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So we're going to talk about high school senior girls.

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Alright so I do know I'm talking

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to different people around the world,

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this is not always prevalent where you live.

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Like in different countries, they don't do

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high school senior photos.

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However, when I first started my business,

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high school senior photos, was what I made my living on.

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And, so, I've done a lot of this type of shooting,

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and I really like it.

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The reason I like it so much, is high school senior girls

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in particular, let you get creative

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and they let you have fun.

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So if anything out of pretty much anything that I'll

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be teaching besides boudoir, besides that one,

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this is where you can get most creative and have most poses.

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For everything else I do, I have just some simple,

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go-to poses.

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I have a ton, but we're just gonna do five.

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Okay, we're gonna focus on five

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and then you build from there.

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So, let's go to my top fivw high school senior girl

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posing guidelines.

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Alright, so you can get more creative,

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but in the end, if you're getting really creative

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and you have the girl posed in a funky way,

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and her expression's gone because she's uncomfortable,

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then it was a failed shot.

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When you do a fashion shoot, a lot of times

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the expression's less important.

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High school senior photo, it's all

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about what she looks like.

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All about that expression.

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So that would be number one, don't your let your desire

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to get creative to get in the way of the expression,

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but definitely, what I recommend doing is go safe,

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then go crazy, then get creative.

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For my portrait sessions for high school seniors,

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what I always, always, always did,

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was a basic hands on chair shot or hands on a posing table,

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girl leaning toward the camera smile.

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I get those, those are the pictures that I know.

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Matched up with what Grandma had on the wall

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and everything, so everybody had that shot that they wanted,

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and then she's lying on the ground, and then she's

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handing out of a tree, like whatever it may be.

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That's why I like these the best.

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The get really creative.

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Okay, my tip number two is asymmetry.

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You want to be asymmetrical in your poses,

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so let me explain what that means.

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Whenever you have two things, don't mirror them,

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usually if you want it to be really interesting.

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For example, two arms up, it's static and it's

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really kinda of a rigid pose.

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You can kind of work that a little bit,

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if you really want both arms up,

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just make 'em a little bit uneven, then you could

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still do that, but in general, just plain old,

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hands on the hip for example, it's a little bit static.

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Maybe raise one up and lower the other.

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Try to get things a little more asymmetrical.

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Same thing is if you go ahead and are having somebody pose

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in a symmetrical way, at least maybe add

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some movement to it, so that is what gives it energy, okay?

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Otherwise, symmetry is so straight up and down.

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Okay, next one, is if the girl is standing, make sure

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she's not flat-footed.

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Oh, and a note for the entire day, there are a lot

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of things that you'll hear repeated that we talked

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about yesterday, and there's a couple of poses that

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overlap, because these are the essentials.

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Of course overlap, they should overlap.

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So one of them is definitely with high school senior girls,

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make sure they're not flat-footed.

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Have them put their weight off on one hip

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or if they're facing towards camera,

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put their weight on their back foot.

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Make sure that their weight distribution is uneven.

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My tip number four is that of any subjects that I pose,

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high school kids, men and women, I use hands a lot more

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than a lot of the other subjects I pose,

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'cuz you can get more creative.

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For girls, I think that you can make some really great

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images with their arms and their hands.

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Frame their face an frame their body.

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So this would be a great opportunity, if you want to get

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better with posing hands.

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Master it with high school senior girls

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and then bring into other areas of your photography.

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All the rules of hands apply as before,

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so make sure that you check back.

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In day one, we talked about not seeing the palm,

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always seeing the side of the hand, things like that.

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Okay and number five.

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How I try to remember and not run out of poses

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for these particular subjects, high school seniors,

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is I think, the standing shot's obvious, but you've

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got sitting, leaning, and laying.

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The standing, sitting, leaning, and laying.

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So, that's why I'm trying to think, okay so, alright,

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so I did her standing shot, okay well, I can sit her

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I a chair.

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Standing and sitting.

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I can lean her against the wall.

