All right so we're going to be launching this progression maybe not quite like that but definitely we'll
get the basics of it down.
And I should let you know that for this particular video we're not going to be going over how to walk
the base walking the base is a separate art in and of itself.
But there will be a tutorial on that later in the program so be sure to check that out.
For now we're just going to go over the chord progression so that you can get it.
And I'm not going to write the corporate Christian out either.
We're just going to go through the courses a lot of course here.
But the basic idea is the circle of fifths.
OK so you definitely want to go back and review the circle have that circle memorized.
So it will serve you as you're taking this lesson.
All right so now we're in the key of G minor which is the relative minor of B-flat major.
So right now we just consider that we're somewhere sometimes we're going to be in the key of G minor
sometimes in the key of B-flat.
You can call it the chords off as if to keep B-flat that will just be easier but the tone resolves on
G minor.
All right so now here are the chords.
The first chord is the key minor chord and it's chord 6 and B flat which goes to court to the C minor
B flat.
To F chord by two chord one B flat
flat chord for a major.
Then we go to a D major G.
We go to C minor to
E-flat
a D.
D.
All right so now what is the circle of fifths work out here.
Well let's look at it.
You have a gene that sets the tone.
OK but then we go to a C now g to see if the relationships there is a fourth here.
But we know that G is the fifth of C
so g is the fifth to sing and it moves in that direction like that.
And then we go to we'll see if and then we go to B-flat the fifth a B flat.
Then we travel up to E flat.
Being the fifth of E-flat.
OK so that's the first point of the circle.
If I play the fifth going to the root it will be g to see 5 1 5 1 have to be flat 5 1 B flat if that
5 1.
So each of these chords then this sort of tonic sized in a way because the chord that precedes it lead
up to it as if it's a resolution point.
Now it's not completely ton of size because you never hear it in the key of C minor or major but the
idea is that we're using the circle of fifths and the concept to travel to this scale and then we do
something very interesting we go to add to this event we go to a this a ghost with the A to D is a 5:4
relationship.
And then D goes to T which is a five foot relationship.
So they're presented in force here.
But you know that a fourth is just an inverted fifth and we'll prove that right now.
That's the fifth the fourth or fifth fourth there.
So one more time she to see that one see
one to be flat five one flat five one and then we got this here to try a relationship a D and D and
D.
And that's the chord progression.
So never play with my bass G C
B flat I may just sit there a
c
b b flat is never let me down this
mean we end the walking bass and sounds all fancy
and then actually fragmenting the core
playing the chords that are really on my fingers but I play one or two note
so it's a basic level of what you want to do is watch the video over.
Write that out the chord progression the notes and transpose it to the other keys.
So you can figure it out.
That's a great exercise for you.
At the very least you play it in the key of G my B flat and become a great jazz musician in that way.
All right let's move on to the next step of the program.