013 WE GOT THE POWER, SO PROUD 1413 01:07:08,020 --> 01:07:11,013 THANK YOU TO THE BILLBOARDS. 1414 01:07:11,013 --> 01:07:14,007 THANK YOU TO ALL MY FANS AROUND 1415 01:07:11,013 --> 01:07:14,007 THE WORLD. 1416 01:07:14,007 --> 01:07:58,004 [ SPEAKING SPANISH ] 1417 01:07:14,007 --> 01:07:58,004 [ SPEAKING SPANISH ] 1418 01:07:58,004 --> 01:08:12,029 >>> COMING UP NEXT, DOJA CAT 1419 01:08:13,001 --> 01:08:20,005 ♪♪ 1420 01:08:13,001 --> 01:08:20,005 >>> WELCOME BACK TO THE 2020 1421 01:08:20,005 --> 01:08:24,028 BILLBOARD MUSIC AWARDS 1422 01:08:20,005 --> 01:08:24,028 AND NOW, TO PRESENT THE NEXT 1423 01:08:24,028 --> 01:08:30,024 AWARD, FROM "A LITTLE LATE WITH 1424 01:08:24,028 --> 01:08:30,024 LILLY SINGH," HERE'S LILLY 1425 01:08:30,024 --> 01:08:33,001 SINGH! 1426 01:08:30,024 --> 01:08:33,001 >> HEY, WHAT'S UP, IMAGINARY 1427 01:08:33,001 --> 01:08:35,003 AUDIENCE 1428 01:08:33,001 --> 01:08:35,003 THEY'RE THE ARTISTS WE LISTEN TO 1429 01:08:35,003 --> 01:08:38,004 IN OUR CARS. 1430 01:08:35,003 --> 01:08:38,004 AT HOME, AT WORK, ON ZOOM CALLS 1431 01:08:38,004 --> 01:08:41,021 WHEN WE PUT OURSELVES ON MUTE, 1432 01:08:38,004 --> 01:08:41,021 ANYWHERE, ANYTIME WE WANT TO 1433 01:08:41,021 --> 01:08:46,009 HEAR THE MUSIC OF SOME OF THE 1434 01:08:41,021 --> 01:08:46,009 BEST OF THE PAST YEARS 1435 01:08:46,009 --> 01:08:49,004 THEY ARE THE NOMINEES FOR TOP 1436 01:08:46,009 --> 01:08:49,004 MALE ARTIST. 1437 01:08:49,004 --> 01:08:59,012 >> DaBABY. 1438 01:08:49,004 --> 01:08:59,012 ♪♪ 1439 01:08:59,012 --> 01:09:12,013 >> KHALID. 1440 01:08:59,012 --> 01:09:12,013 ♪♪ 1441 01:09:12,013 --> 01:09:24,008 >> LIL NAS X 1442 01:09:12,013 --> 01:09:24,008 ♪♪ 1443 01:09:24,008 --> 01:09:38,013 >> POST MALONE 1444 01:09:24,008 --> 01:09:38,013 ♪♪ 1445 01:09:38,013 --> 01:09:51,004 >> ED SHEERAN. 1446 01:09:38,013 --> 01:09:51,004 ♪♪ 1447 01:09:51,004 --> 01:09:56,021 >> AND THE WINNER IS - 1448 01:09:51,004 --> 01:09:56,021 POST MALONE 1449 01:09:56,021 --> 01:10:00,026 >> POST MALONE AND "SUNFLOWER" 1450 01:09:56,021 --> 01:10:00,026 HAS OVER 1 MILLION LIKES ON 1451 01:10:00,026 --> 01:10:02,010 TIKTOK 1452 01:10:00,026 --> 01:10:02,010 ♪♪ 1453 01:10:02,010 --> 01:10:06,007 >> GREETINGS 1454 01:10:02,010 --> 01:10:06,007 WOW. 1455 01:10:06,007 --> 01:10:09,005 THIS IS -- THIS IS VERY STRANGE 1456 01:10:06,007 --> 01:10:09,005 HERE 1457 01:10:09,005 --> 01:10:13,021 THANK YOU, LILLY, FOR PRESENTING 1458 01:10:09,005 --> 01:10:13,021 ME, YOU'RE SO SWEET. 1459 01:10:13,021 --> 01:10:19,013 YOU KNOW, IT'S -- IT'S -- IT'S A 1460 01:10:13,021 --> 01:10:19,013 WEIRD -- IT'S A WEIRD TIME FOR 1461 01:10:19,013 --> 01:10:23,025 EVERYBODY. 1462 01:10:19,013 --> 01:10:23,025 AND I JUST FOCUS -- I WANT TO 1463 01:10:23,025 --> 01:10:29,002 FOCUS ON SPREADING LOVE AND 1464 01:10:23,025 --> 01:10:29,002 JUST -- JUST DOING EVERYBODY'S 1465 01:10:29,002 --> 01:10:30,021 BEST 1466 01:10:29,002 --> 01:10:30,021 BECAUSE I KNOW IT'S WEIRD, AND 1467 01:10:30,021 --> 01:10:35,024 IT'S SO BIZARRE TO SEE NOBODY IN 1468 01:10:30,021 --> 01:10:35,024 THE AUDIENCE HERE. 1469 01:10:35,024 --> 01:10:39,015 BUT YOU KNOW, I WANT TO THANK 1470 01:10:35,024 --> 01:10:39,015 EVERYBODY AT HOME. 1471 01:10:39,015 --> 01:10:42,014 I WANT TO THANK ALL MY FANS. 1472 01:10:39,015 --> 01:10:42,014 I WANT TOTHANK MY BEAUTIFUL 1473 01:10:42,014 --> 01:10:46,000 MOTHER 1474 01:10:42,014 --> 01:10:46,000 I WANT TO THANK MY VERY HANDSOME 1475 01:10:46,000 --> 01:10:50,002 FATHER 1476 01:10:46,000 --> 01:10:50,002 I WANT TO THANK MY VERY 1477 01:10:50,002 --> 01:10:52,008 BEAUTIFUL STEPMOM, JODI. 1478 01:10:50,002 --> 01:10:52,008 I WANT TO THANK MY WHOLE FAMILY 1479 01:10:52,008 --> 01:10:54,024 AND EVERYBODY. 1480 01:10:52,008 --> 01:10:54,024 I'M NOT A MAN OF MANY WORDS, AS 1481 01:10:54,024 --> 01:10:58,002 YOU KNOW 1482 01:10:54,024 --> 01:10:58,002 LAST TIME, I THINK, I ACCEPTED 1483 01:10:58,002 --> 01:11:02,023 AN AWARD, I SAID I LOVE GRAPES 1484 01:10:58,002 --> 01:11:02,023 AND I WOULD LIKE TO JUST 1485 01:11:02,023 --> 01:11:05,006 ACCENTUATE THAT STATEMENT. 1486 01:11:02,023 --> 01:11:05,006 BECAUSE I STILL DO, AND I VERY 1487 01:11:05,006 --> 01:11:09,005 MUCH DO. 1488 01:11:05,006 --> 01:11:09,005 THANK YOU VERY MUCH, LADIES AND 1489 01:11:09,005 --> 01:11:11,008 GENTLEMEN. 1490 01:11:09,005 --> 01:11:11,008 STAY STRONG, AND JUST SPREAD 1491 01:11:11,008 --> 01:11:15,012 LOVE EVERYWHERE YOU GO 1492 01:11:11,008 --> 01:11:15,012 THANK YOU VERY MUCH. 1493 01:11:15,012 --> 01:11:19,008 >> WOW, WHAT A BIG WIN FOR POST 1494 01:11:15,012 --> 01:11:19,008 MALONE, I LOVE HIM, Y'ALL, FOR 1495 01:11:19,008 --> 01:11:22,020 TOP MALE ARTISTS, HE'S ONE OF MY 1496 01:11:19,008 --> 01:11:22,020 FAVORITES. 1497 01:11:22,020 --> 01:11:28,020 OUR NEXT PERFORMER'S HIT SONG 1498 01:11:22,020 --> 01:11:28,020 "JUICY" IS UP FOR TOP R&B SONG, 1499 01:11:28,020 --> 01:11:32,002 AND DOJA CAT'S "SAY SO" HAS BEEN 1500 01:11:28,020 --> 01:11:32,002 USED IN MORE THAN 20 MILLION 1501 01:11:32,002 --> 01:11:35,002 VIDEOS ON TIKTOK 1502 01:11:32,002 --> 01:11:35,002 HERE WITH HER VERY FIRST 1503 01:11:35,002 --> 01:11:39,015 APPEARANCE ON THE BILLBOARD 1504 01:11:35,002 --> 01:11:39,015 MUSIC AWARDS IS DOJA CAT 1505 01:11:39,015 --> 01:11:43,023 >> I'VE NEVER DONE ANYTHING LIKE 1506 01:11:39,015 --> 01:11:43,023 THIS BEFORE. 1507 01:11:43,023 --> 01:11:54,015 BUT YOU KNOW, IT'S SUCH A 1508 01:11:43,023 --> 01:11:54,015 SPECIAL NIGHT AND IT'S JUST AN 1509 01:11:54,015 --> 01:11:57,017 AMAZING MOMENT 1510 01:11:54,015 --> 01:11:57,017 I FEEL I CAN REALLY TALK TO YOU, 1511 01:11:57,017 --> 01:12:02,000 AT ALL 1512 01:11:57,017 --> 01:12:02,000 FORGET WHAT YOU'VE SEEN, AND 1513 01:12:02,000 --> 01:12:05,011 FORGET WHAT YOU'VE HEARD 1514 01:12:02,000 --> 01:12:05,011 BECAUSE TONIGHT I'M GOING TO 1515 01:12:05,011 --> 01:12:13,020 KEEP IT REAL 1516 01:12:05,011 --> 01:12:13,020 ♪♪ 1517 01:12:13,020 --> 01:12:38,019 ♪♪ 1518 01:12:13,020 --> 01:12:38,019 ♪♪ 1519 01:12:38,019 --> 01:12:52,003 ♪♪ 1520 01:12:38,019 --> 01:12:52,003 ♪♪ 1521 01:12:52,003 --> 01:13:04,018 ♪♪ 1522 01:12:52,003 --> 01:13:04,018 ♪♪ 1523 01:13:04,018 --> 01:13:19,016 ♪♪ 1524 01:13:04,018 --> 01:13:19,016 ♪♪ 1525 01:13:19,016 --> 01:13:35,006 ♪♪ 1526 01:13:19,016 --> 01:13:35,006 ♪♪ 1527 01:13:35,006 --> 01:13:51,005 ♪♪ 1528 01:13:35,006 --> 01:13:51,005 >> LADIES AND GENTLEMEN, DOJA 1529 01:13:51,005 --> 01:13:58,016 CAT. 1530 01:13:51,005 --> 01:13:58,016 ♪ IT'S BEEN A LONG TIME SINCE 1531 01:13:58,016 --> 01:14:12,006 YOU FELL IN LOVE ♪ 1532 01:13:58,016 --> 01:14:12,006 ♪ IF YOU COULD HAVE WAITED AND 1533 01:14:12,006 --> 01:14:23,007 WE CAN DANCE ♪ 1534 01:14:12,006 --> 01:14:23,007 ♪ IF YOU WANT IT I'LL BE THERE ♪ 1535 01:14:23,007 --> 01:14:23,018 ♪ 1536 01:14:23,007 --> 01:14:23,018 ♪♪ 1537 01:14:23,018 --> 01:14:44,029 ♪♪ 1538 01:14:23,018 --> 01:14:44,029 ♪ WHY DON'T YOU SAY SO ♪ 1539 01:14:44,029 --> 01:15:00,007 ♪♪ 1540 01:14:44,029 --> 01:15:00,007 ♪♪ 1541 01:15:00,007 --> 01:15:03,011 ♪♪ 1542 01:15:00,007 --> 01:15:03,011 ♪♪ 1543 01:15:03,011 --> 01:15:07,008 ♪ DO THAT DO THAT BABY ALL NIGH 1544 01:15:03,011 --> 01:15:07,008 LONG ♪ 1545 01:15:07,008 --> 01:15:14,012 ♪ I'MA TURN OFF MY PHONE ♪ 1546 01:15:07,008 --> 01:15:14,012 ♪ SEND ME OUT RUNNING WITH THE 1547 01:15:14,012 --> 01:15:18,009 BEST ♪ 1548 01:15:14,012 --> 01:15:18,009 ♪ FANS IN THE EAST FANS IN THE 1549 01:15:18,009 --> 01:15:22,026 WEST ♪ 1550 01:15:18,009 --> 01:15:22,026 ♪♪ 1551 01:15:22,026 --> 01:15:37,017 ♪♪ 1552 01:15:22,026 --> 01:15:37,017 ♪ DON'T BE SCARED I AIN'T AFRAI 1553 01:15:37,017 --> 01:15:44,004 JUST LIKE THAT COME MY WAY ♪ 1554 01:15:37,017 --> 01:15:44,004 ♪ I LIKE IT I LIKE IT I LIKE IT 1555 01:15:44,004 --> 01:15:54,020 I LIKE IT ♪ 1556 01:15:44,004 --> 01:15:54,020 ♪♪ 1557 01:15:54,020 --> 01:15:59,021 ♪ I LIKE IT I LIKE IT THAT THAT 1558 01:15:54,020 --> 01:15:59,021 THAT THAT THAT ♪ 1559 01:15:59,021 --> 01:16:07,024 ♪ HEY HO HEY HO HEY HO HEY HO ♪ 1560 01:15:59,021 --> 01:16:07,024 ♪♪ 1561 01:16:07,024 --> 01:16:26,028 ♪♪ 1562 01:16:07,024 --> 01:16:26,028 >> DOJA CAT, MAN 1563 01:16:26,028 --> 01:16:27,025 THAT WAS A BANGLE. 