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I can lay her on the ground, towards the camera,

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to the side, so that I an think of new poses

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without having them memorized,

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'cuz I take everything that I already know

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from my fundamentals, and I say,

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"Take a seat," and then I tweak.

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"Why don't you lay down?"

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And then I tweak.

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So that would be my tips for coming up with good poses

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and then also flattering a high school senior girl.

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So, Hi!
Hi!

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I already met her, she's awesome.

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She's super cute.

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So she's not actually a high school senior,

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and so, here's the thing.

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We're bonding before because she says that she

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wants to get taller and I'm like, I stopped

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growing when I was in eighth grade,

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and she was very disappointed to hear that.

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(audience laughs)

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But, I'm sure you'll get much taller.

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I hope so.

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(Laughs) She said, "She hopes so."

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So, for those of you who don't photograph

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high school seniors, think of this as teen girl, okay?

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If you don't have high school seniors

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in your part of the world, photographing a teen girl.

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So, what we're gonna do is we're going to bring out

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this light and did those lights go off for a reason?

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They're back.

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Oh we're good?

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Awesome, okay, and I'm gonna grab my camera.

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And I'm gonna shoot tethered for this.

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So, as I said I kind of have those base essentials

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up there of the things that I want to keep in mind.

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So, I'm gonna go ahead and give you my favorite poses,

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and then after those base five,

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we'll do a couple more, more creative.

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If you have a chaise in your studio,

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you could have a girl recline on it.

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But, let's just talk about what we all have

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which is a ground, a wall, standing, like basic stuff.

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How are you doing?

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I'm doing great.

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Have you modeled before?
No

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No?
You look pretty confident.

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Well, I hope so!

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See, uh huh? (audience laughs)

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She's has done before, she's super confident.

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So, I already went and had a chat with her.

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If you can do that, especially for, well, I mean

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really any subject, but for high school seniors

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or for teens, just to let 'em know that you're

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not awkward and weird, unless you are, and then hide that.

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(audient laughs)

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Actually, this is so bad but that was actually one

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of my marketing ploys when I first started my business,

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as I was 15 when I started photographing

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high school seniors.

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And so, it's not a proper technique,

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I wouldn't recommend it now, but I would say

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to all my fellow classmates, "Oh that photographer

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is like super weird,

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"you should just hire me."

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(audience laughs)

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Now, I wouldn't do that, but that you know, as a 15 year

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old, I thought it was a really good idea.

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Okay, so, basics of starting of out is if I do want

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her for a standing pose here.

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I'm going to talk about the differences between

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general photographing a female, a high school senior,

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and then a more mature woman.

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So, one thing you don't want to do for high school senior,

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is emphasize body and curves too much.

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And so that is something that I would be aware of

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is, so let's put it this way, for high school seniors,

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sometimes girls matured a little faster.

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And so as they're posing, what they naturally think

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is a good pose, is emphasizing way too much on body parts,

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and that's not what parents want for you.

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That's not what you're being hired for.

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So just keep an eye out on that.

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I definitely have specific examples

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where you tell a girl, I want you to pose up on the wall,

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and kind of pose with their hand, and all the sudden

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it's all about leaning, so just watch out for that.

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So, we're going to do a standing pose here.

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Really basic, I'm gonna have you do,

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and this lights on, okay?

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Test it, perfect, thank you.

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Oh, the lights came on, good, great.

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So, what I'm gonna have you do, is put your hand

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really soft on your hip, okay?

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And, I'm gonna have you take your right foot there

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and tuck your knee over like this, okay?

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And then I'm gonna have you turn just a little bit

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to your left, good.

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And I'm gonna have you stick your butt back.

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Okay, perfect.

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And now take the hand, what I'm looking at,

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so I'm gonna tell ya, we're doing

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that base standing pose, okay?

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So I say, "Tuck your knee over, hand on your hip".

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I turned her to the side because by default,

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she still had her hips kind of straight towards camera.

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Straightest towards camera is when someone looks widest.

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She's super skinny, so it doesn't matter,

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but I wanna little bit more shape.