1564 01:16:26,028 --> 01:16:27,025 LET'S WATCH THAT BACK. 1565 01:16:27,025 --> 01:16:32,018 >> SURE. 1566 01:16:27,025 --> 01:16:32,018 >> OH, OKAY. 1567 01:16:32,018 --> 01:16:37,021 >> OH, YEAH! 1568 01:16:32,018 --> 01:16:37,021 >> OKAY. 1569 01:16:37,021 --> 01:16:39,024 >> OH, THAT'S COLD, OKAY. 1570 01:16:37,021 --> 01:16:39,024 >> CRAZY 1571 01:16:39,024 --> 01:16:44,011 >> GOING CRAZY 1572 01:16:39,024 --> 01:16:44,011 >> WHAT IS THAT? 1573 01:16:44,011 --> 01:16:47,029 SHE GOT SOME MOVES 1574 01:16:44,011 --> 01:16:47,029 >> HEY, HEY, HEY, YO 1575 01:16:47,029 --> 01:16:52,016 I LIKE THAT. 1576 01:16:47,029 --> 01:16:52,016 >> LOOK AT THE BARBIE DOLL SHE 1577 01:16:52,016 --> 01:17:07,001 GOT ON SHE COOL. 1578 01:16:52,016 --> 01:17:07,001 >> MAN, WE GOT 1579 01:17:07,001 --> 01:17:12,012 ♪♪ 1580 01:17:07,001 --> 01:17:12,012 ♪♪ 1581 01:17:12,012 --> 01:17:16,024 >>> WE'RE BACK LIVE AT THE 2020 1582 01:17:12,012 --> 01:17:16,024 BILLBOARD MUSIC AWARDS 1583 01:17:16,024 --> 01:17:19,020 I DON'T THINK ANYONE COULD EVER 1584 01:17:16,024 --> 01:17:19,020 IMAGINE ME SPEECHLESS. 1585 01:17:19,020 --> 01:17:22,025 JUST HOW I CAME OUT, Y'ALL 1586 01:17:19,020 --> 01:17:22,025 BUT I AM PRETTY CLOSE TO A LOSS 1587 01:17:22,025 --> 01:17:26,025 FOR WORDS RIGHT NOW WHEN I TELL 1588 01:17:22,025 --> 01:17:26,025 YOU WHO OUR NEXT PRESENTER IS. 1589 01:17:26,025 --> 01:17:30,027 LET ME JUST LIST SOME OF THE 1590 01:17:26,025 --> 01:17:30,027 AWARDS SHE HAS ON HER MANTEL 1591 01:17:30,027 --> 01:17:33,001 MANTELPIECE ON HOME. 1592 01:17:30,027 --> 01:17:33,001 AN OSCAR, A COUPLE OF GOLDEN 1593 01:17:33,001 --> 01:17:37,018 GLOBES, THE KENNEDY CENTER 1594 01:17:33,001 --> 01:17:37,018 HONOR, A BILLBOARD ICON AWARD. 1595 01:17:37,018 --> 01:17:43,029 HERE IS AN ICON AND A TRY LEDGEU 1596 01:17:37,018 --> 01:17:43,029 LEGEND AND ONE OF MY FAVORITES, 1597 01:17:43,029 --> 01:17:50,021 CHER 1598 01:17:43,029 --> 01:17:50,021 ♪♪ 1599 01:17:50,021 --> 01:17:54,018 >> GOOD EVENING, EVERYONE. 1600 01:17:50,021 --> 01:17:54,018 ESPECIALLY YOU, TRISHA YEARWOOD. 1601 01:17:54,018 --> 01:17:59,014 IT'S AN HONOR FOR ME TO BE HERE 1602 01:17:54,018 --> 01:17:59,014 TONIGHT TO PRESENT THE BILLBOARD 1603 01:17:59,014 --> 01:18:04,000 ICON AWARD TO A TRUE MUSIC 1604 01:17:59,014 --> 01:18:04,000 LEGEND AND MY FRIEND, GARTH 1605 01:18:04,000 --> 01:18:06,017 BROOKS 1606 01:18:04,000 --> 01:18:06,017 THEICON AWARD WAS CREATED A 1607 01:18:06,017 --> 01:18:11,001 DECADE AGO TO HONOR THOSE 1608 01:18:06,017 --> 01:18:11,001 OUTSTANDING ARTISTS WHO HAVE 1609 01:18:11,001 --> 01:18:14,014 ACHIEVED EXCELLENCE IN THE 1610 01:18:11,001 --> 01:18:14,014 RECORDING STUDIO AND ON THE 1611 01:18:14,014 --> 01:18:17,005 CONCERT STAGE. 1612 01:18:14,014 --> 01:18:17,005 THEIR PASSION FOR MUSIC HAS MADE 1613 01:18:17,005 --> 01:18:22,014 THEM LEGENDS IN THEIR OWN TIME 1614 01:18:17,005 --> 01:18:22,014 AND THAT PERFECTLY DESCRIBES 1615 01:18:22,014 --> 01:18:25,010 GARTH. 1616 01:18:22,014 --> 01:18:25,010 GARTH BROOKS HAS HAD AT LEAST 1617 01:18:25,010 --> 01:18:29,024 ONE TOP TEN HIT SINGLE ON A 1618 01:18:25,010 --> 01:18:29,024 BILLBOARD CHART IN FIVE STRAIGHT 1619 01:18:29,024 --> 01:18:34,010 DECADES. 1620 01:18:29,024 --> 01:18:34,010 KNOWING GUARD, HE'S SET HIS 1621 01:18:34,010 --> 01:18:38,008 SIGHTS ON A SIXTH. 1622 01:18:34,010 --> 01:18:38,008 AND KNOWING TRISH, SHE'S GENTLY, 1623 01:18:38,008 --> 01:18:40,021 LOVINGLY PUSHING HIM TO HIS 1624 01:18:38,008 --> 01:18:40,021 SEVENTH. 1625 01:18:40,021 --> 01:18:43,017 WHEN I RECEIVED MY AWARD IN 1626 01:18:40,021 --> 01:18:43,017 2017, IT WAS ONE OF THE GREATEST 1627 01:18:43,017 --> 01:18:47,016 HONORS OF MY LIFE AND A MEMORY 1628 01:18:43,017 --> 01:18:47,016 I'LL NEVER FORGET. 1629 01:18:47,016 --> 01:18:52,003 TO KNOW THAT I WAS RECEIVING THE 1630 01:18:47,016 --> 01:18:52,003 SAME HONOR AS PRINCE AND STEVIE 1631 01:18:52,003 --> 01:18:54,024 WONDER JUST ADDED TO THE THRILL 1632 01:18:52,003 --> 01:18:54,024 OF IT ALL. 1633 01:18:54,024 --> 01:18:57,010 AND I KNOW GARTH FEELS THE SAME 1634 01:18:54,024 --> 01:18:57,010 WAY. 1635 01:18:57,010 --> 01:19:06,009 NOW LET'S TAKE A LOOK AT THE 1636 01:18:57,010 --> 01:19:06,009 AMAZING CAREER OF GARTH BROOKS 1637 01:19:06,009 --> 01:19:13,025 ♪♪ 1638 01:19:06,009 --> 01:19:13,025 >> SINCE HIS DEBUT ALBUM, IT 1639 01:19:13,025 --> 01:19:17,004 SEEMS GARTH BROOKS HAS STOOD AT 1640 01:19:13,025 --> 01:19:17,004 THE VERY TOP OF THE MUSIC WORLD, 1641 01:19:17,004 --> 01:19:21,002 BREAKING DOWN BARRIERS, TOPPING 1642 01:19:17,004 --> 01:19:21,002 THE CHARTS, AND REDEFINING THE 1643 01:19:21,002 --> 01:19:25,024 VERY NATURE OF COUNTRY MUSIC, 1644 01:19:21,002 --> 01:19:25,024 BOTH IN THE STUDIO AND ON STAGE. 1645 01:19:25,024 --> 01:19:28,027 ALONG THE WAY, BROOKS TOOK 1646 01:19:25,024 --> 01:19:28,027 COUNTRY MUSIC FROM THE HEARTLAND 1647 01:19:28,027 --> 01:19:32,012 AND BROUGHT IT TO ALL AMERICA 1648 01:19:28,027 --> 01:19:32,012 AND THEN THE WORLD WITH ALBUMS 1649 01:19:32,012 --> 01:19:36,014 AND SINGLES THAT DOMINATED THE 1650 01:19:32,012 --> 01:19:36,014 CHARTS 1651 01:19:36,014 --> 01:19:39,015 19 NUMBER ONE HITS 1652 01:19:36,014 --> 01:19:39,015 17 NUMBER ONE ALBUMS 1653 01:19:39,015 --> 01:19:45,000 AND NINE NUMBER ONES ON THE 1654 01:19:39,015 --> 01:19:45,000 BILLBOARD 200 ALBUM CHART. 1655 01:19:45,000 --> 01:19:48,018 HE SOLD MORE ALBUMS THAN ANY 1656 01:19:45,000 --> 01:19:48,018 SOLO ARTIST IN THE U.S. AND 1657 01:19:48,018 --> 01:19:52,018 BROKE THE RECORD HELD BY THE 1658 01:19:48,018 --> 01:19:52,018 BEATLES WHEN HE BECAME THE FIRST 1659 01:19:52,018 --> 01:19:58,026 ARTIST IN MUSIC HISTORY WITH 1660 01:19:52,018 --> 01:19:58,026 SEVEN ALBUMS SELLING 10 MILLION 1661 01:19:58,026 --> 01:20:01,003 COPIES EACH TO REACH DIAMOND 1662 01:19:58,026 --> 01:20:01,003 AWARD STATUS 1663 01:20:01,003 --> 01:20:04,015 BUT HE DIDN'T STOP THERE 1664 01:20:01,003 --> 01:20:04,015 BROOKS JUST RECEIVED HIS NINTH 1665 01:20:04,015 --> 01:20:09,001 DIAMOND AWARD EARLIER THIS YEAR, 1666 01:20:04,015 --> 01:20:09,001 GIVING US SONGS THAT SPEAK TO 1667 01:20:09,001 --> 01:20:12,026 HEARTACHE, HOPE, LOSS, AND LOVE. 1668 01:20:09,001 --> 01:20:12,026 ONES THAT SPEAK TO OUR YEARNING 1669 01:20:12,026 --> 01:20:15,008 TO BE FREE 1670 01:20:12,026 --> 01:20:15,008 AND REMINDING US WE ALL HAVE 1671 01:20:15,008 --> 01:20:19,021 FRIENDS IN ALL TYPES OF PLACES 1672 01:20:15,008 --> 01:20:19,021 WITH LIVE PERFORMANCES THAT 1673 01:20:19,021 --> 01:20:23,025 MESMERIZE CROWDS ACROSS THE 1674 01:20:19,021 --> 01:20:23,025 GLOBE, THE WORLD HAS NEVER SEEN 1675 01:20:23,025 --> 01:20:27,001 A COUNTRY STAR ON THE CONCERT 1676 01:20:23,025 --> 01:20:27,001 STAGE LIKE GARTH 1677 01:20:27,001 --> 01:20:30,001 AND HE BRINGS THE HIGHEST ENERGY 1678 01:20:27,001 --> 01:20:30,001 AND THE LATEST PRODUCTION TO 1679 01:20:30,001 --> 01:20:32,017 EVERY PERFORMANCE. 1680 01:20:30,001 --> 01:20:32,017 FROM DIVE BARS TO STADIUMS, FROM 1681 01:20:32,017 --> 01:20:39,017 TELEVISION TO THE INTERNET, HE 1682 01:20:32,017 --> 01:20:39,017 HAS GONE HIGHER AND HIGHER INTO 1683 01:20:39,017 --> 01:20:43,017 THE STRATOSPHERE WHILE NEVER 1684 01:20:39,017 --> 01:20:43,017 FORGETTING THE PEOPLE HE'S MET 1685 01:20:43,017 --> 01:20:47,013 ALONG THE JOURNEY, AND THE ROOTS 1686 01:20:43,017 --> 01:20:47,013 AND THE PLACES WHERE HE WAS 1687 01:20:47,013 --> 01:20:49,008 BORN 1688 01:20:47,013 --> 01:20:49,008 GARTH BROOKS, AMERICAN ARTIST, 1689 01:20:49,008 --> 01:21:01,016 GLOBAL SUPERSTAR, 2020 BILLBOARD 1690 01:20:49,008 --> 01:21:01,016 MUSIC ICON 1691 01:21:01,016 --> 01:21:08,019 ♪♪ 1692 01:21:01,016 --> 01:21:08,019 ♪♪ 1693 01:21:08,019 --> 01:21:10,013 >> HOW CRAZY THE WORLD IS, 1694 01:21:08,019 --> 01:21:10,013 Y'ALL. 1695 01:21:10,013 --> 01:21:13,013 I'M THE LUCKIEST MAN IN THE 1696 01:21:10,013 --> 01:21:13,013 WORLD. 1697 01:21:13,013 --> 01:21:16,007 THANK YOU, GUYS. 1698 01:21:13,013 --> 01:21:16,007 GOD BLESS YOU, EACH AND EVERY 1699 01:21:16,007 --> 01:21:17,026 ONE OF YOU 1700 01:21:16,007 --> 01:21:17,026 GOOD NIGHT 1701 01:21:17,026 --> 01:21:21,005 >> THANK YOU GUYS VERY MUCH! 1702 01:21:17,026 --> 01:21:21,005 FOR EVERYTHING 1703 01:21:21,005 --> 01:21:32,014 I LOVE YOU 1704 01:21:21,005 --> 01:21:32,014 >> NOW, WITH SOME AWARD SHOWS, 1705 01:21:32,014 --> 01:21:36,002 THIS IS THE MOMENT WHEN THE 1706 01:21:32,014 --> 01:21:36,002 HONOREE COMES ON STAGE, SAYS A 1707 01:21:36,002 --> 01:21:39,023 FEW WORDS, AND SITS DOWN 1708 01:21:36,002 --> 01:21:39,023 BUT IF GARTH THINKS HE WAS GOING 1709 01:21:39,023 --> 01:21:44,011 TO GET AWAY WITHOUT SINGING 1710 01:21:39,023 --> 01:21:44,011 TONIGHT, HE'S GOT ANOTHER THINK 1711 01:21:44,011 --> 01:21:46,002 COMING 1712 01:21:44,011 --> 01:21:46,002 LADIES AND GENTLEMEN, HERE IS 1713 01:21:46,002 --> 01:21:59,003 THE BILLBOARDS ICON OF 2020, 1714 01:21:46,002 --> 01:21:59,003 GARTH BROOKS 1715 01:21:59,003 --> 01:22:09,015 ♪♪ 1716 01:21:59,003 --> 01:22:09,015 ♪♪ 1717 01:22:09,015 --> 01:22:18,024 ♪ 3:30 IN THE MORNING NOT A SOU 1718 01:22:09,015 --> 01:22:18,024 IN SIGHT ♪ 1719 01:22:18,024 --> 01:22:34,006 ♪ LOOKING LIKE A GHOST TOWN ON 1720 01:22:18,024 --> 01:22:34,006 MOONLESS SUMMER NIGHT NOTE 1721 01:22:34,006 --> 01:22:45,004 ♪ AS THE STORM BLOWS UP AND THE 1722 01:22:34,006 --> 01:22:45,004 THUNDER ROLLS ♪ 1723 01:22:45,004 --> 01:22:58,006 ♪♪ 1724 01:22:45,004 --> 01:22:58,006 ♪♪ 1725 01:22:58,006 --> 01:23:01,016 ♪ PUT HER ON THE LINE I GOT TO 1726 01:22:58,006 --> 01:23:01,016 TALK TO MY GIRL ONE MORE TIME ♪ 1727 01:23:01,016 --> 01:23:24,011 ♪♪ 1728 01:23:01,016 --> 01:23:24,011 ♪♪ 1729 01:23:24,011 --> 01:23:32,013 ♪ TILL THE RIVER RUNS DRY ♪ 1730 01:23:24,011 --> 01:23:32,013 ♪ LIKE A BIRD ABOVE THE WIND 1731 01:23:32,013 --> 01:23:51,025 THESE WATERS ARE MY SKY ♪ 1732 01:23:32,013 --> 01:23:51,025 ♪ TILL THE RIVER RUNS DRY ♪ 1733 01:23:51,025 --> 01:23:56,001 ♪ I WILL SAIL MY VESSEL ♪ 1734 01:23:51,025 --> 01:23:56,001 COME ON! 1735 01:23:56,001 --> 01:24:05,001 YEAH 1736 01:23:56,001 --> 01:24:05,001 ♪ STANDING UPSIDE THE FIRE 1737 01:24:05,001 --> 01:24:13,008 STANDING UPSIDE THE FIRE ♪ 1738 01:24:05,001 --> 01:24:13,008 ♪ LIFE IS NOT TRYING IT'S MEREL 1739 01:24:13,008 --> 01:24:18,023 SURVIVING IF YOU'RE STANDING 1740 01:24:13,008 --> 01:24:18,023 OUTSIDE THE FIRE ♪ 1741 01:24:18,023 --> 01:24:22,006 ♪ SHE GOT A NEED TO FEEL THE 1742 01:24:18,023 --> 01:24:22,006 THUNDER YEAH ♪ 1743 01:24:22,006 --> 01:24:27,008 ♪ CHASE THE LIGHTNING FROM THE 1744 01:24:22,006 --> 01:24:27,008 SKY ♪ 1745 01:24:27,008 --> 01:24:36,009 ♪ WATCH THE STORM WITH ALL ITS 1746 01:24:27,008 --> 01:24:36,009 WONDER ♪ 1747 01:24:36,009 --> 01:24:39,005 ♪ SHE HAD THE RIGHT TO SEE THE 1748 01:24:36,009 --> 01:24:39,005 PASSION LIKE A COMET BURNING 1749 01:24:39,005 --> 01:24:50,019 BRIGHT ♪ 1750 01:24:39,005 --> 01:24:50,019 ♪ WILL SHE GET ALONG IN THE WIN 1751 01:24:50,019 --> 01:24:57,012 TURNING BACK ANOTHER NIGHT ♪ 1752 01:24:50,019 --> 01:24:57,012 ♪ WE'RE GONNA SPEND A WEEKEND I 1753 01:24:57,012 --> 01:25:02,004 THE DEEP END ♪ 1754 01:24:57,012 --> 01:25:02,004 ♪ THE WATER'S FINE JUST COME ON 1755 01:25:02,004 --> 01:25:05,020 IN ♪ 1756 01:25:02,004 --> 01:25:05,020 ♪ IN THE DEEP END OF THE DIVE 1757 01:25:05,020 --> 01:25:10,008 BAR ♪ 1758 01:25:05,020 --> 01:25:10,008 ♪♪ 1759 01:25:10,008 --> 01:25:21,017 ♪♪ 1760 01:25:10,008 --> 01:25:21,017 COME ON! 1761 01:25:21,017 --> 01:25:29,020 ♪ I GOT FRIENDS IN LOW PLACE SS 1762 01:25:21,017 --> 01:25:29,020 WHISKEY ROUNDS AND BEER 1763 01:25:29,020 --> 01:25:37,012 CHASERS ♪ 1764 01:25:29,020 --> 01:25:37,012 I WANT TO HEAR YOU SING IT 1765 01:25:37,012 --> 01:25:43,022 ♪♪ 1766 01:25:37,012 --> 01:25:43,022 COME ON! 1767 01:25:43,022 --> 01:25:48,020 ♪♪ 1768 01:25:43,022 --> 01:25:48,020 YEAH 1769 01:25:48,020 --> 01:25:55,014 YEAH 1770 01:25:48,020 --> 01:25:55,014 ♪♪ 1771 01:25:55,014 --> 01:26:04,024 ♪ I'VE GOT FRIENDS ♪ 1772 01:25:55,014 --> 01:26:04,024 ♪♪ 1773 01:26:04,024 --> 01:26:25,022 ♪♪ 1774 01:26:04,024 --> 01:26:25,022 ♪ AND WHAT I DIDN'T KNOW THE WA 1775 01:26:25,022 --> 01:26:34,004 IT ALL ENDS THE WAY IT ALL 1776 01:26:25,022 --> 01:26:34,004 GOES ♪ 1777 01:26:34,004 --> 01:26:50,002 ♪ OUR LIVES ARE BETTER LEFT TO 1778 01:26:34,004 --> 01:26:50,002 CHANCE ♪ 1779 01:26:50,002 --> 01:27:03,012 ♪ LOVE DANCE ♪ 1780 01:26:50,002 --> 01:27:03,012 ♪♪ 1781 01:27:03,012 --> 01:27:06,021 TO MISS CHER 1782 01:27:03,012 --> 01:27:06,021 GETTING THE AWARD YOU GOT MAKES 1783 01:27:06,021 --> 01:27:09,001 ME FEEL COOL 1784 01:27:06,021 --> 01:27:09,001 AND COOL IS NEVER A WORD I WOULD 1785 01:27:09,001 --> 01:27:15,005 USE TO DESCRIBE ME 1786 01:27:09,001 --> 01:27:15,005 IF I HAD TO THANK ONE PERSON, 1787 01:27:15,005 --> 01:27:20,029 ONE ENTITY, IT WOULD BE GOD 1788 01:27:15,005 --> 01:27:20,029 ALLMIGHTY, FOR THROUGH HIM ALL 1789 01:27:20,029 --> 01:27:24,009 THINGS ARE POSSIBLE. 1790 01:27:20,029 --> 01:27:24,009 DOWN ON THIS PLANET, BOB DOYLE 1791 01:27:24,009 --> 01:27:26,022 THE GROUP FROM NASHVILLE 1792 01:27:24,009 --> 01:27:26,022 L.A. 1793 01:27:26,022 --> 01:27:32,008 THE LOVE OF MY LIFE, TRISHA 1794 01:27:26,022 --> 01:27:32,008 YEARWOOD, MY THREE GIRLS 1795 01:27:32,008 --> 01:27:35,016 I WILL LOVE YOU FOR ALL MY TIME 1796 01:27:32,008 --> 01:27:35,016 ON THIS PLANET 1797 01:27:35,016 --> 01:27:39,007 COUNTRY RADIO, YOU GAVE ME THIS. 1798 01:27:35,016 --> 01:27:39,007 TO ALL THOSE PEOPLE WHO FILL 1799 01:27:39,007 --> 01:27:41,013 THOSE STANDS, THANK YOU! 1800 01:27:39,007 --> 01:27:41,013 THANK YOU FOR MY LIFE! 1801 01:27:41,013 --> 01:27:58,028 ♪♪ 1802 01:27:41,013 --> 01:27:58,028 ♪♪ 1803 01:27:58,028 --> 01:28:05,002 ♪♪ 1804 01:27:58,028 --> 01:28:05,002 >> WHOO! 1805 01:28:05,002 --> 01:28:07,015 HERE'S ALL I HAVE TO SAY ABOUT 1806 01:28:05,002 --> 01:28:07,015 THAT, PEOPLE 1807 01:28:07,015 --> 01:28:14,005 YEAH 1808 01:28:07,015 --> 01:28:14,005 THAT JUST HAPPENED 1809 01:28:14,005 --> 01:28:17,015 I LOVE GARTH BROOKS! 1810 01:28:14,005 --> 01:28:17,015 AND TRICIA 1811 01:28:17,015 --> 01:28:24,021 WHOO 1812 01:28:17,015 --> 01:28:24,021 >>> JUST AHEAD, DEMI LOVATO AND 1813 01:28:24,021 --> 01:28:26,008 BTS. 1814 01:28:24,021 --> 01:28:26,008 AND 30 YEARS AFTER THEY BECAME 1815 01:28:26,008 --> 01:28:30,021 THE ONLY FEMALE GROUP TO SEND 1816 01:28:26,008 --> 01:28:30,021 ITS FIRST THREE SINGLES TO 1817 01:28:30,021 --> 01:28:34,019 NUMBER ONE ON THE HOT R&B 1818 01:28:30,021 --> 01:28:34,019 HIP-HOP SONG CHART, EN VOGUE 1819 01:28:34,019 --> 01:28:36,027 RETURNS TO THE STAGE 1820 01:28:34,019 --> 01:28:36,027 YOU DO NOT WANT TO MISS IT 1821 01:28:36,027 --> 01:28:49,026 THEN LATER, WE FIND OUT IF 1822 01:28:36,027 --> 01:28:49,026 BILL 1823 01:28:49,026 --> 01:28:56,002 ♪♪ 1824 01:28:49,026 --> 01:28:56,002 >>> YOU'RE BACK AT THE BILLBOARD 1825 01:28:56,002 --> 01:29:00,004 MUSIC AWARDS 1826 01:28:56,002 --> 01:29:00,004 AND NOW FROM HBO'S "INSECURE," 1827 01:29:00,004 --> 01:29:05,027 PLEASE WELCOME JAY ALEX! 1828 01:29:00,004 --> 01:29:05,027 >> IT CAN BE HARD TO DEFINE R&B. 1829 01:29:05,027 --> 01:29:08,020 BECAUSE IT'S NOT JUST MUSIC, 1830 01:29:05,027 --> 01:29:08,020 IT'S A GROOVE. 1831 01:29:08,020 --> 01:29:11,020 IT'S A VIBE. 1832 01:29:08,020 --> 01:29:11,020 AND OVER TIME, IT HAS BEEN 1833 01:29:11,020 --> 01:29:14,025 INFUSED WITH DIFFERENT SOUNDS AS 1834 01:29:11,020 --> 01:29:14,025 ARTISTS COME IN WITH THEIR OWN 1835 01:29:14,025 --> 01:29:18,010 UNIQUE STYLES, PUSHING IT TO NEW 1836 01:29:14,025 --> 01:29:18,010 FRONTIERS. 1837 01:29:18,010 --> 01:29:23,001 WHAT REMAINS THE SAME IS HOW 1838 01:29:18,010 --> 01:29:23,001 THIS MUSIC MAKES US FEEL 1839 01:29:23,001 --> 01:29:27,024 HERE ARE THE NOMINEES FOR TOP 1840 01:29:23,001 --> 01:29:27,024 R&B ARTIST 1841 01:29:27,024 --> 01:29:39,014 >> CHRIS BROWN 1842 01:29:27,024 --> 01:29:39,014 ♪♪ 1843 01:29:39,014 --> 01:29:50,026 >> KHALID. 1844 01:29:39,014 --> 01:29:50,026 ♪♪ 1845 01:29:50,026 --> 01:30:03,004 >> LIZZO 1846 01:29:50,026 --> 01:30:03,004 ♪♪ 1847 01:30:03,004 --> 01:30:15,018 >> SUMMER WALKER 1848 01:30:03,004 --> 01:30:15,018 ♪♪ 1849 01:30:15,018 --> 01:30:26,013 >> THE WEEKND. 1850 01:30:15,018 --> 01:30:26,013 ♪♪ 1851 01:30:26,013 --> 01:30:30,025 >> AND THE BILLBOARD MUSIC AWARD 1852 01:30:26,013 --> 01:30:30,025 GOES TO -- 1853 01:30:30,025 --> 01:30:32,018 WHERE'S KELLY WITH THAT BUTTON 1854 01:30:30,025 --> 01:30:32,018 AT 1855 01:30:32,018 --> 01:30:39,007 KHALID 1856 01:30:32,018 --> 01:30:39,007 >> KHALID'S MOST POPULAR TRACK 1857 01:30:39,007 --> 01:30:45,020 ON TIKTOK WITH OVER 600,000. 