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But then I see her hand, so what I'm looking at

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in my brain, I'm like okay, what can I do to improve this?

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This hand has nothing to do and it's tight against her body.

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I guess that's she's super skinny, so it's like,

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it doesn't matter, but it makes her that much wider,

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especially since it's the same color outfit.

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If she was wearing a dress, you might be able to get

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away with that.

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For example, if she was wearing a dress, I'd have her

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maybe pull the dress to the side, use her hand like this

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for a little bit of movement.

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And so now that hand is where I can get creative.

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I can have her, can you put your hand right next

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to your neck for me?

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Perfect, I like the little head tilt, that was cute.

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And then, okay now, ready, get dramatic, elbow up, good.

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Okay, so if wanna do more like a fun fashion session,

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I start really basic.

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Can you put your hand on your hip again?

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Okay, so if I have a hand on hip,

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I don't want it to be totally symmetrical,

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'cuz it doesn't have that same movement.

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So what I'm gonna have you do is I'm gonna have you

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raise that hand up a little bit.

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Good, and I'm gonna have you lean just a little bit back.

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Good, so see how now I have movement versus

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before it was static, straight up and down.

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I had her make her hands uneven

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and then give me a little bit of a lean.

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Now it looks like maybe she was like "Hey", like cute.

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I kind of want personality to show through versus,

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I want cute!

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For every single thing that I teach,

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know that I don't do the same poses for everybody.

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If I can read from their personality, if a girl's not a

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flip your dress kind of twirl girl,

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then I'm not going to have her flip and twirl.

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So it all depends on the person.

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But she's super cute and seems super comfortable with that.

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So, I'm gonna take a couple photos.

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So, I'm gonna have you stick your butt back even more.

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Perfect, just like that, I'm gonna test the light.

256
00:10:30,610 --> 00:10:33,710
For her, her hair looks fine straight on,

257
00:10:33,710 --> 00:10:36,050
with it being on either side.

258
00:10:36,050 --> 00:10:39,180
If I had her turn a little bit further to your left,

259
00:10:39,180 --> 00:10:42,130
turn to your left, in that case, I would pull the hair

260
00:10:42,130 --> 00:10:43,950
off of the front shoulder.

261
00:10:43,950 --> 00:10:45,300
So come back at me again.

262
00:10:45,300 --> 00:10:46,980
Just like that, very cute little lean again.

263
00:10:46,980 --> 00:10:48,170
Let me test my light.

264
00:10:51,400 --> 00:10:52,230
Perfect.

265
00:10:52,233 --> 00:10:55,483
And it's cute 'cuz her hand are like nicely posed.

266
00:10:55,480 --> 00:10:56,540
See, it looks super cute.

267
00:10:56,540 --> 00:10:58,490
Now put your hand up next to your neck.

268
00:11:00,120 --> 00:11:02,690
Super cute, awesome.

269
00:11:02,690 --> 00:11:04,370
And then one more right here,

270
00:11:06,850 --> 00:11:07,980
Great.

271
00:11:07,980 --> 00:11:10,160
So, I start off with that base pose

272
00:11:10,160 --> 00:11:12,830
and I just say, "Okay, hand on your hip.

273
00:11:12,827 --> 00:11:14,167
"Make it a little uneven.

274
00:11:14,167 --> 00:11:15,707
"Lean back and tilt your head.

275
00:11:15,707 --> 00:11:17,907
"Hand up" and I just basically use this hand

276
00:11:17,910 --> 00:11:19,960
to make different poses.

277
00:11:19,960 --> 00:11:21,880
So, that's like my base standing pose

278
00:11:21,880 --> 00:11:23,500
for a high school senior girl.

279
00:11:23,500 --> 00:11:26,430
Okay, so the next that I would do,

280
00:11:26,430 --> 00:11:28,640
well, actually in order, honestly, I would start

281
00:11:28,640 --> 00:11:31,710
with them sitting 'cuz it's least pressure.