1858 01:30:39,007 --> 01:30:45,020 >> FIRST OFF, THANK YOU, JAY, 1859 01:30:45,020 --> 01:30:47,022 MAN. 1860 01:30:45,020 --> 01:30:47,022 THIS IS AMAZING. 1861 01:30:47,022 --> 01:30:50,024 ALSO, Y'ALL, I WANT TO THANK 1862 01:30:47,022 --> 01:30:50,024 BILLBOARD SO MUCH FOR HONORING 1863 01:30:50,024 --> 01:30:53,011 ME WITH THIS AWARD 1864 01:30:50,024 --> 01:30:53,011 THIS MEANS THE MOST TO ME, THIS 1865 01:30:53,011 --> 01:30:55,027 MEANS A LOT TO ME. 1866 01:30:53,011 --> 01:30:55,027 I REALLY WANT TO GIVE IT OUT TO 1867 01:30:55,027 --> 01:31:00,006 MY FAMILY, ESPECIALLY MY MOM, 1868 01:30:55,027 --> 01:31:00,006 FOR ALL THE SUPPORT SHE'S GIVEN 1869 01:31:00,006 --> 01:31:02,026 ME, FROM A CHILD TO NOW. 1870 01:31:00,006 --> 01:31:02,026 I LOVE YOU SO MUCH 1871 01:31:02,026 --> 01:31:05,016 I WANT TO REALLY GIVE A BIG 1872 01:31:02,026 --> 01:31:05,016 SHOUT-OUT TO MY FANS 1873 01:31:05,016 --> 01:31:07,027 THANK YOU, GUYS, SO MUCH FOR 1874 01:31:05,016 --> 01:31:07,027 ROCKING WITH ME. 1875 01:31:07,027 --> 01:31:09,026 I LOVE YOU GUYS SO MUCH AND I 1876 01:31:07,027 --> 01:31:09,026 MISS YOU 1877 01:31:09,026 --> 01:31:12,029 I WANT TO THANK MY TEAM. 1878 01:31:09,026 --> 01:31:12,029 I WANT TO THANK, YEAH, ONCE 1879 01:31:12,029 --> 01:31:16,013 AGAIN, I WANT TO THANK BILLBOARD 1880 01:31:12,029 --> 01:31:16,013 SO MUCH FOR THIS 1881 01:31:16,013 --> 01:31:19,024 AND BEFORE I GO, I WANT TO LET 1882 01:31:16,013 --> 01:31:19,024 YOU GUYS KNOW THAT YOUR VOICE 1883 01:31:19,024 --> 01:31:21,020 MATTERS. 1884 01:31:19,024 --> 01:31:21,020 PLEASE USE YOUR VOICE. 1885 01:31:21,020 --> 01:31:23,015 YOUR VOICE MATTERS NOW MORE THAN 1886 01:31:21,020 --> 01:31:23,015 EVER 1887 01:31:23,015 --> 01:31:25,009 TAKE CARE OF YOURSELVES. 1888 01:31:23,015 --> 01:31:25,009 BE SAFE. 1889 01:31:25,009 --> 01:31:33,002 LOVE YOU GUYS, AND PEACE OUT 1890 01:31:25,009 --> 01:31:33,002 >> I LOVE YOU, KHALID! 1891 01:31:33,002 --> 01:31:35,011 YES! 1892 01:31:33,002 --> 01:31:35,011 I'M SO HAPPY FOR THAT WIN. 1893 01:31:35,011 --> 01:31:38,024 OH MY GOSH, IT HAS BEEN SUCH AN 1894 01:31:35,011 --> 01:31:38,024 AMAZING NIGHT, Y'ALL 1895 01:31:38,024 --> 01:31:44,007 HOW AWESOME, WITH BRANDY AND 1896 01:31:38,024 --> 01:31:44,007 DOJA CAT, SHE KILLED IT, I WAS 1897 01:31:44,007 --> 01:31:47,011 LIKE, WHAT 1898 01:31:44,007 --> 01:31:47,011 AND SEEING GARTH RECEIVE THE 1899 01:31:47,011 --> 01:31:50,028 ICON AWARD AND PERFORM, I THINK 1900 01:31:47,011 --> 01:31:50,028 WE ALL KNOW HOW I FEEL ABOUT IT. 1901 01:31:50,028 --> 01:31:53,020 I BOW TO THE ICON. 1902 01:31:50,028 --> 01:31:53,020 I'M SO LUCKY BEING HERE TONIGHT, 1903 01:31:53,020 --> 01:31:56,019 I'M SO HAPPY 1904 01:31:53,020 --> 01:31:56,019 EVERY YEAR WE HONOR AN ARTIST 1905 01:31:56,019 --> 01:32:02,012 THAT'S HAVING A BREAKOUT YEAR. 1906 01:31:56,019 --> 01:32:02,012 ED SHEERAN, KACEY MUSGRAVES HAVE 1907 01:32:02,012 --> 01:32:06,002 TAKEN THE STAGE AND BEEN 1908 01:32:02,012 --> 01:32:06,002 SHOWCASED AS THE BILLBOARD MUSIC 1909 01:32:06,002 --> 01:32:09,004 AWARD BREAKOUT ARTIST. 1910 01:32:06,002 --> 01:32:09,004 THIS YEAR SAINT JOHN UNLESS THE 1911 01:32:09,004 --> 01:32:11,026 SPOTLIGHT. 1912 01:32:09,004 --> 01:32:11,026 HIS SONG "ROSES" IS A GLOBAL 1913 01:32:11,026 --> 01:32:14,011 SMASH THAT HAS RULED THE EDM 1914 01:32:11,026 --> 01:32:14,011 CHART FOR OVER 20 WEEKS. 1915 01:32:14,011 --> 01:32:25,013 HERE IS SAINT JOHN 1916 01:32:14,011 --> 01:32:25,013 ♪♪ 1917 01:32:25,013 --> 01:32:32,012 ♪♪ 1918 01:32:25,013 --> 01:32:32,012 ♪ ROSES I WALKED IN THE CORNER 1919 01:32:32,012 --> 01:32:41,023 WITH THE BODY SCREAMING ♪ 1920 01:32:32,012 --> 01:32:41,023 ♪ I ALREADY KNOW ALREADY KNOW 1921 01:32:41,023 --> 01:32:50,023 ROSES ALL I NEED IS ROSES ♪ 1922 01:32:41,023 --> 01:32:50,023 ♪ ALL I NEED IS ♪ 1923 01:32:50,023 --> 01:33:00,013 ♪ TURN IT UP WHEN I TURN IT ON ♪ 1924 01:32:50,023 --> 01:33:00,013 ♪ CAN'T HATE IT WHEN I TURN IT 1925 01:33:00,013 --> 01:33:04,009 ON ♪ 1926 01:33:00,013 --> 01:33:04,009 ♪ TOO FAST NEVER ASK IF LIFE 1927 01:33:04,009 --> 01:33:11,019 DON'T LAST BEEN THROUGH IT ALL ♪ 1928 01:33:04,009 --> 01:33:11,019 ♪ I KNOW YOU WON'T TELL NOBODY 1929 01:33:11,019 --> 01:33:18,007 NOTHING I KNOW YOU WON'T TELL 1930 01:33:11,019 --> 01:33:18,007 NOBODY NO ♪ 1931 01:33:18,007 --> 01:33:27,006 ♪ I MIGHT TELL YOUR GIRL YOU 1932 01:33:18,007 --> 01:33:27,006 CUTE BUT BALLING GO ♪ 1933 01:33:27,006 --> 01:33:30,020 ♪ STANDING ON THE TABLE ROSE YO 1934 01:33:27,006 --> 01:33:30,020 KNOW WHO THE GOD IS TURN UP 1935 01:33:30,020 --> 01:33:34,020 BABY ♪ 1936 01:33:30,020 --> 01:33:34,020 ♪ YOU KNOW HOW I GET LIT WHEN I 1937 01:33:34,020 --> 01:33:40,020 TURN IT ON ♪ 1938 01:33:34,020 --> 01:33:40,020 ♪ TOO FAST NEVER ASK THE LIFE 1939 01:33:40,020 --> 01:33:46,009 DON'T LAST BEEN THROUGH IT ALL ♪ 1940 01:33:40,020 --> 01:33:46,009 ♪ ROSES ♪ 1941 01:33:46,009 --> 01:33:52,025 ♪ I KNOW YOU CAN'T TELL NOBODY 1942 01:33:46,009 --> 01:33:52,025 NO ♪ 1943 01:33:52,025 --> 01:34:02,022 ♪ I KNOW YOU WON'T TELL NOBODY 1944 01:33:52,025 --> 01:34:02,022 NO ♪ 1945 01:34:02,022 --> 01:34:09,012 ♪♪ 1946 01:34:02,022 --> 01:34:09,012 ♪♪ 1947 01:34:09,012 --> 01:34:11,026 ♪ YOU ALREADY KNOW YOU ALREADY 1948 01:34:09,012 --> 01:34:11,026 KNOW ♪ 1949 01:34:11,026 --> 01:34:23,015 ♪ I WON'T BE IN THE CORNER ♪ 1950 01:34:11,026 --> 01:34:23,015 ♪ I ALREADY KNOW ALREADY KNOW ♪ 1951 01:34:23,015 --> 01:34:28,024 ♪ ALL I NEED ONE TWO THREE ♪ 1952 01:34:23,015 --> 01:34:28,024 ♪♪ 1953 01:34:28,024 --> 01:34:44,022 ♪♪ 1954 01:34:28,024 --> 01:34:44,022 ♪ THAT'S WHO YOU ARE I WATCH YO 1955 01:34:44,022 --> 01:34:51,014 IN THE CORNER WITH THE BODY ON 1956 01:34:44,022 --> 01:34:51,014 MY FINGER ♪ 1957 01:34:51,014 --> 01:34:53,028 ♪ 1958 01:34:51,014 --> 01:34:53,028 ♪♪ 1959 01:34:53,028 --> 01:34:57,007 SHE MIGHT GET IT POPPING I MIGHT 1960 01:34:53,028 --> 01:34:57,007 WIFE HER FOR THE WINTER ♪ 1961 01:34:57,007 --> 01:35:00,026 ♪ I ALREADY KNOW ALREADY KNOW 1962 01:34:57,007 --> 01:35:00,026 ROSES ♪ 1963 01:35:00,026 --> 01:35:08,008 ♪ ALL I NEED IS ROSES ♪ 1964 01:35:00,026 --> 01:35:08,008 ♪ YOU AND YOUR FRIEND AND STUFF 1965 01:35:08,008 --> 01:35:10,015 I ALREADY KNOW JUST COME FROM 1966 01:35:08,008 --> 01:35:10,015 THE JUNGLE BACK TO THE 1967 01:35:10,015 --> 01:35:18,028 BUNGALOW ♪ 1968 01:35:10,015 --> 01:35:18,028 ♪♪ 1969 01:35:18,028 --> 01:35:25,016 ♪♪ 1970 01:35:18,028 --> 01:35:25,016 ♪ TWO CHAMPAGNES FOR A FUN TIME 1971 01:35:25,016 --> 01:35:42,000 ROSES ♪ 1972 01:35:25,016 --> 01:35:42,000 ♪ I WALK IN THE CORNER WITH THE 1973 01:35:42,000 --> 01:35:45,006 MONEY ON MY FINGER ♪ 1974 01:35:42,000 --> 01:35:45,006 ♪ SHE MIGHT GET IT POPPING I 1975 01:35:45,006 --> 01:35:49,013 MIGHT WIFE HER FOR THE WINTER ♪ 1976 01:35:45,006 --> 01:35:49,013 ♪ I ALREADY KNOW ALREADY KNOW ♪ 1977 01:35:49,013 --> 01:35:52,019 ♪ TURN IT ON I TURN IT ON YOU 1978 01:35:49,013 --> 01:35:52,019 KNOW HOW I GET LIT WHEN I TURN 1979 01:35:52,019 --> 01:35:59,023 IT ON ♪ 1980 01:35:52,019 --> 01:35:59,023 ♪ TOO FAST NEVER ASK IF THE LIF 1981 01:35:59,023 --> 01:36:02,023 DON'T LAST ♪ 1982 01:35:59,023 --> 01:36:02,023 >>> XFINITY CUSTOMERS CATCH A 1983 01:36:02,023 --> 01:36:05,023 BONUS BILL BOARDS MUSIC AWARDS 1984 01:36:02,023 --> 01:36:05,023 PERFORMANCE. 1985 01:36:05,023 --> 01:36:09,019 SAY "SAINT JOHN" INTO YOUR 1986 01:36:05,023 --> 01:36:09,019 XFINITY VOICE REMOTE 1987 01:36:09,019 --> 01:36:14,028 >> ALL RIGHT, ALL RIGHT! 1988 01:36:09,019 --> 01:36:14,028 TONIGHT IS A CELEBRATION OF THE 1989 01:36:14,028 --> 01:36:19,017 MUSIC OF TODAY THAT WE LOVE, BUT 1990 01:36:14,028 --> 01:36:19,017 IT'S ALSO AN OPPORTUNITY TO 1991 01:36:19,017 --> 01:36:22,006 REMEMBER THOSE FROM OUR 1992 01:36:19,017 --> 01:36:22,006 COMMUNITY WHO ARE NO LONGER WITH 1993 01:36:22,006 --> 01:36:24,013 US 1994 01:36:22,006 --> 01:36:24,013 SADLY WE LOST SO MANY OF OUR 1995 01:36:24,013 --> 01:36:28,015 FRIENDS AND FAMILY OVER THE PAST 1996 01:36:24,013 --> 01:36:28,015 YEAR 1997 01:36:28,015 --> 01:36:36,029 JUICE WRLD, KENNY ROGERS, HELEN 1998 01:36:28,015 --> 01:36:36,029 REDDY, POP SMOKE, MAC DAVIS, AND 1999 01:36:36,029 --> 01:36:38,024 LITTLE RICHARD, TO NAME BUT A 2000 01:36:36,029 --> 01:36:38,024 FEW. 2001 01:36:38,024 --> 01:36:43,001 AND JUST A FEW DAYS AGO, A TRUE 2002 01:36:38,024 --> 01:36:43,001 GIANT WAS TAKEN FROM US. 2003 01:36:43,001 --> 01:36:47,000 EDDIE VAN HALEN. 