282
00:11:31,710 --> 00:11:34,780
You don't have to feel confident at that point,

283
00:11:34,780 --> 00:11:36,360
you're just sitting.

284
00:11:36,360 --> 00:11:37,600
Not too much high pressure.

285
00:11:37,600 --> 00:11:39,690
So, I think that's what I'm going to do next.

286
00:11:39,690 --> 00:11:44,530
Let's do, can I have that little stool?

287
00:11:44,530 --> 00:11:45,490
Any stool is fine.

288
00:11:47,020 --> 00:11:50,470
Actually that ones fine, you can bring that to me, yeah.

289
00:11:50,470 --> 00:11:51,340
Thank you.

290
00:11:51,340 --> 00:11:54,060
Our high school senior boy's offering to help.

291
00:11:54,060 --> 00:11:55,250
It's so sweet, he's super nice.

292
00:11:55,247 --> 00:11:56,167
(Audience laughs)

293
00:11:56,170 --> 00:12:00,470
Okay, I do have to say, this is like ideal what you want,

294
00:12:00,470 --> 00:12:01,840
when I told him I was taking his picture,

295
00:12:01,840 --> 00:12:03,470
he's like "Yeah!"

296
00:12:03,470 --> 00:12:06,220
Okay that doesn't usually happen for me

297
00:12:06,216 --> 00:12:07,046
(audience laughs)

298
00:12:07,049 --> 00:12:08,359
for a high school senior guy photo.

299
00:12:08,360 --> 00:12:09,860
It doesn't usually happen.

300
00:12:09,860 --> 00:12:13,530
Okay, perfect, so when she's sitting there,

301
00:12:13,530 --> 00:12:18,470
right now, she's very static, straight on towards camera,

302
00:12:18,470 --> 00:12:19,790
doesn't have any movement.

303
00:12:19,790 --> 00:12:21,410
So, I'm gonna have you rotate towards the light.

304
00:12:21,410 --> 00:12:23,060
Rotate to your right.

305
00:12:23,060 --> 00:12:26,830
Notice I say, "her right".

306
00:12:26,830 --> 00:12:28,470
If you can really practice that and try

307
00:12:28,470 --> 00:12:33,210
it makes it a lot easier than just saying "Turn that way,"

308
00:12:33,210 --> 00:12:34,910
'cuz sometimes it gets confusing

309
00:12:34,910 --> 00:12:36,800
or if you just say, "Turn right",

310
00:12:36,800 --> 00:12:38,900
they're trying to help and they don't know which way.

311
00:12:38,900 --> 00:12:40,600
And so that's perfect.

312
00:12:40,600 --> 00:12:43,360
I'm gonna have you flip your hair off your shoulder there.

313
00:12:43,363 --> 00:12:44,483
Just give it a little flip.

314
00:12:44,480 --> 00:12:45,980
Perfect, great.

315
00:12:45,980 --> 00:12:48,500
Alright, so now, head tilt.

316
00:12:48,500 --> 00:12:51,890
For girls, for high school senior girls, if you want them

317
00:12:51,890 --> 00:12:56,500
to be more mature, I will have them kind of just lean

318
00:12:56,500 --> 00:12:57,630
their shoulder, lean your shoulder towards me

319
00:12:57,630 --> 00:12:58,930
just a little bit.

320
00:12:58,930 --> 00:13:01,580
More mature would be leaning your head away

321
00:13:01,580 --> 00:13:03,310
from the camera just a tiny bit.

322
00:13:03,310 --> 00:13:05,700
Like she has there is a little bit more thoughtful.

323
00:13:05,700 --> 00:13:09,540
Cuter, more happy and cutesy, is towards the camera.

324
00:13:09,540 --> 00:13:11,910
Okay, so those are kind of the differences there.

325
00:13:11,910 --> 00:13:14,990
So a lot of times we're doing maybe a serious pose.

326
00:13:14,990 --> 00:13:18,140
I had a posing stool, hands like this.

327
00:13:18,140 --> 00:13:20,480
I might have them lean out and turn their head

328
00:13:20,480 --> 00:13:24,790
towards the camera, but if I'm going for cute,

329
00:13:24,790 --> 00:13:26,820
I do it that way, tilted this way.

330
00:13:26,820 --> 00:13:28,170
So it's two different things.

331
00:13:28,170 --> 00:13:29,650
So, this is perfect.

332
00:13:29,650 --> 00:13:31,930
All I wanna make sure is that I can see her neck,

333
00:13:31,930 --> 00:13:34,100
gonna have you lower your shoulder, good,

334
00:13:34,100 --> 00:13:36,560
and turn your head back this way, great.

335
00:13:37,400 --> 00:13:38,230
Perfect.

336
00:13:39,870 --> 00:13:44,450
And so a very super, super, super, duper basic portrait.

337
00:13:44,450 --> 00:13:48,220
So that isn't particularly a pose yet.

338
00:13:48,220 --> 00:13:49,950
It's kinda boring, it is.

339
00:13:49,950 --> 00:13:52,300
But it's the base of where you start.

340
00:13:52,300 --> 00:13:56,410
So, what I wanna do is talk about using hands.

341
00:13:56,410 --> 00:13:58,410
A high school senior girl, as I said, is a great

342
00:13:58,410 --> 00:13:59,920
place to use hands.

343
00:13:59,920 --> 00:14:03,240
So, let's just see, I'm going to test her.

344
00:14:03,240 --> 00:14:06,140
Would you put your left hand besides your face please?

345
00:14:07,680 --> 00:14:08,810
Okay, she's pretty good.

346
00:14:08,810 --> 00:14:11,530
Alright, so this is what I would say is that I would

347
00:14:11,530 --> 00:14:13,070
have them put their hand up, and you say,

348
00:14:13,067 --> 00:14:14,077
"What do you see?"

349
00:14:15,000 --> 00:14:18,830
In my opinion, what I see is that the hand covers

350
00:14:18,830 --> 00:14:21,830
her neck totally, and it's closest towards the camera.

351
00:14:21,830 --> 00:14:24,350
And so this is distracting to me.

352
00:14:24,350 --> 00:14:26,190
That would be how I perceive it.

353
00:14:26,190 --> 00:14:27,650
So, what I'm gonna have you do, I'm gonna have you switch.

354
00:14:27,650 --> 00:14:30,170
Put the other hand beside your neck.

355
00:14:30,170 --> 00:14:33,400
So that would be a lot less distracting to me.

356
00:14:33,400 --> 00:14:36,240
But let's say that maybe I think, maybe I think it's

357
00:14:36,240 --> 00:14:37,260
a little boring.

358
00:14:37,260 --> 00:14:39,150
Like that, I could have thought of that pose, right?

359
00:14:39,150 --> 00:14:40,430
I can put my hand there.

360
00:14:40,430 --> 00:14:41,260
So, what I'm gonna have you do,

361
00:14:41,263 --> 00:14:43,273
is just what you're doing, have you bring your other hand up

362
00:14:43,270 --> 00:14:44,780
and kind of go like this.

363
00:14:44,780 --> 00:14:48,010
Okay, I'm gonna flip your hair out just a little bit.

364
00:14:48,011 --> 00:14:49,501
Perfect, thank you.

365
00:14:49,500 --> 00:14:50,720
And instead of your hand behind your ear,

366
00:14:50,720 --> 00:14:53,160
I'm just gonna have you real soft next to your face, good.

367
00:14:53,160 --> 00:14:56,270
Alright so, I have like a little bit of movement there,

368
00:14:56,270 --> 00:14:59,450
and I'm gonna have you tilt into yoor hands a little bit.

369
00:14:59,450 --> 00:15:01,680
So I would do a nice tight shot, but if you look,

370
00:15:01,680 --> 00:15:04,950
see, I can see her palm, just a little bit too much,

371
00:15:04,950 --> 00:15:07,310
so, I'm gonna have you just flip your hand this way

372
00:15:07,310 --> 00:15:08,140
a little bit.