2004 01:36:43,001 --> 01:36:47,000 HE WAS A LEGENDARY GUITARIST, AN 2005 01:36:47,000 --> 01:36:49,021 AMAZING MUSICIAN, AND AN 2006 01:36:47,000 --> 01:36:49,021 INCREDIBLE SONGWRITER. 2007 01:36:49,021 --> 01:36:53,024 FIVE YEARS AGO, HE BROUGHT HIS 2008 01:36:49,021 --> 01:36:53,024 BAND TO THE BILLBOARD MUSIC 2009 01:36:53,024 --> 01:36:57,017 AWARDS STAGE IN LAS VEGAS FOR 2010 01:36:53,024 --> 01:36:57,017 ONE OF THEIR RARE LIVE TV 2011 01:36:57,017 --> 01:37:00,007 PERFORMANCES 2012 01:36:57,017 --> 01:37:00,007 AND WHAT MADE THAT MOMENT EVEN 2013 01:37:00,007 --> 01:37:04,001 MORE SPECIAL IS THAT HE WAS 2014 01:37:00,007 --> 01:37:04,001 JOINED BY HIS SON, WOLFGANG. 2015 01:37:04,001 --> 01:37:12,006 THAT MOMENT IS ONE THAT ALL WHO 2016 01:37:04,001 --> 01:37:12,006 SAW IT WILL ALWAYS REMEMBER. 2017 01:37:12,006 --> 01:37:25,024 ♪♪ 2018 01:37:12,006 --> 01:37:25,024 ♪♪ 2019 01:37:25,024 --> 01:37:29,000 ♪♪ 2020 01:37:25,024 --> 01:37:29,000 ♪♪ 2021 01:37:29,000 --> 01:37:55,020 ♪ YEAH YEAH UH-HUH ♪ 2022 01:37:29,000 --> 01:37:55,020 ♪ JUMP BACK WHAT'S THAT SOUND ♪ 2023 01:37:55,020 --> 01:38:05,009 ♪ DON'T YOU KNOW SHE'S COMING 2024 01:37:55,020 --> 01:38:05,009 HARD FOR ME ♪ 2025 01:38:05,009 --> 01:38:17,017 ♪ PANAMA PANAMA ♪ 2026 01:38:05,009 --> 01:38:17,017 ♪ PANAMA PANAMA ♪ 2027 01:38:17,017 --> 01:38:29,012 ♪♪ 2028 01:38:17,017 --> 01:38:29,012 ♪♪ 2029 01:38:29,012 --> 01:38:49,020 ♪♪ 2030 01:38:29,012 --> 01:38:49,020 ♪♪ 2031 01:38:49,020 --> 01:38:55,012 ♪♪ 2032 01:38:49,020 --> 01:38:55,012 ♪♪ 2033 01:38:55,012 --> 01:38:58,012 >>> WE ARE BACK AT THE BILLBOARD 2034 01:38:55,012 --> 01:38:58,012 MUSIC AWARDS 2035 01:38:58,012 --> 01:39:03,013 AND NOW, PLEASE WELCOME TIKTOK 2036 01:38:58,012 --> 01:39:03,013 CREATOR, ADDISON RAY 2037 01:39:03,013 --> 01:39:07,012 >> OVER THE COURSE OF THE YEAR, 2038 01:39:03,013 --> 01:39:07,012 MY LIFE HAS COMPLETELY CHANGED 2039 01:39:07,012 --> 01:39:10,008 BECAUSE OF A SHORT-FORM VIDEO 2040 01:39:07,012 --> 01:39:10,008 APP CALLED TIKTOK. 2041 01:39:10,008 --> 01:39:14,020 THE PLATFORM ALLOWS USERS TO 2042 01:39:10,008 --> 01:39:14,020 EXPRESS THEMSELVES IN ALL 2043 01:39:14,020 --> 01:39:17,015 DIFFERENT TYPES OF WAYS, 2044 01:39:14,020 --> 01:39:17,015 INCLUDING VIRAL DANSIE 2045 01:39:17,015 --> 01:39:20,027 CONSEQUENCES FEATURING THE 2046 01:39:17,015 --> 01:39:20,027 HOTTEST NEW TRACKS 2047 01:39:20,027 --> 01:39:27,002 WHETHER IT'S DOJA CAT'S "SAY 2048 01:39:20,027 --> 01:39:27,002 SO," CARDI B AND MEGAN THEE 2049 01:39:27,002 --> 01:39:33,028 STALLION'S "WAP," OR FLEETWOOD 2050 01:39:27,002 --> 01:39:33,028 MAC'S "DREAMS," THE CHANCE OF 2051 01:39:33,028 --> 01:39:37,017 SUCCESS ARE ENDLESS ON TIKTOK. 2052 01:39:33,028 --> 01:39:37,017 IT CAN TRANSFER SOMEONE FROM 2053 01:39:37,017 --> 01:39:39,029 LOUISIANA TO THE BILLBOARD MUSIC 2054 01:39:37,017 --> 01:39:39,029 STAGE TONIGHT. 2055 01:39:39,029 --> 01:39:42,004 HERE'S A LOOK AT HIGHLIGHTS FROM 2056 01:39:39,029 --> 01:39:42,004 THE LAST YEAR. 2057 01:39:42,004 --> 01:39:49,009 ♪♪ 2058 01:39:42,004 --> 01:39:49,009 ♪♪ 2059 01:39:49,009 --> 01:40:04,004 ♪ I'M A SAVAGE ♪ 2060 01:39:49,009 --> 01:40:04,004 ♪♪ 2061 01:40:04,004 --> 01:40:12,004 ♪ I'M A PRETTY BOY ♪ 2062 01:40:04,004 --> 01:40:12,004 ♪ YOU WANT TO SAY SO ♪ 2063 01:40:12,004 --> 01:40:15,019 >> THIS IS THE FIRST AWARD OF 2064 01:40:12,004 --> 01:40:15,019 THE NIGHT CHOSEN BY YOU, THE 2065 01:40:15,019 --> 01:40:19,007 FANS 2066 01:40:15,019 --> 01:40:19,007 YOU MAKE SONGS FRIEND SS TREND O 2067 01:40:19,007 --> 01:40:21,014 YOU MAKE SONGS HIT THE BILLBOARD 2068 01:40:19,007 --> 01:40:21,014 CHARTS 2069 01:40:21,014 --> 01:40:25,011 AND YOU VOTED LIKE CRAZY ON 2070 01:40:21,014 --> 01:40:25,011 TIKTOK TO SEE YOUR FAVORITE 2071 01:40:25,011 --> 01:40:27,006 ARTIST WIN THIS AWARD. 2072 01:40:25,011 --> 01:40:27,006 THESE ARE THE NOMINEES FOR THE 2073 01:40:27,006 --> 01:40:32,008 CHART ACHIEVEMENT AWARD. 2074 01:40:27,006 --> 01:40:32,008 >> MARIAH CAREY. 2075 01:40:32,008 --> 01:40:35,009 ♪♪ 2076 01:40:32,008 --> 01:40:35,009 >> LUKE COMBS. 2077 01:40:35,009 --> 01:40:42,023 ♪♪ 2078 01:40:35,009 --> 01:40:42,023 >> LIL NAS X 2079 01:40:42,023 --> 01:40:49,012 ♪♪ 2080 01:40:42,023 --> 01:40:49,012 >> HARRY STYLES. 2081 01:40:49,012 --> 01:40:55,002 ♪♪ 2082 01:40:49,012 --> 01:40:55,002 >> TAYLOR SWIFT. 2083 01:40:55,002 --> 01:41:02,015 ♪♪ 2084 01:40:55,002 --> 01:41:02,015 AND THE BILLBOARD CHART 2085 01:41:02,015 --> 01:41:08,025 ACHIEVEMENT AWARD GOES TO -- 2086 01:41:02,015 --> 01:41:08,025 HARRY STYLES! 2087 01:41:08,025 --> 01:41:11,018 HARRY STYLES IS UNABLE TO BE 2088 01:41:08,025 --> 01:41:11,018 HERE TONIGHT, SO WE ACCEPT THIS 2089 01:41:11,018 --> 01:41:19,014 AWARD ON HIS BEHALF. 2090 01:41:11,018 --> 01:41:19,014 >>> PLEASE WELCOME TIKTOK 2091 01:41:19,014 --> 01:41:25,006 CREATOR SPENCER X. 2092 01:41:19,014 --> 01:41:25,006 >> HELLO, HELLO. 2093 01:41:25,006 --> 01:41:28,023 THE TOP SOCIAL ARTIST AWARD 2094 01:41:25,006 --> 01:41:28,023 SPOTLIGHTS THE MOST ACTIVE MUSIC 2095 01:41:28,023 --> 01:41:30,025 ARTIST ON SOCIAL MEDIA 2096 01:41:28,023 --> 01:41:30,025 IT'S VERY COOL THAT THE FANS GOT 2097 01:41:30,025 --> 01:41:32,018 TO VOTE FOR THE WINNER ON 2098 01:41:30,025 --> 01:41:32,018 TIKTOK 2099 01:41:32,018 --> 01:41:35,004 NOW I KNOW A THING OR TWO ABOUT 2100 01:41:32,018 --> 01:41:35,004 BEING ACTIVE ON SOCIAL MEDIA, 2101 01:41:35,004 --> 01:41:37,001 AND I ALSO KNOW A THING OR TWO 2102 01:41:35,004 --> 01:41:37,001 ABOUT MUSIC. 2103 01:41:37,001 --> 01:41:41,029 CHECK THIS OUT 2104 01:41:37,001 --> 01:41:41,029 ♪♪ 2105 01:41:41,029 --> 01:41:57,027 ♪♪ 2106 01:41:41,029 --> 01:41:57,027 >> HERE ARE THE NOMINEES 2107 01:41:57,027 --> 01:42:05,015 >> BTS 2108 01:41:57,027 --> 01:42:05,015 ♪♪ 2109 01:42:05,015 --> 01:42:15,000 >> BILLIE EILISH 2110 01:42:05,015 --> 01:42:15,000 ♪♪ 2111 01:42:15,000 --> 01:42:22,003 >> XO. 2112 01:42:15,000 --> 01:42:22,003 ♪♪ 2113 01:42:22,003 --> 01:42:25,002 >> GOT 7 2114 01:42:22,003 --> 01:42:25,002 ♪♪ 2115 01:42:25,002 --> 01:42:28,013 >> ARIANA GRANDE 2116 01:42:25,002 --> 01:42:28,013 ♪♪ 2117 01:42:28,013 --> 01:42:38,021 >> OH -- AND THE TOP SOCIAL 2118 01:42:28,013 --> 01:42:38,021 ARTIST AWARD GOES TO - 2119 01:42:38,021 --> 01:42:40,025 BTS 2120 01:42:38,021 --> 01:42:40,025 LET'S GO TO SOUTH KOREA! 2121 01:42:40,025 --> 01:42:45,009 TAKE IT AWAY, GUYS 2122 01:42:40,025 --> 01:42:45,009 >> WHOO! 2123 01:42:45,009 --> 01:42:48,016 >> THANK YOU, ARMY, FOR GIVING 2124 01:42:45,009 --> 01:42:48,016 US THIS AWARD. 2125 01:42:48,016 --> 01:42:53,004 >> FOUR YEARS IN A ROW, WHOO 2126 01:42:48,016 --> 01:42:53,004 >> WE THINK THIS AWARD IS LIVING 2127 01:42:53,004 --> 01:42:58,014 PROOF THAT NO MATTER WHERE YOU 2128 01:42:53,004 --> 01:42:58,014 ARE, ARMY, BTS, ACTIVE AS 2129 01:42:58,014 --> 01:42:58,024 ALWAYS 2130 01:42:58,014 --> 01:42:58,024 HM 2131 01:42:58,024 --> 01:43:04,027 >> YEAH. 2132 01:42:58,024 --> 01:43:04,027 IT'S A CELEBRATION OF OUR 2133 01:43:04,027 --> 01:43:07,024 TREASURED CONNECTION 2134 01:43:04,027 --> 01:43:07,024 >> UH-HUH! 2135 01:43:07,024 --> 01:43:12,006 >> BIG THANKS TO YOU, AGAIN, 2136 01:43:07,024 --> 01:43:12,006 ARMY 2137 01:43:12,006 --> 01:43:16,013 >> YEAH, WHOO! 2138 01:43:12,006 --> 01:43:16,013 >> NOT ONLY DID BTS WIN, WE GET 2139 01:43:16,013 --> 01:43:19,010 TO SEE THEM PERFORM IN A FEW 2140 01:43:16,013 --> 01:43:19,010 MINUTES. 2141 01:43:19,010 --> 01:43:23,011 BUT NEXT, AN ARTIST WHO IS A 2142 01:43:19,010 --> 01:43:23,011 POWERHOUSE VOCALIST. 2143 01:43:23,011 --> 01:43:27,015 HER SONGS ARE FILLED WITH 2144 01:43:23,011 --> 01:43:27,015 EMPOWERMENT AND CONFIDENCE 2145 01:43:27,015 --> 01:43:30,022 HERE WITH THE WORLD PREMIERE OF 2146 01:43:27,015 --> 01:43:30,022 HER BRAND-NEW SONG, PLEASE 2147 01:43:30,022 --> 01:43:47,020 WELCOME DEMI LOVATO! 