373
00:15:08,143 --> 00:15:10,093
And now, I wonder if you caressed your face real soft

374
00:15:10,090 --> 00:15:11,470
and then right there.

375
00:15:11,469 --> 00:15:12,579
(laughs)

376
00:15:12,580 --> 00:15:14,690
And now wiggle your fingers, good, perfect, good.

377
00:15:14,685 --> 00:15:17,605
Now the only other thing I would change,

378
00:15:17,600 --> 00:15:20,430
I told you that I have a pet peeve about the thumb.

379
00:15:20,430 --> 00:15:22,480
Can you hide your thumb, like tuck it back like,

380
00:15:22,480 --> 00:15:23,760
yeah, yeah!

381
00:15:23,760 --> 00:15:24,590
Perfect!

382
00:15:24,593 --> 00:15:27,803
And soft finger, just loose, good, okay, perfect.

383
00:15:27,800 --> 00:15:29,070
So I'm gonna take a shot like that,

384
00:15:29,070 --> 00:15:32,470
and so I just get their hands kind of comfortable, good.

385
00:15:32,470 --> 00:15:34,780
And now put your hand up even higher, good.

386
00:15:34,780 --> 00:15:37,890
And don't push it, just real soft, and lean towards me.

387
00:15:38,958 --> 00:15:40,378
Good.

388
00:15:40,382 --> 00:15:41,922
Perfect.

389
00:15:41,919 --> 00:15:43,019
Good.

390
00:15:43,020 --> 00:15:44,760
You look very cute.

391
00:15:44,757 --> 00:15:46,087
Ahhhh, she looks so cute!

392
00:15:46,090 --> 00:15:46,920
Awesome.

393
00:15:48,370 --> 00:15:49,480
You don't mind cute, right?

394
00:15:49,476 --> 00:15:50,306
Cute's good?

395
00:15:50,309 --> 00:15:51,799
No, cute's good.
Oh good, see?

396
00:15:51,801 --> 00:15:52,731
(audience laughs)

397
00:15:52,730 --> 00:15:54,850
I like that, will you do your little shoulder

398
00:15:54,850 --> 00:15:55,770
back thing, good?

399
00:15:55,770 --> 00:15:59,390
Lean towards me, perfect, awesome.

400
00:16:00,350 --> 00:16:02,350
Alright, so basic hands.

401
00:16:02,350 --> 00:16:06,130
Another thing I could do, is with a posing table.

402
00:16:06,130 --> 00:16:08,080
Would you grab the posing table for me?

403
00:16:09,000 --> 00:16:14,000
Really, high school seniors and more kind of like

404
00:16:14,466 --> 00:16:17,296
head shots, are the only times I personally use

405
00:16:17,300 --> 00:16:18,650
posing tables.

406
00:16:18,650 --> 00:16:19,840
Usually.

407
00:16:19,840 --> 00:16:21,580
I don't know, it's a little bit more traditional,

408
00:16:21,580 --> 00:16:23,770
but I'm doing like close face shots,

409
00:16:23,770 --> 00:16:27,200
so it doesn't really matter, and this is, I will,

410
00:16:27,200 --> 00:16:28,850
I'm gonna just defend myself here.

411
00:16:28,850 --> 00:16:30,880
This isn't a real posing table.

412
00:16:30,880 --> 00:16:32,810
It's not like the pneumatic kind that go up and down

413
00:16:32,810 --> 00:16:37,480
so we'll see if it will even workish.

414
00:16:37,480 --> 00:16:38,820
It might need, we'll see.

415
00:16:40,850 --> 00:16:43,340
Okay, would you turn to your right real quick?

416
00:16:43,340 --> 00:16:44,170
Okay, awesome.

417
00:16:44,173 --> 00:16:45,813
So is that as high as it goes?

418
00:16:45,810 --> 00:16:46,750
I thought so.

419
00:16:46,749 --> 00:16:48,139
So, we're gonna try this.

420
00:16:48,140 --> 00:16:50,070
Can you put your hands like this?