2148 01:43:30,022 --> 01:43:47,020 ♪♪ 2149 01:43:47,020 --> 01:43:53,000 ♪ WERE YOU EVER TOLD WHEN YOU 2150 01:43:47,020 --> 01:43:53,000 WERE YOUNG IF YOU DO THINGS 2151 01:43:53,000 --> 01:43:55,012 SELFISHLY THEY'RE ABOUT TO COME 2152 01:43:53,000 --> 01:43:55,012 UNDONE ♪ 2153 01:43:55,012 --> 01:44:00,009 ♪ I'M NOT THE ONLY ONE AFFECTED 2154 01:43:55,012 --> 01:44:00,009 AND I'M A LUCKY ONE ♪ 2155 01:44:00,009 --> 01:44:03,006 ♪ BECAUSE THERE ARE PEOPLE THAT 2156 01:44:00,009 --> 01:44:03,006 HAVE SUFFERED ENOUGH HAVEN'T 2157 01:44:03,006 --> 01:44:23,018 THEY SUFFERED ENOUGH ♪ 2158 01:44:03,006 --> 01:44:23,018 ♪ PRAYING FOR RAIN COMMANDER IN 2159 01:44:23,018 --> 01:44:25,010 CHIEF HONESTLY ♪ 2160 01:44:23,018 --> 01:44:25,010 ♪ IF I DID THE THINGS YOU DO I 2161 01:44:25,010 --> 01:44:30,005 COULDN'T SLEEP ♪ 2162 01:44:25,010 --> 01:44:30,005 ♪ SERIOUSLY DO YOU EVEN KNOW TH 2163 01:44:30,005 --> 01:44:34,017 TRUTH ♪ 2164 01:44:30,005 --> 01:44:34,017 ♪ WE'RE IN A STATE OF CRISIS 2165 01:44:34,017 --> 01:44:37,028 PEOPLE ARE DYING ♪ 2166 01:44:34,017 --> 01:44:37,028 ♪ WHILE YOU LINE YOUR POCKETS 2167 01:44:37,028 --> 01:44:41,017 DEEP ♪ 2168 01:44:37,028 --> 01:44:41,017 ♪ COMMANDER IN CHIEF HOW DOES I 2169 01:44:41,017 --> 01:44:51,011 FEEL TO STILL BE ABLE TO 2170 01:44:41,017 --> 01:44:51,011 BREATHE ♪ 2171 01:44:51,011 --> 01:44:56,007 ♪ WE WERE TAUGHT WHEN WE WERE 2172 01:44:51,011 --> 01:44:56,007 YOUNG IF WE FIGHT FOR WHAT'S 2173 01:44:56,007 --> 01:44:59,005 RIGHT THERE WON'T BE JUSTICE FOR 2174 01:44:56,007 --> 01:44:59,005 JUST SOME ♪ 2175 01:44:59,005 --> 01:45:03,015 ♪ WON'T GIVE UP STAND OUR GROUN 2176 01:44:59,005 --> 01:45:03,015 WE'LL BE IN THE STREETS WHILE 2177 01:45:03,015 --> 01:45:07,012 YOU'RE BUNKERING DOWN ♪ 2178 01:45:03,015 --> 01:45:07,012 ♪ LOUD AND PROUD BEST BELIEVE 2179 01:45:07,012 --> 01:45:12,010 WE'LL STILL TAKE A KNEE WHILE 2180 01:45:07,012 --> 01:45:12,010 YOU'RE COMMANDER IN CHIEF ♪ 2181 01:45:12,010 --> 01:45:18,002 ♪ HONESTLY IF I DID THE THINGS 2182 01:45:12,010 --> 01:45:18,002 YOU DO I COULDN'T SLEEP ♪ 2183 01:45:18,002 --> 01:45:21,018 ♪ SERIOUSLY DO YOU EVEN KNOW TH 2184 01:45:18,002 --> 01:45:21,018 TRUTH ♪ 2185 01:45:21,018 --> 01:45:24,029 ♪ WE'RE IN A STATE OF CRISIS 2186 01:45:21,018 --> 01:45:24,029 PEOPLE ARE DYING ♪ 2187 01:45:24,029 --> 01:45:27,013 ♪ WHILE YOU LINE YOUR POCKETS 2188 01:45:24,029 --> 01:45:27,013 DEEP ♪ 2189 01:45:27,013 --> 01:45:35,010 ♪ COMMANDER IN CHIEF HOW DOES I 2190 01:45:27,013 --> 01:45:35,010 FEEL TO BE ABLE TO BREATHE ♪ 2191 01:45:35,010 --> 01:45:48,022 ♪♪ 2192 01:45:35,010 --> 01:45:48,022 ♪ O O ABLE TO BREATHE ♪ 2193 01:45:48,022 --> 01:45:50,024 ♪ WON'T GIVE UP STAND OUR 2194 01:45:48,022 --> 01:45:50,024 GROUND ♪ 2195 01:45:50,024 --> 01:45:53,019 ♪ WE'LL BE IN THE STREETS WHILE 2196 01:45:50,024 --> 01:45:53,019 YOU'RE BUNKERING DOWN ♪ 2197 01:45:53,019 --> 01:45:55,027 ♪ WON'T GIVE UP STAND OUR 2198 01:45:53,019 --> 01:45:55,027 GROUND ♪ 2199 01:45:55,027 --> 01:46:00,025 ♪ WE'LL BE IN THE STREETS WHILE 2200 01:45:55,027 --> 01:46:00,025 YOU'RE COMMANDER IN CHIEF ♪ 2201 01:46:00,025 --> 01:46:05,027 ♪ HONESTLY IF I DID THE THINGS 2202 01:46:00,025 --> 01:46:05,027 YOU DO I COULDN'T SLEEP ♪ 2203 01:46:05,027 --> 01:46:11,010 ♪ SERIOUSLY DO YOU EVEN KNOW TH 2204 01:46:05,027 --> 01:46:11,010 TRUTH ♪ 2205 01:46:11,010 --> 01:46:14,026 ♪ WE'RE IN A STATE OF CRISIS 2206 01:46:11,010 --> 01:46:14,026 PEOPLE ARE DYING ♪ 2207 01:46:14,026 --> 01:46:19,003 ♪ WHILE YOU LINE YOUR POCKETS 2208 01:46:14,026 --> 01:46:19,003 DEEP COMMANDER IN CHIEF ♪ 2209 01:46:19,003 --> 01:46:30,003 ♪ HOW DOES IT FEEL TO STILL BE 2210 01:46:19,003 --> 01:46:30,003 ABLE TO BREATHE ♪ 2211 01:46:30,003 --> 01:46:42,026 ♪ ABLE TO BREATHE ♪♪ 2212 01:46:30,003 --> 01:46:42,026 >>> COMING UP NEXT, K-POP SUPER 2213 01:46:42,026 --> 01:46:45,009 GROUP "B" TS COMES TO US ALL THE 2214 01:46:42,026 --> 01:46:45,009 WAY FROM SOUTH KOREA 2215 01:46:45,009 --> 01:46:49,013 THE AWARD FOR TOP ARTIST, AND A 2216 01:46:45,009 --> 01:46:49,013 BILLBOARD THROWBACK PERFORMANCE 2217 01:46:49,013 --> 01:47:09,025 BY EN VOGUE YOU WON'T WANT 2218 01:46:49,013 --> 01:47:09,025 >>> WE'RE BACK WITH THE 2020 2219 01:47:09,025 --> 01:47:12,019 BILLBOARD MUSIC AWARDS 2220 01:47:09,025 --> 01:47:12,019 LAST TIME I PRESENTED OUR NEXT 2221 01:47:12,019 --> 01:47:15,018 PERFORMERS, THEY WERE GITH US ON 2222 01:47:12,019 --> 01:47:15,018 STAGE IN LAS VEGAS, AND THEIR 2223 01:47:15,018 --> 01:47:21,012 FANS SCREAMING COULD LITERALLY 2224 01:47:15,018 --> 01:47:21,012 BE HEARD ALL THE WAY BACK IN 2225 01:47:21,012 --> 01:47:22,007 KOREA. 2226 01:47:21,012 --> 01:47:22,007 TONIGHT THEY'RE ACTUALLY WITH US 2227 01:47:22,007 --> 01:47:23,019 FROM KOREA 2228 01:47:22,007 --> 01:47:23,019 AS MUCH AS I'D LOVE TO SEE THEM 2229 01:47:23,019 --> 01:47:27,001 20 FEET AWAY FROM ME, MY EARS 2230 01:47:23,019 --> 01:47:27,001 ARE STILL RECOVERING FROM THEIR 2231 01:47:27,001 --> 01:47:31,017 FANS THE LAST TIME, BECAUSE THEY 2232 01:47:27,001 --> 01:47:31,017 HAVE AN AMAZING FAN BASE 2233 01:47:31,017 --> 01:47:35,015 WITH "DYNAMITE," THEIR FIRST 2234 01:47:31,017 --> 01:47:35,015 NUMBER ONE HIT ON THE BILLBOARD 2235 01:47:35,015 --> 01:47:46,015 HOT 100, HERE'S BTS! 2236 01:47:35,015 --> 01:47:46,015 ♪♪ 2237 01:47:46,015 --> 01:47:56,012 ♪♪ 2238 01:47:46,015 --> 01:47:56,012 ♪♪ 2239 01:47:56,012 --> 01:48:21,024 ♪♪ 2240 01:47:56,012 --> 01:48:21,024 ♪♪ 2241 01:48:21,024 --> 01:48:35,019 ♪♪ 2242 01:48:21,024 --> 01:48:35,019 ♪ LIGHT IT UP LIKE DYNAMITE 2243 01:48:35,019 --> 01:48:45,028 HEY ♪ 2244 01:48:35,019 --> 01:48:45,028 ♪ BRING A FRIEND JOIN THE CROWD 2245 01:48:45,028 --> 01:48:53,002 WHOEVER WANNA COME ALONG ♪ 2246 01:48:45,028 --> 01:48:53,002 ♪ SO WE DANCE TO THE BREAK OF 2247 01:48:53,002 --> 01:48:55,011 DAWN ♪ 2248 01:48:53,002 --> 01:48:55,011 ♪ LADIES AND GENTLEMEN YOU 2249 01:48:55,011 --> 01:48:59,005 SHOULD KEEP YOUR EYES ON THE 2250 01:48:55,011 --> 01:48:59,005 BALL ♪ 2251 01:48:59,005 --> 01:49:04,023 ♪ LIFE IS SWEET AS HONEY YEAH 2252 01:48:59,005 --> 01:49:04,023 THIS BEAT CHA-CHING LIKE MONEY ♪ 2253 01:49:04,023 --> 01:49:11,010 ♪ I'M GOOD TO GO I'M DIAMOND YO 2254 01:49:04,023 --> 01:49:11,010 KNOW I GLOW ♪ 2255 01:49:11,010 --> 01:49:15,025 ♪ I'M IN THE STARS TONIGHT WATC 2256 01:49:11,010 --> 01:49:15,025 ME BRING THE FIRE AND SET THE 2257 01:49:15,025 --> 01:49:19,021 NIGHT ALIGHT ♪ 2258 01:49:15,025 --> 01:49:19,021 ♪ SHINING THROUGH THE CITY WITH 2259 01:49:19,021 --> 01:49:27,012 A LITTLE FUNK AND SOUL LIGHT IT 2260 01:49:19,021 --> 01:49:27,012 UP LIKE DYNAMITE ♪ 2261 01:49:27,012 --> 01:49:31,011 ♪ NA NA NA NA NA NA LIKE 2262 01:49:27,012 --> 01:49:31,011 DYNAMITE ♪ 2263 01:49:31,011 --> 01:49:39,006 ♪ NA NA NA NA NA NA LIKE 2264 01:49:31,011 --> 01:49:39,006 DYNAMITE ♪ 2265 01:49:39,006 --> 01:49:43,015 ♪ SHINING THROUGH THE CITY WITH 2266 01:49:39,006 --> 01:49:43,015 A LITTLE FUNK AND SOUL LIGHT IT 2267 01:49:43,015 --> 01:49:51,005 UP LIKE DYNAMITE ♪ 2268 01:49:43,015 --> 01:49:51,005 ♪ NA NA NA YEAH NA NA NA NA NA 2269 01:49:51,005 --> 01:49:53,011 NA YEAH LIGHT IT UP LIKE 2270 01:49:51,005 --> 01:49:53,011 DYNAMITE ♪ 2271 01:49:53,011 --> 01:49:58,017 ♪ NA NA NA NA NA NA YEAH NA NA 2272 01:49:53,011 --> 01:49:58,017 NA NA NA NA NA NA NA YEAH LIGHT 2273 01:49:58,017 --> 01:50:09,027 IT UP LIKE DYNAMITE ♪ 2274 01:49:58,017 --> 01:50:09,027 ♪ SHINING THROUGH THE CITY WITH 2275 01:50:09,027 --> 01:50:22,027 A LITTLE FUNK AND SOUL LIGHT IT 2276 01:50:09,027 --> 01:50:22,027 UP LIKE DYNAMITE ♪ 2277 01:50:22,027 --> 01:50:27,021 ♪ SO WATCH ME BRING THE FIRE AN 2278 01:50:22,027 --> 01:50:27,021 SET THE NIGHT ALIGHT ♪ 2279 01:50:27,021 --> 01:50:30,027 ♪ SHINING THROUGH THE CITY WITH 2280 01:50:27,021 --> 01:50:30,027 A LITTLE FUNK AND SOUL LIGHT IT 2281 01:50:30,027 --> 01:50:38,025 UP LIKE DYNAMITE WHOA ♪ 2282 01:50:30,027 --> 01:50:38,025 ♪ NA NA NA NA NA NA LIKE 2283 01:50:38,025 --> 01:50:42,014 DYNAMITE ♪ 2284 01:50:38,025 --> 01:50:42,014 ♪ NA NA NA NA NA NA LIKE 2285 01:50:42,014 --> 01:50:44,007 DYNAMITE ♪ 2286 01:50:42,014 --> 01:50:44,007 ♪ SHINING THROUGH THE CITY WITH 2287 01:50:44,007 --> 01:50:56,025 A LITTLE FUNK AND SOUL LIGHT IT 2288 01:50:44,007 --> 01:50:56,025 UP LIKE DYNAMITE ♪ 2289 01:50:56,025 --> 01:51:04,012 >>> FROM "THE REAL HOUSEWIVES OF 2290 01:50:56,025 --> 01:51:04,012 BEVERLY HILLS" ON BRAVO, HERE IS 2291 01:51:04,012 --> 01:51:10,002 GARCELLE BEVE. 2292 01:51:04,012 --> 01:51:10,002 >> TODAY'S CHRISTIAN SONGS 2293 01:51:10,002 --> 01:51:12,011 ENCOMPASS VIRTUALLY EVERY TYPE 2294 01:51:10,002 --> 01:51:12,011 OF MUSIC 2295 01:51:12,011 --> 01:51:17,022 POP, RAP, HIP-HOP, GOSPEL, 2296 01:51:12,011 --> 01:51:17,022 CONTEMPORARY, HARD ROCK. 2297 01:51:17,022 --> 01:51:21,002 REGARDLESS, ITS MUSICAL ROOTS, 2298 01:51:17,022 --> 01:51:21,002 THE TRUE POWER OF CHRISTIAN 2299 01:51:21,002 --> 01:51:24,005 MUSIC IS THE WAY IT CONNECTS 2300 01:51:21,002 --> 01:51:24,005 LISTENERS TO THE POWER AND 2301 01:51:24,005 --> 01:51:27,028 IMPORTANCE OF FAITH. 