421
00:16:50,070 --> 00:16:51,560
Let's see, okay.

422
00:16:51,560 --> 00:16:54,720
So this is another kind of go-to pose there,

423
00:16:54,720 --> 00:16:56,760
and I would bring it up a little bit more,

424
00:16:56,760 --> 00:16:58,000
but she's doing pretty good.

425
00:16:58,000 --> 00:17:00,890
What most people would do if the posing stand's too low,

426
00:17:02,110 --> 00:17:03,080
is they would hunch.

427
00:17:03,080 --> 00:17:06,040
What she's doing, she's leaning, straighten out your back,

428
00:17:06,040 --> 00:17:07,640
she's pretty good, and lean forward.

429
00:17:07,640 --> 00:17:08,470
You're great.

430
00:17:08,473 --> 00:17:09,993
Yeah, she's got it pretty good.

431
00:17:09,990 --> 00:17:12,050
This is exactly what I would do for hands

432
00:17:12,050 --> 00:17:14,280
because it frames her face.

433
00:17:14,280 --> 00:17:16,580
Will you drop that arm for me, just hide it?

434
00:17:16,580 --> 00:17:19,170
See how that's much less visually interesting?

435
00:17:19,170 --> 00:17:22,540
Your eye doesn't do a circle around her face,

436
00:17:22,540 --> 00:17:24,140
until you put the hand back up,

437
00:17:24,140 --> 00:17:26,880
and now, she knows how to pose.

438
00:17:26,880 --> 00:17:28,690
This is cheating.

439
00:17:28,690 --> 00:17:31,510
But now my eye actually kind of follows that circle

440
00:17:31,510 --> 00:17:35,200
of her face, so this would be a super traditional

441
00:17:35,200 --> 00:17:36,350
high school senior pose.

442
00:17:36,350 --> 00:17:37,180
Great.

443
00:17:38,124 --> 00:17:39,454
Good.

444
00:17:39,457 --> 00:17:40,467
Perfect

445
00:17:40,470 --> 00:17:43,170
Okay, it's still like a little fake smile.

446
00:17:43,170 --> 00:17:44,000
Good, good.

447
00:17:45,160 --> 00:17:46,300
Perfect.

448
00:17:46,300 --> 00:17:47,130
Awesome.

449
00:17:48,470 --> 00:17:50,170
So, that is where I would start.

450
00:17:50,170 --> 00:17:52,870
Before I did the standing pose, and before I did anything,

451
00:17:52,870 --> 00:17:54,020
I would just start there.

452
00:17:54,020 --> 00:17:56,450
A basic pose where all I'm trying to do

453
00:17:56,450 --> 00:17:59,050
is really trying to focus on expression.

454
00:17:59,050 --> 00:18:01,450
This is where I said that the personality chameleon thing

455
00:18:01,450 --> 00:18:02,490
becomes important.

456
00:18:02,490 --> 00:18:04,710
Do what you can to make her laugh, to tell a joke,

457
00:18:04,710 --> 00:18:09,710
even if she just thinks you're crazy, because I found

458
00:18:10,160 --> 00:18:14,160
for high school senior portraits, nine times out of 10,

459
00:18:14,160 --> 00:18:17,330
the parents would buy the closeup shot of the girl's face,

460
00:18:17,330 --> 00:18:20,530
whether it's out on location or in the studio.

461
00:18:20,530 --> 00:18:23,160
The girl picks the photo of her on the ground

462
00:18:23,160 --> 00:18:25,480
with here feet kicked up or her hand in her hair.

463
00:18:25,480 --> 00:18:27,920
That was my personal experience.

464
00:18:27,920 --> 00:18:31,250
Or if she's wearing a dress twirling, she picks that one.

465
00:18:31,250 --> 00:18:33,670
So, you don't really need to get too complicated for

466
00:18:33,670 --> 00:18:36,410
the ones that brings you the money usually,

467
00:18:36,410 --> 00:18:38,160
which is something basic like that.