2302 01:51:24,005 --> 01:51:27,028 HERE ARE THE NOMINATED -- HERE 2303 01:51:27,028 --> 01:51:36,005 ARE THE NOMINEES FOR THE TOP 2304 01:51:27,028 --> 01:51:36,005 CHRISTIAN ARTIST 2305 01:51:36,005 --> 01:51:39,018 >> LAUREN SLAGLE 2306 01:51:36,005 --> 01:51:39,018 ♪♪ 2307 01:51:39,018 --> 01:51:45,009 >> ELEVATION WORSHIP 2308 01:51:39,018 --> 01:51:45,009 ♪♪ 2309 01:51:45,009 --> 01:51:52,023 >> FOR KING AND COUNTRY. 2310 01:51:45,009 --> 01:51:52,023 ♪♪ 2311 01:51:52,023 --> 01:51:59,002 >> HILL SONG UNITED ♪ 2312 01:51:52,023 --> 01:51:59,002 ♪♪ 2313 01:51:59,002 --> 01:52:03,001 >> KANYE WEST. 2314 01:51:59,002 --> 01:52:03,001 ♪♪ 2315 01:52:03,001 --> 01:52:08,009 >> AND THE BILLBOARD MUSIC AWARD 2316 01:52:03,001 --> 01:52:08,009 GOES TO -- 2317 01:52:08,009 --> 01:52:12,012 LAUREN DAIGLE 2318 01:52:08,009 --> 01:52:12,012 ♪ YOU SAY I AM LOVE WHEN I CAN' 2319 01:52:12,012 --> 01:52:20,009 FEEL A THING ♪ 2320 01:52:12,012 --> 01:52:20,009 ♪ YOU SAY I AM STRONG WHEN I SA 2321 01:52:20,009 --> 01:52:23,025 I AM WEAK ♪ 2322 01:52:20,009 --> 01:52:23,025 >> WHEW, THAT FEELS AMAZING. 2323 01:52:23,025 --> 01:52:25,015 THANK YOU SO MUCH FOR THIS 2324 01:52:23,025 --> 01:52:25,015 INCREDIBLE HONOR 2325 01:52:25,015 --> 01:52:27,024 THANK YOU TO BILLBOARD 2326 01:52:25,015 --> 01:52:27,024 THANK YOU TO EVERYBODY WHO IS A 2327 01:52:27,024 --> 01:52:29,027 PART OF THIS 2328 01:52:27,024 --> 01:52:29,027 IT WAS KIND OF CRAZY LAST NIGHT. 2329 01:52:29,027 --> 01:52:34,004 I WAS SITTING WITH MY MANAGER. 2330 01:52:29,027 --> 01:52:34,004 AND SHE SAID, LAUREN, GUESS WHAT 2331 01:52:34,004 --> 01:52:36,016 TOMORROW MARKS 2332 01:52:34,004 --> 01:52:36,016 AND I SAID, WHAT 2333 01:52:36,016 --> 01:52:41,011 SHE SAID, FIVE YEARS AGO TO THE 2334 01:52:36,016 --> 01:52:41,011 DAY, YOU WROTE THE SONG "YOU 2335 01:52:41,011 --> 01:52:46,003 SAY" ALONG WITH TWO OTHERS 2336 01:52:41,011 --> 01:52:46,003 AND I THOUGHT, WOW, THAT'S KIND 2337 01:52:46,003 --> 01:52:48,027 OF CRAZY, THE TIMING OF 2338 01:52:46,003 --> 01:52:48,027 EVERYTHING 2339 01:52:48,027 --> 01:52:53,002 AND WHAT THAT MEANS AND WHAT 2340 01:52:48,027 --> 01:52:53,002 THAT SIGNIFIES IS JUST THAT 2341 01:52:53,002 --> 01:52:55,029 THERE IS AMAZING HOPE FOUND IN 2342 01:52:53,002 --> 01:52:55,029 GOD. 2343 01:52:55,029 --> 01:53:00,010 AND HE HAS AN INCREDIBLE WAY TO 2344 01:52:55,029 --> 01:53:00,010 TAKE ONE STORY AND TURN IT 2345 01:53:00,010 --> 01:53:02,022 COMPLETELY DIFFERENT 2346 01:53:00,010 --> 01:53:02,022 I WAS JUST A GIRL FROM 2347 01:53:02,022 --> 01:53:05,013 LOUISIANA, AND NOW I'M STANDING 2348 01:53:02,022 --> 01:53:05,013 HERE IN LOS ANGELES. 2349 01:53:05,013 --> 01:53:09,019 AND FOR ALL THOSE WATCHING THAT 2350 01:53:05,013 --> 01:53:09,019 NEED HOPE TONIGHT, HE HAS IT 2351 01:53:09,019 --> 01:53:12,021 HE HAS THE HOPE. 2352 01:53:09,019 --> 01:53:12,021 ESPECIALLY FOR TIMES LIKE THESE. 2353 01:53:12,021 --> 01:53:15,026 SO THANK YOU TO EVERYBODY WHO 2354 01:53:12,021 --> 01:53:15,026 VOTED AND WHO WAS A PART 2355 01:53:15,026 --> 01:53:17,025 I LOVE IT. 2356 01:53:15,026 --> 01:53:17,025 I'M SO GRATEFUL. 2357 01:53:17,025 --> 01:53:20,017 AND WE'LL SEE YOU SOON 2358 01:53:17,025 --> 01:53:20,017 HOPEFULLY IN PERSON. 2359 01:53:20,017 --> 01:53:23,015 >>> COMING UP NEXT, THE BIGGEST 2360 01:53:20,017 --> 01:53:23,015 AWARD OF THE NIGHT 2361 01:53:23,015 --> 01:53:26,008 AND THEN EN VOGUE'S THROWBACK 2362 01:53:23,015 --> 01:53:26,008 PERFORMANCE WHEN THEY TAKE THE 2363 01:53:26,008 --> 01:53:38,024 STAGE WITH 2364 01:53:26,008 --> 01:53:38,024 ♪♪ 2365 01:53:38,024 --> 01:53:42,011 >>> WE'RE BACK AT THE 2020 2366 01:53:38,024 --> 01:53:42,011 BILLBOARD MUSIC AWARDS 2367 01:53:42,011 --> 01:53:46,011 AND NOW PLEASE WELCOME ACADEMY 2368 01:53:42,011 --> 01:53:46,011 AWARD NOMINATED ACTRESS TARAJI 2369 01:53:46,011 --> 01:53:50,014 P. HENSON. 2370 01:53:46,011 --> 01:53:50,014 >> IT'S THE FINAL AND MOST 2371 01:53:50,014 --> 01:53:55,005 PRESTIGIOUS AWARD OF THE NIGHT, 2372 01:53:50,014 --> 01:53:55,005 AND THERE'S A REASON WHY WE SAY 2373 01:53:55,005 --> 01:53:58,004 THAT UNTIL NOW 2374 01:53:55,005 --> 01:53:58,004 BECAUSE THESE TRULY ARE THE TOP 2375 01:53:58,004 --> 01:54:02,012 ARTISTS OF THE PAST YEAR 2376 01:53:58,004 --> 01:54:02,012 THE BIGGEST NAMES IN MUSIC 2377 01:54:02,012 --> 01:54:04,023 TODAY. 2378 01:54:02,012 --> 01:54:04,023 THE ONES WHO CREATE THE MUSIC 2379 01:54:04,023 --> 01:54:07,024 THAT SETS THE STANDARD FOR ALL 2380 01:54:04,023 --> 01:54:07,024 TO FOLLOW. 2381 01:54:07,024 --> 01:54:14,025 HERE ARE THE NOMINEES FOR TOP 2382 01:54:07,024 --> 01:54:14,025 ARTIST 2383 01:54:14,025 --> 01:54:16,003 >> BILLIE EILISH 2384 01:54:14,025 --> 01:54:16,003 JONAS BROTHERS 2385 01:54:16,003 --> 01:54:20,003 KHALID 2386 01:54:16,003 --> 01:54:20,003 POST MALONE. 2387 01:54:20,003 --> 01:54:25,016 TAYLOR SWIFT 2388 01:54:20,003 --> 01:54:25,016 >> AND THE BILLBOARD MUSIC AWARD 2389 01:54:25,016 --> 01:54:34,016 GOES TO -- 2390 01:54:25,016 --> 01:54:34,016 POST MALONE 2391 01:54:34,016 --> 01:54:45,016 ♪♪ 2392 01:54:34,016 --> 01:54:45,016 ♪♪ 2393 01:54:45,016 --> 01:54:54,004 >> GREETINGS, ALL. 2394 01:54:45,016 --> 01:54:54,004 I'M HONESTLY BLOWN AWAY, JUST BY 2395 01:54:54,004 --> 01:54:57,020 THE LOVE THAT EVERYBODY'S SHOWN 2396 01:54:54,004 --> 01:54:57,020 TO ME, AND HONESTLY, I 2397 01:54:57,020 --> 01:55:02,022 APPRECIATE IT MORE THAN I COULD 2398 01:54:57,020 --> 01:55:02,022 EVER EXPRESS 2399 01:55:02,022 --> 01:55:07,006 AND IT'S KIND OF A BIG DEAL FOR 2400 01:55:02,022 --> 01:55:07,006 ME, YOU KNOW, AND EVERYBODY 2401 01:55:07,006 --> 01:55:09,015 INVOLVED 2402 01:55:07,006 --> 01:55:09,015 BECAUSE WE WORK -- WE WORK OUR 2403 01:55:09,015 --> 01:55:13,024 ASSES OFF, AND WE JUST TRY OUR 2404 01:55:09,015 --> 01:55:13,024 BEST EVERY DAY 2405 01:55:13,024 --> 01:55:20,006 AND HONESTLY, TO BE ABLE TO 2406 01:55:13,024 --> 01:55:20,006 REACH OUT TO PEOPLE WHO MIGHT, 2407 01:55:20,006 --> 01:55:25,021 YOU KNOW, NOT HAVE ANYBODY TO 2408 01:55:20,006 --> 01:55:25,021 TURN TO AND JUST BE ABLE TO 2409 01:55:25,021 --> 01:55:29,001 REACH OUT AND SHOW EVERYBODY 2410 01:55:25,021 --> 01:55:29,001 THAT THEY'RE NOT ALONE, AND 2411 01:55:29,001 --> 01:55:31,017 MUSIC CAN BRING EVERYBODY 2412 01:55:29,001 --> 01:55:31,017 TOGETHER, IT'S ABSOLUTELY 2413 01:55:31,017 --> 01:55:33,019 INCREDIBLE 2414 01:55:31,017 --> 01:55:33,019 AND I JUST WANT TO SAY, THANK 2415 01:55:33,019 --> 01:55:36,000 YOU SO VERY MUCH, LADIES AND 2416 01:55:33,019 --> 01:55:36,000 GENTLEMEN. 2417 01:55:36,000 --> 01:55:37,021 I'M BLOWN AWAY 2418 01:55:36,000 --> 01:55:37,021 I'M FLOORED. 2419 01:55:37,021 --> 01:55:42,005 SO THANK YOU VERY, VERY, VERY, 2420 01:55:37,021 --> 01:55:42,005 VERY MUCH, YES 2421 01:55:42,005 --> 01:55:47,019 >> ALL RIGHT 2422 01:55:42,005 --> 01:55:47,019 WELL, EARLIER YOU WON TOP MALE 2423 01:55:47,019 --> 01:55:49,014 ARTIST 2424 01:55:47,019 --> 01:55:49,014 AND WITH THAT YOU HAVE WON A 2425 01:55:49,014 --> 01:55:52,007 TOTAL OF NINE TROPHIES TONIGHT, 2426 01:55:49,014 --> 01:55:52,007 MY MAN 2427 01:55:52,007 --> 01:55:55,008 AND WE HAVE THEM ALL RIGHT HERE, 2428 01:55:52,007 --> 01:55:55,008 COVID STYLE. 2429 01:55:55,008 --> 01:55:57,015 >> NINE TROPHIES 2430 01:55:55,008 --> 01:55:57,015 >> I CAN'T TOUCH YOU, SO I HAD 2431 01:55:57,015 --> 01:55:59,027 TO WHEEL IT OUT. 2432 01:55:57,015 --> 01:55:59,027 >> THAT'S OKAY, YOU KNOW, I'M 2433 01:55:59,027 --> 01:56:03,003 STILL HERE 2434 01:55:59,027 --> 01:56:03,003 OH MY GOD. 2435 01:56:03,003 --> 01:56:05,023 I HAVE - 2436 01:56:03,003 --> 01:56:05,023 >> YOU HAVE NINE TROPHIES. 2437 01:56:05,023 --> 01:56:08,015 >> THAT'S PRETTY BAD-ASS. 2438 01:56:05,023 --> 01:56:08,015 >> I'M GOING TO TAKE A COUPLE, 2439 01:56:08,015 --> 01:56:10,020 IT WILL BE FINE. 2440 01:56:08,015 --> 01:56:10,020 >> THAT'S ALL RIGHT, WE CAN 2441 01:56:10,020 --> 01:56:14,011 SHARE THEM, DO A TIMESHARE ON 2442 01:56:10,020 --> 01:56:14,011 IT 2443 01:56:14,011 --> 01:56:16,005 HONESTLY, LADIES AND GENTLEMEN, 2444 01:56:14,011 --> 01:56:16,005 THANK YOU SO VERY MUCH 2445 01:56:16,005 --> 01:56:21,020 I HAVE NOTHING TO SAY BESIDES, 2446 01:56:16,005 --> 01:56:21,020 I'M SO GRATEFUL AND SO THANKFUL. 2447 01:56:21,020 --> 01:56:24,004 AND THANK YOU VERY, VERY MUCH, 2448 01:56:21,020 --> 01:56:24,004 LADIES AND GENTLEMEN, HONESTLY 2449 01:56:24,004 --> 01:56:26,014 THANK YOU SO MUCH. 2450 01:56:24,004 --> 01:56:26,014 >> YOU'RE KILLING IT 2451 01:56:26,014 --> 01:56:27,005 YES! 2452 01:56:26,014 --> 01:56:27,005 ALL RIGHT. 2453 01:56:27,005 --> 01:56:30,002 THE BILLBOARD MUSIC AWARDS 2454 01:56:27,005 --> 01:56:30,002 THROWBACK IS HOW WE PAY TRIBUTE 2455 01:56:30,002 --> 01:56:33,011 TO SOME OF THE BIGGEST 2456 01:56:30,002 --> 01:56:33,011 MILESTONES IN MUSIC. 2457 01:56:33,011 --> 01:56:37,000 THIS YEAR WE'RE THROWING IT BACK 2458 01:56:33,011 --> 01:56:37,000 30 YEARS, Y'ALL, TO 1990 WHEN 2459 01:56:37,000 --> 01:56:39,029 THIS GROUP SENT THEIR FIRST 2460 01:56:37,000 --> 01:56:39,029 THREE SINGLES TO NUMBER ONE ON 2461 01:56:39,029 --> 01:56:46,023 THE HOT R&B/HIP-HOP SONGS CHART, 2462 01:56:39,029 --> 01:56:46,023 MAKING THEM THE FIRST FEMALE 2463 01:56:46,023 --> 01:56:50,000 GROUP EVER TO DO IT. 2464 01:56:46,023 --> 01:56:50,000 THEY'RE HERE TO PERFORM ONE OF 2465 01:56:50,000 --> 01:56:54,011 THEIR BIGGEST HITS, "FREE YOUR 2466 01:56:50,000 --> 01:56:54,011 MIND," A SONG JUST AS RELEVANT 2467 01:56:54,011 --> 01:57:03,029 NOW AS IT WAS THEN 2468 01:56:54,011 --> 01:57:03,029 HERE IS EN VOGUE 2469 01:57:03,029 --> 01:57:05,010 >> WE ARE IN A STATE OF 2470 01:57:03,029 --> 01:57:05,010 EMERGENCY. 2471 01:57:05,010 --> 01:57:11,024 WROTE A SONG ABOUT IT. 2472 01:57:05,010 --> 01:57:11,024 ♪ FREE YOUR MIND ♪ 2473 01:57:11,024 --> 01:57:21,017 ♪♪ 2474 01:57:11,024 --> 01:57:21,017 ♪ I WEAR TIGHT CLOTHING HIGH 2475 01:57:21,017 --> 01:57:24,008 HEEL SHOES ♪ 2476 01:57:21,017 --> 01:57:24,008 ♪ IT DOESN'T MEAN THAT I'M A 2477 01:57:24,008 --> 01:57:29,024 PROSTITUTE NO NO ♪ 2478 01:57:24,008 --> 01:57:29,024 ♪ I LIKE RAP MUSIC WEAR HIP-HOP 2479 01:57:29,024 --> 01:57:35,007 CLOTHES ♪ 2480 01:57:29,024 --> 01:57:35,007 ♪ THAT DOESN'T MEAN THAT I'M OU 2481 01:57:35,007 --> 01:57:43,004 SELLING DOPE NO NO NO ♪ 2482 01:57:35,007 --> 01:57:43,004 ♪ MAMA FORGIVE ME FOR HAVING 2483 01:57:43,004 --> 01:57:45,029 STRAIGHT HAIR IT DOESN'T MEAN 2484 01:57:43,004 --> 01:57:45,029 THERE'S ANOTHER BLOOD IN MY 2485 01:57:45,029 --> 01:57:48,023 HEIRS ♪ 2486 01:57:45,029 --> 01:57:48,023 ♪ I MIGHT DATE ANOTHER RACE OR 2487 01:57:48,023 --> 01:57:54,029 COLOR IT DOESN'T MEAN I DON'T 2488 01:57:48,023 --> 01:57:54,029 LIKE MY STRONG BLACK BROTHERS ♪ 2489 01:57:54,029 --> 01:57:59,007 ♪♪ 2490 01:57:54,029 --> 01:57:59,007 ♪ WHY OH WHY MUST IT BE THIS 2491 01:57:59,007 --> 01:58:07,023 WAY ♪ 2492 01:57:59,007 --> 01:58:07,023 ♪♪ 2493 01:58:07,023 --> 01:58:12,006 ♪ BEFORE YOU CAN READ ME YOU GO 2494 01:58:07,023 --> 01:58:12,006 TO LEARN HOW TO SEE ME ♪ 2495 01:58:12,006 --> 01:58:16,013 ♪ FREE YOUR MIND AND THE REST 2496 01:58:12,006 --> 01:58:16,013 WILL FOLLOW ♪ 2497 01:58:16,013 --> 01:58:19,016 ♪ BE COLOR BLIND DON'T BE SO 2498 01:58:16,013 --> 01:58:19,016 SHALLOW ♪ 2499 01:58:19,016 --> 01:58:25,015 ♪ FREE YOUR MIND AND THE REST 2500 01:58:19,016 --> 01:58:25,015 WILL FOLLOW ♪ 2501 01:58:25,015 --> 01:58:31,021 ♪ BE COLOR BLIND DON'T BE SO 2502 01:58:25,015 --> 01:58:31,021 SHALLOW ♪ 2503 01:58:31,021 --> 01:58:34,027 ♪ SO I'M A SISTER BUY THINGS 2504 01:58:31,021 --> 01:58:34,027 WITH CASH ♪ 2505 01:58:34,027 --> 01:58:39,007 ♪ THAT REALLY DOESN'T MEAN THAT 2506 01:58:34,027 --> 01:58:39,007 ALL MY CREDIT'S BAD NO ♪ 2507 01:58:39,007 --> 01:58:43,023 ♪ SO WHY DISPUTE ME AND WASTE M 2508 01:58:39,007 --> 01:58:43,023 TIME ♪ 2509 01:58:43,023 --> 01:58:49,003 ♪ BECAUSE YOU REALLY THINK THE 2510 01:58:43,023 --> 01:58:49,003 PRICE IS TOO HIGH FOR ME ♪ 2511 01:58:49,003 --> 01:58:53,005 ♪ I CAN'T LOOK NO WITHOUT BEING 2512 01:58:49,003 --> 01:58:53,005 WATCHED ♪ 2513 01:58:53,005 --> 01:58:59,015 ♪ YOU RANG MY BUY BEFORE I MADE 2514 01:58:53,005 --> 01:58:59,015 UP MY MIND ♪ 2515 01:58:59,015 --> 01:59:03,016 ♪ NOW ATTITUDE WHY EVEN BOTHER 2516 01:58:59,015 --> 01:59:03,016 WHY EVEN BOTHER ♪ 2517 01:59:03,016 --> 01:59:06,027 ♪ CAN'T CHANGE MY MIND NO CAN'T 2518 01:59:03,016 --> 01:59:06,027 CHANGE MY COLOR ♪ 2519 01:59:06,027 --> 01:59:12,006 ♪♪ 2520 01:59:06,027 --> 01:59:12,006 ♪ WHY OH WHY MUST IT BE THIS 2521 01:59:12,006 --> 01:59:20,019 WAY ♪ 2522 01:59:12,006 --> 01:59:20,019 ♪♪ 2523 01:59:20,019 --> 01:59:24,018 ♪ BEFORE YOU CAN READ ME YOU 2524 01:59:20,019 --> 01:59:24,018 GOTTA LEARN HOW TO SEE ME ♪ 2525 01:59:24,018 --> 01:59:28,003 ♪ I SAID FREE YOUR MIND AND THE 2526 01:59:24,018 --> 01:59:28,003 REST WILL FOLLOW ♪ 2527 01:59:28,003 --> 01:59:33,004 ♪ BE COLOR BLIND DON'T BE SO 2528 01:59:28,003 --> 01:59:33,004 SHALLOW ♪ 2529 01:59:33,004 --> 01:59:37,018 ♪ FREE YOUR MIND AND THE REST 2530 01:59:33,004 --> 01:59:37,018 WILL FOLLOW ♪ 2531 01:59:37,018 --> 01:59:42,017 ♪ BE COLOR BLIND DON'T BE SO 2532 01:59:37,018 --> 01:59:42,017 SHALLOW ♪ 2533 01:59:42,017 --> 02:00:01,004 ♪ FREE YOUR MIND ♪ 2534 01:59:42,017 --> 02:00:01,004 ♪ FREE YOUR MIND ♪ 2535 02:00:01,004 --> 02:00:11,013 ♪♪ 2536 02:00:01,004 --> 02:00:11,013 ♪♪ 2537 02:00:11,013 --> 02:00:25,027 ♪♪ 2538 02:00:11,013 --> 02:00:25,027 ♪♪ 2539 02:00:25,027 --> 02:00:27,027 ♪ WHY OH WHY MUST IT BE THIS 2540 02:00:25,027 --> 02:00:27,027 WAY ♪ 2541 02:00:27,027 --> 02:00:36,000 ♪♪ 2542 02:00:27,027 --> 02:00:36,000 ♪ BEFORE YOU CAN READ ME YOU 2543 02:00:36,000 --> 02:00:38,011 GOTTA LEARN HOW TO SEE ME ♪ 2544 02:00:36,000 --> 02:00:38,011 ♪ I SAID FREE YOUR MIND AND THE 2545 02:00:38,011 --> 02:00:43,006 REST WILL FOLLOW ♪ 2546 02:00:38,011 --> 02:00:43,006 ♪ BE COLOR BLIND DON'T BE SO 2547 02:00:43,006 --> 02:00:47,016 SHALLOW ♪ 2548 02:00:43,006 --> 02:00:47,016 ♪ FREE YOUR MIND AND THE REST 2549 02:00:47,016 --> 02:00:52,016 WILL FOLLOW ♪ 2550 02:00:47,016 --> 02:00:52,016 ♪ BE COLOR BLIND DON'T BE SO 2551 02:00:52,016 --> 02:00:56,005 SHALLOW ♪ 2552 02:00:52,016 --> 02:00:56,005 ♪ FREE YOUR MIND AND THE REST 2553 02:00:56,005 --> 02:01:01,029 WILL FOLLOW ♪ 2554 02:00:56,005 --> 02:01:01,029 ♪ BE COLOR BLIND DON'T BE SO 2555 02:01:01,029 --> 02:01:05,013 SHALLOW ♪ 2556 02:01:01,029 --> 02:01:05,013 ♪ FREE YOUR MIND AND THE REST 2557 02:01:05,013 --> 02:01:10,009 WILL FOLLOW ♪ 2558 02:01:05,013 --> 02:01:10,009 ♪ BE COLOR BLIND DON'T BE SO 2559 02:01:10,009 --> 02:01:18,029 SHALLOW ♪ 2560 02:01:10,009 --> 02:01:18,029 ♪ FREE YOUR MIND ♪♪ 2561 02:01:18,029 --> 02:01:24,028 >> THANK YOU, GOOD NIGHT 2562 02:01:18,029 --> 02:01:24,028 >> ALL RIGHT, GOOD NIGHT, 2563 02:01:24,028 --> 02:01:27,001 EVERYBODY! 2564 02:01:24,028 --> 02:01:27,001 WE HOPE YOU HAD A GOOD TIME. 2565 02:01:27,001 --> 02:01:31,015 IF NOT, MY BAD 2566 02:01:27,001 --> 02:01:31,015 >> BILLBOARD MUSIC AWARDS 2567 02:01:31,015 --> 02:01:37,010 NOMINEES AND WINNERS ARE BASED 2568 02:01:31,015 --> 02:01:37,010 ON KEY FAN INTERACTIONS WITH 2569 02:01:37,010 --> 02:01:41,009 MUSIC, INCLUDING AUDIO AND 2570 02:01:37,010 --> 02:01:41,009 STREAMING, MEASUREMENTS TRACKED 2571 02:01:41,009 --> 02:01:47,018 BY BILLBOARD AND MARCIE DATA 2572 02:01:41,009 --> 02:01:47,018 THE AWARDS ARE BASED ON THE 2573 02:01:47,018 --> 02:01:52,004 BILLBOARD CHARTS MARCH 2019 2574 02:01:47,018 --> 02:01:52,004 THROUGH MARCH 2020